Podcast appearances and mentions of Houston Street

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

 Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers' Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya's stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers' Workshop. She is the Director of Film Forum. Film ForumFilm Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum's current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors' retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum's programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today's world.Elizabeth HowardElizabeth Howard is the Host of the Short Fuse Podcast.Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters. 

This week we welcome a returning guest: Trish DeBerry, CEO and president of Centro San Antonio, the nonprofit organization dedicated to building and maintaining a better downtown for locals, businesses and visitors. Trish was a bigcitysmalltown guest last December, and in this episode she offers an update on exciting projects  on the drawing board, including the relocation of the San Antonio Missions and the San Antonio Spurs to new downtown venues. She also talks about closing Houston Street to vehicle traffic on Friday, September 20th for the annual Park(ing) Day event. Come on down for a cool evening of art, walkability and pop-ups! 

Few streets in Houston capture the city's diversity better than Hillcroft, located west of the Galleria and running through Gulfton and Bellaire. But with so many options and cuisines, it can be overwhelming to know where to start! So, host Raheel Ramzanali is getting tips from Sharan Gahunia of Raja's Sweets, Houston's first Indian restaurant ever on Hillcroft, and executive producer Laura Isensee on the best hidden gems along the street. From pupusas to South Asian desserts, the episode will have you set to savor Houston's rich culinary diversity.  Check out these restaurants on Hillcroft:  Raja Sweets  Reza Persian Grill  Bismillah Restaurant and Cafe  London Sizzler  Droubi's Bakery & Deli  Shri Balaji Bhavan La Pupusa Loca  El Pupusodromo  Mama Rosa's Pupusería  The Best Grocery Store in America Is Fiesta Mart The Darband Shishkabob  Learn more about the sponsors of this August 28th episode here: Downtown Houston+ Holocaust Museum Houston Looking for more Houston news? Then sign up for our morning newsletter Hey Houston  Follow us on Instagram  @CityCastHouston Don't have social media? Then leave us a voicemail or text us at +1 713-489-6972 with your thoughts! Have feedback or a show idea? Let us know!  Interested in advertising with City Cast? Let's Talk! Learn more about your ad choices. Visit megaphone.fm/adchoices

West Houston Street's charming vegan French bistro Delice & Sarrasin (212-243-7200) is the place to be this spring. For a touch of France in NYC and for flavorful, rich, gourmet plant-based creations, reserve your table today at https://delicesarrasin.com/. Delice & Sarrasin City: New York Address: 178 West Houston Street Website: http://delicesarrasin.com

Second Avenue from the Queensboro Bridge to Houston Street may be getting wider bike lanes and a bus lane offset from the curb. Meanwhile, New Jersey First Lady Tammy Murphy wins her first Democratic convention on Monday night. Plus, WNYC's Stephen Nessen reports that some Upper West Side residents are pushing for the city to make drivers obtain parking permits.

Champagne toasts, fireworks, making resolutions, fancy meals… those are just some of the many ways Texans chose to to ring in 2024. Texas Standard commentator WF Strong, however, decided to welcome the New Year by reflecting on the past. The post New Year's Eve on Houston Street appeared first on KUT & KUTX Studios -- Podcasts.

In this episode, host Bob Rivard converses with special guest Trish DeBerry, CEO and President of Centro San Antonio. They discuss the evolution and revitalization of downtown San Antonio, its challenges amid corporate departures and COVID-19 impacts, as well as the future vision for urban development. Key Points Discussed: 1. Centro San Antonio's Role in Urban Development: Centro San Antonio oversees public improvement districts including iconic areas like the Riverwalk and Alamo Plaza while advocating for downtown business-community connections.     2. Trish's Journey: From her long-standing relationship with downtown to her political career and return to an executive role at Centro San Anronio. 3. Downtown Challenges: Addressing issues such as vacancy rates post-AT&T departure, USAA pullout, and the pandemic's effects on local businesses. 4. Clean & Safe Initiatives: Doubling down on safety measures by increasing bike patrol officers in downtown areas along with quality-of-life ambassadors addressing homelessness concerns. 5. Community Engagement: Efforts to rekindle a sense of community through events like Holidays on Houston Street that bring both locals and tourists into the city center. 6. Data-Driven Insights: Utilizing geo-software platforms like Placer.ai to analyze foot traffic data during holiday seasons for better planning. 7. Visionary Leadership Needed Post-Covid Era: The importance of having leaders who can execute a clear agenda for city growth akin to past successful mayoral visions. 8. Place Making Ventures: Exploring year-round activation possibilities in Travis Park beyond seasonal attractions like ice skating rinks; considering new ideas such as outdoor boxing or roller-skating venues. 9. Potential Major Developments: Conversations around bringing minor league baseball stadium closer to the urban core which could stimulate economic growth particularly on near west side hindered by current county jail location.     10.  Mental Health Focus: Recognizing mental health services' inadequacy is critical when discussing unsheltered populations within urban centers.       "Great cities have great downtowns... It's inherent upon everyone to continue investing in our cultural assets."             - Trish DeBerry   Centro San Antonio website   BigCitySmallTown website

The holidays in San Antonio are sure to be memorable this year, with the launch of San Antonio Holidays on Houston Street. From Friday, Nov. 24, until Tuesday, Jan. 2, visit Houston Street from Legacy Park to the Alamo, where you'll be greeted along the way with the magic of twinkling lights and large, festive decorations, entertainers, and special offerings from restaurants, shops, and more. Bring the whole family and enjoy movies in the park, lights in the sky, and even ice skating! Be there Friday, Saturday, and Sunday, Dec. 15-17, for a special weekend of European-style shopping at the...Article Link

To kick off a new season of Fields, Wythe and Melissa chat about Melissa's current work as both an instructor of urban agriculture at New York University and the manager of the school's Urban Farm Lab on Houston Street. Recorded in October 2023, just before harvest time, this informal conversation covers a range of subjects, from the crops students grow to how Melissa's syllabus has covered different aspects of the history of urban agriculture over time.Heritage Radio Network is a listener supported nonprofit podcast network. Support Fields by becoming a member!Fields is Powered by Simplecast.

Si es tu primera vez aquí. O si ya has estado, pero como si lo fuera. Te mando esta postal sonora de Nueva York desde el SoHo. A los neoyorquinos les encanta inventar palabras acortando un puñado de ellas: TriBeCa es Triangle Below Canal (el triángulo que forman las calles debajo de Canal Street), Dumbo es Down Under Manhattan Bridge Overpass (la parte de Brooklyn que está debajo del Puente de Manhattan), NoLiTa es North of Little Italy (el barrio al norte de la Pequeña Italia) y SoHo es South Houston (al sur de la calle Houston). Pero lo curioso de este barrio no es el acrónimo, sino la manera que tienen aquí de pronunciar la ciudad más poblada del estado de Texas. En cualquier contexto sería «Jiuston» pero, cuando esa palabra está asociada a la calle neoyorquina es «Jauston». Así que Houston Street no es «Jiuston Street», sino «Jauston Street». Ir a la deriva de sus calles un domingo por la mañana te puede traer a tierra firme o llevarte mar adentro. Esta vez la playa en la que encallo es McNally Jackson, una de mis librerías favoritas. Pero el SoHo es algo más que un acrónimo. El SoHo es esa ex que se lleva un libro y nunca te lo devuelve. No sabes a quién reclamar. Ni siquiera sabes si hay derecho a reclamar. Tienes dos opciones: o tirar de estoicismo y comprarte otro o tirar de estoicismo y no comprarte otro. El SoHo es cuestión de estoicismo cuando te pierdes por sus intrincadas calles de un barrio en el que parece que te has salido de Nueva York. Solo cuando te asomas a Broadway puedes recordar que sigues en esta ciudad. El resto es un panal de adoquines en el suelo, ladrillo visto en las paredes y escaleras de incendio en las fachadas de los edificios coronados por depósitos de agua. Al SoHo vienes a encontrarte, pero terminas perdiéndote. Gracias por escucharme. Un abrazo desde Nueva York.

Unsure how they pulled off an Italian tourist stalking me from 5th Avenue to Houston Street and trolling the draft of a poem in my iPhone notes with his tween daughters earrings but they did. Somebody better call the Pentagon. Or Karl Lagerfeld.

BURNING GOTHAM 001: MOVING DAY May 1st, 1835 — It's a cold and rainy Moving Day. Every renter in New York is out on the street looking for lodging. Most of the city's quarter-million live below Houston Street in buildings four stories or smaller, but construction is booming. New people are pouring onto New York's dangerously overcrowded streets by the thousands. Rich and poor, many come to earn an honest living. Others for more nefarious reasons. It's the perfect place to begin. Aaron Columbus is an illegitimate son, desperate to make his fortune. Together with Aaron's brother Wyndham Bowen—an African man born in Europe—they involve themselves in backroom deals, Abolitionism, potential war with France, and City politics. Aaron has struck an illegal import deal with John Jacob Astor, America's richest man. The import? Two exiled Russian Countesses; Sorina and Raisa Zubov, and their inheritance—eleven pounds of diamonds. The two women have just arrived in New York. ___________ Download Episode Transcript ___________ Written By: Olga Lysenko & James Scully ___________ Cast: Eirik Gislason Kacie Laforest Roland Lane Mary Murphy Anna Pirogov Nancy Pop Matt Roper James Scully ___________ Music: The Hesperus Early Music Ensemble The Itinerant Band ___________ Engineer: Josh Wilcox of Brooklyn Podcasting Studio ___________ Director & Post-Producer: James Scully ___________ Support Burning Gotham on Patreon

A soundscape qalking down Houston Street, New York focusing mostly on one man's conversation, with traffic and street noises and a passing police siren. Binaural recording - best to listen  with headphones.   Recorded by overmedium. 

This week, DJ knows it's easy to bash things… but how about a solution instead? Also on today's show: the apex of a hot microphone, responsibility to an audience, the unsurprising millennial ethos, all the “good and upstanding” citizens with guns, cool nicknames south of Houston Street, the known dangers of fracking, MGT doesn't want to go to bed when the sun sets, the charisma of propagandists, the unseen icebergs in our government, laying it out there… or don't, the music you write when it matters, appreciating bands that evolve, The Jins in Star Trek and MORE! This ain't your mom's lunch box. #onthebox Be social with DJ and Revel 9: https://linktr.ee/revel9 https://www.revel9.com Music: Spotify: https://tinyurl.com/y4pjyokr Apple: https://tinyurl.com/yy6od4mz Physical: https://revel9.com/store Social: YouTube: https://www.youtube.com/revel9band FB: https://www.facebook.com/revel9 IG: https://www.instagram.com/revel9band TW: https://www.twitter.com/revel9 #youtuber #revel9 #hardrocklunchbox #thetoptwenty #todaysrant #99wnrr #streamingradio #radiohost #advice #culture #lifestyle #soundcheck #stress #millenials #ethos #gunviolence #immigration #nyc #lowereastside #houstonstreet #newideas #solutions #fracking #mgt #snopes #solarpower #charisma #propaganda #icebergs #songwriting #evolve #thejins #startrek

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

Collective Church is a welcoming, inclusive, antiracist, LGBTQ+ affirming community built on grace and peace. We seek to be a community of Christ-followers who live by faith, are known for love, and are a voice of hope in this world. We submit to the Bible as God's written word and our authority in this world. We are a fully-affirming church located in North Texas with services every Sunday morning.Are you in North Texas? Join us on Sunday morning! Collective Church is at 104 Houston Street in Downtown Roanoke, TX. Services are every Sunday morning at 9:30 a.m.Links!Support our churchLearn more about Collective ChurchEveryone is welcome at Collective Church (Seriously.)

November 22nd, 1963 – Dallas, TX: It had rained that morning, and by afternoon the sun had made its way out from behind the clouds. At approximately 12:29pm, President John F. Kennedy's motorcade entered Dealey Square and rounded the corner onto Houston Street. Within the next 60 seconds, the following course of events would forever alter the history of the United States.   Pablo Larraín's 2016 biographical drama, Jackie, highlights the events leading up to, surrounding, and proceeding that fateful day. Whereas most recounts focus on John F. Kennedy and his short term as president, this film chooses to focus on a figure whose presence has often been overshadowed and overlooked, Jackie Kennedy.   A claustrophobic and deeply intimate portrait on grief and trauma, Jackie serves to not only recount the tragedy that surrounded Jackie, the Kennedy family, and the nation at the time, but to reflect on legacy, the weaving of history, and the will to live.    As always, thank you for listening and we hope you enjoy the discussion.   Where to watch: Vudu (Rent or Buy) Amazon Prime (Rent or Buy) YouTube (Rent or Buy) iTunes (Rent or Buy)    Instagram: @lefilmpodcast   Twitter: @lefilmpod   Send us questions, feedback, and film recommendations at: lefilmpodcast@gmail.com   2:16 The poignancy of the release of Pablo Larraín's Jackie (2016) that is the amalgamation of the mental hurdles and trauma that still exist in present-day America  5:00 An appreciation for Jackie on repeat viewing and the refusal to glorify Jackie Kennedy's grief as opposed to the biographical glorification we're used to seeing in Hollywood & the Academy Awards 10:20 The Salem Witch Hunt in Texas and the repercussions of the ban on abortion rights 15:00 Natalie Portman's tour de force performance as Jackie potentially being her best yet 19:32 Viewing the truth from an alternate perspective and the recreation of the events through found footage 21:45 The significance in balancing truth and fantasy, and pathos and catharsis 26:15 The poignancy of depicting the Kennedy family and America's ugly past 30:54 Mica Levi's haunting score 32:00 Natalie Portman's performance in a performance  37:33 Jackie's duty to display an unsightly truth 42:18 Was Jacqueline Kennedy right or wrong in the way she handled John F. Kennedy's death in the eye of the public and the media? 48:22 America's withdrawal in Afghanistan and the drone strikes in Kubal killing a family of 10 54:30 Jackie as a film about the death of the American Dream, living in a nihilistic world, and embracing life because death is certain 1:02:12 The drone strikes in Afghanistan and its similarities to the chemical bombings in the Vietnam War 1:04:01 Rating Jackie 1:14:57 Jackie Spoiler Discussion

45:30 – Welcome to Tape Land! On each episode, I’ll present the audio of a cassette tape or historic material from my personal archives. Notes: 3:30 PM, Monday, March 18, 2002, walking down Houston Street back towards work, Obliviana Wander Radio, ambient sounds of NYC, Tuesday March 19, 2002, Pier A, Battery Park City, managing […]

Show # 106 Originally broadcast live on May 8, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Maachew Bentley (@ maachewbentley and @ djthoth) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 105 Originally broadcast live on May 1, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ Huggy Bear (@ djhuggybear) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 104 Originally broadcast live on April 24, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Marco Weibel (@marcoweibel and @ marcoweibel) Follow Mawkus (@mawkus and _mawkus_) Follow Darker Than Wax FM (@darkerthanwax and @ darkerthanwax) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 103 Originally broadcast live on April 17, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ What (@djwhat and @ djwhat) Follow Nina Azúcar (@nina_azucar and @ nina_azucar) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 102 Originally broadcast live on April 10, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Austin Lebrón (@austin-lebron and @ austinlebronn) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 101 Originally broadcast live on April 3, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Pauli Lovejoy (@ paulilovejoy) Follow Back To Life NYC (@ backtolifenyc) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 100 Originally broadcast live on March 27, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Jazze Belle (@ jazzebellemusic) Follow Natasha Diggs (@ natashadiggs) Follow DJ Prince (@ wifiog) Follow the Lovely Biz (@ bizzygi) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 99 Originally broadcast live on March 20, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ Izm (@ izm1) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 98 Originally broadcast live on March 13, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow The Letter "C" (@ thirdletterc) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 97 Originally broadcast live on March 6, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Noshin Davarasl (@ noshln) Follow Nico Adomako (@ nicolasadomako and @nicolasadomako) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 96 Originally broadcast live on February 27, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Nikki Blaze (@ nikkiblazeuk) Follow Mars Today (@mrmarstoday & @ mrmarstoday) Follow DJ Tap.10 (@tap10 & @ tap10) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 95 Originally broadcast live on February 20, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Lovestory (@ dj_lovestory) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 94 Originally broadcast live on February 13, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Christian Mártir (@ christianmartir and @ sociedadrecords) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 93 Originally broadcast live on February 6, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow OutOfOffice @ brandonthenative) Follow The Lovely Biz (@ bizzygi) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 92 Originally broadcast live on January 30, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Anna Collecta (@annacollecta and @ anna_collecta) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 91 Originally broadcast live on January 23, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ Bianca (@ dj.bianca) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 90 Originally broadcast live on January 16, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ Chibuikem (@ vmsoutherland and @ nowahaladjs) Follow The Lovely Biz (@ bizzygi) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 89 Originally broadcast live on January 9, 2017 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow Malik Work (@ malikwork) Follow DJ Prince (@ wifiog) Follow The Lovely Biz (@ bizzygi) Follow Everyday Incarceration (@ everydayincarceration) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Show # 88 Originally broadcast live on December 26, 2016 from the storefront of The Late Late Bar on Houston Street in New York City. Follow The REFRESH™ (@ itstherefresh) Follow Kieran Meadows (@ kieranmeadows) Follow DJ Nyack (@ djnyack) Follow DJ Prince (@ wifiog) TRACKLIST coming soon. Enjoy. Educate Yourself. Support Good Music. Support Dope Art. Buy. Promote. Go to Live Shows. For The Lovers of Music, The Music of Lovers™ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.