Podcasts about Charles Perrault

This week on The Literary Life, we are re-airing an episode from the archives featuring a discussion of J.R.R. Tolkien's essay "On Fairy Stories" between Angelina Stanford, Cindy Rollins, and Thomas Banks. Angelina sets the stage for this discussion by orienting us to the context for the essay by Tolkien as a critique of what is considered a fairy story. She points out the difference between cautionary tales like those by Charles Perrault and the German folk and fairy tales collected by the Grimm Brothers. Our hosts highlight Tolkien's definition of true fairy stories, ones that take place in the "perilous realm" and involve a journey element. He critiques Andrew Lang as including many stories as fairy tale that are not truly fairy stories. They also discuss topics from the essay including sub-creation, magic and spells, suspension of disbelief, and children's responses to fairy stories. Join us again next week for an additional "update" episode on this same essay with Jenn Rogers. Don't forget to check out everything going on over at HouseofHumaneLetters.com to stay up to date on all the upcoming new summer classes and webinars! Cindy also has some exciting things happening at MorningTimeforMoms.com, including registration for her summer discipleship group. For the full show notes for this episode, see our podcast website at https://theliterarylife/328. 

durée : 01:02:01 - Fictions / Théâtre et Cie - Tout le monde croit connaître par cœur l'histoire du Petit Chaperon rouge : le pot de beurre, le loup, la grand-mère, les chasseurs… Un concert-fiction pour redécouvrir le conte avec un regard neuf – et une oreille neuve. À écouter en son immersif. - réalisation : Laurence Courtois

durée : 01:02:01 - Théâtre - Tout le monde croit connaître par cœur l'histoire du Petit Chaperon rouge : le pot de beurre, le loup, la grand-mère, les chasseurs… Un concert-fiction pour redécouvrir le conte avec un regard neuf – et une oreille neuve. À écouter en son immersif. - réalisation : Laurence Courtois, Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

News; birthdays/events; in the quest to be live in a more non-digital world, 1 rock band is going "old school"; word of the day. News; what was your favorite/happiest childhood memory of your family vacation?; game: Batman trivia; is one of your 5 senses supercharged? (story about a blind man that can tell vehicles by their touch) News; when you yawn...is it quiet?; game: love songs; do you have a favorite planet? News; funny story of the day; game: movies trivia; goodbye/fun facts....Mother Goose Day--History.com says: according to local legend, it was the widowed Isaac Goose's second wife, Elizabeth Foster Goose, who entertained her numerous grandchildren and other youngsters with songs and rhymes that were purportedly published by her son-in-law in 1719. Fairy tales and nursery rhymes endlessly entertained us as kids whilst providing us with important life lessons. Some national favorites are: Humpty Dumpty, 3 Little Pigs, Pinnochio...just to name a few. Charles Perrault, a French author, is thought to have been the first writer to establish fairy tales as a separate genre in 1695. Fast-forward a little further into the future, the Grimm fairy tales, which were published during the 19th century, have now become quite famous worldwide. Many famous authors of the modern age, like C. S. Lewis and J. R. R. Tolkien, credit fairy tales and nursery rhymes with influencing their thinking and work. In fact, Charles Dickens said that fairy tales kept him ever young!

Lean in dear listener as together, we disentangle some of the fairy tale contributors who were not of the farming or peasant vein after all. Some lived as far away as across the street, another, a widow, sold garden vegetables at the market between storytelling to make ends meet for her multi-generational home, and one of the Grimm's sources came from a huguenot, French background--so our friend Charles Perrault and his Mother Goose tales has made another appearance, summoned like Rumplestiltskin.Over 50% of the stories in the Grimm's collection were shared by  women who were educated and middle class, some were aristocrats. The illustrators of fairy tales and nursery rhymes were more than an incognito first initial last name and together we can lean into a "restoration" of these artists and storytellers, while incomplete, we will follow the breadcrumb path of understanding as we wrap up our 3 part series on Midnight Mother Goose.Join the Whispering Gallery Podcast online:www.whisperinggallerypodcast.comhttps://www.facebook.com/whisperinggallerystories patreon.com/whisperinggallery  https://buymeacoffee.com/suznikart  Thank you to the music, sound and audio engineers at Pixabay and FreeSound for making the background to this episode more interesting. Whispering Gallery podcast show music: v2 Spellcraft 142264 Pixabay Music for Videos Fairy Tale Fantasy 123608 Kjartan Abel A Track Called Birthday Perfect for Intros 608397 Background Documentary Piano 186934 Greg Orquendel Mozart Lacrimosa Requiem in D Minor K 740597 Soulprodmusic, Mysterious Forest Creepy Lofi Halloween Music 168238 Image Source: "Snow White and Rose Red" (source). From A Child's Book of Stories by Penrhyn W. Coussens (link to page), illustrated by Jessie Willcox Smith. New York: Duffield and Company, 1911.https://commons.wikimedia.org/wiki/File:Smithsnowred.jpg

Messa in voce di Gaetano Marino Continue reading

Messa in voce di Gaetano Marino

Messa in voce di Gaetano Marino

Messa in voce di Gaetano Marino

Messa in voce di Gaetano Marino

Messa in voce di Gaetano Marino

Ein ruhig gesprochenes und mit Musik untermaltes Märchen, frei nach Charles Perrault. (Im Original heißt es: "Riquet mit dem Schopf" ) Es handelt von den Prinzen Riquet, der mit seinem ungewöhnlichen Schopf nicht besonders attraktiv ist, dafür aber als besonders geistreich und klug angesehen wird. Im Wald begegnet er einer Prinzessin aus dem Nachbarreich, die wunderschön ist, aber als dumm gilt. Er verliebt sich sofort in sie, doch wird sie seinen Antrag annehmen? Und wie es bei Märchen üblich ist, so wird es auch diesmal wieder gut ausgehen. Brauchst Du eine tiefe Entspannung für die Nacht?

The story of the Whispering Gallery Podcast's Midnight Mother Goose continues from part 1 where we roamed the woods of France with Charles Perrault's fairy tales to read at salon's prior to the age of enlightenment. Across the Rhine river from France and Charles Perrault's fairy tales--in Germany (and many years later) the Grimm Brothers were gathering fairy tales from family, friends, aristocrats, multilingual sources--including women of French and Huguenot backgrounds (ahem... Perrault. Gesundheit!--There's that neighboring country thing from episode 1). We begin our sampler of the illustrators from the golden age of children's book illustration with Gustave Dore and Arthur Rackham. Stay tuned for the rest of the story in Part 3--the heroines are just around the corner!Go to the Whispering Gallery on Patreon for more content on this episode! https://www.patreon.com/cw/whisperinggalleryWhisperingGalleryPodcast.comSupport the Whispering Gallery podcast by sharing your favorite episode with a friend, writing a kind review or at:https://www.patreon.com/cw/whisperinggalleryhttps://buymeacoffee.com/suznikarthttps://www.paypal.com/paypalme/suzannenikolaisenSound FX and Music Attribution: Thank you to the musician and sound engineers at Pixabay and FreeSound Including: - Soulprodmusic - Mysterious Forest Creepy Lofi Halloween Music 168238- Opening Music, v2Spellcraft, 142264 Pixabay- 435811 rileywarren creepy score music Mozart Lacrimosa- Music for Videos Fairy Tale Fantasy 123608698651 michl71 Autobahn Noise- A Track Called Birthday: Perfect for Intros by kjartan_abel -- https://freesound.org/s/608397/ -- License: Attribution 4.0- Juliush Urban Sinesphere 4009- Vjgalaxy French Music 02-481005- Gregorquendel Cinematic Music Sketches 04 Cinematic Fairy Tale Intro Sketch 115538- 350362 Newagesoup chimes 01Image Source: Crop of Snowdrop as found by the dwarves - art by Arthur Rackham, https://uploads6.wikiart.org/images/arthur-rackham/the-dwarfs-when-they-came-in-the-evening-found-snowdrop-lying-on-the-ground.jpg!PinterestSmall.jpg

✨ Die Märchentante, was Schönes zum Einschlafen, Folge 246 Schönen guten Abend und herzlich willkommen zu meinem neuen Einschlamärchen mit Abendmeditation! Dich erwartet eine 10 minütige Entspannungsroutine zum Ankommen in Deinem Bett mit: - einminütiger Tagesrückblick - Dankbarkeits-Impuls - Mini Autogenes Training freundliche Worte für Regeneration, innere Ordnung und positive Entwicklungen in der Nacht und ein ruhig erzähltes Märchen für den gemütlichen Übergang in den Schlaf. Die Geschichte stammt von Charles Perrault und heißt im Original: "Riquet mit dem Schopf". Kapitelmarken 00:00:17 Abendmeditation 00:09:35 Märchen „Der Prinz mit dem Schopf“ In der Geschichte geht es um den Prinzen Riquet, der mit seinem wilden Schopf nicht besonders attraktiv ist, dafür aber als besonders geistreich und klug angesehen wird. Im Wald begegnet er einer Prinzessin aus dem Nachbarreich, die wunderschön ist, aber als dumm gilt. Er verliebt sich sofort in sie, doch wird sie seinen Antrag annehmen? Und wie es bei Märchen üblich ist, so wird es auch diesmal wieder gut ausgehen. Märchen ohne Meditation hören

In this episode, Katrina and Geoff use what we've covered in episodes #126 and #128 to examine one of the most famous fairy tales of all time, Little Red Riding Hood. First, Katrina retells the tale from Charles Perrault and then goes into the Brothers Grimm. But she tells their ATU 123 tale, The Wolf and the Seven Young Kids before Geoff retells the classic Brothers Grimm ATU 333 tale, Little Red Cap. As we look at all of these fairly short stories, we're ready to dive into research from Little Red Riding Hood: A Casebook by Alan Dundes, where he examines the history of the psychoanalysis done on this tale starting with Freud, himself. But most importantly, Dundes discusses the flaws in only looking at the Brothers Grimm or Perrault's versions when forming an analysis. 

Au XVIIe siècle, un écrivain du nom de Charles Perrault rassembla les contes populaires racontés dans les campagnes françaises en un recueil: ce sont les Contes de la Mère l'Oye. Il y immortalisa des personnages qui continuent, aujourd'hui encore, d'accompagner les petits et les grands: Cendrillon, la Belle au bois dormant, Barbe Bleue, le Petit Chaperon Rouge... Certains sont des modèles de vertus, d'autres de grands méchants. Pour d'autres, c'est plus difficile à dire... Comme pour le Chat Botté et ses ruses!    "Conte-moi l'aventure” est un podcast produit par Chérie FM À l'écriture :  Marion Lemoine À l'interprétation : Léa des Garets  À l'enregistrement, la réalisation et au mix : Guillaume Reymond À la production : Spot Machine À la rédaction en chef : Maud VenturaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La storia forse meno nota della raccolta di Perrault, e che certo potrebbe fare molto discutere. Personalmente, credo ci siano molti elementi che ci danno indizi sulle vere intenzioni dell'autore, e le approfondirò a breve in un video dedicato. Adattamento e lettura di Valter Carignano.Qui la playlist delle fiabe di Charles Perrault ➡️ VUOI OFFRIRMI UN CAFFÈ? In tutta sicurezza da 2 euro qui su PayPal➡️ VUOI SCRIVERE FAVOLE E FIABE? Comincia da qui Charles Perrault non aveva alcuna intenzione di scrivere 'storie per bambini', e i suoi racconti sono state inseriti nella letteratura per bambini - specie in Italia - soltanto perché sono popolati di incantesimi, principi e orchi. Lui scriveva per adulti, e in particolare per i nobili parigini della corte del re di Francia. Questo è il motivo per cui non mancano elementi che oggi potremmo quasi definire horror in questa e altre storie. Nella seconda parte della Bella Addormentata nel Bosco, per esempio, l'immagine dell'orchessa madre del principe che vaga per il castello fiutando e cercando bambini da mangiare. ©Tutte le fiabe, favole, storie e tutti i contenuti di questo canale sono registrate, depositate e protetti dal diritto d'autore in tutti i Paesi.See omnystudio.com/listener for privacy information.

durée : 01:24:25 - Toute une vie - par : Claude Mettra - "Le Chat Botté" ou "Le Petit Chaperon rouge", contes écrits par Charles Perrault au 17e siècle, explorent les secrets du destin. Et le destin de Perrault lui-même ? Il s'agit de celui d'un homme intimement mêlé à son temps, dont les récits merveilleux ont totalement occultée le reste de l'oeuvre. - réalisation : Arlette Dave - invités : Claude Gaignebet , Claude Mettra Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:24:25 - Toute une vie - par : Claude Mettra - "Le Chat Botté" ou "Le Petit Chaperon rouge", contes écrits par Charles Perrault au 17e siècle, explorent les secrets du destin. Et le destin de Perrault lui-même ? Il s'agit de celui d'un homme intimement mêlé à son temps, dont les récits merveilleux ont totalement occultée le reste de l'oeuvre. - réalisation : Arlette Dave - invités : Claude Gaignebet; Claude Mettra Ecrivain

Han var rik. Respektabel. Obehaglig. Och hans fruar försvann en efter en. Blåskägg är inte en saga om magi det är en berättelse om kontroll, makt och en dörr som aldrig fick öppnas. I det här avsnittet av Universums hemligheter granskar vi den ursprungliga versionen och vad Charles Perrault egentligen ville varna för. Vad händer när nyfikenhet inte är farlig… utan nödvändig?

Il était une fois, un château à l'heure des vacances scolaires... Nous partons sur les traces de l'homme qui a quasiment inventé le conte de fées... Charles Perrault ! L'univers magique de l'auteur du Chat Botté, de Cendrillon et de Peau d'Âne, habite le Château de Breteuil, vous découvrirez que Charles Perrault est intimement lié à l'histoire du Château... Et pour nous guider dans cette matinée enchantée : la Comtesse-Fée du Château, Pauline de Breteuil. Ecoutez C'est ça la France avec Vincent Perrot du 15 février 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, we unpack why Cinderella's core elements—hidden labor, transformation, and escaping unjust systems—resonate across cultures and eras. You'll learn about the original Greek tale, the Chinese ‘Ye Shen' story with the magical fish, and how Charles Perrault's version introduced iconic features like the glass slipper, fairy godmother, and pumpkin carriage. We explore how each adaptation—Disney classics, modern reimaginings, and TV favorites like Bridgerton—keeps that hope alive, while subtly revealing changing societal values. Join us to explore how these stories shape identity, reinforce cultural ideals, and why, even after centuries, Cinderella's message of endurance and transformation still feels so relevant today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cendrillon, mais autrement. À l'âge de 83 ans, Pauline Viardot signa un opéra‑comique où l'héroïne échappe au merveilleux pour s'inscrire dans une réalité plus humaine et sociale, loin du conte de Charles Perrault. Créée en 1904, cette œuvre renaît aujourd'hui dans une nouvelle production de la Co[opéra]tive, un collectif de scènes françaises qui va à la rencontre du public en dehors des grandes institutions lyriques. Revisitée par le metteur en scène David Lescot, cet « opéra de salon » miniature d'une durée de 1h10 est actuellement en tournée à travers la France pour plus de 70 représentations. À lire aussi«Anora» de Sean Baker: un Cendrillon moderne et déjanté, Palme d'or 2024   À lire aussiMariame Clément, metteuse en scène pour «Cendrillon» de Massenet à l'Opéra de Paris

Cendrillon, mais autrement. À l'âge de 83 ans, Pauline Viardot signa un opéra‑comique où l'héroïne échappe au merveilleux pour s'inscrire dans une réalité plus humaine et sociale, loin du conte de Charles Perrault. Créée en 1904, cette œuvre renaît aujourd'hui dans une nouvelle production de la Co[opéra]tive, un collectif de scènes françaises qui va à la rencontre du public en dehors des grandes institutions lyriques. Revisitée par le metteur en scène David Lescot, cet « opéra de salon » miniature d'une durée de 1h10 est actuellement en tournée à travers la France pour plus de 70 représentations. À lire aussi«Anora» de Sean Baker: un Cendrillon moderne et déjanté, Palme d'or 2024   À lire aussiMariame Clément, metteuse en scène pour «Cendrillon» de Massenet à l'Opéra de Paris

This Fireside Fairy Tale is a double feature where I share my own translation of the very first Little Red Riding Hood story by Egbert of Liège from 1000 years ago as well as the very first English Translation of Little Red Riding Hood as written by Charles Perrault in his Mother Goose Tales. De … Continue reading "222 – Little Red Riding Hood is 1000 Years Old"

A story from our archive: The Best of Super Great Kids' Stories.Talented storyteller Jason Buck narrates the classic French fairy tale "Puss in Boots" written down by Charles Perrault. In this story, a young man inherits a cat, who persuades his owner they can make their fortune if he can give him a hat, a sack, and some fancy boots. All dressed up, the cat charms the king, outwits an ogre and delights the king's daughter. Tada! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of How I Met Your Monster, we kick off our Scary Tales triple feature by diving into Neil Jordan's 1984 horror film The Company of Wolves. Inspired by Angela Carter's reimagining of Little Red Riding Hood, this surreal fairy-tale nightmare blends werewolves, dream logic, and body-horror transformations into one of the strangest films of the decade.We break down the film's seven monster reveals, unsettling werewolf transformation effects, and its controversial themes around puberty, repression, folklore, and gender roles. From wolves peeling out of human skin to dream-within-a-dream storytelling, The Company of Wolves challenges traditional fairy tales and refuses simple interpretations.Along the way, we connect the film to classic werewolf lore, fairy-tale history (Charles Perrault), and other surreal horror films that prioritize vibes over clarity. Is The Company of Wolves a feminist fairy tale? A disturbing coming-of-age story? Or just an aggressively weird werewolf movie? We don't fully agree—and that's the point. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Cette hypnose pour dormir profondément a été conçue pour favoriser un endormissement rapide et un sommeil continu d'environ 8 heures. La voix, le rythme et la structure du récit, celui de La Belle au bois dormant de Charles Perrault accompagnent progressivement le relâchement du corps et de l'esprit, afin de réduire l'agitation mentale, les tensions physiques et les réveils nocturnes. Psst, abonnez-vous ⇒ https://tinyurl.com/ABONNEMENT-BL

Step inside the locked chamber of one of the darkest fairytales ever told. The Tale of Bluebeard is more than just a story of a rich nobleman with a strange colored beard; it's a chilling descent into secrecy, curiosity, and the price of disobedience. Stay tuned for the conclusion, where Melissa digs into the men who may have inspired Charles Perrault's fairytale Bluebeard, written in 1697. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Elizabeth previews a selection of stories from The Fairytales from Charles Perrault, first published in 1628. This season is a premium exclusive. Thank you for supporting our show.Try The Sleepy Bookshelf Premium free for 7 days: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Are you loving The Sleepy Bookshelf? Show your support by giving us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Vote on upcoming books via the Survey on our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sleepybookshelf.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=zxRt2AI7f80⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Having an issue with The Sleepy Bookshelf or have a question for us? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Connect: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams

Adattamento e messa in voce di Gaetano Marino Continue reading

Hello everyone, Todays episode is a French fairy tale by Charles Perrault called 'Toads and Diamonds' Read by LauraIf you enjoy listening to these stories, please do leave an Apple review so we can grow and reach more people. Sweet Dreams. Lucy ❤

In this enchanting episode of Chittu Kuruvi Podcast, Deepika Arun takes us into the timeless world of Cinderella — a tale of kindness, magic, and a mysterious glass slipper. What turns an ordinary girl's life into a fairytale before the clock strikes twelve?After the story, we learn about Charles Perrault — the brilliant French author who turned age-old folk tales into enchanting classics loved by generations.A magical episode that inspires wonder, hope, and the joy of believing in the impossible!Write your feedback to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kadhaiosai.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or WhatsApp to 9176583618#DeepikaArun #Storiesforkids #Chittukuruvi #tamilaudiobooks #storiesintamil #tamilstoriesforkids #forkidsandchildren #tamil #forkids #azhavalliyappa #charlesperrault #cinderella #cinderellastory

durée : 00:25:09 - Pauline Viardot, Cendrillon - par : Anne-Charlotte Rémond - Pauline Viardot a 83 ans en 1904 lorsqu'elle compose ''Cendrillon'', un opéra-comique miniature d'après le conte de Charles Perrault. Anne-Charlotte Rémond vous invite aujourd'hui à suivre la célèbre chanteuse et compositrice dans les salons parisiens de Mathilde de Nogueiras où l'œuvre fut créée. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, Geoff and Katrina delve into the world of King Louis XIV's French Salons. During this time period, many women of the nobility were meeting together in the salons and stretching their creative skills in storytelling and writing. While Charles Perrault was trying to prove that the French folktales carried as much weight as the myths of ancient Greece, his niece, Marie-Jeanne L'Heritier was hosting salons and crafting tales of her own. Geoff retells an ATU 480 tale by Charles Perrault and Katrina counters with a tale from Marie-Jeanne L'Heritier. And they both give a prayer of thanks for Jack Zipes saving the day with his excellent translations.

Cinderella is one of the oldest folktales in the world. Academic librarian, Rosie Liljenquist (Rosy Rambles), joins the show to discuss this story. We compare the different versions told by Charles Perrault, The Brothers Grimm, and Giambattista Basile. We explore the religious symbolism of the Grimm's version and I even try to rehabilitate the wicked step-sisters. Enjoy!Rosie's work, including the essays mentioned during the show, can be found here:*************************************************************************************************************Follow me on Twitter @AaronIrberSubscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563Subscribe to my Substack - for updates on the show, essays, and more!Donate to my Patreon - I Might Believe in Faeries https://www.patreon.com/imightbelieveinfaeriesLike my Facebook page - I Might Believe in FaeriesBattle Of The Creek by Alexander Nakarada | https://www.serpentsoundstudios.comMusic promoted by https://www.free-stock-music.comAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Logo Art by Linnea Kisby************************************************************************************************************* This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit aaronirber.substack.com/subscribe

The Fates of Classical Antiquity not only survived in the form of related fairy-tale figures but also as the object of superstitions and rituals associated with newborns. In South Slavic and Balkan regions particularly, these customs represent a surprisingly long-lived and genuine case of pagan survival. We begin our episode examining the fairy godmothers of "Sleeping Beauty" as embodiments of the Fates.  Mrs. Karswell reads a few key passages from the definitive version of the story included in Charles Perrault's 1697 collection, Histoires ou contes du temps passé ("stories of times gone by.") We learn how the fairies fulfill the historical role of godparents at the newborn's christening. We also note the peculiar emphasis on the quality of what's set before the fairies at the christening banquet, observing how a failure there leads the wicked fairy to curse the Sleeping Beauty. 1874 illustration by František Doucha for a Czech edition of Sleeping Beauty We then explore antecedents to Perrault's tale, beginning with the 14th-century French chivalric romance, Perceforest.  A peripheral story in this 8-volume work is that of Troylus and Zeelandine, in which the role of Sleeping Beauty's fairy godmothers are played by Greek and Roman deities, with Venus as supporter of Princess Zeelandine (and her suitor Troylus) and Themis cursing Zeelandine to sleep in a manner similar to Perrault's princess.  A failure to correctly lay out Themis' required items at the christening banquet is again again responsible for the curse, though the awakening of Zeelandine by Troylus awakens is surprisingly different and a notorious example of medieval bawdiness. Preceding Perceforest, there was the late 13th-century French historical romance Huon of Bordeaux, in which we hear of the newborn fairy king Oberon being both cursed and blessed by fairies attending his birth.  From around the same time, French poet and composer Adam de la Halle's Play of the Bower describes a banquet at which fairy guests pronounce a curses and blessings on those in attendance prompted again by their pleasure or displeasure at what's set before them at a banquet. We also  hear of the Danish King King Fridlevus (Fridlef II) bringing his newborn son to a temple of "three maidens" to ascertain the  destiny pf the child in Gesta Danorum ("Deeds of the Danes").written around 1200 by Saxo Grammaticus. And lest listeners think such appeals to the Fates were strictly a literary motif, we hear Burchard of Worms, in his early-11th-century Decretum, condemning the not uncommon among the Germans of his region of setting up offering tables for the Fates.  By this point, the connection between how fairy godmother types are served at a banquet and offerings made to the Fates to ensure a cild's fortune should be clear. We then turn back to the Greek Fates, the Moirai (Clotho, Lachesis, and Atropos) and the Roman Parcae (Nona, Decuma, and Morta). Particularly in the case of the Parcae, we hear examples of their connection to the newborn's destiny in the celebration nine or ten days after the birth of the dies lustricus, during which offerings were made to the Fates. The Three Fates by Bernardo Strozzi, late 17th c We make a brief side-trip to discuss the Norns (Urðr, Verðandi and Skuld), the Germanic equivalent of the Fates.  These are more distant cousins, not strongly associated with the newborn and his destiny, though we do hear a passage from the Poetic Edda, in which the Norns are  present birth of the hero Helgi. We also hear a gruesome passage from the 13th-century Njáls Saga, in which the Valkyries weave out the fate of those who will die in the Battle of Clontarf. The Anglo-Saxon equivalent of the Fates, the Wyrds, are also discussed, and we hear how the  witches in Macbeth partook in this identity as the "Weird Sisters," an association Shakespeare inherited from his source material, the 1587 history of Great Britain, known as Holinshed's Chronicles.

Director: Neil Jordan Writers: Neil Jordan, Angela Carter, Charles PerraultStars: Angela Lansbury, Sarah Patterson, Terance Stamp, Stephen Rea, David Warner, Georgia SloweSign up to support Progressively Horrified on Patreon for as little as $5 a month and get bonus episodes! https://www.patreon.com/c/progressivelyhorrified Hosted on Acast. See acast.com/privacy for more information.

Jacob & Wilhelm Grimm (1785 - 1863)Anlässlich des 200. Jubiläums der Kinder- und Hausmärchen präsentiert LibriVox eine Auswahl aus der ersten Auflage der Kinder- und Hausmärchen von 1812/15. Die erste Auflage der berühmten Märchensammlung unterscheidet sich in einigen Punkten von den bekannteren späteren Auflagen. Sie enthält Geschichten, die in den späteren Auflagen entschärft und verniedlicht wurden, um dem Geschmack des vorwiegend bürgerlichen Publikums entgegenzukommen. So wird Rapunzel hier noch schwanger und Hänsel und Gretel werden von ihrer Mutter im Wald verlassen, nicht von der Stiefmutter. Auch sind viele Märchen mit hugenottischem Hintergrund enthalten, z.B. Der gestiefelte Kater, der auf Charles Perrault zurückgeht und in späteren Auflagen nicht mehr enthalten ist. Die durch die Brüder Grimm kommentierten Erstausgabe ist Teil des Weltdokumentenerbes der UNESCO. 

Jacob & Wilhelm Grimm (1785 - 1863)Anlässlich des 200. Jubiläums der Kinder- und Hausmärchen präsentiert LibriVox eine Auswahl aus der ersten Auflage der Kinder- und Hausmärchen von 1812/15.Die erste Auflage der berühmten Märchensammlung unterscheidet sich in einigen Punkten von den bekannteren späteren Auflagen. Sie enthält Geschichten, die in den späteren Auflagen entschärft und verniedlicht wurden, um dem Geschmack des vorwiegend bürgerlichen Publikums entgegenzukommen. So wird Rapunzel hier noch schwanger und Hänsel und Gretel werden von ihrer Mutter im Wald verlassen, nicht von der Stiefmutter. Auch sind viele Märchen mit hugenottischem Hintergrund enthalten, z.B. Der gestiefelte Kater, der auf Charles Perrault zurückgeht und in späteren Auflagen nicht mehr enthalten ist.Die durch die Brüder Grimm kommentierten Erstausgabe ist Teil des Weltdokumentenerbes der UNESCO.

Jacob & Wilhelm Grimm (1785 - 1863)Anlässlich des 200. Jubiläums der Kinder- und Hausmärchen präsentiert LibriVox eine Auswahl aus der ersten Auflage der Kinder- und Hausmärchen von 1812/15. Die erste Auflage der berühmten Märchensammlung unterscheidet sich in einigen Punkten von den bekannteren späteren Auflagen. Sie enthält Geschichten, die in den späteren Auflagen entschärft und verniedlicht wurden, um dem Geschmack des vorwiegend bürgerlichen Publikums entgegenzukommen. So wird Rapunzel hier noch schwanger und Hänsel und Gretel werden von ihrer Mutter im Wald verlassen, nicht von der Stiefmutter. Auch sind viele Märchen mit hugenottischem Hintergrund enthalten, z.B. Der gestiefelte Kater, der auf Charles Perrault zurückgeht und in späteren Auflagen nicht mehr enthalten ist.Die durch die Brüder Grimm kommentierten Erstausgabe ist Teil des Weltdokumentenerbes der UNESCO. 

Once upon a time, before there were the Brothers Grimm, there was Charles Perrault, and he gave us (among others) the fairy tale of Sleeping Beauty. Here is the story from his collection of Mother Goose Tales, first published in 1697. His children were charmed. I hope you will enjoy it, too.

Ep. 681: Cranford | Chapter 3 Book talk begins at 15:00 A mysterious gentleman caller? A missed dinner invite gone socially sideways? Things are getting awkwardly entertaining in the most delightfully proper way. --------------------------------------------------------------- 00:00 Episode start 03:00 Knitting Comfortably: The ergonomics of knitting by Carson Demers “Wuv. TWOO Wuv…” 04:16 BOOK PARTY WAS Thursday April 24th for The Thin Man by Dashiell Hammett - the Watch party will be may 29th. If you need to level-up to join us 05:00 trailer 05:36 Plum Deluxe Herbal—I found out this was a special blend that might no longer be available but you can ** 07:08 You can call the show from the App or 206-350-1642 or speakpipe.com/craftlit 8:05 and let us know what text you want on the screen during your video (promote your shop!) 10:45 also check out other indie online bookshops and or Powell's. OLD FARLEY'S (with the cat older than I am) Pics of The Salt House 13:28 Heather attempts gardening on a deck without a hose. Sympathy and/or hints are welcomed ;) 15:35 Start of booktalk 19:20 Hortus Siccus - an arranged collection of dried plants 20:19 in the miniseries 21:14 Articles of Engagement - rules for your servants (a contract) 22:00 wine and dessert (really wine and nuts) 22:44 Recondite - something difficult to understand 23:15 23:42 by Charles Perrault (who did NOT write the version of Tristan and Isolde we listened to) Moral: Curiosity, in spite of its appeal, often leads to deep regret. To the displeasure of many a maiden, its enjoyment is short lived. Once satisfied, it ceases to exist, and always costs dearly. Another moral: Apply logic to this grim story, and you will ascertain that it took place many years ago. No husband of our age would be so terrible as to demand the impossible of his wife, nor would he be such a jealous malcontent. For, whatever the color of her husband's beard, the wife of today will let him know who the master is. (Heather's note: I just had to add those here as I found them after I recorded) Andrew Lang, The Blue Fairy Book (London: Longmans, Green, and Company, ca. 1889), pp. 290-295. Lang's source: Charles Perrault, “La Barbe bleüe, “Histoires ou contes du temps passé, avec des moralités: Contes de ma mère l'Oye (Paris, 1697). And just for fun because I've mentioned it before: and - . Another tale by Jacob and Wilhelm Grimm about a sinister bridegroom (Aarne-Thompson type 955).—The is wrapped around the Bluebeard story like a tourniquet! 24:50 “Leave me to repose…” from poem by Thomas Gray (of “ 25:55 “Pride which apes humility” from “The Devil's Thoughts” “The Devil's Thoughts” is a satirical poem in common metre by Samuel Taylor Coleridge, published in 1799, and expanded by Robert Southey in 1827 and retitled “The Devil's Walk” (Heather: AH HA! Now it makes sense). The narrative describes the Devil going walking and enjoying the sight of the various sins of mankind. Originally published: 1799 Authors: , 27:24 Yeoman vs Esquire 29:15 Castle Building (aka, wool-gathering) - 30:17 CHAPTER AUDIO BEGINS - Heather makes wool slippers using from YouMakeItSimple.com 52:46 POST-CHAPTER CHAT 53:45 , from Brenda Dayne 56:25 Serve from the Left details: Serving: - Plates: Plates are served from the left, using your left hand to place the plate, allowing the server to use their right hand to avoid crossing in front of the guest. Beverages: Beverages, such as water and wine, are poured from the right, as glasses are typically placed to the right of the guest's plate. Sides: Sides like bread and vegetables are also served from the left. Clearing: Plates: Plates are cleared from the right, using your right hand to remove the plate.  Exceptions: If a guest is obstructing the way on the right, or if there is an object on the right side, a server may need to serve from the right.  Some restaurants may have their own protocols for serving, whether it's to the right or left.  Why Serve from the Left? Serving from the left is considered less intrusive for right-handed diners, as it avoids the server having to reach across the guest.  It also allows the server to carry the food in their left hand and serve with their right hand, without crossing their arms in front of the guest. 57:20   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

We chat with Bram Stoker and International Latino Award Winning horror author Cynthia Pelayo as her latest book, 'Vanishing Children' is released.Cynthia's writing intersects with the world of fairy tales, with Charles Perrault's story of Sleeping Beauty providing inspiration for 'Vanishing Children'.Please note that this interview deals with themes of parental loss, and touches on suicide.To support The Folklore Podcast on Patreon and help us to keep making the show, and to get extra content, please visit http://www.patreon.com/thefolklorepodcast

Bonjour listeners! This episode, our story is from the city of Paris, France. It's a fairytale created by a writer called Pierre Gripari in the 1960s. When he was a boy, he read lots of traditional French fairy tales by Charles Perrault – like sleeping beauty and little red riding hood. And he loved them! But when he grew up, he realised that he wanted fairytales that were about where he lived – the streets of Paris. So he made up his own. And this is our version of one of his most famous – the Witch of the Rue Mouffetarde. ‘Rue' means street in French. All the locations in the story can be found in Paris today – hopefully there are no witches there though. You can read more stories by Pierre Gripari HERE. Remember to join us over on Patreon – you could get to be a guest teller like Astrid, you get early access, bonus content, videos and birthday shout outs!! So hop on over and help to support us.  We really want to keep the podcast going, but we can't do it without your help!!! You can follow us and join us on: Patreon Facebook   Instagram Thanks for listening! Theme Music by Leo Grazebrook on GarageBand Storytelling and singing by Emily Hanna-Grazebrook Produced by Andy Grazebrook Art by Light Creative Sound effects by Zapsplat Music by Dragonfly Tales

Talented storyteller Jason Buck narrates the classic French fairy tale "Puss in Boots" written down by Charles Perrault. In this story, a young man inherits a cat, who persuades his owner they can make their fortune if he can give him a hat, a sack, and some fancy boots. All dressed up, the cat charms the king, outwits an ogre and delights the king's daughter. Tada! Jason has done it again and pulled another cracking fairytale out of the bag. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The earliest known version of the tale is found in the French narrative Perceforest, written between 1330 and 1344.[7] Another was the Catalan poem Frayre de Joy e Sor de Paser.[8] Giambattista Basile wrote another, "Sun, Moon, and Talia" for his collection Pentamerone, published posthumously in 1634–36[9] and adapted by Charles Perrault in Histoires ou contes du temps passé in 1697. The version collected and printed by the Brothers Grimm was one orally transmitted from the Perrault version,[10] while including own attributes like the thorny rose hedge and the curse.[11] Sun, Moon, and Talia (Italian: Sole, Luna, e Talia) is an Italian literary fairy tale written by Giambattista Basile and published posthumously in the last volume of his 1634-36 work, the Pentamerone. Charles Perrault retold this fairy tale in 1697 as Sleeping Beauty, as did the Brothers Grimm in 1812 as Little Briar Rose.

The White Cat, written by Madame d'Aulnoy in 1698, and originally broadcast by Snoozecast in July 2020, is part of the early wave of literary fairy tales popular in France at the time. These tales were not just for children—they were enjoyed by adults, especially in the aristocratic salons of Paris, where storytelling was a fashionable pastime. Madame d'Aulnoy was one of the key figures in this genre, alongside writers like Charles Perrault. Her stories often featured magical elements, royal characters, and challenges, but they also had more elaborate plots and strong, clever female characters. The White Cat tells the story of a prince who encounters a talking white cat living in an enchanted castle. This story reflects the style of the period, blending traditional folklore with the social dynamics and expectations of the court. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

The White Cat, written by Madame d'Aulnoy in 1698, and originally broadcast by Snoozecast in July 2020, is part of the early wave of literary fairy tales popular in France at the time. These tales were not just for children—they were enjoyed by adults, especially in the aristocratic salons of Paris, where storytelling was a fashionable pastime.Madame d'Aulnoy was one of the key figures in this genre, alongside writers like Charles Perrault. Her stories often featured magical elements, royal characters, and challenges, but they also had more elaborate plots and strong, clever female characters. The White Cat tells the story of a prince who encounters a talking white cat living in an enchanted castle.This story reflects the style of the period, blending traditional folklore with the social dynamics and expectations of the court.— read by 'V' —Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tonight, for our monthly bonus episode for Snoozecast+ Deluxe listeners, we bring you our retelling of the classic fairy tale “Sleeping Beauty”. This version is inspired by the original writer of this tale, Charles Perrault. Perrault was a French author who is often credited as the founder for a new literary genre, the fairy tale, with his works derived from earlier folk tales. The best known of his tales include "Little Red Riding Hood", "Cinderella", "Puss in Boots" along with “Sleeping Beauty”. Thank you to all our listeners. If you are interested in learning more about our premium subscription options, where you can listen to our expanded catalog ad-free, go to snoozecast.com/plus.  — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices