Podcasts about commedia dell'arte

Für die Liebe und fürs Theater kam Claudio Caiolo nach Deutschland. Hier gründete der Sizilianer eine freie Theatergruppe und spielte in diversen Filmen. Nun hat er als Krimiautor Erfolg - in deutscher Sprache aber mit italienischem Inhalt. Moderation: Tim Wiese www.deutschlandfunkkultur.de, Im Gespräch Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Für die Liebe und fürs Theater kam Claudio Caiolo nach Deutschland. Hier gründete der Sizilianer eine freie Theatergruppe und spielte in diversen Filmen. Nun hat er als Krimiautor Erfolg - in deutscher Sprache aber mit italienischem Inhalt. Moderation: Tim Wiese www.deutschlandfunkkultur.de, Im Gespräch Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

PODCAST - MISES EN SCENE le mercredi et vendredi à 9h30 et 18h30. Mises en Scène nous présente "Le Petit Théâtre de Julie-Marie" proposé par la comédienne Julie-Marie Parmentier. Cette semaine, la Commedia dell'arte.  La Commedia dell'arte, en Italie, où la farce et le grotesque sont au rendez-vous. Mais également, le théâtre savant avec Machiavel et Ruzzante. Et en cadeau, une petite scénette que j'ai écrite : " Le Vieillard encorné".

Actor and newly named Director of Education at the National Conservatory of Dramatic Arts Natalie Cutcher taught us a lot about the Italian theater acting genre of "Commedia dell'Arte" - the highly physical and improvisational style of acting with roots in the 1500's. Also hear her entertaining story about her first foray into acting during her elementary school days, what is happening at the Conservatory, and her role in the sci-fi podcast entitled EOS10.

Durante il Carnevale vediamo alcuni personaggi che tornano tutti gli anni, maschere tradizionali come Arlecchino e Pulcinella. Ma sapevi che non sono nate come maschere di Carnevale?Oggi ti spiego la loro storia e la storia della Commedia dell’Arte.Trovi le trascrizioni su www.piccolomondoitaliano.com

The ensemble Sonnambula plays music from seventeenth-century France by Lully, Lalande, and more at the Baruch Performing Arts Center in NYC of September 2017. Join us!

Check out the meaning of 2 types of plays - Masque and Commedia dell'arte in English Literature.

Bon lundi! On est de retour avec les épisodes quotidiens en audio ET en vidéo! Depuis le temps qu’on en parlait. Et pour commencer ce nouveau chapitre dans l’histoire du PB, on ne pouvait pas tomber sur une meilleure invitée. On reçoit la pétillante et hilarante Joëlle Prud’homme toute la semaine pour notre bon plaisir. Quessé qu’tu veux d’plus?!   Joëlle: https://bit.ly/2J2W9lX Vanessa: http://goo.gl/bcRVA9 Vincent: https://bit.ly/34uzgjE William: https://bit.ly/3msWb5f Chuck: http://bit.ly/2L45sBi   On est maintenant sur Twitch et on joue à des ti jeux ici: https://www.twitch.tv/lepetitbonheur   YouTube (Les épisodes entièrement filmés!): http://goo.gl/K2kKOo iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W Google Play: https://bit.ly/31HIJlI Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

La commedia dell'arte è un genere nato in Italia nel XVI secolo e caratterizzata da un diverso modo di produrre gli spettacoli rispetto al passato. Nato in Italia agli inizi del Cinquecento, si diffonde poi nel resto d'Europa incontrando ovunque un enorme successo, soprattutto in Francia. In questa pillola conosceremo più da vicino temi e protagonisti della Commedia dell'arte e il modo in cui ha cambiato il teatro per come lo si conosceva (e se ne fruiva) fino a quel momento.Se vuoi approfondire, puoi farlo qui: https://www.studenti.it/commedia-dell-arte-storia-caratteristiche-autori.htmlColonna sonoraBlippy trance / Poppers and prosecco - Kevin Mac Leod https://incompetech.com/Effetti sonori: https://www.zapsplat.com

Questions, Comments, Suggestions: Show Email: archivett24@yahoo.com Show Notes: Pro Tools Class with Asst. Professor Martin Raymond Canon of Technical Theatre History - Project Website Miro - Formerly Realtime Whiteboard. Miro is the online collaborative whiteboarding platform that enables distributed teams to work effectively together, from brainstorming with digital sticky notes to planning and managing agile workflows. John Schwab - Actor. Curtain Call Podcast Host. Umberto Di Nino - Paint the scenes Scenography Workshop Theater - Italian Renaissance Theater / Scenic Design & Commedia Dell'Arte

A l'occasion de la journée mondiale du Théâtre ce vendredi 27 mars, Europ'Cast s'intéresse aux genres qui ont marqué le Théâtre européen. Aujourd'hui, direction l'Italie pour découvrir le jeu burlesque de la commedia dell'arte.

Durée : 00:59:08Date : jeudi 12 mars 2020On savait que ce moment finirait par arriver, album attendu depuis bien un an d'une artiste complète à la trajectoire d'une étoile. Captivant le micro comme la caméra, cette femme qui a choisi de tout choisir et de le faire sans tricher renoue sans necessairement le calculer avec la tradition des performeurs de la Commedia Dell'Arte sauf qu'elle ne porte pas de masque. Artiste circasienne de formation, tout le monde sait qu'elle sait danser, jouer chanter et rapper sauf qu'on avait jusque là que cinq-sept morceaux et un EP. Sorti vendredi dernier, l'album Dévorantes s'apparente au manifeste de la vie qu'elle veut se choisir, des mots toujours en prise au réel, savoir qui on est et oser assumer le chemin à parcourir pour le savoir, l'atmosphère dominée par le hip-hop français moderne avec ses rythmique caribéennes et afro-trap tiennent la mesure d'un propos où la pesanteur de la vie est chassée par la fougue et la rage d'exister. Cet épisode dédié à Aloïse Sauvage !

There's a curious collection of 18th-century porcelain figurines displayed on the second floor of the Gardiner Museum. Set amidst an impressive display of European ceramic table wear and figurines, this small assortment of Harlequin sculptures don dark masks that stand out for contemporary audiences. One of the colorful sculptures is by Wenzel Neu and hails from the Kloster-Veilsdorf Porcelain Factory in Germany, c. 1764–65, and beside it is a sign that asks, "Is Harlequin in blackface?" In this episode, we talk to Professor Cheryl Thompson, anti-racist educator Rania El Mugammar, and the Gardiner's Chief Curator Sequoia Miller about this figurine that portrays a character from the Commedia dell'Arte that was a precursor to the more violently racialized images of blackface in 19th and 20th-century minstrel shows. We explore the long history of blackface in Canada, and how one museum is adapting to tell the stories that its collection provokes with contemporary audiences. A special thanks to musician SunSon for providing the music to this special series, which is produced by Hyperallergic in conjunction with the Gardiner Museum. Check out their website sunson.band for more information. This and more in the current episode of Hyperallergic's Art Movements podcast. Subscribe to Art Movements on iTunes, or anywhere else you listen to podcasts. hyperallergic.com

Every weekday for a full year, listeners can explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know -- but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Pioneers, Dreamers, Villainesses, STEMinists, Warriors & Social Justice Warriors, and many more. Encyclopedia Womannica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Encyclopedia Womannica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith and Andi Kristins. Special thanks to Shira Atkins and Edie Allard. This month of Encyclopedia Womannica is sponsored by Casper. Follow Wonder Media Network: Website Instagram Twitter

A concept created to inspire audiences and delight children can sometimes take on an unnerving and nightmarish form. With painted faces and bouquets of balloons, they lurk on street corners or wait for you in the woods, luring children and frightening adults. Are they simply teenage pranksters or is there something more sinister at play?

In questa seconda parte dell'intervista con Francesco Baldan approfondiremo la figura della donna all'interno delle compagnie teatrali al tempo della commedia dell'arte, l'arrivo di Carlo Goldoni e i cambiamenti che ha portato nel teatro e i termini "umorismo" e "comicità", due sinonimi con delle differenze importanti. Per domande e suggerimenti sui prossimi temi scrivete a stivaleitaliano@gmail.com Buon ascolto! --- Send in a voice message: https://anchor.fm/alessandro-ligorio/message

Il professor Francesco Baldan ci parla della commedia dell'arte, un prodotto del rinascimento, il più grande movimento culturale europeo. Buon ascolto a tutti! --- Send in a voice message: https://anchor.fm/alessandro-ligorio/message

Hardin Minor is a performance artist and entertainer who embodies countless characters and enlivens spaces throughout the Charlotte community. He is co-founder of OMIMEO Mime Theatre, which presents a blend of mime illusion, circus arts, and special effects theater magic. He has performed for every kind of audience, from the classroom to corporate settings. Hardin has received numerous awards, including the Arts & Science Council’s Creative Fellowship Award, the Blumenthal Performing Arts Center Stage Award in recognition of longtime service to the arts in Charlotte, and the University of North Carolina at Charlotte 2017 Distinguished Alumnus in Dance award. He received a Bachelor of Creative Arts degree in Dance and Education from the University of North Carolina at Charlotte.  This episode is perfect for anyone interested in mime and performance art, the physical nature of wisdom, the spirit of the clown, and widening cosmic circles.  IN THIS EPISODE Hardin describes his work as an entertainer and how he presents himself to the world. He explains why school children know him and the dynamic he applies to everything. He talks about our desire for creativity and being a ‘cross-educational platform.’ He discusses how he works with corporations and playing theater games with bankers. Hardin channels ‘The Ballet Gourmet,’ ‘Barry Cantaloupe’ and ‘Banana Claus.’ He reveals how he comes up with characters and what perspective informs his work. He discusses Commedia Dell’Arte and the roots of physical comedy. Hardin explains ‘physical-osophy’ and where and how we gain wisdom in life. He talks about the incarnation of the divine and becoming beams of light. He answers whether the life of a clown is a happy one. He considers where he is on the ‘clown spectrum.’ Hardin remembers his parents and the ‘wild, wonderful’ home he grew up in. He reflects on his time attending Woodberry Forest School and the University of North Carolina at Chapel Hill. He discusses his experiences of ‘direct action’ in the early 1970s. He shares how he began his career in dance and the sudden revelation he had. Hardin talks about living and performing in New York City in the 1980s. He reflects on returning to Charlotte and creating shows and characters for 30 years. He discusses a new character that he is sharing with the world. Hardin reads a poem entitled ‘I Live My Life’ by Ranier Maria Rilke. plus Mark's Personal Word Essay: A Rose Upon His Nose  To learn more, visit On Life and Meaning

Les marchés financiers ont quelques raisons d'être inquiets, mais pas de paniquer pour autant. A ce stade, la coalition Ligue/M5S est plus radicale dans ses propos que dans ses actes. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Eleven years after the iconic, genius, frustrating, scintillating, upsetting finale—the cut-to-black heard round the world, we’re jumping headfirst into the underworld of New Jersey crime, and into the den of the Sopranos. HBO’s critically acclaimed series captured viewers instantly by asking a simple question: what if a mob boss went to therapy? But instead of turning it into a punchline, the show used that springboard to open up questions about humanity, mental illness, family, and the American Dream. Now Derek and Laurel pull apart the characters, the influences, and the ultimate successes and failures of the series that brought epic, romantic stories back down to earth. Brief lessons on Italian Opera, the theatrical form Commedia dell’Arte, and the most famous thought experiment in quantum mechanics. --- Support this podcast: https://anchor.fm/midnightmyth/support

Lenny Burrows  - The Master of Revels - The Lord of Misrule - The Merrymaker takes control of the Holiday evening by presenting his Top 10 Characters in the Commedia dell'Arte. See LENNY (and chant his name) July 7th & 8th at the Sterling Renaissance Festival. Theme Composed by Matt Harvey. Additional Themes produced for [By The Mummers] performances composed by Jason Purdy. @ByTheMummers on Twitter & Instagram. ByTheMummers.com for more information. LIKE The Improviser's Guide on Facebook! @FrankMCardillo on Twitter & Instagram. TheImprovisersGuide.com

Taylor Overstreet and Dottore share a cheerful evening swapping goofs and waxing quantum physosophical. they may skitter down the sheer rock face known as adequate explanation of quantum entanglement, but hey, this is edutainment. If you need the full monty, just watch that one Nova video. Enjoy this show? Help it thrive by donating on Patreon and/or Ko-Fi! Find Blastropodcast gear on our Threadless store. This episode is sponsored by the Second City Training Center. Their parent organization didn't cast Mark in its touring company, but what the hell, he discovered Commedia dell'Arte and Dottore instead. Funny how life works out. This sponsorship was arranged by the no-nonsense game-smithies at the Chicago Podcast Cooperative.  This episode features "Quirky Dog" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/.

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside we discuss Commedia Dell'Arte with Rosa Campagnaro from Make A Scene. (http://www.makeascene.com.au) This is part 1 of 2 Please feel free to email asidepodcast@outlook.com to ask a question. We will try answer on a future podcast.

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside we discuss Commedia Dell'Arte with Rosa Campagnaro from Make A Scene. (http://www.makeascene.com.au) This is part 2 of 2 Please feel free to email asidepodcast@outlook.com to ask a question. We will try answer on a future podcast.

We explore Commedia dell'Arte, a form of popular entertainment originating in Italy in the 16th century, and trace how its colorful characters left their mark on the English language. Word List: vagabond, zany, Mr. Punch, harlequin, pants, denim, jeans. For a list of sources or to contact us, visit www.wordjourneyspodcast.com See acast.com/privacy for privacy and opt-out information.

Aula 56 - Commedia Dell arte by Vinícius Antunes, Cacofonias

10e émission de la 34e session... Cette semaine, freebop, jazz orchestral et avant-music ! En musique: BassDrumBone sur l'album The Long Road (Auricle, 2016); Nate Lepine sur l'album Quartet : Vortices (ears&eyes, 2016); Royal Stockholm Philharmonic Orchestra sur l'album E.S.T. Symphony (ACT Music, 2016); The Octopus sur l'album Subzo(o)ne (Leo, 2016); John Zorn sur l'album Commedia Dell'arte (Tzadik, 2016); Émilie Girard-Charest sur l'album Avec (Kohlenstoff, 2016); Fenêtre Ovale sur l'album Deuxième Volet (Umlaut, 2016)...

This week, Kiff welcomes voice actor, director and casting director Keythe Farley (@faronear) who shares his unique journey though his multi-faceted career in radio, on camera, animation and videogames (both as an actor AND director) and he shares what he's learned and what it feels like to serve as chair of the SAG-AFTRA Interactive Committee. Keythe also discusses #performancematters and not only what this current interactive strike is about, but the why behind it. A fantastic, inspiring, and very informative episode of All Over VO. Keythe references this site for more information: www.gameactorsforall.com

At age 14, Carine Montbertrand recalls, “I remember watching a dance performance and it was so exciting. I said to myself, ‘This is what I want to do.’ I did the conventional going to college and stuff like that, which I'm glad I did. But, ever since then, even if people in my family didn't want me to do it, I still knew, deep inside, that’s what I was going to do, whether I said it out loud or not.” As a professional actress, she has performed off Broadway and throughout the U.S. She is an award winning narrator of audiobooks and is an acting teacher specializing in Commedia dell'Arte. Carine has also donated her time at New York City’s Rikers Island as part of an outreach program of the Stella Adler Studio School of Acting.

By now it's clear that Shakespeare drew inspiration from a variety of sources. Robert Henke, a professor of drama and comparative literature at Washington University in St. Louis, studies the Bard in the European context and particularly his Italian sources and influences. He reveals the fingerprints of the famous Italian theater troupe, the Commedia dell'Arte, in Shakespeare's comedies and discusses the Italian plays and novellas at the heart of Romeo and Juliet and The Taming of the Shrew.

60 Minutos de la pieza para piano "Claro de Luna" de Claude Debussy con sonidos relajantes de lluvia. Es la música perfecta para relajarse, estudiar, concentrarse, leer, hacer deberes, trabajar, dormir o simplemente como música ambiental mientras se hace cualquier otra actividad. ?Debussy Claude-Achille Debussy (Saint-Germain-en-Laye, Francia, 22 de agosto de 1862 - París, 25 de marzo de 1918) fue un compositor francés y una figura central en la música europea de finales del siglo xix y comienzos del siglo xx y, junto a Maurice Ravel, una de las figuras más prominentes de la música impresionista, aunque al propio compositor no le gustaba este término cuando se aplicaba a sus composiciones. Fue nombrado Caballero de la Legión de Honor en 1903. ?Suite bergamasque La Suite bergamasque, de Claude Debussy, es una suite para piano en varios movimientos. Aunque fue escrita en 1890, la obra no se publicó hasta 1905, y eso pese a que su autor intentó que no viese la luz, pues creía que esta obra de juventud estaba muy por debajo del nivel de sus composiciones más modernas. La Suite toma su nombre de las máscaras de la Commedia dell'Arte de Bérgamo (Comedia del arte de Bérgamo) y está inspirada en las Fêtes galantes (Fiestas galantes) de Verlaine. Está dividida en cuatro piezas: Preludio Minueto Claro de luna Pasapiés Prélude: (en español: preludio) es la primera pieza en la suite, que se titula "Prélude". Esta pieza se encuentra en la clave de Fa, en rubato. Se caracteriza por poseer contrastes muy dinámicos con un comienzo y un final bastantes vigorosos. Es una pieza festiva, ya que ocupa gran parte del estilo barroco que se encuentra comúnmente en los preludios de la época. Menuet: (en español: minueto) la segunda parte de la Suite Bergamasque es el "Menuet". Es el tema principal, contrasta alternativamente el misterio con mitad de dramatismo. Esta pieza es particularmente original, ya que no se conforma con el estilo particular de la mayoría de los minuetos. Más bien, en vez de ser fresca y delicada, esta pieza muestra mucho más comedia cruda. Una vez más, Debussy establece una muy novedosa pieza bajo la apariencia del estilo de una vieja canción. ?BENEFICIOS DE ESCUCHAR MÚSICA CLÁSICA Varios experimentos que se desarrollaron desde 1993 hasta la actualidad arrojaron las siguientes bondades de escuchar música de Mozart: Ayuda a desarrollar la inteligencia de los niños (para los niños entre 3 y 12 años representa una mejora en la capacidad de razonamiento) Desarrollo de habilidades para la lectura y la escritura, del lenguaje verbal, de habilidades matemáticas, de la capacidad de recordar y memorizar. Atenúa los efectos de algunas determinadas enfermedades como el Alzheimer. El psicólogo, escritor y educador musical Don Campbell (uno de los defensores e investigadores de los resultados del efecto) propone que el niño, desde su etapa fetal, debe ser estimulado musicalmente por su madre. De este modo mejorará su crecimiento, su desarrollo intelectual, físico y emocional y su creatividad. Este efecto también sigue dando buenos resultados durante los primeros cinco años de vida, estímulo capaz de formar seres inteligentes pero además emocionalmente sanos.

Markus Zohner incontra Alessandro Marchetti negli studi di PETRUSHKA a Verbania / Italia. Alessandro Marchetti: attore, regista, maestro della Commedia dell'Arte, pittore, scultore. Figlio d'arte. "Chi sono? Per me o per gli altri? Visto che mi state per ascoltare, forse vi interessa sapere chi sono come uomo pubblico. Sono un attore, un regista, uno scenografo, un pittore, uno scultore. In breve sono un uomo di teatro che allarga i suoi orizzonti nell'arte. Il virus del teatro mi è stato trasmesso dai miei avi. Ho tentato di togliermelo di dosso quand'ero più giovane ma non ce l'ho fatta. Sono un uomo teatro-positivo. Nel privato sono un uomo che ogni giorno si interroga. L'unica certezza che mi rimane è di non avere nessuna certezza. Ogni giorno mi rimetto in gioco e forse è tutto qui il significato dell'esistenza." --- Alessandro Marchetti, figlio d’arte da tre generazioni, si forma dapprima alla scuola paterna poi a quella del grande attore goldoniano Cesco Baseggio della cui lezione fa tesoro. Negli anni ’60 affianca all’attività d’attore, significative esperienze nel campo dell’arte pittorica. Nel 1968, insieme con l’attrice Luisella Sala dà vita a Milano alla Compagnia TEATRO 7. Nel 1970 riapre con successo il glorioso Teatro Filodrammatici di Milano ma la profonda esigenza di confrontarsi con pubblici e teatri diversi lo fa tornare alla Compagnia TEATRO 7, con la quale per vent’anni effettua numerose tournèe in Italia e all’estero rappresentando autori antichi e moderni. I successi più vasti li raccoglie con “Le farse della Commedia dell’Arte” che recupera da canovacci tramandati oralmente da vecchie famiglie d’arte. Ne cura la regia, la scenografia e recita nella maschera di Arlecchino. Dalla rivalutazione della Commedia dell’Arte quale metodologia di palcoscenico e chiave per l’invenzione di una nuova drammaturgia elabora un personale metodo di lavoro che diffonde attraverso numerosi stages. Dal 1988 collabora quale regista con troupes e teatri europei. Sue regie sono state viste oltre che in Europa nelle Americhe, in Australia, in Giappone, Africa, Medio Oriente, Russia. Si presenta nel suo recital “La maschera e il volto” – viaggio intorno alla Commedia dell’Arte. In qualità di conferenziere è ospite degli Istituti Italiani di Cultura. Ha pubblicato per Klett & Balmer il libro “Arlecchino & Co” scritto in collaborazione con M. Kunz. Si occupa della direzione artistica di un Festival della Commedia dell’Arte in musica sul lago Maggiore. Nel suo piccolo Teatro Studio in Verbania tiene stages per attori e cantanti lirici. --- I tre Alessandro E’ abbastanza insolito che tre generazioni d’attori abbiano lo stesso nome: Alessandro. Il nonno Alessandro fu, oltre che attore, direttore artistico di importanti Compagnie teatrali del suo tempo fra cui la Reale Sarda che annoverava fra attori, attrici e personale tecnico un organico di circa cinquanta persone. Una tournée fatta in Sud America con la “Compagnia Alessandro Marchetti” durò due anni. Ebbe in gioventù una movimentata vita sentimentale finché non più giovanissimo, si sposò in seconde nozze, con una giovane contessina francese da cui nacque il secondo Alessandro. Scrisse anche un volumetto molto noto e discusso: “I tarli dell’arte drammatica”. Una coincidenza: recitò diverse volte nel teatro Filodrammatici di Milano che verrà riaperto - dopo la distruzione dalla guerra - dal nipote negli anni 70. In vecchiaia lasciò il teatro per il giornalismo. Papà Alessandro, ribelle agli insegnamenti paterni, ebbe vita teatrale più avventurosa, passando da compagnie di prima grandezza a compagnie minori, inseguendo ideali socialisti e belle attrici fra le quali la goriziana Mercede Schein madre dell’ultimo Alessandro, che sposò quando il bimbo aveva già cinque anni. Fu attore schivo e solitario ma di grande insegnamento per il giovane Alessandro. L’ultimo Alessandro che non ha avuto la chance di conoscere il celebre nonno, non ha figli. Finisce così la dinastia Alessandro Marchetti. Ma ha tanti allievi sparsi qua e là per il mondo che lo stimano e lo amano e ai quali lascia in eredità l’amore per il teatro.

Arlecchino, Pulcinella. Italianos raros con trajes de carnaval, improvisación. saltimbanquis, música, golpes, risas, amor, lujuria, pasen y vean la Comedia del arte.Descargar

On this week's episode of the Talk Theatre In Chicago podcast, Tom Williams talks with Omen Sade, the star of Servant of Two Masters at Piccolo Theatre. He talks about the show as well as Commedia Dell'Arte as a theatre style.