Podcasts about on fairy stories

Pastor Garrison GreeneTEXT: Genesis 38:1-30BIG IDEA: The sovereign grace triumphs over sin and sorrow.OUTLINE:1. The Tragedy of Sin & Disgrace2. The Triumph of Sovereign GraceRESOURCES: ESV Study Bible; Welwyn Commentary Series: Genesis by Philip Eveson; Whole Bible Commentary by Matthew Henry; Whole Bible Commentary by John Gill; Unloved: The Rejected Saints God Calls Beloved by Elyse Fitzpatrick; The Seed of the Woman: 30 Narratives That Point To Jesus by Nana Dolce; On Fairy Stories by J.R.R. Tolkien

In 1939, J.R. Tolkin took Robert Dickmans hypothesis one step further in a lecture he delivered titled, On Fairy Stories. In his lecture, Tolkin said the following about fairytales and those who create them: Probably every writer making a secondary world, a fantasy, every sub-creator, wishes in some measure to be a real maker, or hopes that he is drawing on reality: hopes that the peculiar quality of this secondary world (if not all the details) are derived from reality, or are flowing into it. The peculiar quality of the joy in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. The Gospels contain a fairy-story, or a story of a larger kind, which embraces all the essence of fairy-stories. But this story is supreme, and it is true. Art has been verified. God is the Lord, of angels, and of menand of elves. Legend and History have met and fused.[1] In the Bible, the three great antagonists that we face in our story include the great serpent, the problem of sin, and death (in that order). Satan entered into the Garden as a serpent where the first man and woman enjoyed true love with both God and each other, they were tempted to sin against God by the Serpent. Adam and Eve ate the forbidden fruit that God commanded them not to eat and a curse was pronounced upon all of creation, and ever since that fateful day, sin and death have vandalized the peace we were created to enjoy with God. In the wake of Adam and Eves rebellion and under the shadow of evil and death, God gifted Adam and Eve a promise: The great serpent would one day be destroyed: And I will make enemies Of you and the woman, And of your offspring and her Descendant; He shall bruise you on the head, And you shall bruise Him on the heel. (Genesis 3:15) So who or what is the serpent? In The Lord of the Rings, he is the Dark Lord Sauron. In The Wizard of Oz, he is the Wicked Witch of the West. In The Matrix, he is Agent Smith. In The Chronicles of Narnia, he is the White Witch. In Superman, He is Lex Luther. In Star Wars, he is Darth Vader and every evil Sith Lord before and after him. The serpent is Lucifer, the devil, the father of lies, the accuser, and the great dragon. There is another antagonist that is the consequence of our sin and rebellion, and that is death. The word gospel simply means good news, and oh is there good news my dear brothers and sisters! The apostle Paul spoke of it in his epistle to the Romans: For I am not ashamed of the gospel, for it is the power of God for salvation to everyone who believes, to the Jew first and also to the Greek (Rom. 1:16). The gospel of Jesus Christ from Genesis through the last chapter of Revelation has everything that every great story requires, and it is a story that has the power to not only transform, but to save! The gospel of Jesus Christ is supreme because it is indeed true, and it is seen and heard throughout the 23rd Psalm! The Good Shepherd Guides His Sheep through the Valley of Deep Darkness On resurrection Sunday, we looked at the first part of verse 4, Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me... Even if your first Sunday at Meadowbrooke was on that day, you should know by now that the Lord of the 23rd Psalm is the Good Shepherd, and His name is Jesus! He is my shepherd; therefore I will not be in need. Why will I not be in need? Well... because He is my bread of life who satisfies my hunger and quenches my thirst (John 6:35)! Why will I not be in need? Well... because He is the Light of the world who lights up the darkness that surrounds me (John 8:12)! Why again will I never ever be in need so long as Jesus is my shepherd? Well... let me tell you: He for me is the resurrection and the life who has promised that not even death can take from me what I already have in Him (John 11:25-26)! Now, just because Jesus is my Shepherd, that does not mean that I am exempt from walking through the valley of the shadow of death. As I said on Easter Sunday, we all must experience the valley of utter darkness that includes suffering, sickness, a broken world, and even death; however, those whose shepherd is Jesus only must walk through it while everyone else must walk in it. For the one who does not know Jesus as the bread of life, the light of the world, and the resurrection of life will never know the kind of hope that transcends the grave. For the one whose shepherd is not Jesus, the grave is deaths victory dance over you, and the news only gets worse beyond the grave. Jesus said, Do not be afraid of those who kill the body but are unable to kill the soul; but rather fear Him who is able to destroy both soul and body in hell (Matt. 10:28). Again, to all who would refuse Jesus as the good shepherd, He warned: Enter through the narrow gate; for the gate is wide and the way is broad that leads to destruction, and there are many who enter through it. For the gate is narrow and the way is constricted that leads to life, and there are few who find it (Matt. 7:1314). Jesus is the narrow gate! For those whose shepherd is Jesus, then the valley of the shadow of death is a temporary experience that you are only passing through. Do you know what that means? It means that there is life at the end of the valley! There is a table, and there is oil, and there is a cup placed into your hand dear Christian that is overflowing with His goodness and faithfulness all the days of your life! At that table, we will hold high that cup and toast: Where, O Death, is your victory? Where, O Death is your sting? The sting of death is sin, and the power of sin is the Law; but thanks be to God, who gives us the victory through our Lord Jesus Christ (1 Cor. 15:55-57). The Good Shepherd Comforts His Sheep with His Rod and Staff What is the significance of Jesus rod and staff? For starters, He is the one leading us through the deep dark valleys on this side of eternity; while in the valley, we have no reason to fear evil because He is with us, and while with us... He is armed with His rod and staff. In their commentary on the Psalms, Josh Smith and Daniel Akin comment: We are going through the deep, dark valleys because our good shepherd is leading us! The dark valley is part of the path of righteousness.[2] Not to belabor the point I made previously, but what does the dark valley include? It includes pain, it includes suffering, it includes disease, it includes achy joints, it includes persecution, and it even includes death! After all, Jesus did say: In the world you have tribulation, but take courage; I have overcome the world (John 16:33b). You may be saying in response to this: Pastor Keith, what about what Jesus said in John 10:10? Here is what Jesus said: The thief comes only to steal and kill and destroy; I came so that they would have life, and have it abundantly. The thief is anything or anyone that promises to give you what only Jesus is able to give, and the abundant life is a life with Jesus. Now, what about the rod and staff? Why not just the rod or only the staff? Why both? The rod was typically used as offensive weapon against any predator that would threaten the sheep from the outside while the staff was used to direct, round up, and pull in the sheep. While the rod is used to protect the sheep from enemies, the staff is used to protect the sheep from themselves. Jesus guides me with His staff, and as He does, He leads me through the valley to the table where He has prepared a feast for me. Because it is Jesus who carries the rod and the staff, I can be confident that Jesus will lead me to where I need to go, or as the apostle Paul put it: For I am confident of this very thing, that He who began a good work among you will complete it by the day of Christ Jesus (Phil. 1:6), and He will use His rod and staff to do it. Or as one person wrote: Jesus Christ, our Shepherd, is no emaciated weakling. Our Shepherd is a warrior, as shepherds had to be. No one can snatch his sheep out of his hand (John 10:28). The muscles of his arm are flexed to defend his flock; he doesnt carry a club for nothing. He is obviously enough for whatever the valley throws at us.[3] What is the point of verse 4? Here is the point: If Jesus is my shepherd, then even in the darkest moments of life I have all that I need because I have Him. Or, as the modern hymn, Yet Not I but Through Christ in Me, so adequately and helpfully states: The night is dark, but I am not forsakenFor by my side, the Savior, He will stayI labor on in weakness and rejoicingFor in my need, His power is displayed To this I hold, my Shepherd will defend meThrough the deepest valley, He will leadOh, the night has been won, and I shall overcomeYet not I, but through Christ in me The Good Shepherd Prepares a Feast for His Sheep in the Presence of Their Enemies So, where is He leading me? Where is He leading you dear Christian? What is waiting for me, and what is waiting for all who are being led by the Good Shepherd? A table that has been prepared by Jesus is what is waiting for His sheep. What is on that table? A feast is what is on that table! What is the meaning of this feast that He has prepared? It is a testament, it is proof, and it is a witness to Gods favor upon His sheep. This, my friend, is the abundant life Jesus provides! Again, another set of verses from Yet Not I but Through Christ in Me rings true! No fate I dread, I know I am forgivenThe future's sure, the price, it has been paidFor Jesus bled and suffered for my pardonAnd He was raised to overthrow the grave To this I hold, my sin has been defeatedJesus, now and ever is my pleaOh, the chains are released, I can sing, "I am free"Yet not I, but through Christ in me Where is the table set for His redeemed to feast? It is set in the place that my enemies are made to watch and not permitted to touch, take, or taunt because of the One who has prepared the table for me. But do not miss that before my enemies and yours, He has anointed us with oil and placed a cup in each of our hands! Besides the fact that in the dry and hot climate of the valley, oil would be used to sooth the skin and wine would be consumed to clear the throat. However, there is more to the oil and the cup! The imagery of oil and wine in the Bible speak of joy and prosperity. Conclusion When I think of the table in Psalm 23:5, I cannot help but think of three feasts mentioned in the Bible. The first happened while the Hebrew people were surrounded by Egypt under the bondage of Pharoh. On the eve of their deliverance they marked their doorposts with the blood of a lamb with no defects and feasted on that lamb. After they feasted, God delivered the Hebrews from the bondage of slavery and defeated Pharoh and his army, and then they sang a song known as, The Song of Moses that included this verse: The Lord is my strength and song, and He has become my salvation; This is my God, and I will praise Him... (Exod. 15:2), and concludes with these words: The Lord shall reign forever and ever (15:18). The second feast is the one Jesus celebrated with His disciples on the eve of His crucifixion and death. Like Moses and the Hebrews before, Jesus and His disciples sat at a table to the feast of the Passover. During the meal, Jesus and his disciples no doubt recited or even sang the Song of Moses: The Lord is my strength and song, and He has become my salvation... There were four cups that the disciples drank from during the Passover which were, The cup of sanctification (holiness) to start the celebration and a reminder of the holiness of God. The cup of salvation (deliverance) symbolizing Gods deliverance which was drunk after the retelling of the Exodus story. The cup of redemption (blessing), which was drunk after the meal which represented Gods act of redeeming Israel. The cup of glory (praise) which was drunk at the very end representing the future redemption and coming of the Messiah. It was this cup that Jesus said, Drink from it, all of you; for this is My blood of the covenant, which is being poured out for many for forgiveness of sins.... I will not drink of this fruit of the vine from now on until that day when I drink it with you, new, in My Fathers kingdom (Matt. 26:26-29). After that feast, Jesus atoned for sin on the cross and then defeated the curse of sin and death by rising on the third day. Just before He died on the cross, He declared: It is finished (John 19:30)! The third feast has not happened yet, and we learn of it in Revelation 19:7-10; it is the Marriage feast we will celebrate with Jesus as His Bride. I believe that at this coming feast Jesus will pick up the fourth cup and drink it with us. Do you know what will come after that feast? The defeat of the nations gathered against Jesus and the final defeat of Satan. According to Revelation 15, do you know what song all of heaven will sing on that day? Here is what we are told: And they sang the song of Moses, the bond-servant of God, and the song of the Lamb, saying, Great and marvelous are Your works, Lord God, the Almighty; Righteous and true are Your ways, King of the nations! Who will not fear You, Lord, and glorify Your name? For You alone are holy; For all the nations will come and worship before You, For Your righteous acts have been revealed. (Rev. 15:34) So, can you guess what comes after the banquet prepared before His people in the presence of our enemies in Psalm 23:5? You guessed it! What comes after is the triumph of the Lamb of God over all that stands against those whom He has redeemed! [1] J. R. R. Tolkien. On Fairy Stories (1939). [2] J. Josh Smith and Daniel L. Akin, Exalting Jesus in Psalms 150, ed. David Platt, Daniel L. Akin, and Tony Merida, Christ-Centered Exposition Commentary (Nashville, TN: Holman Reference, 2022), 175. [3] David Gibson, The Lord of Psalm 23: Jesus Our Shepherd, Companion, and Host (Wheaton, IL: Crossway, 2023), 90.

In 1939, J.R. Tolkin took Robert Dickmans hypothesis one step further in a lecture he delivered titled, On Fairy Stories. In his lecture, Tolkin said the following about fairytales and those who create them: Probably every writer making a secondary world, a fantasy, every sub-creator, wishes in some measure to be a real maker, or hopes that he is drawing on reality: hopes that the peculiar quality of this secondary world (if not all the details) are derived from reality, or are flowing into it. The peculiar quality of the joy in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. The Gospels contain a fairy-story, or a story of a larger kind, which embraces all the essence of fairy-stories. But this story is supreme, and it is true. Art has been verified. God is the Lord, of angels, and of menand of elves. Legend and History have met and fused.[1] In the Bible, the three great antagonists that we face in our story include the great serpent, the problem of sin, and death (in that order). Satan entered into the Garden as a serpent where the first man and woman enjoyed true love with both God and each other, they were tempted to sin against God by the Serpent. Adam and Eve ate the forbidden fruit that God commanded them not to eat and a curse was pronounced upon all of creation, and ever since that fateful day, sin and death have vandalized the peace we were created to enjoy with God. In the wake of Adam and Eves rebellion and under the shadow of evil and death, God gifted Adam and Eve a promise: The great serpent would one day be destroyed: And I will make enemies Of you and the woman, And of your offspring and her Descendant; He shall bruise you on the head, And you shall bruise Him on the heel. (Genesis 3:15) So who or what is the serpent? In The Lord of the Rings, he is the Dark Lord Sauron. In The Wizard of Oz, he is the Wicked Witch of the West. In The Matrix, he is Agent Smith. In The Chronicles of Narnia, he is the White Witch. In Superman, He is Lex Luther. In Star Wars, he is Darth Vader and every evil Sith Lord before and after him. The serpent is Lucifer, the devil, the father of lies, the accuser, and the great dragon. There is another antagonist that is the consequence of our sin and rebellion, and that is death. The word gospel simply means good news, and oh is there good news my dear brothers and sisters! The apostle Paul spoke of it in his epistle to the Romans: For I am not ashamed of the gospel, for it is the power of God for salvation to everyone who believes, to the Jew first and also to the Greek (Rom. 1:16). The gospel of Jesus Christ from Genesis through the last chapter of Revelation has everything that every great story requires, and it is a story that has the power to not only transform, but to save! The gospel of Jesus Christ is supreme because it is indeed true, and it is seen and heard throughout the 23rd Psalm! The Good Shepherd Guides His Sheep through the Valley of Deep Darkness On resurrection Sunday, we looked at the first part of verse 4, Even though I walk through the valley of the shadow of death, I fear no evil, for You are with me... Even if your first Sunday at Meadowbrooke was on that day, you should know by now that the Lord of the 23rd Psalm is the Good Shepherd, and His name is Jesus! He is my shepherd; therefore I will not be in need. Why will I not be in need? Well... because He is my bread of life who satisfies my hunger and quenches my thirst (John 6:35)! Why will I not be in need? Well... because He is the Light of the world who lights up the darkness that surrounds me (John 8:12)! Why again will I never ever be in need so long as Jesus is my shepherd? Well... let me tell you: He for me is the resurrection and the life who has promised that not even death can take from me what I already have in Him (John 11:25-26)! Now, just because Jesus is my Shepherd, that does not mean that I am exempt from walking through the valley of the shadow of death. As I said on Easter Sunday, we all must experience the valley of utter darkness that includes suffering, sickness, a broken world, and even death; however, those whose shepherd is Jesus only must walk through it while everyone else must walk in it. For the one who does not know Jesus as the bread of life, the light of the world, and the resurrection of life will never know the kind of hope that transcends the grave. For the one whose shepherd is not Jesus, the grave is deaths victory dance over you, and the news only gets worse beyond the grave. Jesus said, Do not be afraid of those who kill the body but are unable to kill the soul; but rather fear Him who is able to destroy both soul and body in hell (Matt. 10:28). Again, to all who would refuse Jesus as the good shepherd, He warned: Enter through the narrow gate; for the gate is wide and the way is broad that leads to destruction, and there are many who enter through it. For the gate is narrow and the way is constricted that leads to life, and there are few who find it (Matt. 7:1314). Jesus is the narrow gate! For those whose shepherd is Jesus, then the valley of the shadow of death is a temporary experience that you are only passing through. Do you know what that means? It means that there is life at the end of the valley! There is a table, and there is oil, and there is a cup placed into your hand dear Christian that is overflowing with His goodness and faithfulness all the days of your life! At that table, we will hold high that cup and toast: Where, O Death, is your victory? Where, O Death is your sting? The sting of death is sin, and the power of sin is the Law; but thanks be to God, who gives us the victory through our Lord Jesus Christ (1 Cor. 15:55-57). The Good Shepherd Comforts His Sheep with His Rod and Staff What is the significance of Jesus rod and staff? For starters, He is the one leading us through the deep dark valleys on this side of eternity; while in the valley, we have no reason to fear evil because He is with us, and while with us... He is armed with His rod and staff. In their commentary on the Psalms, Josh Smith and Daniel Akin comment: We are going through the deep, dark valleys because our good shepherd is leading us! The dark valley is part of the path of righteousness.[2] Not to belabor the point I made previously, but what does the dark valley include? It includes pain, it includes suffering, it includes disease, it includes achy joints, it includes persecution, and it even includes death! After all, Jesus did say: In the world you have tribulation, but take courage; I have overcome the world (John 16:33b). You may be saying in response to this: Pastor Keith, what about what Jesus said in John 10:10? Here is what Jesus said: The thief comes only to steal and kill and destroy; I came so that they would have life, and have it abundantly. The thief is anything or anyone that promises to give you what only Jesus is able to give, and the abundant life is a life with Jesus. Now, what about the rod and staff? Why not just the rod or only the staff? Why both? The rod was typically used as offensive weapon against any predator that would threaten the sheep from the outside while the staff was used to direct, round up, and pull in the sheep. While the rod is used to protect the sheep from enemies, the staff is used to protect the sheep from themselves. Jesus guides me with His staff, and as He does, He leads me through the valley to the table where He has prepared a feast for me. Because it is Jesus who carries the rod and the staff, I can be confident that Jesus will lead me to where I need to go, or as the apostle Paul put it: For I am confident of this very thing, that He who began a good work among you will complete it by the day of Christ Jesus (Phil. 1:6), and He will use His rod and staff to do it. Or as one person wrote: Jesus Christ, our Shepherd, is no emaciated weakling. Our Shepherd is a warrior, as shepherds had to be. No one can snatch his sheep out of his hand (John 10:28). The muscles of his arm are flexed to defend his flock; he doesnt carry a club for nothing. He is obviously enough for whatever the valley throws at us.[3] What is the point of verse 4? Here is the point: If Jesus is my shepherd, then even in the darkest moments of life I have all that I need because I have Him. Or, as the modern hymn, Yet Not I but Through Christ in Me, so adequately and helpfully states: The night is dark, but I am not forsakenFor by my side, the Savior, He will stayI labor on in weakness and rejoicingFor in my need, His power is displayed To this I hold, my Shepherd will defend meThrough the deepest valley, He will leadOh, the night has been won, and I shall overcomeYet not I, but through Christ in me The Good Shepherd Prepares a Feast for His Sheep in the Presence of Their Enemies So, where is He leading me? Where is He leading you dear Christian? What is waiting for me, and what is waiting for all who are being led by the Good Shepherd? A table that has been prepared by Jesus is what is waiting for His sheep. What is on that table? A feast is what is on that table! What is the meaning of this feast that He has prepared? It is a testament, it is proof, and it is a witness to Gods favor upon His sheep. This, my friend, is the abundant life Jesus provides! Again, another set of verses from Yet Not I but Through Christ in Me rings true! No fate I dread, I know I am forgivenThe future's sure, the price, it has been paidFor Jesus bled and suffered for my pardonAnd He was raised to overthrow the grave To this I hold, my sin has been defeatedJesus, now and ever is my pleaOh, the chains are released, I can sing, "I am free"Yet not I, but through Christ in me Where is the table set for His redeemed to feast? It is set in the place that my enemies are made to watch and not permitted to touch, take, or taunt because of the One who has prepared the table for me. But do not miss that before my enemies and yours, He has anointed us with oil and placed a cup in each of our hands! Besides the fact that in the dry and hot climate of the valley, oil would be used to sooth the skin and wine would be consumed to clear the throat. However, there is more to the oil and the cup! The imagery of oil and wine in the Bible speak of joy and prosperity. Conclusion When I think of the table in Psalm 23:5, I cannot help but think of three feasts mentioned in the Bible. The first happened while the Hebrew people were surrounded by Egypt under the bondage of Pharoh. On the eve of their deliverance they marked their doorposts with the blood of a lamb with no defects and feasted on that lamb. After they feasted, God delivered the Hebrews from the bondage of slavery and defeated Pharoh and his army, and then they sang a song known as, The Song of Moses that included this verse: The Lord is my strength and song, and He has become my salvation; This is my God, and I will praise Him... (Exod. 15:2), and concludes with these words: The Lord shall reign forever and ever (15:18). The second feast is the one Jesus celebrated with His disciples on the eve of His crucifixion and death. Like Moses and the Hebrews before, Jesus and His disciples sat at a table to the feast of the Passover. During the meal, Jesus and his disciples no doubt recited or even sang the Song of Moses: The Lord is my strength and song, and He has become my salvation... There were four cups that the disciples drank from during the Passover which were, The cup of sanctification (holiness) to start the celebration and a reminder of the holiness of God. The cup of salvation (deliverance) symbolizing Gods deliverance which was drunk after the retelling of the Exodus story. The cup of redemption (blessing), which was drunk after the meal which represented Gods act of redeeming Israel. The cup of glory (praise) which was drunk at the very end representing the future redemption and coming of the Messiah. It was this cup that Jesus said, Drink from it, all of you; for this is My blood of the covenant, which is being poured out for many for forgiveness of sins.... I will not drink of this fruit of the vine from now on until that day when I drink it with you, new, in My Fathers kingdom (Matt. 26:26-29). After that feast, Jesus atoned for sin on the cross and then defeated the curse of sin and death by rising on the third day. Just before He died on the cross, He declared: It is finished (John 19:30)! The third feast has not happened yet, and we learn of it in Revelation 19:7-10; it is the Marriage feast we will celebrate with Jesus as His Bride. I believe that at this coming feast Jesus will pick up the fourth cup and drink it with us. Do you know what will come after that feast? The defeat of the nations gathered against Jesus and the final defeat of Satan. According to Revelation 15, do you know what song all of heaven will sing on that day? Here is what we are told: And they sang the song of Moses, the bond-servant of God, and the song of the Lamb, saying, Great and marvelous are Your works, Lord God, the Almighty; Righteous and true are Your ways, King of the nations! Who will not fear You, Lord, and glorify Your name? For You alone are holy; For all the nations will come and worship before You, For Your righteous acts have been revealed. (Rev. 15:34) So, can you guess what comes after the banquet prepared before His people in the presence of our enemies in Psalm 23:5? You guessed it! What comes after is the triumph of the Lamb of God over all that stands against those whom He has redeemed! [1] J. R. R. Tolkien. On Fairy Stories (1939). [2] J. Josh Smith and Daniel L. Akin, Exalting Jesus in Psalms 150, ed. David Platt, Daniel L. Akin, and Tony Merida, Christ-Centered Exposition Commentary (Nashville, TN: Holman Reference, 2022), 175. [3] David Gibson, The Lord of Psalm 23: Jesus Our Shepherd, Companion, and Host (Wheaton, IL: Crossway, 2023), 90.

Check out "On Fairy Stories" here: https://coolcalvary.com/wp-content/uploads/2018/10/on-fairy-stories1.pdfPrivate Book Club on Discord with the Patrons! Join/Support:https://www.patreon.com/2torambleCheck out our Merch!https://2toramble.comOur social media:https://linktr.ee/2ToRambleHow does the Rambler Rating System Work? Detailed explanation:https://docs.google.com/document/d/1Wu-pyZ_WDhXIWRptCR8QqcdwGcN7R-SWrGxkOJlaFdo/edit?usp=sharingPO Box address:200 Lawyers Rd #6 Vienna, VA, 22183Support this podcast at — https://redcircle.com/2toramble/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eucatastrophe, a term coined by J.R.R. Tolkien, encapsulates the sudden, unexpected joy that breaks through moments of despair. Drawing from Tolkien's essay "On Fairy Stories", this episode delves into how eucatastrophe shapes his works, from The Silmarillion to The Hobbit and The Lord of the Rings. Through key moments of unexpected hope in Tolkien's stories—like the eagles' arrival at the Battle of the Five Armies and the destruction of the One Ring—listeners will explore how Tolkien's concept mirrors the ultimate eucatastrophe in Christian theology: the Resurrection of Christ. The episode highlights how Tolkien's deep Christian faith informed his view of hope, sorrow, and redemption, and reflects on how these themes continue to resonate today.My Favorite Resurrection StoryTwo Believers unknowingly walk with the Resurrected Christ, who explains the scriptures about Himself, and eventually, breaks bread—reminiscent of the Sacrament.Luke 24:13–35Share this episode using this link:ringspodcast.com/209Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Chapter GuideDownload my free chapter guide for "Flight to the Ford": ringspodcast.com/flightDeals for you, my fellow wandererExclusive discount for Lore of the Rings Listeners: 25% off your entire order at Manly Bands. Details at https://www.ringspodcast.com/p/rings/Download my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lord of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eucatastrophe, a term coined by J.R.R. Tolkien, encapsulates the sudden, unexpected joy that breaks through moments of despair. Drawing from Tolkien's essay "On Fairy Stories", this episode delves into how eucatastrophe shapes his works, from The Silmarillion to The Hobbit and The Lord of the Rings. Through key moments of unexpected hope in Tolkien's stories—like the eagles' arrival at the Battle of the Five Armies and the destruction of the One Ring—listeners will explore how Tolkien's concept mirrors the ultimate eucatastrophe in Christian theology: the Resurrection of Christ. The episode highlights how Tolkien's deep Christian faith informed his view of hope, sorrow, and redemption, and reflects on how these themes continue to resonate today.My Favorite Resurrection StoryTwo Believers unknowingly walk with the Resurrected Christ, who explains the scriptures about Himself, and eventually, breaks bread—reminiscent of the Sacrament.Luke 24:13–35Share this episode using this link:ringspodcast.com/209Who are you?Please tell me a little about you: ringspodcast.com/surveyWander Farther: A Free Chapter GuideDownload my free chapter guide for "Flight to the Ford": ringspodcast.com/flightDeals for you, my fellow wandererExclusive discount for Lore of the Rings Listeners: 25% off your entire order at Manly Bands. Details at https://www.ringspodcast.com/p/rings/Download my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493Want to sponsor the Lord of the Rings?Sponsor rates, details, and inquires hereSupport Lore of the Rings with a donationAbout the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Coming to you from August of 2024, Thomas Salerno, Elisabeth Dawson, and I (Andrew Snyder) discuss Tolkien, "On Fairy-Stories" and related topics regarding the arts, philosophy, and more. I also provide some updates on what is happening with Mythic Mind, including a new course and a new series.Become a patron at patreon.com/mythicmindThomas Salerno: https://thomasjsalerno.substack.com/Elisabeth Dawson: https://ebdawson.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

This is a Fellowship chat we had in July regarding Tolkien's On Fairy-Stories and related topics.Become a patron at patreon.com/mythicmindConnect with Thomas Salerno at https://thomasjsalerno.substack.com/Connect with E.B. Dawson at https://ebdawson.com/Subscribe to my YouTube channel at https://www.youtube.com/@andrewnsnyderBecome a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

Why do you love Lord of the Rings so much? As a fan of Tolkien, you've probably heard that question more than once. I know I have! In fact, after three years and nearly 200 episodes, I think it's hard for me to pin down just one reason why I love Tolkien's works. Tolkien himself once articulated what makes a really engaging story in an essay called “On Fairy Stories.” We explore that essay some time back, and you can find that in episode #95: What Makes A Good Story | Tolkien's "On Fairy Stories".Today, we revisit that essay, but we also follow Boromir's advice when he said: “None of us should wander alone!” I teamed up with the hosts at the Booked All Night podcast to explore a few ideas about great storytelling, and why we love Lord of the Rings so much. You can find the full conversation over at the Booked All Night podcast. Who are you?What's the best day for you to listen to new episodes? Tell me here: ringspodcast.com/newTell me more about you! ringspodcast.com/feedbackWander FartherDownload my free chapter guide for "Strider": ringspodcast.com/striderDeals for you, my fellow wandererExclusive discount for Lore of the Rings Listeners: 25% off your entire order at Manly Bands. Details at https://www.ringspodcast.com/p/rings/Download my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493About the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Why do you love Lord of the Rings so much? As a fan of Tolkien, you've probably heard that question more than once. I know I have! In fact, after three years and nearly 200 episodes, I think it's hard for me to pin down just one reason why I love Tolkien's works. Tolkien himself once articulated what makes a really engaging story in an essay called “On Fairy Stories.” We explore that essay some time back, and you can find that in episode #95: What Makes A Good Story | Tolkien's "On Fairy Stories".Today, we revisit that essay, but we also follow Boromir's advice when he said: “None of us should wander alone!” I teamed up with the hosts at the Booked All Night podcast to explore a few ideas about great storytelling, and why we love Lord of the Rings so much. You can find the full conversation over at the Booked All Night podcast. Who are you?What's the best day for you to listen to new episodes? Tell me here: ringspodcast.com/newTell me more about you! ringspodcast.com/feedbackWander FartherDownload my free chapter guide for "Strider": ringspodcast.com/striderDeals for you, my fellow wandererExclusive discount for Lore of the Rings Listeners: 25% off your entire order at Manly Bands. Details at https://www.ringspodcast.com/p/rings/Download my FREE guide for reading Tolkien's Silmarillion: https://ringspodcast.kit.com/a982347493About the Lore of the Rings PodcastContact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sorry for the late Saturday upload! Another classic in the War in Heaven series. Welcome back!  In this final episode covering Charles Williams' spiritual thriller, War in Heaven, we discuss the conclusion of the book!  What does Charles Williams have in common with J.K. Rowling?  Is Gregory the Satanist the secret protagonist of this book?  And finally, what do you do if a priest falls down dead in the middle of mass, but it was a really pleasant service otherwise?  Stay tuned next time for a bonus episode, after which we will be talking about J.R.R. Tolkien's "On Fairy Stories."   If the Inklings squaring off against Aleister Crowley tickles your fancy, please do go pick up a copy of Heaven's War by Micah Harris with art by Michael Gaydos!

An old favorite: This week, we follow up on our discussion of Tolkien's "On Fairy Stories" by applying some of his ideas to The Lion, the Witch, and the Wardrobe.  We're trying to assess whether (despite Tolkien's low view of it), Lewis' children's tale actually works as a Tolkienian "Fairy Story."  Works mentioned include: On Fairy Stories The Lion, the Witch, and the Wardrobe The Black Bull of Norroway Preface to Paradise Lost (when discussing Primary v. Secondary Epic) Chris also promotes the blog he and his wife do--12tide.com--that includes resources to help people celebrate a twelve-day Christmas Season.    If you enjoy this podcast, please recommend it to a friend and give us a review on iTunes.  And please do feel more than free to drop us a line at InklingsVarietyHour@gmail.com.  We'd love to hear from you!

Another episode from the vaults. Here's the original episode description:  Join Anika, Meagan, and Chris for the second half of our discussion of J.R.R. Tolkien's essay "On Fairy Stories."  Among other things, we talk about the nature of originality, the way that stories re-enchant and recover reality for us, the nature of true escapism and modernity, the Gift of Illuvatar and whether anyone actually wants to live forever--probably--also, whether Tolkien really did believe in fairies, the idea of consolation, how joy is more poignant than grief, the parts of the Lord of the Rings that make us cry, fairy stories, myth, and the Gospel, how the temporal and material helps us recover the eternal--and, of course, Frodo of the Nine Fingers and His Ring of Doom!  So strap on your steel shoes and prepare to climb the glassy hill of robust conversation with us.   You can find this essay in a number of places, but this is a pretty nice edition.   Next time, we'll be applying some of the ideas from "On Fairy Stories" to The Lion, the Witch, and the Wardrobe, in order to determine, once and for all, whether it is a fairy story, and whether Tolkien is departing from his own standards in disliking it.  It's full circle time!  If you enjoy this podcast, recommend it to a friend and give us a review on iTunes.  And please do feel more than free to drop us a line at InklingsVarietyHour@gmail.com.  We'd love to hear from you.

Explore Rings of Power season 2 episode 6 "Where is He?" by comparing scene-by-scene with one of J.R.R. Tolkien's core storytelling principles: the "inner consistency of reality." This concept, taken from Tolkien's famous essay "On Fairy Stories," is used as a lens to review an episode of Rings of Power. Analyze inconsistencies in character motivations, plot logic, and the internal rules of Middle-earth as presented in the show. From Arondir's improbable journey to Celebrimbor's shaky role as ruler, this review highlights why so many Lord of the Rings fans have grown frustrated with the series.Contact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Explore Rings of Power season 2 episode 6 "Where is He?" by comparing scene-by-scene with one of J.R.R. Tolkien's core storytelling principles: the "inner consistency of reality." This concept, taken from Tolkien's famous essay "On Fairy Stories," is used as a lens to review an episode of Rings of Power. Analyze inconsistencies in character motivations, plot logic, and the internal rules of Middle-earth as presented in the show. From Arondir's improbable journey to Celebrimbor's shaky role as ruler, this review highlights why so many Lord of the Rings fans have grown frustrated with the series.Contact the show, donate, and find past episodes: ringspodcast.comEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

I ran a bit behind on the schedule, but here is the "July" Fellowship chat, in which I am joined by Thomas Salerno and Elisabeth Dawson to discuss Tolkien, "On Fairy-Stories," and related topics regarding the arts, philosophy, and more. Give it a listen, and be sure to keep up with Elisabeth and Thomas:Elisabeth: https://ebdawson.com/Thomas: https://thomasjsalerno.substack.com/Also, you can sign up for my Beowulf and Boethius course, which begins 8/19, and my now complete Lewis course here: https://andrewsnyder.podia.com/

When a character in Narnia has "read all the wrong books," you know they're in for a difficult time. But spending time in Narnia does a lot to compensate for a bad literary diet. What, though, about our kids, who all live well after the Narnian apocalypse and need good books to thrive in our world? What are "the right books," and how do we get our children to read them? Heck, how do we find them for ourselves, for that matter? Chris' guests this week are Angela Teal and Marena Bleech, who, with their powers combined, form In The Burrow Books.  You can follow them on Instagram for more recommendations: @intheburrowbooks. You can also find Angela Teal's (a.k.a. J. Reese Bradley's) books, the Brumbletide series (which my eight-year-old is currently enjoying), here. Among other things, we discuss: Why Christians should go to the library Ideological conformity among "top five" publishers Motivating kids and competing with screens "On Fairy Stories," by J.R.R. Tolkien "On Three Ways of Writing for Children," by C.S. Lewis Why you should judge books by their illustrations Among other things, we recommend: Harry Potter Inkheart The Wrinkle in Time series Anything by Roald Dahl, who was a mean old cuss The Borrowers Grimm's Fairy Tales The Wind in the Willows (illustrated by Arthur Rackham) Anne of Green Gables The Secret Garden Peter and Wendy Brambly Hedge Beatrix Potter Beverly Cleary's Ramona books The Indian in the Cupboard The Magic Treehouse series Picture books: The Little House by Virginia Lee Burton The Naming and I Believe:The Nicene Creed illustrated by Pauline Baynes Beatrix Potter's books (but avoid the new fake stuff not drawn by her as you would avoid Mr. MacGregor's garden--sold under her name, too!). Astrid Sheckels' Hector Fox series Mr. Bliss, by J.R.R. Tolkien Ferdinand, by Munro Leaf Post-show recommendations from Marena: Amy Grimes does some of the most beautiful work. I highly recommend her book(s) and giving her a follow. I adore these Enid Blyton picture books. They're great for early readers. I think one of my favorite picture books (which of course, I didn't mention) is The Cottage At the End of the Lane which is worth having if you can get it.  Like I said, Brambly Hedge is the best! Astrid Sheckels was one I mentioned that's a great current author/illustrator.  Of course, A Book of Narnians is wonderful. This is such a beautiful book of poetry. (And anything by Tasha Tudor is worth having) I'm also a big Winnie-the-Pooh fan, and any book with Ernest Shepherd illustrations. Post-show recommendations from Chris: My friend J.D. Peabody's middle grade book series, The Inkwell Chronicles is a lot of fun (“The Inklings” is a secret society of authors far larger and older than the Oxford group with Lewis and Tolkien). He also wrote an article on middle grade books for Christianity Today that I'm going to release a podcast about soon. I didn't talk about the Prydain Chronicles or the Earthsea books as great fantasy books that aren't necessarily Christian, but they were absolutely vital (though I didn't get into Earthsea until college) I have a Pauline Baynes (out of print) book that is a beautiful illustration of the Nicene Creed.  Spells of Enchantment (collection of stories), edited by Jack Zipes Tales before Tolkien (collection of stories), edited by Douglas Anderson My wife Glencora's children's book and my far less successful one, where we tried to create engaging (if not very professional) illustrations for good poems Our book about Christmas, Twelve Tide, which has lots of literature excerpts and has done a bit better. The Never Ending Story (the book!) by Michael Ende The Half Magic series, by Edward Eager Five Children and It, by E. Nesbit The Book of Wonder, by Lord Dunsany Movies and TV Series: The Secret World of Arrietty (there are actually better Miyazaki films (such as the most recent one), though, and they are all absolutely gorgeous.  He's not afraid to be still. I have to mention two of the hand-drawn Irish films influenced by Miyazaki, The Secret of Kells and Song of the Sea. Best of all (and most American), the series Over the Garden Wall, which is funny, beautiful, moral, and creepy.  Here's the first episode (though the rest you have to buy—worth it!) But what about new children's books and middle-grade fiction? Next time: Middle-grade author J.D. Peabody weighs in. Check out his article on the subject in Christianity Today.   Music: "Living in the Country," from Summer, by George Winston Email us at inklingsvarietyhour@gmail.com Follow us on Instagram @inklingsvarietyhour  

Jake and Phil are joined by the novelist and chronicler of post-secular religious movements, Tara Isabella Burton, to discuss J.R.R. Tolkien's 1939 essay “On Fairy-Stories” and Christina Rossetti's 1862 poem, "Goblin Market." The manifesto: https://ieas-szeged.hu/downtherabbithole/wp-content/uploads/2020/02/Tolkien-On-Fairy-Stories.pdf The Art: https://www.poetryfoundation.org/poems/44996/goblin-market Tara's new novel, Here In Avalon: https://www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097

This recording from April 5, 2024. Abstract J. R. R. Tolkien's Middle-earth has long been praised for its sense of depth, but Tolkien's creation has often been criticized, especially by Marxist critics, for its lack in depicting economic realities and for providing a reactionary fantasy to soothe bourgeois anxieties about a changing world. However, the traditional bourgeois-proletarian dichotomy, in particular when mapped onto the Hobbits and the Orcs of Middle-earth, fails to fully engage with Tolkien's fantasy world. Building off the concept of sub-creation established by Tolkien in his essay “On Fairy-Stories” and Gergely Nagy's examination of magic as inherent power in Middle-earth, this paper argues that magic rather than capital functions as a means of production in The Hobbit and The Lord of the Rings. Just as our relationships to capital in the real world shape our ideologies, so the peoples of Middle-earth are shaped by their relationship to magic, from the highest Elves to the most ordinary of Hobbits. This focus on magic shows how Tolkien's works present a compelling picture of a world where relationships to power are complicated and change is inevitable. About the Presenter Duane Watson is an instructor at Llano High School in Llano, Texas, teaching English Composition, Economics, Government, and Audio/Visual Art and Technology. He received a B.S. in History from Howard Payne University (Brownwood, TX), an M.A. in English from National University (La Jolla, California), and an M.Ed. in Curriculum and Instruction from Concordia University – Nebraska. He resides in the Texas Hill Country with his wife, Jen, and their four cats. About Signum Thesis Theaters Each of our master's students writes a thesis at the end of their degree program, exploring a topic of their choice. The Thesis Theater is their opportunity to present their research to a general audience, and answer questions. All are welcome to attend! Registration is open for the Summer 2024 semester! Classes begin Monday, April 29th. To view our upcoming courses: https://signumuniversity.org/degree-p.... Learn about Signum University's mission, leadership and more: https://signumuniversity.org/about/. Want to enjoy Signum's educational offerings? Start here! https://signumuniversity.org/non-degr....

Jared, Oriana and Ned discuss Jared's choice of topic: Beowulf. The famed Old English poem, the longest extant poetic work in general preserved in that language, almost accidentally survived over the years until it became more widely recognized in the 1700s, including surviving a fire. It has since become a cornerstone of studies of English literature, telling the story of a heroic Geat warrior who defeats two monstrous presences on a visit to an afflicted Danish kingdom, and who in later years as an aging king slays a dragon at the cost of his life and, it is strongly implied, his kingdom's. Tolkien knew the work thoroughly and regularly taught it in his academic career, leading to both a prose translation and various notes and commentaries that Christopher Tolkien presented and edited for a 2015 publication. But besides the notable connections that can be made between the poem and elements of his own legendarium, Tolkien has a further place in Beowulf scholarship thanks to his most famed academic work, the 1936 lecture “Beowulf: The Monsters and The Critics,” which single-handedly reframed the poem from being primarily seen as a historical document to being considered as a remarkable work of imagination. What are some of the key differences between Beowulf's world and ethos and Tolkien's own reworking of it into his legendarium, in terms of character, society and more? What points does Tolkien bring up in his lecture that provides a deeper insight into how he was not only arguing for the Beowulf poet – whoever it might be – but also placing his own work into that lineage? How do the portrayals of the various monsters Beowulf faces differ, and what in particular makes Grendel's mother such a fascinating character? And how many moments per episode are points raised and then suddenly realized to be maybe not accurate? (Sorry about that.)Show Notes.Jared's doodle. Gotta be careful with dragons.Ooooooh boy, the angst this Fellowship of Fans post unleashed in some corners when it came to Rings of Power rumors. (On a side note, RoP's Morfydd Clark is in the new two part Agatha Christie Murder is Easy adaptation on Britbox and is unsurprisingly really good!)The whole Matthew Weiner spoiler-war thing re Mad Men was a thing. Was it ever a thing. Here's a sample.Beowulf! You might have heard of it. Plenty of translations freely available, and of course there's Seamus Heaney and Maria Dahvana Headley and etc. And yes there's Tolkien's too.“HWAET!” (Tolkien allegedly really loved to get his students' attention by delivering this full on.)If you haven't read “Beowulf: The Monsters and the Critics,” we really do encourage this. (And picking up the full essay anthology too, key pieces like “A Secret Vice” and “On Fairy-Stories” are included among others.)Kennings are very cool. (But please avoid ‘whale road.')Imagining Tolkien delivering this to the other Beowulf critics is something wild to think about.There's a wide variety of pieces about the women of Beowulf out there; here's one that provides a general summary and consideration about them.If you'd like to see the Nowell Codex, head on over to the British Library, physically or virtually.We've mentioned E. R. Eddison before. Definitely NOT Tolkien.The full historical background that Beowulf draws on is definitely there, though treating the poem as a history itself is not the way to go. Here's a useful piece tackling the history as such.The Geats aren't around as such anymore, and there are reasons for that…It's not directly mentioned in the episode but Tolkien did write and lecture about one of the ‘side' stories in Beowulf, with the results published in the book Finn and Hengest.Did we mention we're not impressed with Silicon Valley's take on Tolkien?Grendel's mother is, no question, awesome.Kenneth Grahame's “The Reluctant Dragon” – definitely not Smaug.“Sellic Spell” really is interesting, and may be the most notable part of the volume it's published in.Michael Crichton's Eaters of the Dead! (But avoid The 13th Warrior.)A last little bonus: didn't bring it up in the episode but Ned remembered seeing Robert Macneil's 1986 documentary series on PBS The Story of English back when it first ran, and the second episode, “The Mother Tongue,” has a brief bit discussing Beowulf and how it might have been performed as a song, as well as a separate section on the impact of the Viking invasions on English as a language led by noted Tolkien scholar and academic descendant Tom Shippey.Support By-The-Bywater (and our network) on Patreon, and you can hang out with us in a friendly Discord.

In which co-hosts Kenny and Sam discuss Tolkien's 1939 essay "On Fairy Stories." Part 2 of 2.Primary sources: On Fairy Stories (PDF) | The Lord of the Rings | The Letters of J.R.R. TolkienSecondary sources:Carpenter - J.R.R. Tolkien: A BiographyLe Guin - The DispossessedFor discussion of "Man and the Machine" in Tolkien's work: Hren - Middle-earth and the Return of the Common Good Hosted on Acast. See acast.com/privacy for more information.

Following up last week's feature-length episode on The Lord of the Rings: The Return of the King (Peter Jackson, 2003), the latest Footnote looks at J.R.R. Tolkien's seminal essay “On Fairy Stories” that engages the definitions, origins, and applications of the fairy story; the fairy vs. faerie distinction and questions of magic and imagination; sub-creation and secondary belief in the construction of fantasy's logically-consistent fictional worlds; and how Tolkien's defense of fantasy literature can be helpful for the craft of fantasy stories across multiple forms of media. **Fantasy/Animation theme tune composed by Francisca Araujo**

In which co-hosts Kenny and Sam discuss Tolkien's 1939 essay "On Fairy Stories." Part 1 of 2.Primary sources: On Fairy Stories (PDF) | The Lord of the Rings | The Letters of J.R.R. TolkienSecondary sources:Carpenter - J.R.R. Tolkien: A BiographyFor discussion of Tolkien and race/culture: Mills - The Wretched of Middle-Earth: An Orkish ManifestoFor discussion of Tolkien's arguments with Christopher Wiseman: Garth - Tolkien and the Great War: The Threshold of Middle-EarthFor discussion of "Man and the Machine" in Tolkien's work: Hren - Middle-earth and the Return of the Common Good Hosted on Acast. See acast.com/privacy for more information.

In this episode, Fr. Gallagher  continues the conversation on joy and "eucatastrophe."  J. R. R. Tolkien  defined  this term in his lecture “On Fairy-Stories,” as  a “good catastrophe, the sudden joyous ‘turn'…it is a sudden and miraculous grace…a fleeting glimpse of Joy” (On Fairy-Stories 153) Going further, it is a moment experienced in the Gospel, referencing the greatest moment of eucatastrophe in human history: the life, death, and resurrection of Jesus Christ (On Fairy-Stories 156). When understood through the mechanism of eucatastrophe "The Lord of the Rings" becomes a “fundamentally religious and Catholic work” (Letter 142). The post LORT11 – Echoes of Eucatastrophe: Unveiling Spiritual Truths – A “Lord of the Rings” Spiritual Retreat with Fr. Timothy Gallagher – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

Tim asks:Do you see your characters more like real people or more like toys with all manner of features to employ in the narrative? Resources mentioned: On Fairy-Stories by JRR TolkienLast Days of Socrates by PlatoBiblical Book of JobCollected Classic Novels of HG WellsDavid Mamet Masterclass The post Question 1091: Individual Characters or Chessmen? appeared first on The Every Day Novelist.

In this episode, Fr. Gallagher  continues the conversation on joy and "eucatastrophe."  J. R. R. Tolkien  defined  this term in his lecture “On Fairy-Stories,” as  a “good catastrophe, the sudden joyous ‘turn'…it is a sudden and miraculous grace…a fleeting glimpse of Joy” (On Fairy-Stories 153) Going further, it is a moment experienced in the Gospel, referencing the greatest moment of eucatastrophe in human history: the life, death, and resurrection of Jesus Christ (On Fairy-Stories 156). When understood through the mechanism of eucatastrophe "The Lord of the Rings" becomes a “fundamentally religious and Catholic work” (Letter 142). The post LORT11 – Echoes of Eucatastrophe: Unveiling Spiritual Truths – A “Lord of the Rings” Spiritual Retreat with Fr. Timothy Gallagher – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

In this episode, Fr. Gallagher  discusses “eucatastrophe.”  J. R. R. Tolkien defined this term in his lecture “On Fairy-Stories,” as a “good catastrophe, the sudden joyous ‘turn'…it is a sudden and miraculous grace…a fleeting glimpse of Joy” (On Fairy-Stories 153) Going further, it is a moment experienced in the Gospel, referencing the greatest moment of ... Read more The post LORT10 – The Experience of Eucatastrophe – A “Lord of the Rings” Spiritual Retreat with Fr. Timothy Gallagher – Discerning Hearts appeared first on Discerning Hearts Catholic Podcasts.

In this episode, Fr. Gallagher  discusses “eucatastrophe.”  J. R. R. Tolkien defined this term in his lecture “On Fairy-Stories,” as a “good catastrophe, the sudden joyous ‘turn'…it is a sudden and miraculous grace…a fleeting glimpse of Joy” (On Fairy-Stories 153) Going further, it is a moment experienced in the Gospel, referencing the greatest moment of ... Read more The post LORT10 – The Experience of Eucatastrophe – A “Lord of the Rings” Spiritual Retreat with Fr. Timothy Gallagher – Discerning Hearts appeared first on Discerning Hearts Catholic Podcasts.

I was thinking the other day that the manger that Jesus was laid in was dirty compared to our standards today. It is estimated that Jesus was most likely born in March or April. We are not entirely sure what kind of room he was born in, but the fact that there was a manger (feeding trough) gives us some idea that it was where the animals were kept. So, what was in the stable Jesus was most likely born in? If there were donkeys, cattle, sheep, or chickens, there was also the smell of manure and urine, cattle-biting lice, a whole bunch of annoying species of flies common in the middle east known as the Bazaar Rly (known to spread trachoma an irritating eye disease). Do not forget the common Stable Fly that would have been feeding on the blood of the livestock surrounding Mary, Joseph, and baby Jesus. By the way the Stable Flies Mary and Joseph shooed away from Jesus may have carried anthrax. My guess is, there were most likely rats and mice along with all the diseases they carry. The manger was a feeding trough and before they prepared it to lay Jesus in, there was no Clorox to disinfect it from it being used for animals to eat from, drool into, and maybe even sneeze out an occasional maggot that crawled up into the snouts of certain animals to live in their throats. I am sure Joseph did his best to clean out the manger, but then you have the bedding to consider, which would have been straw infested with straw itch mites. So the first group of people invited to see the Christ-Child are dirty shepherds? My point is simply this: The One born King of the Jews made His grand entrance into our world through the mess of a stable. But why that way? It was of Jesus that the ancient prophets declared: Therefore the Lord Himself will give you a sign: Behold, the virgin will conceive and give birth to a son, and she will name Him Immanuel. (Isa. 7:14) For a Child will be born to us, a Son will be given to us and His name will be called Wonderful Counselor, Mighty God, Eternal Father, Prince of Peace. (Isa. 9:6) But as for you, Bethlehem Ephrathah, Too little to be among the clans of Judah, From you One will come forth for Me to be ruler in Israel. His times of coming forth are from long ago, From the days of eternity. (Mic. 5:2) Why a stable? Before I answer that question, I want us to reflect on Hebrews 1:1-3 briefly. In only three verses, we are given nine reasons for why there is a good reason for the shepherds, a stable, and a manger. Jesus is the Only Way to Know God. The best and greatest revelation of who God is according to the author of Hebrews, is Jesus. According to the prophet Micah, Jesus did not become the Son of God at Marys miraculous conception as a virgin or at His birth; no Jesus was always God the Son long before His birth, for His times of coming forth are from long ago, from the days of eternity (Mic. 5:2). What did happen when Mary was told that she would have a child, is that Jesus took on human flesh, and He did so to live a life while remaining fully divine and fully human, and the life He lived was the life we could not live for the purpose of dying a death he did not deserve on a cross for the sins of mankind. Jesus said of Himself: For the Son of Man has come to seek and to save that which was lost (Luke 19:10). Jesus is the heir of all things. The One laid in the manger, was and remains the heir of all things. All of creation belongs to Him; it was His from the beginning, but it is especially His now! The Bible says that all of us are sinners from the moment of conception in that we are all born sinful. When Jesus took on human flesh by way of the miraculous conception that did not include a human biological father, he was born without a nature to sin. Jesus was fully God while remaining fully human. For sinful humanity and a cursed creation to be liberated from sin, a kinsmen redeemer was needed. If a family member lost their inheritance and property for any reason, a kinsmen redeemer was needed who met three requirements: He must be related to the person who suffered lost, he must have the ability to purchase back what was lost, and he must be willing to make the sacrifice necessary to restore what was lost. Ever since Adam and Eve sinned against God, the curse of sin has been passed down from one generation to the next. The child that was laid in a manger is the kinsmen redeemer qualified to restore what was lost through Adams sin. Jesus is the Creator of the world. Jesus not only existed before His birth on the first Christmas, but we are also told that it was through Him that God made the world. The Bible says of Jesus: for by Him all things were created, both in the heavens and on earth, visible and invisible, whether thrones, or dominions, or rulers, or authoritiesall things have been created through Him and for Him (Col. 1:16). The one who was laid in the manger, was responsible for the material that human hands used to fashion it, which also shows us that only is Jesus a qualified redeemer, but He is also an able redeemer. Jesus radiates the glory of God. Jesus does not reflect the image of God like the moon reflects the Suns light. No, Jesus radiates the glory of God like the Sun radiates light. Jesus was not created by God but is God. There was never a time when Jesus was created because there was never a time when He was not the Son. The God of the Bible is unlike any other god that people have created to worship, for the God we learn of in the Bible is Yahweh as One God in three persons: Father, Son, and Spirit. Jesus is exact representation of Gods nature. I have two sons; they share my DNA but they are not me nor are they the exact representation of me. There is a Son who shares the exact representation of Gods nature, and that Son is Jesus, for the God the Son and the God the Father are of the same divine essence; this is how Jesus is the climax of Gods revelation of Himself to lost humanity. When one of his disciples asked Jesus, Lord, show us the Father, and it is enough for us. To which Jesus answered: The one who has seen Me has seen the Father; how can you say, Show us the Father? Do you not believe that I am in the Father, and the Father is in Me? (John 14:8-9). When Mary, Joseph, and the shepherds saw the face of Jesus, the saw the face of God. Jesus is the sustainer of creation. The mystery of the incarnation and miracle of Christmas is that the one who was laid in a manger, is the One who sustains and keeps creation, by the word of His power. What the author of Hebrews is trying to say here is that the Son of God is not only responsible for creation, but actively preserves creation! This is why Jesus could walk on water, cure diseases, raise the dead, and quiet storms with the word of His mouth. Jesus is a qualified and willing redeemer. The One who was laid in the manger was born to make purification of sins, and the way that he did it was through a cross of wood for sins we committed and are guilty of. This is why, when John the Baptist saw Jesus, he said: Behold, the Lamb of God who takes away the sin of the world (John 1:29)! Hundreds of years before Christmas happened, the prophet Isaiah wrote of Jesus: But He was pierced for our offenses, He was crushed for our wrongdoings; the punishment for our well-being was laid upon Him, and by His wounds we are healed (Isa. 53:5). The Christ-Child was born to become a curse for us so that we could be pardoned, redeemed, and made the children of God (Gal. 3:13-14); or as the Bible states: He made Him who knew no sin to be sin in our behalf, so that we might become the righteousness of God in Him (2 Cor. 5:21). Jesus is the only one who can save. After Jesus died upon the cross for our sins for our redemption, we are told that Jesus, sat down at the right hand of the Majesty on high What this means is that because of who He is and why He took on human flesh, after He died, Jesus rose from the grave because how can death keep the Author of Life? After Jesus rose, He ascended to heaven, and He sat down! He sat down because his sacrifice for sin only had to be offered once and for all! This is why Jesus said of Himself: I am the way, and the truth, and the life; no one comes to the Father except through Me (John 14:6). Besides Jesus, there is salvation found in no one else; for there is no other name under heaven that has been given among mankind by which we must be saved (Acts. 4:12). Jesus is to be worshiped because of who He is. The child born on the first Christmas and laid in a dirty manger surrounded by dirty creatures, of which Mary, Joseph, the Shepherds, and every other human is the dirtiest; He was born to save sinners. Of Jesus the scriptures testify: And being found in appearance as a man, He humbled Himself by becoming obedient to the point of death: death on a cross. For this reason also God highly exalted Him, and bestowed on Him the name which is above every name, so that at the name of Jesus every knee will bow, of those who are in heaven and on earth and under the earth (Phil. 2:810). The question for you my dear friend, is what will you do with Jesus today, on this Christmas Eve? The reality of Christmas is simply this: Jesus was really born. Jesus really did live, Jesus really did die on a Roman cross, and Jesus really did rise from the grave. J.R. Tolken, who wrote The Lord of the Rings, once said of the story of Jesus: The Gospels contain a fairy-story, or a story of a larger kind, which embraces all the essence of fairy-stories. But this story is supreme, and it is true. Art has been verified. God is the Lord, of angels, and of menand of elves. Legend and History have met and fused.[1] The reason Jesus made His grand entrance into our world through the mess of a stable is because He was born to enter into the mess of sin-cursed humanity. The message of the manger is simply this: If you were a hundred times worse than you are, your sins would be no match for His mercy.[2] Jesus came to save us! [1] J. R. R. Tolkien. On Fairy Stories, (1939). [2] Tim Keller.

I was thinking the other day that the manger that Jesus was laid in was dirty compared to our standards today. It is estimated that Jesus was most likely born in March or April. We are not entirely sure what kind of room he was born in, but the fact that there was a manger (feeding trough) gives us some idea that it was where the animals were kept. So, what was in the stable Jesus was most likely born in? If there were donkeys, cattle, sheep, or chickens, there was also the smell of manure and urine, cattle-biting lice, a whole bunch of annoying species of flies common in the middle east known as the Bazaar Rly (known to spread trachoma an irritating eye disease). Do not forget the common Stable Fly that would have been feeding on the blood of the livestock surrounding Mary, Joseph, and baby Jesus. By the way the Stable Flies Mary and Joseph shooed away from Jesus may have carried anthrax. My guess is, there were most likely rats and mice along with all the diseases they carry. The manger was a feeding trough and before they prepared it to lay Jesus in, there was no Clorox to disinfect it from it being used for animals to eat from, drool into, and maybe even sneeze out an occasional maggot that crawled up into the snouts of certain animals to live in their throats. I am sure Joseph did his best to clean out the manger, but then you have the bedding to consider, which would have been straw infested with straw itch mites. So the first group of people invited to see the Christ-Child are dirty shepherds? My point is simply this: The One born King of the Jews made His grand entrance into our world through the mess of a stable. But why that way? It was of Jesus that the ancient prophets declared: Therefore the Lord Himself will give you a sign: Behold, the virgin will conceive and give birth to a son, and she will name Him Immanuel. (Isa. 7:14) For a Child will be born to us, a Son will be given to us and His name will be called Wonderful Counselor, Mighty God, Eternal Father, Prince of Peace. (Isa. 9:6) But as for you, Bethlehem Ephrathah, Too little to be among the clans of Judah, From you One will come forth for Me to be ruler in Israel. His times of coming forth are from long ago, From the days of eternity. (Mic. 5:2) Why a stable? Before I answer that question, I want us to reflect on Hebrews 1:1-3 briefly. In only three verses, we are given nine reasons for why there is a good reason for the shepherds, a stable, and a manger. Jesus is the Only Way to Know God. The best and greatest revelation of who God is according to the author of Hebrews, is Jesus. According to the prophet Micah, Jesus did not become the Son of God at Marys miraculous conception as a virgin or at His birth; no Jesus was always God the Son long before His birth, for His times of coming forth are from long ago, from the days of eternity (Mic. 5:2). What did happen when Mary was told that she would have a child, is that Jesus took on human flesh, and He did so to live a life while remaining fully divine and fully human, and the life He lived was the life we could not live for the purpose of dying a death he did not deserve on a cross for the sins of mankind. Jesus said of Himself: For the Son of Man has come to seek and to save that which was lost (Luke 19:10). Jesus is the heir of all things. The One laid in the manger, was and remains the heir of all things. All of creation belongs to Him; it was His from the beginning, but it is especially His now! The Bible says that all of us are sinners from the moment of conception in that we are all born sinful. When Jesus took on human flesh by way of the miraculous conception that did not include a human biological father, he was born without a nature to sin. Jesus was fully God while remaining fully human. For sinful humanity and a cursed creation to be liberated from sin, a kinsmen redeemer was needed. If a family member lost their inheritance and property for any reason, a kinsmen redeemer was needed who met three requirements: He must be related to the person who suffered lost, he must have the ability to purchase back what was lost, and he must be willing to make the sacrifice necessary to restore what was lost. Ever since Adam and Eve sinned against God, the curse of sin has been passed down from one generation to the next. The child that was laid in a manger is the kinsmen redeemer qualified to restore what was lost through Adams sin. Jesus is the Creator of the world. Jesus not only existed before His birth on the first Christmas, but we are also told that it was through Him that God made the world. The Bible says of Jesus: for by Him all things were created, both in the heavens and on earth, visible and invisible, whether thrones, or dominions, or rulers, or authoritiesall things have been created through Him and for Him (Col. 1:16). The one who was laid in the manger, was responsible for the material that human hands used to fashion it, which also shows us that only is Jesus a qualified redeemer, but He is also an able redeemer. Jesus radiates the glory of God. Jesus does not reflect the image of God like the moon reflects the Suns light. No, Jesus radiates the glory of God like the Sun radiates light. Jesus was not created by God but is God. There was never a time when Jesus was created because there was never a time when He was not the Son. The God of the Bible is unlike any other god that people have created to worship, for the God we learn of in the Bible is Yahweh as One God in three persons: Father, Son, and Spirit. Jesus is exact representation of Gods nature. I have two sons; they share my DNA but they are not me nor are they the exact representation of me. There is a Son who shares the exact representation of Gods nature, and that Son is Jesus, for the God the Son and the God the Father are of the same divine essence; this is how Jesus is the climax of Gods revelation of Himself to lost humanity. When one of his disciples asked Jesus, Lord, show us the Father, and it is enough for us. To which Jesus answered: The one who has seen Me has seen the Father; how can you say, Show us the Father? Do you not believe that I am in the Father, and the Father is in Me? (John 14:8-9). When Mary, Joseph, and the shepherds saw the face of Jesus, the saw the face of God. Jesus is the sustainer of creation. The mystery of the incarnation and miracle of Christmas is that the one who was laid in a manger, is the One who sustains and keeps creation, by the word of His power. What the author of Hebrews is trying to say here is that the Son of God is not only responsible for creation, but actively preserves creation! This is why Jesus could walk on water, cure diseases, raise the dead, and quiet storms with the word of His mouth. Jesus is a qualified and willing redeemer. The One who was laid in the manger was born to make purification of sins, and the way that he did it was through a cross of wood for sins we committed and are guilty of. This is why, when John the Baptist saw Jesus, he said: Behold, the Lamb of God who takes away the sin of the world (John 1:29)! Hundreds of years before Christmas happened, the prophet Isaiah wrote of Jesus: But He was pierced for our offenses, He was crushed for our wrongdoings; the punishment for our well-being was laid upon Him, and by His wounds we are healed (Isa. 53:5). The Christ-Child was born to become a curse for us so that we could be pardoned, redeemed, and made the children of God (Gal. 3:13-14); or as the Bible states: He made Him who knew no sin to be sin in our behalf, so that we might become the righteousness of God in Him (2 Cor. 5:21). Jesus is the only one who can save. After Jesus died upon the cross for our sins for our redemption, we are told that Jesus, sat down at the right hand of the Majesty on high What this means is that because of who He is and why He took on human flesh, after He died, Jesus rose from the grave because how can death keep the Author of Life? After Jesus rose, He ascended to heaven, and He sat down! He sat down because his sacrifice for sin only had to be offered once and for all! This is why Jesus said of Himself: I am the way, and the truth, and the life; no one comes to the Father except through Me (John 14:6). Besides Jesus, there is salvation found in no one else; for there is no other name under heaven that has been given among mankind by which we must be saved (Acts. 4:12). Jesus is to be worshiped because of who He is. The child born on the first Christmas and laid in a dirty manger surrounded by dirty creatures, of which Mary, Joseph, the Shepherds, and every other human is the dirtiest; He was born to save sinners. Of Jesus the scriptures testify: And being found in appearance as a man, He humbled Himself by becoming obedient to the point of death: death on a cross. For this reason also God highly exalted Him, and bestowed on Him the name which is above every name, so that at the name of Jesus every knee will bow, of those who are in heaven and on earth and under the earth (Phil. 2:810). The question for you my dear friend, is what will you do with Jesus today, on this Christmas Eve? The reality of Christmas is simply this: Jesus was really born. Jesus really did live, Jesus really did die on a Roman cross, and Jesus really did rise from the grave. J.R. Tolken, who wrote The Lord of the Rings, once said of the story of Jesus: The Gospels contain a fairy-story, or a story of a larger kind, which embraces all the essence of fairy-stories. But this story is supreme, and it is true. Art has been verified. God is the Lord, of angels, and of menand of elves. Legend and History have met and fused.[1] The reason Jesus made His grand entrance into our world through the mess of a stable is because He was born to enter into the mess of sin-cursed humanity. The message of the manger is simply this: If you were a hundred times worse than you are, your sins would be no match for His mercy.[2] Jesus came to save us! [1] J. R. R. Tolkien. On Fairy Stories, (1939). [2] Tim Keller.

With sleeper hit and absolute runaway debut sensation Shelby Van Pelt, discussing her hopeful, poignant, friendship-with-an-octopus book club novel, Remarkably Bright Creatures. We discussed finding the voice for her “gentleman philosopher” octopus, how all good book ideas are probably a little bit bananas, and how it's never too late to change, no matter how old you are. With an intro that discusses Tolkein's famous essay, "On Fairy Stories," about the necessity of fairy tales told to grown ups. Pre-order Mark Cecil's upcoming novel Bunyan & Henry. All episodes of The Thoughtful Bro aired live originally on A Mighty Blaze. The Thoughtful Bro is proudly sponsored by Libro.fm.

Today on The Literary Life podcast, we bring you another episode from the “Best of” series vault, our discussion of J. R. R. Tolkien's essay “On Fairy Stories“. Tune in again over the next two weeks as we continue the conversation with Tolkien's short story Leaf by Niggle. If you missed the 2020 Back to School conference that Cindy introduced in this episode, you can still get the recording at MorningTimeforMoms.com. Angelina sets the stage for this discussion by orienting us to the context for the essay by Tolkien as a critique of what is considered a fairy story. She points out the difference between cautionary tales like those by Charles Perrault and the German folk and fairy tales collected by the Grimm Brothers. Our hosts highlight Tolkien's definition of true fairy stories, ones that take place in the “perilous realm” and involve a journey element. He critiques Andrew Lang as including many stories as fairy tale that are not truly fairy stories. They also discuss topics from the essay including sub-creation, magic and spells, suspension of disbelief, and children's responses to fairy stories. Commonplace Quotes: One should forgive one's enemies, but only after they are hanged. Heinrich Heine The German folk soul can again express itself. These flames do not only illuminate the final end of the old era. They also light up the new. Never before have the young men had so good a right to clean up the debris of the past. If the old men do not understand what is going on, let them grasp that we young men have gone and done it. The old goes up in flames. The new shall be fashioned from the flame of our hearts. Joseph Goebbles Human beings are not human doings. Nigel Goodwin Into My Heart an Air That Kills by A. E. Houseman Into my heart an air that kills From yon far country blows; What are those far remembered hills, What spires, what towns are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot go again. Book List: When Books Went to War by Molly Guptill Manning Culture Care by Makoto Fujimura Roger Lancelyn Green Gulliver's Travels by Jonathan Swift A Connecticut Yankee in King Arthur's Court by Mark Twain The Wonderful Wizard of Oz by L. Frank Baum David Copperfield by Charles Dickens The Faerie Queene by Edmund Spenser Much Ado About Nothing by William Shakespeare Bandersnatch by Diana Pavlac Glyer The Company They Keep by Diana Pavlac Glyer Surprised by Joy by C. S. Lewis Til We Have Faces by C. S. Lewis Phantastes by George MacDonald Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Is there any point in doing a nice thing if you can't flaunt it on social media? Can we ever know what it's like to be a bat? If we know Cinderella isn't real, why do we care about whether or not she marries the prince? In this episode Kate is joined by Jonny Thomson, the man behind the popular Instagram account @philosophyminis, and a bestselling book of the same name. With a new title out, Mini Big Ideas, it seemed the perfect time to catch up with him and consider the philosophical ideas that lie behind three works of fiction: The Death of Yvan Illyich by Leo Tolstoy, Death and the Penguin by Andrey Kurkov and Eleanor Oliphant is Completely Fine by Gail Honeyman. Just what connects these three titles? Listen in to find out, plus a few more book recommendations. All that, plus discover 'the gap', and how knowing about it might change your life, and the benefits of scepticism. Book list On Fairy Stories by J.R.R. Tolkien The Road by Cormac McCarthy The Death of Ivan Illyich by Leo Tolstoy (and in particular the Peter Carson translation) Death and the Penguin by Andrei Kurkov Super-Infinite: The Transformations of John Donne by Katherine Rundell Eleanor Oliphant is Completely Fine by Gail Honeyman Leonard & Hungry Paul by Ronan Hession Monsters: A Fan's Dilemma by Claire Dederer Metaphysical Animals by Rachel Wiseman and Claire MacCumhaill Philosopher Queens by Rebecca Buxton and Lisa Whiting Mini Philosophy and Mini Big Ideas by Jonny Thomson Notes Find Jonny on Instagram @philosophyminis Find us at: https://www.thebookclubreview.co.uk Instagram @bookclubreviewpodcast Kate's Threads reading log: @bookclubreviewpodcast@threads.net Newsletter sign-up: https://substack.com/@thebookclubreview Patreon and book club: We've made free episodes of The Book Club Review for 6 years now, and we'll continue to keep them free, and ad-free. But they take a lot in terms of time and resources so if you appreciate the shows and would like to support us we now have a Patreon where you can do that. In return you'll get weekly bookish recommendations from Kate, plus, at the higher tier, extra episodes and membership of our podcast book club, to be held over Zoom once a month on Sunday nights (UK time). We would love to see you there. https://patreon.com/thebookclubreview

What are we supposed to recover from?  And why do fairy stories provide it?  And why do we need to escape? And how do fairy stories break us out? As we get closer to finishing out "On Fairy Stories," Michael Dan and I discuss how recovery and escape are 2 of the 3 things (consolation will be next week!) that these fantasy tales offer us.  We look at: Recovery from what? What is this "mooreeffoc" he wrote about? Has the world lost the ability to recover? Why modern stories don't offer escape Star Trek vs Star Wars -- as fairy stories And how Tolkien was wrong about science fiction! Then in our members-only episode (https://theonering.com/members) we discuss: How modern buildings reflect the loss of recovery. Does recovery/escape/consolution bleed over to other art forms? Do visual arts bring about escape? Does music bring about escape?

A listener has asked, "What good things can I fill my time and the kids' time with before starting formal schooling?". This response was recorded while I was out and about (so it sounds a bit raw). It's a start in thinking about why we have trouble filling time with very young children (I propose that it is an oddity of our economic/social/historical context). I meander through some of the key elements to making time at home with preschoolers nourishing for them and you. Plenty more can be said, but one needs to stop recording somewhere! I mentioned J.R.R. Tolkien's essay, "On Fairy Stories" and George Macdonald's essay on the imagination from "A Dish of Orts". As usual, I reference Charlotte Mason (not nearly enough, since most of what I say is very much an application of her principles).

This week, Michael, Dan, and I discuss the first part of Tolkien's seminal essay "On Fairy Stories", where Tolkien defines what a fairy (aka fantasy) story is. Why is this important? Well, the "fairy tale" in Tolkien's era was relegated to simple children's fiction, something adults grew out of along with their innocence and naiveté. But to Tolkien, these stories that take place in the land of Faërie contain more beauty and truths than any tale set in modern day environs. In this essay Tolkien defines these stories by what they have, and what they are not, not precisely by what they ARE. And we even jump into whether Star Wars or Star Trek might match Tolkien's definition! Then, join us in our extended episode (https://theonering.com/members) where we: Discuss what our favorite fairy story is (other than LOTR) Try and figure out what the best fairy story of the last 2 decades is (or if there even IS one!)

We should be back on Thursday to bring you an interview with Michael Drout. But until then, enjoy Tolkien's "Mythopoeia," read by Anika Smith in Season One! We'll have a conversation with Jordan Duncan on "Religion and Rocketry" pretty soon as well, but I wasn't able to complete it quite in time for Tuesday this week. Here's the old description for "Mythopoeia": This week, we have J.R.R. Tolkien's "Mythopoeia," read by Anika Smith! You can find the text of the poem online if you want to read along, or you can buy this lovely book. Music in the background is Lohengrin, by Richard Wagner. Next week, we'll be back to discuss Tolkien's essay "On Fairy Stories," in which a part of "Mythopoeia" is quoted. If you're enjoying these podcasts, please share with a friend or drop us a line to tell us so (InklingsVarietyHour@gmail.com).  Constructive feedback and suggestions for future episodes are welcome.  We'd also very much appreciate reviews in iTunes, if you can spare the time.  

Fresh off of May the 4th, Emily and Katy talk about their love of and academic interest in Harry Potter alongside another fandom they hold dear: Star Wars. Emily came to Star Wars relatively recently, after the birth of her son and a class at Signum University taught by Amy Sturgis, but Harry Potter was a gateway for her into speculative fiction and imaginative literature. Falling into fandom can be like learning a language - it becomes easier to understand others in the same group once you've mastered one. Katy and Emily are not only fans but aca-fans with scholarly interests in the properties they enjoy. Fans have long noticed common threads shared by Harry Potter and Star Wars, and some of them hold academic appeal. Emily likes the clearly articulated sense of right and wrong in both series but also the fact that they don't shy away from exploring the complexities of morality. Soul triptychs, in which characters represent different aspects of humanity working together, are also present in both. Potter and Star Wars, although intended for children, have depth to them that makes them enjoyable for both kids and adults, allowing kids some insight into adult thinking and adults an opportunity to think like children - a phenomenon J.R.R. Tolkien discusses in his essay "On Fairy-Stories." Katy is interested in the intersection between pop culture and history and finds that both franchises use ideas about the past to understand the present and project into the future. Katy and Emily are investigating some of these intersections in their current work, including a Star Wars conference and upcoming companion academic volumes on Star Wars and Star Trek. Katy compares the sequel trilogy to Potter, examining Rey and Harry's experiences with mirrors to explore reflected images of themselves, legacies from parents they didn't know, their destinies, and "time compasses" to orient them in their quests. Emily looks at the Star Wars television series Andor alongside the film 21-87. We also consider crossover actors from Potter who are appearing in Star Wars properties, like Fiona Show (Petunia Dursley) and Kathryn Hunter (Arabella Figg), creating the effect of a palimpsest for viewers who see the new characters painted over the characters they had previously portrayed. All of these new Star Wars shows bring us to the announcement of a Harry Potter television series. Katy is looking forward to the opportunity to the revisit the stories in a way that brings out different elements. Emily is not surprised, considering the current flood of franchise content. How much will this series differentiate from the films, and how will it aim to be a "faithful adaptation"? Might Star Wars provide a map for how Potter television content will grow in the future?

One of the most inspiring aspects of Tolkien's work is his thinking about creativity. Following a question from a listener, Jacob Rennaker and Julia Golding discuss this using the poem Mythopoeia, the short story Leaf by Niggle and the essay 'On Fairy Stories' - all must-reads for Tolkien fans and anyone interested in writing fantasy. How does free will fit in the world of a Creator - and what has jazz music got to do with it? What was wrong with Feanor? And what is the value of the things you make? Stay tuned for musings about the spin-off series about the Star Wars Cantina band and much more! For those who are interested, here's a link to the Benjamin Saxton article mentioned during the conversation - well worth a read! https://dc.swosu.edu/cgi/viewcontent.cgi?article=1096&context=mythlore

Happy Tolkien Reading Day!March 25 marks the day when the One Ring was destroyed and the Dark Lord Sauron was overthrown. Every March 25 for the last 20 years, the Tolkien Society commemorates Tolkien Reading Day. This is a day to read and share your favorite Tolkien passages.Today's episode is dedicated to Tolkien Reading Day. We will explore Tolkien's thoughts on what makes a good story that he laid out in his essay “On Fairy Stories”.Let's wander!Come explore JRR Tolkien's Middle-earth, from the Lord of the Rings, to the Hobbit, to the Silmarillion, to Unfinished Tales and beyond! We compare Tolkien's tales with Peter Jackson's films and Amazon's Rings of Power series.Support the show with a wafer of lembas: https://www.buymeacoffee.com/lotrpodcastFind contact info on LinkTree: https://linktr.ee/lotrpodcastDon't be a stranger! Find me on Twitter, Facebook and InstagramFeedback for the show? Email me at lordoftheringspodcast@gmail.comThis podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/beginners-guide-to-the-lord-of-the-rings/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Happy Tolkien Reading Day!March 25 marks the day when the One Ring was destroyed and the Dark Lord Sauron was overthrown. Every March 25 for the last 20 years, the Tolkien Society commemorates Tolkien Reading Day. This is a day to read and share your favorite Tolkien passages.Today's episode is dedicated to Tolkien Reading Day. We will explore Tolkien's thoughts on what makes a good story that he laid out in his essay “On Fairy Stories”.Let's wander!Come explore JRR Tolkien's Middle-earth, from the Lord of the Rings, to the Hobbit, to the Silmarillion, to Unfinished Tales and beyond! We compare Tolkien's tales with Peter Jackson's films and Amazon's Rings of Power series.Support the show with a wafer of lembas: https://www.buymeacoffee.com/lotrpodcastFind contact info on LinkTree: https://linktr.ee/lotrpodcastDon't be a stranger! Find me on Twitter, Facebook and InstagramFeedback for the show? Email me at lordoftheringspodcast@gmail.comThis podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/beginners-guide-to-the-lord-of-the-rings/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

One of the most inspiring aspects of Tolkien's work is his thinking about creativity. Following a question from a listener, Jacob Rennaker and Julia Golding discuss this using the poem Mythopoeia, the short story Leaf by Niggle and the essay 'On Fairy Stories' - all must-reads for Tolkien fans and anyone interested in writing fantasy. How does free will fit in the world of a Creator - and what has jazz music got to do with it? What was wrong with Feanor? And what is the value of the things you make? Stay tuned for musings about the spin-off series about the Star Wars Cantina band and much more! For those who are interested, here's a link to the Benjamin Saxton article mentioned during the conversation - well worth a read! https://dc.swosu.edu/cgi/viewcontent.cgi?article=1096&context=mythlore

In this episode, I am joined by John Carswell of the Tolkien Road to discuss Tolkien's essay, "On Fairy-Stories," which is a foundational read for understanding Tolkien's literary philosophy, and particularly his philosophy of fantasy. I often say that I was radicalized by "On Fairy-Stories," so I hope that this conversation is a companion to your own reading! Become a patron to support my work and to gain full access to Mythic Mind! patreon.com/andrewnsnyder

One of Tolkien's key themes throughout his work is subcreation, the idea that as beings created by a creator God, we (or his invented elves and other races) are also by nature creative. But there are many hints that the pinnacle of this impulse is actually the simple act of bringing new life into the world. For my video on subcreation as developed in “On Fairy Stories,” click here: https://www.youtube.com/watch?v=PnMG5HhKK50 For my video on subcreation as a theme in Tolkien's stories, click here: https://www.youtube.com/watch?v=HOpbrkRe3QY Other Links: Utreon: https://utreon.com/c/TolkienLorePodcast/ Rumble at https://rumble.com/c/c-355195 Odysee: https://odysee.com/@TolkienLore:f Twitter: https://twitter.com/jrrtlore Patreon: https://www.patreon.com/tolkiengeek Discord server invite link: https://discord.gg/EVKynAj2m9 (If link is expired contact me at tolkienloremaster@gmail.comand I'll send a fresh invite link). --- Support this podcast: https://anchor.fm/joshua6469/support

Saint Athanasius ChurchContra Mundum SwaggerVideo VersionFeller of Trees Blog (Transcript) 

For the first proper lecture in Ethics of Literature, Professor Kozlowski discusses Tolkien's often-overlooked short story, "Leaf By Niggle." This serves two purposes: by closely examining and interpreting the story, we can determine much of Tolkien's morality and values, just as many of the writers we discuss in future weeks will examine and interpret other works of literature; Tolkien also uses this story to present many of his own thoughts on the value of art and the ethics of creating art, which we will examine and critique. Suggested supplementary readings include: "On Fairy Stories" (also in the Tales From the Perilous Realm collection) The Lord of the Rings The Silmarillion The Bible (Tolkien's an ardent Catholic; his worldview and ethics are distinctly Christian. Nor is this the last time Christian teaching will be relevant to our discussion) To see what else Professor Kozlowski is up to, visit his webpage: https://professorkozlowski.wordpress.com/ And please consider contributing to Professor Kozlowski's Patreon at: https://www.patreon.com/ProfessorKozlowski - where you'll also be able to vote for and suggest new topics for future lectures.

Like Caligula declaring war on Neptune and ordering his troops to charge into the Mediterranean Sea, our technological masters are designing neural networks meant to capture the human soul in all its oceanic complexity. According to the cognitive scientist Abeba Birhane, this is a fool's errand that we undertake at our peril. In her paper "The Impossibility of Automating Ambiguity," she makes the case for the irremediable fluidity, spontaneity, and relationality of people and societies. She argues that ongoing efforts to subsume the human (and the rest of reality) in predictive algorithms is actually narrowing the human experience, as so many of us are excluded from the system while others are compelled to artificially conform to its idea of the human. Far from paving the way to a better world, the tyranny of automation threatens to cut us off from the Real, ensuring an endless perpetuation of the past with all its errors and injustices. Phil and JF discuss Birhane's essay in this episode. Header image from via www.vpnsrus.com (cropped). Downloaded from Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Artificial_Intelligence_%26_AI_%26_Machine_Learning_-_30212411048.jpg). Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Support us on Patreon (https://www.patreon.com/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the new T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) REFERENCES Abebe Birhane, "The Impossibility of Automating Ambiguity” J. F. Martel, “Reality is Analog: Philosophizing with Stranger Things” (http://www.reclaimingart.com/reality-is-analog.html) Melissa Adler, Cruising the Library: Perversities in the Organization of Knowledge (https://bookshop.org/a/18799/9780823276363) Weird Studies, Episode 75 on 2001: A Space Odyssey (https://www.weirdstudies.com/75) Weird Studies, Episode 114 on the Wheel of Fortune (https://www.weirdstudies.com/114) William James (https://en.wikipedia.org/wiki/William_James), American philosopher Midjourney, AI art generator Rhine Research Center (https://www.rhineonline.org/), parapsychology lab George Lewis, “Improvised Music after 1950: Afrological and Eurological Perspectives” (https://www.amherst.edu/media/view/58902/original%20%20/Lewis+-+Improvised+Music+after+1950-+Afrological+and+Eurological+Perspectives+.pdf) Abebe Birhane, “Descartes was Wrong: A Person is a Person Through Other Persons” (https://aeon.co/ideas/descartes-was-wrong-a-person-is-a-person-through-other-persons) Gottfried Wilhelm Leibniz, (https://en.wikipedia.org/wiki/Gottfried_Wilhelm_Leibniz) German philosopher J. R. R. Tolkein, “On Fairy-Stories” (https://coolcalvary.files.wordpress.com/2018/10/on-fairy-stories1.pdf) Martin Buber, [I and Thou](https://archive.org/stream/IAndThou572/BuberMartin-i-and-thoudjvu.txt)

In this week's episode, Fern teaches Julia about fairy tales! Join us as we explore the history of folktale, the rise of the literary fairy tale, the tropes and conventions of the genre, and J.R.R. “Jorts” Tolkien's most famous essay, “On Fairy Stories.” How does our understanding of Star Wars shift and develop when we consider it in the context of this literary tradition? What do fairy tales and stories like Star Wars “offer” us in our adult lives? And will Hank Green finally admit that Star Wars is more fantasy than science fiction?Points of Interest: There is Only One Step and it is Crab, Jorts Tolkien, Snow White's Jazz Party, Ezra Pound's Little Fascist Podcast, Special Babies, Julia and Hank Green's TikTok BeefSocial Media:@swenglishclass on Twitter and TikTokJulia is on TikTok @juliachristine77Fern is on TikTok @alwaysfernBusiness inquiries: starwarsenglishclass@gmail.comMusic by ZapSplat.com

Is there more to Tolkien than The Hobbit and The Lord of the Rings? You betcha. This week, Colin and Rhys are joined by Dr. Jason Lepojärvi to discuss Tolkien's intellect and imagination, and to preview Jason's upcoming course on the subject next term at Davenant Hall (register by March 25th!)NOTE: most books below are linked via Bookshop.org. Any purchases you make via these links give The Davenant Institute a 10% commission, and support local bookshops against chainstores/Amazon.Currently Reading N/ATexts Discussed"On Fairy-Stories" byJ.R.R TolkienLeaf By Niggle by J.R.R TolkienSmith of Wootton Major by J.R.R TolkienThe Hobbit by J.R.R TolkienTolkien in OxfordSpotlightDiscovering J.R.R Tolkien: Intellect and Imagination (Spring Term Davenant Hall Course - regsiter by March 25th!)

In this episode the Pugsters return to Tolkien's essay “On Fairy Stories,” focusing particularly on the legitimacy of escape as a function of fantasy literature. Tolkien pointed out that “escape” is a positive term in all contexts except literary criticism, which points to a problem with the critics' use of the word. The guys also get into discussions of the metaphysics of fantasy building off of Tolkien's comments in the essay.