Podcasts about threepenny review

Jane Zwart teaches literature and writing at Calvin University, where she also co-directs the Calvin Center for Faith & Writing. Her poems have appeared widely in periodicals, including Poetry, The Poetry Review, Ploughshares, The Southern Review, and Threepenny Review. Her first book, Oddest & Oldest & Saddest & Best, was just released from Orison Books. Find more info here: https://www.janezwart.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem which confesses something that's secretly seasonal to you, but not so much to others. Next Week's Prompt: Write a poem about a time you couldn't keep the correct time straight. Include at least one temporal shift. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Luisa Muradyan is originally from Odesa, Ukraine and is the author of I Make Jokes When I'm Devastated (Bridwell Press, 2025), When the World Stopped Touching (YesYes Books, 2027), and American Radiance (University of Nebraska Press, 2018). She holds a Ph.D. in Poetry from the University of Houston and won the 2017 Raz/ Shumaker Prairie Schooner Book Prize. Additionally, Muradyan is a member of the Cheburashka Collective, a group of women and nonbinary writers from the former Soviet Union. Additional work can be found at Best American Poetry, the Threepenny Review, Ploughshares, and Only Poems among others. Find more at her website: https://www.luisamuradyan.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a Petrarchan, Shakespearean, Spenserian, or Miltonic sonnet. Use an exclamation mark at some point, and don't forget the volta! Next Week's Prompt: Quick! Write a poem that moves fast. Include as many unique verbs as possible. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Inner Moonlight is the monthly poetry reading series at the Wild Detectives in Dallas. Curated by Dallas poet Logen Cure, the in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 9/10/25, we collaborated with SMU Project Poëtica to feature three poets, Aaron Smith, Denise Duhamel, and Luisa Muradyan, all of whom have books published by SMU Project Poëtica/Bridwell Press!Aaron Smith is the author of five books of poetry with the University of Pittsburgh Press, most recently Stop Lying (2023). With the poet Maureen Seaton, he co-authored the book Beautiful People (2025). He is a three-time finalist for the Lambda Literary Award and a two-time finalist for the Publishing Triangle's Thom Gunn Award. His work has appeared in The Baffler, The New York Times, Ploughshares, Poetry, and Best American Poetry. He is the cohost of the podcast Breaking Form and an associate professor of creative writing at Lesley University in Cambridge, MA.Denise Duhamel and the late Maureen Seaton co-authored six collections, the most recent of which is Tilt (Bridwell Press, 2025). Denise's solo books include Pink Lady (Pitt Poetry Series, 2025), Second Story (Pittsburgh, 2021), and Scald (Pittsburgh, 2017). Blowout (Pittsburgh, 2013) was a finalist for the National Book Critics Circle Award. A recipient of NEA and Guggenheim Fellowships, she is a distinguished university professor at Florida International University in Miami.Luisa Muradyan is originally from Odesa, Ukraine and is the author of I Make Jokes When I'm Devastated (Bridwell Press, 2025) When the World Stopped Touching (YesYes Books, 2027), and American Radiance (University of Nebraska Press, 2018). She holds a Ph.D. in Poetry from the University of Houston and won the 2017 Raz/ Shumaker Prairie Schooner Book Prize. Additionally, Muradyan is a member of the Cheburashka Collective, a group of women and nonbinary writers from the former Soviet Union. Additional work can be found at Best American Poetry, the Threepenny Review, Ploughshares, and Only Poems among others.www.innermoonlightpoetry.com

Notes and Links to Andrew Porter's Work     Andrew Porter is the author of four books, including the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers”  selection, an IndieBound “Indie Next” selection, and the San Antonio Express News's “Fictional Work of the Year,” the short story collection The Disappeared (Knopf), which was longlisted for The Story Prize and the Joyce Carol Oates Prize, and the novel The Imagined Life, which was published by Knopf in April 2025. Porter's books have been published in foreign editions in the UK, Australia, and New Zealand and translated into numerous languages, including French, Spanish, Dutch, Italian, Bulgarian, and Korean. In addition to winning the Flannery O'Connor Award, his collection, The Theory of Light and Matter,  received Foreword Magazine's “Book of the Year” Award for Short  Fiction, was a finalist for The Steven Turner Award, The Paterson Prize  and The WLT Book Award, was shortlisted for the William Saroyan International Prize for Writing, and was selected by both The Kansas City Star and The San Antonio Express-News  as one of the “Best Books of the Year.” The recipient of a Pushcart Prize and fellowships from the James Michener-Copernicus Foundation, the W.K. Rose Foundation,  and the Helene Wurlitzer Foundation,  Porter's  short stories have appeared in The Best American Short Stories, One Story, Ploughshares, The Southern Review, The Threepenny Review, The Missouri Review, American Short Fiction, Narrative Magazine, Epoch, Story, The Colorado Review, Electric Literature, and Texas Monthly, among others. He has had his work read on NPR's Selected Shorts and numerous times selected as one of the Distinguished Stories of the Year by Best American Short Stories.  A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio.   Buy The Imagined Life   Andrew's Website   Andrew's Wikipedia Page   Book Review for The Imagined Life from New York Times   At about 1:30, Pete makes a clumsy but heartfelt comparison between The Imagined Life and Hemingway's Old Man and the Sea and Andrew shares feedback from readers of his novel At about 3:10, Andrew responds to Pete's question about the book's seeds and talks about “tinker[ing]” with the book's opening for years At about 4:45, Pete remarks on the book's first-person account, and Andrew and Pete discuss the book's opening and ideas of naivete and fallible parents At about 6:45, Pete asks Andrew, who expands about structuring the book and its connection to revision  At about 8:45, Pete compares the setting of the book, 1983 Fullerton, CA, to The Smashing Pumpkins' “1979,” and Andrew discusses similarities  At about 10:30, Pete reflects on the importance of the age given to the book's narrator and the two characterize the book's “father” and Andrew talks about using a 70s/early 80s atmosphere through the young narrator's lens At about 15:30, Pete summarizes an important character introduction and Andrew talks about the importance of an embarrassing faux pas by the narrator's father that might have "professional ramifications” At about 17:30, Andrew responds to Pete's question about the visits that Steven takes to speak with his father's former colleagues in the present-day At about 21:20, Andrew explains connections between Proust (“Proo-st”) and the father, who is obsessed in some ways with Proust's work; Andrew notes personal parallels between the father and Proust At about 24:10, Andrew gives background on Uncle Julian's connection to his brother and his family  At about 25:40, Andrew responds to Pete's questions about the importance of the book's cabana and complicated coupling  At about 27:40, Andrew reflects on Chau's relationship with Steven and the connection as a shared “escape from their home lives” At about 31:00, Andrew responds to Pete's questions about fleeting beautiful moments between father and son At about 32:25, Pete wonders about how Andrew picks character names At about 34:10, Andrew discusses the narrator's son, Finn, and his acting out in school as a function of his parents' marital shakiness  At about 35:30, Pete asks Andrew about a pivotal party and any “ruptures” in relationships that may have followed   At about 38:00, Andrew reflects on possible foreshadowing through letters and notes left behind by Steven's father  At about 40:40, Andrew discusses his mindset in writing an important and off-the-wall culminating scene At about 43:35, The two reflect on ideas of traumas and cycles and anger, especially with regard to Steven's recognition of same  At about 46:30, Pete compliments the ending of the book, ideas of legacy and wonderful book timing At about 47:30, Andrew reflects on his book's setting as key in exploring contrasts between Steven's life then and now, as well as with the world as a whole At about 48:30, Swatch Watch discourse! and vague Bel Biv Devoe reference!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 295 with Wright Thompson, a senior writer for ESPN, contributing writer to the Atlantic, and the New York Times bestselling author of Pappylandand The Cost of These Dreams. The Barn, a captivating story of the tragedy of Emmett Till's racist murder, is out in paperback on the day the episode airs, today, September 9.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

In this deeply moving episode, Rick sits down with poet and cancer survivor Mickie Kennedy to explore how poetry became a tool for healing after prostate and colon cancer. Together, they unpack the power of storytelling, the challenges of queer survival during the AIDS crisis, and the urgency of preserving LGBTQ+ histories. From laughter about fiducials to tearful reflections on family and legacy, this episode invites you to witness resilience, creativity, and the choice to keep living out loud. In this episode you'll Learn how to heal through creative expression Discover ways you can give yourself permission to feel, create, and heal Understand why Queer stories matter and how they can support your own challenging journeys About Mickie Mickie Kennedy is a gay writer who resides in Baltimore County, Maryland. His work has appeared in POETRY, The Threepenny Review, The Southern Review, The Sun and elsewhere. His chapbook Glandscapes, published by Button Poetry, can be ordered at Glandscapes.com. Connect With Mickie Website Instagram Facebook LinkedIn

"I've also learned in this rewilding experiment that so much of our time as writers takes place off the page, as we're thinking about our concepts, as we're doing research, and when I actually do come to the page and have a chance to actually type out these ideas, I've done so much pre-writing over the course of the previous season that that draft comes really easily to me," says Megan Baxter, author of three books of nonfiction, including Farm Girl: A Memoir (Green Writers Press).Megan has got it figured out, man. She has won numerous national awards, including a Pushcart Prize. Her essay collection Twenty Square Feet of Skin was longlisted for the 2024 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Megan got on my radar when I was doing Prefontaine research and I was thumbing through my stack of True Stories, that chapbook Creative Nonfiction used to put out. I saw this essay titled “On Running” and I was like well shoot, I need to study this. Then I reached out to her and she sent me her essay collections and her memoir Farm Girl, so we dig into that.Megan's work has appeared in The Threepenny Review, Hotel Amerika, River Teeth, and others. She lives in New Hampshire where she runs her own small farm and teaches creative writing through online courses and lessons. You can learn more about her at meganbaxterwriting.com and follow her on Instagram megan-baxter We talk about: Rewilding her writing Rabbit holes Actually living the ream Hyperattention The real housewives edit And how Pinterest helps with her writingOrder The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

Gloria L. Huang is a freelance writer whose fiction has appeared in literary journals including Michigan Quarterly Review, The Threepenny Review, Chicago Quarterly Review, Witness Magazine, Massachusetts Review, Pleiades, Southern Humanities Review, Fiction Magazine, North American Review, Arts & Letters, Washington Square Review, The Chattahoochee Review, Gargoyle Magazine, Sycamore Review, and The Antigonish Review. Her debut novel, KAYA OF THE OCEAN has been selected as a Junior Library Guild Gold Standard selection, American Booksellers Association Indies Introduce selection, and Indie Next selection. It is just out from Penguin Random House. Listen in to this episode of The Qwerty Podcast, as she and host Marion Roach Smith discuss the art and work of being a contemporary freelance writer. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars and instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

 Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers' Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya's stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers' Workshop. She is the Director of Film Forum. Film ForumFilm Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum's current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors' retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum's programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today's world.Elizabeth HowardElizabeth Howard is the Host of the Short Fuse Podcast.Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters. 

Miriam Fried reads her essay, "Obviously," from the Autumn 2024 issue. Miriam Fried's work has been published in The Threepenny Review, Scoundrel Time, Alaska Quarterly Review, Ambit, Crab Creek Review, and The Baltimore Review. She lives in Brooklyn. --- Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support

On being okay with not knowing (it's part of being human), on listening to dreams, and on "overhearing" your book. Enjoy! Lauren Aliza Green is a novelist, poet, and musician. Her debut novel, The World After Alice, is out now from Viking (US) and Penguin Michael Joseph (UK). Her chapbook, A Great Dark House, won the Poetry Society of America's Chapbook Fellowship. Her writing has appeared or is forthcoming in Lit Hub, Virginia Quarterly Review, Threepenny Review, American Short Fiction, and elsewhere. Other recognitions include the Eavan Boland Award, sponsored by Poetry Ireland and Stanford University, and a spot on Forbes' 2024 30 Under 30 list.

While we're on a brief recording hiatus, we have a re-issue of an episode from 2019, when our team took a rare look at a non-fiction piece by author Andrew Bertaina. It's great timing to take a fresh look at this episode, as earlier this year Bertaina published a collection of essays called “The Body is a Temporary Gathering Place”. Enjoy the episode and check out Bertaina's new collection!   Welcome back to another Painted Bride Quarterly Slush Pile. Today we have an excellent episode with a bit of something different. After a set of introductions in which Marion gets out her glue gun the gang dives right into a piece of non-fiction by Andrew Bertaina labeled “The Offering”.       Andrew Bertaina's work has appeared or is forthcoming in many publications including: The Best American Poetry 2018, The ThreePenny Review, Tin House online, Redivider, Crab Orchard Review and Green Mountains Review. More of his work is available at www.andrewbertaina.com    After an excellent reading by Kathleen, Tim describes how churches offer less of a sense of community these days; being more concerned with hellfire and crucifixion. Next, Marion describes how the piece offers a sense of timelessness while lamenting on her own exhaustion from various teaching duties. Marion contends that the piece allowed her to compose herself and gave her a sense of fulfillment. Samantha speaks a bit on curation, and how that differs from what is displayed on social media. Before voting Tim mentions how historically specific the piece is, and the idea of somebody that you used to know. Will this piece make the cut? Or will it fade into obscurity?   The Offering   At church this morning, I passed around a collection plate to gather up the scraps of all the people I have known. The bowl was silver and its size was like that of space. Inside, I found: a hike through a hailstorm in Colorado where blue jays where eating other bird's babies; I found an evening spent from midnight till morning talking about the way that I dreamed of divinity; I found a piece of a tetherball string, still wound tightly around a silver pole; I found a pocket of gummi worms, unopened, thrown in the trash can at recess; I found a small side yard where I dug for dinosaur bones; I found a picture with the words I love you written across the top; I found tears and tears, until I was swimming through all the tears, trying to remember why we are all such bizarre puzzles; I found a slip of paper with someone's e-mail on it that I threw in the trash; I found a cabin in the woods with a couch and a blanket; I found a picture of you standing with me in the same shirt I wore only two weeks ago, but it was more than a decade ago; I found that the years start to run together like water that you can't separate out the moments that you used to; I found pictures of people in wedding dresses and tuxedos, people that I used to know, and I smiled at their happy faces, because they made me happy when I knew them; I found a picture of San Francisco, stiff breezes off the bay, always so damn cold, and inside the picture was another picture of a hospital, and inside that hospital a memory of people who are now dust; I found an evening in the mountains of Santa Barbara, and a sunrise too; I found a picture of five of us sitting in a room talking about the ways in which we had failed, the ways in which we'd like to succeed; I found a picture of a piano and green couches; I found a picture of a mountain trail, pine trees and old bear scat; I found a picture of the ocean, of your hand in mine, before we glided together. I found a picture of a tower in Italy, a winding staircase leading to a view of some ancient city.   I spent the evening afterward, sorting all these pictures into specific piles.   Afternoons that could have lasted forever.   Times I went to the ocean.   Women that I have loved.   Women that I did not have the time to get around to loving.   People that I once knew.   People that I used to know and wish I still knew.   Avenues that I have walked down.   Avenues that I wish I had walked down.   Pictures of places that I am not remembering properly.   After I was done organizing these moments, I wrote them all down on the computer screen, which flickered, in and out just like memory does. I know that thousands, millions, far more numerous than the stars, are still missing. I want you to know that I'm trying to remember all of you, despite the futility of it. I'm reaching out to the people I have known and the people I will know. I miss all of you already, so the next time you see me, let's meet, not was if we were strangers, but as people who have, for longer than they can remember, been very much in love.  

Today's spotlight is on the literary magazine The Threepenny Review. I'm joined by the magazine's founding and current Editor, Wendy Lesser. Wendy Lesser is the author of twelve nonfiction books and one novel; her latest book, entitled Scandinavian Noir: In Pursuit of a Mystery, came out from Farrar Straus & Giroux in May 2020. She has received awards and fellowships from the Guggenheim Foundation, the American Academy in Berlin, the National Endowment for the Humanities, the Cullman Center for Scholars and Writers, and many other institutions, and she is a fellow of the American Academy of Arts & Sciences as well as of the New York Institute for the Humanities. Her journalistic writing about literature, dance, film, and music has appeared in a number of periodicals in America and abroad. Born in California and educated at Harvard, Cambridge, and UC Berkeley, Lesser now divides her time between Berkeley and New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

City Lights and Akashic Books celebrate the publication of "Joyce Carol Oates: Letters to a Biographer," edited by Greg Johnson, published by Akashic Books. Purchase here: https://citylights.com/new-nonfiction-in-hardcover/joyce-carol-oates-letters-to-a-biograp/ This rich compilation of Joyce Carol Oates's letters across four decades displays her warmth and generosity, her droll and sometimes wicked sense of humor, her phenomenal energy, and most of all, her mastery of the lost art of letter writing. In this generous selection of Joyce Carol Oates's letters to her biographer and friend Greg Johnson, readers will discover a never-before-seen dimension of her phenomenal talent. Whereas her academic essays and book reviews are eloquent in a formal way, in these letters she is wholly relaxed, even when she is serious in her concerns. Like Johnson, she was always engaged in work, whether a long novel or a brief essay, and the letters give a fascinating glimpse into Oates's writing practice. Joyce Carol Oates is the celebrated author of a number of works of fiction, poetry, and nonfiction. She is the editor of "New Jersey Noir," "Prison Noir," and "Cutting Edge: New Stories of Mystery and Crime by Women Writers;" and a recipient of the National Book Award, the PEN America Lifetime Achievement Award, the National Humanities Medal, and a World Fantasy Award for Short Fiction. She lives in Princeton, New Jersey. "A Darker Shade of Noir: New Stories of Body Horror by Women Writers" is her latest work. Steve Wasserman is the publisher of Heyday Books. He is a former editor-at-large for Yale University Press and editorial director of Times Books/Random House and publisher of Hill & Wang and The Noonday Press at Farrar, Straus and Giroux. A founder of the Los Angeles Institute for the Humanities at the University of Southern California, Wasserman was a principal architect of the Los Angeles Times Festival of Books during the nine years he served as editor of the Los Angeles Times Book Review (1996–2005). He has written for many publications, including "The Village Voice," "Threepenny Review," "The Nation," "The New Republic," "The American Conservative," "The Progressive," "Columbia Journalism Review," "Los Angeles Times," and the "(London) Times Literary Supplement." Originally broadcast via Zoom on Thursday, March 18, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation. citylights.com/foundation

Acclaimed memoirist and teacher Vivian Gornick joins Let's Talk Memoir for a conversation about the origins of her approach to memoir, the crucial difference between situations and stories, why implicating ourselves in our work makes us trustworthy to our reader, clarifying our narratives, how she discovered what her story was truly about, why some writing questions are unanswerable, and her well-loved and oft-repeated advice: “In order for the drama to deepen we must see the loneliness of the monster and the cunning of the innocent.” Also in this episode: -Autofiction -the importance of trusted readers and editors -seeing ourselves clearly   Books mentioned in this episode: -Autofiction by Annie Ernaux -The Situation and the Story by Vivian Gornick -Fierce Attachments by Vivian Gornick -The Odd Woman and the City by Vivian Gornick Vivian Gornick is a feminist critic, journalist, essayist, and memoirist who was born in the Bronx and grew up in a family of working-class immigrants.  Meghan O'Rourke of The Yale Review describes her as having written some of the most remarkable journalism of our time. “Her career got its start in the heady days of second-wave feminism, which she wrote about for the alternative weekly The Village Voice. In her work, she cultivated a fierce and unapologetic intellectual voice that could also be intensely personal. Another way to put it: she made powerful, no-holds-barred arguments, but she was also a gifted storyteller.” She is the recipient of a Ford Foundation grant and a Guggenheim Fellowship and her essays and articles have appeared in Bookforum, the Los Angeles Times, the Nation, the New York Times Book Review, the New Yorker, Threepenny Review, and the Women's Review of Books. She taught for many years in MFA programs all over the country, including those at the University of Houston, the University of Arizona, Sarah Lawrence College, and the New School in New York City, and in 2015 she served as the Bedell Distinguished Visiting Professor in the University of Iowa's Nonfiction Writing Program. Some of her books include The Men In My Life, The End of the Novel of Love, Approaching Eye Level, Essays in Feminism, The Odd Woman and the City, Fierce Attachments, and The Situation and the Story. — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com   Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Sarah Kain Gutowski discusses her book-length narrative in poems, The Familiar, the way she's made space for her Extraordinary and Ordinary Selves, figuring out how to market herself and her work, finding the meaning in darkness, collaborating with Texas Review Press, and more! Sarah Kain Gutowski is the author of Fabulous Beast, winner of the 14th annual National Indies Excellence Award for Poetry and a 2019 Foreword Indies Finalist. With interdisciplinary artist Meredith Starr, she is co-creator of Every Second Feels Like Theft, a conversation in cyanotypes and poetry, and It's All Too Much, a limited edition audio project. Her poems have appeared in The Gettysburg Review, The Threepenny Review, Painted Bride Quarterly, and The Southern Review, and her criticism has been published by Colorado Review, Calyx, and New York Journal of Books. Her new collection is a book-length narrative in poems titled The Familiar, which explores female mid-life existential crisis through two characters, the Ordinary Self and the Extraordinary Self, who send a single household into chaos as they vacillate between the siren call of ambition, the necessity of the workplace, and responsibility to love and family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Denton Loving is the author of Crimes Against Birds (Main Street Rag) and Tamp (Mercer University Press). He is also the editor of Seeking Its Own Level: an anthology of writings about water (MotesBooks). He holds a Master of Fine Arts in Writing and Literature from Bennington College. His work has appeared in Iron Horse Literary Review, The Kenyon Review, Tupelo Quarterly, Harvard Divinity Bulletin, The Threepenny Review, and Ecotone. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. D.H. Lawrence was born in 1885 in Eastwood, Nottinghamshire in England, and he died in 1930 at Vence in the south of France. Though Lawrence is best known for his novels—he's the author of Lady Chatterley's Lover and nearly a dozen others—he also published short stories, plays, essays, criticism, and more than a dozen collections of poetry. Links:Read "Copperhead," "Foundation," and "Hurtling"Read "Humming-Bird"Denton LovingDenton Loving's website"Five Poems by Denton Loving" at Salvation South"Three Poems by Denton Loving" at Harvard Divinity Bulletin"Under the Chestnut Tree" at EcotoneVideo: WANA (Writers Association of Northern Appalachia) Live! Reading Series featuring Denton LovingReview of Tamp at Southern Review of BooksD.H. LawrenceBio, Poems, and Prose at The Poetry FoundationBio and Poems at Poetry.orgMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Denton Loving is the author of Crimes Against Birds (Main Street Rag) and Tamp (Mercer University Press). He is also the editor of Seeking Its Own Level: an anthology of writings about water (MotesBooks). He holds a Master of Fine Arts in Writing and Literature from Bennington College. His work has appeared in Iron Horse Literary Review, The Kenyon Review, Tupelo Quarterly, Harvard Divinity Bulletin, The Threepenny Review, and Ecotone. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. D.H. Lawrence was born in 1885 in Eastwood, Nottinghamshire in England, and he died in 1930 at Vence in the south of France. Though Lawrence is best known for his novels—he's the author of Lady Chatterley's Lover and nearly a dozen others—he also published short stories, plays, essays, criticism, and more than a dozen collections of poetry. Links:Read "Copperhead," "Foundation," and "Hurtling"Read "Humming-Bird"Denton LovingDenton Loving's website"Five Poems by Denton Loving" at Salvation South"Three Poems by Denton Loving" at Harvard Divinity Bulletin"Under the Chestnut Tree" at EcotoneVideo: WANA (Writers Association of Northern Appalachia) Live! Reading Series featuring Denton LovingReview of Tamp at Southern Review of BooksD.H. LawrenceBio, Poems, and Prose at The Poetry FoundationBio and Poems at Poetry.orgMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Notes and Links to Andrew Porter's Work        For Episode 213, Pete welcomes Andrew Porter, and the two discuss, among other topics, his lifelong love of art and creativity, his pivotal short story classes in college, wonderful writing mentors, the stories that continue to thrill and inspire him and his students, and salient themes from his most recent collection, such as the ephemeral nature of life, fatherhood, aging and nostalgia, and friendship triangles and squares.       Andrew Porter is the author of the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers”  selection and an IndieBound “Indie Next” selection, and the short story  collection The Disappeared (Knopf), which was recently published in April 2023. Porter's books have been published in foreign editions in the UK and Australia and translated into numerous  languages, including French, Spanish, Dutch, Bulgarian, and Korean.    In addition to winning the Flannery O'Connor Award, his collection, The Theory of Light and Matter,  received Foreword Magazine's “Book of the Year” Award for Short  Fiction, was a finalist for The Steven Turner Award, The Paterson Prize  and The WLT Book Award, was shortlisted for the William Saroyan  International Prize for Writing, and was selected by both The Kansas City Star and The San Antonio Express-News  as one of the “Best Books of the Year.”    The recipient of a Pushcart Prize and fellowships from the James Michener-Copernicus Foundation, the W.K. Rose Foundation, and the Helene Wurlitzer Foundation, Porter's  short stories have appeared in One Story, Ploughshares, The Southern Review, The Threepenny Review, The Missouri Review, Narrative Magazine, Epoch, Story, The Colorado Review, and Prairie Schooner, among others. He has had his work read on NPR's Selected Shorts and twice selected as one of the Distinguished Stories of the Year by Best American Short Stories.       A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio.   Andrew's Website   Buy The Disappeared   The Disappeared Review from Chicago Review of Books   New York Times Shoutout for The Disappeared At about 1:50, Pete asks Andrew about the Spurs and breakfast tacos in San Antonio   At about 2:40, Andrew discusses his artistic loves as a kid and growing up and his picking up a love for the short story in college   At about 5:20, Andrew cites Bausch, Carver, Richard Ford, Amy Hempel, Lorrie Moore, and Joyce Carol Oates' story, “Where Are You Going, Where Have You Been?” as formative and transformative   At about 8:40, Andrew responds to Pete's question about whom he is reading these days-writers including Annie Ernauex, Rachel Cusk, and Jamel Brinkley   At about 10:00, Andrew traces the evolution of his writing career, including how he received wonderful mentorship from Dean Crawford and the “hugely” influential David Wong Louie    At about 12:15, Pete asks Andrew what feedback he has gotten since his short story collection The Disappeared has received, and what his students have said as well   At about 13:50, Pete highlights Andrew's wonderful and resonant endings and he and Andrew discuss the powerful opening story of the collection, “Austin”   At about 17:55, Pete puts the flash fiction piece “Cigarettes” into context regarding the book's theme of aging and nostalgia   At about 19:00, Pete laments his predicament as he readies to play in the high school Students vs. Faculty Game (plot spoiler: he played well, and the faculty won)   At about 19:40, The two discuss the engrossing and echoing “Vines” short story, including themes within, and Andrew discusses the art life   At about 23:00, “Cello” is discussed in the vein of a life lived with(out) art   At about 24:20, The story “Chili” is discussed with regards to the theme of aging, and Andrew expounds about including foods he likes and that he identifies with San Antonio and Austin   At about 26:40, Pete stumbles through remembering details of a favorite canceled show and talks glowingly about “Rhinebeck” and its characters and themes; Andrew discusses the topics that interest him and inspired the story   At about 30:20, Pete and Andrew discuss “in-betweeners” in the collection, including Jimena and others who complicate romantic and friend relationships   At about 32:50, Pete cites the collection's titular story and the “netherworld” in which the characters exist; Andrew collects the story with the previously-mentioned ones in exploring “triangulation”   At about 34:20, The two discussed what Pete dubs “men unmoored” in the collection   At about 35:15, The two discuss art as a collection theme, and Anthony speaks on presenting different levels of art and different representations of the creative life and past versions of ourselves   At about 37:15, Andrew replies to Pete asking about art/writing as a “restorative process”   At about 38:25, The two discuss the ways in which fatherhood is discussed in the collection, especially in the story “Breathe”   At about 43:15, The two continue to talk about the ephemeral nature of so much of the book, including in the titular story   At about 44:25, Andrew responds to Pete's asking about the ephemeral nature of the book and how he wanted the titular story's ending to be a sort of an answer to the collection's first story   At about 46:20, Pete refers to the delightful ambiguity in the book   At about 47:15, Pete asks Andrew about future projects    At about 50:00, Andrew shouts out publishing info, social media contacts    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 214 with Leah Myers. Leah is a member of the Jamestown S'Klallam Tribe of the Pacific Northwest, and she earned her MFA in creative nonfiction from the University of New Orleans, where she won the Samuel Mockbee Award for Nonfiction two years in a row. Her debut memoir, THINNING BLOOD, is published by W.W. Norton and received a rave review in the New York Times.    The episode will air on November 28.

“Dance Talk” ® with Joanne Carey and special guest, Marina Harss, dance writer and author of 'The Boy from Kyiv, Alexei Ratmansky's  Life in Ballet.'  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Marina Harss who recently published her first biography 'The Boy from Kyiv, Alexei Ratmansky's  Life in Ballet.' Join us as we talk not only about this beautiful book that explores the life and career of choreographer , Alexei Ratmansky, but the in depth process and care that Marina took to learn and connect us to this 'boy from kyiv'.  Marina's writing brings the reader inside the heart of this extroidinary talent of Alexei Ratmansky in a way that leaves the reader wanting to know more. Marina Harss is a dance writer, journalist, and critic based in New York City. Her work has appeared in The New York Times, The New Yorker, The Nation, The Guardian, The Boston Globe, The Threepenny Review, Dance Magazine, and Fjord Review. Follow on Instagram @marina.harss To purchase the book ⁠⁠https://us.macmillan.com/search?searchType=products&q=The+Boy+from+Kyiv⁠⁠⁠⁠https://www.amazon.com/Boy-Kyiv-Alexei-Ratmanskys- ⁠Ballet/dp/0374102619/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=⁠⁠ Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Bill welcomes memoirist Jessica Hendry Nelson to the show. Jessica is the author of Joy Rides Through the Tunnel of Grief, which was selected as the winner of the AWP Sue William Silverman Prize for Creative Nonfiction. Her memoir If Only You People Could Follow Directions(2014), which was selected as a best debut book by the Indies Introduce New Voices program, the Indies Next List by the American Booksellers' Association, named a Best Book of the Year by Kirkus Review, received starred reviews in Kirkus and Publisher's Weekly, and reviewed nationally in print and on NPR—including twice in (O) Oprah Magazine. It was also a finalist for the Vermont Book Award. She is also co-author of the textbook and anthology Advanced Creative Nonfiction: A Writers' Guide and Anthology (Bloomsbury, 2021) along with the writer Sean Prentiss. Her work has been published in numerous literary magazines, including The Threepenny Review, Prairie Schooner, North American Review, Tin House, The Los Angeles Review of Books, and The Rumpus.

Elvis Bego was born in Bosnia, fled the war there at age twelve and now lives in Copenhagen. His work can be found in Agni, Best American Essays 2020, Kenyon Review, New England Review, Threepenny Review, Tin House, and elsewhere. He is at work on a novel.   In this episode, we discuss the dramatic events that led him to leave his homeland, his decision to embrace English over the many languages he's fluent in, the inspiration he draws from Isak Dinesen aka Karen Blixen, and the intriguing way his writing style evolves according to the language he's working in.    At the end of the episode, Elvis reads an excerpt from his story Portrait Of The Artist As A Boy Couching, published earlier this year on Joyland Magazine.    You can find him on X @CitizenBego

On today's episode of The Lives of Writers, Aaron Burch interviews Andrew Porter.Andrew Porter is the author of the novel In Between Days and two short story collections, The Theory of Light and Matter and, most recently, The Disappeared. Porter's short stories have appeared in One Story, Ploughshares, The Threepenny Review, The Missouri Review, and Prairie Schooner, among others. Aaron Burch is the author of the essay collection A Kind of In-Between and editor of How to Write a Novel: An Anthology of 20 Craft Essays About Writing, None of Which Ever Mention Writing, both from Autofocus Books. He's also the author of several other books, including the novel, Year of the Buffalo. He is currently the editor of Short Story, Long and the co-editor of WAS (Words & Sports) and HAD. ____________PART ONE, topics include:-- finishing up summer-- writing longhand-- teaching intro to creative writing-- discovering writing as an undergrad-- relationships with rejection-- early jobs and time in an MFA-- Twitter as a kind of MFA-- the decision to teach____________PART TWO, topics include:-- Andrew's new story collection, THE DISAPPEARED-- guilt about not writing much during early fatherhood-- writing the first story in the collection-- spinning a classic story in a new direction-- nostalgia as life and writing theme-- the line of sentimentality-- stories as self-contained moments in time____________PART THREE, topics include:-- short story gut punch moments-- knowing when a long story isn't a novel-- mixing the longer and short forms in a collection-- story collection order as album order-- quiet-loud-quiet-- work on a next novel____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

City Lights, in conjunction with Heyday Books, presents Jane Smiley in conversation with Steve Wasserman to celebrate the publication of "The Questions that Matter Most: Reading, Writing, and the Exercise of Freedom" by Jane Smiley, published by Heyday Books. Smiley's new book offers essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. She dives into the complexities of character and history and how she is inspired by literature of all kinds in her own writing. She shares her analysis and research on the works of classic authors such as Charles Dickens, Louisa May Alcott, Mark Twain, and many others. Smiley shares her personal journey as a writer moving from Iowa to California and reflects on her findings within the diverse literature of the state, which often highlights issues of race, class, and sex. Jane Smiley is a novelist and essayist. She has won various awards for her work, including the Pulitzer Prize for her novel "A Thousand Acres." She has written for numerous magazines and newspapers such as The New Yorker, The New York Times, Harper's, and the Nation. Her most recent novel, "A Dangerous Business," was published in 2022. Steve Wasserman is the publisher of Heyday Books. He is a former editor-at-large for Yale University Press, editorial director of Times Books/Random House and publisher of Hill & Wang and The Noonday Press at Farrar, Straus & Giroux. He has written for numerous publications, including The Village Voice, Threepenny Review, The Progressive, and many others. You can purchase copies of "The Questions that Matter Most: Reading, Writing, and the Exercise of Freedom" directly from City Lights here: https://citylights.com/new-nonfiction-in-hardcover/questions-that-matter-most-reading-wr/. This was a virtual event hosted by Peter Maravelis and made possible by support from the City Lights Foundation: citylights.com/foundation.

It's 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure.Increasingly distant from what used to be at arm's reach--writerly ambitions, tight knit friendships, a place to call home--Leyla attempts to find solace in the techno beats of Berlin's nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and--against her political convictions and better judgment--begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father's ghost still haunting their lives?While she waits for the German court's verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut. Nazli's debut novel, The Applicant, was published on February 14, 2023. While writing The Applicant, Nazli worked as a cleaner, dishwasher, and bookseller in Berlin, South Bend, Chicago, and New York. She has taught and studied Creative Writing at the University of Notre Dame and the University of Denver. Her previous work has appeared in Narrative, The Threepenny Review, Bookforum, Second Factory, QSQOQST, books without covers, and The Chicago Review of Books. Recommended Books: Yoko Tawada, Scattered All Over the Earth Ebru Ojen, Lojman  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure.Increasingly distant from what used to be at arm's reach--writerly ambitions, tight knit friendships, a place to call home--Leyla attempts to find solace in the techno beats of Berlin's nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and--against her political convictions and better judgment--begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father's ghost still haunting their lives?While she waits for the German court's verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut. Nazli's debut novel, The Applicant, was published on February 14, 2023. While writing The Applicant, Nazli worked as a cleaner, dishwasher, and bookseller in Berlin, South Bend, Chicago, and New York. She has taught and studied Creative Writing at the University of Notre Dame and the University of Denver. Her previous work has appeared in Narrative, The Threepenny Review, Bookforum, Second Factory, QSQOQST, books without covers, and The Chicago Review of Books. Recommended Books: Yoko Tawada, Scattered All Over the Earth Ebru Ojen, Lojman  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It's 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure.Increasingly distant from what used to be at arm's reach--writerly ambitions, tight knit friendships, a place to call home--Leyla attempts to find solace in the techno beats of Berlin's nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and--against her political convictions and better judgment--begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father's ghost still haunting their lives?While she waits for the German court's verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut. Nazli's debut novel, The Applicant, was published on February 14, 2023. While writing The Applicant, Nazli worked as a cleaner, dishwasher, and bookseller in Berlin, South Bend, Chicago, and New York. She has taught and studied Creative Writing at the University of Notre Dame and the University of Denver. Her previous work has appeared in Narrative, The Threepenny Review, Bookforum, Second Factory, QSQOQST, books without covers, and The Chicago Review of Books. Recommended Books: Yoko Tawada, Scattered All Over the Earth Ebru Ojen, Lojman  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It's 2017 and Leyla, a Turkish twenty-something living in Berlin is scrubbing toilets at an Alice in Wonderland-themed hostel after failing her thesis, losing her student visa, and suing her German university in a Kafkaesque attempt to reverse her failure.Increasingly distant from what used to be at arm's reach--writerly ambitions, tight knit friendships, a place to call home--Leyla attempts to find solace in the techno beats of Berlin's nightlife, with little success. Right as the clock winds down on the hold on her visa, Leyla meets a conservative Swedish tourist and--against her political convictions and better judgment--begins to fall in love, or something like it. Will she accept an IKEA life with the Volvo salesman and relinquish her creative dreams, or return to Turkey to her mother and sister, codependent and enmeshed, her father's ghost still haunting their lives?While she waits for the German court's verdict on her future, in the pages of her diary, Leyla begins to parse her unresolved past and untenable present. An indelible character at once precocious and imperiled, Leyla gives voice to the working-class and immigrant struggle to find safety, self-expression, and happiness. The Applicant is an extraordinary dissection of a liminal life between borders and identities, an original and darkly funny debut. Nazli's debut novel, The Applicant, was published on February 14, 2023. While writing The Applicant, Nazli worked as a cleaner, dishwasher, and bookseller in Berlin, South Bend, Chicago, and New York. She has taught and studied Creative Writing at the University of Notre Dame and the University of Denver. Her previous work has appeared in Narrative, The Threepenny Review, Bookforum, Second Factory, QSQOQST, books without covers, and The Chicago Review of Books. Recommended Books: Yoko Tawada, Scattered All Over the Earth Ebru Ojen, Lojman  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

July 2023 Update: Sarah is preparing to appear at the New York City Poetry Festival at the end of July. Sarah will read a poem and be interviewed as part of an appearance with the monthly poetry show "There's a Lot to Unpack Here". Sarah also has a new book of poetry, “The Familiar”, coming out from Texas Review Press in Spring 2024. Welcome to Episode 19 of Slush Pile! For this episode, we have two “creepy” poems submitted for our Monsters Issue by Sarah Kain Gutowski. While these poems, part of a suite, did not get unanimous votes, we all felt they enveloped us into a universe of magical realism. True to the tradition of scary stories, these poems demand to be read slowly, deliberately, and out loud. Additionally, Gutowski's work is more than simply scary. Like Kathy says, “Sometimes freaky shit happens,” and these poems force our team to consider the ambiguities of life, or pre-death, as Tim puts it. Listen to the outcome, but one thing is for sure: these poems are stronger together. Comment on our Facebook event page or on Twitter with #frogtongue and sign for our email list if you're in the area, and even if you're not! Read on!   At the table: Kathleen Volk Miller, Lauren Patterson, Tim Fitts, Caitlin McLaughlin, Jason Schneiderman, and Marion Wrenn   Sarah Kain Gutowski is the author of two books, The Familiar (forthcoming) and Fabulous Beast: Poems, winner of the 14th annual National Indies Excellence Award for Poetry. With interdisciplinary artist Meredith Starr, she is co-creator of Every Second Feels Like Theft, a conversation in cyanotypes and poetry, and It's All Too Much, a limited edition audio project. Her poems have appeared in The Gettysburg Review, The Threepenny Review, Painted Bride Quarterly, and The Southern Review, and her criticism has been published by Colorado Review, Calyx: A Journal of Art and Literature by Women, and the New York Journal of Books.   Chapter VI: The Children Have a Request The season stretched itself thin, weakened by storms and heat. Inside the damp, shadowy space of the children's fort, the woman with the frog tongue wove baskets and bowls with tight, interlocked laces, while her silk stitches began to fray and lengthen. The gap between her lips widened to where the children could see the white of her teeth. They stared at her, sometimes; she saw them clench their jaws and try to speak to each other without moving their mouths. Before long they'd begin to laugh, and she'd shake with relief at the sound. Then one day, when the trees broke into glittering shards of gold and red and green, and light spun pinwheels above their heads as they walked together between the falling leaves, the girl looked at the woman and asked if she had a name. At this, the woman jerked to a stop. The old surge, the impulse to speak that rose within her belly and chest, overwhelmed. She wanted the girl and boy to know her name. Her tongue, rolled tightly and barred from moving inside its cage, strained against her teeth and cheeks, contorting her face with its rage. The boy stepped back when he saw the change on the woman's face. The girl moved closer, though, to pat the hand she held like she might a frightened kitten or skittish, fallen bird. Let's guess your name, she said. The woman's jaw fell slack, as much as the stitches allowed. Her panic passed away. The boy saw her relax and began to hop around. A game, a game, he chanted. Across her eyes the sun sliced its blade, and though her vision bled with its light, she felt cheered by the girl's hand and the boy's excitement. Aurora. Jezebel. Serafina, guessed the girl. Her brother laughed and grabbed a fallen branch, whacking the moss-covered roots of the trees surrounding them. The woman laughed, too, short bursts of air through her nose. Her happiness shocked them all. The boy laughed again, a raucous sound, and she looked the little girl in the eye. A curve tested her mouth's seams, more grimace than grin, but the girl smiled back and sighed with some relief. Then she reached toward the woman and pulled her close, until they were cheek to cheek. The girl's face, cold and smooth, smelled of the moss and earth her brother lashed and whipped with vigor into the air. The woman with the frog tongue hugged the girl loosely, as if those little shoulder blades were planes of cloud, a shifting mist she could see and feel between her arms but couldn't collect, or hold, or keep for her very own. The girl stepped back yet kept her hands by the woman's face. Her small, thin fingers hovered before the fraying threads. Why don't you take these out? she asked, as she touched each ragged end. At this the boy stopped his joyful assault of the trees and ran to see for himself what they discussed each night when walking home: her muffled, choked murmurings, the gray lattice unraveling across her mouth. He peered closely at each loose stitch, searching beyond her lips for whatever monster she'd locked so poorly inside. He found no monster, just a hint of pink tongue. So he shrugged, said Yes, and spun on his heel to resume his game. The girl jumped up and down, shouting: And then you'll tell us your name! The woman watched the boy whip tree roots free of moss, the tufts spinning into the air and separating, becoming dust, the dark green spores like beaks of birds that plummet toward the rocky earth without fear. She watched the girl's hair lift and fly away from her head, the wind dividing its strands, the way it hung, suspended like dust in the sun, then sank like spores: a sudden drop. She worked her mouth from side to side, and by degrees opened her lips enough to burble a sound that said: Maybe.   Chapter VII: She Grows a Second Heart That night she woke to find another oddity: during sleep her heart had split or twinned itself, and where one muscle pumped before, now beat two. Her blood coursed through her veins twice as fast as before, and over those paths her skin buzzed and stammered, like wire strung tautly between two poles and charged with load. As if she'd run for miles across rolling hills, as if inside her chest two fists beat time all day, beneath the bone she sped at death in the most alive way. The day crawled while her two hearts raced. Above the fire she set a series of clocks to ticking. She watched the flames, sometimes leaning close enough to feel the heat singe her stitches a deeper shade, their fibers scorching until they curled, like dark froth spilling from her mouth. But when her hearts began to flicker more, and faster than she could stand, she turned her eyes to the clocks' marked faces and drew comfort from the second hands' neurotic twitch. Every minute witnessed meant another minute lived. Beneath her breastbone her strange second heart pulsed harder. She sensed the muscle, like her tongue, would leap and fly away from her body if her body let it go. She took the silver-handled knife and incised a cross above the cavity where her hearts ballooned together, jostling for room and dominance. The flaps of skin, pale as egg shell, trembled slightly. A head appeared. A bird with obsidian eyes emerged wet with her blood, shook to shed its burden, and leapt toward the rafters above. She watched the bird and felt air seep into the space it left behind, her single heart unrivaled but lonely in its great room. The wound bled slowly, healing fast to a pale silver scar, flaps falling back to close neatly over the bone, which laid itself again like lines of track or scaffolding across her chest. The bird flew to the window's sill, and ticked its head to look back at the woman. A slight breeze, cool and calm, caressed its dark wings, and it leapt for the steady branch of that arm.

Well, this is it: the Season 2 finale! What could be better than having a great novelist AND musician as my last guest for the summer. Enter Franz Nicolay. Franz is here to talk about his rock novel ‘Someone Should Pay For Your Pain', a story that follows singer-songwriter Rudy, his conflicted relationship with a successful former protégé named Ryan, and Rudy's young niece, Lily, who wants to travel with him and whose surprise appearance forces a reckoning with himself and his past. ‘Buzzfeed' named it one of its “42 Great Books To Read” for spring 2021, stating, “Starting at the midlife crisis of an early-aughts indie rock never-was, Franz Nicolay delivers a tight-fisted gut punch of a novel, weaving a road-weary world with a lyricist's skill for evocation, emotion, and economy. . . . A knockout fiction debut from a longtime troubadour.”  In addition to records under his own name, Franz Nicolay was a member of cabaret-punk orchestra World Inferno Friendship Society and is still a member of The Hold Steady, which ‘Rolling Stone' magazine called “one of the all-time great New York bands.” Franz has also recorded or performed with dozens of other acts. His first book, the nonfiction ‘The Humorless Ladies of Border Control', was named a “Season's Best Travel Book” by ‘The New York Times'. His second book, the novel ‘Someone Should Pay For Your Pain', was named one of ‘Rolling Stone's “Best Music Books of 2021.” His writing has appeared in ‘The New York Times', ‘Slate', ‘The Paris Review Daily', ‘The Kenyon Review Online', ‘Ploughshares', the ‘Los Angeles Review of Books', ‘Threepenny Review', and elsewhere. He has taught at UC–Berkeley and is currently a faculty member in music and written arts at Bard College and in Columbia University's MFA fiction program.   MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Punk Rock Instrumental No Copyright “Always Something In My Blindspot Waiting” by Vic Ruggiero “Sideways Skull” by The Hold Steady “Perdido” by The Hold Steady Clip from the beginning of documentary on World Inferno Friendship Society “This Is Not a Pipe” by Franz Nicolay “So You Want to be a Rock and Roll Star” by Patti Smith “Gainesville Rock City” by Less than Jake “Someone Will Pay” by Justin Townes Earle “I Was a Teenage Anarchist” by Against Me! “Good Day” by The Dresden Dolls “When You Get to Asheville” by Steve Martin and Edie Brickell “New River, Spring For Me” by Franz Nicolay     LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Franz Nicolay's website: https://franznicolay.com/ Franz Nicolay on Twitter, Instagram: @FranzNicolay The Hold Steady's website: https://theholdsteady.net/ The World Inferno Friendship Society's website: https://www.worldinferno.com/ Documentary on World Inferno Friendship Society (Infernite version): https://www.youtube.com/watch?v=iADNLE7H5qE Book trailer for Salman Rushdie's novel ‘Luka and the Fire of Life' (Franz is in the trailer): https://www.youtube.com/watch?v=P1IpnC4bImo Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, Instagram, YouTube: @ChristyHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

Jessica Hendry Nelson is the author of the upcoming memoir, Joy Rides Through the Tunnel of Grief, which includes essays on love, wonder, and the fierce bonds between women. It was the winner of the 2022 Sue William Silverman Prize in Creative Nonfiction from the Association of Writers & Writing Programs (AWP).  Her book, If Only You People Could Follow Directions (2014), was selected as a best debut book by the Indies Introduce New Voices program, the Indies Next List by the American Booksellers' Association, named a Best Book of the Year by Kirkus Review, received starred reviews in Kirkus and Publisher's Weekly, was reviewed on NPR and twice in Oprah Magazine, and was a finalist for the Vermont Book Award She is also co-author of the textbook and anthology Advanced Creative Nonfiction: A Writers' Guide and Anthology (Bloomsbury, 2021) along with the writer Sean Prentiss.   Her work has appeared in The Threepenny Review, Prairie Schooner, North American Review, Tin House, The Los Angeles Review of Books, The Rumpus, The Carolina Quarterly, Columbia Journal, Painted Bride Quarterly, Crab Orchard Review, PANK, Drunken Boat and elsewhere.   Jessica is an Assistant Professor in the MFA program and English Department at Virginia Commonwealth University and on faculty in the MFA Program at the University of Nebraska in Omaha. She lives in Richmond, Virginia.     http://jessicahnelson.com/   https://www.instagram.com/jhnelson427/   https://www.facebook.com/jessica.nelson.73700

Andrew Porter is the author of the short story collection The Theory of Light and Matter, which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days, which was a Barnes & Noble “Discover Great New Writers” selection and an IndieBound “Indie Next” selection, and the short story collection The Disappeared, which was published in April 2023. Andrew's short stories have appeared in One Story, Ploughshares, The Southern Review, The Threepenny Review, and Prairie Schooner, among others. He has had his work read on NPR's Selected Shorts and twice selected as one of the Distinguished Stories of the Year by Best American Short Stories. A graduate of the Iowa Writers' Workshop, Andrew is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio. Andrew joins Marrie Stone to talk about The Disappeared. He talks about the state of the short story in contemporary fiction (with references to Rebecca Makkai's article about why we should be reading short stories), and what short stories can do for readers that novels cannot. He shares insights from his former professor, Marilynne Robinson, about endings. He talks about how he approaches flash fiction. He discusses why three is such a magical number of characters for a story, and much more. For more information on Writers on Writing and additional writing tips, visit our Patreon page. To listen to past interviews, visit our website. (Recorded on June 13, 2023) Host: Barbara DeMarco-Barrett Co-Host: Marrie Stone Music and sound editing: Travis Barrett

Guest host Jeff Alessandrelli talks with Nazli Koca about growing up in Turkey, finding a writing community in Berlin, developing a life through writing, coming to the US for an MFA, writing her debut novel THE APPLICANT (Grove Atlantic, 2023), using the diary form, fictionalizing the autobiographical, the novel's release at the time of the earthquake in Turkey, and more.Nazli Koca is the author of the novel The Applicant (Grove Atlantic, 2023). She is the recipient of grants from the Nanovic Institute, Soham Dance Space, and United States Artists. Her work has appeared or is forthcoming in The Threepenny Review, BookForum, Second Factory, The Chicago Review of Books, and books without covers, among other outlets. Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Derek N. Otsuji is the author of the book The Kitchen of Small Hours, which won the Crab Orchard Review Poetry Series Open Competition. He was also awarded the 2019 Tennessee Williams Scholarship from the Sewanee Writers' Conference. His poems have appeared in The Southern Poetry Review, The Beloit Poetry Journal, The Threepenny Review, The Bennington Review, Harpur Palate, Missouri Review Online, and many others. He is an associate professor of English at Honolulu Community College. George Herbert was born in 1593 in Montgomery Castle, Wales. He attended Westminster School and then Trinity College, Cambridge. He was ordained as a priest and became the rector at Bemerton. He died in 1633 of consumption at the age of forty. Links: Read "Among the More Innocent Touristic Amusements of the Old Waikiki"Read "Two Boys One Fish Two Eyes" in RhinoRead "Virtue" by George Herbert" at The Poetry FoundationDerek N. OtsujiDerek N. Otsuji's website"How She Loves Music" in Pleiades.Two Poems at Terrain.orgVideo: "Interview with Derek Otsuji, Author of The Kitchen of Small Hours""Theatre of Shadows" at The Poetry FoundationGeorge HerbertBio and poems at the The Poetry FoundationBio and poems at Poets.org"George Herbert: British Poet" in BritannicaVideo: George Herbert - a Welsh-born poet, orator, and priestMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Episode 172 Notes and Links to Robert Lopez's Work       On Episode 172 of The Chills at Will Podcast, Pete welcomes  Robert Lopez, and the two discuss, among other things, growing up on Long Island, his renewed vigor for, and focus on, reading and writing in his early 20s, his inspirations in writers like Hemingway and Carver, John D'Agata, Eula Biss, ideas of erasure and assimilation that populate the book, his Puerto Rican heritage, his love of tennis as a sport and as metaphor, the idea of "dispatches" and how they inform his book, and his writing style of understatement and braided narrative.      Robert Lopez is the author of three novels, Part of the World, Kamby Bolongo Mean River —named one of 25 important books of the decade by HTML Giant, All Back Full, and two story collections, Asunder and Good People. A new novel-in-stories, A Better Class Of People, was published by Dzanc Books in April, 2022. Dispatches from Puerto Nowhere, his first nonfiction book, was published by Two Dollar Radio on March 14 of this year. His fiction, nonfiction, and poetry has appeared in dozens of publications, including Bomb, The Threepenny Review, Vice Magazine, New England Review, The Sun, and the Norton Anthology of Sudden Fiction – Latino. He teaches at Stony Brook University and has previously taught at Columbia University, The New School, Pratt Institute, and Syracuse University. He lives in Brooklyn, New York.   Buy Dispatches from Puerto Nowhere   Robert Lopez's Webpage   Sara Lippman Reviews Dispatches from Puerto Nowhere for Chicago Review of Books     At about 7:15, Robert describes the experience of having a book recently out in the world   At about 8:20, Robert discusses his adolescent reading habits    At about 9:50, Robert gives background on how a TV production class senior year of college inspired him to become an ardent reader and writer   At about 11:20, Robert responds to Pete's questions about Long Island and its cultural norms   At about 14:15, Pete asks Robert about writers and writing that inspired him to become a writer himself; Robert points out a few, especially Raymond Carver and Ernest Hemingway   At about 16:25, The two talk about their shared preference for Hemingway's stories over his novels   At about 17:00, Pete shouts out Robert's paean to Hemingway's “A Clean, Well-Lighted Place”   At about 18:05, Robert speaks to the book's background and seeds for the book in response to Pete's questions about what it was like to write nonfiction/memoir   At about 21:20, Pete cites a blurb by Eula Biss that trumpets the book's universality and specificity, leading Robert to define “Puerto Nowhere”   At about 23:20, Pete and Robert connects a quote from the book to Robert's comment that the book is more in search of questions than answers/conclusions    At about 26:05, Pete posits Sigrid Nunez's work as an analogue to Dispatches from Puerto Nowhere   At about 27:15, Vivían Gornick, Maggie Nelson, Eula Biss, Ander Monson, John D'Agata are referenced as writers whose work is “in conversation” with Robert's   At about 28:35, Pete asks about the structure/placing of the dispatches, and Robert describes how the book was put together with some sage advice from Eric Obenauf at Two Dollar Radio   At about 30:50, Pete aska bout Robert's understanding of “dispatches” and what it was like to write in first-person/personally   At about 32:25, Pete references two important lines from the book-the book's opening line and its connection to forgetting, and an important quote and its misquote from Milosz, which Robert breaks down   At about 36:00, Pete and Robert highlight and analyze key quotes from the book dealing with Spanish language loss and forced and subtle assimilation and connections to cultural erasure   At about 40:40, Robert discusses the parallel storyline from the book that deals with his grandfather, about whose journey to the States   At about 42:20, Pete wonders if Robert still has designs ongoing to Puerto Rico and doing family research after the pandemic    At about 43:40, Tennis references in the book are highlighted, and Robert talks about how and why he made connections to important topics in the book, like police violence and racism and loss in the family   At about 51:35, Robert describes a good friend referenced in the book who is a great example    At about 52:35, the two discuss second-generation Americans and forward and the realization that often there are many more creature comforts as the generations go in   At about 55:10, Pete compliments the book's powerful understatement and a resonant image involving Robert's grandfather eating     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 173 and 174, TWO episodes dropping on March 28, celebrating pub days for Rachel Heng and Allegra Hyde.     Rachel Heng is author of the novels The Great Reclamation-her new one-and Suicide Club, which has been translated into ten languages worldwide and won the Gladstone Library Writer-In-Residence Award. Her short fiction has been recognized by anthologies including Best American Short Stories, The Pushcart Prize, Best Small Fictions and Best New Singaporean Short Stories.    Allegra Hyde is a recipient of three Pushcart Prizes and author of ELEUTHERIA, named a "Best Book of 2022" by The New Yorker. She's also the author of the story collection, OF THIS NEW WORLD, which won the John Simmons Short Fiction Award, and her second story collection, THE LAST CATASTROPHE, is her new one.    The episodes air March 28.

EPISODE 1352: In this KEEN ON show, Andrew talks to WHO DOES THAT BITCH THINK SHE IS? author Craig Seligman about Doris Fish, the rise of drag and why we need to dress Ron DeSantis up as a woman.Over the past three decades Craig Seligman has contributed hundreds of articles and reviews to a wide variety of magazines, journals, newspapers, and websites, including The New Yorker, The New Republic, The New York Times Book Review, The Threepenny Review, Artforum, Bookforum, Salon.com, and The Village Voice. From 2006 to 2013 he was the lead book critic for Bloomberg News. His latest book is WHO DOES THAT BITCH THINK SHE IS? Doris Fish and the Rise of Drag (2023)Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

EPISODE 1352: In this KEEN ON show, Andrew talks to WHO DOES THAT BITCH THINK SHE IS? author Craig Seligman about Doris Fish, the rise of drag and why we need to dress Ron DeSantis up as a woman. Over the past three decades Craig Seligman has contributed hundreds of articles and reviews to a wide variety of magazines, journals, newspapers, and websites, including The New Yorker, The New Republic, The New York Times Book Review, The Threepenny Review, Artforum, Bookforum, Salon.com, and The Village Voice. From 2006 to 2013 he was the lead book critic for Bloomberg News. His latest book is WHO DOES THAT BITCH THINK SHE IS? Doris Fish and the Rise of Drag (2023) Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Moore has been writing poetry for more than four decades. Before Prognosis from Graywolf in 2021, he wrote, Invisible Strings, published in 2011 by Graywolf Press. In 2012 he received a Guggenheim Fellowship for the work in that book. Underground: New & Selected Poems is available now from Graywolf Press. He has won the Minnesota Book Award for his poetry four times. Jim has received grants from the Bush Foundation, the Minnesota State Arts Boards, the Loft Mcknight and in 2012 from the Guggenheim Foundation. His poems have appeared three times in Pushcart Prize Editions as well as in many magazines, including The New Yorker, The Paris Review, The Nation, American Poetry Review, Harper's The Kenyon Review, The Threepenny Review, and Water-Stone Review. Jim lives in Minneapolis and Spoleto, Italy with his wife the photographer JoAnn Verburg. He teaches in the Hamline University MFA Program in St. Paul, Minnesota and is often a Visiting Professor at the Colorado College in Colorado Springs, Colorado. He works online individually with poets from around the country. Jim reads and discusses one of his favorite poems, "We must Praise the Mutilated World," BY ADAM ZAGAJEWSKI TRANSLATED BY CLARE CAVANAGH

Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common's new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students. Meera Nair is the author of Video: Stories, which was a Washington Post Best Book of the Year. Her work has appeared in Guernica, The Threepenny Review, Calyx, The New York Times, The Guardian, The Washington Post, NPR's Selected Shorts, and elsewhere. She lives in Jackson Heights in Queens, New York. ­­Read Meera's essay in The Common at thecommononline.org/the-desire-tree. Read more from Meera at meeranair.net, or follow her on Twitter at @MeeraNairNY. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common's new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students. Meera Nair is the author of Video: Stories, which was a Washington Post Best Book of the Year. Her work has appeared in Guernica, The Threepenny Review, Calyx, The New York Times, The Guardian, The Washington Post, NPR's Selected Shorts, and elsewhere. She lives in Jackson Heights in Queens, New York. ­­Read Meera's essay in The Common at thecommononline.org/the-desire-tree. Read more from Meera at meeranair.net, or follow her on Twitter at @MeeraNairNY. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

The finale of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 11 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 10 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 9 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 8 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 7 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 6 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 5 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, about the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life--middling violinist-dreamer Anna, factory worker Gerhard, prototypical flower child Lilli, and budding tech futurist Benjy--branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the longings and questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Episode 4 of SUNLAND, by screenwriter, journalist and novelist Charlie Haas, which unfolds the brief desert flowering of a group of German artists, musicians, and free spirits who voyage to Southern California, “the America of America,” in 1914 to start the world over. They're fleeing cops, city life, sexual norms, the oncoming world war, and the Internet of their time--the  telegraph, telephone, and movies--in favor of naked farming, altruism, and wild new music. The main characters, a family of four who abandon Berlin in hope of a saner life, branch out from the fields of San Bernardino to the real estate tracts of burgeoning L.A., at once wrestling with and setting in motion the questions that have beguiled and bedeviled every American generation since.CREDITS:Charlie Haas's screenwriting credits include Over the Edge, Tex, Gremlins 2, and Matinee. His journalism has appeared in The New Yorker, Esquire, New West, The Threepenny Review, and Wet: The Magazine of Gourmet Bathing, along with many other journals. Haas's previous novel, The Enthusiast, was published by HarperPerennial in 2009. Follow his Twitter feed at: @Charlie_Haas.Host Alan Rifkin's novels, essays and short stories of Los Angeles have been published widely. Find out more about him at www.alanrifkin.com.Intro music is from the song "Slow," performed by Sally Dworsky. Written by Sally Dworsky and Chris Hickey. Available on iTunes, Spotify, Apple Music and all other streaming platforms.Closing credits songs for Season 2 are “Lullaby of Sunland,” composed and performed by Ben Rifkin, and “Trapeze Dress,” composed and performed by Dean Chamberlain. News and touring information about Dean are at therealcodeblue.com.Podcast art by Ryan Longnecker.Sound production by Ben Rifkin.

Joining Mitchell Kaplan from Ukraine is Marjana Savka and Victoria Amelina, with Askold Melnyczuk in Boston. Marjana Savka was born in Kopychyntsi, Ternopil oblast, in 1973. She published her first poetry collection, Naked Riverbeds, at the age of twenty-one. Eight other books, for which she received several awards, have appeared since then, including four poetry collections and three children's books. A former actress and journalist, she edited We and She, an anthology of poems by female writers from Lviv, Ukraine, where she lives. She cofounded, with her husband, the Old Lion Publishing House. Marjana is the winner of “Torch” award (1998) and the International Vasyl Stus Prize (2003). Victoria Amelina is an award-winning writer living in Ukraine and the US. She was born in 1986 in the city of Lviv, Ukraine. Before becoming a writer, she worked in high tech as an engineering manager; she holds an MS degree in Computer Science. In 2014 she became a laureate of the Ukrainian National Literary Award Koronatsiya Slova, and released her debut novel “Fall Syndrome, or Homo Compatiens” that was shortlisted as one of the best books of the year according to the LitAkcent and Valerii Shevchuk literary awards. Her second novel “Home for Dom” won the Best Prose Book award at Zaporizhya Book Festival, and was shortlisted for numerous awards including LitAkcent Book of the Year, Lviv City of UNESCO Literary Award, and European Union Prize for Literature. Askold Melnyczuk's book of stories, The Man Who Would Not Bow, appeared in 2021. His four novels have variously been named a New York Times Notable, an LA Times Best Books of the Year, and an Editor's Choice by the American Library Association's Booklist. He is also co-editor of From Three Worlds, an anthology of Ukrainian Writers. His published translations include work by Oksana Zabuzhko, Marjana Savka, Bohdan Boychuk, and Ivan Drach. His shorter work, including essays, stories, and reviews, have appeared in The Threepenny Review, The New York Times, The Boston Globe, The Times Literary Supplement (London), The Los Angeles Times, The Harvard Review and elsewhere. He's received a three-year Lila Wallace-Readers' Digest Award in Fiction, the McGinnis Award in Fiction, and the George Garret Award from AWP for his contributions to the literary community. As founding editor of Agni he received PEN's Magid Award for creating “one of America's, and the world's, leading literary journals.” Founding editor of Arrowsmith Press, he has taught at Boston University, Harvard, Bennington College and currently teaches at the University of Massachusetts, Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Our intrepid hosts investigate poetry reading cliches and surmise which poets of the past (and present) would have committed these heinous crimes -- and in broad daylight, too!Poets we mention include:1) Read a fabulous essay by Emily Wilson on Sappho here. 2) Many of (Sagittarius) William Blake's artworks can be viewed online through the National Gallery of Victoria here.3)  Catullus's manuscripts are viewable online here; you'll need to be able to read Latin.4)  Aaron references James Wright's "The Sumac in Ohio," which ends:"Before June begins, the sap and coal smoke and soot from Wheeling steel, wafted down the Ohio by some curious gentleness in the Appalachians, will gather all over the trunk. The skin will turn aside hatchets and knife blades. You cannot even carve a girl's name on the sumac. It is viciously determined to live and die alone, and you can go straight to hell." Wright was a Sagittarius. 5) The poem we reference by Maxine Kumin about wearing the clothes she traded with Anne Sexton can be found here (navigate to the poem on the left side of the website). Kumin is a June 6 Gemini (like Aaron). 6)  H.D. (Virgo) is primarily a poet, but she also wrote prose and translated from the Greek.  7) Go watch Louise Glück talk about making poems here, particularly about her poem "Landscape" in Averno (first published in Threepenny Review). You'll thank me for showing this to you. Glück is a Taurus. 8) Terrance Hayes is a Scorpio. Visit his website here. 9)  The National Portrait Gallery had a terrific show on Gertrude Stein (Aquarius) in 2011. You can view much of the show online here. And of course there's a story that Anne Carson recounts in her book, Glass, Irony and Godabout why Hemingway friend-broke-up with Stein (in the essay "The Gender of Sound") that we recommend. (The story will not improve anyone's opinion of Hemingway.)  10) Joyce Carol Oates (Gemini) issued an apology after railing against the use of singular they/them pronouns. You can read a recap of the ugly mess here. 11)  Ezra Pound was a Scorpio as well as a poet, translator, and critic. His "A Few Don'ts by an Imagiste" is instructive advice for poets.  Louis Menand wrote an essay for the New Yorker about Pound's rabid antisemitism ("The Pound Error," June 16, 2008). 12) Allen Ginsberg was a Gemini. You can read a collaborative poem called "Pull My Daisy" here. Kerouac adapted that into a film starring Ginsberg and others in their circle; Pull My Daisy can be watched here. 13)  Read more about Christina Rossetti on the Victorian Web, one of the best online resources about writers in the long 19th century. Rossetti is a Sagittarius. 14)  More about John Keats can be found here. Aaron and James also recommend Anahid Nersessian's terrific book Keats's Odes: A Lover's Discourse.&