Podcast appearances and mentions of Donald Margulies

Evan Handler is beloved by millions for portraying Harry Goldenblatt, divorce-lawyer-turned-husband to Kristin Davis's Charlotte York, on HBO's groundbreaking series, and films, “Sex and the City,” it's current MAX follow-up, “And Just Like That,” as well as Charlie Runkle on Showtime's seven season “Californication.” In addition to authoring two highly acclaimed books, Time on Fire: My Comedy of Terrors, and It's Only Temporary: The Good News and the Bad News of Being Alive, Evan has played leading roles in ABC's “It's Like, You Know…,” and NBC's “Studio 60 on the Sunset Strip,” STARZ' “Power,” and made numerous memorable guest appearances on “Lost,” “The West Wing,” “Six Feet Under,” “Necessary Roughness,” and “Friends.” In 2000, Evan played Larry Fine in ABC's TV movie “The Three Stooges,” followed by additional “real life” portrayals of Lloyd Blankfein in HBO's “Too Big to Fail,” Alan Dershowitz in FX's “People vs. OJ Simpson,” and Hal Prince in FX's “Fosse/Verdon,” each of which garnered numerous wide-ranging awards. On the big screen, Evan played a leading role in Ron Howard's “Ransom,” starring Mel Gibson, and featured and leading roles Oliver Stone's “Natural Born Killers,” “Taps,” “The Chosen,” and “Sweet Lorraine.” He's currently visible in David Duchovny's directorial effort, “Reverse the Curse.” Prior to his work in film and television, Evan earned acclaim in seven Broadway productions, all performed between his twenty-first and thirtieth birthdays, and all in spite of losing nearly five years of that span to his fight against a supposedly “incurable” leukemia. During this time Evan starred in Broadway productions of “Six Degrees of Separation,” “I Hate Hamlet,” “Brighton Beach Memoirs,” “Broadway Bound” and “Master Harold...and the boys.” Evan also worked extensively in off-Broadway and regional theater at NY's Public Theater, Manhattan Theater Club, Playwrights Horizons, Seattle Rep, and Steppenwolf, performing early plays by Donald Margulies, Robert Schenkkan, Jez Butterworth, and numerous others. Evan's first book, Time On Fire, details his unlikely recovery from the leukemia diagnosed in the mid-1980s. His second book, It's Only Temporary: The Good News and the Bad News of Being Alive, describes the twenty-year period post-illness, and Handler's surprisingly circuitous journey toward gratitude, using tales of serial dating, absurd relationships, unexpected depressions, and, ultimately, lasting love and a miracle conception. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pulitzer Prize-winning playwright Donald Margulies has written works that have delighted audiences in many Buffalo theaters as well as around the world. Currently, one of his plays, Shipwrecked - An Entertainment, is onstage at the Road Less Traveled theater, and Mr. Margulies was gracious enough to record this interview with Peter to celebrate this production. Reminiscing about everything from his humble beginnings in Brooklyn to his previous visit to Buffalo when RLTP last produced one of his plays, this delightful conversation is both enlightening and fun! But first, Constance Caldwell talks about her new television show spotlighting local musicians: Jazz Scene Buffalo!

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

In the middle decades of the twentieth century in New York City, Dubrow's cafeterias in the Flatbush section of Brooklyn and the garment district of Manhattan were places to get out of your apartment, have coffee with friends, or enjoy a hearty but affordable meal. They were grounded in the world of Jewish immigrants and their children, and they thrived in years when Flatbush and the Garment District each had a distinctly Jewish character. The cafeterias were also places where working class and modestly middle class New Yorkers of European ancestry, with few great luxuries in their lives, could enjoy a taste of culinary abundance. Under demographic changes, economic decay and high crime in the 1970s and 1980s, the world that produced Dubrow's came apart. The Brooklyn branch of Dubrow's closed in 1978, the Manhattan branch in 1985. But before Dubrow's cafeterias were shuttered, Marcia Bricker Halperin captured their mood and their patrons in black and white photographs. These pictures, along with essays by the playwright Donald Margulies and the historian Deborah Dash Moore, constitute Marcia's book Kibitz and Nosh: When We All Met at Dubrow's Cafeteria, published by Cornell University Press (2023) and winner of a National Jewish Book Council prize for Food Writing and Cookbooks. Robert W. Snyder, Manhattan Borough Historian and professor emeritus at Rutgers University, is editing an anthology of New Yorkers' memories of the COVID-19 pandemic for Cornell University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

River City Community Players will present “Collected Stories” at 7:30 p.m. Feb. 23 and at 2:30 p.m. and 7:30 p.m. Feb. 24 at the Gayton Kirk Presbyterian Church, 11421 Gayton Road. Donald Margulies' “Collected Stories” exposes the conflict between an established short-story writer and her adoring fan who becomes a protégé, disciple, colleague and friend – and eventually a threatening rival. Admission to the first two performances (7:30 p.m. Feb. 23 and 2:30 p.m. Feb. 24) are pay-what-you-can. Reservations can be made by emailing rccppresents@gmail.com or phoning (804) 554-0595. The remaining performances are ; tickets can be purchased online. The show continues next...Article LinkSupport the show

Peter Friedman - has been in the original New York productions of works by Wendy Wasserstein, Simon Gray, C.P. Taylor, Charles Fuller, Annie Baker, Amy Herzog, Max Posner, Greg Pierce, Jennifer Haley, Deborah Zoe Laufer, The Debate Society, Rachel Bonds, Lauren Yee, Will Eno, Michael Mitnick, Kim Rosenstock, Will Connolly, Gunnar Madsen, Joy Gregory, John Lang, Susan Stroman, David Thompson, John Kander, Terrence McNally, Lynn Ahrens, and Stephen Flaherty. He's performed in NYC revivals of plays by Paddy Chayefsky, Reginald Rose, Donald Margulies, Chekhov, and Shakespeare. Film: The Savages, Safe, Single White Female. TV: “Brooklyn Bridge,” “High Maintenance,” “The Muppet Show,” “The Affair,” “The Path,” “Succession.” Sydney Lemmon - Off-Broadway debut. Broadway: Beau Willimon's The Parisian Woman. Film: TÁR, Firestarter, Velvet Buzzsaw. Television: “Helstrom,” “Succession,” “Fear the Walking Dead” (Saturn Award Nomination). She can next be seen alongside Halle Berry in the forthcoming feature film The Mothership. Sydney is a graduate of Boston University, LAMDA and the Yale School of Drama. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Producer-Director Casey Childs founded Primary Stages, a leading New York City Off-Broadway theater, in 1984. Primary Stages has produced over 175 new plays, giving playwrights the opportunities to see their new works staged, including: Christopher Durang, Tina Howe, John Patrick Shanley, Lee Blessing, David Ives, Donald Margulies, Theresa Rebeck, and A.R. Gurney among many others. Casey directed many of those productions for the company, as well as helming new plays at other Off-Broadway theaters.            He served as the Artistic Program Director for the New Dramatists from 1982-1985 where he worked with numerous leading American playwrights in their early years.Casey's the recipient of the Carnegie Mellon University Commitment to New Playwrights Award, as well as the winner of two Emmy Awards and many nominations for his extensive work in television.               He's a past Vice President of the Directors Guild of America and a past trustee of the National Association of Television Arts and Sciences.              At Primary Stages Casey launched the Einhorn School of Performing Arts, the Fordham/Primary Stages MFA in Playwriting program, and the Primary Stages Off-Broadway Oral History Project, which has documented over 190 interviews with the leaders of the Off-Broadway movement.             Casey's taught at many universities including Duke, Columbia and NYU, and he's currently an Associate Fellow at Grace Hopper College at Yale University. 

In the first episode of the Season 9 Themed Month, Jackson and Jacob have a "new chat" about an "old script." In this month, J&J have short, follow-up conversations covering scripts already discussed in the previous 8 seasons of No Script. This week: "Dinner with Friends" by Donald Margulies, which Jacob directed earlier this summer.  Listen to the original episode here:  https://noscriptpodcast.podbean.com/e/no-script-the-podcast-s3-episode-13-dinner-with-friends-by-donald-margulies/ https://open.spotify.com/episode/6036quiC9l7cx8X1oNKNGe ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week.

HAVE YOU EVER BEEN IN A SITUATION WHERE THE "PROFESSOR" BECOMES THE "STUDENT?" This subject is at the center of the play Collected Stories by Donald Margulies, produced by DramaDogs, and starring E. Bonnie Lewis and Felicia Hall. Both Bonnie and Felicia are my guests on this episode of Jim On The Air. Bonnie Lewis plays Ruth Steiner, a professor and lauded writer of short stories. Ruth hires graduate student Lisa Morrison played by Felicia Hall, to be her assistant. Lisa, also a writer, thrives in her new role and becomes Ruth's protégé—then her rival upon the release of her first novel. In Collected Stories, the complicated issue of story ownership is at the fore. This intelligent and engaging play by Donald Margulies asks questions about consent, appropriation, and the ethics of taking artistic license. Give it a listen! We have a fantastic conversation about the play, theater, how actors prepare a role, AND... GUILTY PLEASURES! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jim-sirianni/support

Margaret is directing Violet right now at Georgetown University but she never says why she wanted to discuss this album! Topics include: progress, Donald Margulies, Hedda Gabler, finding the humor in dramas, going too far, the state of modern theatre education, and perception Follow Margaret and her work on Instagram and Twitter Come see Violet! Free performances March 24th-27th, 30th, and April 1st-2nd at Georgetown University Learn more about Georgetown performing arts Earth Cover to Cover (Margaret's travel blog) Featured recording: Violet - Original Broadway Cast Recording (2014) Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email

We went into Dinner With Friends expecting a filmed TED Talk on the Rashomon of a disintegrating marriage; instead, we got the American Kennel Club metaphor wheel, disproportionate anger about balsamic vinegar, and a surprising argument in favor of casting Andie MacDowell -- AND Dennis Quaid, who turns in a pretty Quaidy performance either despite or because of Remy McSwain blocking. We had our issues with the 2001 TV movie (Quaid as a food writer who can't pronounce "pomodoro," for one; the dearth of car talk after a dinner-party meltdown, for another) and we didn't agree on Quaid's spectacles, but at the end of 94 minutes, the cumulative effect of stagey construction, Steve Winwood, and good-faith revelations was positive. Fix yourself a rum and tonic and pick a vegetable: it's the latest Quaid In Full. Overall score: 7.25 QQQ score: 7.5 Days since a lost Kuffs accident: 98 SHOW NOTES Follow us on Twitter (http://twitter.com/quaidinfullpod) Get EVEN MORE Qontent (...sorry) at our Patreon page (https://www.patreon.com/quaidinfull) Can YOU get past the first 27 seconds of The Dennissance? (https://podcasts.apple.com/us/podcast/the-dennissance/id1503394153) USA Today's review (https://usatoday30.usatoday.com/life/enter/tv/2001-08-10-dinner-with-friends.htm) Variety's review (https://variety.com/2001/tv/reviews/dinner-with-friends-4-1200469558/) Ruth Reichl on the doomed prospects of the Gourmet website (https://www.eater.com/2019/3/29/18285307/ruth-reichl-memoir-save-me-the-plums-excerpt-gourmet-website)

Getting Out of the Way with Matthew Arkin Today we welcome Broadway, film and TV actor Matthew Arkin.  Matthew is also an author, acting teacher, writing coach, and co-host of the podcast The Arkin Brothers Talk about Movies. Recently, he has added booze entrepreneur to the many hats he wears, and we'll hear about that today as well! Our conversation includes:- Matthew's background and his new project, the grain-based spirit business, Batch 22 - A story about walking out on stage and doing absolutely nothing - The lesson and gift of his story:  not controlling the experience - The only way to make it happen is to stay out of the way and let it happen - Matthew's book The Country of the Blind, and a script about...lava babies!-  Learn about his booze entrepreneurship, Batch 22 and creativity with cocktails - The Batch 22 Road Trip:  16 cities in two weeks = a lot of craft cocktail drinking- Connect with Matthew at the links below Guest Bio: Matthew Arkin is an actor, author, and educator. Among his extensive television credits are Get Shorty, Hawaii Five-0, Bull, Criminal Minds, NCIS, Aquarius, and Law and Order. Film credits include indies Margot at the Wedding, Second Best, Raising Flagg, The Curse, and Bittersweet Place, as well as Death to Smoochy, Liar, Liar, North, and An Unmarried Woman. His Broadway credits include Neil Simon's The Sunshine Boys, with Jack Klugman and Tony Randall, Mr. Simon's Laughter on the 23rd Floor, and Manhattan Theater Club's Losing Louie. Other New York credits include originating the role of Gabe in Donald Margulies' Pulitzer Prize-winning Dinner with Friends (Drama Desk nomination), Moonlight and Magnolias at MTC, Rounding Third and War in Paramus. Among his regional theater credits are The Sisters Rosenswieg, The Siegel, All the Way, The Whale, The Prince of Atlantis, and Our Mother's Brief Affair, all at South Coast Rep, Surf Report at La Jolla Playhouse, and The Scene at Hartford Stage Company. He teaches acting in Los Angeles, and is Director of the Acting Intensive Program at South Coast Repertory and an adjunct professor at Dodge College of Film and Media Arts at Chapman University. He is also the author of the suspense novel In the Country of the Blind.Matthew's website: https://www.matthewarkin.com/Matthew Arkin Studio: http://matthewarkinstudio.com/Drink Batch 22:  DrinkBatch22.comThe Arkin Brothers Talk about Movies Podcast: https://apple.co/3wluNw2Sign up for Matthew's newsletterConnect with Story and HorseFacebook: @storyandhorseInstagram: @storyandhorse

Zoë Yeoman made her professional acting debut at the age of 16 at Kings Hall in Heidelberg, Germany, in a production of Godspell. Since then she's worked in almost every major market across the United States.A working actor and a member of Actor's Equity • SAG|AFTRA and at times Producer and Director, some of Zoë's favorite roles include Lisa Kron in Well with the Arizona Women's Theatre Company, Ruth Steiner in Donald Margulies' Collected Stories, Dr. Vivian Bearing in Wit, and as Haley Walker in Theresa Rebeck's Bad Dates, a role which she recently reprised at The Aux Dog Theatre, directed by Victoria Liberatori in Albuquerque, New Mexico.She originated the role of Margaret in James Riordon's award winning play, Apollo Redux, and played dual roles in the Washington, D.C. premiere of Emma's Child, for Horizons' Theater.On film, Zoë most has appeared in many short and feature films, The Five Cent Curve, by Brendan Hayward and in All About You, directed by auteur Christine Swanson. Starring roles include Vanessa in Carrots and Onions and K.K.Kettering in the short film, Creole Lady Angelle. She recently played a police captain in festival favorite, Raising Buchanan, written and directed by Bruce Dellis. Additionally, she waits for the release of M.E.C.C.A.-The Film.On Television, you've seen Zoë in episodes of Law & Order: Special Victims' Unit, David E. Kelley's The Practice; Strong Medicine, The Drew Carey Show and the ABC Sitcom, Rodney. She earned her Equity card with “the best understudy performance in 20 years” at the Kennedy Center/Eisenhower Theatre in Washington, D.C., during a run of The Magic Fire, produced in conjunction with and by the Oregon Shakespeare Festival, (directed by Libby Appel). Zoë's producing and directing credits include multiple One-Act plays, short films and theatrical productions for the Arizona Women's Theatre Company's, “Pandora Festival” and for Aux Dog Theatre's “Laughing Dog” 10-minute play festival.Zoë is the athletic type, enjoying every major sport; especially Baseball. She is an avid Golfer and has played courses from the Bay Area to Scottsdale, Arizona to Williamsburg, Virginia. Having learned to Ski in the Austrian Alps, she has skied the Alps of Europe and the Eastern and Western slopes of the United States. She also rides horses and recently gave up her beautiful APHA 16.2h gelding, “Zoë's Situation Comedy” (AKA “Rolling!”), so that he could have the life he deserves by trailering, mountain and streams rides through Flagstaff, AZ. An avid collector of antique furniture and 20th Century Modern Art, Zoë has visited most of the major museums and cathedrals of Europe, adding a few more during a past trip to Greece, Italy and Turkey.Her two Standard Poodles, Pale Ale, and Porter are the lights of her life. Her Shih Tzu, Barley Wine rounds out her beer-named Pups. She drives a 1977 Lincoln Continental Mark V among other things and looks forward to getting her '67 Honda CB-450 back on the road very shortly. A new bike was in the cards for her recent Birthday, but that plan was interrupted by the purchase of a home in Albuquerque, NM where she currently resides with her husband of almost 30 years, Daniel.Ms. Yeoman was on the Board of Directors and was very proudly, the first female Membership Chair of the Friars' Club of California and is a past president of the Arizona Women's Theatre Company. She's a member of the Santa Fe chapter of The Hamptons Table, belongs to the New Mexico Chapter of Women in Film and her on-going search for a theatre company to call home, continues. To reach out, please do so through the Contact page herein, or call her Agents, Katrina or Mina at South West Artist Group in New Mexico/Arizona or Linda Ryan at Cross Beam Talent, Atlanta, GA.

Annabelle Gurwitch is an actress, activist, and New York Times bestselling author of five books including her latest You're Leaving When, Adventures in Downward Mobility. Other books include: I See You Made an Effort (a Thurber Prize finalist), Wherever You Go, There They Are; and Fired! (also a Showtime Comedy Special). She’s written for The New Yorker, The New York Times, Los Angeles Times, The Wall Street Journal, amongst other publications and is currently adapting You're Leaving When? for HBO, centering on her Los Angeles Times op-ed about hosting an at-risk housing insecure couple in her home which was recognized with a 2020 Los Angeles Press Club excellence in journalism award. Gurwitch was the longtime cohost of Dinner & a Movie on TBS; a regular commentator on NPR; and host of WA$TED for the Discovery Channel. Her acting credits include: The World Premiere of Donald Margulies' Coney Island Christmas, The West Coast Premiere of Wendy MacLeod's Women in Jeopardy, and the West Coast Premiere of David Greenspan's Go Back to Where You Are. Her performance in the title role of Joe and Betty off Broadway and in Los Angeles won her inclusion in "The Top Ten Performances of the Year in Theater" in both The New York and LA Times. Other credits include: Seinfeld, Murphy Brown, Boston Legal, Dexter, and Melvin Goes to Dinner. She performs her stories with The Moth and at arts centers around the country. Gurwitch lives in Los Angeles and co-hosts the Tiny Victories podcast on the Maximum Fun Podcast Network, which Vulture called a “bright spot of light and laughter in 2020.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's our first full episode! We talk about the production of "Shipwrecked! An Entertainment The Amazing Adventures of Louis de Rougemont (As Told by Himself" by Donald Margulies. Our guest is Tyler Rinne, CP Associate Artistic Director, who directed this production. Music - "Coffee" by Josh Woodward. Free download: http://joshwoodward.com/ This podcast is powered by Pinecast.

We're re-releasing 5 of our most popular episodes for a 2020 fresh start!   (Psst: keep your eyes open for an exciting announcement, coming soon...)   The police picked up teenage Ethan (Timothée Chalamet) for drunkenly wandering down the highway. Now, he's facing the real reckoning for his Misadventure: the wrath of his big sister (Zoe Kazan.) Playwright and director Donald Margulies is a Pulitzer Prize winner for Dinner with Friends and a Pulitzer Prize finalist for Sight Unseen and Collected Stories.   Best known for her leading role in The Big Sick, Zoe Kazan has also played on Broadway and off in A Behanding in Spokane and Angels in America, among others. Her film credits include It’s Complicated, happythankyoumoreplease, and Ruby Sparks.  Timothée Chalamet has received Golden Globe and Oscar nominations for Call Me By Your Name.  Other screen credits include Little Women, Lady Bird, and Beautiful Boy. He won acclaim on Broadway in John Patrick Shanley’s Prodigal Son. After the play, host Claudia Catania talks shop with the entire creative team.

After some cool, rainy nights, the Visiting Authors Reading (week one) came with sunshine, laughs, and fine performances from Sheila Heti, Helen Macdonald, Donald Margulies, Melissa Febos, Ross Gay, and Rachel Cusk.

Winner of the 2000 Pulitzer Prize for Drama, Donald Margulies' play "Dinner with Friends" is a poignant look at how relationships (marriages and friendships) change over time. This week on No Script, listen in as Jackson and Jacob gush over Margulies' incredibly subtle character work.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Logo Text: Paralines designed by Lewis Latham of http://lewislatham.co/ ------------------------------ Thanks so much for listening! We’ll see you next week.  

In this episode, Donald Margulies tells us about his rise to success, including details on his inspirations, focuses, and concerns for theater and its future.

The End of the Tour is a 2015 American drama film about writer David Foster Wallace. The film stars Jason Segel and Jesse Eisenberg, was written by Donald Margulies, and was directed by James Ponsoldt. Based on David Lipsky's best-selling memoir Although of Course You End Up Becoming Yourself, it was released on July 31, 2015, by A24 Films. The film is the first film depiction of Wallace, whom Los Angeles Times called "one of the most influential and innovative writers of the last 20 years". SCENE: "Be A Good Guy" (https://youtu.be/47s_3aPKDXw) Writer David Lipsky (Jesse Eisenberg) is dismayed to hear about the suicide of novelist David Foster Wallace (Jason Segel) in 2008. He had interviewed the author over a period of days twelve years earlier, following the publication of Wallace's novel Infinite Jest, which received critical praise and became an international bestseller, a touchstone for numerous readers. He listens to the recordings he made during their time together. The film returns to the period shortly after the book's release. Although initially skeptical of the high praise Wallace's book is receiving, Lipsky – a writer having only marginal success – is awestruck after reading it. He persuades his editor at Rolling Stone magazine to give him an assignment to interview Wallace during his book tour. The journalist travels to meet Wallace at his home on the outskirts of Bloomington-Normal, Illinois (near Illinois State University where the author teaches writing). Lipsky finds the young author unassuming and amiable, but indifferent to being interviewed. Wallace permits Lipsky to tape-record their conversations, with the proviso that Lipsky won't use any direct quotes which Wallace asks to have taken "off the record" five minutes later. Wallace opens up to Lipsky on a variety of subjects, ranging from dogs to television to fame and self-identity, but remains somewhat guarded. He tacitly admits to a

Kelly AuCoin, aka "Dollar Bill" Stern on Billions, aka "Pastor Tim" on The Americans, joins Laura to talk about his iconic TV roles, his upcoming play ("Long Lost" by Donald Margulies at Manhattan Theatre Club), the Portland Trailblazers, the nonprofit organization KultureCity.org, and much more.

The End of the Tour (2015) Directed by James Ponsoldt Written by Donald Margulies, Based on a book by David Lipsky In the first part of the podcast Travis talks about coming back from England where he helped his dad and others at a tattoo convention. David talks about the Japanese reality TV show Terrace House.  At around the 13 minute mark we begin discussing The End of the Tour. The logo to the Down to Film podcast was created by Andi Bozym, you can find her work at: AndreaBozym.com Rate and review us in iTunes! Twitter: @DownToFilmPod Instagram: dtfilmpodcast  Email: dtfpodcast@yahoo.com

Last year, Healdsburg’s Raven Players surprised this critic with a very interesting production of Quiara Alegría Hudes “Water by the Spoonful”. The play, which tells parallel stories of the tribulations of a returning Iraq war vet trying to assimilate back into civilian life and a group of recovering drug addicts trying to stay clean, was not what I expected from this theatre group whose home is located one block from the quaint wine country destination’s town square. It was a fascinating variation in the norm of this venerable community theatre. This year, they’re opening their season with not one, but two very interesting shows running in repertory – a serious comedy called “Church & State” and the intense drama “Time Stands Still”. With just 72 hours before election day, North Carolina Senator Charles Whitmore (played by Matt Farrell) is having a crisis of faith. A recent school shooting in his hometown has led him to question his belief in God and in his usual staunch defense of the Second Amendment. What’s worse, he’s admitted as much to a reporter. His re-election campaign manager is apoplectic. His Bible-quoting, Glock-toting wife will have none of it. He’s about to make the biggest campaign speech of his life. Will he stick to the script or speak from the heart. Playwright Jason Odell Williams has written an interesting 80-minute polemic on the political paralysis that has gripped our nation on this subject. While there’s no doubt where Williams and director Steven David Martin stand on the issue of gun control, the play does not reduce those who take a different stand to cartoon figures. He’s does, however, wrap the debate in a sitcom-like script albeit one with a joltingly dramatic climax. Farrell does well as the conflicted Senator, though he lacks some of the gravitas and maturity one would expect from a southern politician. Priscilla Locke is terrific as the tough-as-nails wife, and Katie Watts-Whitaker holds her own in scenes between the two. Zack Acevedo plays multiple roles and provides some of the play’s lighter moments as a campaign gofer. For the second show. Caitlin Strom-Martin directs a very strong cast in the Donald Margulies-penned “Time Stands Still”. Maureen O’Neill plays Sarah Goodwin, a photojournalist returning home after being blown up by a roadside bomb in Iraq. She’s accompanied by her partner James (Rusty Thompson), a reporter who had returned stateside earlier after suffering a breakdown from his own war zone experiences. While Sarah’s are more visible, both individuals have scars that run deep. The scabs from those scars are ripped by off by the arrival of Sarah’s editor Richard (Pablo Romero) and his rather young (“There’s young, and there’s embryonic.”) and deceptively lightweight girlfriend Mandy (Emily Tugaw). Their relationship has James contemplating a less chaotic life while Sarah looks to return to her work. Time may stand still but relationships don’t. Margulies’ thought-provoking script about life’s dramas both big and small is well-served by the artists involved in this production. Kudos to the Raven Players for continuing on their occasionally-out-of-the-ordinary programming path. ‘Church & State’ and ‘Time Stands Still’ run in repertory through October 7 at the Raven Performing Arts Theater in Healdsburg. There are Thursday through Sunday performances but the specific show dates and times vary. For more information, go to raventheater.org

Aaron is thrilled to welcome acclaimed screenwriter, and Pulitzer Prize-winning playwright, Donald Margulies, into the broadcast studio! Aaron talks to Donald about the brilliant structure of his great screenplay The End of the Tour, the creation of his many plays, and how he deals with the highs and lows of the life of a Hollywood … Continue reading Donald Margulies — Screenwriter, Pulitzer Prize Winning Playwright →

On today's show Shana and Theresa break down the #metoo conversation further by looking at the messages they received as young women and how those messages shaped how they've responded to men and sexual harassment in their lives. Special guest, Lori Ann King, writer, author, athlete and health and nutrition coach talks about her personal health journey through a hysterectomy, an oophorectomy, and the sudden onset of surgical menopause. Lori's book, Come Back Strong, beautifully depicts her challenges through this journey and the ways she's been able to build back her health and happiness. Vickie Tanner, a NYC actor, writer and producer, originally from Los Angeles who has worked in film, TV and theatre with Peter Berg, Sir Peter Hall, Donald Margulies and Stacy Cochran. Vickie is the writer and performer of Running Into Me, a solo play which she's performed in NY, L.A. and Edinburgh Fringe Festival. Vickie shares her story about pursuing her dreams as an actor in NYC. Self care this week takes us to Shana's safe place where she follows her process as she's reminded from her friends who follow theirs. Theresa shares about the balance of light and dark and what that means with accepting our shadow sides as we approach the Spring Equinox next week. Tune in next week when we welcome special guests, Rachel Collet who will talk about her process in building her own home, and Samantha Stephenson about her life as a touring musician with her husband in the band Frenchy and the Punk. Lori Ann King http://loriannking.com/ Come Back Strong http://loriannking.com/comebackstrong/ Vickie Tanner https://www.vickietanner.com/ Today's show was engineered by Ida Hakkila of Radio Kingston, www.radiokingston.org. We heard music from Shana Falana, http://www.shanafalana.com/, and audio from our guests voicemails! ** Please: SUBSCRIBE to our pod and leave a REVIEW wherever you are listening, it helps other users FIND US :) Follow Us: INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/ FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast TWITTER * https://twitter.com/wantwhatshehas

The police picked up teenage Ethan (Timothée Chalamet) for drunkenly wandering down the highway. Now, he's facing the real reckoning for his Misadventure: the wrath of his big sister (Zoe Kazan.) Playwright Donald Margulies is a Pulitzer Prize winner for Dinner with Friends and a Pulitzer Prize finalist for Sight Unseen and Collected Stories.   Best known for her leading role in The Big Sick, Zoe Kazan has also played on Broadway and off in A Behanding in Spokane and Angels in America, among others. Her film credits include It’s Complicated, happythankyoumoreplease, and Ruby Sparks.  Timothée Chalamet has received Golden Globe and Oscar nominations for Call Me By Your Name.  Other screen credits include Lady Bird, Interstellar, Love the Coopers, Hot Summer Nights, and "Homeland." He won acclaim on Broadway in John Patrick Shanley’s Prodigal Son. After the play, host Claudia Catania talks shop with the entire creative team.

Laura Linney and Cynthia Nixon are both nominated for 2017 Tony Awards for their roles in The Little Foxes. These two stars of stage and screen switch roles nightly which is a stunning achievement, especially because the women they play are polar opposites. Here are my interviews with Cynthia and Laura, revisited in honor of their nominations and their beautiful work in Lillian Hellman's Tony Award nominated play. Laura Liney - Laura Linney is an American actress who works in film, television and theatre. Her film work includes Genius, Nocturnal Animals and The Dinner. Most recently she has been seen in Mr. Holmes, You Can Count On Me, Kinsey, The Savagaes, The Fifth Estate, Hyde Park on Hudson, The Squid and the Whale, Mystic River, Absolute Power, The Truman Show, Primal Fear, The Mothman Prophecies, Love Actually, The House of Mirth, The Details and Congo, among others. She starred in and produced the Showtime Series The Big C for four seasons for which she won a few awards, as she did for her portrayal of Abigail Adams in the HBO miniseries John Adams directed by Tom Hooper. Early in her career she starred as Mary Ann Singleton in Armistead Maupin’s Tales of the City series, a job for which she continues to be most grateful and proud. She appeared as Kelsey Grammer’s final girlfriend in the last six episodes of Frasier, was directed by Stanley Donen in Love Letters, and starred opposite Joanne Woodward in Blindspot.  She has appeared in many Broadway productions, most notably Time Stands Still and Sight Unseen both directed by Daniel Sullivan and written by Donald Margulies, and Arthur Miller’s The Crucible directed by Richard Eyre opposite Liam Neeson with whom she has worked many times. Other plays include Six Degrees of Separation, Honour, Uncle Vanya, Les Liaisons Dangereuses, Holiday and The Seagull. She has been nominated three times for the Academy Award, three times for the Tony Award, once for a BAFTA  Award, and five times for the Golden Globe. She has won one SAG Award, one National Board of Review Award, two Golden Globes and four Emmy Awards. She holds two honorary Doctorates from her alma maters, Brown University and The Juilliard School. Cynthia Nixon - Cynthia Ellen Nixon is an American actress, known for her portrayal of Miranda Hobbes in the HBO series Sex and the City for which she won the 2004 Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series. She reprised the role in the films Sex and the City and Sex and the City 2. Her other film appearances include Amadeus, The Pelican Brief, Baby's Day Out, Little Manhattan, 5 Flights Up, Stockholm, Pennsylvania, James White and A Quiet Passion. Nixon made her Broadway debut in the 1980 revival of The Philadelphia Story. Other Broadway credits include The Real Thing, Hurlyburly, Indiscretions and The Women. She played Eleanor Roosevelt in the HBO TV film Warm Springs. She went on to win the 2006 Tony Award for Best Actress in a Play for the original production of Rabbit Hole, a second Emmy Award in 2008 for her guest role in Law and Order: Special Victims Unit, and a Grammy Award for Best Spoken Word Album in 2009 for An Inconvenient Truth. In 2011, she played Michele Davis in the TV film Too Big to Fail, before returning to Broadway in the 2012 play Wit.    

Laura Linney is an American actress who works in film, television and theatre.  Her film work includes GENIUS directed by Michael Grandage, alongside Colin Firth, Jude Law and Nicole Kidman and Tom Ford’s upcoming NOCTURNAL ANIMALS and THE DINNER directed by Oren Moverman with Richard Gere, Steve Coogan and Rebecca Hall. Most recently she has been seen in MR. HOLMES directed by Bill Condon, starring Ian McKellan, She has appeared in YOU CAN COUNT ON ME, KINSEY, and THE SAVAGES (nominations), THE FIFTH ESTATE,  HYDE PARK ON HUDSON, THE SQUID AND THE WHALE, MYSTIC RIVER, ABSOLUTE POWER, THE TRUMAN SHOW, PRIMAL FEAR, THE MOTHMAN PROPHECIES, LOVE ACTUALLY,  P.S., THE HOUSE OF MIRTH, THE DETAILS and CONGO, among others. She starred in and produced the Showtime Series THE BIG C for four seasons for which she won a few awards, as she did for her portrayal of Abigail Adams in the HBO miniseries JOHN ADAMS directed by Tom Hooper. Early in her career she starred as Mary Ann Singleton in Armistead Maupin’s TALES OF THE CITY series, a job for which she continues to be most grateful and proud. She appeared as Kelsey Grammer’s final girlfriend in the last six episodes of FRASIER, was directed by Stanley Donen in LOVE LETTERS, and starred opposite Joanne Woodward in BLINDSPOT.  She has appeared in many Broadway productions, most notably TIME TIMES STILL and SIGHT UNSEEN both directed by Daniel Sullivan and written by Donald Margulies, and Arthur Miller’s THE CRUCIBLE directed by Richard Eyre opposite Liam Neeson with whom she has worked many times. Other plays include SIX DEGREES OF SEPARATION, HONOUR, UNCLE VANYA, LES LIAISONS DANGEREUSES, HOLIDAY and THE SEAGULL. She has been nominated three times for the Academy Award, three times for the Tony Award, once for a BAFTA  Award, and five times for the Golden Globe. She has won one SAG Award, one National Board of Review Award, two Golden Globes and four Emmy Awards. She holds two honorary Doctorates from her alma maters, Brown University and The Juilliard School. 

JOAN BENEDICT STEIGER Decades of work on stage, screen, and television and the love of three devoted men sounds like a full life; but in many ways, the story is just beginning for veteran performer Joan Benedict Steiger. With credits dating back to the original “Candid Camera” on television to her acclaimed solo performance as Leona Helmsley, she has lived the artistic life she first dreamed of as a child in Brooklyn, New York – and the dream shows no signs of ending. “I always thought when I was little I would be a dancer,” Steiger recalls today. “I was never really built for ballet, but I was tap dancing in public at age seven when I performed at the Brooklyn Academy of Music. I remember the first film I ever saw was with Fred Astaire and Ginger Rogers, and as I was leaving the theatre, I wanted to run back in, I knew I had to be a part of that world.” As the only grandchild in a large family – she had seven uncles – Steiger grew up in her grandfather’s house off Prospect Park, where she describes herself as “Eloise at the Plaza – every one of those rooms was my magic room.” Encouraged by her mother, young Steiger studied at the Rome Opera Ballet School, and spent time in Paris, soaking up her craft and European culture and learning French and Italian. Back in America, Steiger continued her theatrical education by studying with legendary acting coaches Robert Lewis and Stella Adler, founders of the Actor’s Studio in New York. That pursuit of her craft continues today, as she continues to get a charge out of the challenge that each new acting job brings. “The theatre for me is ike being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.” “The theatre for me is like being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.” Her list of stage credits include acclaimed productions of contemporary offerings such as “Promises, Promises,” “The Beauty Queen of Leenane,” “Collected Stories” by Donald Margulies, P.J. Barry’s “The Octette Bridge Club,” Horton Foote’s “The Traveling Lady,” and Morris West’s “The World is Made of Glass;” opposite Don Knotts in the comedy “The Mind with the Dirty Man;” classics like “Richard III,” “The Dyubbuk,” and “Dr. Faustus;” and her two solo shows, “Leona” (about notorious “Queen of Mean” Leona Helmsley) and the recent “The Loves of My Life,” based on her own life. On screen, she also co-starred with Knotts and Tim Conway in the comedy “The Prizefighter.” Indeed, perhaps Joan Benedict Steiger’s career is all the more remarkable for having endured through three long-term relationships, to what she describes as “three of the greatest guys in the world.” While marriages between professional actors are often fraught with jealousy and competition, Joan has found lightning in a bottle all three times. “Both of my husbands, and my lifetime partner Jeremy, were wonderful men who respected me as an actress,” she recalls. “They all died from different forms of cancer, so my memories are sometimes bittersweet, but with no regrets.” “Strangely, I met all three of these men when I was in New York, just beginning my career while I was still a teenager,” she says. She was only 19 when she met actor Rod Steiger, who took an instant liking to her when they appeared on the same television show together. “I was in complete awe of him at the time,” she admits. “I remember walking out after seeing him in the play ‘Rashomon’ on Broadway, and seeing his face on the marquee across the street for the movie ‘Al Capone.’ I thought, what a life – starring on Broadway and starring in a movie! Knowing him at that age was like living in a fantasy.” Though the initial romance with Rod was short-lived, given their respective dedication to pursuing their careers, Joan soon found herself in love with leading stage actor John Myhers. “He toured in ‘The Sound of Music’ for three years as Captain von Trapp, and I would take time off to travel with him,” she says. Settling in a home near Sunset Plaza in the Hollywood Hills, their marriage lasted thirty years before Myhers’ passing. Then, in the late 1990s, Rod and Joan found each other again. Rod had heard rave reviews of some of Joan’s stage work. “I got a call from him out of the blue…he’d been at a party where someone had mentioned me, and we got together again after all those years.” Joan and Rod were nearly inseparable for the final years of his life, becoming creative partners as well as spouses. “Rod was very impressed with my acting. Whenever a script would arrive at the house, he’d ask me to read it for my feedback, then he’d say ‘Did you pick out your part yet?’” They appeared in two films together, “A Month of Sundays” and the telefilm “The Flying Dutchman.” After a long life marked by tremendous highs and crushing lows – Steiger acknowledged suffering from chronic depression for much of his professional career – the Academy Award winning actor seemed to find new confidence and peace with his newly rediscovered love. “On one of the films we made, on the last day of shooting, Rod presented me with an Oscar-like statue he had made with my name on it, in front of the entire crew,” Joan remembers. “With me he said he was another person, and the only time in his life he had such happiness. He told me I was the only woman who could bring love out of a stone.” Steiger’s passing in 2002 was a devastating loss, but another friend from long ago was able to fill some of the void. Actor Jeremy Slate, a veteran of over 80 films and television shows dating back to 1959, was Joan’s partner until his passing in 2006. “They were all actors, writers, directors, brilliant, funny men,” Joan says of the men who captured her heart. Throughout her life, Joan Benedict Steiger has worked simultaneously on stage, in film, and on television. She’s still remembered for a classic bit from the original version of “Candid Camera,” where she played a lost tourist looking for directions from passersby, making sure that her fancy hat – beplumed with a particularly large feather – would distract them at every opportunity. She was also part of the ensemble of the original “Steve Allen Show,” where she did double duty as the spokesperson for Hazel Bishop cosmetics. On daytime drama, she had regular and recurring roles on “General Hospital,” “Days of our Lives,” and “Capitol.” Her dozens of series guest appearances include classic series like “Fantasy Island,” “T.J. Hooker,” “The Incredible Hulk,” “Kojak” and “Hotel,” with the latter being directed by series star James Brolin. Most recently Joan guested on Fox’s “Dollhouse.” Perhaps one of Joan’s most unusual jobs is one where she was asked to “fill in” – in a manner of speaking – for a Hollywood legend. “I had been bothering the casting director at MGM for a while when he finally told me, ‘I have something for you.’” MGM was preparing to make the film “Butterfield 8” starring Elizabeth Taylor; the star had been reluctant to cooperate because she was eager to begin work on the epic “Cleopatra.” MGM wanted to shoot the film in studios in New York and Taylor wanted to remain in Los Angeles. Joan was asked if she could go to New York to rehearse the film – playing Taylor’s part – with director Daniel Mann and therest of the cast. Joan worked for weeks reading Taylor’s lines, and her dedication paid off when she was awarded a small part (a single line) in the film – for which she still earns residuals. The role won Taylor her only Academy Award, but curiously, their paths would cross again years later through their mutual acquaintance with Rod Steiger. “When Rod and I were first dating, he went to see Elizabeth about working on a new project,” she says. “This was a period when she wasn’t feeling well, and Rod was one of the people who really encouraged her to get well and return to public life. That lead to speculation that Rod and Liz were dating and he was going to be her next husband. Rod and I were on an airplane to Spain, and he liked to read the tabloids: when I saw the headline saying Liz and Rod were going to wed, I said, ‘What’s this all about?’ And he smiled at me and said, “Joan, I’m sitting next to YOU!” For now, Joan keeps busy preserving the legacy of her late husband, as well as continuing her stage, film, and television work whenever the right opportunity presents itself. ‘There’s still so much I can do, I’m still learning after all these years,” she explains. “I have a regular table at my favorite restaurant in Malibu and it faces the door, because I want to watch everyone walk in, I want to observe the way they use their body, because that’s so much a part of my process as an actress.” Although she has written her memoirs, Joan still knows that there are more chapters of her life left to live, and many more roles left to play. www.joanbenedictsteiger.com

BEHIND THE LENS went out on a limb this week with some very fun and kinda unusually themed documentaries. First up, we welcome Sam Klemke, subject of the fascinating (and weirdly fun) documentary SAM KLEMKE'S TIME MACHINE from director Matthew Bate. We have all probably journaled highlights of each year of our lives at some point or another, but Sam Klemke kept an annual film diary of his life. Beginning in 1977 and continuing for 35 years, those Super 8mm films, reel-to-reel recordings, cassettes, VHS tapes and more, are the history of "one human", and just happened to catch the eye of Australian filmmaker Matthew Bate. Taking Sam's life and juxtapositioning it against the journey of NASA's Golden Record of humanity, also launched into space in 1977 and attached to Voyager, Bate gives us a beyond entertaining - and thoughtful - look at "human versus humanity". And as you quickly discover, Sam Klemke is fun-loving, engaging and a fabulous interview! Then Annika Iltis, co-director/producer with Timothy Kane (who unfortunately couldn't join us due to being on set filming), is here talking about THE BARKLEY MARATHONS: THE RACE THAT EATS ITS YOUNG. (Shh! The first rule of the Barkley Marathons is: You do not talk about Barkley Marathons. The second rule of the Barkley Marathons is: You Do Not Talk About Barkley Marathons!) Annika and debbie do a whole lot of talking about not only the making of THE BARKLEY MARATHONS, but also her jump from a tv/film camera assistant to director and producer. And debbie's chatting up the Spirit Award Nominations which were announced November 24, 2015. You’ll get a little taste of her exclusive interview with Spirit Awards Nominee (and Pulitzer winner) Donald Margulies and his screenplay for THE END OF THE TOUR. Plus, at the top of the show, hear what John Boyega had to tell debbie at the Spirit Awards nominations about "The Force". http://behindthelensonline.net http://eliasentertainmentnetwork.com

Hunter and Chris get literally literary with a review of the David Foster Wallace biopic The End of The Tour. Chris gets into an accidental state of pure inebriation with his booze recommendation. Then in Special Features, the Dudes discuss comedic actors playing dramatic parts in Funny Folks Without the Jokes.

A conversation with screenwriter Donald Margulies of the new film The End of the Tour starring Jason Segal and Jesse Eisenberg and directed by James Ponsoldt. 

Bob Wilcox and Gerry Kowarsky review (1) BUYER AND CELLAR, by Jonathan Tolins, at the Rep Studio Theatre, (2) JERRY SPRINGER THE OPERA, by Richard Thomas & Stewart Lee, at New Line Theatre, (3) PAUL ROBESON, by Phillip Hayes Dean, at The Black Rep, (4) RADIUM GIRLS, by D.W. Gregory, at the Kirkwood Theatre Guild, (5) SIGHT UNSEEN, by Donald Margulies, at the New Jewish Theatre, (6) THE PHANTOM OF THE OPERA, by Andrew Lloyd Webber, et al., at the Fox () Theatre, (7) YOU CAN'T TAKE IT WITH YOU, by George S. Kaufman, at the Theatre Guild of Webster Groves, (8) OTELLO, by Verdi & Boito, at Winter Opera Saint Louis, and (9) THE LITTLE PRINCE, by John Scoullar & Rick Cummins, adapted from Antoine de Saint-Exupery, at COCA Presents.

Bob Wilcox and Gerry Kowarsky interview Jessica Hentoff of Circus Harmony after reviewing (1) RODGERS + HAMMERSTEIN'S CINDERELLA, at the Fox Theatre, (2) GUESS WHO'S COMING TO DINNER, by Todd Kreidler, at the Repertory Theatre of St. Louis, (3) DINNER WITH FRIENDS, by Donald Margulies, at the Theatre Guild of Webster Groves, (4) THE FOX ON THE FAIRWAY, by Ken Ludwig, at the Kirkwood Theatre Guild, and (5) STEREO HEART, by Mario Farwell, at First Run Theatre.

I See You Made An Effort: Compliments, Indignities and Survival Stories from the Edge of 50 (Blue Rider Press) Is 50 the new 40 or is 50 still 50? Maybe. In this wickedly funny new collection of essays, I See You Made An Effort, actress and writer Annabelle Gurwitch explores the hazards of turning 50, outsourcing your endocrine system, and falling in lust at the Genius bar. From the woman the Washington Post calls “hilarious,” this new book is the ultimate coming-of middle-age story and a must-read for women everywhere. The panic began to set in when Annabelle turned 49. The solicitations from the AARP began flooding her mailbox as she weighed going back to school, getting divorced and raising llamas. She couldn't afford a vacation, so she was taking a lot of naps. A visit to her gynecologist ended not with one of his usual benign send-offs—stay healthy, stay happy, stay hydrated—but instead with the slightly ominous: "Stay funny." In this new collection of essays, Annabelle Gurwitch has taken her gynecologist's advice to heart. Whether she's navigating the extensive anti-aging offerings in the department store beauty counter or negotiating the ins and outs of acceptable behavior with her teenage son, Gurwitch bravely turns an unflinching eye towards the myriad of issues women can expect to encounter in their middle years.  For tonight's reading Annabelle Gurwitch will be joined by members of the Suite 8 Writer's Collective, Jillian Lauren, Heather Havrilesky and Joshua Wolf Shenk. Annabelle Gurwitch is an actress and author of You Say Tomato, I Say Shut Up, a self-hurt marital memoir co-written with her husband, Jeff Kahn, now a theatrical play in its third national tour; and Fired! Tales of the Caned, Canceled, Downsized & Dismissed. Her Fired! documentary premiered as a Showtime Comedy Special and played film festivals around the world. Gurwitch gained a loyal comedic following during her numerous years co-hosting the cult favorite, Dinner & a Movie; her acting credits include Dexter, Boston Legal, Seinfeld, Melvin Goes to Dinner, The Shaggy Dog and Not Necessarily The News on HBO. Most recently, she starred in the adaptation of Grace Paley's A Coney Island Christmas by Pulitzer Prize winning playwright Donald Margulies at The Geffen Playhouse. Live appearances include New York Comedy Festival, 92nd St Y, Upright Citizens Brigade and story salons in both New York and Los Angeles. She has served as a regular commentator on NPR and a humorist for TheNation.com. Her writing has appeared in More, Marie Claire, Men's Health, Los Angeles Times and elsewhere. Gurwitch is a passionate environmentalist, a reluctant atheist, and lives with her husband and son in Los Angeles. Jillian Lauren is the author of the novel Pretty and the New York Times bestselling memoir Some Girls: My Life in a Harem. Her writing has appeared in The Paris Review Daily, The New York Times, Vanity Fair, Los Angeles Magazine, Salon, The Rumpus and The Moth Anthology, among others. She lives in Los Angeles with her husband and son. Heather Havrilesky is a regular contributor to the New York Times Magazine, The Awl and Bookforum, and is the author of the memoir Disaster Preparedness. You can also follow her on Twitter at @hhavrilesky. Joshua Wolf Shenk is an essayist, author, and creative strategist based in New York City. He is a correspondent for Slate.com, and a contributor to The Atlantic Monthly, Time, Harper's Magazine, The New Yorker, The New York Times, and the national bestseller Unholy Ghost: Writers on Depression, edited by Nell Casey. 

Bob Wilcox and Gerry Kowarsky review (1) DIE WALKURE, by Richard Wagner, at Union Avenue Opera, (2) TIME STANDS STILL, by Donald Margulies, at Insight Theatre Co., (3) THE TWO NOBLE KINSMEN, by William Shakespeare and John Fletcher, at St. Louis Shakespeare, (4) THE SUNSET LIMITED, by Cormac McCarthy, at Theatre Lab, (5) RED, by John Logan, at Encore! Theater Group, and (6) BIG LOVE, by Charles Mee, at Moonlighting Theatre.

Matthew Arkin's Broadway credits include Neil Simon's The Sunshine Boys, with Jack Klugman and Tony Randall, Mr. Simon's Laughter on the 23rd Floor, and Manhattan Theater Club's Losing Louie. Other New York credits include originating the role of Gabe in Donald Margulies' Pulitzer Prize winning Dinner with Friends(Drama Desk nomination, Drama League Honoree), Manhattan Theatre Club'sMoonlight and Magnolias, and Richard Dresser's Rounding Third. Regional Theater includes Our Mother's Brief Affair at South Coast Rep., Surf Report at La Jolla Playhouse, The Scene at Hartford Stage Company, Around the World in 80 Days at the Cape Playhouse, Rounding Third at Chicago's Northlight Theatre, Talley's Follyat The Bay Street Theatre, Guys and Dolls at Seattle's 5th Avenue Theater, and Sight Unseen at The George Street Playhouse. Film credits include indies Margot at the Wedding, Second Best, Raising Flagg, The Curse, and Bittersweet Place, as well as Death to Smoochy, Liar, Liar, North, An Unmarried Woman, and Chu Chu and the Philly Flash. Matthew appeared in recurring roles as Dr. Thompkins on the hit FX drama Rescue Me and as Legal Aid Attorney Paul Bernard on A&E's 100 Centre Street. Other television credits include the PBS pilot Copshop, Medium, Third Watch, Hack, The Education of Max Bickford, Ed, Law and Order, Law and Order: Criminal Intent, Law and Order: SVU, Kojak, and All My Children. Matthew chats with Take 2 Radio on July 7th at 5pm EDT about his career and his new suspense book on kickstarter called "In the Country of the Blind" 

Bob Wilcox and Gerry Kowarsky review (1) BRIGHTON BEACH MEMOIRS, by Neil Simon, at the Repertory Theatre of St. Louis, (2) MY ONE AND ONLY, by George & Ira Gershwin and Peter Stone & Timothy S. Mayer, at Stages St. Louis, (3) DINNER WITH FRIENDS, by Donald Margulies, at Dramatic License Productions, (4) GOODBYE, RUBY TUESDAY, by EM Lewis, at HotCity Theatre, (5) MOONLIGHT AND MAGNOLIAS, by Ron Hutchinson, at KTK Productions, (6) ADDING MACHINE: A MUSICAL, by Elmer Rice, Joshua Schmidt & Jason Loewith, at R-S Theatrics, (7) REMEMBER ME?, by Samuel Bobrick, at the Theatre Guild of Webster Groves, and (8) KEN HALLER: THE TV SHOW!, at The Presenters Dolan.

Guest host Mark Bretz and Gerry Kowarsky review (1) KILLER JOE, by Tracy Letts, at St. Louis Actors' Studio, (2) MA RAINEY'S BLACK BOTTOM, by August Wilson, at The Black Rep, (3) THE WINTER'S TALE, by William Shakespeare, at Mustard Seed Theatre, (4) ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES, by Tony Kushner, at Stray Dog Theatre, (5) CONVERSATIONS WITH AN EXECUTIONER, by Philip Boehm, adapted from Kazimierz Moczarski, at Upstream Theater, (6) EXIT THE KING, by Eugene Ionesco, at West End Players Guild, (7 ) LITTLE WOMEN, adapted by Kristen Laurence from Louisa May Alcott, at Hawthorne Players, and (8) DINNER WITH FRIENDS, by Donald Margulies, at Webster Univ.Conservatory.

Bob Wilcox and Gerry Kowarsky review (1) LITTLE SHOP OF HORRORS, by Alan Menken & Howard Ashman, at The Muny, (2) THE MERRY WIVES OF WINDSOR, by William Shakespeare, at St. Louis Shakespeare, (3) SHIPWRECKED! AN ENTERTAINMENT, by Donald Margulies, at Insight Theatre Co., (4) SINGIN' IN THE RAIN, by Betty Comden & Adolph Green, Nacio Herb Brown & Arthur Freed, at The Muny, (5) THE HOBBIT, by Patricia Gray, at Clayton Community Theatre, and (6) KEN HALLER: SONG BY SONG BY SONDHEIM, at The Presenters Dolan.

Veteran director Daniel Sullivan talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of "Time Stands Still" from Manhattan Theatre Club, "The Merchant of Venice" with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's "Good People" for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of "Hair", and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, "Scenes From American Life"; how quitting his first directing job at Seattle Rep (a production of "The Royal Family") didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire. Original air date - September 29, 2010.

Veteran director Daniel Sullivan (2001 Tony Award Winner for Best Direction of a Play for “Proof”) talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of “Time Stands Still” from Manhattan Theatre Club, “The Merchant of Venice” with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's “Good People” for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of “Hair”, and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, “Scenes From American Life”; how quitting his first directing job at Seattle Rep (a production of “The Royal Family”) didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire.

Veteran director Daniel Sullivan talks about his suddenly busy 2010-11 Broadway season, which will see transfers of his productions of "Time Stands Still" from Manhattan Theatre Club, "The Merchant of Venice" with Al Pacino from The Public's Delacorte Theater, as well as the premiere of David Lindsay Abaire's "Good People" for MTC. He also talks about getting his start as an actor and his early experiences with the San Francisco Actors Workshop, run by Herbert Blau and Jules Irving; moving to New York with the Workshop when it became the Repertory Theater of Lincoln Center; working as Stage Manager and Assistant Director on the original production of "Hair", and why he had to restage the show almost every night; getting his first directing opportunity with the debut of A.R. Gurney's first play, "Scenes From American Life"; how quitting his first directing job at Seattle Rep (a production of "The Royal Family") didn't impede his becoming Resident Director there, and two years later, Artistic Director, a post he held for 16 years; why his greatest disappointment at Seattle Rep was ultimately the inability to create a full resident company of artists; how it felt to embark on a freelance career again in 1997; and his thoughts on the playwrights with whom he's most associated: Herb Gardner, Wendy Wasserstein, Donald Margulies, Charlayne Woodard, Jon Robin Baitz and David Lindsay Abaire. Original air date - September 29, 2010.

Our distinguished panel of playwrights -- Charles Busch, David Ives, Donald Margulies and Suzan-Lori Parks -- discuss the moment when they realized they wanted to be writers; who influenced them in their early careers; whether or not they have a specific actor in mind when they write; their collaboration with directors; and the theaters they consider to be their homes.

Playwright Donald Margulies and actor/playwright Eric Bogosian discuss Margulies' critically acclaimed drama, “Time Stands Still,” in which Bogosian is appearing on Broadway at The Manhattan Theatre Club.

Donald Margulies talks about his Broadway experiences during the run of "Brooklyn Boy" in 2005, as well as the experience of revisiting "Sight Unseen" with Manhattan Theatre Club more than a decade after their acclaimed Off-Broadway production, and surveys his own work from "Found a Peanut" to the Pulitzer Prize-winning "Dinner with Friends". Original airdate - March 11, 2005.

Donald Margulies talks about his Broadway experiences during the run of "Brooklyn Boy" in 2005, as well as the experience of revisiting "Sight Unseen" with Manhattan Theatre Club more than a decade after their acclaimed Off-Broadway production, and surveys his own work from "Found a Peanut" to the Pulitzer Prize-winning "Dinner with Friends". Original airdate - March 11, 2005.