Podcasts about MacLaine

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

This week, we’re joined by the amazing James Maclaine, from The Natural History Museum, to help us answer a Jaws-dropping question! First, we’ll dive deep into the ocean to find out—what sound do sharks make? Then, we’ll travel back in time to uncover the origins of the very first ninjas. And finally, we’ll settle an epic battle of strength—who's tougher, samurais or ninjas? Get ready for another exciting episode filled with fascinating facts and discoveries! Instagram: @itseverythingunderthesunTiktok: @itseverythingunderthesunX/Twitter: @eutsworldSee omnystudio.com/listener for privacy information.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 86 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the next film in their Mike Nichols series, Postcards from the Edge (1990). As we enter the 1990s, Mike Nichols is coming off one of the most successful films of his career, and with his follow-up to Working Girl, he brings to life the deeply honest, humorous, personal story of Carrie Fisher's autobiographical novel, Postcards from the Edge. Based on Fisher's novel inspired by real life events from her childhood, relationship with her mother Debbie Reynolds, her acting career post Star Wars, and her battle with substance abuse, Nichols is expertly able to bring every element of Fisher's life together with a brilliant performance by Meryl Streep, and the excellent work by Shirley MacLaine playing her version of Reynolds, and the tragic yet relatable bond the real mother-daughter had while going through the Hollywood machine. Ryan, Jay, and Christina break down their thoughts on the film, their connection to Fisher and Reynold's careers, how different a role like this is for both Streep and MacLaine, the perfect use of Gene Hackman, the film's depiction of substance abuse and if it goes deep enough on the matter, and the what might possibly be the funniest moment in the history of the show with the discovery of the plot of a Disney Channel original movie from 2004 and how it all ties to the career of Debbie Reynolds. And no, we aren't talking about Halloween Town. You will have to listen to find out, and trust us, it's worth it. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h48m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, The Birdcage. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us a text“Oh, I'm a true autumn!” “Yeah I am a soft summer for sure.” “I'm definitely a dark autumn.” How many times have we heard these questions friends? We all know that girl that is super into color analysis. Whether you are that girl or you're that girl's friend that doesn't quite understand the hype, this episode is such a great listen. Maclaine Noah (known for @acatholicconvo and @colorthehills) joins Court and Meghan this week to discuss the beauty behind color harmony and how it's all rooted in the harmonious creation by our Lord. Enjoy this episode!! Laura-Anne: Check out her digital resources for engaged couples and wedding photography services at laura-anne.ca or on Instagram @lauraannesmid Use code DAILYNOTHINGS10 for 10% off any digital resources.Color the Hills: Color the Hills is a personal color analysis studio based in Spearfish South Dakota that celebrates your natural God-given beauty and coloring. Learn more about Color the Hills at https://www.colorthehills.org/Support our podcast AND receive extra content by joining our Patreon for only $5 a month at https://www.patreon.com/TheDailyNothingsPodcast Thanks for listening to The Daily Nothings Podcast! Be sure to subscribe and leave a rate and review. Come to Italy with us on a Pilgrimage! You can also follow the Daily Nothings Instagram @thedailynothingspodcast and visit our website: http://www.thedailynothings.com

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes director and producer Brad Furman, known for films like The Lincoln Lawyer, The Infiltrator, Runner Runner, The Take, and City of Lies. The episode opens with Furman reading a touching tribute letter he wrote after the passing of his friend, filmmaker John Singleton, setting the tone for an intimate conversation about perseverance, mentorship, and the evolution of his career.From Basketball to Film School (03:48)Furman shares his transition from college basketball at Emory to pursuing film at NYU's Tisch School of the Arts, discussing how his competitive sports background shaped his approach to filmmaking.Early Career and Notable Mentors (17:22)The conversation explores Furman's early career experiences, including working as Julia Roberts' assistant for three years, and learning from industry veterans like Cis Corman at Barbara Streisand's production company.A Family Affair with Shirley MacLaine (29:24)Furman discusses People Not Places, a project 12 years in the making that began with his mother Ellen Furman's screenplay specifically written for Shirley MacLaine. The film, starring MacLaine and Stephen Dorff, became Furman's "most beautiful experience" in filmmaking.City of Lies and Perseverance (33:05)Furman talks about getting City of Lies (starring Johnny Depp) released despite numerous obstacles, including corporate bankruptcies, the pandemic, and industry challenges.The Lincoln Lawyer Journey (37:33)Furman shares his regret about leaving Lakeshore Entertainment after the success of The Lincoln Lawyer. He reflects on lessons learned from working with Tom Rosenberg and the challenges of navigating studio politics.Current Projects (45:30)The episode concludes with Furman reflecting on his growth as both a filmmaker and father. He shares how his experiences have brought him to what he calls his "Michael Jordan years" - his prime as a filmmaker.From his early days making The Take with John Leguizamo, through the breakthrough success of The Lincoln Lawyerwith Matthew McConaughey, to battling to release City of Lies with Johnny Depp, and now creating intimate character studies like People Not Places with Shirley MacLaine, Brad Furman's career demonstrates remarkable range and resilience.If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind-the-scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Brad FurmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Brad Furman:Wikipedia: https://en.wikipedia.org/wiki/Brad_FurmanIMDB: https://www.imdb.com/name/nm1026778/Instagram: https://www.instagram.com/bradfurman/?hl=enFor more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

No episódio #40 do podcast Em Foco, nós analisamos o filme "Se Meu Apartamento Falasse" (The Apartment, 1960), um dos grandes clássicos de Billy Wilder, vencedor do Oscar e estrelado por Jack Lemmon e Shirley MacLaine. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:08:24 - Grande Angular: conheça a equipe e a história por trás do filme 00:15:01 - Ponto de Vista: os aspectos atemporais de "Se Meu Apartamento Falasse" 01:09:13 - Zoom: nossas cenas favoritas comentadas 01:23:43 - Fora de Quadro: a exposição no MIS-SP e as adaptações do filme para a Broadway e para Bollywood Escrito por Billy Wilder e I.A.L. Diamond, "Se Meu Apartamento Falasse" acompanha C.C. Baxter, funcionário de uma empresa de seguros em Nova York. Ele tem um pequeno apartamento onde mora sozinho, mas decide emprestá-lo a seus chefes para encontros com amantes, com a promessa de que será promovido na firma. Insatisfeito com os abusos de seus superiores, ele tenta parar com os favores, mas se sente cada vez mais pressionado. Tudo muda, no entanto, quando ele descobre que a mulher por quem está apaixonado é amante de um dos principais diretores da empresa. Nosso podcast foi gravado em ocasião da dupla celebração do cinema de Billy Wilder neste ano de 2024, com a exposição imersiva dedicada à obra do cineasta, em cartaz no MIS-SP -- Museu da Imagem e do Som de São Paulo, e com o relançamento do livro "Entretenimento Inteligente: O Cinema de Billy Wilder", escrito por Ana Lúcia Andrade, que também ajudou a realizar a exposição. "Se Meu Apartamento Falasse" foi indicado a 10 estatuetas no Oscar e venceu cinco: Melhor Filme, Melhor Direção, Melhor Roteiro, Melhor Direção de Arte e Melhor Montagem. Ganhou também o Globo de Ouro nas categorias Melhor Filme de Comédia, Melhor Atriz em Comédia ou Musical para Shirley MacLaine, e Melhor Ator em Comédia ou Musical para Jack Lemmon. Os dois também foram indicados ao Oscar e MacLaine ganhou o prêmio de Melhor Atriz no Festival de Veneza. Participam do podcast: -- Renato Silveira e Kel Gomes, editores do cinematório; -- Larissa Vasconcelos, jornalista, crítica e redatora do cinematório; -- Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder". No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Este episódio contém trechos da trilha sonora original de "Se Meu Apartamento Falasse", composta por Adolph Deutsch. Todos os direitos reservados ao artista.

New books focused on Johnny Carson and Shirley MacLaine offer intimate portraits of two of television and Hollywood's biggest stars. Johnny Carson hosted The Tonight Show for 30 years, becoming an unparalleled nighttime staple and unifying force within American culture. His life is the subject of Carson the Magnificent, a new biography co-written by Bill Zehme and Mike Thomas, who took over the decades-long research project after Zehme died in 2023. In today's episode, Thomas joins NPR's Scott Simon to discuss the divisions between Carson's public and private personas. Then, Shirley MacLaine's personal photo walls feature pictures of dignitaries, starlets and leaders like the Obamas, the Dalai Lama, Dolly Parton, Stephen Hawking and others. In her new book, The Wall of Life, MacLaine uses her photo collection as a way to tell her life stories through a scrapbook format. In today's episode, she speaks with Here & Now's Robin Young about past lives, enduring friendships in Hollywood, and the balance between reality and fame.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Mari Wagner sits down with Catholic content creator Maclaine Noah to explore the impact of social media and specifically social media addiction. Known for her Instagram account @acatholicconvo, Maclaine shares her journey of balancing her online presence with real-life commitments, and the unseen addiction challenges social media can present. The discussion covers practical tips for managing social media use, the importance of intentionality, and the spiritual implications of overconsumption. Together they offer guidance on how to make social media a tool for good without compromising one's mental, physical, and spiritual well-being.------Follow Maclaine on Instagram @acatholicconvo and her social media examination of conscience is pinned at the top of her account.Episode SponsorsTruly Free Laundry - click for 100 free loads 20% off Crunchi non-toxic makeup with this link & code ADVOCATE20West Coast Catholic - westcoastcatholic.co------Follow Along:Ever Be Podcast InstagramMari Wagner Instagram West Coast Catholic InstagramMentioned in this episode:Click here for 100 FREE loads!

I have known the Canadian cellist Julia MacLaine for many years in her role asAssistant Principal Cello of Canada's National Arts Centre Orchestra, of which I am also a member. In this episode we're highlighting her gorgeous album Preludes which pairs the Preludes of J.S. Bach for Cello solo and with newly commissioned works for solo cello by Canadian composers.  Julia and I talked about many things, including how best to address  the challenges of maintaining high levels of playing and inspiration, studying the craft of songwriting with the legendary Ian Tamblyn , the intricacies of putting together ambitious projects,  her childhood in Prince Edward Island,  and strategies to cope with performance anxiety. It was really inspiring to hear some of the wisdom Julia gained from her mentors including Timothy Eddy and the late Antonio Lysy. This episode features excerpts of music from Preludes including that of J.S. Bach, Airat Ichmouratov, Carmen Braden, Roy Johnstone and Nicole Lizée.   Like all my episodes, you can also watch this on my YouTube channel, and I've also linked the transcript to my website, everything linked here: https://www.leahroseman.com/episodes/julia-maclaine Julia MacLaine website: https://www.juliamaclainecello.com/bio Preludes album https://www.prestomusic.com/classical/products/9309403--preludes?srsltid=AfmBOoop593ZT29pz3RSsEMawTjbiHPF_8oMICuS2ruzUn1Qo2dkujCn Preludes album on YouTube https://www.youtube.com/channel/UC80c6WS5jNMk-L5RhXOknCA Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ My episode with Rachel Mercer, Principal Cellist of NACO: https://www.leahroseman.com/episodes/e9-s2-rachel-mercer Timestamps: (00:00) Intro (03:02) J.S. Bach solo Preludes, Julia's childhood in Singapore and Prince Edward Island (10:59) Prelude in D minor, Suite number 2 J.S. Bach (14:43) Antonio Lysy, bow control, intonation (20:03) boundaries with technology, Julia's childhood no TV (22:48) Bonnie Hampton, Julia's career trajectory, staying in good playing shape (28:08) commissioning Airat Ichmouratov's Praeludium with excerpt (29:30) excerpt from Airat Ichmouratov's Praeludium (31:33) commissioning new works inspired by Bach, securing funding (34:30) Carmen Braden collaboration on interpretation (37:44) excerpt from Play Time by Carmen Braden (39:01)more discussion about interpretation and editions (39:59) Timothy Eddy, Julliard and New York experience (44:22) different ways you can support this independent podcast! (45:15) Roy Johnstone (46:36) clip of No. 6 Post Bach by Roy Johnstone (47:52) PEI, Matt Zimbel (48:51) multi-disciplinary project in New York Voice of the Whale (54:38) songwriting with Ian Tamblyn (57:48) mental game, perfectionism, performance anxiety  (01:04:33) Nicole Lizée with clip from Prayers for Ruins (01:06:44) balancing family life as a musician (01:10:53) choosing repertoire (01:14:09) performance anxiety (stagefright), Don Greene photo: Stewart MacLaine

2024 - 07 - 23 Nick MacLaine by CurtinFM 100.1 in Perth, Western Australia

À Doris Manor, château anglais, l'inspecteur Maclaine annonce au châtelain Allan Higgins qu'il est lavé des soupçons du meurtre de Percival Loane, tué lors d'une partie de chasse au château. Ceci grâce aux conclusions du Dr Michael Goddard. Mais Maclaine, apprenant que le défunt était passionnément amoureux d'une jeune actrice également présente lors de ce week end de chasse, poursuit son enquête... *** Fiction radiophonique diffusée dans l'émission “Les Maîtres du mystère”, de Pierre Billard et Germaine Beaumont - ""Vous avez raison, inspecteur Maclaine"", d'après un texte de Claude Dufresne - Réalisation : Pierre Billard - Première diffusion : 29/01/1964 sur la Chaîne Inter Variétés de la RTF - Avec : Jacques Morel, Roger Carel, Laurence Weber, Jean Marie Fertey, Pascal Mazzotti, Jacques Sapin, Yves Peneau et Gaétan Jor - Un podcast INA

This week we have the honor of hearing the insanely moving story of Maclaine Noah giving birth to her first born son, Louis. Listen for a story filled with the power and importance of surrender. This story is for everyone, not just mothers. Let's just say Courtney cried more than once during this recording. Check out Maclaine on Instagram @acatholicconvo for more on her life and the ministry she lives out daily for the Catholic Church! Support our podcast AND receive extra content by joining our Patreon for only $5 a month at https://www.patreon.com/TheDailyNothingsPodcast Thanks for listening to The Daily Nothings Podcast! Be sure to subscribe and leave a rate and review. You can also follow the Daily Nothings Instagram @thedailynothingspodcast and visit our website: http://www.thedailynothings.com

Ex Nihilo Vs Ex Matéria Vs Ex Deo - Filosofia da Religião: Quer Ajudar o canal? Veja como: *Amazon: https://amzn.to/3OhZ49b *Livro: Imaginação Educada: https://amzn.to/48NnoYM *Fundamentos do desenho: https://go.hotmart.com/T90092973M *Apoie o Canal: https://apoia.se/canaldosocran *Áudios Venda: -CONCEITO DE HISTÓRIA NA FILSOFIA EM ARENDT: https://go.hotmart.com/I73309280Y?dp=1 -O QUE É FASCISMO: https://go.hotmart.com/Y72077629D?dp=1 *Pix oferta: https://widget.livepix.gg/embed/e47d6b80-f832-4fc2-a6af-ee6fa4c9ad9a *Música: Letra - Socran / Instrumental e voz - Suno Referências: Criação ex materia: I. Asimov, The beginning of the end. N. L. Geisler, Knowing the truth about creation. T. Hobbes, Leviatã. A . Kenny, Five ways. P. Kreeft, Between heaven and hell. P. Kustz, Humanist manifestos I and II. K . Marx, Marx and Engels on religion, R . Niebuirh, org. PlatAo , Timeu. C. Sagan, Cosmos. Criação ex Deo: B. Espinosa, Tratado político. M . Ferguson, A conspiração aquariana. N. L. Geisler, Christian apologetics. _____& W. Watkins, Worlds apart. S. MacLaine, Dançando na luz. Parmenides, Proem, G. S. Kirk, et al., The presocratic philosophers. PL0TIN0,“ The six enneads” . Prabhavananda, Os Upanishads: sopro vital do eterno. S. Radhakrishnan , The Hindu view of life. Criação ex nihilo: Agostinho, A cidade de Deus. Anselmo, Prologion. Filo, The works of Philo. Tomás de Aquino, Suma teológica.

Maclaine West had no idea when she started inviting friends over to her house for dinner on Thursday evenings, that it would turn into one of the most fulfilling endeavors she'd embark on over the next few years. The founder of Soul Supper joined the show to discuss what the journey has been like building what she describes as a "human connection brand" from inception to today where it is undoubtedly one of the fastest growing communities of collaboration that you'll find anywhere. We discuss the importance of connection, and how supper can invite more conversations and encourage more breakthroughs than you'd ever imagine. We also discuss how West has been able to brand Soul Supper to partner the endeavor with over 30 brands and corporations who have bought into the authenticity of the brand, and everything that it stands for. From the pitch deck, all the way to the supper table we discuss the process it takes to conduct outreach and secure brand partners at even the grassroots level. We end the episode with perhaps one of the most powerful conversations we've had here on the platform, where our host gets put in the hot seat, which leads to a deep dive into realizing the beauty of your surroundings and being where your feet are. This is one of those episodes you'll want to watch over and over again once you finish it, so make sure you follow the show so you don't miss a single second!

Caine! MacLaine! Heists! Romantic Comedy! Plot twists! Jan Michael Vincent! (Trust us, it will make sense when you listen.) Our theme music is "The Brotherhood" by Soundroll -- check it out on Uppbeat.io

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Mary Zema - Reason FOLLOW ON SPOTIFYJesse Maclaine & The Scotch - Me And A Mouse FOLLOW ON SPOTIFYBarrel Flash - Red Eye Special FOLLOW ON SPOTIFYRobbie Kaye - Feel What You Feel FOLLOW ON SPOTIFYAnusha Patgiri - Dopamine FOLLOW ON SPOTIFYKat Sena - Treasure of You FOLLOW ON SPOTIFYDee Jackson Field - Here We Go FOLLOW ON SPOTIFYSheila K Cameron - Miss Me When You're With Me FOLLOW ON SPOTIFYFridelina ft. Royzy Rothschild - Anything FOLLOW ON SPOTIFYCathy DeWitt - Spring Fever in the Fall FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Jeannine Barr at jbarrmusic.comVisit our Sponsor Lissa Coffey & David Vito Gregoli at songdivine.comVisit our Sponsor Emmeleine at emmeleine.comVisit our Sponsor 39 Streams of Income at profitablemusician.com/incomeVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resources

She was considered one of America's brightest young stars almost from the moment she entered show business in the mid 1950s. over the next few decades, Shirley MacLaine fulfilled that promise in a big way. She has won, or been nominated for, dozens of awards, including an Oscar, and Emmy, and several Golden globes. And then in the mid-1980s, Shirley MacLaine acquired a whole new kind of fame, when she became a well-known authority on the metaphysical, and past lives and reincarnation In this 1987 interview MacLaine explains her theories. Get It's All in the Playing by Shirley MacLaineAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Eartha Kitt and Ann-Margret For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube #Hollywoodlegends #1960s #1970s #ratpack

"Ring out the old year, ring in the new. Ring-a-ding-ding." For the first episode in our Throwback Series, we're looking at episode 194 from December 2021 as Brandon and Thomas discuss one of their favorite New Year's Eve movies. Listen as they discuss the history of the film, Billy Wilder's career at this point, and how the movie perfectly captures the loneliness of the holidays.  Throwback Intro - (00:00:00) Opening Banter (00:04:01) Recap of the Christmas genre (00:04:42) Intro to THE APARTMENT (00:08:00) How THE APARTMENT Got to Production (00:21:52) Favorite Scenes (00:27:47) On Set Life - (00:44:51) Aftermath: Release and Legacy (00:50:20) What Worked and What Didn't (00:53:43) Alternate Universe Cast (01:00:47) Film Facts (01:04:05) Story Questions (01:06:04) Awards (01:10:39) Final Questions (01:11:55) Final Genre Questions (01:18:50:00) Preview for Next Week (01:24:18) Join our Patreon for More Content: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

  **Apologies for the slightly blown-out vocals on my end; had an audio issue!** This week on And the Runner-Up Is, Kevin welcomes back AwardsWatch editor-in-chief Erik Anderson to discuss the 1983 Oscar race for Best Actress, where Shirley MacLaine won for her performance in "Terms of Endearment," beating Jane Alexander in "Testament," Meryl Streep in "Silkwood," Julie Walters in "Educating Rita," and Debra Winger in "Terms of Endearment." We discuss all of these nominated performances and determine who we think was the runner-up to MacLaine.  0:00 - 16:08 - Introduction 16:09 - 42:07 - Jane Alexander 42:08 - 1:09:37 - Meryl Streep 1:09:38 - 1:29:13 - Julie Walters 1:29:14 - 1:56:58 - Debra Winger 1:56:59 - 2:20:04 - Shirley MacLaine 2:20:05 - 3:05:04 - Why Shirley MacLaine won / Twitter questions 3:05:05- 3:08:59 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Erik Anderson on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

LISTEN: In this week's episode, we get a 2023 Peak to Peak Studio Tour wrap-up with potter and sculptor, Julie Neri. She will also talk a little about her own work and share some information about what's coming up for mountain artists at The Old Gallery in Allenspark this holiday season.Visit Julie's Etsy Shop!Visit Julie's Website!We hear this week's music mentions from Jamie Lammers, and special correspondent Maryann Rosen will share the paranormal kick-off of our five-part supernatural story series for the month of October leading up to Samhain and Halloween. And for our final story, Jamie Lammers interviews multi-talented indie-pop-rock-singer-songwriter Jesse Maclaine. She talks about her style and love of the craft, as well as her upcoming show at Very Nice Brewing on Sunday, October 6th.Thank you for listening to The Mountain-Ear podcast, Everybody's Listening. Each week we feature the news and culture from across the peak to peak. You can find us online by visiting https://www.themtnear.com/Find us on Facebook @mtnearYou can contact our editor at info@themountainear.com.Thank you for listening.

It's always a fascinating discussion with composer Maclaine Diemer. In this episode, we talk about Guild Wars 2: Secrets of the Obscure, the newest expansion in the MMORPG. The last time he was on Level to talk about Guild Wars 2, we spoke of the End of Dragons expansion. Maclaine's music for End of Dragons was heavily influenced by Korean traditional music (called gugak) with synth undertones. The music for Secrets of the Obscure is quite different, as you'll hear Maclaine discuss, driven by a tight timeline. It's beautiful orchestral music - a very traditional Western orchestra - with few soloists, just beautiful sweeping melodies and mysterious turns, colored by polytonality and the influence of Debussy. You can support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to exclusive merch, Discord events and special guest playlists. PLAYLIST by Maclaine Diemer for Guild Wars 2: Secrets of the Obscure unless noted otherwise 00:00 Secrets of the Obscure 07:46 Whispers of the Misplaced 08:59 A Future Carved in Jade from Guild Wars 2: End of Dragons 10:09 End of Dragons from Guild Wars 2: End of Dragons 19:38 Opening Titles from Jurassic Park by John Williams 20:50 Curious Allies 23:53 A Fractured Horizon 25:12 A Fractured Horizon 29:30 Memories Forgotten 38:04 The Beast Emerges by Maclaine Diemer and Michael Paraskevas 44:59 Amnytas in Peril 49:43 Curious Allies 53:41 The Wizards 1:03:57 Secrets of the Obscure 1:09:14 Malaise by Jaimee Jimin Park 1:10:17 Malaise by Jaimee Jimin Park 1:12:31 The Beast Emerges by Maclaine Diemer and Michael Paraskevas 1:14:36 Otherworldly Threats by Bobby Rose 15:44 Courage and Regret by Bryan Atkinson 18:15 These Ancient Halls 22:56 Memories Forgotten 23:24 Other Sprouts by Sam Keenan

Join Jenni as she talks to communications strategist, Eva Maclaine, about managing reputation and the risks involved. In a world where technology and social media can highlight anything, whether it's true or not, maintaining a good reputation is high on leaders' priorities. They discuss how working with integrity and mindfulness is key when navigating your way through managing your reputation. Eva joined the collective team in 2022 as we found clients needed a little advice on reputation management and the role of employees. Eva's expertise here means she is perfectly positioned to help leadership teams and communication teams consider the ethical and reputational impact of decisions. Thank you for listening! Keep the conversation going, ask questions and share your thinking by joining the Redefining Communications community, and connecting with Jenni on LinkedIn and Twitter. Resources: Eva blog - Crises, chaos and calm - Maintaining untarnished reputations Bell Pottinger case study | PRCA Government shuns CBI lobby giant after rape claim - BBC News Get in touch with Eva through LinkedIn

Our short and to the point PRESSURISED version of episode 12. If you don't have time for the full episode and want to get right to the science without any of our waffle, this is the place to be! Read the show notes and find the full episode here: www.armatusoceanic.com/podcast/012-natural-history-collections   Natural history collections, huge archives of carefully curated specimens, are an invaluable tool for the scientific community. They are also a place where the public get to interact with active research and meet scientists. Forget what you'd imagine working in a museum to be like, no two days are the same and both the collections and the talented people who work with them are in constant demand. One day your helping design new swimwear based on shark skin, the next settling an argument at a fishing competition. If you're wondering what jobs are out there in science or just curious to know what goes on behind the scenes at a museum, this episode has some surprises for you.   Feel free to get in touch with us with questions or you own tales from the high seas on: podcast@armatusoceanic.com   Read the show notes and find out more about us at: www.armatusoceanic.com   Links James taking care of the beetles during lockdown James talking about deep-sea fish. Shark nostril research Cookie-cutter shark bites Museum of New Zealand Te Papa Tongarewa – deep sea video The Fishes of New Zealand

Podcast for a deep examination into the career and life choices of Jack Nicholson. Lev made a cake one time that was pretty good. Now years later he is makes another one, but this time nobody at the podcast eats it. He is hurt by this and now seeks vengeance. But was anyone even asking for this sequel cake? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in July 2023. References may feel confusing and/or dated unusually quickly. 'The Evening Star' is available on DVD and VHS (surprise, surprise): https://www.amazon.com/Evening-Star-Robert-Harling/dp/B07YMHZL7H/ref=sr_1_2?crid=2FTG18RX8GN0I&keywords=the+evening+star&qid=1689523381&s=movies-tv&sprefix=the+evening+star%2Cmovies-tv%2C159&sr=1-2 Music from 'Super Star' by Neon X and 'Midnight Star' by "Weird Al" Yankovic Artwork from BJ West   quixotic, united, skeyhill, vekeman, jack, nicholson, syzygy, maclaine, lewis, sequel, cross, maid, winger, paxton, mcmurty, devito

Maclaine Diemer talks about creating a new soundtrack for Cyan Worlds' Firmament.

The summer season opened with a number of big movies but a pair of films that opened last weekend fell short as "The Flash" managed only $55 million and "Elemental" took in only $29.6 million in U.S. box office results despite finishing in the top two slots. Expectations were particularly high for "The Flash" considering the hype behind Michael Keaton reprising his role as Batman helping Ezra Miller's Barry Allen/The Flash character. We dive into the movie — yes, there are spoilers — to discuss its standing in the DC Extended Universe, the various Batman and Superman cameos and the use of the multiverse as a plot device. We follow that up with a discussion of Peter Sohn's latest Disney Pixar film "Elemental." While better than Sohn's first Pixar film "The Good Dinosaur," the movie lacks star power beyond Wendi McLendon-Covey and Catherine O'Hara and runs a little long. What does this mean for the rest of the summer? It's hard to say for sure, but films up next might want to take note and be prepared for subpar results. Where to watch "The Flash" in theaters "Elemental" in theaters About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and screened and entertainment podcasts about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with the Master of the Multiverse, Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, when you're in the multiverse, like, what are you doing in your other What's the other? Bruce Miller doing right now? Other one is actually enjoying himself. This one, it's like the third circle of hell, You know, where you go, What am I doing? Why is this one so tough? But I think they always say that a different one gets you a better life. So I'm hoping that the better life is in another, more diverse universe.Unknown Okay, so you brought it up now. You were the one. The flash. Yes. The Flash has these multiverses. This is the the kind of the overriding narrative that drives this thing, that there are many multiverses out there just like Spider-Man has the kind of the other world. And all I realize that this is is an excuse to be able to get rid of the actor that they don't want or is asking for too much money. Because if you say, well, I'd like a dollar more to be able to do this, it got near you. We're going to go to another multiverse and they'll be different. We'll be fine or we'll go back to an old one. I don't know. I'm sick of that. And I really don't want those things to color. Just a straight old story. Right. It's not. Whenever they need to get out of a problem, they just zip over to another multiverse verse and try and solve it. And that's what happens in the Flash. The flash as how much do we dare tell? Well, I'm out. If you haven't see the flash now, you're not going to see it. Right. So let's. Let's do this. Should we just. This is a spoiler. This is not a spoiler free episode. Let's just now let's just go for it, because I'll tell you, I did like Ezra Miller as The Flash. I thought he was really good, and I liked him playing off himself because he has a two version kind of thing where he is good and at that kind of give and take. He's funny and I know that they're trying for their own Spider-Man because Spider-Man skews young and I think The Flash, they need something like that in that old timey DC Comics universe. So all that is there was a good idea, and I'm glad they kept him. They didn't reshoot all that stuff, but then they decide that they're going to go dig back in some other universe. And we see a Batman. We get a Batman. Ben Affleck, who I don't like as Batman, I never have and never will. And I think his term could be up, at least in my house, that he is. And then they go in and they find an old Batman, which is Michael Keaton. And Michael Keaton is a good Batman. But they must have decided somewhere along the line that he needed a little more to do. And so they make him into Howard Hughes, and he's living in this old kind of rambling building or house or mansion or whatever you want to call it. And suddenly he's got more skills and toys than I ever remember because that Batman the thing with Batman. Sorry, I'm on a rant, but the thing with Batman is he is a human. He's one of the only human people that don't have special powers or aren't from another planet or any of that kind of stuff. And now he's got a kid that can do everything. I'm not so sure about all that. I really I question it. Yeah. So. Ezra miller. Forgetting about the controversies I thought was fine. No problems with Ezra. It was a solid, solid performance for as much as you could do with that role. It's, you know, obviously, it is what it is. And I had no problems. So I thought from. From just that aspect of it, totally fine. You and I have talked before. I'm not a huge comic book movie person. It's just not my thing. I do like the Batman movies I like or I like seeing Batman movies. I don't always like the Batman movies. I like kind of the Superman thing. A little bit of Wonder Woman here and there, but that's kind of the extent of my superhero kind of movie going that I'll do. I've never really seen any of the Marvel movies. Like one of them I saw That was probably a bad one, right? No, it was. Which one's with Ryan Reynolds? Oh, really? Ryan Deadpool. Deadpool. Yeah, Deadpool right now. Guy He's kind of in his own universe. He doesn't wrangle the others. No, that's. That's probably why I liked it. And it was just kind of somebody told me, Go see it, you'll like it. And actually it was funny. And he makes fun of superheroes. That I like that. That's probably why I liked it. So. But my problem, my my problem, especially with these Batman movies and the whole DC thing is just the constant reboot after reboot after reboot after reboot in this. Like your point to the multiverse helps us because now you could just throw it all out and it doesn't even matter anymore. Now there's another there's another movie franchise that I absolutely love, which is called the James Bond franchise. Now, they, of course, have had like seven James Bond's. But the difference there is the stories don't really conflict, right? You have you know, you'll get like six episodes of Sean Connery. He bows out. You bring in Roger Moore to do a half dozen, plus he bows out. There's only been a couple of instances with short term bonds with George Lazenby doing that one that bridged the two. Connery's had a Timothy Dalton had two, and, you know, Pierce Brosnan by standards. What a year. You only had, I think, four movies. So that was on the shorter side. But, you know, even with with Daniel Craig, he was even though he didn't do the most movies, I think he was in the role for the longest. Like he he was even longer than Roger Moore. He just he just kind of packed in more movies over a shorter period of time. I'm fine with that because it's just all those stories kind of live outside themselves. There's a little bit of crossover, a little bit of a nod here or there, but it's I'm fine with that, but it's just the constant starting and stopping with all these different actors. I can't keep up. I don't even remember who Batman is anymore. And one other point that I'll make, too, is what I loved about the Tim Burton Batman with Michael Keaton, is that, sure, there's special effects? Sure, it has a certain look to it. But as you said, he's a superhero, but he's a human who's just taking he's a vigilante, Right? So he's just kind of taking these extraordinary measures to kind of save save the day. They're vomiting special effects at us now. And I'm of the opinion that less is more. You don't have to. Just because you can do it doesn't mean you should do it. And I think another franchise that kind of brought this back a little bit was Star Wars, where, you know, you had the original Star Wars, which sure had lots of special effects, but they they kept it pretty low key because they couldn't do more at the time. And then I think the huge mistake with George Lucas when he did the prequel and back then, he just he went back. He like he re-edited the originals and put in all the special effects, which did not help. And then those prequel movies that he did, it was all shot against a green screen and it looks like and it doesn't feel real. And what I think has been good with The Mandalorian and the newer ones is they went back and they're actually doing puppeteering again and the special effects that they do use in it, like let's De-Age Mark Hamill, because we can't have a 70 year old guy playing young Luke Skywalker. I'm totally fine with that. You know, you can bring Grand Moff Tarkin back because he's been dead for so long. But those things I'm okay with, But you don't have to throw up special effects at me nonstop. So that's my rant, you know? Well, what I found with the Flash is they go back and visit all these other characters, right? And you have to remember too much. You need to know something about that version of whatever. And they have a number of Superman that comes when, of course, there's that the heart tugging moment when you see Christopher Reeve as as Superman come out. That's that's the gold standard for that, even though his films probably don't hold up at all. But you see that and you go all and then they toss in a Nicolas Cage Superman with a film never got made. And so the idea that that they would do that, but they conveniently don't hit all of the Batman. And it must have been something where, you know and you think all well they get that's choices as artistic choices. No, it was probably because Christian Bale said, there's no way in hell you're using my image in this film. And he had it written into a contract. So you get a little bit of Batman from the Adam West years, and then you go, Well, now what's that about? Because that's TV. Do we do TV Batman? Or is that not, you know, so there are these things that are choices that they make that I'm sure it's because do we have the right go call on this. Call the lawyers, see if we got the rights on this one. We're going to throw this one in just because I think they got nervous at the end and they decided we've got to have all these people show up, not unlike Space Jam, where they took every cartoon character they could throw in. That was a Warner Brother cartoon and then just have you kind of go nuts about it. And you go, Well, wait a minute, why is there Wizard of Oz in this? I didn't know The Wizard of Oz was part of Space Jam, but that's what they do. And I think they get nervous and they don't trust their artistic instincts and they just do this stuff. And I don't think all that was necessary. We caught the concept That was enough. You didn't need to show a world revolving with every character there was in it. I would hope that if they go back to the Flash and do it again, he gets new adventures with different characters. That Zod thing crazy and it can be more, more Shazam like if you will. And and I think you got a good actor. Let him just do what he can do. They obviously with the multiverse have set up a total reset of the DC expanded universe because they've kind of just said, you know what, we're going to we've closed the door now. On Ben Affleck as Batman, and it seems like they're largely closing the door on probably some of the other ones. I mean, there's going to come back here. Any idea is that Superman not there shouldn't be another shot at it, you know, So it's selective lawyering is all it it. Yeah. I loved Wonder Woman when that came out. The first one I thought I thought 1984 was just terrible. I was so disappointed when that one. I remember even telling my wife I'm like, honey, I saw, I saw the Wonder Woman and it's fabulous. We need to go. And it was on HBO. It was it was during the pandemic, and it was just on HBO. I'm like, Let's watch it. You'll love it. It's actually like, I don't like, you know, I don't love comic book movies. And then we sat through it. I'm like, I'm apologizing to her after because that's how bad I thought it was. So I even with her roll, are they going to bring her back for another Wonder Woman or have they said, you know, the last one wasn't good? Like we hit we hit a homerun with one second, one was there. So we're kind of we're going to reset that now, too. This is our deal breaker. This is the way we cut the contracts and move on and whatever it wants to be, it'll be. But I think blast is worth keeping. I just wish that they would do different things that they and not this concept of let all or nothing forget it, make it 90 minutes, make it good, Give us a situation and a and a character. You got it. Who is the new Batman? Is the new Batman George Clooney? Well, who knows? Oh, you know what? You know, he's back and I can see why this is not doing well in the theaters. I think you've got to realize that you cannot rely on the Old Faithful, the comic book nerds who will come do this no matter what, because took in other people. And I think that's where Marvel went wrong, too, is that they want to tie too much together and if you're a casual viewer, viewer like you, Terry, where you see one, you go, What is this crap? I don't know what this is all about. You've got to make it stand alone. It's like we say, you know, I, I read the book and there are lots of things aren't in the movie that were in the book. Well, it's the movie has to stand alone. It's got to be able to tell its story and move on from there. And so that's that's where they go wrong. I agree with you. And you know, it only did 55 million It led it led the box office almost almost doubled, elemental. But the 55 million is a terrible, terrible opening when you consider we're getting back to a point where movies are opening at 100 million plus and you know. Yeah. And Flash is clearly I mean, it's not going to it's not going up. I mean, next week it's not going to do 90 million in week two. It's only going to go down. So, you know, will it even recoup its money? And, you know, you bring up the point of the casual viewer. I was lucky because I had seen, as I said, I see the Batman movies, I see the Superman movies. So when I saw The Flash, it all made sense to me. But if you're a casual viewer and you didn't know what the deal was with Zod and all that stuff, you would be so lost. Like if you came in because you're like, I love Michael Keaton from those those early Batman movies with Timothy Burton, you're just going be lost because you're going be like, What is going on here? You just dropped the storyline. Makes no sense. Ellen Slater, if you were familiar with Ellen's later way back when, her appearance doesn't mean anything to you. So it is what it is. I think that they did a great job with the Flash on TV when it was on the CW, and I think he was a perfectly good flash. But when they're going in another direction and you're doing something that it's a little quirky stick with the quirk. Don't feel that you need to go back to the traditional and grab something there. One other point I'd like to make. We talked about the multiverse, the concept of the multiverse, right. And how big it's become because we're seeing it in a lot of different things, you know, Spider-Verse and and we saw it obviously everything everywhere. I wonder, I was thinking this is a it's a concept that basically replaces time travel or it sort of replaces time travel because that was such a driver of of, you know, show movies, shows of the 6070s, eighties, you know, like Star Trek when they would get stumped in like, well, what should we do? Well, how about we just send the Enterprise back 200 years to get a humpback whale and bring it back to the future? Right. And then, of course, there's back to the future. So I started I'm going into this movie knowing that it's the multiverse and thinking to myself, like, yeah, this is completely replace like the concept of time, travel back to the future and all that. And what did they do is this they heavily referenced back to the future in the flash where in this multiverse Eric Stoltz is not the part got the part you know and again you have to have a point of reference to enjoy the laugh. And if you're a young kid, did you know that Eric Stoltz was originally cast as Marty McFly? You didn't. So it it kind of falls flat on that. I is this made for critics? Maybe it is I don't know they just want them to say nice things. I mean it's cute. It's a cute concept. They do hammer it a couple of times and maybe I don't need to two or three times of that to get it. Now, let's talk about Elemental, because I you know, I'm a huge Disney fan. I love all those animated things. But boy, did it take effort to like Elemental. I'm not going to call it the worst Pixar movie I've ever seen that Cars. It's definitely not the best Pixar movie I've ever seen it. From my perspective, it was fine. It checked all the boxes. We went on Father's Day. We took the kids. The kids enjoyed it my way. Restless? Nope. They liked it. They liked the movie. My wife cried during a couple scenes. She enjoyed it. I was fine. I was fine. You know, I walked out of it and I was like, That's fine. That's fine. It's a fine movie. It's not great. It's not terrible. It's fine. I got what they were trying to do. They're trying to talk. Really. It's the immigrant story. Did you come to another country and you feel like you are alone and you don't fit in with others and you don't want to mix with others? And maybe mixing with others is a good thing. And we see how this works out in everything. But I think it tries way too hard to be jokey and it tries to make every person it can think of. Like I could see them sitting around a table and saying, Okay, fire. Think of all the things that you can think of that have fire in it that we can use. This is hotter than and you know, and they would just throw this out and then try to kind of squeeze that in in the process. And the idea that wind water, earth, an air or a soundtrack by Earth, wind and fire, how they don't, you know, combine. Well, they do. And if you just did a simple experiment, you'd know that all this does work together. And so they needed another villain. They needed somehow somebody to cause the problem that encourages them to come together to solve it. And they didn't. They kept these kind of universes or these worlds separate. And it was like, Oh, that's where the rich want people live. Oh, that's where the poor down and outer fire people live, you know? And I don't know, it's a basically it was good to look at I don't know how you make a stuffed animal out of a fire, but yeah, I really had a prop. This is me now. I had a problem where they show this baby fire sucking on a can of lighter fluid. And I thought, this is like, wrong. You don't if you image that to any little kids and they say, oh, lighter fluid, I could see a kid sucking on a bottle of that. I could. And so I think they didn't think through some of the things that they were playing. They just thought it was a cute gimmick and there it felt wet. I can see that, you know, as someone who grew up was born in New York and very familiar with the city culture and the concept of of a bodega that's run by an immigrant family, it resonated a little bit with me to an extent. I got what they were trying to do again with the concept of, you know, a melting pot. And there were moments to even when I would lean over to my wife, it's like, is this family, is it is it a Greek family? Do you think they're touching on agriculture is No, no. Maybe it's Turkish. You know, it's like, oh, no, no, no. Maybe it's like Pakistani or something like that. And, you know, and then of course, you see the relationship, the Korean heritage relationship, you know, to the Peterson And so and I think that's the point is you're not actually supposed to figure out what it is because it's this concept that it could be anything. Right. It's it's you know, these are the anyone that's an immigrant to this country or any country is going to face obstacles and discrimination. And it doesn't really matter where it's from. It's just, you know, we're just going to bring in these concepts. So, you know, I think it's a good movie for lessons of inclusion and whatnot, but it just felt, you know, it's fine. As I said, I don't know how else to describe this movie other than it was fine. There was no stars in this movie. No. And I tried to raise the voices and I thought, is this anybody? Is this somebody who is? And I thought at one point it was Miley Cyrus doing the voice of the Amber the flame girl. But no, it's it's not at all. Catherine O'Hara is in there is the mother. That's. Wait, wait. And it's that's the the the most notable actor that they they cast in it, which is kind of interesting from a few aspects because if you think back Disney up until really what the nineties largely just relied on on mostly unknown voice actors to do the roles and I think it was a lot of it had to do with like Toy Story and The Lion King where you started casting bigger screen actors to take on these roles. So I am wondering a little bit because they went low key, because it wasn't just this barrage of A-list actors. Did that hurt this at the box office? Because there isn't that that big name? You know, normally what they do is they have and I was waiting for a Justin Timberlake song, actually, I thought this is almost like rolls. They should throw in a Justin Timberlake song because there is a song in there. I think this is like one of those things they let people do with short subjects. They let them kind of go very creative and try things out. And maybe this one, they, you know, let's let's just give it a whole movie. Let's not give it a short subject because it seemed like a short subject concept. And there is kind of a pattern to Disney Pixar characters that have a certain look that you can turn into merchandise. And like I say, I don't know how you merchandise this at all unless everything is just a character on a on a t shirt. But we'll see. It'll, you know, they'll do it. But I yeah I thought that of that kind of odd mix inside out did a better job of kind of blending things and making it seem like, okay now I don't have to think too hard on this. And I thought too hard on this. I was trying all the time to make sense of it and I couldn't. The movie was a bit long for my tastes. Well, we again, animated films. Come on, I the kids start running about the 30 minute mark. And if they're not stopping by the 60 minute mark, you've gone too long. I hate to get up to go to the men's room during a movie because I don't want to miss a thing. And as soon as the credits started rolling because and with these Pixar movies, you don't want to miss something at the end. So it's like the movie. The credits started rolling. I like beeline out, leave my family behind, take care of business, come back in because that you know, that gallon of soda I was drinking went right through me. And then I was disappointed because there was nothing in the credits either. It just kind of they just straight rolled it. But it was it was a story that that I agree with could have been told in about 20 fewer minutes. And it would have been completely fine to keep the kids entertained. And I and I will say this, too, with Peter Sohn, who directed the movie, it's definitely the better of his two movies that he's done now for Pixar, because I. I absolutely hated The Good Dinosaur. Did. Do you remember that one? I hated that, too. I hated it. Well, one thing I notice when you think of the good dinosaur, the only thing I remember was the grass looked good. It looked Grant's look good in. And that was and I remember walking out of it with my kids because they were a lot younger than am. I like one of my daughters is crying. She's like, Dad, does this mean you're going to die, too? And because they killed now, they killed a dad. And I didn't like, Oh, good Lord, God, like you have to do. You have to kill a parent in every movie. Yeah, well, you know, interestingly, I think this is the only Pixar film that doesn't have a John Ratzenberger appearance. Might be that could be a curse. That if you don't use him, you're in trouble. So I'm throwing out there that maybe they should have had him in there somewhere as somebody. But yeah, ice and earth. Did you ever see anything earthy besides that little kid picking the flowers out of his pits? Yeah. Yeah. And then they. The wind people. It was a game, and that was it, Right? Right. And I would say that was somebody, too, from The Goldbergs, the mother on The Goldbergs as the voice of the Wind. Okay, Thank you. Wendy covered MacLaine to make clear she has a hyphenated name. When Wendi Mclendon-Covey Wright. Thank you, Your Honor. I'm sorry, Wendy. I apologized profusely, but you got a long name, you know. Yeah, but Elemental 29.6 million to open. That is not. That's not where you want to be if you're Pixar. And on the heels of Disney wiping out a huge chunk of the Pixar department recently, maybe this is my this is well, it also came after light year because light year did not do well last year either. It's very much like Zootopia. And I think if they're going to go back to that, well, Zootopia is a better way of dealing with it, because when you had characters who were goofy animals, you could be you could be snarky with them. And I think they wanted to be a little too noble. Yeah, Yeah. So Flash 55 million. Elemental 29.6 million. Not a great weekend for too big. It's supposed to be two big heavy hitters. What do you think this this means? You know, coming up, is this just a blip on the radar? I don't think. Come up or what? What what do you think? Now, interestingly, we have no hard feelings. And Wes Anderson's new movie coming out this week, those will be low key because they're not expecting anything out of that. I think no hard feelings will do really well once the word of mouth gets out there, because it's the old school R-rated comedy where it's like, ah, if you know what I mean. And I think people are looking for something like that, so that'll be a surprise. And then we get into Barbie week and boy, I'm seeing a lot of Barbie and I'm hearing a lot of Barbie, but it isn't all that positive. So we'll see what happens. I want it to be very positive, but I think you know, it's going to be I think we're still on the roller coaster. I don't think we're there yet. We're not heading toward the the entrance of the theme park ride. So it'll be like Indiana Jones that'll go big. There's nerve endings about that thing, too, that it is not as adventurous as they want it to be. These are viewers who've seen it and maybe, yeah, it'll still do well, Open. Well, it'll open big. Yeah, that's what I'm thinking. Like, it'll, it'll people like me will want to go see it because we're huge fans of the franchise, but we'll go see it. Maybe not like it and then not go back. So I don't know that it'll have a long run, but I think it'll open big. Yeah, a little up, a little bit down. We'll see what comes in the next few weeks. Next week we are getting ready for the 4th of July holiday, so we are going to dive into our favorite patriotic movies of all time salute right. All right, Bruce. So thanks again and thank you all for listening to this episode is screened and screened.See omnystudio.com/listener for privacy information.

It's another delightful chat with composer Maclaine Diemer about Firmament from Cyan Worlds, the creators of Myst and Riven. The score is entirely synth with the exception of two or three other instruments, including an esraj and a Fender IV (technically a Squire, which only matters to people who know the difference). It's atmospheric, ambient and round, but with industrial grit thrown in occasionally. Maclaine calls it "industrial ambient." Or maybe "ambient industrial," you'll have to listen to find out. One of the best parts: Maclaine grew up playing and revering those early games and the music Robyn Miller wrote, which is similarly ambient and reverb-y, but with a lot of pizzicato (synth) strings. It was fun to hear Maclaine talk about his fantastic score! You can support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to exclusive merch, Discord events and special guest playlists.   PLAYLIST by Maclaine Diemer for Firmament unless noted otherwise 00:00 Ascent to Curievale 15:10 Atriums and Seed Vaults 16:42 Sun on St. Andrew 21:22 Batteries Casting Shadows 23:06 The Reservoir 26:26 Processing 27:48 Deep in the Mines 30:24 The Glacial Realm 31:04 The Glacial Realm 33:46 Sulfuric Pools 35:16 Robots in the Field 37:30 Echoes of Past Futures 40:01 Echoes of Past Futures 52:59 The Spire 55:08 Frozen Footsteps 56:45 Frozen Footsteps 1:02:48 Batteries Casting Shadows 1:04:12 Batteries Casting Shadows 1:13:42 Remnants of Margot 1:14:16 Other Sprouts by Sam Keenan

The taglines are “The funniest movie ever to make you cry” and “Sometimes laughter is a matter of life and death” and boy does this movie cash in on those promises. Patrick goes into this episode pretty skeptical but if you ever wanted to hear Patrick and Lolo cry this is the episode for you. Listen now to hear what Patrick thinks this movie will be and then listen as Lolo and him break down why this film is so impactful, the circumstances around the writing of the script, and tons more trivia. New episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode! Watch ALMOST SORTA MAYBE now on Tubi, Amazon Prime, WatchFreeFlix, Comcast and Spectrum on Demand. Become a Patron today for access to exclusive episodes and videos, including two of our newest sketches currently posted nowhere else: TWAT SLAP an VEGAN APOCALYPSE https://www.patreon.com/ixfilmproductions Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Our upcoming Events and Screenings mentioned in this episode:See Vegan Apocalypse at the Free State Film Festival on Saturday, July 1st at 5pm – tickets available soon: https://freestatefestival.org/ Follow the Bird Watching Film Festival to stay up to date on upcoming screenings: https://www.facebook.com/birdwatchingfilmfest https://www.instagram.com/birdwatchingfilmfest/ Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

This week our Legends episodes are coming think and fast at you, and our latest focus on a film legend is arguably the greatest living actress of all time. Yes, we are focusing on the great Meryl Streep. Our latest guest to talk all things Meryl with us the brilliant New Yorker Jeff from The Love of Cinema podcast.Warning we will be talking SPOILERS The Love of Cinemas pick is the gloriously funny adaptation of Carrie Fishers book, Postcards from the Edge. On this one we talk about the star Studded cast, the brilliance from Shirly MacLaine as the over bearing mother. We talk about the amazing witty dialogue battles especially from MacLaine and Meryl Streep. Plus how Gene Hackmen Steels the film. IMDB page      The Love of Cinemas Link Tree  FVF Social linkstwitterinstagramTikTokAs ever please enjoy.Support the show

In this episode we talk about a movie we both love and also find problematic in many ways. The Apartment (Wilder 1960) stars Jack Lemmon and Shirley MacLaine and follows Lemmon's C.C. Baxter up the corporate ladder, which he climbs in exchange for reluctantly letting his higher-ups use his apartment for sexual dalliances. But, of course, we're more interested in how this affects MacLaine's Fran Kubelik, who has to deal with patriarchy and misappropriated power at her workplace (sound familiar, anyone?). Take a listen! CW: This movie depicts suicidal ideation and attempted suicide, so look after yourselves.

The Alchemist live a complicated life in Terms of Endearment. Key Elements: Short Changed, Ocean Ride, Goodbyes Join the Patreon: https://www.patreon.com/filmalchemistpod  

ASK CAROLINA ANYTHINGAre you consumed with how you are going to get more money? I know the feeling but life doesn't have to be scarcity all the time In this episode, Carolina interviews money coach Suze how we get more money and keep it.What you'll learn:1:24 Who Suze is and how she helps the world6:35 What is a money relationship and what should that look like?8:57 Carolina's view on money relationship11:56 The root or core of the money relationship for people17:54 More money = more problems25:20 Conflict resolution30:42 How Suze helps other people with their money relationshipsThe Carolina Sotomayor Podcast is brought to you by Carolina Sotomayor and the Fertility Foundation.Carolina Sotomayor is an Expert Womb Healer who helps women conceive by removing physiological blockages with Reiki. She is the host of the Carolina Sotomayor Podcast, a show that covers everything from fertility to postpartum to motherhood, and the creator of Fertility Foundation Collective, an online membership that helps women heal at their own pace to boost their fertility.Carolina has served over 500 women from around the world to heal. She is passionate about helping women create their families. As a result, there are over 60 reiki babies in the world.Connect with Suze:Suze Maclaine Pont | Empowering Financial HarmonyPodcast | Suze Maclaine PontSuze Maclaine Pont | FacebookSuze Maclaine Pont (@suzemaclainepont) • Instagram photos and videosCarolina Sotomayor Reiki: https://carolinasotomayor.com/Facebook: https://www.facebook.com/carolinasotomayorreiki/Instagram: https://www.instagram.com/thecarolinasotomayor/TikTok: https://www.tiktok.Support the showLiked this episode? Share it with a friend. Love the show? Write a 5-star review (even just one sentence helps us keep bringing you the content you want to hear.) Want to get pregnant? Connect to your spirit and heal your fertility blockages inside the Make A Baby Membership. Try it for FREE! DOWNLOAD HERE our free Womb to Dream Connection Sleep Meditation: Connecting to Your Spirit Baby! Connect with Carolina: Website TikTok Instagram Pinterest Facebook DISCLAIMER: This episode is not a substitute for professional medical care but aims at relaxation and stress reduction to support natural healing. Reiki complements, never replaces, medical care. Carolina is not a licensed healthcare provider; always seek appropriate professional help for physical and mental health. Individual results may vary.

#39: Our guest today is composer Maclaine Diemer who has worked on projects such as Guild Wars 2, Salt and Sacrifice, Rock Band, and many others. In this episode we talk about the simplicity of networking in our field, transitioning from being a rock star to being a sound designer, and then transitioning from sound design to composition, and much more. Find Maclaine Diemer here:   Instagram: https://www.instagram.com/maclainediemermusic/ Twitter: https://twitter.com/maclainediemer Website: http://maclainediemer.com/   And if you're interested in making music and sound for games, I have a newsletter and free courses that will get you started, and help you find paying work in games. Just go to http://www.bit.ly/soundbizpod  

Composer Maclaine Diemer's music for Salt and Sacrifice is grimy and unpolished. As producer Sam Keenan says, "You can make a cello sound a lot of ways, and he found a bunch of fun ones." Of course, Maclaine is best-known for his gorgeous, lush, epic orchestral music for Guild Wars 2. And this is definitely a departure from that in all the wonderful ways. I loved all the grit, and all of the guitar too. Maclaine, inspired by Led Zeppelin and Game Boy Star Wars. Loved it! Buy on Maclaine's Bandcamp! You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

Austin Wintory chats with Maclaine Diemer, one of the composers behind ArenaNet's long-running MMO, Guild Wars. Together they discuss his insightful presentation at GDC 2022; his career path from sound design to composing music; and the importance understanding nuance when creating music that references foreign cultures while also being open to having tough discussions about appropriation. Watch the full interview on our Youtube channel.

Maclaine Diemer is lead composer for Guild Wars 2: End of Dragons. In this podcast, Maclaine shares how how he moved on from his dream of making it as a rock star and found the games industry. He learned about how games were made at Harmonix, where he worked on Rock Band, before moving on to ArenaNet where he got his big break as composer for Guild Wars 2.

Maclaine Diemer talks about his soundtrack for Guild Wars 2: End of Dragons

Maclaine Diemer talks about his music for the newest expansion for Guild Wars 2 called End of Dragons. The music is inspired by traditional Korean music and instruments, a much needed educational dive into a rich tradition! Emily and Maclaine talk at great length about the special instruments he chose to use and the beautiful music for GW2: End of Dragons. You can find a playlist and support Level with Emily on Patreon.

"Ring out the old year, ring in the new. Ring-a-ding-ding." For Episode 194, Brandon and Thomas discuss one of their favorite New Year's Eve movies to close out their holiday month. Listen as they discuss the history of the film and how it perfectly captures the loneliness of the holidays.  Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod Medium: CineNation E-mail: cinenationpodcast@gmail.com

In this episode of the Lessons & Letters podcast Avery Interviews Maclaine from @acatholicconvo. We cover: Maclaine's most embarrassing moment(s)! Why Jesus is better than that bo Red flags in relationships How to maintain a christian dating relationship Living faith boldly and unapologetically A lesson A letter

We're on a slightly more literary tip this week as actor, composer & voiceover artist (and YouTube sensation!) Darrell Maclaine steps into the pod to talk about growing up on a steady diet of Spike, such as A Book of Milliganimals and his books & poetry in general, and how it helped him ignore his draughty portacabin classroom & nurtured his comedy sensibilities. He also talks about Spike the man and how he perceived him as a child of the nineties. There's also a chance to hear Darrell's stirring clarion call for the preservation and championing of the past, which is in part a demand that our cultural heritage not be easily dismissed because it's ‘old' - a rousing declamation which I'm sure will swell in the breast of every dedicated tapehead, archive enthusiast and listener to this podcast. All this and much more! Check out Darrell's wildly inventive and eerily convincing videos – TV Themes Go Pop! – here: https://www.youtube.com/c/darrellmaclaine

No Q and A this week!This week Maclaine Noxon joins us to breakdown her wedding day! Maclaine was a pandemic bride who stayed on her toes during the whole planning process and was ready to pivot at a moment's notice. Totally something that isn't an easy task for a self-proclaimed perfectionist.Join our Facebook Community!https://www.facebook.com/groups/3847323122011999Tik-Tokhttps://www.tiktok.com/@thebridalbreakdownInstagram:

[28:47] Lindy MacLaine 2nd runner-up 2020 WCPS shares how to become an A.C.E. at virtual speaking

Welcome to The Head Ballet podcast! Paul Abbott invites guests to discuss their favourite novelty songs. To round out the Christmas Novelty Offerings for this year, voice-actor, musician and impressionist Darrell Maclaine treats us to a No.2 hit from 1974 that's emerged from a burrow on Wimbledon Common and realised by producer/songwriter supremo Mike Batt - it's Wombling Merry Christmas! This will be the last episode until Season 2 comes along some time in the new year, so until then, thank you for your support! Happy New Year!

The Secret Service? More like The Secret Servants! Follow Nic Cage as he is sworn to protect Presidential Widow Tess Carlisle, but boy, oh boy, is she a handful! Cage will have to pull out all his protective and detective skills while he's Guarding Tess!

On this episode of It Doesn't Happen Overnight I interview Maclaine Farrell (@maclainefarrell) who is fully supporting herself at age 23 as CEO and sole employee of Vyvacious (@vyvaciousfashion), an online fashion boutique. After less than a year and a half of being open, Vyvacious has a clientele of 300+ monthly customers. Maclaine takes us through the entrepreneurial jump she made to start her company, the many responsibilities she juggles to make it happen, and what it feels like to be living your dream. IDHO is apart of a larger media channel: Toni on Tap! Follow @TonionTap on YouTube, Instagram, and Twitter to watch the full video of this episode.