Podcasts about juried

This week (3/22 & 3/24) on ART ON THE AIR features an all poetry show first with Gary native and Indiana's new poet laureate, Curtis Crisler, and next with 79 year old poet, Frances Jones with her new book of poems. Our Spotlight is on the Center for Creative Solutions 8th Annual Juried Poetry Showcase with submissions due by March 28th for World Creativity and Innovation Week. Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/show/art-on-the-air, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/show/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.org Send your questions about our show to AOTA@brech.com LIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR ONE, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR. https://www.lakeshorepublicmedia.org/show/art-on-the-air/2024-02-14/art-on-the-air-march-17-2024

A return to our in-person student exhibitions. Features art studio students at West Loop and Stafford. Juried for awards in Drawing, Painting (Acrylic and Watercolor), 2D Design, 3D Design, Ceramics, Sculpture, Life Drawing, Art Metals, Digital Art, and Photography.  

This week on the "Friday LIVE Extra" podcast, a look at the Juried Art Show opening April 20 in the Nordstrand Visual Arts Gallery at Wayne State College

This week on the "Friday LIVE Extra" podcast, a look at the Juried Art Show opening April 20 in the Nordstrand Visual Arts Gallery at Wayne State College

We've covered a lot in the past episodes, which was basically talking about taxing, getting our business license, finding our niche and creating the business name. So now we're ready to make some money. Are you ready to make some money with your craft?! Of course you are! But before you go spending all that money on high-end craft shows, let's do some research on the type of craft shows to get into.  In this episode, we're going to be talking about finding the correct craft show for your business. Not all craft shows and it takes time to find one that is right for you. Of course craft shows have change since Cov19 but you can still attend the right one to make money. 

Joey Chiarello is a self-taught artist. When he was a little boy growing up in Colorado, his older sister tricked him into thinking he was part Japanese. He believed it long enough that a teacher finally had to call in his parents to break the news that their son was no longer identifying as white. The artist's inner demons emerged in sculptural self-portraits styled after samurai and from Asian mythology. Chiarello makes hollow, hand-built ceramic figurative sculptures from clay slabs. All work is fired to cone 6-7 or 2194 - 2219 degrees Fahrenheit in an electric kiln. He uses stoneware, porcelain and paper clay. The accenting use of steel for claws or bone for horns, adds completion, durability and even an element of danger. He studied with Esther Shimazu of Honolulu, Hawaii and Sergei Isupov, and Michael Sherrill and under their tutelage he earned a scholarship through the Hawaii Craftsmen in 2004 and 2005. Chiarello views his art career as a method of introspection and teaching as a part of his education. He has taught ceramic art classes at the Hawaii potters guild in Honolulu Hawaii and Seward park clay studio in Seattle Washington (2009-2011) and other places. Joey has been exhibiting work since 2003. His more recent shows include Mini SOFA inspired show at The Fine Art associates, Hawaii's Modern Masters, Honolulu Japanese Chamber of commerce, Commitment to excellence Juried show, 2nd prize 3-D category, Honolulu Hawaii (2011), and “Homeward-bound” solo show at The Pacini Lubel Gallery Seattle (2010), just to name a few. Joey uses a wide range of age-old 2-D designs that includes a wide range of Native, Asian, folklore and spirituality as paintings, drawings and tattoos which inspire his 3-D ceramic interpretations. His art is also exhibited currently at the Downtown Art Center (1041 Nuuanu Ave, Second Floor).Chiarello says, “Growing up, I have always had a great appreciation of the many forms and capabilities of the entire animal kingdom. I am captivated by the stillness of the instinctual nature of each diverse creature. When I give in, creatures seem to flow from my fingertips.”    https://www.etsy.com/shop/Demonsinmyteahttps://www.instagram.com/demonsinmytea/Subscribe to my monthly mailing list for the latest music news, updates and my next interviews and events:

Antony Ferrara heats his quarters like an inferno, collects brain-eating beetles, and wears an Egyptian ring. So, why does Cairn suspect him of killing a swan? Sax Rohmer, today on The Classic Tales Podcast. Welcome to The Classic Tales Podcast. Thank you for listening. Thank you to all of our financial supporters. We couldn't do this without you, and we really appreciate your support. We've set it up so that for a five-dollar monthly donation, you get a monthly code for $8 off any audiobook order. Give more, and you get more! This way you can easily build out your classic audiobook library, and you help to give more folks like you the chance to discover the classics in a curated and easily accessible format. Go to http://classictalesaudiobooks.com today, and become a financial supporter. You'll be glad you did. Thank you so much. Go now to http://classictalesaudiobooks.com and become a financial supporter today. We won a podcast award! The Academy of Interactive and Visual Arts has awarded The Classic Tales Podcast with a Gold Award! Juried by some titans from the top media firms, (Disney, Conde Nast, Microsoft, etc.), I share this honor with Trevor Noah's Daily Show Podcast, MTV's Official Challenge Podcast, Broadway Podcast Network and a few others. Only the top 10% of those who entered were awarded the Gold Award. We are super psyched about that. 813, the fourth novel in the Arsène Lupin series is also now available! Head on over to classictalesaudiobooks.com and pick up this fantastic adventure! And if you'd like to save 2 dollars when you get 813, simply enter the coupon code: podcast. No subscription, no additional purchase necessary, just enter the word podcast, and save 2 bucks. Thank you for your support! Today's story is from the creator of the Fu-Manchu series, Sax Rohmer. It was originally titled, The Brood of the Witch-Queen. I think that the unfortunate title is the reason that this book is not more well know today. That, and the ending isn't super great. Just putting that out there right now. But H.P. Lovecraft compared this book with Bram Stoker's Dracula, and many critics of the time considered it one of Rohmer's best. I've taken the liberty of releasing it as Knight of the Necropolis. Hopefully ol' Sax isn't turning too much in his grave at that. One of the things that really draws me to classic Halloween monsters is that they are steeped in literature. Obviously, Dracula and Frankenstein immediately come to mind with their respective baddies. There are many werewolf short stories, from Kipling's The Mark of the Beast, to Murryat's The White Wolf of the Harz Mountains. Alexandre Dumas even wrote a full length, lack luster novel about a werewolf, clumsily translated as The Wolf Leader. I'm told Steinbeck also wrote a werewolf yarn. Mummy tales also abound in short fiction. Among the best are Conan Doyle's Lot No. 249, Louisa May Alcott's The Ring of Thoth, and H.P. Lovecraft's Imprisoned with the Pharaohs. Among the less successful is Bram Stoker's novel Jewel of the Seven Stars. Now, today's story isn't perfect by any means. It's not high literature. But when I read it, I felt that it really delivered the same feeling that I get when I watch the original movie of The Mummy, with Boris Karloff. It's set up as a series of adventures where we can eventually piece together the identity of that devotee of ancient sorcery: Antony Ferrara. The similarities to Dracula are evident. Nobody believes in Egyptian sorcery, there's only one scholar who's studied enough to stop him, etc.. But what can I say, when it comes to magic rings, brain-eating beetles, vampires, ancient curses, Egyptian mummies, and the like, I'm always up for it. I hope you are, too. And now, The Knight of the Necropolis, Part 1 of 8, by Sax Rohmer. Tap here to purchase 813, Arsène Lupin Vol. 4, by Maurice Leblanc!   Tap here to purchase your copy of The Black Tulip, by Alexandre Dumas! Tap here to go to www.classictalesaudiobooks.com and become a financial supporter!   Tap here to go to our merchandise store!   Tap here to visit our YouTube Channel:  

This episode is also available as a blog post: https://thecitylife.org/2021/08/26/television-academy-announces-juried-winners-for-73rd-emmy-awards/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Be sure to subscribe for more - Creation Grounds Podcast Know who casts what and measure your way to your bookings with Auditiontrackers.com ________ Helene Kvale Imdb Website: Helene Kvale Upcoming documentary: The Loom Helene Kvale was born in Norway, grew up in San Francisco until she was eleven and then lived in London. She received a BSc Econ Honors. from the London School of Economics, reading Anthropology and then gained her post graduate actor training diploma at The Drama Studio, London. As an actor, Helene performed on the West End stage in Burning Blue (winner of 2 Olivier Awards), Life During Wartime, and To Kill A Mockingbird. She also starred in numerous regional and touring productions including The Secret Rapture, Roman and Marys, Diary of Anne Frank, Getting Out, Brand, Canadian Gothic, Sexual Perversity in Chicago. Helene was part of the National Theatre Company playing Lady Anne opposite Ian McKellen in Richard III and in King Lear (Brian Cox) as well as Napoli Milionaria. At the NT Studio she played opposite Ray Winstone in Shift and in Gitta's Atonement, directed by Brian Cox. Helene has appeared in over twenty television dramas including Prime Suspect 4, Soldier Soldier, Daddy's Girl, London Bridge, This Life, Deceit, Lovejoy, The Bill. Film work includes Tomorrow La Scala! (British Academy Award Nomination and Juried at the Cannes Film Festival), Talk and 5:45 (Winner Berlin Short Film Festival). In 2003, she returned to the USA to join the faculty in the Department of Dramatic Arts at the University of Connecticut as Assistant Professor in Residence. Helene is also a director and writer. She is the founding Artistic Director of Bated Breath Theatre Company where she produced, conceived and directed Hunger, The Parkville Project and her translation of A Doll's House at the Gene Frankel Theater in New York. Helene regularly directs for The Connecticut Repertory Theatre including If We Were Birds, Eurydice, Big Love, Pride and Prejudice, Too Much Memory, The Skin of Our Teeth and Gut Girls. She also directed Marat/Sade for the Studio D Series. Helene is an alumna of The Lincoln Center Theater Directors Lab. As a screenwriter, Helene co-wrote the independent films Burning Blue (national release July 2014) and When You're Not Looking. She is currently writing a TV pilot called Indivisible. She currently is working on a documentary near and dear to her heart slated for release in 2023. ________ Some Questions I Ask: When did your interest for the arts begin? (3:35) About the day she decided to start taking action towards building career as artist? (5:06) On transition from the US to Europe (6:45) What was the London Arts scene like and how was your journey to success there (10:18) On working opposite Ian McKellen & Brian Cox at National Theatre (13:52) What was it like building your Lady Anne? (19:32) On television career (21:05) What prompted shift from TV career to teaching? (24:22) What biggest foundation lesson do you want actors to walk away from the things you teach? (26:30) On directing (30:50) Favorite kind of actors to direct (34:10) What led to the formation of your theater Bated Breath? (37:17) What do you believe today that you didn't believe 10 years ago & why? (38:49) On her interest for documentaries (41:56) When you think of the word creative who comes to mind for you and why? (51:14) How can people connect with you? (55:00) ____________ You can follow Arron at: Website: ArronLloyd.com Instagram: https://www.instagram.com/arronlloyd/ Facebook: Arron Lloyd Twitter: https://twitter.com/ArronLloyd Twitch: https://www.twitch.tv/arronsl316 TikTok:Arronslloyd Youtube: Arron Lloyd This is NYC merch -

This week (5/21 & 5/23) on ART ON THE AIR features Sally Selwan and John Buranosky's podcast about growing up in Whiting Indiana called, Cigarettes, TAB, and Tampons. Next we feature Jeanni Wilkening and Kathleen Ulm of Arts Alive reviving Whiting's Studio 659 with their June 4th exhibit called Pandemic. Our Spotlight is with Amy Navardauskas discussing Art Barn's 27th Annual Juried Exhibit running May 15 through July 8th with an Artist Reception on June 5th. Tune in on Friday at 11am for our hour long conversation with our special guests or listen on the web at WVLP.org Listen to past ART ON THE AIR shows at brech.com/aota. Rebroadcast on WVLP - Monday at 5pm and Sunday (5/23) on 7pm on Lakeshore Public Radio89.1FM or lakeshorepublicradio.org. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.org Send your questions about our show to AOTA@brech.com LIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: anchor, NPR ONE, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR.

Jen Tough will discuss exhibiting at art fairs for artists. The world is opening up, so now is the time to get prepared to exhibit at an art fair! Topics covered include: which fairs to exhibit at, planning and buying your booth, packing list, installing, selling and best tips for a successful fair.Sign up for our new, month-long seminar, Art Fair Advantage! You'll learn all the ins and outs of planning, displaying, and selling your art on your own at your next live art event, whether that's an art fair, open studios or festival! Starts May 2 so sign up now! www.ArtFairAdvantage.comThis episode originally aired as a live webinar.______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges•Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinars______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.gallery

Gallerist Jen Tough answers questions from artists, always unscripted (and sometimes rambling and off the cuff). All questions were submitted by artists prior to the podcast.There is some profanity in this episode. Ask your own questions at www.JenTough.galleryThis episode's questions are:1. Jen's pet peeves on the art world, and what should change (rant!) 2. Did shelter in place and Covid help or hurt the art world?3.  Is there any weight, authority or necessity to earning a university degree in fine art? ______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges•Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryGet episode better indexed by search engines.Share Episode OnFacebookTwitterLinkedInMore OptionsEmail Link to Episode CopyDirect Link to MP3 Copy Download MP3Embed this ONE EpisodeView Episode StatsI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Gallerist Jen Tough answers questions from artists submitted prior to the podcast. Ask your own questions at www.JenTough.galleryThis episode's questions are:1. Group shows vs 3-5 person shows2. Is it necessary or advisable to have an artist statement on your website?3. Do you recommend putting prices on a website even if the art works are not inexpensive?4. Is it appropriate to contact a galleries if there is not indication on their gallery website as to whether or not they're accepting new artist submissions? ______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Get the REAL dirt on how a gallery operates, what they look for in artists before representing them, and what can make a gallerist's blood boil. Join Jen Tough for part two of a two part series where she'll do a deep dive into different financial models of galleries (co-ops, commercial, non-profit), some common misperceptions some artists have about gallery owners, and why trust and communication is important. This episode originally aired as a live, unscripted, off-the cuff webinar in December of 2020, and does contain a few profanities.______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Gallerist Jen Tough answers questions from artists submitted prior to the podcast. Ask your own questions at www.JenTough.gallery This episode's questions are:1. What do you look for in an artist website that will impress you the most?2. What criteria do you/gallerists use when deciding which artists to represent?3. Are brick and mortar galleries likely to reemerge vigorously after covid?4. How can Instagram help me gain visibility with galleries?______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Gallerist Jen Tough answers questions from artists submitted prior to the podcast. Ask your own questions at www.JenTough.gallery  This episode's questions are:1. Do collectors typically prefer to remain anonymous? 2. How important is it for an artist to make sure they voice any concerns they might have with a gallerist?3. Gallerists sharing commissions when an artist shows at another gallery4. How to prepare for a studio visit with a gallerist5. Is there a gallery code of ethics?6. Solo gallery shows______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Get the REAL dirt on how a gallery operates, what they look for in artists before representing them, and what can make a gallerist's blood boil. Join Jen Tough for part one of a two part series where she'll do a deep dive into different financial models of galleries (co-ops, commercial, non-profit), some common misperceptions some artists have about gallery owners, and why trust and communication is important. This episode originally aired as a live, unscripted, off-the cuff webinar in December of 2020, and does contain a few profanities.______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

Gallerist Jen Tough answers questions from artists submitted prior to the podcast. Ask your own questions at www.JenTough.gallery This episode covers: when and why to work in series, pricing your work when you have multiple galleries, galleries sponsoring artists for shows, art exhibitions and fairs in Europe, target markets and buyers, and forming corporations or LLC's for your art business.______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

This episode is Part Two of a live webinar called "Gallerist Q&A" on January 31, 2021. Prior to the webinar, artists submitted their questions. This episode covers: selling online while also having gallery representation, ideas for gaining gallery representation outside of your hometown, disappointment with Jen's "Make Your Work Stand Out" workshop and the misperception that artists need to create gimmicky work to achieve gallery representation, making authentic work (and why sustainability is crucial), and closing with what the potential future of the gallery system might be after Covid. ______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

In this episode, from a recorded live webinar, Jen answers questions submitted from artists, gathered before the webinar. Questions in this episode include: How do gallerists find artists, recouping framing costs when working with a gallery, a bit about art fairs, how to list mixed media works when submitting to shows, what's better: an MFA or MA when you don't have plans on teaching.  ______________Consider membership in the Artist Alliance Community! We'd love to have you!•Artists earn 100% on all sales•Juried and curated exhibitions•Challenges •Resources,  learning and networking•Monthly member critiques•Friendship and support•Jen Tough's 5-month long BASIC Method program•Live workshops and webinarsOpen Enrollment is in May and NovemberSign up for our waiting list to be the first to be notified about enrollment, or when a spot opens up!  Click HERE or go to www.JenTough.gallery to sign up______________Gallery website: www.JenTough.galleryInstagram: @JenToughGallery______________Contact Jen: Info@JenTough.galleryWe're located in beautiful Santa Fe, NM, USA______________Interested in submitting a question for the podcast?Click HERE or go to www.JenTough.galleryI have a theory that once the world opens up after Covid, art fairs will be THE way to sell and show art. People will be anxious to get out and socialize, and art fairs offer the festive, party-like ambiance that many people crave. Plus, many people have not seen art in person for so long, I suspect sales will be pretty darn good.

This weeks interview with M.Photog.M.Artist.Cr., CPP Bob Coates is focused on Fine Art and tips on how to market. Bob has been a pro commercial, weddings and portrait photographer for over 13 years and “mucking about” with photography before that for many years. He was quickly profitable because he was able to leverage marketing and business learned working in other fields. Also an author, photographic educator and fine art photographer over the years, he is now gearing totally toward commercial and fine art as a 'Lens Based Artist” where the final image starts with photographs and then they are enhanced from there. He share many practical tips for photographers, including how to communicates to galleries, and other fine art locations, and the benefits of visiting galleries Topics include suggestions about- 1-Getting in galleries…how to sell, speak to the galleries in a way that they relate to2- How to not under charge3- The show circuit4- Juried shows5- Selling on line on line6-The easiest way to sell is to people who already buy your work Bob's final thought is the importance of being a better marketer in any specialty. “If you don't market and sell your work…it is not going to happen” Special on equipment= Receive 10% to 20% off Bob Coates's gear list at Hunt's Photo http://www.huntsphotoandvideo.com/ You can reach him via email with questions bob@bcphotography.com

In this episode, Brooke and Meg chat with the winners of our 12th Annual Juried Art Show: Lake Newton, Shaun C Whiteside, and Deliece Blanchard.Show Notes:12th Annual Juried Art Showwww.riverviews.net/exhibitscalendar/12th-annual-juried-art-showLake Newtonwww.lakenewton.comwww.crosstownarts.org/calendar/color-schemes-the-value-of-intensity/Shaun C. Whitesidewww.scwhiteside.netwww.facebook.com/shaun.whitesideDeliece Blanchardwww.delieceblanchard.comwww.academycenter.org/gallery/the-ann-white-academy-gallery/

John Dolton shares tips to getting into juried shows. Breakfast

Art shows are the FASTEST way to make a full-time living as a photo artist. Art Business Consultant Carolyn Edlund is back on the show to talk about this subject. Listen/watch the show if you are ready to get serious about making money as an artist.

Hear about the upcoming Juried Members Show presented by the St. Paul Art Collective in Lowertown.

On the occasion of six paintings by Sheila being included in a juried exhibition at the Strathmore Mansion, in Bethesda MD, Tom and Sheila decided to discuss juried shows in general, and also the specific exhibition, entitled, “Home”,  at the Strathmore Mansion through February 23. https://www.strathmore.org/visual-arts/exhibitions/home    

Northline students’ studio artworks from drawing, painting and design. First place and honorable mention awards will be presented at reception.

Exhibition of work from the art studio students at West Loop and Stafford locations. Juried for awards in 11 categories: Drawing, Painting (Acrylic and Watercolor), 2-D Design, 3-D Design, Ceramics, Sculpture, Life Drawing, Metal Arts, Digital Art and Photography.

Group show of work by Fall 2019 Southeast students in ceramics, drawing, painting, and digital art.

Paintings, Drawings, Sculpture, and Design from students enrolled in beginning HCC-NW Studio Art Courses at Spring Branch, Alief-Hayes Road, and Katy campuses. Houston artist and Willowridge High School art teacher Shekita Thornton will select the outstanding student works and HCC professors will, by consensus, choose the Faculty Award recipient.

Exhibition of work from the art studio students at Central. Juried for awards in 12 studio categories; Printmaking, Drawing, Painting, Watercolor, 2D Design, 3D Design, Ceramics, Sculpture, Life Drawing, Art Metals, Digital Art, and Photography. 

An exhibition of artworks from Visual Arts students enrolled in advanced sections of studio art courses from the Spring Branch, Alief-Hayes Road, and Katy campuses. Juror Michelle O'Michael, well known for her monumental steel sculptures, will select the outstanding student piece in the categories of Painting, Drawing and Art. The professors will, by consensus, choose student art for Faculty Awards and Honorable Mentions.

Gallerist Michael Rose talks about the basics of Juried Exhibitions: What are they? How should you read a Call for Entry? Who are jurors? And what are the pro’s and con’s of the Juried Show phenomenon.

In this Art Dirt podcast, Brandon Zech and Christina Rees break down their experiences with open calls and juried exhibitions, tackle questions of entry fees and how you (can't) game the system, and the special case of public art opportunities. "I hate rejecting work. I always choose too much work because I get really attached when I start looking at entries, and I just can’t reject a piece I've already gotten attached to."

Jazz along with a little political talk

Juried art exhibition of work from the art studio students at Central. Awards in 12 studio categories; Printmaking, Drawing, Painting, Watercolor, 2D Design, 3D Design, Ceramics, Sculpture, Life Drawing, Art Metals, Digital Art, and Photograph.

Juried art exhibition of visual arts students enrolled in Level One sections of studio art courses from Spring Branch, Katy and Alief.

Are you ready to make some money with your craft?! Of course you are! But before you go spending all that money on high-end craft shows, let's do some research on the type of craft shows to get into. In this episode we will talk about the difference between Juried vs Unjuried craft shows. Not all craft shows are the same and it's a good rule of thumb to find the right craft show. Especially if you are just starting out and getting your feet wet in the industry; you want to be sure you are using your money wisely and finding the right customers for your crafts.

Exhibition of work from the art studio students at West Loop and Stafford locations. Juried for awards in 11 categories: Drawing, Painting (Acrylic and Watercolor), 2D design, 3D design, Ceramics, Sculpture, Life Drawing, Art Metals, Digital Art and Photography.

Gulf Coast Intercollegiate Consortium member-colleges showcase student work. Awards selected by guest jurors. 

A lot of us are inclined to say yes to any art opportunity—always looking to advance our art careers and open up new pathways. But how can you keep your calendar clear enough to stay focused and do your best work? www.rebeccacrowell.com www.squeegeepress.com www.facebook.com/messystudiopodcast PODCAST notes: Saying YES: how to decide Follow up to Pacing Podcast— Intro: A lot of us are inclined to say yes to any art opportunity—always looking to advance our art careers and open up new pathways. But how can you keep your calendar clear enough to stay focused and do your best work? Talked in previous PC about pacing and our inclination to say yes ; overload from an abundance of opportunity'/ meeting your personal needs for time and energy What can you say no to and not hurt your good trajectory? What is smart to say yes to?? Best Attitude: A lot of this is guess work…do your best to research, understand -- but know we all make poor decisions at some point as well as good ones. Don't beat yourself up for bad ones—this is all unknown territory as we go forward. Artists encounter a lot more of these kinds of decisions than many people. Many so-called opportunities are presented as sales pitches. A good sales pitch that you say yes to is aimed at something you actually want and is not inflated or dishonest Considerations that might lead to a NO: Not meant to be overly negative, just to help you make decisions. Is it legitimate? Previous PC about scams and schemes/has been discussed; avoid pay to play situations unless co-op, art fair Is it mainly Exposure: so often the carrot dangled in one form or another. Does the opportunity actually allow your work to stand out in some way? There are a lot of publications, vanity galleries, solicitations to show at art fairs etc. Will you just be lost in the crowd? Or is there something unique/better about this particular situation? Offering “exposure” alone is generally a red flag that you will not be compensated in any real way Putting up work in restaurants/banks etc. Be realistic, do your research. Donating time /art work: often uses exposure as hook. Only participate if you actually want to support the cause or there is tangible benefit to yourself. Are there other aspects of an offer that sound good that may not add up to much? Don't be swayed by things like a New York location unless it is a recognized and legitimate gallery. A line on a resume is only that; meaningless if there isn;'t substance behind it that you can really use in publicity, self-promotion Overly time consuming: Very important yet hard to judge ahead of time if it is something new. Like house repairs—figure it will take at least twice as much time as you expect. If you suspect it will take too much time it probably will. Be wary of people trying to convince you it will be simple or easy. You have a Crowded schedule: related to the above Financial considerations: legit opportunities may still involve $ outlay—such as juried shows ---shipping, framing fees. Weigh possibilities of return on your investment (sales) or possibility of other gain. Will this take you anywhere? Example: Participating in group show at gallery—may lead to representation there, or sales. Juried show less likely. Quality of opportunity: is it respectful of your work and your experience? Will it add to or detract from your professional image? If you encounter really poor behavior once you agree, feel OK about withdrawing even if it means accepting some loss; cut your losses-- BIG ONE: Does the opportunity fit with your overall goals/plans? Keep your focus on what you want for your art career. For ex: if trying to get into a commercial gallery, building your resume for a while with juried shows in art centers etc. is good. But you don't need to keep entering juried shows for years. Recognize when a stage of your career has served its purpose but is over. (juried shows, teaching workshops in venues that underpay, showing in community spaces in which you have to do all the work of publicity, reception etc.) Avoid stepping down—A gallery contacts you with interest; look at their website and have doubts about the quality f work they handle. This becomes a pretty gut response over time Say YES when: You have the opportunity to do something with a legitimate, respected venue You can identify clear benefits that you can be pretty sure of happening You have checked out the situation with an objective mindset (online, talking to other artists, evaluating your own experiences) You understand and accept any risks involved The opportunity suits your overall goals It fits your schedule Your intuition says yes—that does play a role but balance it with these other considerations Wrap up: Again, be realistic about the outcomes that are likely, do your research, avoid being overly swayed by sales pitches—there are lots of great opportunities but sadly plenty that are aimed at taking your time and money.

Kingma swings his scythe and one man stands victorious in the TGKGGNGVGAPC. Follow us on Twitter @awkpause.

We're digging into a few of the projects and events on our radar at the moment (and that we think should be on yours, too). This episode of DIRECT MESSAGE takes a peek at @yenmakesart, @shopvioletdc, and this weekend's @hits_dc Hole In The Sky show, JURIED 02.

An invitational or juried art show happens when an art entity chooses a known artist to select submitted artwork, these days via e-mail, from other artists around the country. These electronic submissions are chosen with no context or point of reference for either the piece or the submitting artist. The chosen works make up the show and the known artist then juries the show and awards winners.

The Palm Springs Art Museum presents the 2016 Artist Council Exhibition, The curated show features work from 40 artists. Juried winners Barbara Gothard, Steve Elson, J. Everette Perry and  Terry Hastings discuss their work and this year’s show. The post 51 CWR Pt 1 10-22-2016 Palm Springs Art Museum ACE appeared first on COLLIDING WORLDS PODCAST.

The Palm Springs Art Museum presents the 2016 Artist Council Exhibition, The curated show features work from 40 artists. Juried winners Barbara Gothard, Steve Elson, J. Everette Perry and Terry Hastings discuss their work and this year’s show.   The post 51 CWR 10-22-2016 Pt 2 Palm Springs Art Museum ACE appeared first on COLLIDING WORLDS PODCAST.

I am honored to be the juror for a new Call for Entry titled Meet Me Downtown at the Minneapolis Photo Center this Spring. In this episode Jeff Harrington, the executive director at MPC, gives us information about calls for entry and tips on how to enter this one. The post Street Focus 80: Meet Me Downtown ~ A Call For Entry Juried By Valerie Jardin appeared first on This Week in Photo.

Join Brandy Lynn this week as she gives you a sneak peek at what goes on at a Quilt Canada Conference. From entering quilts, to the workshops, events, awards and more you'll get the scoop on what to expect at a Quilt Canada national juried show. 

We conclude the Trial of the Chained God with a bang! This marks the end of Season 2!

Guest hosts: Mary Horrocks, the Dairy Center, Boulder Colorado thedairy.org   Suzanne Frazier, SuzanneFrazier.com Learn from other artists about their experiences with both sides of the jurying process. What to expect, fees, rules and juriors. Artists, critic, and the public weigh in on the process of jurying art. How do we as artists perceive the process? What is the public’s role? Or should they have one? What is the curator’s role? Do you self jury your art prior to submitting to a call for entry? Tonight’s sponsor: 8888ArtLook.com Artists interviewed: Claudia Roulier, claudiaroulier.com Ryan Rice, RyanRiceFineArt.com Mary Barron, adagioartglass.com, Jim Caldwell, artworknetwork.com, Annette Coleman, annettecolemanartist.com, Any Odorizzi, Metro State BFA Tracy Weil, TracyWeil.com Lola Montejo, LolaMontejo.com

Guest host Chrissy Mount Kapp will add her expertise in being in the juried art show circuit. Call in ask questions, learn more for your art career. Many artists and buyers are not aware of the juried art show circuits or the nature of them.  Join us as we talk about the process of getting in and setting up a show, including the jury process, building a unique body of work and acquiring the proper booth set up and display materials. Doing juried shows is a good way to self promote your artwork to the masses, We will also address the differences in showing in fairs and being promoted by an art gallery, the pros and cons of both. Chrissy Mount Kapp, vintagepainter.com AnnetteColemanArtist.com  SuzanneFrazier.com Jim Caldwell, ArtworkNetwork.com PeggyKrizak.com Mary Barron, adagioartglass.com karendivinephotography.com LindaCEverson.com Sponsored by: 8888ArtLook LisaBellMusic.com

To Jury or be juried. Artists, critic, and the public weigh in on the process of jurying art. How do we as artists perceive the process? What is the public’s role? Or should they have one? What is the curator’s role? Do you self jury your art prior to submitting to a call for entry? Tonight’s sponsors: Up Start Crow Theatre and 8888ArtLook.com Artists interviewed: Claudia Roulier, claudiaroulier.com Ryan Rice, RyanRiceFineArt.com Mary Barron, adagioartglass.com, Jim Caldwell, artworknetwork.com, Annette Coleman, annettecolemanartist.com, Any Odorizzi, Metro State BFA Tracy Weil, TracyWeil.com Lola Montejo, LolaMontejo.com Mary Horrocks, Gallery Coordinator, The Dairy Center for the Arts and Directory Longmont Studio Tour, thedairy.org & longmontstudiotour.org

In this podcast, I discuss what to do when you have already achieved a certain level of success with your photography (particularly through juried exhibitions) and are wondering what do to and where to go next with the marketing of your work.

In this podcast I discuss juried photo exhibitions, what they are, how they work, and the pros and cons of entering them. I also provide some helpful tips should this be something you wish to pursue for your own fine art photography. An excellent resource for finding out when and where various exhibition opportunities are and other great advice for marketing your fine art photography is Mary Virginia Swanson's book "Marketing Guidebook for Photographers." Ms. Swanson also maintains a blog that frequently list exhibition opportunities as well.

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