Podcasts about cinecitta

Tim Robinson (of I Think You Should Leave fame) hits the big screen in Andrew DeYoung's feature debut. He's becoming buds with Paul Rudd, but don't call it a bromance – call it ‘Friendship.' We've got a friend of our own joining us: comedian Michelle Biloon. After the movie chat, we'll discuss some memorable drug trip/fever dream movie sequences. What's GoodAlonso - Season 2 of Poker FaceDrea - Bentonville Film Festival Lineup AnnouncedMichelle - free airplane gin secondsKevin - Jill Sobule's musicITIDICCatholic Cardinals Reportedly Consulted ‘Conclave' Film Ahead of Vote for Next PopeCinecittà on Track to Build the Biggest One-Stop-Shop in EuropeMilestone Films Will Be Given AwayStaff PicksAlonso - I Love You ManDrea - Queen of the RingMichelle - Nice Girls Don't ExplodeKevin - Avengers: EndgameAvengers: Engame audience reaction videoMichelle's albums are:Permanent HatYou Can Be an Asshole Follow us on BlueSky, Facebook, or InstagramWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

On connait les studios Cinecitta, en Italie, et le Royaume-Uni possède les studios de Pinewood. Depuis des années, la France a accumulé du retard, voilà qui est en train de s'arranger avec la naissance de nouveaux lieux entièrement dédiés aux tournages de cinéma ou pour la télé. Visite du Paris-Bis, dans les studios TSF de Coulommiers et les futurs studios de cinéma, lieu de formation et recyclerie de Sarlat en Dordogne. Dans "Tout savoir sur", du lundi au vendredi, la rédaction de RTL revient sur un fait marquant de l'actualité avec les reporters, les correspondants et les experts de RTL.

On connait les studios Cinecitta, en Italie, et le Royaume-Uni possède les studios de Pinewood. Depuis des années, la France a accumulé du retard, voilà qui est en train de s'arranger avec la naissance de nouveaux lieux entièrement dédiés aux tournages de cinéma ou pour la télé. Visite du Paris-Bis, dans les studios TSF de Coulommiers et les futurs studios de cinéma, lieu de formation et recyclerie de Sarlat en Dordogne. Dans "Tout savoir sur", du lundi au vendredi, la rédaction de RTL revient sur un fait marquant de l'actualité avec les reporters, les correspondants et les experts de RTL.

On connait les studios Cinecitta, en Italie, et le Royaume-Uni possède les studios de Pinewood. Depuis des années, la France a accumulé du retard, voilà qui est en train de s'arranger avec la naissance de nouveaux lieux entièrement dédiés aux tournages de cinéma ou pour la télé. Visite du Paris-Bis, dans les studios TSF de Coulommiers et les futurs studios de cinéma, lieu de formation et recyclerie de Sarlat en Dordogne. Dans "Tout savoir sur", du lundi au vendredi, la rédaction de RTL revient sur un fait marquant de l'actualité avec les reporters, les correspondants et les experts de RTL.

Der Park: Cinecittà World Die Bahnen: Altair Inferno

Charlie and Natalie Jenner (Every Time We Say Goodbye) discuss the war years and 1950s Italian film industry and the Vatican's authority over it, changing working practices after being accused of discrimination, and including still-living celebrities in your book. A transcript is available on my site General references: I talked to Natalie about her previous book, Bloomsbury Girls, in episode 65 Day For Night Quo Vadis Umanità Nine Summertime Three Coins In The Fountain Roman Holiday A similar quote of Kurt Vonnegut's is "Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages." I talked to Liz Fenwick about the map girls in episode 100 Natalie's Instagram post on Ray Holland The Prince Of Foxes Natalie's episode on chapters 7-9 of Pride And Prejudice for the Rosenbach Library Books mentioned by name or extensively: Charles Dickens: Our Mutual Friend Charles Dickens: A Tale Of Two Cities Edward Bulwer-Lytton: The Last Days Of Pompeii Henry James: The Portrait Of A Lady Jane Austen: Pride And Prejudice Jane Austen: Emma Joe Klein: Primary Colors Natalie Jenner: The Jane Austen Society Natalie Jenner: Bloomsbury Girls Natalie Jenner: Every Time We Say Goodbye Natalie Jenner: Austen At Sea Sophia Loren: Yesterday, Today, Tomorrow My Life Zadie Smith: The Fraud Zoe Wheddon: Jane Austen's Best Friend Buy the books: UK || USA Release details: recorded 11th April 2024; published 9th September 2024 Where to find Natalie online: Website || Twitter || Instagram Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 00:01:52 The different inspirations for the book - old films, Natalie's character Vivian from her previous book, Bloomsbury Girls, the WW2 refugees that lived at the Cinecittà movie studies and then used as extras (this turns into a longer discussion) 00:10:58 More about Cinecittà itself 00:13:08 The Vatican's past authority over the Italian film industry 00:17:59 How Natalie researches her books, and her love of Rome 00:29:30 John Lassiter, urgh! 00:34:20 The importance of Tabitha's story and how a reader's criticism changed how Natalie wrote 00:38:25 La Scolaretta and the stafetta - the young women messengers and assassins in WW2 Italy 00:44:45 Natalie's knowing, and the life of, Ray Holland, film-maker Jack Salvatori's son 00:52:28 Writing as characters celebrities who are still with us, with a focus on Sophia Loren 00:59:16 All about Natalie's forthcoming next book, Austen At Sea, which Charlie reckons will end up being her favourite of all Natalie's books 01:08:59 Natalie tells us why she likely won't write about Jane Austen herself Disclosure: If you buy books linked to my site, I may earn a commission from Bookshop.org, whose fees support independent bookshops

After Italian producers balked at director Enzo Castellari's idea to remake The Dirty Dozen, he raised the money himself and hired American B-movie titans Bo Svenson and Fred Williamson to lead a group of military prisoners across Nazi German territory (really the backlots of Cinecitta and surrounding areas) on a trek to freedom into Switzerland.  In 1978's The Inglorious Bastards, Castellari uses all the staples of Italian 70's schlock cinema (boobs, blood and bad dubbing) to great effect in this rousing and silly war film.   Dan and Vicky discuss the film that so inspired Quentin Tarantino he bought the rights to the title to use for his own 2009 Nazi war film.  Along the way, you'll get conversations on saving movie theatres, Sip and Paint and 80's actress Lisa Eilbacher as well as find out what a Disney bitch is (hint: Vicky is one).  You'll also hear talk of some recently seen like Beverly HIlls Cop: Axel F, The Seven Samurai in 4K, A Quiet Place: Day One, Will and Grace reruns and Fly Me To The Moon.  Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Nous sommes le 26 janvier 1936. A Rome, au sud-est de la ville, sur un immense terrain vague qui longe la via Tuscolana Le soleil brille et le Duce, Benito Mussolini en personne, est venu poser la première pierre d'un vaste ensemble immobilier. Le leader toujours soucieux de laisser une place dans l'histoire est applaudi par la foule. Qu'est-il venu faire dans cet endroit sinistre, suivi de son aéropage culturel ? Tout simplement lancer la construction d'un complexe monumental devant comprendre une douzaine de plateaux de cinéma et des installations techniques ultramodernes. Une petite ville dans la ville ! « Un Hollywood sul Tevere », comme l'écrira la presse fasciste et servile, un Hollywood sur le Tibre. Le Duce est venu assister à la naissance de Cinecitta. Cinecitta qui, passé cette sinistre époque, écrira les plus belles pages du septième art italien dont nous allons retracer les grandes étapes. Invité : Georges Ayache « Le cinéma italien, appassionato » aux éditions du Rocher. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:58:10 - Marcello Mastroianni, l'acteur aux mille visages (1/3) : Italie, années 1960 - par : Thierry Jousse - En contrepoint de la sortie du dernier film de Christophe Honoré, Marcello Mio, Ciné Tempo vous invite à Cinecitta dans les années 1960, en compagnie d'une légende, Marcello Mastroianni. Fellini, Rota, Antonioni, De Sica sont de la partie…

Mutter von Peggy fordert Schmerzensgeld + Stadtrat stimmt für Frankenschnellweg-Ausbau + Aktionstag der IG Metall in Schweinfurt + Prozessauftakt nach Attacke gegen FCN-Fans + Gigabit-Förderbescheide für fränkische Kommunen + Polnische Filmwoche im Cinecitta

durée : 00:27:34 - Le Feuilleton - En avril 1949, Otto Wächter arrive à la gare de Rome sous un faux nom et sans un sou. Grâce à l'appui de Monseigneur Hudal, il prépare son exfiltration en Amérique du Sud.

durée : 00:27:34 - Le Feuilleton - En avril 1949, Otto Wächter arrive à la gare de Rome sous un faux nom et sans un sou. Grâce à l'appui de Monseigneur Hudal, il prépare son exfiltration en Amérique du Sud.

The writer and podcaster Will Sloan is back for a show about Burt Reynolds, who started the eighties as the most popular movie star in America but who by the end of the decade was consigned to a series of B-movies that asked less and less of him, in the years before his unexpected mid-nineties comeback in Boogie Nights (a film he hated even though he won awards and nominations for his performance). We discuss several of his eighties projects with a particular focus on four of them: his best film as a director, 1981's Sharky's Machine, his botched 1986 downbeat Vegas drama Heat (originally a Robert Altman project with a screenplay from the great William Goldman), 1987's Malone (basically a remake of Shane, shot in British Columbia with a stacked supporting cast) and his nadir, the tired 1987 romantic comedy-thriller Rent-A-Cop (co-starring Liza Minnelli in her first film out of rehab, set in Chicago but filmed at Cinecitta studios in Rome). As his career declined Burt looked increasingly checked-out as a movie star, but these films are fun to watch and talk about, especially since Heat and Malone in particular are almost very good movies despite themselves. Along the way we discuss Burt's short-lived discotheque in Atlanta, Marlon Brando's pathological hatred of him, and the injuries Reynolds sustained on the set of City Heatthat left him with an addiction to painkillers that sparked health rumours in the early days of the AIDS crisis. Plus Will talks about his new project The Journal of Stoogeological Studies: An Unauthorized Three Stooges Fanzine. Follow Will Sloan on Twitter and subscribe to his great podcasts The Important Cinema Club and Michael and Us. You can order The Journal of Stoogeological Studies: An Unauthorized Three Stooges Fanzine here. Heat, Malone and Rent-A-Cop are currently available to watch on Tubi. 35mm open matte trailer for Sharky's Machine (Reynolds, 1981)

Luca was born in a little town in the north of Italy, Castelfranco Veneto, 30 minutes far from Venice. After high school, he moved to Milan to study communication at the University without an exact idea of what I wanted to become.  Luca became an assistant to a television director who was managing some live broadcast shows for SKY Italy and wanted some help. After the first tv gigs, Luca learned to operate the camera, consequently the mayor editing systems to finally be able to create my own contents.  In Milan Luca worked for a photo studio where he was filming behind the scenes of important film sets and  started to collaborate with a press agency as a documentarian. That was the company that sent him to L.A. where he settled since 2008. After a fortunate meeting with Dino De Laurentiis, he was sent to Cinecitta' for my first gigs in the actual film industry where he kept working still as a behind the scenes director on some of the major blockbusters of the following year and opened his own production company. Luca and his team have worked on three feature projects so far, entirely produced by his company, LSPG.

Magicien, chef d'orchestre, manipulateur, dompteur...tous ces mots pour parler de Federico Fellini au travail. C'est que Fellini avait carrément élu domicile au Studio 5 de la CineCitta, où s'agitait joyeusement « la grande parade » de personnages hauts en couleur qui traversent tous ses films. Fellini avait développé des relations d'amitié profondes avec ses collaborateurs les plus proches, qui l'accompagneront de film en film : les scénaristes Pinelli, Flaianno, et Tonino Guerra, le décorateur et costumier Piero Gherardi, ses fidèles acteurs Marcello Mastroianni ou Giulietta Massina, et surtout, celui qu'il désignait comme son collaborateur préféré, le musicien Nino Rota. Réalisation Alexandra Longuet. Avec Dominique Dellouche, le musicologue Gilles Rémy, Sam Stourdzé, Gilbert Salachas, et encore Mastroianni, Fellini, Pinelli, et Magali Noël. Photo : Federico Fellini et Marcello Mastroianni 1960 pour 'La Dolce Vita' (Keystone/Getty Images) Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Shakespeare this week - find out just how nerdy our childhoods were when it came to the Bard. We're so annoying we call him the Bard.Follow the Show @freshmoviepodFollow Chelsea @ChelseathepopeFollow Victoria on Letterboxd: https://letterboxd.com/vicrohar/Email the Show abreathoffreshmovie@gmail.comShop the Store: http://tee.pub/lic/bvHvK3HNFhk Show Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel  

This week Victoria and Bri watched Joseph Mankwicz's technicolor drama THE BAREFOOT CONTESSA. Ava Gardner and Humphrey Bogart play platonic opposites in this cynical take down of Hollywood.Follow the Show @freshmoviepod Follow Bri on Instagram: https://www.instagram.com/brindianajones/ Follow Victoria on Letterboxd: https://letterboxd.com/vicrohar/Email the Show abreathoffreshmovie@gmail.comShow Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel Shop the Store: http://tee.pub/lic/bvHvK3HNFhk

About Mark Cousins Mark is a Northern Irish-Scottish filmmaker and writer. His themes are the inspiring power of cinema, cities, walking, childhood, archives and recovery. At the start of his career he made TV documentaries on childhood, neo-Nazism and Mikhael Gorbachev. In the mid 90s he and the Edinburgh International Film Festival showed films in Sarajevo to support its besieged citizens. His first book was Imagining Reality: The Faber Book of Documentary (“Indispensible” - Times Literary Supplement). His 2004 book The Story of Film was published around the world. The Times called it “by some distance the best book we have read on cinema.” Its latest edition was published in October 2020. His 930 minute film, The Story of Film: An Odyssey (“The place from which all future film revisionism should begin” - New York Times), played in the major film festivals and cinemas, and has had an influence on film education. Michael Moore gave it the Stanley Kubrick Award, it won the Peabody Award, was BAFTA Scotland nominated, and received other prizes. In 2021 he added a sequel film, The Story of Film: A New Generation. It premiered as the launch film of Cannes, was called “poetry in motion” by the Hollywood Reporter, and “the soul of the festival” by Cannes director Thierry Frémaux. Empire magazine called it “a poetic opus” and it was nominated for Grierson award. Cousins' first feature documentary, The First Movie, about kids in Kurdish Iraq, won the Prix Italia. It was inspired by growing up in the Troubles in Northern Ireland and his passionate interest in the role cinema can play in kids' lives. In 2012 he was nominated for the London Awards for Art and Performance and the Screen International award. He was guest curator at the Eye Cinematheque in Amsterdam. His next feature film, What is this Film called Love?, played in 20 countries, at the ICA in London, and was nominated for Best Director by BAFTA Scotland. PJ Harvey called it “revelatory and inspiring”. The rock band Maximo Park wrote a song inspired by it. In 2013 he completed Here be Dragons, a film about the vital role of film archives, especially one in Albania. It won the main prize in the Romania Film Festival. In the same year he made A Story of Children and Film, which was in the official selection in Cannes. He curated Cinema of Childhood, a series of 17 films which toured the UK and Ireland for a year and was supported by the BFI. He received the Visionary Award in Traverse City and the Saltzgeber Prize at the Berlin Film Festival. Then he made Life May Be, co-directed with Iranian filmmaker Mania Akbari, and 6 Desires, an adaptation of DH Lawrence's book Sea and Sardinia. Life May Be was noted for its feminism and innovation and was called “transcendent and extraordinarily delicate”. It won the Don Quixote prize. 6 Desires: DH Lawrence and Sardinia, in which Jarvis Cocker plays the voice of DH Lawrence, had its world premiere at the London Film Festival and its international premiere at Sundance. Cousins had his first retrospective at the Wroclaw film festival. Others have followed in London, Thessaloniki, Finland and Geneva. Cousins' The Oar and the Winnowing Fan was a takeover of the DazedDigital website. His I am Belfast was his first full feature about Northern Ireland. It was released by the BFI. Variety compared it to the great director Dziga Vertov. His BBC/BFI film Atomic, a collaboration with the band Mogwai, played in Hiroshima, near Chernobyl and Coventry Cathedral and at the Edinburgh International Festival. He curated a season of films for the Romanian Cultural Institute and made a fiction film, Stockholm My Love, (starring Neneh Cherry, released by BFI). He completed Bigger than The Shining, a secret project, showable only in underground circumstances, and wrote The Story of Looking (“Like a wise man looking at the stars”, the Guardian; “Brilliant” the New York Times). It was nominated for the Saltire Award for best non-fiction book. Cousins' The Eyes of Orson Welles world premiered in Cannes and received rave reviews. His 2 hour, four-screen Storm in My Heart is about Hollywood sexism and racism. His 14 hour film Women Make Film premiered at the Venice, Toronto and Telluride film festivals, is narrated by Jane Fonda, Sharmila Tagore, Debra Winger, Adjoa Andoh, Kerry Fox and Tilda Swinton, and is showing in many countries. The Times called it “Exquisite, emotionally resonant and intellectually unassailable. Pure poetry.” It won the European Film Academy's inaugural Innovative Storytelling award, and has led to the restoration of a series of films directed by women. Two more recent films are The Storms of Jeremy Thomas, about the legendary film producer – which premiered in Cannes 2021 and won the best documentary in Spain's Dias De Cine - and The Story of Looking, in which he filters the history of looking through his own eye operation. Time Out called it “A rich cinematic journey into the art of seeing and how it connects us with culture, ourselves and each other.”  It won the Best Non-Fiction Film award at the Seville Film Festival. Cousins recently completed My Name is Alfred Hitchcock and The March on Rome, an Italian Palomar production about Mussolini and Fascism, part-shot in Cinecitta in Rome and starring Alba Rohrwacher. The latter premiered at the Venice film festival, was called “entirely arresting” by the Guardian, won the audience award for Best International Documentary in Brazil, and was nominated for a European Film Academy Award. The former premiered at the Telluride film festival. In 2022, his films were the subject of a multi screen film installation, Passé Présent Futur, at the huge Plaza cinema in Geneva, and had a retrospective at the Biograf film festival in Bologna. He premiered his first art installation, Like a Huge Scotland, at teh Fruitmarket gallery, Edinburgh, and – along with Cate Blanchette and Sarah Polley - was given the Outstanding Contribution to Cinema medal at the Telluride Film Festival. Cousins has honorary doctorates from the Universities of Edinburgh and Stirling, is Honorary Professor of film at Queen's University, was co-artistic director of Cinema China and did The Ballerina Ballroom Cinema of Dreams and A Pilgrimage, with Tilda Swinton. He and Swinton also ran The 8 ½ Foundation, a two year event which created a movie birthday for children. It was nominated for the Human Rights Award. He was chair of the Belfast Film Festival and Docs Ireland. He was recently given Portugal's Aurelio de Paz dos Reis international award for Outstanding Contribution to Cinema (2019), and the British Association of Film, Television and Screen Studies Outstanding Achievement Award for his work in screen education (2020). Mark's roles in filmmaking, education and advocacy have widened and deepened with the years. He was an early adopter of small cameras and new technology to evolve a business model for filmmaking which was sustainable, international and creatively free. He has walked across Los Angeles, Belfast, Moscow, Beijing, London, Paris, Berlin, Dakar and Mexico City. He drove from Edinburgh to Mumbai, and loves night swimming.     Mark's Info https://twitter.com/markcousinsfilm https://www.womenmakefilm.net/  

Un père journaliste, une mère librairie, un frère écrivain… Dans la famille Toussaint la culture est mise plus haut que tout. Le cinéma personne n'y touchait. Peut-être Anne-Dominique pouvait-elle faire sa place sur ce terrain vierge qui deviendrait le sien? Après des études d'Histoire Médiévale (avec Umberto Eco) et un stage dans le cinéma (à Cinecitta) -car c'est ainsi qu'elle fonctionne : autant côtoyer le meilleur- elle a, assez vite, lancé Les Films des Tournelles qui deviendrait sa “boite de prod'”. Visionnaire, courageuse, curieuse, cette productrice sensible est à l'origine de nombreux succès comme “Caramel” de Nadine Labaki, “Les Beaux Gosses” de Riad Sattouf, ou encore, très récemment, “L'Innocent” de Louis Garrel. À côté de cette activité dense et riche, elle a créé, avec "La Galerie Cinéma", une “cour de récréation” exigeante où réalisateurs, acteurs, photographes, habitués du 7ème art s'expriment par d'autres moyens.

De vierde aflevering van het derde seizoen van Cinepraatjes, de podcast van Cinemaatjes. Samen met Ruud en Thierry vormden we het team Quiz Kwistofferson en deden we mee aan de filmquiz ‘De Filmste Mens' van Cinecitta. Het grootste nieuws dat we hebben, is dat we geen nieuws meer gaan bespreken, maar William wil nog wel iets leuks melden wat hij heeft gehoord. William keek op Netflix naar de Kevin Smith film ‘Clerks III', maar echt heel vrolijk werd hij daar niet van. JP keek de nieuwste film van Darren Aronofsky ‘The Whale' met een prachtige performance van Brendan Fraser. William is benieuwd of JP als niet-gamer inmiddels al aan ‘The Last Of Us' is begonnen en wat hij daarvan vindt. We trekken een slasher-film uit de VHS-kast, die JP heeft aangeschaft vanwege het feit dat de hele film op de achterkant van de hoes wordt beschreven, inclusief het einde. We verklappen niet welke film het is, want we hangen er een prijsvraag aan vast waarin je daadwerkelijk kaartjes van de film kunt winnen, die wij in onze Special bespreken. We gingen namelijk weer eens naar de bioscoop en keken de film ‘Cocaine Bear', een ware B-film met een jaren 80 vibe. En we beantwoorden weer vragen van luisteraars over o.a. de favoriete films van onze ouders, onze top 3 van zombie-films, films waar we vroeger idolaat van waren en nu niets meer mee kunnen, underrated regisseurs, onze stickers en welke slasher villain ons mag omleggen.

Den sista pusselbiten Vi bjuder in författaren, musikern och den gamle dokusåpakändisen Daniel Ekeroth för att prata om samlandet som heltidssyssla, besatthet och förbannelse. Det blir ett samtal om favoritfilmlandet Italien, men också om kamratskap, uppoffringar och tveksamma prioriteringar. Tomas inser att vi - alltså Vargtimmen - måste bli bättre på att bortse från sådant som skådespeleri och manus om vi ska lära oss uppskatta italiensk film lite mer på djupet och Lars frågar sig om vi verkligen måste det. Vi pratar också om: dokusåpan Baren, den lössläppta filmmarknaden i Holland, Grekland och Danmark, loppisarnas loppis Porta Portese i Rom, Star Video, General Video, Cosmo Video, Sylvester Stallones son som eventuellt dammsög Rom på filmposters i slutet av 90-talet, Esselte Video, Blocket, Video Ferox, fanzinet Black, Hemvideo, New York Ripper, Cinecitta, Benito Mussolini, små rackarns bilar, The  French Connection, The Night of the Living Dead, Dawn of the Dead, Mad Max, Escape from New York, Che Guevara, Nationalteatern, Blå Tåget, Torkel Rasmusson, Hajen, Abba, Kiss, Destroyer, Svenska Mad, E.T, Ozzy Osbourne, Diary of a Madman, videobutiken Dixie Ljud och Bild i Uppsala, Alien 2: On Earth, Alien Contamination, Studio S, Cannibal Holocaust, Times Square Preachers, Diskonto, Salong Finess, Dellamorte, Entombed, Dia Psalma, Violent Italy, Jesus Pettersson, Video Invest, filmsamlarträffarna i Sala, Orgier i Tredje Riket, Dödskommendantens kvinnoläger, Giallo a Venezia, Thriller, VTC, Video Tape Center, Videomannen, Anders Björler, At the Gates, Stefan Sauk, Swedish Death Metal och King Crimson. Snacket fortsätter bakom Patreon-väggen där Daniel Ekeroth DJ:ar bra och lite mindre bra filmmusik direkt från backarna i sin nyöppnade skiv- och filmbutik Tamara Records i Johanneshov. Fokus: Italien. Nostalgi, löst tyckande och akademisk analys.

Historiquement Vôtre réunit 3 paparazzis : le Romain Tazio Secchiaroli et ses clichés volés de star de la Cinecitta, l'un des tout premiers en Italie qui a même inspiré Federico Fellini pour sa "Dolce Vita". Puis, celui qu'on a surnommé Weegee aux Etats-Unis, un photographe qui a sillonné les bas-fonds de New York pour en documenter sa face obscure, celle du crime et des règlements de comptes, avec une seule arme : son appareil photo, et un flash pour montrer ce que la nuit ne montre pas ! Et celui qui est considéré aujourd'hui comme le paparazzi le plus influent d'Amérique avec son site people TMZ, ses chantages et ses pots de vin : Harvey Levin.

Historiquement Vôtre réunit 3 paparazzis : le Romain Tazio Secchiaroli et ses clichés volés de star de la Cinecitta, l'un des tout premiers en Italie qui a même inspiré Federico Fellini pour sa "Dolce Vita". Puis, celui qu'on a surnommé Weegee aux Etats-Unis, un photographe qui a sillonné les bas-fonds de New York pour en documenter sa face obscure, celle du crime et des règlements de comptes, avec une seule arme : son appareil photo, et un flash pour montrer ce que la nuit ne montre pas ! Et celui qui est considéré aujourd'hui comme le paparazzi le plus influent d'Amérique avec son site people TMZ, ses chantages et ses pots de vin : Harvey Levin.

BARBARA GORETTI - CINECITTA UN PATRIMONIO APERTO - presentato da BARBARA SORRENTINI

BARBARA GORETTI - CINECITTA UN PATRIMONIO APERTO - presentato da BARBARA SORRENTINI

durée : 00:27:34 - Fictions / Le Feuilleton - En avril 1949, Otto Wächter arrive à la gare de Rome sous un faux nom et sans un sou. Grâce à l'appui de Monseigneur Hudal, il prépare son exfiltration en Amérique du Sud.

Alex Bee and Alpha from Vienna present you easy, sleazy rare Easy Listening, Lounge, Garage, Space-Age Pop Beat tracks from their archives. The shows are always selected and moderated. They both run Easy Grooves Radio on www.easygroovesradio.com since Dec. 2020 Thanks for support! Follow their shows on https://hearthis.at/easy-grooves-radio-bo/ Easy Grooves Radio is bringing you rarities of Easy Listening, Lounge, Space Age Pop & Movie Soundtracks of the 60s and 70s each day and night at https://www.easygroovesradio.com . Follow our Podcasts: Apple Podcast https://podcasts.apple.com/at/podcast/easy-grooves-radio-ultimate-in-easy-listening-lounge/id1552007807 Spotify: https://open.spotify.com/show/6I7snSyhobYzKKkPMqljcu Deezer: https://deezer.com/show/2629322 Follow us on Facebook: https://www.facebook.com/easygroovesradio or join our group: https://www.facebook.com/groups/2550013901963430 Follow us on Twitter: https://twitter.com/EasyGrooves Follow us on Instagram: https://www.instagram.com/easygrooves/ Follow our Youtube Channel: https://www.youtube.com/channel/UCgSTpgMimtlGR8aw5Zm_fRg/videos?view_as=subscriber Follow our Podcasts and shows on https://hearthis.at/easy-grooves-radio-bo/ Be our Patreon and get early previews and exclusive tunes and gifts for your support! https://www.patreon.com/easygrooves Linktree https://linktr.ee/easygroovesradio Thank you for watching or listening! Keep and eye on our website: www.easygroovesradio.com

En 1991 nace Blas Cantó y ese mismo año Sergio Dalma actúa en Eurovisión.En esta edición le toca a Blas Cantó con "Voy a Quedarme" y hace justo 30 años, en 1991 el peso estaba sobre Sergio Dalma, cuando Blas estaba a punto de nacer.Se cumplen tres décadas ya desde que Sergio Dalma representara a España en la XXXVI edición del Festival de la Canción de Eurovisión con "Bailar Pegados".Aquel fue un certamen emocionante para el público español. Aunque durante la primera mitad del tiempo de recuento de votos, Sergio Dalma aparecía como ganador, finalmente hubo que conformarse con el 4º puesto, sumando 119 puntos. Un resultado realmente envidiable, visto desde el presente, a la espera de lo que suceda en Roterdam este sábado.Fue el sábado 4 de mayo de 1991. En los estudios Cinecitta de Roma, en una edición presentada por Gigliola Cinquetti y Toto Cotugno. Él era el ganador italiano de la edición anterior con el tema "Insieme:1992" y ella lo hizo en 1974 con "No tengo edad".En aquella edición hubo empate entre Suecia y Francia, pero según el reglamento del festival, se desempata con el que más puntuaciones de 12 puntos acumule. De este modo, Suecia se llevó el premio con el tema «Fångad av en stormvind» de Carola Häggkvist.A...

En 1991 nace Blas Cantó y ese mismo año Sergio Dalma actúa en Eurovisión.En esta edición le toca a Blas Cantó con "Voy a Quedarme" y hace justo 30 años, en 1991 el peso estaba sobre Sergio Dalma, cuando Blas estaba a punto de nacer.Se cumplen tres décadas ya desde que Sergio Dalma representara a España en la XXXVI edición del Festival de la Canción de Eurovisión con "Bailar Pegados".Aquel fue un certamen emocionante para el público español. Aunque durante la primera mitad del tiempo de recuento de votos, Sergio Dalma aparecía como ganador, finalmente hubo que conformarse con el 4º puesto, sumando 119 puntos. Un resultado realmente envidiable, visto desde el presente, a la espera de lo que suceda en Roterdam este sábado.Fue el sábado 4 de mayo de 1991. En los estudios Cinecitta de Roma, en una edición presentada por Gigliola Cinquetti y Toto Cotugno. Él era el ganador italiano de la edición anterior con el tema "Insieme:1992" y ella lo hizo en 1974 con "No tengo edad".En aquella edición hubo empate entre Suecia y Francia, pero según el reglamento del festival, se desempata con el que más puntuaciones de 12 puntos acumule. De este modo, Suecia se llevó el premio con el tema «Fångad av en stormvind» de Carola Häggkvist.A...

"I can use costume to represent a movement of the soul"  Daniela Ciano is an Italian costume designer, best known for her collaboration with Paolo Sorrentino on Il Divo and Academy Award Winner The Great Beauty. In this episode, Daniela Cianco tells us how she became a costume designer (0:55), and what she learned from her mentor Piero Tosi (6:57). She also discusses how director Paolo Sorrentino and her met (11:18) and shares her creative process on Il Divo (13:02) and The Great Beauty, both with actor Toni Servillo, portraying two very different characters. She then shares her experience working with Wim Wenders for a Persol retro commercial (25:48) and as a member of European Film Awards and Academy Awards jury member (29:10). We end this talk evoking her favorite costumes (37:15), what she likes most about her profession (39:30) and the projects she'd like to work on later on (40:26). Click here to join Profession : costumière on Instagram  A podcast created by Céleste Durante 

Η προφορική μαρτυρία του Νίκου Μπιλιλή είναι πραγματικά ένα πολύτιμο τεκμήριο που φέρνει στο φως άγνωστα γεγονότα αλλά και πολύτιμες πληροφορίες για την κοινωνική ιστορία της πόλης στη μέγγενη δύο παγκοσμίων πολέμων. Ο παλαίμαχος κινηματογραφιστής διαθέτει σήμερα την πλουσιότερη ιδιωτική συλλογή κινηματογραφικών φιλμ, ιδιαίτερα μάλιστα της δεκαετίας του 1940, φιλμ από την περίφημη ιταλική εταιρεία παραγωγής Cinecitta, φιλμ από τη συλλογή της Pathe αλλά και φιλμ που ο ίδιος τράβηξε με μία αυτοσχέδια μηχανή λήψης που κατασκεύασε σε συνεργασία με τον Ιζάκ Σεγούρα.

Alex Bee and Alpha from Vienna present you easy, sleazy rare Easy Listening, Lounge, Garage, Space-Age Pop Beat tracks from their archives. The shows are always selected and moderated. They both run Easy Grooves Radio on www.easygroovesradio.com since Dec. 2020 Thanks for support! Follow their shows on https://hearthis.at/easy-grooves-radio-bo/ Easy Grooves Radio is bringing you rarities of Easy Listening, Lounge, Space Age Pop & Movie Soundtracks of the 60s and 70s each day and night at https://www.easygroovesradio.com . Follow our Podcasts: Apple Podcast: https://podcasts.apple.com/at/podcast/easy-grooves-radio-ultimate-in-easy-listening-lounge/id1552007807 Spotify: https://open.spotify.com/show/6I7snSyhobYzKKkPMqljcu Follow us on Facebook: https://www.facebook.com/easygroovesradio or join our group: https://www.facebook.com/groups/2550013901963430 Follow us on Twitter: https://twitter.com/EasyGrooves Follow us on Instagram: https://www.instagram.com/easygrooves/ Follow our Youtube Channel: https://www.youtube.com/channel/UCgSTpgMimtlGR8aw5Zm_fRg/videos?view_as=subscriber Follow our Podcasts and shows on https://hearthis.at/easy-grooves-radio-bo/ Be our Patreon and get early previews and exclusive tunes and gifts for your support! https://www.patreon.com/easygrooves Thank you for watching or listening! Keep and eye on our website: www.easygroovesradio.com

Alex Bee and Alpha from Vienna present you easy, sleazy rare Easy Listening, Lounge, Garage, Space-Age Pop Beat tracks from their archives. The shows are always selected and moderated. They both run Easy Grooves Radio on www.easygroovesradio.com since Dec. 2020 Thanks for support! Follow their shows on https://hearthis.at/easy-grooves-radio-bo/ Easy Grooves Radio is bringing you rarities of Easy Listening, Lounge, Space Age Pop & Movie Soundtracks of the 60s and 70s each day and night at https://www.easygroovesradio.com . Follow our Podcasts: Apple Podcast: https://podcasts.apple.com/at/podcast/easy-grooves-radio-ultimate-in-easy-listening-lounge/id1552007807 Spotify: https://open.spotify.com/show/6I7snSyhobYzKKkPMqljcu Follow us on Facebook: https://www.facebook.com/easygroovesradio or join our group: https://www.facebook.com/groups/2550013901963430 Follow us on Twitter: https://twitter.com/EasyGrooves Follow us on Instagram: https://www.instagram.com/easygrooves/ Follow our Youtube Channel: https://www.youtube.com/channel/UCgSTpgMimtlGR8aw5Zm_fRg/videos?view_as=subscriber Follow our Podcasts and shows on https://hearthis.at/easy-grooves-radio-bo/ Be our Patreon and get early previews and exclusive tunes and gifts for your support! https://www.patreon.com/easygrooves Thank you for watching or listening! Keep and eye on our website: www.easygroovesradio.com

Im Jahr 1995 wurde das Cinecitta im Herzen der Nürnberger Altstadt eröffnet. 25 Jahre und sagenhafte 40 Millionen Besucher später hat sich das Nürnberger Multiplexkino zu einem der Top-Kinozentren Deutschlands entwickelt. Heute hat uns die Geschäftsführerin Laura Weber besucht, die das Unternehmen nun seit einigen Jahren - zusammen mit Papa Wolfram - führt. Neben aktuellen COVID-bedingten finanziellen Herausforderungen sprechen Laura und Alban aber auch über die besondere Vater-Tochter-Konstellation, wie es für sie war in einem Kino aufzuwachsen und warum der Kinobesuch in Deutschland im Vergleich zu anderen Ländern sehr kultiviert abläuft.

Heute vor 85 Jahren wurde in Rom der Grundstein für die Filmstadt Cinecitta gelegt.

SOUNDTRACK SOUL Episode 14 features an exclusive "Masters of Italian Horror" mix by special guest DJ ALFONSO of LA's Rendezvous film/dj collective.This spectacular 45-minute mix features 14 soulful and groovy sounds from some of the most iconic composers in the genre from the last sixty years, including soundtrack masters like Morricone, Alessandroni, Goblin, Orlandi, Cipriani and Fabio Frizzi, taken from horror classics by Dario Argento, Onetti, Lanfranchi and more... See the setlist on the SOUNDTRACK SOUL page on jasoncharles.net DJ ALFONSO is a DJ, promoter, podcaster, and most importantly, a FAN of late '60s through early '80s exploitation films, soundtracks, library music, and odd bits of sound. He is also the founder of the Los Angeles based DJ collective, RENDEZVOUS!  The RENDEZVOUS! DJs run a monthly event that screens exploitation films and hosts guest DJs from around the world who specialize in soundtrack and library music. More information can be found at www.rendezvousLA.net and follow them @rendezvous_la on Instagram. See omnystudio.com/listener for privacy information.

Dat regisseur Martin Koolhoven de afgelopen jaren het deftige label ‘grootse Nederlandse regisseur' met zich meedraagt is niet van de ratten besnuffelt; check maar Het Schnitzelparadijs, Oorlogswinter en de polariserende western Brimstone. Daarnaast sijpelt zijn vakmanschap en film-enthousiasme verder over naar het publiek door zijn VPRO programma De Kijk Van Koolhoven en de theatrale film-masterclasses on tour.

Het 013 Cinecitta International Film Festival zit er alweer op, maar in de exclusieve Film Podcast special nemen Spinner & Sokal je mee terug naar het gezellige vierdaagse evenement. We checken enkele films en interviewen o.a. festivaldirecteur Jack Vermee, lead actrice Elena Andrada en filmregisseur Martin Koolhoven. Wandel met de oorschelpen over de rode loper en proef samen met ons de gezelligheid van 013 CIFF 2020! De Film Podcast is opgenomen in Cinecitta te Tilburg. Volg ons op Instagram; @defilmpodcast en @spinnerensokal

De Film Podcast keert eind-de-lijk weder met de Tenet emergency special. Vlak voor de release van seizoen 2 moeten we een korte bonus inlassen om een deep dive van Nolan's spectaculaire wiskunde examen te geven. We eren tevens T'Challa, kijken uit naar Lord of the Rings en kondigen officieel het langverwachte tweede seizoen van De Film Podcast aan. De Film Podcast is opgenomen in Cinecitta te Tilburg. Volg ons op Instagram; @defilmpodcast en @spinnerensokal

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]

Storie dal Quadraro e le borgate di via Tuscolana a Roma che dal 1937 hanno dato forze lavoro, artigiani, maestranze e comparse per la Fabbrica dei Sogni.

Storie dal Quadraro e le borgate di via Tuscolana a Roma che dal 1937 hanno dato forze lavoro, artigiani, maestranze e comparse per la Fabbrica dei Sogni.

Storie dal Quadraro e le borgate di via Tuscolana a Roma che dal 1937 hanno dato forze lavoro, artigiani, maestranze e comparse per la Fabbrica dei Sogni.

Storie dal Quadraro e le borgate di via Tuscolana a Roma che dal 1937 hanno dato forze lavoro, artigiani, maestranze e comparse per la Fabbrica dei Sogni.

Storie dal Quadraro e le borgate di via Tuscolana a Roma che dal 1937 hanno dato forze lavoro, artigiani, maestranze e comparse per la Fabbrica dei Sogni.

No guest this week, but in response to the Kavanaugh hearings we go back to a time of screwball romcoms. First up is It Happened One Night (1934), the Frank Capra masterpiece that sets the tone for all subsequent screwball comedies with a whip smart Claudette Colbert sparring with Clark Gable. Next up Katherine Hepburn, Cary Grant and James Stewart are involved in a love intersection in The Philadelphia Story (1940). We finish with Audrey Hepburn’s breakthrough role alongside Gregory Peck in Roman Holiday (1953) (SPOILERS for the ending)Also: The MPPDA/MPAA clamps down on fun. James Caan has his eye on the prize. It’s a Wonderful Piece of Shit. Meet Cute explained. The origins of Bugs Bunny? Hulk smash Catholic church! The crosshairs of love. A Star Is Born (2018). Was she yare? The most famous Belgian. Cinecitta. Ciao! Anita Ekberg/Gina Lollobrigida. The Wood Beast of Arboria. Dalton Trumbo. Must we go tropical? Jim Parsons. Dee rage quits The Big Bang Theory. We play a game of “Screwball or Foul ball?”

Orquesta Sinfónica de Chapinero. Homenaje a la serie Don Chinche y, en particular, al actor Héctor Ulloa. Se basa en el pasillo Los Filipichines, composición de Emma Perea De la Cruz.

ABOUT THE AUTHOR: TED BELL has always had an itch to travel the worldâ??after graduating college and leaving a dull desk job in the family bank, he moved to Europe to become a writer and bounced around Italy and France and Rome, where he was cast as a Cinecitta cowboy in a spaghetti western that was ultimately never made. Eventually he made it back to the States, starting what would become a distinguished career in advertising, hitting his pinnacle as Vice-Chairman of the Board and World-Wide Creative Director of Young & Rubicam, one of the world's largest advertising agencies. But the call to become a writer, borne in the third grade when he was eight, never waned. He left his career, focused on writing fiction, and three years later published his debut, Hawke in 2003. Since then, eight books in the series have landed on the New York Times bestseller list. In addition, Paramount Pictures is now in production with a blockbuster feature film to be titled Hawke. The movie is based on the last Hawke thriller, Patriot and is slated for release in 2019. Executive Producer is Lorenzo Di Bonaventura and the Screenwriter is Kurt Wimmer. Ted fills his very cinematic thrillers with realistic details and infuses his characters with a panache and humor that is rarely seen in modern spy novels. Tedâ??s extensive global travels have given him a perspective that he alone can provide readers. Heâ??s been a Visiting Scholar at Cambridge University completing his studies at Cambridge Universityâ??s Department of Political Science and International Studies (POLIS) and was elected to the position of Writer-In-Residence, Sidney Sussex College, Cambridgeâ??a setting known for its connections to the Intelligence community. In addition to his time in the UK, Ted has spent much time in Russia researching his novels where, on one trip, almost â??disappearedâ?? while waiting for a flight in the first-class lounge in the Moscow airport. This is just one of the many intriguing tales that pepper Tedâ??s riveting thrillers. But setting and characterization arenâ??t the only strengths of the Hawke seriesâ??Ted does exhaustive research with the goal to provide the most realistic military details for his readers. DOCA, a Department of Defense committee, selected Ted as a civilian member of the standing group that supports the US military. He also served for a brief time as an advisor to the Undersecretary for Public Diplomacy at the U.S. State Department. Ted is a character himselfâ??and the Hawke series is a product of his larger-than-life personality.

Hallöchen! Hier habe ich Folge 4 für euch. Ihr findet die Audiodatei auf Soundcloud. Ich wünsche euch viel Spaß beim Zuhören!Show Notes:Cable Rib Socks von Erica Alexander Judy's Magic Cast OnJeny's surprisingly stretchy bind off (JSSBO) Interweave Favorite SocksRegia StripemaniaSupergarne AktivBrooklyn Tweed Grettir  Drops NepalRegia Flourmania in Neon FlowerDye for Yarn Mulberry Silk in Dead Walnut WoodLobelia Cardigan von Meghan Fernandez/ PomPom QuaterlyJawoll Magic in 1502 und 1404  Romantisches Lace von Monika Eckert und Stephanie van der Linden Wollmeise Twin in Wichtelwalzer und FlaschenpostWollmeise Pure in Gloire de DijonCinecitta von La Maison Rililie

Nouveau numéro Hors Série du podcast Pourquoi Buffy C'est Génial qui cette fois-ci se transforme en Pourquoi Kaamelott C'est Génial ! Un podcast spécial entièrement consacré à l'excellente série de Alexandre Astier, Kaamelott, diffusée entre 2005 et 2009 sur M6. Pour ce hors-série, Clémentus, Rileyus et Sarthmanus ont choisi de s'intéresser à l'épisode 1 de la saison 6 (ou Livre 6) : Miles Ignotus. Ecrit et réalisé par Alexandre Astier, cet épisode constitue à la fois une véritable porte d'entrée pour les nouveaux téléspectateurs mais également un épisode-clé pour les fans du roi Arthur. Nous vous proposons de voir ou revoir cet épisode sous forme de commentaires audio un peu particuliers dans lesquelles nous tenterons d'analyser l'écriture et la mise en scène tout en donnant des anecdotes et des informations pour mieux comprendre la série et l'apprécier à sa juste valeur. A travers Miles Ignotus nous aborderons les thèmes du Voyage du Héros et du destin d'Arthur. Nous parlerons de la mise en scène et du déplacement de la production à Cinecitta, de l'utilité d'une saison préquelle et de la direction d'acteurs d'Alexandre Astier. Nous parlerons également Histoire, intrigues politiques, légendes arthuriennes, format de diffusion, musiques anachroniques et orgies romaines ! Enfin nous reviendrons en fin de podcast sur l'excellente série de documentaires Aux Sources de Kaamelott, sur les comédies médievales et sur le futur de Kaamelott au cinéma. Bon épisode ! PS : Et il y a un super sondage et pleins d'extraits de la série à l'intérieur ! Génial !

Giuseppe Basso: il numero uno di Cinecitta'.

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Das versprochene Special vom FantasyFilmFestival. Nicht ganz so lang wie sonst, und dennoch gleich mit zwei Unterbrechungen gibt es ein kurzes Zwischenfazit direkt aus dem Cinecitta in Nürnberg. Sorry für den Sound, nächstes mal sind wir wieder im Studio.

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