1982 American coming-of-age teen comedy film by Amy Heckerling
POPULARITY
Categories
In this bonus tie-in podcast we are adding a little bit of class to our month-long journey through the sex comedies of the 1980's as we discuss the Amy Heckerling-directed Fast Times at Ridgemont High. Over the course of our conversation you will hear us talk about how this movie elevated teen comedy and became a staple hangout among the youth of the time, how it works well together with other classic hangouts like American Graffiti and Dazed and Confused and how it eschewed the desire to caricaturize teenagers in favour of portraying their lives and anxieties with requisite honesty. We also talk about Sean Penn's idea of eating in class, the infamous COVID reading of the script by attention-starved celebs, Cameron Crowe's earnest writing and much more!Tune in and enjoy! Subscribe to our patreon at patreon.com/uncutgemspod (3$/month) and support us by gaining access to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony LarderHead over to our website to find out more! (uncutgemspodcast.com)Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod)Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)
This week on Born to Watch, Whitey flies solo for a massive deep dive into 1982: Year in Review, revisiting one of the most important, influential and completely stacked years in cinema history. While 1982 might not officially hold the crown as the greatest movie year ever, it delivered a collection of films that completely changed Hollywood forever.In this special episode, Whitey breaks down how one single year gave us E.T. the Extra-Terrestrial, Blade Runner, The Thing, First Blood, Rocky III, Poltergeist, Conan the Barbarian and Tron all within the same incredible stretch of cinema history.Whitey explores the insane eight-week period where science fiction and fantasy films absolutely rewired Hollywood forever. It was the year when genre filmmaking exploded, CGI truly began, practical effects reached their peak, and audiences somehow ignored two movies that are now regarded as masterpieces: Blade Runner and The Thing.There's a huge breakdown of the 1982 box office top ten, including Whitey revisiting Spielberg's emotional masterpiece E.T., which held the box office record for an entire decade. He reflects on how modern kids' movies rarely hit adults emotionally the same way they once did, admitting E.T. absolutely destroyed him on the cry meter during a recent rewatch.The episode also revisits cult favourites like First Blood, with Whitey passionately defending it as one of the great character-driven action films of the 1980s. There's love for Stallone's unbelievable double act of releasing both Rocky III and First Blood in the same year, proving just how dominant Sly was during the early 80s.Whitey also dives into why Rocky III remains one of the best Rocky films ever made, praising Mr T as one of the greatest movie villains of the decade and celebrating the pure charisma he brought to Clubber Lang despite having no acting experience.Australian cinema gets its flowers too, with a huge spotlight on Mad Max 2 and The Man from Snowy River. Whitey argues that both films stand proudly alongside any Hollywood blockbuster of the era and explains how Mad Max 2 became the blueprint for almost every post-apocalyptic movie that followed.There's also a deep appreciation for practical effects and filmmaking craftsmanship throughout the episode. Whitey passionately argues that The Thing still contains the greatest practical creature effects ever put to screen, while Blade Runner's vision of a futuristic Los Angeles remains one of the most influential science fiction worlds ever created.Along the way, there are classic Born to Watch tangents and stories, including:Whitey is getting in trouble in Year 4 after explaining an infamous scene from The World According to GarpChildhood memories of The Pirate Movie soundtrackThe bizarre success of Porky'sWhy does Tootsie make more money than Blade Runner feel completely wrongHow Grease 2 became one of the ugliest moments of 1982 cinemaWhitey also celebrates underrated classics like Firefox, Creepshow, Fast Times at Ridgemont High and 48 Hrs., while exploring how 1982 represented a time when studios were still willing to take massive creative risks on strange, ambitious and original films.This is one of the biggest movie deep dives Born to Watch has ever done, packed full of nostalgia, movie trivia, hilarious stories and genuine love for cinema.JOIN THE CONVERSATION Was 1982 the greatest movie year ever? What's the best film released in 1982? Blade Runner or The Thing? Rocky III or First Blood? Is Mad Max 2 the greatest Australian action film ever made?#1982Movies #MovieYearInReview #BornToWatch #BladeRunner #TheThing #RockyIII #FirstBlood #MadMax2 #ET #MoviePodcast
In this episode of the It's the Pictures podcast, Max Covill and Evan Crean discuss recent movies, the Cannes Film Festival, and the career of Meryl Streep. They also share their thoughts on 'The Devil Wears Prada' and other films featuring Meryl Streep. The conversation covers a range of topics, including the portrayal of Meryl Streep in 'The Devil Wears Prada,' the impact of body image comments in the film, and a discussion of other Meryl Streep movies such as 'Defending Your Life' and 'Silkwood.' The hosts also share their thoughts on 'Life of Brian' and 'Fast Times at Ridgemont High.'TakeawaysMeryl Streep holds the record for the most Academy Award nominations of any actor in history.The hosts discuss recent movies, the Cannes Film Festival, and the career of Meryl Streep.The Devil Wears Prada is an iconic role for Meryl Streep, and the hosts share their thoughts on the movie and other films featuring Meryl Streep. Meryl Streep's portrayal in 'The Devil Wears Prada' was surprising and impactful.Body image comments in the film sparked a discussion about their impact and relevance.The hosts discussed other Meryl Streep movies, including 'Defending Your Life' and 'Silkwood.'The hosts shared their thoughts on 'Life of Brian' and 'Fast Times at Ridgemont High.'Chapters00:00 Recent Movies and Theater Visits05:18 TV Adaptation of Dungeon Crawler Book Series19:10 Meryl Streep's Career and The Devil Wears Prada29:56 Meryl Streep in 'The Devil Wears Prada'36:01 Discussion of Other Meryl Streep Movies52:22 Review of 'Life of Brian'59:13 Revisiting 'Fast Times at Ridgemont High'
Welcome to the Saoirse Ronan appreciation society. I Could Never Be Your Woman Year: 2007 Written by: Amy Heckerling Directed by: Amy Heckerling Stars: Michelle Pfeiffer, Paul Rudd, Saoirse Ronan Show notes: There is some good stuff in this film and some bad stuff and it is not Amy Heckerling's best work but it is definitely worth a watch. If you would like to skip the plot summary for this month's film you can spool forward almost 9 minutes into the episode. Correction: The film Charles Adrian remembered as Coming Home is in fact called Home Again. In this episode we mention the films: Home Again (2017) (https://www.imdb.com/title/tt5719700/) Fast Times at Ridgemont High (1982) (https://www.imdb.com/title/tt0083929/) Clueless (1995) (https://www.imdb.com/title/tt0112697/) Vamps (2012) (https://www.imdb.com/title/tt1545106/) Girls Trip (2017) (https://www.imdb.com/title/tt3564472/) And the TV series: Dawson's Creek (1998-2003) (https://www.imdb.com/title/tt0118300/) Bridgerton (2020- ) (https://www.imdb.com/title/tt8740790/) Next month we are going to be talking about You, Me & Tuscany (2026) (https://www.imdb.com/title/tt36352591/) If you would like to suggest films for future episodes, you can tweet Lisa: @LisaStowaway. We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that. Music in this episode is by Martin Zaltz Austwick (martinzalzaustwick.com). Artwork is by Lisa Findley. Thank you for listening!
The director reveals how she transformed Cameron Crowe's undercover reporting into a defining portrait of messy, horny, sun-bleached youth. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's about time we sat the boy down to watch an absolute classic, did he enjoy it? Find out.
Don't sleep on this must-watch episode of Dads From the Crypt! We sit down with the legendary Amanda Wyss to talk about her unforgettable roles across cult classics and iconic films. From being Freddy Krueger's first victim in A Nightmare on Elm Street to her breakout performance in Fast Times at Ridgemont High and her fan-favorite turn in Better Off Dead, Amanda shares behind-the-scenes stories, career insights, and memories from working on some of the most beloved movies of the decade.Hear what it was like being part of horror history, her experiences on set, and how these films helped shape pop culture. Whether you're a die-hard horror fan, an ‘80s movie buff, or just love great interviews, this episode is packed with nostalgia, laughs, and insider stories you won't want to miss.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt
This week I wanted to stick with movies that came out with soundtracks that felt current when the films were released. Not older songs brought in to set a mood, and not a random collection pulled together afterward, but albums that felt tied to the moment the studio was trying to sell.Fast Times at Ridgemont High, from 1982, is a good example. The soundtrack album came out that July, and Jackson Browne's “Somebody's Baby” reached number 7 on the Billboard Hot 100, so the movie clearly had a connection to what people were hearing at the time. There was also some push and pull behind the scenes. Amy Heckerling later said some of the music choices reflected producer pressure as much as her own sense of the characters, which only makes the film feel more like a real snapshot of the early 1980s.Purple Rain, from 1984, is an even stronger case, because the movie and soundtrack are almost impossible to separate. The album came out on June 25, 1984. “When Doves Cry” was released in May, and “Let's Go Crazy” followed in July, so the film reached theaters with Prince already dominating the culture around it. I also like that “When Doves Cry” came out of a specific request from director Albert Magnoli. It was not just a Prince song sitting around waiting to be used. It was part of the movie as it was taking shape.Less Than Zero, works a little differently. People do not usually talk about its soundtrack with the same reverence, but it was still very plugged into late 1987. The Bangles recorded “Hazy Shade of Winter” for the film, and it went to number 2 on the Billboard Hot 100, which gave the soundtrack real chart power. The rest of the album also feels very rooted in its time, with Rick Rubin producing and artists like LL Cool J and Public Enemy sharing space with a sharper, louder Simon and Garfunkel cover. It really feels like a late 1987 attempt to pull different parts of current music into one package.Then there is Singles, from 1992, which may be the best example here of a soundtrack capturing a scene while it was still happening. The album came out on June 30, 1992, a few months before the movie opened, and it included Pearl Jam, Soundgarden, and Alice in Chains, along with Paul Westerberg, who also worked on the score. Cameron Crowe later called it more of an anti soundtrack, basically a souvenir of that scene instead of a tidy album built to sum up the movie. That feels right to me. It was not trying to seem current. It actually was current. Even the gap between the album release and the film helped give it that feeling.So that is the set this week. Four movies, four different kinds of soundtrack success, and four reminders that music can tie a film to its moment just as much as clothes, locations, or dialogue can. One caught the early 1980s world of radio and mall record stores. One became a hit album right alongside the movie. One used a major single to help define its identity. One caught a local scene before it had even settled into history. Those are the kinds of rentals I always like talking about, movies that bring back not just the film, but the moment when it first showed up.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
Bill and Andy Bush dive into the retirement plan rules that trip up participants most often—from the Rule of 55 and IRS 72(T) distributions to SIMPLE IRA rollover restrictions, in-service distribution provisions, and the nuances of RMDs under SECURE 2.0. The brothers break down each rule with real-world examples pulled from recent client calls, covering when you can access your 401(k) penalty-free, why rolling into an IRA can cost you flexibility, how beneficiary rules changed under the 10-year distribution window, and what early withdrawal exceptions (including QDROs and disaster provisions) actually look like in practice. Whether you're planning ahead or reacting to a life event, this episode is a practical field guide to the rules that govern your retirement dollars. ⏱ Episode Timeline & Key Topics 00:00 – Welcome & Episode Setup Bill opens with a Spicoli quote from Fast Times at Ridgemont High and sets up the theme: retirement plan rules you may or may not have known about. 00:53 – The Rule of 55 If you leave your employer at age 55 or older, you can take distributions from that employer's 401(k) without the 10% early withdrawal penalty: · Must be the plan at the employer you separated from · Taxable, but no penalty · Rolling into an IRA eliminates the Rule of 55 protection 02:12 – IRS Rule 72(T): Substantially Equal Periodic Payments Starting at age 55, you can take early distributions from IRAs or 401(k)s using the 72(T) rule: · Payments must be substantially equal · Must continue for five years or until age 59½, whichever is longer · Andy shares a real client example of someone who used 72(T) after early job loss 03:30 – SIMPLE IRA Two-Year Rule SIMPLE IRAs carry a unique two-year restriction from the date of your first contribution: · Distributions or rollovers within two years trigger a 25% penalty (not the usual 10%) · Rolling funds into a SIMPLE IRA from a 401(k) or other source also requires the two-year window to pass · SECURE Act expanded allowable rollover sources, but the timing restriction remains 05:31 – Roth Five-Year Rules Roth IRA contributions can be withdrawn at any time tax- and penalty-free, but earnings have their own rules: · Earnings require the account to be open for five years and you must be 59½ or older · The five-year clock starts with your first Roth IRA deposit 06:43 – In-Service Distributions from 401(k) Plans You can take distributions while still employed, but the rules are plan-specific: · IRS default age is 59½, but your plan document can set a different age (examples: age 40, age 55) · Common reason: rolling funds to an IRA for income planning options not available inside the 401(k) · Building a retirement "income floor" can increase confidence and even lead to more spending in retirement 09:57 – In-Service Strategy: Roth IRA Consolidation Participants who already have a Roth IRA on the outside can roll Roth 401(k) funds into it via in-service distribution, consolidating accounts and keeping the five-year clock running. 10:20 – Required Minimum Distributions (RMDs) RMD ages under SECURE 2.0: · Born before 1960: RMD begins at 73 · Born after 1960: RMD begins at 75 · Still working and contributing? No RMD from your current plan (unless 5%+ owner) · Old 401(k)s from prior employers still require RMDs · IRA RMDs can be aggregated—take from one account to satisfy the total · 401(k) RMDs must be taken individually from each plan · The "Andy Bush Hack": roll old accounts into your active plan to defer RMDs 14:07 – Beneficiary / Inherited Account Rules Non-spousal inherited accounts changed significantly under SECURE 2.0: · Old rule: stretch over beneficiary's lifetime or take within 5 years · New rule: all funds must be distributed within 10 years · If deceased was already taking RMDs, beneficiary must continue annual distributions · Strategy: increase your own 401(k) contributions and offset with inherited account distributions 16:35 – Early Withdrawal Exceptions Several exceptions allow penalty-free early access to retirement funds: · Medical expenses exceeding a threshold · Disability · QDROs (Qualified Domestic Relations Orders) for divorce · Federally declared disaster provisions · Hardship withdrawals (still subject to 10% penalty if under 59½) 18:15 – Check Your Summary Plan Description (SPD) Every provision discussed is plan-specific: · Ask your HR or plan sponsor for the SPD · Documents are being updated as SECURE 2.0 provisions phase in · Your SPD is the definitive source for what your plan allows ✅ Key Rules Quick Reference · Rule of 55 – Penalty-free 401(k) distributions if you leave your employer at 55+; lost if rolled to an IRA · 72(T) – Substantially equal periodic payments from IRAs/401(k)s starting at 55; must last 5 years or until 59½ · SIMPLE IRA Two-Year Rule – 25% penalty on distributions or rollovers within two years of first contribution · Roth Five-Year Rule – Contributions out anytime; earnings require 5 years + age 59½ · In-Service Distributions – Available while still working; age set by plan document (default 59½) · RMDs – Age 73 (born before 1960) or 75 (born after 1960); still-working exception for current plan only · 10-Year Inherited Account Rule – Non-spousal beneficiaries must empty inherited accounts within 10 years · QDROs – Court-ordered retirement account splits in divorce; rollover is tax- and penalty-free · Disaster Provisions – SECURE Act allows automatic early access in federally declared disaster areas 19:49 – Closing & How to Reach the Brothers Bill and Andy wrap up with a reminder that every situation is nuanced—reach out with questions. · Bill Bush: bbush@horizonfg.com · Andy Bush: abush@horizonfg.com
"Anyone can have sex." For Episode 393, David and Brandon start off CineNation's Sex Comedy series with one of the quintessential high school movies of the 1980s, FAST TIMES AT RIDGEMONT HIGH. Listen as they discuss Cameron Crowe going undercover at a high school, which director was originally up for the film, the massive casting sessions for the film, Sean Penn's wild method acting techniques on-set, how Amy Heckerling made changes to Crowe's original story, the process of getting the popular music for the film, why Universal executives were so against the project, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Neon and A24 (00:00:10) Intro to the Sex Comedy Genre (00:06:45) Intro to Fast Times at the Ridgemont High (00:13:34) How Fast Times at the Ridgemont High Got to Production (00:24:23) Favorite Scenes (00:51:14) On Set Life - (01:27:52) Aftermath: Release and Legacy (01:35:46) What Worked and What Didn't (01:46:55) Film Facts (01:51:41) Awards (01:54:23) Final Questions on the Movie (02:00:37) Wrapping Up the Episode (02:05:14) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
Our exit today has us learning about the dark, seedy underbelly of children's programming. This week, we are talking about Death to Smoochy, written by Adam Resnick and directed by Danny DeVito.Since this is our first chance to talk about Robin Williams, we spend a lot of time focusing on his career and importance in Tripp and Ross' childhoods. But we also talk Fast Times at Ridgemont High, Edward Norton, children's television, the directing career of Danny DeVito, Hoffa, Scream, The Sopranos, our favorite Robin riffs, and a lot of confusion as to when the new Cat in the Hat movie actually comes out.Robin Williams Wins the OscarRobin Williams on Ellen in ChicagoThememusic by Jonworthymusic.Powered by RiversideFM.CFF Films with Ross and friends.Movies We've Covered on the Show on Letterboxd.Movies Recommended on the Show on Letterboxd.
Loud and nude vs black and white and nude also.LIWstudios.com
The Problem: We were slender then. (Recorded on Monday, February 16, 2026.) Links “Against the Wind” — Bob Seger (1980) — “What to leave in? What to leave out?” Dave Nanian — Mastodon post about his original '81 copy — the friend who sparked the dB's conversation The dBs — “Black and White” (Repercussion, 1982) Don Dixon — “Girls L.T.D.” — solo track from the guy who co-produced early R.E.M. Sneakers (band, ~1975) — early NC power pop band featuring Dixon, Easter, and Stamey before they were famous Movies with Mikey — “But, did you knowwww?” Richard Hugo — “Degrees of Grey in Philipsburg” Candide — Voltaire (1759) — third episode running where Merlin has mentioned Cunegonde Claudine Longet — French singer who shot Olympic skier Spider Sabich; married to Andy Williams “Spicks and Specks” — Bee Gees (1966) — Merlin: “one of the purest pop songs ever written” “You Give a Little Love” — These crazy kids and their pies. From Bugsy Malone (1976) Marshall Brodien's TV Magic Cards — Merlin bought his trick cards at Walgreens Fast Times at Ridgemont High (1982) — Roderick cites Cameron Crowe on the film's tragic subtext about being pressured to lose virginity Groundhog Day (1993) — “what a fucking great movie”; Ned Ryerson as “one of the all time great character actor appearances” Nut Tree (Vacaville, CA) — roadside attraction with amusement park and small airport; Roderick and his dad flew there in a small plane
We're joined by the host of the podcast Channels, Peter Kafka, as we go back to 1982's Los Angeles, with Cameron Crowe and Amy Heckerling's teenage masterpiece starring Sean Penn, Jennifer Jason Leigh, and Phoebe Cates, Fast Times at Ridgemont High. We cover how The Pool Scene changed a generation, the first time Haitch got blue balls (after making out all night at a church lock in), why the Super Bowl sucked so hard, and just how sweet all those conservative tears taste right about now.Chapters Introduction (00:00:00) Hatch News (00:25:11) Fast Times at Ridgemont High Roundtable (00:34:28) Your Letters (01:16:39) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.
Rich finally sees Misha's show, Rob's a fomoholic and Slow times at Ridgemont High...
The Heir Apparent by Rebecca Armitage - I touched on this one in the fiction round up at the end of last year but given time constraints with a number of books in that piece, it really warrants a bit more attention. Lexi Villiers is a trainee doctor in Tasmania when she's suddenly summarily summonsed back to London by her grandmother the Queen, after her father and twin brother are killed in a skiing accident - meaning she's now next in line for the throne. It's fun, entertaining fiction based on the monarchy about which the author clearly knows quite a lot and followers of The Crown will love it. The Uncool by Cameron Crowe - This is a memoir by a legendary rock and roll journalist. Back in the 70's, Cameron Crowe began writing about bands and music, and was published by Rolling Stone magazine at the age of just fourteen. He really lived the dream - spending time with, and writing about Led Zeppelin, The Eagles, Joni Mitchell, The Rolling Stones and many many more. He went on to write the screenplay for the autobiographical movies Fast Times at Ridgemont High and then Almost Famous (which he also directed). This was an era we'll never see again, and it's wonderful nostalgia about a glorious time in music and a young man who took full advantage of it. LISTEN ABOVE See omnystudio.com/listener for privacy information.
In which our heroes prepare to descend the cliffs in search of their lost comrade. Zara peruses the merchandise. Kardain prepares for the worst. Verrol sees in the dark.
EPISODE #120 - Back in 1982, a movie was released that defined the Van Halen generation - “Fast Times at Ridgemont High.” Easily, the best character in the film was Mike Damone played by actor Robert Romanus. The Daves try to buy some VH tickets from him during a special interview. Meanwhile, guitarist Mark Tremonti from Creed and Alter Bridge talks about opening for Van Halen, being friends with Wolfie and recording at 5150. A fresh VH News segment and a Santa mailbag completes this year-end episode.Download the podcast for free on Spreaker, iHeartRadio, Spotify, Google podcasts, Amazon Music, Podvine or iTunes. Connect with the Daves on Twitter: @ddunchained, Facebook: Dave & Dave Unchained – A Van Halen podcast, Instagram: ddunchainedpodcast or via email: ddunchainedpodcast@gmail.com
Danny has never watched Fast Times at Ridgemont High in one sitting. Blazers overcome huge deficit vs Pistons, still lose. Relax on Scoot Henderson's return timeline. Best/worst Christmas gifts.
Kirk recently read Cameron Crowe's memoir The Uncool, about his experience writing about music, notably for Rolling Stone. Doug and Kirk reflect on rock music journalism. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Cameron Crowe: The Uncool, a Memoir (https://amzn.to/4oOzPf3) Almost Famous (https://amzn.to/485TQ9O) Fast Times at Ridgemont High (https://amzn.to/3XD38oG) Jerry Maguire (https://amzn.to/485Ct8O) Aloha (https://amzn.to/3XI2LJr) Can AI tell us anything meaningful about Bob Dylan's songs? - Aeon Essays (https://aeon.co/essays/can-ai-tell-us-anything-meaningful-about-bob-dylans-songs) Write Now with Scrivener (https://podcast.scrivenerapp.com/) The Bongos - Wikipedia (https://en.wikipedia.org/wiki/The_Bongos) Richard Hambleton, ‘Shadowman' of the '80s Art Scene, Dies at 65 - The New York Times (https://www.nytimes.com/2017/11/03/obituaries/richard-hambleton-dead-shadowman-of-the-80s-art-scene.html) Shadowman (https://amzn.to/48mUuAP) (documentary about Richard Hambleton) Our next tracks: Patti Smith: Horses (https://amzn.to/47RAE0E) Superchunk: Misfits & Mistakes: Singles, B-sides & Strays 2007–2023 (https://amzn.to/4idX0gm) If you like the show, please subscribe in Apple Podcasts (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.
Time for a Would You Rather Wednesday edition of Glenn Clark Radio, lots to cover on the program today as we put the Ravens win over the Vikings on Sunday behind and officially shift focus to the Cleveland Browns on Sunday, as the Ravens look to sweep the Browns for the first time since 2020. We'll go over everything you need to know before the team hits the field for practice today, talk a little college hoops after just about every local team was in action and we'll get DrewsMorningDish.com's Drew Forrester's thoughts on everything as we talk Ravens, maybe a little O's, and who knows what else–obviously play some Would You Rather as well. At 11:30am, we will in fact head out to Cleveland to check in with the Browns and our friend Je'Rod Cherry of ESPN Cleveland as we see how the city is holding up after losing to the lowly Jets last weekend, what hopes they have of knocking off the Ravens and how much longer Kevin Stefanski has. Plus, Griffin watched a new movie last night, so it'll be time for another edition of ‘Movie Reviews with Griffin' as we dive into the raunch 1982 flick, “Fast Times at Ridgemont High”, and much more on this Wednesday GCR!
When I was a kid if you wanted to talk to people about movies, you went to the local mom and pop video rental store… but if you wanted to hang out with other kids your age, you went to the mall. On this week's episode of the Video Store Podcast, I'm recommending four movies that were filmed and heavily feature malls.First up is Fast Times at Ridgemont High, a film that follows several teenagers as they navigate the halls and malls of southern California. With a star-studded cast, this film opens in a mall, which sets the tone for the entire film.Next up is Dawn of the Dead, George Romero's 1978 sequel to his original zombie film, Night of the Living Dead. In this film, four characters — two police officers and two news broadcasters — take cover in an abandoned mall… or is it? It's not long before the mall is crawling with zombies and, eventually, pie-throwing bikers. Known as special effects wizard Tom Savini's breakthrough film, this one features lots of bullets, brains, and blood. Third is the lesser known Phantom of the Mall: Eric's Revenge, released in 1989. This lesser-known 80s slasher features a mall-roaming “phantom” who used to live on the land the new mall was built on. It's not a great movie, but it does feature a young and pre-MTV Pauly Shore which… well, doesn't make it any better, but does make it interesting. This movie contains lots of interior mall shots and even more bad actors. What's not to love?Rounding up this episode is one of my favorite films of all time, Chopping Mall. In this 1986 horror classic, a group of teens plan a sleepover inside a furniture store inside their local mall. Unfortunately for them, that same night lightning strikes the building which short circuits the robots and turn them into killbots! If yo always wanted to know what would happen if Johnny 5 went bad — no, like, really bad — this will let you know.Today's malls are nothing like they were back in the 1980s. If you want to see what they were like in their heyday, check out one of these films. Malls were full of lights, food, shopping… and apparently, lots of murder. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
Tripp Berlinsky may just just be the perfect combination of Seth Feider, Shaggy from Scooby-Doo & Spicoli from Fast Times at Ridgemont High. The crazy part is Seth js most likely the only name on that list that Tripp has even heard of! The 20 year old Florida angler is a sophomore at The University of North Alabama. He recently won the Bassmaster Collage Classic bracket punching his ticket to the Super Bowl of bass fishing. This week he joins the podcast and you are not going to believe what this college angler just did!
Tripp Berlinsky may just just be the perfect combination of Seth Feider, Shaggy from Scooby-Doo & Spicoli from Fast Times at Ridgemont High. The crazy part is Seth js most likely the only name on that list that Tripp has even heard of! The 20 year old Florida angler is a sophomore at The University of North Alabama. He recently won the Bassmaster Collage Classic bracket punching his ticket to the Super Bowl of bass fishing. This week he joins the podcast and you are not going to believe what this college angler just did!
In the second installment of John's conversation with Cameron Crowe about his new memoir, “The Uncool,” the Oscar-winning writer-director explores his relationship with legendary rock critic Lester Bangs (and casting Philip Seymour Hoffman to play him in “Almost Famous”); the previously unacknowledged teenage suicide of his elder sister and how it fed into the complex family dynamics that compelled him to spend much of his adolescence on the road with rock stars; the end of his career as a music journalist at age 21; how writing “Fast Times at Ridgemont High” helped Crowe reclaim his lost youth and opened the door to Hollywood; and how Tom Cruise convinced him not to cut the most famous line in "Jerry Maguire." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
More from the new book by Cameron Crowe! Here he talks about a tense scene between Sean Penn and actor Ray Walston during Fast Times at Ridgemont High!
(00:00-28:27) – Query & Company opens on a Hump Day Wednesday with Jake Query sharing his thoughts on the way the Indiana Fever went out last night against the Las Vegas Aces. James Boyd from The Athletic and Fan Morning Show joins the program from the Colts complex to provide an update on some injuries for the Colts, highlights some players that he’s interested to see how they bounce back from a poor outing against the Rams, and shares what the status of Adonai Mitchell for this week is. (28:27-41:03) – Indianapolis Indians President & GM, Randy Lewandowski, makes an appearance on the program to discuss the decision to change their logos and uniforms to honor the baseball heritage of the franchise. He explains the thought process that went behind designing the logos, why right now was the right time to do it, and teases some other things that they are working on. (41:03-49:32) – The first hour of the show concludes with Jake and Eddie discussing the job that Stephanie White did this season to even put the Fever in a position to advance to the WNBA Finals. (49:32-1:12:04) – Zach Osterman from the IndyStar joins Query & Company to discuss IU football and basketball. Jake asks Zach about what he has seen from Darian DeVries leading up to the start of the season and what type of style of basketball he wants to play. Zach also assesses if the Hoosiers can make the College Football Playoff with a loss at Oregon but recording a win at Penn State. Finally, Zach points out something he finds intriguing about next week’s game against Oregon. (1:12:04-1:21:53) – Earlier today, Shane Steichen was asked about Adonai Mitchell earning his spot for Sunday’s game against the Las Vegas Raiders and words versus actions with accountability. (1:21:53-1:34:05) – The one o’clock hour of the show concludes with Eddie asking Jake if the Adonai Mitchell situation is being completely overblown. Plus, he touches on last night’s game for the Fever. (1:34:05-2:01:03) – Sam King from the Lafayette Journal & Courier makes an appearance on the program to preview this weekend’s game for the Boilermakers against Illinois and give his perspective on how the team has grown game to game in Barry Odom’s first year. Sam also discusses what he has seen so far from Purdue basketball in some practices, evaluates all the different options that Matt Painter has with lineups, and how Painter operates in the early parts of the season in practices. (2:01:03-2:08:06) – Jake and Eddie discuss how the perception of Cubs fans has changed since they won the World Series. Jake also asks Eddie some questions about the MLB playoffs. (2:08:06-2:18:18) – Today’s show closes out with Jake and Eddie discussing Fast Times of Ridgemont High and JMV joining Jake Query in studio to preview his show!Support the show: https://1075thefan.com/query-and-company/See omnystudio.com/listener for privacy information.
Today, we are THRILLED to be joined by the brilliant Donick Cary! You may know and love his work on The Simpsons, which he served as a writer and co-executive producer of for four seasons! He also performed the same role for Parks & Rec, Bored to Death, and New Girl, and he directed the documentary Have a Good Trip, which came out in 2020. Donick's joining us to discuss his favorite movie -- a CLASSIC back-to-school flick -- Fast Times at Ridgemont High! Along the way, we chat about Amy Heckerling's brilliant subversion of the sex-comedy genre, first jobs, first times, and the absolutely STACKED cast of this 1982 romp! Head to our PATREON for ad-free episodes, video episodes, and more
Come back to 1982 when high school was totally awesome and the only thing people bothered "liking" was the restaurant where you worked. Fast Times set the stage for a slew of 80's teen films and helped define the Gen X mindset. Is it still gnarly? Or just explains why your dad scalps tickets? Bell has rung, Brains in session. You can also watch this, and many other episodes in full video on your YouTube channel: https://www.youtube.com/@TheFilmWithThreeBrains/videos
Amy Heckerling Go behind the lens with legendary director and writer Amy Heckerling as she delves into her iconic career in film and theater. In this captivating interview, Heckerling opens up about the creation of era-defining classics like Clueless and Fast Times at Ridgemont High sharing untold stories from the set and her experiences working with comedy greats. She provides a masterclass on the creative writing process, the unique challenges of transitioning from Hollywood films to stage productions, and the vital role of comedy in our cultural landscape. Heckerling also offers a sharp critique of the lack of respect for comedic films within the industry. This is a must-listen for film buffs, aspiring writers, and anyone who loves a great behind-the-scenes story filled with wisdom and wit. Chapters 00:00 Introduction and Guest Introduction 01:57 Amy Heckerling's Theatrical Experience 06:07 Directing Fast Times at Ridgemont High 15:38 The Cult Classic Johnny Dangerously 8:32 Writing Look Who's Talking 23:25 The Journey to Clueless 29:09 Working with Paul Rudd and Other Collaborations 31:03 Directing Comedic Legends 32:28 The Respect for Comedy in Film 33:23 Producing and Collaborating with Gilbert Gottfried MY SOCIALS ARE STILL NOT RESTORED!!!
This week on Totally 80s and 90s Recall, Dave, Rob, and Kurt are joined by special guests Brad and Sean to dive into the wild world of 1980s comedy movies with a March Madness–style 16-team bracket. From slapstick to satire, the guys break down some of the funniest and most quotable films of the decade, pitting classics head-to-head until only two comedies reigns supreme. Each matchup sparks laughs, heated debate, and plenty of nostalgia as the crew tries to decide which flick really captured the comedic spirit of the 80s. The bracket is stacked with heavy-hitters like National Lampoon's Vacation, Stripes, and Coming to America, each bringing its own brand of outrageous humor and iconic performances. But the competition doesn't stop there—parody powerhouses like Spaceballs square off against teen comedy staples such as Ferris Bueller's Day Off and Fast Times at Ridgemont High. The panel wrestles with tough questions: does a cult classic deserve to topple a box office giant? Should quotability matter more than critical acclaim? And just how much does nostalgia play into picking a true champion? With Brad and Sean stirring the pot and adding their own favorites into the mix, the bracket becomes a hilarious walk down memory lane. Whether it's Chevy Chase bumbling his way through family road trips, Eddie Murphy redefining comedy stardom, or Matthew Broderick convincing us to skip school in style, this episode is packed with laughter, debate, and plenty of “you had to be there” 80s moments. It's the ultimate comedy showdown, and only two films can survive the bracket madness! Pandora: https://www.pandora.com/podcast/totally-80s-and-90s-recall/PC:1001051135 Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694 Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408 Contact Us: Website: https://totally80s90srecall.podbean.com/ Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall
Degens Andy S and Brandon Bombay set the mood by putting on Side 1 of Zeppelin IV, so they can talk about the classic high school comedy 'Fast Times at Ridgemont High.' Bombay starts it off by remembering the time(s) he finished embarrassingly quickly just like Mike Damone when he got a chance with Jennifer Jason Leigh's Stacy. Then the fellas head over to the pool to chat about Phoebe Cates' legendary topless scene that broke VCRs throughout the '80s as being the most rewound scene in the home movie rental era. Besides the nudity, the film had plenty of laughs, and insights to offer about the teenage experience, and gets remembered for crude moments, but packs a wallop emotionally. Lost in the fray is the fact that this raunchy teen comedy written by a very young Cameron Crowe was directed by a woman. The guys relate to their own high school experience of skipping classes and working crappy retail jobs at the mall, and of course they make time for Sean Penn's surfer burnout Spicoli.
Send us a textIn this episode, Marty gives Clif the movie Fast Times at Ridgemont High to watch and Clif gives Marty the movie Fighting with My Family to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin
A Classic RISK! episode from our early years that first ran in July of 2013, when Trevor Noah and Robin Gelfenbien shared about scars they've healed from.
We're on vacation this week but enjoy this classic interview with Amanda Wyss from movies like Nightmare on Elm Street, Fast Times at Ridgemont High, Better Off Dead, Powwow Highway, Silverado, and The Id. She's also appeared in shows like Buck Rogers, Cheers, St. Elsewhere, Murder She Wrote, CSI, Diagnosis Murder, and Dexter. You can follow Amanda on Twitter @_amandawyss and on Instagram @amandawyss. Meantime, please help support this show by subscribing to our bonus content at Bobcescashow.com. Music by Bob Malone.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The “Rolex” of HS comedies. To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow
In honor of back-to-school season, Case tackles this 1982 classic. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.
Frankie and Golden J dive into the coming of age comedy movie that launch the careers of several actors and made all the young men wish they had a swimming pool that Lisa would come swim in. This week we are talking about Fast Time at Ridgemont High! www.goldenmojoent.com www.ko-fi.com/goldenmojoent As always find us on all your favorite streaming sites Linktree https://linktr.ee/thegoldenimage80s Follow us on our social media Facebook: https://www.facebook.com/profile.php?id=100092241900860 Youtube: Instagram: https://www.instagram.com/thegoldenimage80s/ Golden 80's hosted by Jeremy Golden and Brandon Taylor Nostalgia Tug hosted by Logan Cothran and Lance Menzie Produced and edited by Jeremy Golden and Lance Menzie Art by Esteban Gomez Reyes s https://instagram.com/esteban.gomezr?utm_medium=copy_link Theme music by REDproduction Golden 80's is a product of Golden Mojo Entertainment And here are some other great shows from Golden Mojo Entertainment MurdNerds Facebook: https://www.facebook.com/MurdNerds www.linktr.ee/murdnerds The Call Guys Facebook: https://www.facebook.com/theCallGuysPod www.linktr.ee/thecallguyspodcast The United States of Paranormal Facebook: https://www.facebook.com/theunitedstatesofparanormal www.theunitedstatesofparanormal.com Indiana Chiefs Fans Facebook: https://www.facebook.com/INChiefsFansPod Golden Image Podcast Facebook: https://www.facebook.com/GoldenImagePodcast www.linktr.ee/goldenimagepodcast A Court of Books and Booze Facebook; www.facebook.com/ACourtofBaB https://linktr.ee/acobab The Puck Yeah Podcast Facebook: https://www.facebook.com/profile.php?id=61566980128235 Gridiron Kingz Facebook: https://www.facebook.com/profile.php?id=61563283119317 #Goldenmojoentertainment #Goldenmojo #Goldenimage #Goldenimagepodcast #IndianaChiefsFans #TheUnitedStatesofParanormal #TheCallGuys #Murdnerds #ACourtofBooksandBooze #Music #Adventure #food #Wine #MiniGolf #spotifypodcast #applepodcast #podcast #80s #Golden80s
In this episode, we're diving into Loser (2000), the offbeat teen dramedy that tried to flip the college rom-com formula on its head. Directed by Amy Heckerling (Clueless, Fast Times at Ridgemont High) and starring Jason Biggs and Mena Suvari, Loser tells the story of Paul Tannek — a socially awkward but good-hearted guy navigating life at NYU, unrequited crushes, and toxic roommates. We'll unpack the film's portrayal of early 2000s youth culture, discuss its awkward charm and missed opportunities, and explore how it fits into Heckerling's broader filmography. Was Loser misunderstood at the time, or is it just that — a cinematic misfit that never quite found its crowd? Tune in as we revisit this quirky underdog story and see how it holds up 25 years laterIntro/Outro Music: "Phantom Fun" by Jonathan Boyle----Show E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.
Episode 249 of Tom Clark's 6M Podcast focuses on Fast Times at Ridgemont High. Tom Clark and Chris Patton watch the film in real time for this fun audio commentary, complete with backstage info and casting stories. Why are coming of age films still popular, and how was this film different from others of the same time period? Dive into that, and much more! Visit us at: https://boinkstudios.com Appreciate the content? Support the channel: https://buymeacoffee.com/tomclark Follow the 6M Podcast: Facebook: https://www.facebook.com/6mpodcast Instagram: https://www.instagram.com/6mpodcast/ Bluesky: https://bsky.app/profile/boinkstudios.bsky.social Listen to Boink Studios' Podcasts: Tom Clark's Main Event: https://podcasts.apple.com/us/podcast/tom-clarks-main-event/id910362334 Two Nations Under Ted: A Ted Lasso Podcast: https://podcasts.apple.com/us/podcast/two-nations-under-ted-a-ted-lasso-podcast/id16938703 © Boink Studios 2025
On this Tuesday edition of Sid & Friends in the Morning, Sid navigates a jam-packed show covering a range of topics, including the New York City mayoral race with Zohran Mamdani emerging as a divisive candidate within the Democrat Party. Sid discusses the implications of his Democratic primary win and its potential impact on the party and city, emphasizing fears over his socialist policies. Sid also covers the Senate's progress on President Trump's legislative "big, beautiful bill", and offers an in-depth update on P Diddy's trial for racketeering and sex trafficking. Sid & the crew also dip into 80s nostalgia, referencing classic movies like Fast Times at Ridgemont High and Caddyshack, offering a lighter touch to the otherwise intense political and legal discourse of the day. Brian Kilmeade, Curtis Sliwa, Bo Dietl, CB Cotton, Betsy McCaughey & Michael Goodwin join Sid on this Tuesday installment of Sid & Friends in the Morning. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, I discuss with author Bruce Handy his book " Hollywood High: A Totally Epic, Way Opinionated History of Teen Movies". From a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas's American Graffiti? And Lucas on John Singleton's Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century?Doug Hess is the Producer and HostFollow on Facbook @forgottenhollywood
Happy almost Flag Day, y'all but especially to you, Judge Reinhold. We're kicking off season 3 of Cage Match with a highschool sex romp barely featuring our boy, Nic. So join us while we bag on Sony Marvel movies and talk Dogma and occasionally praise Mr. Hand. This is Cage Match!Intro music by: Bill Panks
A few months ago, I was chatting with my sister and out of nowhere she asked me if I had done a Valley Girl podcast yet. She loves this movie and it has come up a few times over the years. I responded that I hadn't gotten to it yet and that I would get to it soon. I had actually tried to record it many years ago, in my first year or so of podcast, but I don't think I handled it well, and never released it. I felt a little guilty and so I decided that I needed to get a Valley Girl episode into the feed. I start the show talking about what it was like not having agency in what videos were rented in your house. Being the youngest, I was a little resentful at the time, but now I realize how much richer my life is because of all the movies I was exposed to that I never would have chosen. One of those is Valley Girl, which my sister rented for herself, but I was never one to shy away from new entertainment and I watched it as well multiple times. After I finished telling my story I move onto the film itself. I discuss how a Zappa song turned into a lawsuit that didn't derail a film that has often been described as Vall-sploitation. Other films in this genre were released, but non were as well-made and well-acted as this one. Then I talk about production, the case, the music, the reception, and much more. I am not sure why Valley Girl isn't more popular. Maybe its because its a little rough around the edges, but I find that charming. It, and movies lie, Fast Times at Ridgemont High, helped to establish tropes that other 80s films would borrow, and it deserves to be watched and celebrated.
Today I celebrate the 800th episode of Let There Be Talk. I can't believe it's been 13 years and 800 episode. Today I dive into listeners favorite episodes, The new Rock n Roll Hall Of Fame Inductees and The classic film Fast Times At Ridgemont High. I really appreciate the years and years of support. Don't forget to check out my new Stand Up Special 5836 on YouTube https://youtu.be/nbeaApu4OP0?si=iTkKLZyDIy8sBMhl Tour Dates - https://www.deandelray.com/tourdates Patreon - https://www.deandelray.com/patreon Thank You DDR
We're grabbing our Vans slip ons and heading to the mall as we kick off our Amy Heckerling series - Pod Times at Ridgemont Cast - with Fast Times at Ridgemont High. Fresh off her appearance in Sinners, actual high school friend of Griffin Newman Lola Kirke returns to the pod and things get pretty bogus. Like, David Lynch was supposed to direct this movie!!! David Sims has three performances from this on his 1982 Oscar Ballot! We develop sympathy for Mr. Hand! Griffin used to own a pair of fully black Converse sneakers! And, of course - Ben orders a pizza. Listen to An Evening with Belafonte/Makeba See Lola in Sinner and check out her other projects Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Did you think Script Apart was going to let the 30th anniversary of one of the most iconic teen films ever just pass us by? In the words of Cher Horowitz – “as if.” On today's episode, we're joined by Amy Heckerling, the writer-director who, three decades ago this summer, gave Jane Austen's Emma a Beverly Hills makeover to remember. You may also know her for Fast Times at Ridgemont High, Look Who's Talking and Vamps, but Clueless is the film that she's best-known for – a Nineties treasure trove of high school hilarity that's still beloved today. So much so that a musical adaptation, also written by Amy, just opened in London's West End. In the conversation you're about to hear, Amy tells Al about the spirit of kindness that runs through the movie. We get into the TV pilot for Clueless – then titled No Worries – that was turned down across Hollywood, and discuss what was going on in Amy's life at the time of writing Clueless. The story of the film is one of a sunny optimist named Cher who's ready to take on the world. For Amy, though, that was hardly the case as she wrote the hit comedy. “I was feeling very depressed, which is how most stories start,” she teased in an interview in 2016. In this episode, she tells us why. Support for this episode comes from Final Draft.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.
On Friday's Daily Puck Drop, Jason “Puck” Puckett is joined by Jim Moore, the Go-2-Guy from the side of the road in desolate eastern Oregon as Jim is on his way to see his kids in Pullman for Dad's Weekend. Puck and Jim try to cram in as much as they can before Jim's internet will finally give out! Jim is bothered that Emerson Hancock was sent down to the minors for Luis F. Castillo and he's bothered that the Mariners PR department has come up with a bunch of unique factoids with both Castillo's pitching back to back. The Masters begins next week and Puck and Jim chat about the Puck the Picker Majors Pool that is Puck's season long golf pool that includes the grand prize for a night stay and two rounds of golf at Gamble Sands! Puck claims he can beat Jim in Horse and they have wagered $100 bet when Puck comes down to Bend for Memorial Day. No Friday show would be complete if it didn't include Friday Voicemails. On this weeks edition we hear from Spicolli from fast Times at Ridgemont High and his thoughts on the Mariners and Geno Smith from Las Vegas. After Jim's internet finally dies out, Puck announces a new podcast produced by PuckSports.com and it involves two Seattle sports radio legends, Groz and Gas. The new podcast, Groz with Gas Take 5 will be released every Monday at noon on all platforms including YouTube, Apple and Spotify and you can find their full catalog of shows at PuckSports.com. Puck also has his weekly interview with The Scout, an anonymous MLB scout with 30+ years in the game. They talk about the M's struggles offensively, Emerson Hancock, JP/Garver hitting issues, torpedo bats and is Julio truly a superstar? Lastly, “Hey, What the Puck!?” What is Ja Morant doing? Does he not get it?(2:26) Puck and Jim (37:35) Friday Voicemails (46:38) Groz with Gas Take 5 Promo (53:28) The Scout, current MLB scout (1:18:03) “Hey, What the Puck!?”
Rob and the Chernin brothers love a good high school movie! “Always Sunny” writers and “Incoming” filmmakers Dave and John Chernin join Rob Lowe to discuss their new high school comedy film on Netflix, their admiration for Danny DeVito, Rob's classmate who might have inspired Sean Penn's character in “Fast Times at Ridgemont High,” other projects featuring the “Always Sunny” bar (including “St. Elmo's Fire”), bone-fishing with Marlon Brando's son, and much more! Got a question for Rob? Call our voicemail at (323) 570-4551. Your question could get featured on the show!