Podcast appearances and mentions of charles mee

Michi Barall is a New York City-based actor, playwright and academic. As an actor, Michi has appeared in new plays by Julia Cho, Philip Kan Gotanda, A.R. Gurney, John Guare, Naomi Iizuka, Han Ong, Jose Rivera, Paul Rudnick, Charles Mee, Sarah Schulman, Anna Deavere Smith, Diana Son, Lloyd Suh, Regina Taylor, Doug Wright and Chay…

Michi Barall is a New York City-based actor, playwright and academic. As an actor, Michi has appeared in new plays by Julia Cho, Philip Kan Gotanda, A.R. Gurney, John Guare, Naomi Iizuka, Han Ong, Jose Rivera, Paul Rudnick, Charles Mee, Sarah Schulman, Anna Deavere Smith, Diana Son, Lloyd Suh, Regina Taylor, Doug Wright and Chay…

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi discuss their fifth book of the year, 'And Then, You Act' by Anne Bogart.  Anne Bogart lives in New York City. She attended Bard College (BA) and New York University (MA). She is the co-artistic director of SITI Company, and her works there have included: Café Variations, Trojan Women, American Document, Antigone, Under Construction, Freshwater, Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Death and the Ploughman, La Dispute, Score, bobrauschenbergamerica, Room, War of the Worlds, Cabin Pressure, War of the Worlds: The Radio Play, Alice's Adventures, Culture of Desire, Bob, Going, Going, Gone, Small Lives/Big Dreams, The Medium, Noel Coward's Hay Fever and Private Lives, August Strindberg's Miss Julie, and Charles Mee's Orestes. She is a professor at Columbia University. She has also written four books: A Director Prepares, The Viewpoints Book, And Then, You Act and Conversations with Anne.Support the Show.If you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

ABOUT WILL McFADDEN AND #STORYTIME Welcome to the award winning #Storytime Podcast! The Internet is a dumpster full of stories, and our host Will McFadden is the most fearless and skilled dumpster diver in the game. #Storytime features the top podcasters, YouTube creators, TikTok stars, Reddit masters, and everyday folks who all share a love of great storytelling. Subscribe now and follow on Instagram, TikTok, Twitter, and Facebook to become an official Fable Baby today! This season guests include Rider Strong, Adam Pally, McCall Mirabella, SeanDoesMagic, and many more. Episodes here: https://www.iheart.com/podcast/1119-the-storytime-podcast-77077583/ ABOUT WILL McFADDEN Will McFadden is Chief Creative Officer at Collab and Company Member at The Actors' Gang. The Actors' Gang ensemble has included accomplished actors such as Jack Black, Lee Arenberg, John Cusack, John C. Reilly, Brent Hinkley, Helen Hunt, Kate Walsh, Kyle Gass, Fisher Stevens, Ned Bellamy, Jeremy Piven, Ebbe Roe Smith, Kate Mulligan, and Tim Robbins. The theater company has presented the work of innovative theater artists including Georges Bigot, Simon Abkarian, Charles Mee, Culture Clash, Bill Rauch and The Cornerstone Theatre Company, Tracy Young, Namaste Theater Company, Roger Guenver Smith, Eric Bogosian, Oskar Eustis, Danny Hoch, Beth Milles, David Schweitzer, Brian Kulick, Stefan Haves, Jason Reed, Michael Schlitt and Tenacious D. Guest artists that have appeared on The Actors' Gang stage include: Jackson Browne, Sarah Silverman, Ben Gibbard, John Doe, Tom Morello, Jenny Lewis, Wayne Kramer, Paul Provenza, Zooey Deschanel, Serj Tankian, David Crosby, Pink, Felicity Huffman, Jill Sobule, William H. Macy, Phillip Baker Hall, Jeanne Tripplehorn, T.C. Boyle. and the late, beloved, Gore Vidal.Touring productions include The New Colossus, Harlequino: On to Freedom, A Midsummer Night's Dream, George Orwell's 1984, The Exonerated, Tartuffe, Embedded, The Trial of the Catonsville Nine and The Guys. Over the last thirty years The Actors' Gang has toured the U.S. in forty-five states and on five continents, performing across the world from London to Milan, Bucharest, Athens, Madrid, Barcelona, Bogota, Beijing, Shanghai, Hong Kong, Melbourne, Buenos Aires and recently, to Santiago and Concepcion, in Chile.

Amir Arison stars as Aram Mojtabai on NBC's hit series “The Blacklist. Notable recurring roles in television include work on HBO's “Girls,” the Emmy Award-winning “Homeland,” NBC's “Law & Order: Special Victims Unit,” “Zero Hour,” “Dallas,” “True Justice,” and “State of Georgia,” as well as Julia Stiles' hit web series “Blue.” Recent guest star appearances include “American Horror Story,” “NCIS,” “The Mentalist,” “Major Crimes,” “Once Upon a Time in Wonderland,” “Gossip Girl,” “Fringe” and “See Dad Run,” among others. Arison has also been a series regular on Bryan Singer's acclaimed Digital Series “H+” for Warner Bros. Arison's film credits include “A Merry Friggin' Christmas” with Robin Williams, “Big Words,” “I Hate Valentine's Day” with Nia Vardalos, Tom McCarthy's “The Visitor,” “Today's Special,” “Vamps” with Alicia Silverstone, and the upcoming “Jane Wants a Boyfriend.” Arison also has an extensive background in theater, which includes the New York premieres of Stephen Belber's “The Muscles in Our Toes,” “Aftermath” (Drama League Nominee), Christopher Durang's “Why Torture Is Wrong… ,” Charles Mee's “Queens Boulevard,” “A Very Common Procedure,” “Modern Orthodox,” “Omnium Gatherum” (Pulitzer Finalist), “Candy & Dorothy” and “A First Class Man.” Internationally, Amir starred in Michael Kahn's award-winning “Love's Labour's Lost” (RSC's Complete Works Festival). Notable regional credits include appearances in productions at The Shakespeare Theatre D.C., The Huntington Theatre Company, Yale Repertory Theatre, Paper Mill Playhouse, The Long Wharf Theatre, Portland Center Stage, The Lyric Theatre, Shakespeare Festival of St. Louis, Olney Theatre Center and the Dorset Theatre Festival. Amir grew up in Fort Lauderdale, Florida and attended Columbia University in New York City. He recently made his Broadway debut playing the leading role of Amir in The Kite Runner on Broadway. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ceridwen Dovey and Eliza Bell collaborated to create a genre-defying work about motherhood. Ceridwen is a writer based in Sydney. She's the author of several acclaimed works of fiction (Blood Kin, Only the Animals, In the Garden of the Fugitives, Life After Truth, Once More With Feeling) and non-fiction (On J.M. Coetzee: Writers on Writers and Inner Worlds Outer Spaces: The Working Lives of Others). Her non-fiction essays have been published by newyorker.com, the Smithsonian Magazine, WIRED, Vogue, the Monthly and Alexander, among many others. She's the recipient of an Australian Museum Eureka Award, and the 2020 and 2021 UNSW Press Bragg Prize for science writing. Eliza is a teacher, writer and theatre actor, originally from America and now living permanently in Australia. Her theatre performances include: The Memory of Water, A Midsummer Night's Dream, New Jerusalem, The Accident, Charles Mee's Snow in June, Donnie Darko and Three Sisters. She trained at Studio Magenia Ecole de Mime in Paris and the Moscow Art Theatre, UC Berkeley and the ART Institute at Harvard University. Ceridwen has appeared on The Garret twice before, and you can listen to her interview from 2018 here, and her interview from 2020 here. About The Garret Read the transcript of this interview at thegarretpodcast.com. You can also follow The Garret on Twitter and Instagram, or follow our host Astrid Edwards on Twitter or Instagram. See omnystudio.com/listener for privacy information.

In this episode, Adam and Budi have a great conversation with Director and Author Anne BogartAnne Bogart is one of the three Co-Artistic Directors of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include Falling & Loving; The Bacchae, Chess Match No. 5; Lost in the Stars; The Theater is a Blank Page; Persians; Steel Hammer; A Rite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice's Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward's Hay Fever and Private Lives; August Strindberg's Miss Julie; and Charles Mee's Orestes. Recent operas include: Wagner's Tristan and Isolde, The Handmaid's Tale, Handel's Alcina, Dvorak's Dimitrij Verdi's Macbeth, Bellini's Norma, and Bizet's Carmen. She is the author of six books: A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne, What's the Story, and The Art of Resonance. Mentioned in this episode:Leon IngulsrudElvira MadiganEinstein on the BeachTFANAOccupy WallstreetMark RylanceJoseph HajKristy EdmondsThe Extended MindDigital Theatre PlusMusic credit: https://www.purple-planet.com

Gabi Van Horn, director of Big Love by Charles Mee, joins Dunya J. Karam In The Green Room to discuss Standby For Places' latest production!

Written by Charles Mee, directed by Gabi Van Horn. What do you get when you mix fifty brides, fifty grooms and an Italian country manor? Blood and murder, naturally. Charles Mee, the playwright, drew inspiration for Big Love from The Suppliants by Aeschylus -- AKA the "original" western play -- creating a modernized tale of sisterhood, obligation, gender norms and LOVE that sticks to your ribs.

In this episode, Adam and Budi speak with company member Steven Gaultney about playwrighting and his dramaturgy for the Audio New Play Festival.Steven Gaultney is a Brooklyn-based playwright. His plays include A Thousand Ships at the Bottom of the Sea, Limb from Limb, Negligence, and Adam's Dream. He is the resident playwright and dramaturg for The Theatre of Others, which has produced two of his plays. His work has been produced and/or developed by  Chautauqua Theatre Company, Columbia University, LASALLE College of the Arts, New York Theatre Workshop, The Theatre of Others, the undergroundzero festival, and Theatre for a New Audience. Steven has benefitted from the mentorship of Edward Bond and Charles Mee, among many others. M.F.A.: Columbia University.steven@theatreofothers.comInstagram: @stevengaultneyMentioned in this Episode:Leith McPhersonThe Cook, The Thief, His Wife, and her LoverLeon IngulsrudRomeo CastellucciTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com

Mark Williams (he/him) is a Projections and Media Graduate Student attending the University of Maryland. An associate for VidCo: Virtual Design Collective, he designed set dressings and camera solutions for Geffen Playhouse's hit live Zoom production, Someone Else's House, described as “A frightening digital coup-de-theatre.” by The New York Times. -The New York TimesAs a Props and Puppetry Freelancer from the Philadelphia region, he has worked in theatres such as Delaware Theatre Company, The Idiopathic Ridiculopathy Consortium, Philadelphia Theatre Company, Hangar Theatre, The Walnut, Opera Delaware, and Theatre Horizon. Learn more athttps://www.Markwdesign.com On Geffen Playhouse's Someone Else's House: Obie Award-winning multimedia artist Jared Mezzocchi has a harrowing story to tell: his family's frightening, true-life haunting inside a 200-year-old New England house. Flip the switch, light your candles, and prepare yourself (as best you can) for this first-hand story of terror with the latest interactive production from the Geffen Stayhouse.On Mark: “My own work begins with the primary goal of theatre, which Charles Mee described as “a practice for life." In its most basic sense this means what we witness in the performance space should develop us as persons, and better prepare us for the contradictions abound in life. Bitter sweetness and emotional ambivalence are representative of the human condition and should be represented by the characters we seek on stage. I seek contradiction, irony, hypocrisy, and to unravel how people make decisions. I'm interested in developing performance ideas that heighten the reactivity between performer, audience, and design. To reduce the static nature of projection and media brings it more in line with the liveness of theatre and dance.”

In this episode of The Talking Cure, Kristy Geslain, Senior Producer at ALL ARTS, the New York Emmy® Award-winning arts and culture hub created by WNET, talks about its innovative partnership with MSU's PEAK Performances bringing the world's best contemporary artists to HD broadcasting and on-line streaming. Hear about the upcoming launch of this groundbreaking programming initiative presented everywhere via PEAK HD, starting with FALLING & LOVING by Anne Bogart, Elizabeth Streb, and Charles Mee. For more information about ALL ARTS https://allarts.org Visit PEAK HD https://www.peakperfs.org/peak-hd/ Produced by PEAK Performances and the Office of Arts + Cultural Programming at Montclair State University Natalie Marx, Producer and Editor More episodes of The Talking Cure https://www.peakperfs.org/podcasts/ Available in Soundcloud and iTunes Support PEAK Performances https://www.peakperfs.org/donate/ Follow us! https://www.instagram.com/peakperfs/ Podcast recorded remotely via Zoom on September 11, 2020

In this episode, Adam and Budi speak with their collaborator, playwright Steven Gaultney. Steven Gaultney is a Brooklyn-based playwright. His plays include Negligence (The Theatre of Others), Adam’s Dream, and adaptations of Aeschylus’ Oresteia, Seneca’s Thyestes, Euripides’ Iphigenia in Aulis, Shakespeare’s Antony and Cleopatra, and Grimms’ Fairy Tales. His work has been produced and/or developed by Chautauqua Theatre Company, Columbia University, LASALLE College of the Arts, New York Theatre Workshop, The Theatre of Others, and the undergroundzero festival. Steven is a graduate of Columbia University’s M.F.A. in Playwriting program and has benefitted from the mentorship of Edward Bond and Charles Mee, among many others. He’s been a remote resident playwright for The Theatre of Others since 2011. Mentioned in this episode:Matthew WilsonCrossfit SingaporeSara KaneSam ShepardHoward BarkerJackie Sibblies DrurySuzan-Lori ParksMaria Irene FornesAdrienne KennedyAugust WilsonJeremy O HarrisBrendan Jacob-JenkinsAleshea HarrisSoho RepPlaywrights HorizonsDominique MorrisseauLynn NottageThe KilroysWar and Peace by TolstoyMaya AngelouThe Crucible directed by Ivo van HoveThe Bacchae by EuripidesJoseph CampbellQui NguyenTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com

Laurie talks to professional director John Vreeke about Seattle and D.C. Theatre on pause, hiking, Northern Exposure, Charles Mee's Love Sonnets, and what a difference an Albuquerque makes.FUSION Forum Podcast is sponsored by FUSION Theatre Company, New Mexico’s professional producing theatre company since 2001. Located in the Arts and Cultural district of downtown Albuquerque, FUSION makes its creative home within The Forum, a community inspired multi-venue space. The interviews in this podcast are dedicated to capturing the activities, passions, and tangential paths artists utilize to nurture their creative souls.Laurie Thomas is a Co-Founder and Co-Artistic Chair of FUSION. She is a professional actor, director, writer, educator, and host of FUSION Forum Podcast.

In Discovering the Clown, or The Funny Book of Good Acting (TCG, 2019) Christopher Bayes (Head of Physical Acting at the Yale School of Drama) introduces you to the clown, “the playful self, the unsocialized self, the naive self…the big stupid who just wants to have some fun with the audience.” Learn about “the speed of fun,” find out why the Red Nose is the world’s smallest mask, and discover insights that extend far beyond the stereotyped world of Bozo and Ronald McDonald. Whether you’re an actor, a director, or just someone who wants to reconnect with your inner clown, this book is for you. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, where he studied with David Henry Hwang, Lynn Nottage, Charles Mee, Kelly Stuart, and Doug Wright. His plays have been produced or developed at Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, The Trunk Space, Columbia University, Marquette University, and Harvard University. He is currently working on a series of 50 plays about the 50 US states. https://www.andyjboyd.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep1: THE TALKING CURE: Conversations with Jedediah Wheeler Anne Bogart, Elizabeth Streb and Charles Mee speak to Peak Performances' Executive DirectorJed Wheeler about their collaboration for the upcoming world premier of "Falling & Loving" at the Alexander Kasser Theatre. More: https://www.peakperfs.org/event/falling-loving/2019-10-12/ https://streb.org http://siti.org Produced Peak Performances and the Office of Arts and Cultural Programing at Montclair State University Artistic Director, Jedediah Wheeler Producer, Natalie Marx Recorded on Sept 17, 2019 at WMSC Radio

Meet actress Angelina Fiordellesi who is about to open in First Love, a brilliant and touching Charles Mee play at the Cherry Lane Theatre. (38 Commerce Street, a charming cul de sac between Barrow and Bedford Streets in the West Village) Mee explores a later-in-life relationship and the things women of a certain age may feel but never say. Comedic and tender, First Love opens Thursday, June 7 and continues through July 8. www.cherrylanetheatre.org

It's Episode 107 with Meridith Grundei!  We talk about Naropa University's upcoming production of Under Construction, by Charles Mee.  Advance reservations are required. >>Purchase tickets here. To find out more about Meridith's upcoming improvised year, please visit www.thisimprovisedyear.com. To learn more about Red Ball Speaks, please visit www.redballspeaks.com. Stay in Meridith's AirBNB by visiting this link. This episode is sponsored by Panfocal Photography.

To mark last year's centennial of the birth of the writer and theologian Thomas Merton, the Actors Theater of Louisville has produced a play about him called "The Glory of the World." Merton spent much of his life in a Trappist monastery near Louisville. The play, written by Charles Mee and directed by Les Waters, has now blown its way into the Harvey Theater at BAM. The play is by no means a straightforward biographical drama and, in fact, it's unusual enough that we’ll just let New York Times theater critic Charles Isherwood explain. "The Glory of the World" can be seen at the Harvey Theater through Feb. 6.

Bob Wilcox and Gerry Kowarsky first review WICKED by Stephen Schwartz and Winnie Holzman, at the Fox Theatre. Next is an archive review of BIG LOVE, by Charles Mee, at the Webster Univ. Conservatory. Then Bob and Gerry interview Jef Awada, the director of BIG LOVE, about taking this production to a theater festival in Cuba.

Bob Wilcox and Gerry Kowarsky review (1) OR,, by Liz Duffy Adams, at Slightly Askew Theatre Ensemble, (2) THE NINA VARIATIONS, by Steven Dietz, at Flying Blind, (3) BIG LOVE, by Charles Mee, at the Webster Univ. Conservatory, (4) ANY NUMBER CAN DIE, by Fred Carmichael, at KTK Productions, (5) RUMORS, by Neil Simon, at Saint Louis Univ., (6) BLUES FOR MR. CHARLIE, by James Baldwin, at Washington Univ., (7) THE TEMPEST, by William Shakespeare, at Univ. of Missouri-St. Louis, (8) MILLION DOLLAR QUARTET, by Floyd Mutrux, Colin Escott, et al., at the Fox Theatre.

Bob Wilcox and Gerry Kowarsky review (1) DIE WALKURE, by Richard Wagner, at Union Avenue Opera, (2) TIME STANDS STILL, by Donald Margulies, at Insight Theatre Co., (3) THE TWO NOBLE KINSMEN, by William Shakespeare and John Fletcher, at St. Louis Shakespeare, (4) THE SUNSET LIMITED, by Cormac McCarthy, at Theatre Lab, (5) RED, by John Logan, at Encore! Theater Group, and (6) BIG LOVE, by Charles Mee, at Moonlighting Theatre.

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Marin Mazzie talks about taking on the role of Diana Goodman in Broadway's "Next to Normal" and whether she and her co-star/husband Jason Danieley take their work home with them after the show. She also talks about her early professional experiences, including The Barn Theater in Michigan and An Evening Dinner Theatre in Westchester NY; appearing in the ultimately truncated national tour of "Doonesbury"; stepping into roles in the original productions of "Big River", "Into The Woods" and "And The World Goes Round"; her first opportunity to create a role, Clara in Sondheim and Lapine's "Passion", and having it created around her; the journey of "Ragtime" from Toronto to Broadway; her foray into the classics with Charles Mee's version of "The Trojan Women" for the site-specific company En Garde Arts; the differences between appearing in both "Kiss Me, Kate" and "Spamalot" in New York and London; and her forays into non-musical roles with "A Streetcar Named Desire" at Barrington Stage and "Enron" on Broadway -- and why she wants more opportunities to do more than just musicals. Original air date - September 8, 2010.

Red Velvet Media talks to Crispin Cioe. Crispin Cioe has been playing the saxophone and composing since attending the University of Michigan, Berklee School of Music--and then doing graduate studies at frat parties, bars, nightlclubs, concert stages, arenas, stadia, and recording studios around the nation and the world. He is the co-creator of the brass and reed section The Uptown Horns and has played on hundreds of albums, performed with pop superstars, produced records, composed for film, and served as musical director for television shows and the theater. In short, his career is quintessentially New York in its breadth and scope. In fact, in 2002 he was nominated for one of the most coveted and prestigious awards in the world of American Theater -- the Drama Desk award for Best Music in a Play, for his work as Music Director of the third play in a trilogy by author Charles Mee entitled True Love. Over the past two years Crispin's own band, Cracked Ice, has become a constantly in-demand party-music unit, performing at night clubs, corporate events, and private affairs in the metro-NYC area, New England, the Caribbean, and beyond. Cracked Ice features several of Crispin's long-time musical compadres -- all studio/touring stars on thier own--who come together to raise the bar for musical entertainment at parties and events. In 2007, look for the debut album release from Cracked Ice, called “Soul Noir”, which features Crispin's original songs and the band's retro/ nuevo soul sound, based on the classic male/female duet format a la Marvin & Tammi, Ike & Tina, Inez & Charlie Foxx, etc. In the past year, Crispin has recorded with the bands Coldplay and the Scissors Sisters (debut/2nd LPs).