Podcast appearances and mentions of jared gold

GERRY MULLIGAN/PAUL DESMOND QUARTET “BLUES IN TIME” Hollywood, CA, August 2, 1957Blues in time, Body and soulPaul Desmond (as) Gerry Mulligan (bar) Joe Benjamin (b) Dave Bailey (d) THE SINGERS UNLIMITED WITH THE OSCAR PETERSON TRIO “IN TUNE” Villingen, Germany, July 5-13, 1971 It never entered my mind, A child is born, The shadow of your smileOscar Peterson (p) George Mraz (b) Louis Hayes (d) Gene Puerling (vcl,vcl arr) Don Shelton, Len Dresslar, Bonnie Herman (vcl) RALPH BOWEN “TOTAL ECLIPSE” October 20, 2011 at Acoustic Recording, Brooklyn, NYTotal eclipse, Behind the curtain, Into the cityRalph Bowen (ts) Jared Gold (org) Mike Moreno (g) Rudy Royston (d) Continue reading Puro Jazz 13 de mayo, 2025 at PuroJazz.

GERRY MULLIGAN/PAUL DESMOND QUARTET “BLUES IN TIME” Hollywood, CA, August 2, 1957Blues in time, Body and soulPaul Desmond (as) Gerry Mulligan (bar) Joe Benjamin (b) Dave Bailey (d) THE SINGERS UNLIMITED WITH THE OSCAR PETERSON TRIO “IN TUNE” Villingen, Germany, July 5-13, 1971 It never entered my mind, A child is born, The shadow of your smileOscar Peterson (p) George Mraz (b) Louis Hayes (d) Gene Puerling (vcl,vcl arr) Don Shelton, Len Dresslar, Bonnie Herman (vcl) RALPH BOWEN “TOTAL ECLIPSE” October 20, 2011 at Acoustic Recording, Brooklyn, NYTotal eclipse, Behind the curtain, Into the cityRalph Bowen (ts) Jared Gold (org) Mike Moreno (g) Rudy Royston (d) Continue reading Puro Jazz 13 de mayo, 2025 at PuroJazz.

In this episode of Soar Financially, Jared Dillian returns with a bold take on what gold, bonds, and the Fed are really telling us. As gold hits yet another all-time high, Jared explains why it's not about inflation or tariffs — it's about debt monetization.We dive into why the U.S. deficit is intractable, why bond yields are misunderstood, and why the Fed is keeping policy too tight for all the wrong reasons. Jared also unpacks the real forces behind the weak dollar, the fragile housing market, and where investors should look next — including gold, copper, and international markets.#gold #deficit #inflation------------Thank you to our #sponsor MONEY METALS. Make sure to pay them a visit: https://bit.ly/BUYGoldSilver------------

Dave Stryker is a renowned American jazz guitarist with over 25 albums as a leader and collaborations with jazz greats like Stanley Turrentine, Jack McDuff, and Kevin Mahogany. Raised in Omaha, Nebraska, Stryker began playing guitar at ten, initially inspired by The Beatles and later drawn to jazz . By 17, he was performing jazz locally. After moving to Los Angeles in 1978 and then began working with Jack McDuff, touring with him in 1984–1985. Stryker spent a decade with saxophonist Stanley Turrentine and formed bands with Steve Slagle and Jared Gold. He also worked extensively with singer Kevin Mahogany as a sideman and arranger, performing at Carnegie Hall and internationally. An experienced educator, Stryker has taught at Indiana University, Montclair State, William Paterson University, and Rutgers University, as well as online via ArtistWorks. For More On Dave Stryker go to: https://www.davestryker.com/ https://www.davestryker.com/

Rick and Ron host Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton to the podcast. Steve initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 2022 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

Internationally renowned jazz drummer, percussionist, clinician, author, and educator, Steve Houghton initially received acclaim at age twenty as the drummer with Woody Herman's Young Thundering Herd. Since then he has shared stage and studio with luminaries Freddie Hubbard, Rufus Reid, Gary Burton, Dave Stryker, Clay Jenkins, Shelly Berg, Jared Gold, Lyle Mays, Bob Sheppard, Billy Childs, Bobby Hutcherson, Pat LaBarbara, Bobby Shew, Geoff Keezer, Bob Bowman, Walter Smith III , Wayne Bergeron, Bill Cunliffe, Arturo Sandoval, Steve Allee, Joe Henderson, Ray Brown, Eddie Henderson, among others. Steve retired in 202 as Professor of Percussion and Jazz at Indiana University's Jacobs School of Music. He continues to presents clinics and master classes to students around the world, most recently in Germany, England, China, New Zealand, Australia and Taiwan. Houghton is a Past- President of the Percussive Arts Society (PAS) a founding member of the Jazz Education Network (JEN) and endorses, Yamaha drums and percussion, Zildjian cymbals, Vic Firth sticks and mallets, and Remo world percussion products and drumheads.

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Lesley Mok, Myra Melford, Tomeka Reid, Mary Halvorson. Illegal Crowns, Jessica Ackerley, Patrick Shiroishi, Sam Wilson, Roddy Ellias, Jocelyn Gould, Randy Napoleon, Alicyn Yaffee and Dave StrykerPlaylist: Lesley Mok - its furious placeMyra Melford's Fire and Water Quintet, featuring Myra Melford, Mary Halvorson, Ingrid Laubrock, Tomeka Reid & Lesley Mok - Insertion TwoTomeka Reid Quartet - Sauntering With Mr. BrownMary Halvorson - UnscrollingIllegal Crowns - Osmosis CrownJessica Ackerley, featuring Alex Cunningham, Patrick Shiroishi & Damon Smith - seafoamPatrick Shiroishi - The Light is Not AfraidSam Wilson - dance of the fungiRoddy Ellias - Moon Over LakeJocelyn Gould - Tender is the NightRandy Napoleon - SkylineAlicyn Yaffee - RosenwrinkleThe Dave Stryker Trio with Bob Mintzer, featuring Jared Gold, McClenty Hunter & Bob Mintzer - Groove Street

Benjamin Lapidus is a Grammy-nominated musician who has performed and recorded throughout the world as a bandleader and supporting musician playing guitar, Cuban tres, Puerto Rican cuatro, touch style/tapping instruments (Warr guitar and Chapman Stick), as well as organ. As a scholar, he has published widely on Latin music, and he is a professor at John Jay College of Criminal Justice, CUNY, and The Graduate Center. Since the 1990s, Lapidus has performed and/or recorded Cuban tres, Puerto Rican cuatro, guitar, voice, and other instruments on film soundtracks, video games, television commercials, and albums with some of the most notable musicians in Latin music and jazz. Some of these collaborations include performances and/or recordings with Andy and Jerry González, Ibrahim Ferrer (Buena Vista Social Club), Pío Leyva (Buena Vista Social Club), Manuel “Puntillita” Alicea (Buena Vista Social Club), Bobby Carcassés, Orlando “Cachaíto” López, Juan Pablo Torres, NEA Jazz Master Cándido Camero, Larry Harlow, Ruben Blades, Típica 73, John “Dandy” Rodríguez, David Oquendo, Xiomara Laugart, Nicky Marrero, Nelson González, Carlos Abadie, Los Hacheros, Pedrito Martínez, Roman Díaz, Paul Carlon, Adonis Puentes, Pablo Menéndez, Bobby Sanabria, Ralph Irizarry, Charlie Sepulveda, Luis Marín, Humberto Ramírez, Harvie S., Hiram “El Pavo” Remón, Gene Jefferson, Frank Anderson, Enid Lowe, Jared Gold, Greg Glassman, Bobby Harden, Brian Lynch, Mark Weinstein, Jeff “Tain” Watts, Larry Goldings, Chico Álvarez, Alfredo “Chocolate” Armenteros, Emilio Barretto, Eddie Zervigón, José Fajardo, Rudy Calzado, Los Afortunados, Jose Conde, Kaori and Yuko Fujii, Roberto Rodríguez, Maurice El Medioni, Michael Torsone, and many others. As the leader of the Latin jazz group, Sonido Isleño (founded in 1996), he has performed throughout North and South America, Europe, and the Caribbean while releasing five internationally acclaimed albums of his original compositions. In 2007, Lapidus served as musical director and arranger for Garota de Ipanema(JVC/Victor Japan) with Kaori Fujii and toured Japan twice. In 2008, he recorded Herencia Judía and in 2014, he released his eighth album as a leader, Ochósi Blues. Blues for Ochún (2023) is his ninth album as a leader. As a composer, Lapidus' music has been recorded by groups in Cuba and Japan and has been featured in documentaries and television. In 2015, Latin Jazz USA awarded Lapidus a lifetime achievement award for his contributions to Afro-Latin music. In 2015, he wrote the liner notes, contributed an original composition, sang, and played electric guitar and Cuban tres on Andy González's Grammy™-nominated album, Entre Colegas. As profiled on the 2023 television show, Shades of Us (https://youtu.be/I_xMYUtgAhA), Benjamin Lapidus was born in Hershey, PA in 1972 to first-generation Brooklynites and the family moved almost 15 times before returning to New York City when Lapidus was 14. Trained in piano from a young age, he moved through a variety of instruments including trumpet and bass before concentrating on the guitar. Lapidus was exposed to music by his grandmother and his father, who played in Latin and jazz bands in the Catskills in the 1950s. Through his father's record collection and stories of his father's visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn't until the 1980s that the youngest Lapidus became immersed in Latin music when he moved to a predominantly Latin neighborhood in New York City, where numerous important musicians also resided. Living a block away from Mikel's jazz club, Lapidus still has vivid memories of practicing in Mario Rivera's house or seeing Mario Bauzá walk down the street. Deciding he needed a complete musical education, Lapidus earned two degrees from Oberlin Conservatory and Oberlin College, becoming one of the program's first jazz guitar graduates. In 1994, Lapidus started to play the Puerto Rican cuatro and Cuban tres. After leading his own quartet at festivals and clubs throughout Europe and winning a grant to study briefly with Steve Lacy in Paris, he returned to the U.S. and worked with Joe McPhee, Joe Giardullo, Tani Tabal, Thomas Workman, and other creative improvisers. At the same time, Lapidus began performing with Larry Harlow, Alex Torres, and other Latin music luminaries in New York and Puerto Rico. Lapidus earned a Ph.D. in Ethnomusicology at the CUNY Graduate Center in 2002. His travels to Cuba acquainted him with distant relatives and grounded him in the music of Eastern Cuba. He has taught guitar and Cuban tres at the New School and popular music of the Caribbean, Latin music in New York, and world music at Queens College and John Jay College of Criminal Justice, CUNY. Today, Lapidus is a professor in the Department of art and Music at John Jay College of Criminal Justice and on the Doctoral Faculty of the Graduate Center, CUNY. In addition, he has served as scholar-in-residence with the New York Center for Jungian Studies and the Jewish Museum during several humanitarian missions to the Jewish communities of Cuba between 2004-2016. In 2008, Lapidus published the first-ever book on the Eastern Cuban musical genre changüí called Origins of Cuban Music and Dance: Changüí (Scarecrow Press). He has published numerous peer-reviewed articles and book chapters, translations, and presented papers at international conferences on Cuban music, Puerto Rican music, Latin jazz, and improvisation. He has also written liner notes for a number of recordings. In 2013, Lapidus won a prestigious National Endowment for the Humanities (NEH) fellowship for his critically acclaimed book New York and the International Sound of Latin Music, 1940-1990 (University Press of Mississippi, 2021). With endorsements from Rubén Blades, Ilán Stavins, and other prominent academics around the world, this ground-breaking book has been featured on BBC 3 Music Matters, NPR's Afropop, and Alt. Latino shows as well as the Miami International Book Fair and countless news outlets. The book maintains its bestseller ranking in Amazon's top 20 salsa books since its release. In this episode, Benjamin shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

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No matter what your experiences are in business and in life, there are lessons to be learned. From pain and failure, learnings can arise and inform future actions and thinking. From positive outcomes, learnings can be identified and applied to other parts of your existence. So, no matter your type of experience, positive, negative or neutral, reflecting on the reasons for each particular outcome will lead you to evolve over time. And with evolution, becoming a better and better version of yourself, comes success and, more importantly, happiness. In this episode, Jared Gold sent Rob a cold email asking him to take part in a book that he's writing about the habits of successful people. So, of course, Rob invited him onto the show to talk about it, where he gave Jared some advice on how to better approach people like himself for the project. He also gave Jared to come back with a brand new pitch and left the door open to not only take part in the project, but help him get others as well. Not only all that, but Rob helped Jared remain true to his vision of what the book should ultimately be. IG: @jgold242 Follow Jared's book progress: https://jaredgold.com/book Devin Dwyer has a number of talents. He's a rapper, director, videographer, editor, and drone operator. He's been doing video work for free in order to make connections and build his reel, but now it's time to turn his talents into a real business. Rob provides some advice to help him take the next step into real entrepreneurship, as well as helping him reframe how he thinks about balancing work with spending time with his young son. IG: @soundssickproductions Learn more about this episode.

"Tough" Dave Stryker: Baker's Circle (Strikezone Records, 2021) Dave Stryker, Walter Smith III, Jared Gold, McClenty Hunter. El tema es una composición de Dave Stryker.  © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Juan F. Trillo reseñó Baker's Circle en https://www.tomajazz.com/web/?p=54127

"What better way to celebrate Independence Day than with an hour of jazz, America's true art form that we all love so much! Today's episode of The Jazz Hole features music by NYC-based Serbian-born guitarist and composer Rale Micic, Brooklyn-based composer and pianist Noah Haidu and his new trio album with Maestros Buster Williams and Billy Hart, the Berlin Mallet Group founded by the Japanese marimbist, vibraphonist and composer Taiko Saito, who is also featured on a duo track with the Japanese pianist and composer Satoko Fujii, as well as music from Serendipity by the Massachusetts-based, Kansas City-born composer and guitarist John Stein, and from Branches, Vol. 2 by the NYC-based Japanese violinist and composer Tomoko Omura. Rale Micic - “Only Love Will Stay” & “Savas” Album: Only Love Will Stay Rale Micic (g), Jared Gold (org) and Geoff Clapp (d) Noah Haidu, Buster Williams, Billy Hart - “Slowly” & “Keith Jarrett” Album: Slowly: Song For Keith Jarrett Noah Haidu (p), Buster Williams (b) and Billy Hart (d) Berlin Mallet Group, Taiko Saito - Komodo no kodomo Album: Sogni d'oro Taiko Saito (marimba, comp, arr), David Friedman (vib), Julius Heise, Raphael Meinhart and Hauke Renken (marimba) ------- Satoko Fujii & Taiko Saito (Futari) - Ame No Ato Album: Beyond Satoko Fujii (p, comp) and Taiko Saito (vib) ------- John Stein - “Labor of Love” & “Elvin!” Album: Serendipity John Stein (g), Ed Lucie (b-g) and Mike Connors (d) ------- Tomoko Omura - “Tomie's Blues” & “Urashima Suite” Album: Branches, Vol. 2 Tomoko Omura (violin, comp, arr), Jeff Miles (g), Glenn Zaleski (p), Pablo Menares (b) and Jay Sawyer (d) 00:00 - The Jazz Hole with Linus 02:49 - Only Love Will Stay - Rale Micic 08:30 - Savas - Rale Micic 13:40 - Slowly - Noah Haidu, Buster Williams, Billy Hart 19:08 - The Jazz Hole with Linus 21:55 - Keith Jarrett - Noah Haidu, Buster Williams, Billy Hart 26:21 - Komodo no kodomo - Berlin Mallet Group, Taiko Saito 32:24 - Ame No Ato - Satoko Fujii, Taiko Saito, Futari 36:55 - The Jazz Hole with Linus 41:12 - Labor of Love - John Stein 46:01 - Elvin! - John Stein 51:25 - Tomie's Blues - Tomoko Omura 56:58 - The Jazz Hole with Linus 59:38 - Urashima Suite - Tomoko Omura 66:18 - Finish "

Whether you’ve heard guitarist Dave Stryker leading his own group (with 30 CD’s as a leader to date),  or as a featured sideman with Stanley Turrentine, Jack McDuff, and many others, you know why the Village Voice calls him “one of the most distinctive guitarists to come along in recent years.”Hot House magazine awarded him Best Guitarist Fans Decision for 2017.  He was recently voted once again as one of the top Jazz Guitarists in the 2019 Downbeat Critics and Readers Polls for the 10th time.Dave’s CD “Eight Track III” stayed at #1 on JazzWeek Radio chart for 6 straight weeks. “Strykin’ Ahead” featured the same lineup as “Eight Track II”- Steve Nelson, Jared Gold and McClenty Hunter, and received great reviews. “Messin’ with Mister T”, is a celebration of the man he worked with for over a decade — Stanley Turrentine, “Mister T” — with ten of the greatest tenor sax players on the scene today. It went to #1 on JazzWeek Radio and stayed in the Top 50 for 20 weeks and has received great reviews including 4 1/2 stars in Downbeat magazine. Dave’s last CD “Eight Track” was #9 for 2014 on the Jazz Week Radio Charts where it stayed for 20 weeks topping off at #3 for 3 weeks. Downbeat magazine picked it as one of the Top CD’s of 2014, and ran a feature article in the June 2014 issue on Dave.“I have followed Dave Stryker’s playing since his early days in Omaha through his long stay with Stanley Turrentine and his longstanding relationship with the great alto player Steve Slagle (another undersung heavy out there) and he just gets better and better with one of the most joyous feels around.” –Pat MethenyDave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. After establishing himself in the local music scene, he joined organist Jack McDuff’s group for two years 1984-85. When McDuff wasn’t on the road (literally traveling by van all over the country) they worked a steady four-night a week gig at Dude’s Lounge in Harlem. His first break, this turned out to be an invaluable experience, paying his dues night after night with the soulful jazz organist. It was at Dude’s Lounge that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join his quintet. From 1986-1995 he played with the legendary saxophonist at all the major festivals, concert halls, and clubs throughout the world. He is featured on two Turrentine CD’s (Stanley recorded Stryker’s tune “Sidesteppin”). With Turrentine, Stryker was able to play with such jazz greats as Dizzy Gillespie and Freddie Hubbard. The ten years playing alongside the tenor legend helped Stryker realize the importance of having his own sound. Dave continued to work with Stanley and was with him during his final week at the Blue Note in NYC, when he passed in Sept. 2000.Early on Stryker realized that as much as he loved playing standards and the jazz repertoire he had to have something of his own to give to the music. He feels that his writing combined with his playing is what shapes his musical expression. He has recorded and published over 150 of his own compositions and has released “The Dave Stryker Songbook” with most of his original music. Also 18 of the compositions (from the first five SteepleChase CD’s) are compiled in the book: “The Music of Dave Stryker” (SteepleChase Music) which can be ordered on this website.Some of the other artists who have recorded Dave’s music are: Stanley Turrentine, Kevin Mahogany, Victor Lewis, and Steve Slagle. Dave continues to perform with The Dave Stryker Organ Trio, his Blue to the Bone Band, and The Stryker/Slagle Band. Recent gigs for The Stryker/Slagle Band have included a recent week at Dizzy’s Club Coca Cola at Jazz at Lincoln Center, the Monterey Jazz Festival, The Blue Note in Las Vegas, The Jazz Bakery in LA, and a 2003 tour of Japan.Sideman work has included vocalist Kevin Mahogany’s group, with Dave writing and arranging music for Kevin’s Telarc release “Pride and Joy” and “Another Time, Another Place” on Warner Bros and tours of Europe, Japan, Brazil, Poland and Carnegie Hall. He also has worked with Blue Note saxophonist Javon Jackson and pianist Eliane Elias. He has appeared on over 50 CD’s as a sideman. As a producer, Stryker compiled the CD “The Guitar Artistry of Billy Rogers” which is the only existing record of the brilliant jazz playing of the late underground legend who was his friend, former teacher and member of the Crusaders. He has also produced “A Tribute to Grant Green” on Evidence Music.Dave is the Adjunct Professor of Jazz guitar at Jacobs School of Music at Indiana University, and at the John J. Cali School of Music at Montclair State University. He is passing along his experience by teaching privately and at The Aebersold Summer Jazz Workshop, and The Litchfield Jazz Camp. His book “Dave Stryker’s Jazz Guitar Improvisation Method Vol. III”  is available here on his website at www.davestryker.com.★ Support this podcast on Patreon ★

1. Split Kick(6:38) Cuber/Smulyan Tough Baritones(2020)       Cuber left,Son right Gary Versace, piano 2. You & Night & Music(7:18) John Fedchock Like it is(2015)      Mark Vinci, alto;Rich Perry,tn, Dave Ratachek, drums 3. L-O-V-E(2:09)  Greg Porter  Nat Cole & Me(2017)        Christian Sands, Reuben Rogers, Ulysses Owens 4. Have You Met Miss Jones(4:48) Vincent Herring Secret Love      1993, Renee Rosnes, Ira Coleman, Billy Drummond(husband) 5. Love Dance(5:14)  Dave Stryker Baker’s Circle(2021)        Jared Gold, organ 6. This Can’t be Love (5:40) Sir Roland Hanna Maybeck #32      ’69 Pres. Wm. Tubman of Liberia READ From Liner Notes 7. Big P(3:56)  Jimmy Heath Big Band Really Big(1960)       Cannon, Nat Adderley, Clark Terry, Tommy Flanagan       Percy & Al Heath 8. Blueishness(5:35) Lauren Sevian Bliss      Alexa Tarantino, AS; Bobby Rodriquez, Pn; McBride Ej Strick 9. Only Have Eyes for You(7:57) Milt Buckner Play Chords        Slam Stewart, Jo Jones 10. Social Call(4:18) Ben Benack/Veron Swift Lot of Livin to Do

Jared takes us on a journey from poker to web design. --- Send in a voice message: https://anchor.fm/squarespace-entrepreneurs/message

Guitarist Dave Stryker has reimagined the soundtrack of his youth with his hugely successful Eight-Track series. Eight-Track III features his working trio of Jared Gold on organ and Mcclenty Hunter on drums along with special guest, vibraphonist Stefon Harris. In this episode of LINER NOTES, Dave reflects on his experiences with organist Jack McDuff and tenor saxophonist Stanley Turrentine and how their example laid the ground work for his current project.

While many agencies are large, their profit margins may not reflect their size. What is happening to them? In this eye-opening podcast, WebsiteByTonight Founder, Jared Gold discusses the common hire that many agency owners miss… his poker story and achievements. Get ready for a learning session that will provide insights to transform your agency's profitability and ignite its growth. Don’t forget to subscribe to the Operation Agency Freedom podcast to stay up-to-date about the best ways to own your agency: https://dudeagency.io/category/podcast/

One of the challenges of agency life is that typically everything we sell is a custom job. It’s tough to build in efficiencies or systemize our production when we never make the same deliverable twice. But it doesn’t have to be that way. Back in Episode 100, we discussed the idea of structuring your agency as a wonder bread factory vs. an artisanal bakery and there are different pros and cons for each. Website By Tonight’s Jared Gold successfully transformed his agency from an artisanal bakery into a wonder bread factory for web development. And in this episode of Build A Better Agency, Jared joins us to share the lessons he learned throughout the process so you can apply them in your own agency. A big thank you to our podcast’s presenting sponsor, White Label IQ. They’re an amazing resource for agencies who want to outsource their design, dev or PPC work at wholesale prices. Check out their special offer (10 free hours!) for podcast listeners here: https://www.whitelabeliq.com/ami/ What You Will Learn in This Episode: Jared’s journey from artisanal bakery to wonder bread factory with Website By Tonight The benefits and drawbacks of productizing your agency’s service line The lessons and insights Jared learned while switching from custom to standardized deliverables How to determine what parts of your agency can actually be productized Creating firm boundaries around your productized offerings so that you can always meet expectations How Jared’s target audience changed when he introduced the productized service line with Website By Tonight Ways to Contact Jared Gold: Website: https://websitebytonight.com/ Free Productized Agencies Directory: turnkeyagencies.com LinkedIn: https://www.linkedin.com/in/jaredgold1/ Additional Resources: Agency Planning Tools: agencymanagementinstitute.com/herecomes2020 Access Jared’s agency-to-agency project/partner referral Slack group: https://websitebytonight.com/partner Jared’s agency partner program: https://websitebytonight.com/faq-partners

After leaving college and landing in a job that wasn’t right for him, Jared realised that he didn’t want to spend his whole life working at something he wasn’t passionate about. He launched a blog, began learning Squarespace, and the rest, as they say, is history. He now runs two Squarespace design companies - Brevity and the cleverly-named WebsiteByTonight. From giving away a couple of freebie designs to kick off his portfolio to hiring other freelancers and finding ways to scale his business, Jared’s made a lot of progress. Listen to him share some of the biggest lessons he’s learnt a long the way. This episode is supported by FreeAgent - online accounting software that makes managing your business finances a breeze. With an award-winning UK based support team on hand to help out, it’s easy to stay on top of your expenses, invoices, banking and tax. To claim your 1 month free trial, visit FreeAgent.com/beingfreelance Love learning from other freelancers like this? Check out the website beingfreelance.com, subscribe to the podcast and to the newsletter.* You'll also find useful links for this episode. That's beingfreelance.com Like VIDEO? - Check out the Being Freelance vlog - YouTube.com/SteveFolland Who the hell is Steve Folland? You know how everyone bangs on about how powerful video and audio content can be? Yeah, well Steve helps businesses make it and make the most of it. Find out more at www.stevefolland.com Track him down on Twitter @sfolland or lay a trail of cake and he'll eventually catch you up.

Today's guest is Jared Gold. Jared is cofounder of Website By Tonight, the easiest, most affordable way to launch a simple and professional website.

If you don't have a great website, you're at an immediate disadvantage in marketing yourself to new clients. What makes a great website? My guest Jared Gold of Website By Tonight has the answer.Want the full transcript? Visit the show notes page on our website:https://servedontsell.com/modern-sales/how-to-create-a-simple-consulting-website-with-jared-gold-part-2-of-2---Get a daily sales insight sent straight to your inbox:Subscribe to the daily sales insights newsletter Don't miss a single episode:Subscribe on SpotitySubscribe on Apple Podcasts Like what you heard?Help us get the word out by leaving a rating and review on Apple Podcasts.

If you're falling short of your revenue goals, you need to make a change. Do you need more leads or better selling skills? In this episode, I'll give you some ideas for how to pinpoint the issue(s) - and there are probably more than one.Want the full transcript? Visit the show notes page on our website:https://servedontsell.com/modern-sales/do-you-need-more-leads-or-better-selling-skills---Get a daily sales insight sent straight to your inbox:Subscribe to the daily sales insights newsletter Don't miss a single episode:Subscribe on SpotitySubscribe on Apple Podcasts Like what you heard?Help us get the word out by leaving a rating and review on Apple Podcasts.

Jared Gold, founder of Websites By Tonight, shares how to find a business idea by experimenting with it. Show notes at lifeskillsthatmatter.com/show232 The post Find A Business Idea By Experimenting With Jared Gold (232) appeared first on Life Skills That Matter.

Support the Burning Ambulance podcast on Patreon: http://patreon.com/burningambulance Episode 21 of the Burning Ambulance podcast - we're adults now! - features an interview with trumpeter Jeremy Pelt, who’s been on the scene more or less since the dawn of the 21st century. He made his first album as a leader in 2002, but he really broke out of the pack in 2008, when he formed a quintet with JD Allen on tenor sax, Danny Grissett on piano, the late Dwayne Burno on bass, and Gerald Cleaver on drums. He made four albums with that group – November in 2008, Men of Honor in 2010, The Talented Mr. Pelt in 2011, and Soul in 2012 – and they’re all terrific. That was where I started listening to him – the first album I heard was The Talented Mr. Pelt, and I went backward immediately and checked out Men of Honor and November, and Soul. I interviewed him for Burning Ambulance in 2011, and have written about him a lot on the site in the years since, because he makes an album a year, and they're always worth hearing. After that quintet broke up, he started experimenting, changing up the musicians he was working with on every album. He made two records that went in more of an electronic, fusion-ish direction, Water and Earth and Face Forward, Jeremy; then he made a record with two drummers, Tales, Musings and Other Reveries; then he made a quartet record, #jiveculture, with Danny Grissett back on piano and Ron Carter on bass, and Billy Drummond, who’d also played on Tales, on drums. And in the last couple of years, he’s formed a new band, centered around his partnership with Victor Gould. He played on Gould’s album Clockwork, and then brought him into his band for the album Make Noise, from last year, and this new live album. That’s not all he’s got going on, though. Jeremy Pelt is on about a half dozen records coming out in 2018. He’s on saxophonist Wayne Escoffery’s new record Vortex; he’s on three tracks from organist Jared Gold’s new album Reemergence; he’s part of the band on Don’t Play With Love, a collection of pieces composed by Prince's father, John L. Nelson; he and saxophonist Jim Snidero recorded a tribute to Cannonball Adderley called Jubilation; and he’s a member of the Black Art Jazz Collective along with Wayne Escoffery, and they just released their second album, Armor of Pride. This is one of the longest episodes of the podcast - almost 80 minutes - because Jeremy Pelt has a lot to say, and it's all worth hearing.