Podcasts about anthropophagus

Today we talk about moral panics. Specifically, the "Video Nasty" moral panic that happened in the UK in the early 1980s, and then again in the 1990s, when there was widespread fear that by kids watching horror movies with titles like Cannibal Holocaust, Flesh for Frankenstein, I Spit on Your Grave, and The Last House on the Left, they would literally be turned into rapists and killers. Was there any justification for this panic? Can hyper-violent or hyper-sexualized media in general erode the morality of children? Merch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch.

Au sommaire de cette spéciale cinéma horrifique : Débat autour de Anthropophagus (1980 – Popcorn vidéos) & Horrible (1981) de Joe D'Amato (ESC Éditions) ; Retour sur Tentacules (1977) d'Ovidio G. Assontis et Les rats attaquent (1982) de Robert Clouse disponibles chez Rimini Éditions. Bonne écoute à toutes et tous !

On this week's episode, Brad and Ygraine discuss the 1980 Italian cannibal shocker Anthropophagus directed by Joe D'Amato.

My review of the sequel to the underground 80's Italian film

It's another big hitter episode but not as we know it. Over the past year I have been putting this show together, knowing that time will be short for me come spooky season. So I compiled my favourite parts from the video nasty series of the top tier,  successfully prosecuted films over on Patreon & have put them in order of my least favourite to the movie that I think is the best. All the nasties with a total of 19 guests, a silly amount of booze & the filthiest 39 movies that you ever would see.1.28 - The Ghastly Ones aka Blood Rites (w/ Lono)27.57 - Gestapo's Last Orgy38.16 - Don't Go in the Woods... Alone (w/ Choff)55.47 - Nightmares in a Damaged Brain aka Nightmare (w/ Dan Martin)1.31.14 - Anthropophagus aka The Beast (w/ Dennis Merklinghaus)Between the interview segments there are various clips from an incredibly important documentary which is actually an episode from the BBC series 'Open Space' in which the public made programmes under their own editorial control. It's an episode called 'Suitable for Viewing in the Home?' from 1984. This gives some detailed context to pretty much all the conversations for this episode.  

What do you get when Joe D'Amato and George Eastman team back up after ANTHROPOPHAGUS to make an American style slasher? The masterpiece that is ABSURD (81). We are marking our return by talking about this absolute classic of Italian cinema. We also hit you with some bands to checkout, suggestions on what to watch so you don't have to think, and a summer time announcement. So, crack some cold ones, turn on, tune in, and drop out.

It's family game night, what better way to spend it than having a round of "WHO'S THE DADDY?"Boo Lemont, Abbie Stabby and Captian J are quizzed over 20 questions about the video nasties for the final time (for a bit), joined by Andrew from "Kids, what are watching tonight" who gets to play a proud podcasting patriarch to one of them.Who gets to be daddies favourite? will Boo ever return from his mission to deep space? (his audio is pretty ropey this week, sorry) Will J get left alone smelling his farts? will Abbies potty mouth ruin it for her? FIND OUT BY DOWNLOADING YOU!!!!The show contains swears and we've all had our mouths washed out with soap and waterAndrewKids, what are we watching tonight?TwitterAyesha RaymondLinktree for Ayesha RaymondAbbie StabbyTwitchInstagramFacebookContact the show via email at Fkinghello@gmail.comWebsite: TotalCultZone.comMusicThatFKingTheme - Boo LemontWebsite - TotalCultZone.ComElectronic mail - FKingHello@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This truly is a great time to be alive as a crazy cinephile. Just about every day, new amazing looking releases of some of our favorite films are announced, as well as some almost forgotten films brought back from the edges of obscurity for a whole new generation of fans to enjoy. And one of the companies at the forefront is Severin Films, who continues to amaze us fans with the quality of their releases. From their massive box sets to the incredible special features that accompany all of their releases Severin is educating as well as entertaining a whole generation of horror, cult and exploitation fans. To help us discuss all things Severin, we figured why not invite the man behind the label, co-founder David Gregory himself! Join us while we talk about Video Nasties, how Severin got started, and why they continue to do what they do! Films mentioned in this episode: 8 ½ (1963), Africa Addio (1966), Anthropophagus (1981), The Beast (1975), The Beast in Space (1980), Best Little Whorehouse in Texas (1982), Beyond the Darkness (1979), Black Emanuelle (1975), Blood Cult (1985), Blood and Flesh: The Reel Life and Ghastly Death of Al Adamson (2019), Bloody Moon (1981), Burial Ground (1981), Cannibal Holocaust (1980), Cathy's Curse (1977), The Changeling (1980), Citizen Kane (1941), City of the Dead aka Horror Hotel (1960), Cul-de-sac (1966), Dellamorte Dellamore (1994), Devil's Nightmare (1971), Dracula vs Frankenstein (1971), The Girl on a Motorcycle (1968), Enter the Clones of Bruce (2023), Faces of Death (1978), The Five Days (1973), Four Flies on Grey Velvet (1971), Frances (1982), Frankenstein (1931), Frankenstein and the Monster from Hell (1974), The Ghastly Ones (1968), Goodbye Uncle Tom (1971), Hell of the Living Dead (1980), I Miss You, Hugs and Kisses (1978), Justine (1969), King Kong (1976), Kiss of the Vampire (1963), Kiss Me Monster (1969), Knife in the Water (1962), The Last Horror Film (1982), The Long Hair of Death (1964), Lost Soul: The Doomed Journey of Richard Stanely's Island of Dr. Moreau (2014), Mad Doctor of Blood Island (1968), Magic (1978), Mancunian Man: The Legendary Life of Cliff Twemlow (2023), Manhunter (1986), Maniac (1980), Mondo Cane (1962), Mondo Cane 2 (1963), Mondo Magic (1975), The Mummy (1959), Nightmare aka Nightmare in a Damaged Brain (1981), Nightmare Castle (1965), Overboard (1987), The Psychic (1977), Repulsion (1965), Sadomania aka Hellhole Women (1981), Shock Wave (1977), Sinful Dwarf (1973), The Stunt Men (1980), Tales of Terror (1962), Texas Chainsaw Massacre: A Family Portrait (1988), Texas Chain Saw Massacre: The Shocking Truth (2000), Texas Chainsaw Massacre 2 (1986), Threads (1984), Two Undercover Angels (1969), Vigilante (1982), The Wicker Man (1973), Women of the World (1963), Woodlands Dark and Days Bewitched: A History of Folk Horror (2021), Zombie (1979)

Don't get your hopes up, maniacs! We're continuing our DON'T theme for January with another confusing trip to Italy in Don't Go In The Attic from 1982. Tune in as we discuss this gripping mystery and other topics such as Barfa The Secretary, a possible BPO movie idea Funny Disco, and more fake discount codes than you can shake a stick at. Drop that Caramello and check out our Patreon! This month we're doing another round of the Back In The Day Blitz where we talk various toys from our childhoods. For as little as $2 a month you can get in on the action as well with bonus episodes, Discord privileges, livestreams, exclusive merchandise and more!   Want to hear some more of our classic Italian bullshit? Check out our previous episodes on The Church (episode 33), Stagefright (episode 36), Phenomena (episode 61), Demons (episode 135), Ghosthouse (episode 138), The Beyond (episode 168), City Of The Living Dead (episode 192), Tenebrae (episode 198), Inferno (episode 232), Suspiria (episode 267), Anthropophagus (episode 269), The House By The Cemetery (episode 288), Nightmare City (episode 297), Opera (episode 310), and Deep Red (episode 319).

Another year ending means another Wrap Up episode where we go over our top picks for the year, as well as discussing some other titles we've seen in 2023. While most of the films we do cover here as our favorite viewings for this year are from the last few years, they are not all from 2023. But as we've pointed out many times before, if you're watching it for the first time, no matter when it was released, as far as we're concerned, it still counts as a new movie to you! 2023 has been a great year for the horror genre, especially when you look outside the U.S., which we all hope everyone out there does, because there are some incredible titles coming from Spain, Malaysia, Argentina, Japan, and more. So hopefully our listeners are not restrainted by films that are "only in English", because those folks are sadly missing out on some incredible cinema.  For this episode, we strongly suggest you have a notepad and pen close by to jot down some titles because we think we're going to give you more than a few that we feel you should be checking out. And a special HUGE thanks to those that continue to tune in and listen to us ramble on about the genre we love. With this being our 60th episode, it seems our following is growing day by day, so thank you for your continued support and in 2024, we'll continue to help you Discover the Horror! Films mentioned in this episode: Accion Mutante (1993), The Angry Black Girl and Her Monster (2023), Anthropophagus (1981), Bewitched (1981), Birth/Rebirth (2023), The Black Demon (2023), The Blackening (2023), Blair Witch Project (1999), Blood Flower (2022), The Boogeyman: The Origin of the Myth aka El hombre del saco (2023), The Boys from County Hell (2020), Cobweb (2023), Cocaine Bear (2023), The Conference (2023), The Creature from the Black Lagoon (1954), The Curse of the Crying Woman (1963), The Dark and the Wicked (2020), Don't Listen (2020), Dracula (1931), Exists (2014), The Exorcist (1973), The Exorcist: Believer (2023), Evil Dead Rise (2023), Fragile (2005), Frankenstein (1931), Godzilla Minus One (2023), Grabbers (2012), The Grandmother (2021), Halloween (1978), Hallucinations (1986), Harpoon (2019), The Haunted Palace (1963), Hellhole (2022), Huesera: The Bone Woman (2022), The Innocents (2021), Infinity Pool (2023), The Invisible Man (1933), I See You (2019), Juan of the Dead (2011), Knock at the Cabin (2023), The Lake (2023), The Last Horror Film (1982), The Last Voyage of the Demeter (2023), Lifeboat (1944), Mad Heidi (2022), Meg 2 (2023), Megan (2023), Mr. Frost (1990), The Mummy (1932), The Nameless (1999), The Offering (2023), One Cut of the Dead (2017), The Outwaters (2022), The Rape of the Vampire (1968), Red Spirit Lake (1993), Renfield (2023), The Sadness (2021), Satanic Hispanics (2022), Satan's Slave (2022), Scream VI (2023), Severance (2006), Sister Death (2023), Shaky Shivers (2022), Shaun of the Dead (2004), Skinamarink (2022), Sleep Tight (2011), Talk to Me (2023), Terrified (2017), Thanksgiving (2023), They Look Like People (2015), Troll Hunter (2010), El Vampiro (1957), Venus (2022), The Vigil (2019), The Village (2004), When Evil Lurks (2023), Witching and Bitching (2013), The Wolf Man (1941), Willow Creek (2013), The Witch's Mirror (1962)

We're back in subtitles country with the infamous, but not as bad as you think, video nasty, Anthropophagus!   Spookin' On: Kyle – How to Draw Manga: Occult and Horror (art instructional book)  Amy – Art of the Devil 2 (2005)   Next Week's Tape: Wicked City (1987)  Available for free on Tubi! And probably somewhere on YouTube!   Get Kyle Clark's I'm a Person: Director's Cut You can go to kyleclarkcomedy.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Send Us Stuff! We have a PO Box!  (It's under Kyle's name but anything you send for Jen and Amy will 100% make it to them unless it's snacks and then the average drops to about 80%-ish. But don't let that deter you!)   Check out Kyle's album "Absolute Terror" https://smarturl.it/absoluteterror     Follow us on Twitter/Instagram/(and Jen on TikTok!)  Show: @PodScary Jen: @JenSaunderson Kyle: @kyleclarkisrad Amy: @thegoregoregirl (Twitter), @gutterbutterfly (Instagram) Frankie G: @8armedspidey (Instagram) (co-host of The Graveyard Shift and our social media guru)

Greetings, and welcome back to Horror Business. We have one awesome episode in store for you guys because we're talking about two films by Italian filmmaker Joe D'Amato: 1979's Beyond The Darkness and 1980's Anthropophagus! The post HORROR BUSINESS Episode 136: BEYOND THE DARKNESS & ANTHROPOPHAGUS appeared first on Cinepunx.

From the New French Extremity to some old Italian Sleaze, good, clever Loathsome Things is here to make everything nice for you, our sweet, sweet babies! From the guy that mostly did hardcore porn with a splattering or horror-porn crossover films, comes a film that advanced the boundaries of gore and showed us that the most potent strains of marijuana in history looks surprisingly exactly the same as 1970s euro-lady pubes. That's right, it's schlocky, it's exploitative, it's unfortunate, and it's all set to Goblin's most perplexing soundtrack, it's the 1979 horror cinema experience from the cum-soaked mind of Joe D'Amato lovingly and alternately known as Beyond the Darkness, Buio Omega, Buried Alive, In Quella Casa Buio Omega, House 6: El Terror Continua, and Zombi 10. Tune in to learn all this information and so much more in this most absurd episode of Loathsome Things: the official horror movie podcast of 1970s bush-centric European stag films! If you would like to recommend a movie, tell us what kind of wine comes in that kind of bottle, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!   Transcript Josh  Body of a *****. Body three times. Pain and torture. First body in a bed. Body growing dead body in a crypt body. Hell fire dipped. Body ringing bell body into hell. Always be a taker. Meet your maker. No one's life you save robs some in your grave. It's loathsome things, a horror movie podcast with be the Josh and he the John. John. How are you on this most horrific of?  John  I'm hell be.  Josh  Dipped dipped hell fire dipped.  John  Hell be doing whatever the **** it was. Somebody actually wrote a rhyme to go along with whatever they said in Italian.  Josh  I know, I know. Like someone's job was to come up with a little, like set of rhyming couplets to to go with whatever was actually. Supposed to be there.  John  Man, I would love to see this movie in Italian with English subtitles.  Josh  Ohh man yeah that would be good. You could also do what I did. I watched the movie that this is a remake of in Italian without subtitles.  John  Ohh, that's even better. Yeah, the third eye, right?  Josh  The third eye? Yeah, it's it's real confusing when you have no idea what. People are saying.  Josh  So, John, what are we?  Josh  Even talking about.  John  Oh my God, I'm so glad you asked. Because this time around. We shall be talking about. We're going to talk about a little Italian schlock exploitation film that was directed by a fine fellow named occasionally named Joe Di Amato.  Josh  Some types named Joe Demon.  John  1970 nines. Delightful and absolutely delicious. I don't know what I'm talking about. I'm a moron beyond the darkness.  Josh  Also known by other names. A lot of other names, some of them. Some of them just just out of nowhere. That thing, but yeah, it was the whole thing. Apparently the director, Joe D'amato, was friend with Mino Guerini, who directed the third eye. And one day they were hanging out. Just spit balling ideas and he was like, hey, what if I remade your movie but made it sleazier?  John  It's an interesting film. It's gonna be fun to talk about. I liked the I was excited to hear that Goblin did the soundtrack, or as they mistakenly referred to. Them the goblins. But except for a few bits, overall, the soundtrack is terrible.  Josh  Yeah, it's if you have ever had your manager pop in a VHS tape so you could watch a training video on your first day on the job, then you know what this movie sounds.  John  Like please contact the HR department if you have any issues with other employees.  Josh  There are times where the soundtrack's really cool, like they'll purposefully hit these flat notes to like, reflect what's going on, like like it's entertaining at times and other times just very irritating.  John  When I make my movie, I'm going to have the entire soundtrack be done live with a guy with a French horn who just makes fart noises.  Josh  Yeah, I I want. I want my life soundtrack to be done by someone with a severe anxiety disorder that wasn't given their medicine today and they have to like. They're always trying to catch up with what's going on, like, Oh my God, I can't believe this is happening to me. The soundtrack I want.  John  They have to play it on a hooter.  Josh  Of course, Goblin to they did the soundtrack for the original dawn of the dead phenomena, Suspiria and Tenebre. So lot of lot of good Italian movie horror movies with that, and by a lot I mean mostly just those that I listed. They also had a song in Shaun of the Dead.  John  Yeah, that's true. And just in case you really enjoyed this music, in which case, by the way, you're an idiot. It was also used in the films the other Hell and Hell of The Living Dead, because in Europe all horror films are of the Living dead.  Josh  And one thing that was cool. So the actor in here, Frank Astolfi, who plays clever, sweet, good Iris actually was reunited with this soundtrack whenever she starred in the other hell.  John  Wonderful. The amazing franca stoppi. Veteran of the Women's Prison series of films and also a little a little number known in English as dog lay afternoon or in its native Italian bestiality or something like that.  Speaker 5  Good it is what you think it is if.  Josh  If, if you're if you're.  Josh  Catching on to to a like a a niche like a specific what? What what's happening here? So I want to go into a little bit about Joe D'amato. Joe D'amato is the king of 1970s and 80s Italian sleaze cinema. He has 199 directing credits to his name and about 100 and 21120 of those are just straightforward *********** videos.  John  Gotta love it.  Josh  This is one of his most famous horror movies, along with Anthropophagus and the semi sequel to that absurd, this came out. This film came out during his horror **** over crossover era, which included Papaya love, goddess of the cannibals, orgasmo. Arrow, Emmanuel and the white slave trade ****** Knights of the Living Dead and poor no Holocaust.  John  **** in a that is fantastic. By the by the way, and Trump of Vegas and that absurd are those movies are.  Josh  Yes, they they rock. This guy like while while he was mostly about the the ******* and portraying the penetration and stuff like that he when his in his ***** she was like we need to really like push the boundaries of what's allowable as far as gore is concerned and. Boy, does he ever. And it is fantastic. Like this isn't the kind of movie that you would expect to watch and think ohh wow, this contributed to the artistry of horror. Cinema but it. Actually does and it's amazing also very.  John  Yes, yes, yes, on all counts. The it's funny because he I was reading a little bit about it and said that he he was kind of down on his own ability to build suspense. In other words, he couldn't do it. So he went ahead and just did the extreme. Shock value instead, and he's very proud of that which he damn well ought to be.  Josh  Yeah, yeah, I like that. He's like, I don't feel confident in my ability to build suspense, so I'm just gonna not try.  John  You got to know your strengths. I like that the.  Josh  Like what if?  John  Ohh yeah, go ahead. Well, I was gonna say.  Speaker 5  No, no, you.  John  It was a. The film was released in 87, called in Inquiry a Casa built Omega to try to to try to pass it off as being related to the Evil Dead series, which it of course was not at all, and then it was released in Italy as Lacasa and. Macasa do way I guess as you would. Today in Spain, the movie was marketed as being a sequel to the House franchise. Therefore, House 6 and then El Terror, or El Perro continua, and then in Mexico it was billed as being part of the.  Josh  Zombie franchise it was listed as Zombie Ten. Oh my God. Yeah, this is. That's one of my favorite things about this era of horror movies is like. It's just nonsense. They're like, what if we just said it was part of another thing? And I I honestly think that's beautiful. I I love it because it just creates such a tangled mess of history to try to a.  John  Not it wasn't. Wasn't Fulci's zombie build as? Night of the Living Dead sequel wasn't that I think so, yes, yeah. It's all complete ********. No one gave any *****. I love Italians. They just lie and they don't give a damn. I was looking for the Napolitano Pizza house. Is it this direction C?  Josh  Thank you.  John  Where am I? There's no pizza restaurant here.  Josh  Let's see Joe's other directing credits include Ator, the Fighting Eagle famous from mystery science.  Speaker  Right.  John  Theater 3, yes.  Josh  The Devil's wedding night, the crawlers. Black Cobra woman paradiso, blue blue, ****** climax. Super Climax sex penitentiary cop sucker cop. Sucker two and zombie 5.  John  Oh, my God. Get it together. OK.  Josh  Yeah, famously in the 1990s he was resistant to the change from film to video in the pornographic **** ***********. And he was like, yeah, it just doesn't feel as good. But I guess I'll do it. He also didn't like the fact. People wanted *********** to just portray a lot of extreme sex. He really wanted it, which is funny when you. Watch this movie. He was like, yeah, but what about the story element? Don't want the story element of *********** anymore.  John  What about the art?  Josh  So, yeah, this movie stars Kieran Kantor as Frank. Kieran Kantor would go on to be in some ****, but not much.  John  Yeah, basically just a bunch of soft **** or not a whole lot of. What was the other like? What do you say? Monreale Monreale, who plays Anna.  Josh  And spoiler alert, she's awesome. Oh no, she also plays Elena.  John  She plays her sister. Yeah, she's Christ. She was she was in full. She's the beyond, which is absolutely ******* **** ***. I love that moon. She's the lady with the whited out eyes.  Josh  Also, she was in full cheese. The Sweet House of horrors.  John  That I have not seen it sounds delightful.  Josh  Yeah, I know. That's what is you doing in here?  John  She was and Dario Argento. Argentos the Stendahl syndrome, so a definite veteran of some classic horror, even outside of this fine piece of film.  John  This fine pizza.  John  Which I'm so glad was shot on 16 millimeter film, apparently because if it had it been shot on video, it would have looked bad.  Josh  So a lot happens in this movie. John, do we need to warn? I mean, there's a yeah. There's a dead baboon. That was kind of upsetting. I forgot about that.  John  Yeah, that was upsetting. There was some possible well hints. More at necrophilia, probably in the Italian version. Straight up necrophilia. Yeah, there was a lot of dancing around, some really terrible things. If you're not a fan of of using actual pig body parts to make your gore scenes, then this is not the movie for you. If you don't like to see.  Josh  Grown men breastfeed. This is probably not gonna be the one for.  John  You, Jesus Christ. Yes, I forgot. Forgot about the breast. Feeding their nursemaid.  John  Oh my God.  Josh  This movie is ridiculous. There's also if you're offended by the naked female Bush, then this movie is not gonna be for you.  John  Yeah, you better get whipped. The hedge trimmers out because this one goes for it, yeah.  Josh  Ohh some some very homage to Herschel Gordon Lewis dismemberment so. So just be prepared for that before you view it, which you may have already done. Because we told you 2 two weeks ago.  John  In 2023, the the It's kind of you'd be kind of hard pressed to find the effects believable, but if you're squeamish and you're not somebody that you know, if you just react to that stuff, period, then yeah, this this movie might be a little tough for you to watch.  Josh  Yeah, I liked that there was. There was a a fake arm, just like the one in dance mapu, but the IT was. Like, oh, the one in dance mapu. Actually does look better than this. One nice technology advanced that's right, moving right along.  Josh  Yeah, you couldn't see through.  Josh  The one in dance mafoo.  John  Ohh yeah, I also wanted to mention which I thought was hilarious, that the reason Francastel Papi got the role. Toby was because another actress agreed to play Iris, sight unseen, read the script and was like no. And Frank Estopa, I was like.  John  Well, **** yeah, I'll do it.  John  Nice because she's awesome. What a trooper. Kick us off. Alright, well, the movie starts with a weird looking European red van truck driving through the woods while we listen to pretty awful goblin music. It's very 70s, of course, the guys driving along in his obscenely loud truck and he arrives at what I would describe as a ship house. He gets, gets out and meets a swarthy other douche, and then they work together to lift a very heavy box inside the van. Then Jordi Ouche leaves. He gets back in his van because it looked like he was wearing jordash jeans. If I was, if I wasn't mistaken, OK.  Josh  Just wondering where that was coming, Jordan?  John  So he drives away and we cut to a hazy filtered shot of a Crone, putting needles in voodoo dolls. While that are basically, you know based on a picture of the main character and what I'm assuming is his girlfriend, which of course it is and. Another lady with weird lips is sitting there watching this happen, and she's obviously loving it, so that's that's setting up something. They the the girlfriend, as it turns out, is in the hospital, ****** ** and moaning and she is doing a lot of gasping and then sort of red lines. Except I don't know what that meter is that's regulating her heart. I looks like something else entirely, but whatever.  Josh  I think it I think it's measuring whether or not her makeup needs to be replaced.  John  There's some lady in there who I thought was a nurse, but she like. Very not too worried, gets up and says. Nurse and then a doctor comes in and gives her an Ivy shot of some sort, and then she moans a lot and calls for Frank. So that's the red. That's the jordache. So meanwhile, Frank arrives at a Chateau and opens the little gate drives in. Suddenly the box. That he carries inside by himself is really not that heavy anymore, which I thought was interesting. He brings it into the Chateau and unpacks what turns out to be a dead male baboon. Which looked like a dead male baboon. It was pretty disgusting, not not disgusting, but little disturbing. He doses it with some sort of amber juice in this giant syringe that he has. And then while this is going on, the lady with the lips is snooping as he. Leaves that room and heads upstairs into the Chateau. Back at the hospital, the dying lady wants makeup as as you do, and the nurse deftly applies man makeup on with might. Might as well be a house painting brush. She's just like. Ah, there you go. It's so great back again at these chitter lips picks up. She picks up after douche cause he's he's made a mess in his bedroom, you know, cause he's a he's a naughty boy who's, like 30, she tells Frank. That the hospital called and then naked and tan Frank comes out. Grabs like with his clothes holding his junk, which I don't know why shy after what happens later, but he grabs his regular clothes and calls lips a stupid idiot for not telling him sooner.  Josh  You stupid idiot.  John  Back at the hospital, Frank Frank rushes in. He runs into. The best character in the movie, a random old person. With a funny.  Josh  Hey, where'd you get your license?  Josh  I I want to know what the original like was that what it was supposed to be in the original, or I can't imagine.  John  God only knows he's great. He he gets to, he gets to Anna's bedside, and he tenderly makes out with her to death. Back at the back at.  John  The ship, yeah.  John  In a very ornate bedroom, apparently Frank is the King of Italy. Uhm, he mopes. He's like sitting at this little desk or, you know, bedside, dresser or whatever. Just moping over these two horrible photos like one of of two people, another, neither of which look like her. And then a big portrait of himself. And he's just like, moping and then lips comes in and. You know, I mean, it's perfectly understandable. He's he's having a hard time. His girlfriend just died. So she whips it tight out and breastfeeds him. And it's extremely sexual and very strange.  Josh  Yeah, yeah. She's just, like, cooing at him and telling him that everything's gonna be OK and saying her own name over and over to him, she's like, it's OK. Sweet, Sweet Iris is gonna make everything good for you.  John  And he's like.  Josh  So bizarre this is the point. Whenever I first watched the movie I. Ohh I have to show John.  John  Doing it now we're back at or we're we're at at the Funeral Home and she's in her casket and Frank goes to visit her and he juices her with the amber hoist that he gave the baboon. While for no reason. The mortician who had just left. In the other room peeks back in to spy on the guy. What what reason? He's just sitting there, looking at her. He doesn't look weird or anything, and the dude peeks back in just in time to see him inject the juice into her neck. Then it's her funeral. There's a bunch of very serious Italian people in the background are a bunch of half naked Italian guys who are, like, working on something I don't. I think it was a mistake that they left that in the shot or something.  Josh  They're probably working on the *********** in the background.  John  I was like, are those people naked? What is going on?  Josh  Back there I didn't notice. I'll have to go back.  John  And watch it again.  Josh  It's ohh no.  John  It's so weird.  John  They they lower her casket with two ropes into this really narrow hole. That's like super deep. And then they show, like her parents, you know, mourning her mother has a gargantuan cold sore on her lip. Then her dad's there and a super hot blonde lady who looks just like her named Ellen's dad after the funeral, begs the priest essentially to do all The Dirty work. Because he can't handle, it's too much for him so he could bail and his wife can leave Italy. The daughter is gonna stick back though, and and complete her school. The mortician is is very conspicuously snooping on the proceedings. Now we're back at the cemetery. It's at night, and there's there's George Douche digs. Anna, who, by the way, is suddenly like, 6 inches below the surface, like, somehow the. And there's roses on top of her casket, which are clean, even though he just dug her up. He takes her and wraps her up in like a blanket and takes her and and then he drives the the van and spots a hitchhiker out in the middle of ******* nowhere. Who's like, hey, stop. And he just drives away.  Josh  But much to his. Misfortune, his tiny red van gets a flat tire. He has to stop. He changes the tire. There's some police officers in a station wagon. They offer him help. He's like, Nah. And then they drive along, he gets back in his van and ohh the the British hitchhiker from earlier is now in the passenger seat. She's just invited herself into his car and is offering him high-powered weed. Which she then begins to roll a joint and we can all see that it is **** tobacco. Just it's just so obvious. It is if you've ever rolled tobacco and you got the like Bally, **** or something, you know what this is? It's not weed. Weed does never look like this.  John  No, it looks like if somebody took the world's smallest sheet of brown paper and ran it through the world's smallest paper shredder, yes.  Josh  And she's just going on and on about how like she even says that this stuff is worth its weight in gold and how like it's gonna, like, really, like, knock your **** out or whatever. She she rolls it up. She takes a. Passes it to him and he's like, no, thank you. And then she just passes out, like she cannot handle her ****. There's also a thing that's supposed to be suspense, which Joe D'amato has said he cannot do about like Anna's hand flopping in through the little window and him like. Her not seeing it and him trying to hide it, it does nothing. It's stupid. Yeah, I love how they tried to set it up by having him notice that the glass window that took effort to move just opens on its own for some reason. Yeah, I love how jiggly Anna's body is, too. It is just. It's another case of the very bouncy cars of yore.  John  It's that it's that brown juice.  Josh  Yeah, that jiggly brown juice. Uh, back at home, Frank unloads Anna's body and dissects her while the hitchhiker is still asleep in the van. Anna's ***** can be seen prominently and look remarkably similar to the **** tobacco that is keeping this whole situation afloat. There's some great skin cutting and gut pulling scene. This is done with the aforementioned pigskin and guts from the slaughterhouse. It looks real good, but apparently they like. Soaked the pig guts in red dye because like it is just staining her skin in a very not normal blood way, but it still looks great and there's like this whole scene where it's like she's lying naked on the table and you can see this like this pink foldy lip incision running down her body. And it's like, wow, that looks really gross.  John  Yeah, yeah, they did a good job with that as impress.  Josh  Yeah, and she almost did a really good job of looking dead and not like giggling at being tickled or like breathing and stuff like that. Every once in a while, you're like, oh, I saw you. I saw you. But you know.  John  She does a pretty good job for for someone who has to basically do nothing on camera.  Josh  And then then Frank Yanks out Anna's heart. He kisses it and then takes a big old chunky bite out of it, which causes blood to spurt out of the ventricles. It's so stupid. It's really stupid and amazing. Yeah, but yeah, it's real dumb. And it doesn't make any sense with the type of stuff that happens later in this movie, much less the stuff that has already happened.  John  And he's like, semi orgasmic when he. Does it too.  Josh  Oh yeah, he's super into it. Also, that heart is enormous.  John  It's like the size of his skull. I read that they used to sheep's heart and I just was looking at. That and going. I don't think that's a. Real heart that looks.  Josh  Plastic. I don't know. I don't know. Then he he pulls out his copper tubes, which he gets all heated up and shoves them just right up into Anna's nostrils. And then he vacuums out annae's guts. I guess her brain. Through the nose and it comes out as the chicken Mcnugget pink slime that we all saw on YouTube back in the day.  John  A watermelon smoothie.  Josh  So apparently all you do is you just shove a copper tube into each one and you start pushing air through one end and everything from the body just comes out the other tube in a nice like protein shake style.  John  Cleans it, right?  Speaker 5  Yeah, it's good you don't have.  Josh  To do anything. At the time, Nope. You ain't gotta blend it. Up it's fine.  John  No prep work at all.  Josh  At this point, the hitchhiker wakes up flops her way around the whole place, finds Frank doing this horrible thing with a dead body, screams, and then Frank goes and grabs her to get her.  John  To to get her.  Josh  And then he grabs a giant pair of like horse nail Clippers or something. And then while she is screaming and struggling for her life, he. Carefully and precisely proceeds to rip her fingernails off of her hand while she's screaming and struggling, and then after he gets the fingernails off of one hand, he smothers her to death. What's going on there, bro?  John  It makes no sense. And her screams are agonizing.  John  Ohh man yes.  Josh  And it's like that scene that is like the most. Italian horror movie scene I've ever watched in my life. He's like, ah, yes, you're screaming here. Let me torture your fingernails. I'm so strong.  Speaker 5  Then I'll smother you to death.  Josh  He stashes her body in the tiny van, which we can now see is about four feet tall. It it's really an amazing Little Feat of engineering. We see that Iris has witnessed the whole thing. She looked sternly at him. Then helps him dress Anna's body in a nice gown, paints her fingernails red, and they put her in the Lucy Desi twin bed up against each other. Situation the the next morning the the baboon guy shows back up. His client is interested in the baboon, he says, and he wants to. He wants to buy it back from from Frank and so he can sell it for a bunch of money. Frank's like, no, I don't need money. I don't do this for this. This is my hobby guy. That's right. He's he's. Yeah, he does. Taxidermy. Lots of taxidermy everywhere.  Speaker 5  It's so stupid.  Josh  It's so stupid and it turns out that it's just to let the funeral guy sneak into the house. We see him sneaking in through a back room. He doesn't find the Hitchhiker's body, but he does find some blood. He finds her necklace and then he gets back in. The funeral guy pays paid the the baboon guy the baboon. Guys like hell. What was the deal with that? And he's like, hey, why don't you go **** ***? Guy Frank sees that someone snooped it. It turns out that Iris hid the body. The two of them go into the bathroom now together after, like, saying. Mean things to each other to dispose of the body. They start taking all of her clothes off. She's a large woman, yeah. Iris starts hacking off body parts just like she's got. She's got this big butchers axe and she's just like looking around trying to figure out where to even begin. And then she just like, it's like, all right, I'm going to start over here and starts hacking away over here. Has a breathing mask on and he starts filling the bathtub with acid from. Bottles of what you would assume is port wine because it's a green glass bottle with the rope.  Josh  Stuff on the outside.  Speaker 5  It's like a.  John  Tea and tea bottle.  Josh  And they have five of. Them he just keeps.  Josh  Pouring more and more acid into the bathtub and he like the scene. Goes on forever. So she's she's chopping off the head. She like she. You see it? She like hangs. It's like dangling. She's got it from the hair. She flings it in there. So it's this horrible flesh eating acid and she's just chunking body parts into it without any regard for the splash.  John  No regard for the splash. She has no body protection on of any kind. He's wearing a giant rubber apron and gloves and that stupid mask, and she's just going.  Josh  They did a great job. It's it's one of those situations where, like they had the the actor like, move her head over to the side so that you don't see it in the shot anymore. Cause now it looks like she's like her head is gone. Same thing with her arm. They're just chopping off bits. It's real good, but it goes on forever. And at first, you're like, wow, this is taking too long. And then after a. While you're like this. Is ******* amazing.  John  I mean afterwards they have real carnage on the floor and she's like. Scooping up chunks of meat and like hip sockets and just blood like actual animal blood, you could tell just by looking at it. It's really disgusting and she's like basically cleaning up the carnage that she left behind and just, you know, and then the meantime, like dumping it all into this bathtub. Yeah, it's ******* great. I loved this scene. I love when the the cheesy skull with the eyeball still in it. Like floats up to the surface of the tub.  Josh  So much eyeball stuff in this movie, I didn't mention it earlier, but the part that the hitchhiker walked in on was when he was like, shoving a fake eye into Anna's empty eye socket. And she's.  Speaker 5  Like, it's so good.  John  Oh my God. And then so then. Let's buries the. Loopy remains of the hitchhike Chris and then and then afterwards they're in the they're in the kitchen slash. Eating table, whatever he's sitting at the table, she's washing up, like cleaning the bucket out from. You know this, this burial or dumping or whatever. And then without washing her hands or anything, she pours 2 bowls of disgusting soup. And then while she's doing and then she sits down and starts eating it like she's. Some kind of like cave woman. Just it's just like like basically just taking hands full of it and justice rubbing it across her face, hoping some will get in her mouth. And Frank is is is clearly like in his mind, he's seeing the gore from the scene earlier and then he can't take it, he gets up and barfs. What I can only describe his heavy cream. It's like, what the hell did this guy just drink a Fort like a pint of heavy cream for breakfast?  Josh  He up Chuck some half and half.  John  So it's so disgusting.  Josh  And she's still got, like, her arms are covered in, like, the black chunky water from the burial and. When did she have time to cook the slop? Is it implying that they're eating the hitchhiker like I don't understand?  John  That's what I kind of thought it. But then I'm like, but they they don't show or save anything. They threw it all in the in the splashy acid. So I don't, I don't know. It was great though.  Josh  It it is great and it doesn't make any sense because we just saw him kiss and take a chump out of a heart after like dissecting someone and yanking on the guts and stuff. So why is he now, like sickened by? It doesn't make sense.  John  He is an aversion to sue. So now we're at we're at. Anna's bed side. And he's moping again. And you know, whenever whenever Frank's moping, you can count on Mama lips to come in and and calm him down. So she sits next to him and starts feeling him up. Basically, she's like sticking your hands up under his. V next sweater. And then she dips, trowel and is like digging in for the happy ending and saying things like. Iris knows how to take care of him, doesn't she? So she's yeah, she strokes him out of his sadness, I guess. And then I guess I'm assuming he ****** his pants and then had to go change his pants. But anyways, back at the Funeral Home, we're in a back office and it's ******* filthy. It's a place. Like, what is going on? He's got, like, a looks like a bookshelf. Behind him and on one of the shelves is a casket. What a cool guy. So where this guy shows up and it's like he's hired a Private Eye to appear. Without any pay, go, go, research and provide this mortician Frank's entire life story, and then what he does, the guy like whips his wallet. He's like, here you go. Good work now.  Josh  He he pays him like you pay a bell, man.  John  It gives him a tip. And then we see Frank, who, who's dressed up like marathon man. He's like jogging through town and then suddenly he's in the mountains. And I mean the setting is beautiful. And then yeah, oh, what do you know, he's just happens to be jogging behind some hot girl who looks like she's never run a step in her life. She's like, first of all, she's not sweating at all, and she she can't. I mean, she could barely run in a straight line. And then, wow, she had twisted her ankle, and he's gonna have to help her, you know? So he he. He wants her to wait. You know, cuz he's going to go to the to the pharmacy. And get some liniment but. Then he realizes it would just be easier to carry her to his house. Where he rubs white cream on her ankle and she asks him if he's a doctor. Wow, you're really.  Josh  Good at that.  John  It's like with he just put.  John  And he, he like, kisses her hand and stuff like it's obvious that he's he's, you know, he's down to clown. Because apparently the handy that he just. Andy, that lips gave him earlier wasn't enough, so he he goes somewhere in the house to get he's on a gauze run and he stops. Of course, cause he has to visit dead Anna for a second. I don't know if he's like to get it up or whatever. And then and then jangle the jogger with the ankle calls for him. Calls for him, so he hides Hannah real quick, like, flips the bedspread up over her. She's like, like, weighs like £80.00, so he can kind of hide her under a bedspread. And then he he wraps her ankle. And you know, it's getting all good and she's. Like, oh, wait until you finish wrapping the ankle. So then they get into the bed right next to Anna, where the the matching twin beds with velvety blankets, and they start getting all feely and Frank pulls the bedspread down so he can look at Anna and kind of touch her or whatever so he can get the full corpse ***** and the jogger sees her. And for some reason this is upset by this. I don't know why. Freaks the **** out. So Frank bites a hole in her neck, which kills her, and then he eats it.  Josh  Whatever, it's so good.  John  So he's in some sort of strange orgasmic.  Speaker 5  Daze. He's just.  John  Blood on him. And the lips walks in, of course, because she's always there at the key moment, takes the jogress and tosses her into. That dude has a ******* crematorium in his basement.  Josh  She she hadn't.  Josh  Thought about that at the after the first one, she was like, all right, look, I can't chop up another body.  John  That was too much work, I thought, chopping up a body was going to be no big deal. How silly of me to forget that you have a crematorium in your taxidermy station. So they just they just toss the jogger into the crematorium thing and, uh, fire it up and then she does this cool, like scrunching up thing like she's. Yeah, it's great I call. Oh, yeah, I called it the taxidermy torium. And then, yeah, so it's amazing. But anyways, lips now has suggested that. She just she just she suggests that Frank get rid of Anna because you know, because she wants all the attention basically, but also because the, you know, it's crazy. And the odds of keeping a weirdly preserved dead body in your bedroom is probably. Not a good idea so. She says it's for his safety and she's like.  John  Forget about her. She's dead.  John  And we're alive. But Frank's not having it. He's going to keep her in her own room. She's getting all dressed up because, you know, they're going to have guests or whatever. Then the cops show up and she immediately puts on her nursemaid. Get up with an apron again because she can't have guests. You know, with the police to know that you're having guests. I didn't understand that.  Josh  There was a lot of her walking back and forth in a room, taking a gown off, putting a gown back on. It was like.  John  I don't think.  John  The cops care. They're just looking for a missing jogger. So she's kind of, you know, they're they're asking a bunch of questions outside and frank. Answering their questions, but obviously being vague and then she's a little bit more kind of aggressive, like pushing back and then they're like, you know, well, we could get a we could get a warrant, but we would really like to search the place if we could. And she's like, sure come on in. So they they go straight to the taxidermy torium. They're like looking around and the guys like, oh, these are these are amazing. What is this? It's like some taxidermied animal I didn't even. Catch what it was.  Josh  It's like a bird or.  John  Something. Yeah, like a bird.  Josh  Or a squirrel like it was. Just one he's like ooh.  John  And she's like, ohh well here, let me wrap that for you so you can take it home for free.  John  She just puts a piece of paper.  Josh  Like ohh here. Yeah, you wouldn't wanna.  Josh  Touch that. That's so weird.  John  Oh my God. And then the cops are like, well, you know, I think I've. Seen enough and they leave.  Josh  And yeah, whatever, and and then.  John  That was so strange. And then we we cut to a dinner table. She's back in her her gown or dress or whatever the ****. There's all these weird people in that in like leader hose and and **** sitting around the table and and then there's this woman who has a full on mustache. Like just rocking the stash? Like where no one's going to mention this, OK, Italy. And they're like, EZ, what the fathers spread, that you got the and she she brings in this suckling pig or piglet. It's really small, I don't know. And they're all sitting there and they ask about Frank.  Josh  Know Liz Wizard the Frank Carini?  Josh  They're all drinking like they've got like these, these tiny little cordial cups full of cranberry juice. I assume they're there's even this one, like, whenever the pig comes out there like and he's like alright, I know when people want me to do a thing and he like he goes to carve the pink but it like leaves the pig all the way in the middle of the table. So he's having to, like, reach all the way over with the fork and knife, and it's real awkward. And meanwhile, Frank is just moping outside. And then yeah, they call for him. He comes in. He doesn't say ****, but then Iris announces that they're going to get married.  John  What the **** was that? Where I'm like, how? How many times do I have to watch this movie and, you know, to go back and see the part where they talk about getting married because they don't? They never talked about it. This is literally the only scene in which that gets mentioned.  Josh  And we don't know who these people are. It seems like they're her friends, but she's the maid. I don't know what's happening.  John  It's it's butcher, Baker linguine maker.  Josh  Nice. Ohh man.  Josh  So that he just leaves while everyone's like mid cranberry juice toast and they're like ohh he must be feeling weird. I don't know. I got a little French in there. He goes to Anna's bedside and begins to cry and profess his forever love for her, and then goes for a jog. For some reason, yeah. At this point, the funeral guy is back. He's sneaking into the house again. Iris, all of the guests are gone. Iris is just **** face drunk. Honestly, the best job I've ever seen of a person in a movie. Stumbling around after waking up drunk like I was like, wow, that is, that is exactly what it looks like.  John  Her hair's all messy. It's great.  Josh  Yeah, she just can't really do a straight line. All good, she thought she heard someone. She's so she's. Stumbling around the house looking for Frank. It doesn't matter that she's drunk. Meanwhile, the funeral guy has found the one ugly, dingy poor people. Part of the house. It's like some basement or something where the ceiling is like 6 feet high. And it's all painted like ****, and he's, like, looking through stuff, and he finds Anna's body in a in a closet. It falls out like in the movie pieces, but this did come out before the movie pieces. I'm sure there are other movies that this coping, but I was like, hey. Just like in.  Josh  Then he he takes a photo.  Josh  Of the body laying on the floor and scoots out and then we see him developing the photo somewhere else.  John  Now we're in his his personal black room, yeah.  Josh  Ohh, it's so ******.  John  And why did she fall face first out of the dresser and land on her back?  Josh  She standing up in there?  John  It gets better.  Josh  It does, Iris then tells Frank to get rid of his gross doll. He slaps her. She tells him he'll be sorry. Then he leaves and goes to a discotheque.  John  As one do.  Josh  Yeah, he finds the one hoochie in the whole place. She's on the dance floor, surrounded by only men who are also dancing by themselves. No one is dancing together. None of these ***** Italian dudes are trying to approach her, and she is just doing the thing where you swing. Their ***** left and right as hard as possible. It's the most deliberate attempt for male attention I've ever seen. So he's just watching like a creep. He ends up bringing her home where she spends a good deal of time washing her **** in 1970s green water. John, you lived in the 70s, right? Why was the water always green?  John  Well, you see. In in France, what they would do is instead of having water run through the plumbing, they would use absinthe and then what you would do is put a little filter over the faucet head with sugar cubes in it. So as the absinthe passed through, it turned green.  Josh  That makes sense. That makes sense. I I I would assume in Ireland what it was is the pipes were made out of Clover.  John  That's exactly correct. Yes, the pipes were made of Clover and and so then you would. Then you would have boxes of Lucky Charms. I don't know. What I'm talking about?  Josh  There it is. That was good. I liked it. You stuck the. So yeah, so she's just in the bathtub washing her ****. Meanwhile, someone pulls up to the house in a taxi. Opens the door. It's Elena and his twin sister. Uh, iris is just. **** like she has no ******* idea what's up. She is just done with expressions. Yeah, she's lost. Frank sees this from the top of the stairs. She goes he he goes and he bullies. This is such a weird movie. He goes to to the discotheque. In the bathroom, he's. Like, hey, you have to leave now. I'll take you home. But you have to leave. And she's like, I'm not leaving until you put your come on me. And he's like, no, no, no. You have to leave. I'm gonna drive you home. And that's what happens. He like like. Smuggles her out the back, drives her home. This guy that just kills people. He's like, yeah. I'll take you home. It's going to be fine. So yeah, it's. Just that that happens and.  John  So well, you have to understand that he he felt sorry for her because she had very dirty ****.  Josh  So while while he's driving disco hoochie home. Iris is now left alone in the house with Anna. And So what she decides to do is she's going to. Move annas body into a spooky spot. Cut off the lights and then do a spooky voice at Elena like.  Josh  Woo the house is.  Josh  Jesus Christ, and to her credit, this is entirely effective and Elena cannot handle her ****. So she, like, backs up everywhere. Also, there's an amazing like giant bronze like furnace in the side of the room. I don't know what's going on. But that thing was ******* awesome. I need one of those.  John  Is that is that the thing that's covered in what looks like jade or something like? What the hell was that?  Josh  Like, like, shiny green.  John  Like wow, that is, it was a time machine.  Josh  You must have done so good in fascist Italy in this.  Josh  House time machine. I just come.  Josh  And so, yeah. So Elena is, like, spooking her way through the house. And then, like, I think she sees Anna's body propped up in the chair. And then she she turns around, and there's Iris in the shadows holding a knife the wrong way. Like they're they're. All sorts of different ways that you can hold the knife in a minute. Don't imagine any of those this is. The wrong way to.  John  Yeah, this is one step short of carrying it by the blade. I like when Elena's going through the House and she's got a candle to light her way and the way they they decided to shoot that was to hit her with a flashlight so that it would look like her. Candle was lighting the way when it's so clear that someone behind.  John  The camera is.  John  Just dosing her with a flashlight. It's like, yeah, why not?  Josh  So the very sight of Iris in the darkness with the knife is enough to cause her to collapse into a coma. Yeah, apparently she's done. Yeah, yeah, she she goes full blown, comatose, and then I. Chris very slowly comes up like it's it's hard. Like we're like, OK, she just wanted to scare the **** out of her, I guess. But no, she comes up to her very slowly and is like just step out because he can't build tension for ****. Joe Tomato knows this about himself after watching this movie, he cannot build. Mentioned for ****. So she just very slowly comes up to stab her. And then at the last second, I guess ******* frank, like, really took that hoochie home fast. She must live near by, that turns out.  John  She lives right.  Josh  Next door, Jesus in his in his like like isolated estate in the Italian countryside. He's just, like, got her back and and then drove back home real quick. I guess he knew that this was gonna be a problem. And so, just as she's bringing the knife down to stab Elena, he grabs her arm. He's suddenly there. And now they're fighting. ** *** she stabs him in the penis.  John  In the brown Jenkins.  Josh  Yeah, she separates the Frank from the beans. And he, like, does the whole. But then it's still good to keep fighting. So, so part of him getting stabbed in the penis as he falls back and, like sits in Anna's dead lap, the chair folds over there. He's, like, sprawling out on top of her.  John  He bites Iris's cheek off. He gives her a 50% Chelsea Grin.  Josh  She rips out his eye and more eyeball stuff. Yeah, and then he stabs her in the heart, which, which I'm sure Joe was like, ohh man, this is going to be really symbolic and help add to the tension.  Speaker 5  I'll teach them about suspense.  Josh  And then so Iris is now dead. He's stabbed her in the heart. Then he walks over to make sure that Elena's heart is beating. It is, and then he picks her up and carries her away. Later or something? Funeral Guy is now snooping around again. He just he can't get his fill of this situation.  Speaker 5  Is a new obsession.  Josh  We don't really know what his motive is either. He's just like looking for it. He he's snooping around, he finds Frank. Frank is still covered in blood. There's just blood all over his, like, dripping down out of his eye and and Frank is Manning the furnace and and Frank is, like, just conscious enough to, like, see the funeral guy and then pass out himself. And so the funeral guys like, oh, that's that's convenient. He looks in the furnace, he sees that there are bodies being burned. He he then sees Anna's body on the table and we find out this is in fact what he was here for, so he he picks up Anna's body. He drives. He puts the body in his car, drives away as he's driving off the property. We see he has the the photo that he took of Anna's body on the floor, and he drops it on the on the driveway, leaving the thing which is weird like it. Now we see what he wanted was Anna's body. Why he took the photo instead of just taking her body then we will never know. No, but he he he takes takes the body out. The photo he brings her body to the priest that presided over the funeral. They're talking about it. There's something about money being exchanged that didn't make sense. I guess I I think what we're supposed to get from it is that they found out that her body had been exhumed. And her parents paid him extra to get the body back or something like that, yeah. But it's super not clear. And then he he puts, he puts her body into the casket and him and the priest are talking. And then he slowly starts screwing the casket closed, and at this very moment with the coffin, shut the lid. Off and we see it's not Anna. In fact, it was Elena, and she's now flinging her arms and and just Jack Jaw opening her mouth in the most horrific, torturous expression ever screaming, screaming, flinging around, screaming, freeze frame. On her screaming face, it says the end, the end credits roll the goblin training video. Music plays movie over.  John  Oh my God. Ah, not never a dull moment.  Josh  No, no, many a confusing moment, but not dull.  John  Ohh yeah yeah yeah. Like like all Italian 70s or 90% of it makes no ******* sense. No idea.  Josh  I'm guessing there maybe there is a criticism of like the the wealthy Italian families. Like maybe this was playing into some stereotypes that I just don't know about.  John  Yeah, cause he's he like, inherited that fortune.  Josh  Right.  John  So he's just some spoiled rich kid who gets blow. He's from his nursemaid. I don't know what.  Josh  Yeah, that's right, the that's the the private investigator was like, yeah, I found out he's. Let's see here. He's like, ohh. OK. Here's a here's a tenner.  John  I couldn't have figured that out myself. He lives like *** **** castle.  Josh  So so John, yeah. But before we, before we. Dive into the things let's do the ratings.  Speaker 5    Josh  On a scale of 0 to 5, lonesome thing zero being this movie, doesn't it deserve to exist? And five, being that this is a masterpiece that other movies should be trying to emulate, and none of them ever will successfully rise to the occasion of, how would you rate Joe Demattos beyond the darkness parentheses? 1979.  John  I I don't know why I chose to do this 50. What four or five movies into the show, but it is. I decided to like break down into a comprehensive rating system, so like my first question is it horror 5? Yes, it's horror. It's straight up. Did I enjoy it? I gave it a.  John  3.5 you know?  John  OK, I enjoyed it. You know, overall production quality 2.5 pretty.  Josh  Yeah, that's that's yeah. But that's in.  Josh  The middle right? Yeah, yeah.  John  Effects, effects and makeup. I'm gonna give it a 4.5 because. Loved it. Atmosphere, which I think is important in horror films. I'm going to give it a 2.8 because the atmosphere is.  Josh  OK, OK. Yeah, yeah.  John  Terrible in that film. It's not scary at all. It's place and horror, I think is another important category. I gave it. A 3.8 because I think it is. It does have its place, but most people, and if they're not. Horror fans won't know about this, but if you study horror, particularly the 70s, this film does have its place and it is well deserved writing and acting. I gave it A2 and I think I was being generous. Overall, divided by what was that seven? I believe it comes out to 3.44, which is probably pretty damn close to what I would have come up with. Anyway, had I been purely subjective, which it's all purely subjective.  Josh  Right. Yeah. Fantastic.  Josh  I gave it a 3.4. What the ****? I.  Josh  I I I mean, I agonized over that 3.4 I I was like oh man. But I need to I need to move these numbers here. Alright so so my my rubric is 1. So in each of these it's a number between .0. 1 so it's like on a 10 scale. And then I just add them all together. So is it a horror movie? I gave it a .8 like so. That's a that's a 8 out of 10. Basically I enjoyed it. I gave it a nine technical horror. I gave it A7. You know, there's some some ways in which it like it wasn't scary and that, but but the actual. Effects were just phenomenal and and and really good technical film. I gave it a .2. Yeah, artistry and contribution. I gave it 8 and all at like .8 point 9, point 7.2 and .8. That's a 3.4. We've got good rubrics.  John  They're actually pretty and and quite similar in in certain respects. Now, to be fair, like so.  Josh  We both gave this 3 point a 3.4 and. A 3.44. This is not a 3.4 out of five movie it is. It is not nearly a what? That's almost A7. Of 10 it's not, but it is definitely a 3.4 out of five loathsome things, like on on our scale. That's where it belongs.  John  That's right. We we will not be included in the Pantheon, but if you're going based entirely on our our mentality, which you know we all know about that by now, then yeah, I think a 3.4 ish 3 point. Yeah, I think that's fair. I like that. We were off by 4-1 hundredths of.  John  A point, yeah, yeah.  Josh  Yeah. So that is a 6.84 out of 10 loathsome things. That's way, way high.  John  This movie sucked ***.  Josh  This movie is terrible, but I just enjoyed it so much.  John  I I mean, I could. I could watch it as soon as we're done recording again and love it just as much.  Josh  So we've got like the other ones like a a muck train and and the pit this is like in those that vein of movies where it's just ridiculous. But this was just way better than those.  John  It is it is it? It it's almost an actual movie.  Josh  Yeah. So so Joe D'amato. Rest in ***********. You you made something that we really enjoyed, even though it was like sleazy as ****. There's so much like. Unlike just like, yeah, let's get some **** in here. Let's, let's show the whole Bush like. We're going for it, but. But I mean it it it's just one of the only movies I've ever seen that transcends the sleaze into just. Absurdly amazing nonsense.  John  Yeah, it it really. It really is a blast to watch. It's so ridiculous. It's such so 70s. It's it's great.  Josh  Whenever whenever I saw the suckling and I was like, oh, I'm gonna have to tell John about this. And then when I. Talked to you about it? I was like, hey, have you heard of this movie? You've seen it. You're like, no, I. Haven't I was like.  Josh  Ohh yeah, it's gonna be so good. This is why we do this podcast. It's movies like this.  John  Ohh yeah absolutely. Yeah, I saw the cover. Maybe it looked vaguely familiar, but I didn't know. About this movie not at yeah.  Josh  And then I didn't even realize it until I was like going through it like the the goblin element. I was like ohh God John's gonna like this like, but it's all so terrible.  John  I know I'm. I'm like, oh, I'm gonna pinch a link on this and then it starts, starts good, starts strong for a good solid 8 or 9 seconds and then. Man, it just devolves into like training video stuff like you said. Yeah, that's it's that. Remember to turn your badge in at the end of the day.  Josh  You are required to wear the T-shirt and we will charge you for the T.  John  We will be leaving the bathroom doors open as a safety feature.  Josh  Remember, your manager is your friend.  John  If you encounter a homeless person washing their testicles in the sink.  Josh  Ohh, you get the idea. Yeah, yeah, if. A guy is hiding a baseball bat in his pants approach. Him from a distance. Please watch tape two to figure out what to do if you come across a pile of magazines covered and come.  John  And please grab a gluten free bagel on your way out the door.  Josh  Oh Barnes in problems. Good. All right. So yeah, yeah, a 6.84 any anything that you want to like, zoom in on and and and like, pay a special attention to or a favorite moment. Something that that made this a gym for you.  John  I mean the. The God there's. There were a lot. That's that's true. The the whole dismemberment scene was just classic. It was it was just pure. Pure Italian schlock. I mean that's that's what you you come for that and you have it. And yourself, Sir?  Josh  Ohh man I I just. All, all of the stuff with Iris, I mean, she's. The movie is about Frank, but it she is just such a great, weird villain. She's not even the villain, he's the villain. It's like he's the bad guy of the movie, but she's just so good and she eats up the screen every. Time she's on it. Your eyeball, like I could see why his career in softcore core *********** got started, but then didn't like finish because like, yeah, he's got, like, the eyes, he's got the hair, the jaw, like he's handsome. But your eyeballs just slip right off of him like he he could blend into a crowd of pretty people, but like the instant that she's on camera, you're like, whoa, what is she doing?  John  She's got a look. She just has that. There's just a look to her. He he has a look. What I would describe as a young Billy Joel.  John  So there you go with that.  Josh  So yeah, it was good. I loved it. If you can handle the problems, it's got some problems, but it's it's much easier to watch than some of the other weird stuff we've seen.  John  Yeah, yeah, it this this falls. Firmly in the place of horror.  Speaker 5  Yeah, you're you're good there.  Josh  Speaking of other things that things that we've watched, Sean, what about have you been watching anything else or consuming any other media or or doing any other cool things?  John  Hey, just the usual listening to a lot of audio books at work, horror audiobooks currently listening to a book called The Shoemakers Magician, which is written by an author out of Chicago named Cynthia Pelayo. She just won the Bram Stoker Award last night for her poetry, which is cool. And I guess is what like as long as I'm and it's a great book, by the way, it's it's about a woman who's, like, kind of obsessed with folklore, with old horror movies. And her husband is a homicide detective who is investigating a bunch of weirdly cult related murders. It's it's really interesting. And it's a nice mix of elements. So anyways, that's that's really the main one. The rest of this stuff is like I haven't seen any really horror movies or anything like that. I don't know. How about you?  Josh  It's a new. Movie The the directors name is DW Medoff it it's his feature film debut, it's called Pollen. It's.  John  Oh yeah, yeah.  Josh  Yeah, it's, it's good. It's super low budget and it it's kind of a I, I don't know if you're familiar with the mumble core idea of movies, it's very mumble core, very, very low budget like it you. You can see it in there. And it and it doesn't pull itself all the way out of the the low budget slums of like. Where it could be. Rated But it it it gets a little. Bit out of there. There's actually some some meat on the bones and it's it's an interesting watch. In some ways. It's kind of problematic. It would probably be better if. It was written and directed by a a woman because it's very much like a **** **** and me too, and a status quo in the workplace type of deal. I'd recommend watching it. I think it's only available for rent, so I would recommend y'all go out there, throw a few dollars on it, give a a new upcoming creator a a little, a little extra spending cash for and encouragement for their next project. It's it's good like they're they're trouble. I'm not, I'm not. Qualified to to say whether or not it portrays things like that in a good way, so it's very possible that the. Like did his research had, like, consultants, that made sure that this was done the right way? It's just like they're little parts of me. That's like I suspect maybe this. Could have been done. Better, but I don't know, but it was enjoyable to watch.  John  Well, I I I I hadn't seen it and I. Mean saw that it was. Out there and it looked interesting. So yeah, now I'll definitely watch it.  Josh  Yeah, it's really good. And so my TV just died, right? Right. Right before our we recorded our last episode. And I got a replacement. And I actually. It, like the old one, was 4K, but it was one of those like, not really 4K things. And this one is actually 4K with the O LED. And the first thing that we watched on, well, the first thing I watched on it was a old system of a down music video which looked like trash because it was from like 2004. And then we watched King of the Hill. So it was like we're not really doing this TV justice. So we watched Ant-Man. And it's ******* gorgeous on this TV. It like, I'm gonna try to watch as much as possible on there. I'm gonna have to see if I can get my headphones on there, because watching stuff on a really actually high quality screen TV is amazing. It's it's a game changer for real, yeah. Yeah, like with that other TV, like when we got it. And watch stuff on. It I was like ohh neat. It's big and then. With this one I'm like. Ohh look I can see. Stuff moving and ah, it's good. Yes, that's it's.  John  Yeah, it's a totally different experience when some when something shot in 4K it it, it looks different. I mean it. The motion tracks different and you know the the the the level of clarity is is like like it's yeah. Like you do see a lot of things you wouldn't see otherwise, but it's just. It's almost like you're looking through a damn window.  John  Yeah. Yeah, yeah, that's.  Josh  And sometimes some of the things even look a little bit weird, like like on old British TV shows where, like it, it's got like that weird blurry effect. It kind of does that sometimes, but it's still good. I'm still getting used to it. Sometimes I kind of hate it, but most of the time it's very rad. And what are we watching? Next time, John.  John  Now, next time we're watching a movie that is heavily influenced by the Texas Chainsaw Massacre, which is fine with me if you pull it off, it's a A I believe it's an Indonesian film called Maccabe. And it's directed by Timo Jazz Zanto or something like that. I can't pronounce his name. He did some of the VHS stuff. He did my my personal favorite VHS film, the one with the Crazy murder cult that summons a demon.  Josh  I see, yes.  John  I love that film. He made that. We also made some of. Those like super high violence tower type movies, you know, like he kind of got in on that thing you. Know where the. Guys are that kind of world. He did some. Of that stuff too.  Josh  Was was he involved in, like the raid redemption?  John  He might have been. I can't remember the connection I'll have. I'll look it up for the next for the for when we recorded. But the movie itself is it's like a bunch of young people in a van and. They basically you're out in the middle of nowhere and it breaks down and they get taken to this house, which in this case is like this big Gothic kind of mansion, and it's run by this matriarch and her weird family. And yeah, it turns out that they're just like, murderous cannibals. And it is ******* over the top and amazing.  Josh  Oh yes, I haven't looked up anything about it, but that that sounds ******* great. Do we there? Have you seen it recently? Are there anything that we can warn our fans about?  John  Well, it's extremely violent and the violence is.  Speaker    John  Is yes, it's over the top, but it is. It is pretty, you know. I mean it's very graphic like it's, you know, there's insane amounts of blood and stuff like that, but it's just and and and then the situations that the violence is presented in are are pretty intense. I mean, so it's it's a very unflinching movie which is kind of his thing. But he's a he's kind of a gonzo guy, but it's a lush film. So, yeah, it's gonna be a lot of fun.  Josh  I'm looking forward to it and I hope you, our listeners are looking forward to it as well. We will be releasing the episode where we cover that in two weeks. So do watch it cautiously so that you can keep up with us because we're so good at what we do.  John  Ohh we are state-of-the-art and in the meantime I'm sorry that you all have to take a bath in Chianti. Acid. 

This week on the Bad Movie Night Podcast we discuss the 1980 Italian horror movie, Anthropophagus: The Grim Reaper Become a Patreon at www.patreon.com/badmovienightshow

Back in ancient times, before Netflix and Amazon Prime, before Hulu and YouTube, even before DVDs and Blu-rays, if films weren't available to you from either your local video stores, or if you wanted to see an uncut print of a movie, or even one that wasn't released on VHS, the place you could find them would be in fuzzy gray market of the bootlegs. These types of vendors were a staple to a lot of the early movie conventions, where fans could find titles that never even knew were out there.  Some of us are old enough to remember being able to finally see the uncut full letterboxed version of Lucio Fulci's The Beyond, after years of suffering though only being able to see the heavily edited Seven Doors of Death. As your collection grew, you would usually start trading with others, increasing your collection even more, as well as helping to spread the love and passion of these amazing films. This is what we're discussing in this episode, so sit back and either reminisce with us, or learn about the good old days, when we were happy for a 5th generation grainy print of Anthropophagus that had the infamous fetus scene! Films mentioned in this episode: Anthropophagus aka The Grim Reaper (1980), Army of Darkness (1992), Bad Taste (1987), The Beyond aka Seven Doors of DeathT (1981), Beyond the Darkness (1979), Blood from the Mummy's Tomb (1971), Braindead aka Dead Alive (1992), Cannibal Ferox aka Make Them Die Slowly (1981), Cannibal Holocaust (1980), City of the Living Dead aka Gates of Hell (1980), A Cold Night's Death (1973), Dawn of the Dead (1978), Dellamorte Dellamore (1994), Emanuelle and the Last Cannibal aka Trap Them and Kill Them (1977), Faces of Death (1978), Female Vampire (1973), Four Flies on Grey Velvet (1971), Friday the 13th (1980), Frankenstein and the Monster from Hell (1974), The Ghost Galleon (1974), Guinea Pig: Flower and Flesh and Blood (1985), Hardware (1990), The Haunting (1963), I Drink Your Blood (1971), Jungle Holocaust (1977), Lady Frankenstein (1971), Mad Love (1935), Man Made Monster (1941), Mary Shelley's Frankenstein (1994), Meet the Feebles (1989), Mondo Magic (1975), Nekromantik (1988), Nekromantik 2 (1991), Night of the Seagulls aka Night of the Death Cult (1975), Opera (1987), Return of the Living Dead (1985), The Third Eye (1966), Tombs of the Blind Dead (1972), Zombie (1979)

"There's evil on this island, an evil that won't let us escape." This week Alexis and Kevin discuss some gore films from their favorite Italian filmmaker, Joe D'Amato, starting with 1980's ANTHROPOPHAGUS

Depending on when you not only grew up, but grew up with the horror genre could define what films you like, and what you don't like. But then there are other fans that open up the borders and search outside their comfort zone. In this episode, we discuss those ideas with our special guest, S.A. Bradley, author of Screaming for Pleasure: How Horror Makes You Happy and Healthy, as well as the host for the podcast Hellbent for Horror. This isn't an episode about specific films, though plenty are mentioned and discussed in great detail, but also on how they are received by the current audiences, as well as the older, and sometimes younger audiences, and what the differences are. These are the films mentioned in this episode: 3 on a Meathook, Anthropophagus (1981), Babadook (2014), Barbarian (2022), Bunny Lake is Missing (1965), Burial Ground (1981), The Cabinet of Dr. Caligari (1920), Cannibal Ferox (1981), Cocaine Bear (2023), The Cursed (2021), Curse of Frankenstein (1957), Dark Shadows (1966-71), Dawn of the Dead (1978), Dracula (1931), Deranged (1974), Devil Dog: Hound of Hell (1978), The Exorcist (1973), The Exorcist II: The Heretic (1977), Frankenstein (1931), Friday the 13th: Part III (1982), From Beyond (1986), The Godfather (1972), The Godfather II (1974), The Green Slime (1968), Halloween (1978), The Haunting (1963), Hellraiser (2022), Hereditary (2018), Jaws (1975), Looking for Mr. Goodbar (1977), Maniac (1980), Midsomer (2019), Night of the Living Dead (1968), A Nightmare on Elm Street (1984), Nosferatu (1922), The Phantom of the Opera (1925), Psycho (1960), The Omen (1976), Onibaba (1964), Ringu (1998), The Ritual (2017), Rocky (1976), Rocky II (1979), Scream 6 (2023), Skinamarink (2022), Sleep Tight (2011), Snuff (1975), Taxi Driver (1976), Tenebrae (1982), Terrified (2017), Terrifier (2016), The Texas Chain Saw Massacre (1974), The Thing (1982), The Thing from Another World (1951), Tombs of the Blind Dead (1972)

Listeners are HUNGRY for fresh content, and it appears as though some of them (or at least one of them) possess an insatiable appetite for the 1980 Italian horror classic (?) Antropophagus aka The Grim Reaper AKA Savage Island. Ooph, that title is a mouthful! But Troy and Roger are here to satisfy your cravings, and thus they've decided to take a huge chomp out of the poorly dubbed cannibal flick . And boy oh BOY do they have some serious thoughts on the matter! So sit on down and prepare yourselves for a literal FEAST as they serve you up a hearty helping of meaty topics and delectable conversation! Talking points include the undeniable allure of quaint Mediterranean island towns, extreme closeups on highly ineffective paper mache corpses, the inability to root for a character who is clearly a sexual predator and will not accept “not interested” as an answer to their advances, and an extensive list of all of the reasons as to why a pregnant woman should not be allowed to travel abroad, PERIOD. So hop on a gondola and take flight as the boys prepare to glide ever so gracefully into a brand new episode! Find out more at http://www.darknightofthepodcast.com

Its Doctor Movie time and we are back for another listener's request for some Joe D’Amato splatter with the controversial Anthropophagus! The post Doctor Movie: Episode 85 : Anthropophagus first appeared on Legion.

Its Doctor Movie time and we are back for another listener's request for some Joe D'Amato splatter with the controversial Anthropophagus! The post Doctor Movie: Episode 85 : Anthropophagus first appeared on Legion.

 DownloadWelcome to Episode 303 of LOTC. This week the crew is discussing Horror movie poster art with special guest Edward Delgado. Edward is a Graphic Designer who has created several of the logos used with LOTC as well as many other podcasts. Edward came up with the theme this week which was our top five horror movie posters. This was a lot of fun talking about not only the posters that made us want to see a movie. If you think this is just going to be us naming a poster, then you will be mistaken as we really break down our thoughts on each poster. You will have a deeper appreciation about the posters we love to buy or hang on our walls from our favorite movies. You will find yourself examining the ones you own, and be surprised to find hidden art within art. As a Horror Podcast the crew also review Driller Killer which happens of course to be about an artist gone mad & finds a way to relief his stress. We thank Edward "Eddie " for sharing his knowledge & talent with LOTC. We hope you will enjoy this episode and let us know which are your favorites all time artsy horror posters. Thank you for your support. HELP KEEP HORROR ALIVE!!!TOP 5 POSTER ARTEDDIE                                                                                5. JAWS4. THE EVIL DEAD3. SILENT NIGHT DEADLY NIGHT2. MANIAC1. A NIGHTMARE ON ELM STREETDAVE BECKER5. THE DESCENT4. THE EXORCIST3. HOUSE ON HAUNTED HILL2. THE NIGHT EVELYN CAME OUT OF THE GRAVE1. ATTACK OF THE 50FT WOMANBILL VAN VEGHEL5. ANTHROPOPHAGUS4. THE CABINET OF DR. CALIGARI3. THE BIRD WITH THE CRYSTAL PLUMAGE2. JAWS1. THE MASQUE OF THE RED DEATHPEARL5. THE COMPANY OF WOLVES4. FRIGHT NIGHT3. NIGHT OF THE DEMONS2. POLTERGEIST1. DRACULAGREGAMORTIS5. DEEP RED / PUMPKINHEAD4. PHANTASM3. THE HOUSE BY THE CEMETERY2. HALLOWEEN 31. MOTEL HELLMOVIE REVIEW :1979 THE DRILLER KILLERRATINGS:EDDIE : 7.5DAVE BECKER : 7BILL VAN VEGHEL : 6.5PEARL : 7GREGAMORTIS : 8AMAZON PURCHASEEDWARD DELGADO LINKS :ART WEBSITEFACEBOOKFRESH BLOOD THEATER FACEBOOKINSTAGRAMLOTC Links :Land Of The Creeps InstagramGregaMortisFacebookTwitterLand Of The Creeps Group PageLand Of The Creeps Fan PageJay Of  The Dead's New Horror Movie PodcastYoutubeInstagramEmailLetterboxdHaddonfield HatchetTwitterLand Of The Creeps TwitterDr. ShockDVD Infatuation TwitterDVD Infatuation WebsiteFacebookHorror Movie PodcastJay Of The Dead's New Horror Movies PodcastYouTube ChannelLetterboxdDVD Infatuation PodcastThe Illustrated Fan PodcastBill Van Veghel LinkFacebookLetterboxdPhantom Galaxy PodcastTwisted Temptress LinkLetterboxdLOTC Hotline Number1-804-569-56821-804-569-LOTCLOTC Intro is provided by Andy Ussery, Below are links to his social mediaEmail:FacebookTwitterOutro music provided by Greg Whitaker Below is Greg's Twitter accountTwitterFacebookLespecial FacebookLespecial Website

Ring that dinner bell, maniacs! We're doing another helping of the Thanksgiving Buffet this month and kicking it off is the Italian cannibal flick Anthropophagus! Tune in as we discuss this flick and other topics such as Buckethead making an appearance, our favorite movie trope of characters just walking around, and stick around for an extended edition of Manic Feedback where you tell us the horror movie scenes that have stuck with you.

"Hell Yeah." Join us as we discuss Anthropophagus.  The classic shocker from Italian director Joe D'Amato. We talk about dope beats, dirty water, single fisted abortions and MUCH MORE!

The Violet Hour presents - HOLLOW Episode 07 - Anthropophagus Amelia and the crew of the Erebus learn what really happens when “criminals” are sent away to the out worlds. A Violet Hour Media production. LISTENER WARNING: This program includes depictions of violence and other subject matter that may be upsetting for listeners. Please proceed with caution. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we revisit the films of Joe D'Amato, specifically his 1981 Anthropophagus follow-up - Monster Hunter. George Eastman stars as a regenerative Greek psycho-killer on the run in a faux-American small town. His pursuer is a priest, who honestly doesn't do much monster hunting, or much of anything to stop Eastman from murdering a slew of victims and trapping a bed-ridden child in her house. On this episode: head-sawing, head-cooking, head-severing, a proggy Goblinesque musical score, regenerative powers, mysterious spinal ailments, predictions of trauma, and creative solutions for your office storage needs!

261) Anthropophagus: The Grim Reaper (1980)

It's the weekly return of the one and only "What's Real?" podcast! This week opens up with discussions on the results of the 2022 NFL Draft and a breakdown of the Pittsburgh Steelers draft, a bunch of recent NXT wrestler cuts, and The Rock & Vice TV partnering up with a new pro wrestling series. Then, the guys return to one of their favorite places! It's time to head back down to the good old drive-in. Joe Bob and Darcy are back with season 4 of "The Last Drive-In". This week's "double feature" is the original and very personal "Night of the Living Dead", followed up by the crazy "Anthropophagus"! Next up is the WR? film segment, "The Movies That Made US". This week's, The J's pick, is the film that made him a horror movie nut. It's the Sam Raimi/Bruce Campbell collaboration, "Evil Dead 2: Dead by Dawn"! As always "Goofs R' Goofs" takes everything home. Enjoy responsibly. PRESENTED by churchillpictures.com Timestamps: 0:00:00 - Intro: - 2022 NLF Draft, Steelers Draft Picks, NXT Roster Cuts, The Rock and Vice TV Wrestling Series, and more! 42:44:00 - The Last Drive-In Season 4 "Night of the Living Dead" (1968) and "Anthropophagus" (1980) 1:15:40 - The Movies That Made US - "Evil Dead 2: Dead by Dawn" (1987) 1:47:45 - Goofs R Goofs Thanks for listening!

If you're anticipating a windfall then boy do I have good news for you: Jesse Plemons continues to make movies! And if you're anticipating a Grindhouse or an Anthropophagus then wow somehow that paid off as well!

When most horror fans they first get into the genre, they tend to look for the juicy, red, and meaty stuff . . . the gore. Okay maybe not all horror fans, but a lot of us. Always looking for the next over-the-top or extreme, or just being dazzled by the top-notch gory makeup effects that were bursting out from the screen, we ate that shit up! In this episode, we highlight some of our favorite moments of gore. Joining us on our journey through the gore-soaked trenches is the incredible artist Putrid! Alien (1979), An American Werewolf in London (1981), Anthropophagus (1981), The Beyond (1981), Beyond the Darkness (1979),Black Past (1989), Blood Feast (1963), Blood Freak (1972), Bloodsucking Freaks (1976), Bone Tomahawk (2015), Braindead (1992), The Burning Moon (1992), Cannibal Holocaust (1980), City of the Living Dead (1980), A Company of Wolves (1984), Dard Divorce (2007), Dawn of the Dead (1978), Day of the Dead (1985), Deep Red (1975), Dellamorte Dellamore (1994), Dream Home (2010), Dr. Lamb (1992), Dust Devil (1992), Ebola Syndrome (1996), Evil Dead (1981), Evil Dead (2013), Evilspeak (1981), Faces of Death (1978), The Fly II (1989), The Fog (1980), Found (2012), Friday the 13th (1980), The Gore Gore Girls (1972), Henry: Portrait of a Serial Killer (1986), House by the Cemetery (1981), The Howling (1981), The Initiation (1984), Irreversible (2002), Maniac (1980), Mermaid in a Manhole (1988), Nekromantik (1987), New York Ripper (1982), No Reason (2010), Opera (1987), Premutos: The Fallen Angel (1997), The Queen of Black Magic (1981), The Raid (2011), Rampage (1987), Robocop (1987), Scanners (1981), The Shining (1980), Society (1989), Splatter Farm (1987), Starship Troopers (1997), Story of Ricky (1991), Suspiria (1977), Tenebre (1982), The Thing (1982), Tonight She Comes (2016),Total Recall (1990), The Toxic Avengers (1984), Traces of Death (1993), Two Thousand Maniacs! (1964), The Untold Story (1993), Videodrome (1982), Violent Shit (1989), Wizard of Gore (1970), Woodchipper Massacre (1988), Zombie (1979)

Emanuelle and the Last Cannibals (1977), Beyond the Darkness (1979), Anthropophagus (1980), Absurd (1981). These are the four films from the one and only Aristide Massaccesi, better known as Joe D'Amato! Joining us in this fun discussion is HorrorHound's Managing Editor, Aaron Crowell! 

Join Frighternty for a post-thanksgiving cannibal feast! Sean and Danny spill their guts about everything offered up in Anthropophagus: The Grim Reaper. Get ready for an intestine munching, fetus feasting good time in this one of a kind Video Nasty by Joe D'Amato.

This week we are talking about one of the seminal Joe D'Amato films; his 1980 release ANTHROPOPHAGUS (The Grim Reaper, The Beast, Man-Eater, The Grim Ripper, Antropophagus). This one ranks high on our list of Italian horror, with good reason. Be sure to tune-in to this gut munching episode.

On this week's episode of the Really Awful Movies Podcast, a bit more Italian horror for ya. Welcome to a discussion of Absurd, which goes variously by Anthropophagus 2, Zombie 6: Monster Hunter, Horrible and The Grim Reaper 2 in keeping with the title multiplication common to Italian exploitation genre cinema. It's a batty 1981 … Continue reading Really Awful Movies: Ep 358 – Absurd →

It's family game night, what better way to spend it than having a round of "WHO'S THE DADDY?"Boo Lemont, Abbie Stabby and Captian J are quizzed over 20 questions about the video nasties for the final time (for a bit), joined by Andrew from  "Kids, what are watching tonight" who gets to play a proud podcasting patriarch to one of them.Who gets to be daddies favourite? will Boo ever return from his mission to deep space? (his audio is pretty ropey this week, sorry) Will J get left alone smelling his farts? will Abbies potty mouth ruin it for her? FIND OUT BY DOWNLOADING YOU!!!!The show contains swears and we've all had our mouths washed out with soap and waterAndrewKids, what are we watching tonight?TwitterAyesha RaymondLinktree for Ayesha RaymondAbbie StabbyTwitchInstagramFacebookContact the show via email at Fkinghello@gmail.comWebsite: TotalCultZone.comMusicThatFKingTheme - Boo Lemont

On a hot summer night in July of 2021, the dread lich Terminus rises from its grave again. Our break was a much needed one, but our addiction to painstaking discussion of extreme metal is one not so easily shaken by a touch of abstinence. Join us once again as we relapse into the worst of our habits with four new records from all corners of the metal scene. Did you miss us? No? That's okay I guess. Lykhaeon cuts the ribbon on the podcast's grand re-opening ceremony with a style of murky, textural black/death metal that seems to be developing before our very eyes. Equal parts caverncore, orthodox, and oldschool Norse, Lykhaeon's style attempts to drag its ambient oddities and gauzy yet weighty production back towards the center via a judicious injection of traditional, incisive black metal riffing. We need a name for this: Post-Orthodox? Cavernblack? Either way, Lykhaeon establishes themselves as a standard bearer for this style, whatever its name might be. It wouldn't be Terminus without a barrage of brutal death, and Anthropophagus Depravity provides exactly that. An Indonesian band surprisingly themed after Mayan religious atrocities, these guys work to create a new foundation for brutal death to build on. Blast beats and palm-muted 16th note runs? Check, of course, but there's also snatches of Ulcerate's watery dissonance and older Behemoth's vast and epic riffing. At once varied and utterly uncompromising, these upstarts present themselves as a force to be reckoned with in the new wave of brutal death. After our break we tackle Hell Strike's debut EP, which presents a swirling combination of death, black, and thrash metal that may be familiar to those who have heard other bands attempting to reinvigorate the primordial ooze of proto extreme metal. Unlike many of those, though, Hell Strike approaches the challenge with an attack of razor-sharp tremolo riffing, propulsive thrash rhythms, and structural ideas lent from the most sophisticated ends of Swedish death metal. There's no thunking murk to be found here (not that there's anything wrong with that)- just a precise and rigorous attempt to recreate the style's roots in a new fashion. Concluding our evening is the second full-length by Sarinvomit who wholeheartedly embrace a style of black metal now forgotten: that of Norsecore, most benighted of black metal's many spawn. There's blasting, angular riffing, and poisonous vocals, but also a wonderful sense of rhythmic play and a real passion for the days where black metal was still heavy and uncompromising. Are you tired of Finnblack, postblack, and any other "pretty" black metal? Here is your antidote. Not to be taken orally.   0:00 - Intro/Terminus News ft. Perceptions of Torment 0:10:28 - Lykhaeon - Opprobrium (Repose Records)* 0:52:37 - Anthropophagus Depravity - Apocalypto (Comatose Music) 1:31:36 - Interlude - Tiamat - “Whatever That Hurts” fr. Wildhoney (Century Media Records, 1994) (Available on all streaming services or in a batch of 20 at your local record store) 1:37:24 - Hell Strike - Hellstrike (Chaos Records) 2:16:16 - Sarinvomit - Awaken Ye Impious Hordes of Shaitan (Blasphemous Art Productions) 2:56:07 - Outro - Godslaying Hellblast - “Domination Hellfuck” fr. Bestial Laceration of Angelcunts (Hate & Murder Productions, 2011) *CLARIFICATION: Death. Void. Terror. is a Helvetic Underground Committee project.   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Featured Movie Reviews: Anthropophagus [Wikipedia] [IMDb] Blood Feast [Wikipedia] [IMDb] PROMO: Trial by Error Variety Show (@tbevarietyshow) SHOWNOTES: Welcome back to the Director's Cut! Beau and Ash delve into the world of video nasties—a list of 72 banned VHS tapes, primarily comprised of low-budget and exploitation films. We focus on the 1980 Italian horror film Anthropophagus, and the original splatter film from 1963, Blood Feast! Collateral Cinema: Director's Cut! is on Twitter, Facebook, and Instagram. We are also available on Spotify, Apple Podcasts, iHeartRadio, YouTube and wherever you get your podcasts. Also, look for us on Patreon, and become a patron at our $1 and $5 levels! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

The gang's all here....almost. Jason goes AWOL on the latest edition of #LRHSpod so Jon, Frank and Rob decide to take several conversational detours to fill out the show....yeah, we did it on purpose that's the ticket! 4 Brand new film reviews 1. Anthropophagus (1980)-Jon's pick 2. Berserker (1987)-Jason' pick 3. Nightmare (1981)-Rob's pick 4. Dollman vs. Demonic Toys (1993)-Frank's pick   Thanks for listening to #ZTOTV Subscribe now and never miss a new release from Last Roundup Horror Show or our companion program the Last Roundup Horror Club or #LRHClub 

The Dwellers spend their Friday night as everyone should: by watching a double dose of gory 80's Italian cinema! More specifically, two surprisingly different films from director Joe D'Amato. Listen and find out their thoughts!

We are back! The Here Comes The Spooky Podcast is back and we are coming at you full force! This time we are bringing you not 1 but 2 movies in this episode of spookiness. First we watch Anthropophagus (good luck saying that correctly), followed by its "spiritual sequel" Absurd. We also run down our lists of favorite independent studios for your most hard to find, low key blu-ray movie releases. So make sure you tie that buddy to a chair as we bring back your 2nd favorite podcast. STAY SPOOKY!

This week, Lori is once again joined by Aria of Queer Horror Cult for a double feature of Joe D'Amato video nasties, taking a look at "Anthropophagus" (1980), and it's spiritual successor, "Absurd" (1981).

A group of friends and a hitchhiker become stranded on a tourist island where they are stalked by a disfigured cannibalistic killer who is prowling the island after killing its residents.   March madness begins for The Horror Junkyard and there's no better place to start then yet another Joe D'Amato Italian horror schlock fest.  With a film that landed him on the UK's infamous "video nasty" list.     It's a modest proposal of tourist disposal with the tarot reading, people eating boat ride to nowhere, 1980's Anthropophagus.   www.prowrestlingtees.com/SEGshirts

Doing the Nasty Season 1 Episode 1 Intro - 0 - 22mins 45secs Anthropophagus The Beast - 22mins 45secs - 50mins 45secs Axe - 50mins 45secs - 1hrs 16mins 15secs Absurd - 1hrs 16mins 15secs - 1hrs 37mins 15secs Closing - 1hrs 37mins 15secs - End ©TPUTS Collective 2020

Links www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/screamingpotty/ https://www.facebook.com/mrparka http://shutupbrandon.podbean.com/ https://www.facebook.com/screamingpotty/ https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2 https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast Time Stamps “Anthropophagus” Review – 1:53 “Absurd” Review – 10:19 “The Forest of Lost Souls” Review – 17:34 “Hold the Dark” Review – 22:39 The Weekly Western “Return of the Seven” Review – 31:44 The VHS Voyage “Auntie Lee's Meat Pies” Review – 41:50 “Shakedown” Pick a movie Review – 47:00 Pick a movie drawing – 55:12 Q&A –56:28 Question of the Week/Viewer's Answers – 58:18 Contest – 59:06 Update – 1:00:27   Video Version – https://youtu.be/L34WYNWgiWs   Links of Interest More Information, Written Reviews of “Anthropophagus” and “Absurd”, Enter contest, Ask or answer a question –   Franken-Fatale Facebook – https://www.facebook.com/frankenfatale/   Severin Films Website – https://severin-films.com/   Severin Films Facebook – https://www.facebook.com/severinfilms/   “Anthropophagus” Blu-Ray – https://severin-films.com/shop/anthropophagous-bluray/   “Absurd” Blu-Ray – https://severin-films.com/shop/absurd-bluray/   Severin “Maneater” Bundle – https://severin-films.com/shop/maneater-bundle/   Wild Eye Releasing – http://www.wildeyereleasing.com/   “The Forest of Lost Souls” Blu-Ray – https://mvdshop.com/products/forest-of-the-lost-souls-the-blu-ray   “Hold the Dark” Netflix Streaming – https://www.netflix.com/Title/80157072   “The Magnificent Seven” Blu-Ray Set – https://www.amazon.com/Magnificent-Seven-Collection-Blu-ray/dp/B003DZAM8O/   “Auntie Lee's Meat Pies” VHS – https://www.amazon.com/Auntie-Lees-Meat-Pies-VHS/dp/6302544297/   Shout Factory! Website – https://www.shoutfactory.com/   “Shakedown” Blu-Ray – https://www.shoutfactory.com/product/shakedown?product_id=6524   Enter contest here –   Update             4K Puppet Master The Littlest Reich Blu-Rays Matinee The Strangers Bat Peopl

Linkswww.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/screamingpotty/https://www.facebook.com/mrparkahttp://shutupbrandon.podbean.com/https://www.facebook.com/screamingpotty/https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast Time Stamps “Anthropophagus” Review – 1:53 “Absurd” Review – 10:19 “The Forest of Lost Souls” Review – 17:34 “Hold the Dark” Review – 22:39 The Weekly Western “Return of the Seven” Review – 31:44 The VHS Voyage “Auntie Lee’s Meat Pies” Review – 41:50 “Shakedown” Pick a movie Review – 47:00 Pick a movie drawing – 55:12 Q&A –56:28 Question of the Week/Viewer’s Answers – 58:18 Contest – 59:06 Update – 1:00:27   Video Version – https://youtu.be/L34WYNWgiWs   Links of Interest More Information, Written Reviews of “Anthropophagus” and “Absurd”, Enter contest, Ask or answer a question –   Franken-Fatale Facebook – https://www.facebook.com/frankenfatale/   Severin Films Website – https://severin-films.com/   Severin Films Facebook – https://www.facebook.com/severinfilms/   “Anthropophagus” Blu-Ray – https://severin-films.com/shop/anthropophagous-bluray/   “Absurd” Blu-Ray – https://severin-films.com/shop/absurd-bluray/   Severin “Maneater” Bundle – https://severin-films.com/shop/maneater-bundle/   Wild Eye Releasing – http://www.wildeyereleasing.com/   “The Forest of Lost Souls” Blu-Ray – https://mvdshop.com/products/forest-of-the-lost-souls-the-blu-ray   “Hold the Dark” Netflix Streaming – https://www.netflix.com/Title/80157072   “The Magnificent Seven” Blu-Ray Set – https://www.amazon.com/Magnificent-Seven-Collection-Blu-ray/dp/B003DZAM8O/   “Auntie Lee’s Meat Pies” VHS – https://www.amazon.com/Auntie-Lees-Meat-Pies-VHS/dp/6302544297/   Shout Factory! Website – https://www.shoutfactory.com/   “Shakedown” Blu-Ray – https://www.shoutfactory.com/product/shakedown?product_id=6524   Enter contest here –   Update             4K Puppet Master The Littlest Reich Blu-Rays Matinee The Strangers Bat People Full Moon High Nightmare at Noon The Beast The Secret of Dorian Gray Cannonball Run Smokey and the Bandit Butch Cassidy and the Sundance Kid Star Wars the De-specialized Trilogy DVD Alien Thunder   Film Notes   Anthropophagus – 1980 – Joe D'Amato Absurd – 1981 – Joe D'Amato The Forest of Lost Souls – 2017 – José Pedro Lopes Hold the Dark – 2018 – Jeremy Saulnier Return of the Seven – 1966 – Burt Kennedy Auntie Lee’s Meat Pies – 1992 – Joseph F. Robertson Shakedown – 1988 – James Glickenhaus

Welcome to the next instalment of our sub-set of show exclusively looking at the Italian Collection releases of 88 Films. 88 Films have, for the last 2 years or so, have been on a tear releasing a torrent of Italian genre classics in high definition. I have been purchasing them and it should be no surprise to anyone, I have left them pretty much unwatched (what can I say...I'm a compulsive collector). In order to watch the movies I buy, and of course create some quality content for you all Under the Stairs, I will be running through each of the movies on this bonus series between 1-2 movies a month depending on the TPUTS schedule. So strap yourself in for a rollercoaster ride of alleged plagiarism, zombies, gore, rape, genital mutilation, sexism, revenge, gialli, cops and robbers, cannibalism, sci fi & more bush and titties than an annual subscription to Penthouse magazine. Disc 7 in the 88 Films Italian Collection is a Video Nasty title that shocked the censors with its blood lust, scenes of cannibalism and of course the devouring of a fetus which is pulled from its still alive mother....that's right folks....its time to get down and dirty with Joe D'Amato's Anthropophagus (1980). The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn’t Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It Anthropophagus: Duncan: 3.5 Up next on the Italian Collection Series is Disc 8 - Hitch-Hike (1977). BUY OFFICIAL TPUTS MERCH FROM http://tputscast.bigcartel.com Check out the show on iTunes, TuneIn & on Stitcher Radio. The Podcast Under the Stairs is a proud member of Legion Podcasts. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

We've covered slasher films before on The Lament Configuration but these are a little bit different: these are Italian slasher films, so expect lots of gore and sleaze. These three video video nasties are all available on DVD and Blu-ray from 88 Films if you want to check them out. Featuring the world's most inept psychiatric facility, old computers, bad child acting, questionable effects, Germans wearing giant headphones, bad toupees, ketchup, and ummm… foetus eating. Make sure to have your compasses at the ready!   Timestamps: Nightmares in a Damaged Brain: 1:57 - 31:17 Anthropophagus: 31:17 - 48:22 Absurd: 48:22 - 1:06:09

Join your hosts Rob Galluzzo, Elric Kane, Rebekah McKendry, and Ryan Turek as they talk all the latest horrors! Elric and Ryan discuss Shudder's latest COLD HELL. Rob's been catching up on ASH VS EVIL DEAD season 3, and also enjoying the Scream Factory releases for THE BURBS and BEHIND THE MASK. Bekah checked out DANCE MACABRE and ANTHROPOPHAGUS. Elric revisited the original INVADERS FROM MARS and ED WOOD. Then we welcome very special guest Jonah Ray to the show! Jonah is the host of MYSTERY SCIENCE THEATER 3000: THE RETURN and a huge horror fan! We delve into his humble beginnings in Hawaii, what movies he'd love to riff on for future MYSTERY SCIENCE episodes, his role in VICTOR CROWLEY, and much, much more. Kick back, relax, and join the conversation!

TJ the Terrible presents Can and Chalice Commentaries. Watch along with us as TJ and special guest hosts take the piss out of obscure horror and exploitation [...]

Welcome to another episode of the GGtMC!!! This week we are brought to you by the fine folks at diabolikdvd.com for coverage of Anthropophagus (1980) directed by Joe D'Amato and Zardoz (1974) directed by John Boorman!!!  Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Mr Jim Moon returns to his explorations of the Living Dead family tree, and looks at the various movies inflicted upon the world as Zombie 6 and Zombie 7, most of whom ended up on the Video Nasties list too. Featuring Joe D'Amato's cannibal nasty Anthropophagus (1980) and its non-sequel but also nasty Absurd (1981), Umberto Lenzi's atomic nonsense Nightmare City (1980), and Bruno Mattei's shameless tat Hell of the Living Dead (1980)!  

It's the return of the long-ass titles! Get ready to eat your own guts because it's Anthropophagus time! We cover both films, vamp to fill time and express a general malaise!  Drunk dial us! - (510) 698-9066 Drunk Email us! - CinemaDiabolica@gmail.com https://www.youtube.com/user/CinemaDiabolica

Filmmaker Shawn Ewert from Right Left Turn Productions joins Midnight Corey this week to talk about his upcoming film Sacrament. They go on to review American Gothic (1988) and George’s Intervention (2009). Vaughn from Motion Picture Massacre was so … More

Lots of insanity, 90's sitcom themes and talk about the Shutter and Nightmare On Elm St. remakes. Our features this week are Anthropophagus and Henry: Portrait of a serial killer. Voicemail: 206.350.4030CinemaDiabolica@gmail.comhttp://www.CinemaDiabolica.comhttp://www.myspace.com/cinemadiabolica