Podcasts about art collective

In Kings Beach, one woman is making sure local artists have a place to showcase their art. And in the process, is helping build a community.

Michael Richardson/ founder of Idaho Prison Art CollectiveJeni Hardcastle/ Idaho Department of Correction, CADC Probation and ParoleVictory Over Sin is a show hosted by Mark Renick that addresses issues pertaining to returning citizens and the challenges they face coming out of incarceration. Victory Over Sin airs Saturdays at 12:30 pm. On KBXL 94.1 FMhttps://www.imsihopecommunityphaseii.com/IMSI HOPE COMMUNITY PHASE II can also be found on facebook as well as Instagram and Youtube. Correspondence can be directed to: Address: 1775 W. State St., #191, Boise, Idaho 83702Phone: 208-629-8861 Podcast Website: https://941thevoice.com/podcasts/victory-over-sin/

Matt Ditullio guests on this week's episode to talk about his journey as an art collector and representative. He talks of his love of Simone Bianchi's art, and of his subsequent work with Simone to bring his work to a wider audience in America. Hear about original comic art, grail comic books, sketch cards and more as we get into it over two hours that simply flew by. You can find Matt's website here https://www.ditullioartcollective.com/ and Instagram here https://www.instagram.com/ditullioartcollective/ Who better than Simone Bianchi to open this week's audio version - you can find his gorgeous work on Instagram here; https://www.instagram.com/simonebianchiart/ Do please support our featured artists, appreciate their work, and tell them we sent ya! Audio (the full experience); The main audio format of this podcast episode is here; https://tinyurl.com/TheMCCPod203 YouTube (to see us); https://youtu.be/Bsmwd7b9Pe4 =========== As always friends, YOU can help us by; - subscribe, like, star & leave a review wherever you find us, or on our FB page - suggesting topics and content you want to hear - sharing the podcast with friends - sending us emails/messages/comments GET INVOLVED PEOPLE – this podcast is for you so let us know what YOU wanna hear about! Our email; TheMCCPod@gmail.com The podcast theme music "Rocket Power" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ The podcast creative and logos is by Michael Munshaw, find him on IG here; https://www.instagram.com/artofm2/ ALL of our links are here; ⁠https://linktr.ee/TheMCCPod⁠ =========== Our recommended listening; The Rebel Base Card Podcast; https://anchor.fm/greg-mclaughlin Marvel Jerks podcast; https://podcasts.apple.com/gb/podcast/gingieverse-cards-marvel-jerks/id1668559490 Meanwhile At The Podcast; https://meanwhileatthepodcast.libsyn.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/themccpod/message

Fourteen performers paying homage to Amy Winehouse will hit the stage in Chico this April to celebrate the life and music of the singer. Also, the district attorney's office in Butte County is the latest in the area to offer sign-on bonuses for new hires, and the 18th annual Cinderella's Closet giveaway in Chico aims to ensure all students can find the perfect prom dress.

EPISODE 250! Visiting our Scottsdale studio for today's show is Leroy Garcia, owner of Blue Rain Gallery and prominent art dealer in Santa Fe, New Mexico. In the episode, Leroy talks about his gallery and its history, his expansion into Colorado, the art scene in Santa Fe and some of the artists he represents. Be sure to visit Blue Rain Gallery in both New Mexico and Colorado. Learn more @blueraingallery and www.blueraingallery.com Learn more about the American Art Collective Podcast https://americanartcollective.libsyn.com/ Welcome to the American Art Collective podcast, the official podcast of International Artist Publishing. Each week we'll bring you fresh perspectives from the communities of our five magazines: American Art Collector, Western Art Collector, American Fine Art Magazine, Native American Art and International Artist. On the podcast, we'll go beyond the magazine pages, and into the secret gardens of imagination. We'll visit with the movers and shakers and newsmakers. Everyone from artists and gallery owners, to collectors, museum curators and more. Join us to hear their stories and secrets behind how they got to be who they are, and where they are, in the world of art. The American Art Collective Podcast is YOUR all-access behind-the-scenes pass to what's new, what's now, and what's next in American art!

In episode 118 of The Johnny Rogers Show I caught up with my good friend, brilliant musician and podcaster, Ellevan! He just released a brand new album called ‘Secondary School'. This is part 2 of us breaking down the tracks on that album. Plus we get into the importance of decisiveness, capitalism infusing with art and so much more! LISTEN AND SUBSCRIBE: PATREON: https://www.patreon.com/Thejohnnyrogers APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-johnny-rogers-show/id1652119790 SPOTIFY: https://open.spotify.com/show/2SeYAHbIbsxTf8UChBAUIy YOUTUBE: /@TheJohnnyRogersShow + everywhere podcasts are available Follow Ellevan on social media https://www.instagram.com/ellevanmusic https://twitter.com/EllevanMusic YouTube: / @EllevanMusic https://www.tiktok.com/@ellevanmusic Follow Johnny Rogers on social media https://www.instagram.com/thejohnnyrogersshow/ https://www.twitter.com/TheJohnnyRogers https://www.facebook.com/TheJohnnyRogers https://www.tiktok.com/@johnnylatenight https://www.twitch.tv/thejohnnyrogers https://www.spoti.fi/3uGt9U9

original air date 1/22/24

How do the much-talked about principles of care ethics apply to visual arts? Whether it be the treatment of others in the commercial art world, the trope of the lone male genius, or the practices of contemporary artists navigating political and environmental crisis. Jacqueline Millner has co-edited the book Care Ethics and Art and joins Daniel in convo with artist Jesse Boylan.Social societies make the happiest, so why don't more artists join artist collectives? Even better, a festival of artists' collectives? Producer Rosa Ellen speaks with some involved in the Collective Polyphony Festival: the environmentally concerned Seaweed Appreciation Society International and the exciting Filipinx/o  Saluhan Collective.

Mojo Up Live: Diverse + Talented Season 4, Episode 1 ➡️ More Than Butter  Alan & Mali Bacon – Founders, Gang Gang Get ready for an insightful journey as we delve into the world of Mojo Up Live, a podcast that celebrates diversity and talent. I'm your host, Travis Brown, and today we're bringing you a captivating episode featuring a dynamic trio of guests: Alan, Molly, and Travis, collectively known as Gang Gang. This episode promises a unique twist as we reverse the format and dive headfirst into an unexpected topic: butter. As the conversation unfolds, the spotlight turns to the origins of "Butter," an intriguing concept that emerged from a fusion of artistic inspiration and transformative experiences. The journey begins at the Indianapolis Art Center, where the hosts reflect on a pivotal moment during the exhibition of the 18 Art Collective's first group show. The collective garnered attention for its impactful Black Lives Matter mural on Indiana Avenue in 2020. This pivotal exhibition sparked the initial idea for "Butter," driven by a desire to elevate and present the work of black artists in a novel way that resonated with a broader audience. The hosts recount a night that proved to be a turning point, where they ventured into an underground, invite-only exhibition. In this offbeat setting, they felt the pulse of different artistic energy—a vibe of authenticity, music, and camaraderie. These contrasting experiences fused to create a vision for "Butter," a platform that would amplify the voices of black artists and redefine how their work was showcased. Alan and Molly offer insights into the genesis of "Butter," sharing how their travel experiences, particularly during Miami's Art Basel, fueled their creativity. The essence of these art-rich environments, combined with the gritty and authentic feel of certain districts, inspired the essence of "Butter." They bring a touch of Miami's creative atmosphere into their concept, giving it a dynamic edge that resonates with people on a profound level. The conversation takes a deeper dive as Travis guides the guests to articulate the essence of "Butter" for those who might not be familiar with it. "Butter" emerges as a transformative space that encapsulates the raw authenticity and creative spirit reminiscent of places like Wynwood in Miami. It's a haven where art and community coalesce, breathing life into the work of black artists. With an intention to transcend trendiness, "Butter" seeks to curate art in a way that honors the artists and creates a lasting impact. As the dialogue unfolds, it becomes evident that "Butter" is not just an idea—it's a movement that captures hearts, minds, and even the interest of corporate America. The episode concludes with an eagerness to learn more about Gang Gang's journey and how they managed to resonate so deeply with both individuals and corporate partners. Join us for an engaging and enlightening conversation that transcends the ordinary, where we explore the birth of "Butter," the creative pulse of Miami's Art Basel, and the intriguing path that Gang Gang has embarked upon. Get ready to be inspired, uplifted, and immersed in the world of creativity, authenticity, and artistic innovation. This is Mojo Up Live—an exploration of diversity, talent, and the incredible power of artistic expression. #MojoUpMarketing+Media #MojoUpLive #Diverse+TalentedPodcast #BrandMarketingAgency #SocialMediaMarketingAgency #DigitalAdvertisingAgency #SocialMediaAgency #DigitalMarketingAgency 

Sarah sits down with Bay Area artist Ron Moultrie Saunders to talk about the ways in which he cultivates and tends to his many communities, with a focus on supporting African American artists in San Francisco through projects like the Black [Space] Residency and the 3.9 Collective. We talk ancestry.com, giant plants, and what it means to get art to communities who don't usually go to museums through public art. This interview was recorded at The Space Program residency. About Ron Moultrie Saunders Ron Moultrie Saunders, a co-founding member of the 3.9 Art Collective, is a photographic artist and landscape architect. Originally from Jamaica, Queens, New York, he currently lives in the Bayview neighborhood of San Francisco. He creates photograms: photographs that are made without the use of a camera. His art work is in the San Francisco Arts Commission Civic Art Collection for projects he completed for the San Francisco Library, Linda Brooks-Burton Bayview Branch, Zuckerberg San Francisco General Hospital, Laguna Honda Hospital and, Public Utilities Commission New Headquarters in San Francisco. He was commissioned to create works for VM Ware, Inc. in Palo Alto, CA and Dallas, TX and, for The San Francisco Travel Association (formerly SF Convention and Visitors Bureau) new offices. His art has been exhibited throughout the US including “The Secret Life of Plants”, solo shows (San Francisco International Airport and CordenPotts Gallery, San Francisco, CA), and group shows "Echoes of Bauhaus Photography Cast Long Shadows" at Ruth's Table, San Francisco, California (2020),“Self:Scape” at Middlesex County College, New Jersey(2012), “Exposed: Today's Photography/Yesterday's Technology” (San Jose Institute of Contemporary Art), “Measure of Time”(Oakland Museum of California at City Center). His work is published in several books including “Self Exposure: The Male Nude Self-Portrait” and “From Art to Landscape”. Recently he completed an artist-in-residence at STAR (Shipyard Trust for the Arts) in the Hunter's Point Shipyard in San Francisco. His studio is located at Minnesota Street Project Studio in the Dogpatch area of San Francisco. Show Notes ronmsaunders.com Instagram 3.9 Collective Black [Space] Residency Minnesota Street Project Discussion Around Black Reparations in San Francisco --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

We connect with Gaby Marván, a paper maché sculptor working in the Mexican folk art tradition. We talk about the history of the craft and the start of the Mexican Folk Art Collective.Check out the Mexican Folk Art Collective Exhibition at the Pump House September 13th – November 4th, 2023. Listen to our podcast at lacrosselocal.com or your preferred podcast app.

Artspeak Radio, Wednesday, noon – 1pm CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Plug Gallery, Tyler Kimball, and Midwest Feminist Art […] The post Artspeak Radio + Plug Gallery, Tyler Kimball, & Midwest Feminist Art Collective appeared first on KKFI.

Welcome to the Behind the Art Inspiration Podcast, where we delve into the creative processes and stories of 14 artists around the world. In these episodes, we go behind the scenes with artists who are part of the International Online Art Collective, learning about their inspiration, challenges, and techniques while collaborating on our Chain Reaction Project. Beginning with one single piece, each piece of art informs the next, provoking a chain reaction of other artworks - until we will have created a total of 100 works,  assembled into one big multi-media installation! In this episode, we have the pleasure of interviewing artist Karin McCombe Jones, who hails from Wales and now resides in NZ. Through our conversation with Karin, we'll gain insights into her creative process and the inspirations that drive her work. I am your host, Caroline Karp, and I am excited to bring you this episode from my Clearwater, FL studio. So, sit back, relax, and join us as we go behind the art and discover the fascinating world of Karin's art. Want to see more?  1️⃣ Follow the hashtags

In this episode host Marina Granger interviews Victoria J Fry, artist and founder of Visionary Art Collective, publisher of New Visionary Magazine, and host of the New Visionary Podcast. Victoria shares some inspiring moments on how to trust your inner guidance in business and art. Most importantly, Victoria shares how building a community is at the core of her mission.  Learn more about VAC's Glow Up Program and the VAC Book Club at VisionaryArtCollective.com Get the latest issue of New Visionary Magazine: https://www.visionaryartcollective.com/magazine Follow VAC on IG at www.Instagram.com/VisionaryArtCollective Also, email your questions by July 16 to info@theartistadvisory.com and they will be answered on this podcast. Get your Free PDF Guidebook from The Artist Advisory here: https://bit.ly/3PPQccA Finally, if you wish to learn more about The Artist Advisory visit www.TheArtistAdvisory.com Prefer to listen with closed captions? Visit Youtube.com/@TheArtistAdvisory

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ron Saunders, a landscape architect and artist in San Francisco. She visited Ron at his studio at the Minnesota Street Project, and he talked about becoming a landscape architect, why he likes public art projects, and starting a group for Black artists.About Artist Ron Saunders:Ron Moultrie Saunders, a co-founding member of the 3.9 Art Collective, is a photographic artist and landscape architect. Originally from Jamaica, Queens, New York, he currently lives in the Bayview neighborhood of San Francisco. He creates photograms: photographs that are made without the use of a camera. His art work is in the San Francisco Arts Commission Civic Art Collection for projects he completed for the San Francisco Library, Linda Brooks-Burton Bayview Branch, Zuckerberg San Francisco General Hospital, Laguna Honda Hospital and, Public Utilities Commission New Headquarters in San Francisco. He was commissioned to create works for VM Ware, Inc. in Palo Alto, CA and Dallas, TX and, for The San Francisco Travel Association (formerly SF Convention and Visitors Bureau) new offices. His art has been exhibited throughout the US including “The Secret Life of Plants”, solo shows (San Francisco International Airport and CordenPotts Gallery, San Francisco, CA), and group shows "Echoes of Bauhaus Photography Cast Long Shadows" at Ruth's Table, San Francisco, California (2020),“Self:Scape” at Middlesex County College, New Jersey(2012), “Exposed: Today's Photography/Yesterday's Technology” (San Jose Institute of Contemporary Art), “Measure of Time”(Oakland Museum of California at City Center). His work is published in several books including “Self Exposure: The Male Nude Self-Portrait” and “From Art to Landscape”. Recently he completed an artist-in-residence at STAR (Shipyard Trust for the Arts) in the Hunter's Point Shipyard in San Francisco. His studio is located at Minnesota Street Project Studio in the Dogpatch area of San Francisco.Visit Ron's Website: www.RonMSaunders.comFollow Ron on Social Media: @RonMSaunders on InstagramFor more on the Black Space Residency, CLICK HEREFor more on the Three Point Nine Art Collective, CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Welcome to the Behind the Art Inspiration Podcast, where we delve into the creative processes and stories of 14 artists around the world. In these episodes, we go behind the scenes with artists who are part of the International Online Art Collective, learning about their inspiration, challenges, and techniques while collaborating on our Chain Reaction Project. Beginning with one single piece, each piece of art informs the next, provoking a chain reaction of other artworks - until we will have created a total of 100 works, assembled into one big multi-media installation! In this episode, we have the pleasure of interviewing artist Gerda Smith, who hails from George, South Africa. Through our conversation with Gerda, we'll gain insights into her creative process and the inspirations that drive her work. I am your host, Caroline Karp, and I am excited to bring you this episode from my DC studio. So, sit back, relax, and join us as we go behind the art and discover the fascinating world of Gerda's art. Want to see more? 1️⃣ Follow the hashtags

You may remember Caroline Karp from the collab episode we did in season 2. This time, I invited her to talk specifically about her art practice which is fascinating! Caroline travels a lot and paints everywhere she goes - AND she makes a performance out of it! https://www.carolinekarpartist.com/ https://podcasts.apple.com/us/podcast/behind-the-art-inspiration-podcast/id1562409101 https://www.instagram.com/caroline_karp_artist/ https://www.facebook.com/carolinekarpart https://www.linkedin.com/in/carolinekarp/ https://twitter.com/karp_caroline https://www.pinterest.com/carolinekarpart/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/in-the-art-scene/message Support this podcast: https://podcasters.spotify.com/pod/show/in-the-art-scene/support

Entrepreneur Jeremy Hodges guests on Dynasty Podcasts to talk about his career in the creative industries and his multiple professional endeavors, including founding Project Art Collective, Fresh Laundry, and V.O.Y.D.Hodges recalls his origins coming up doing promotion for events, and how that helped build his network. He also speaks on developing and activating cultural experiences that connect with audiences and supports creatives, talks about his campaigns with artists like SZA and Lady Gaga, and reveals how collaborating with his team of artists keeps his work authentic.

Host Chaz Wolfe interviews the successful entrepreneur Jeremy Hodges, founder of Project Art Collective. Hodges shares insights and advice on building allies in business, following your passion, killing the ego, building a legacy, and adding value to others. He emphasizes the importance of surrounding oneself with successful people, being genuine, and never quitting when pursuing your purpose. Listeners will also learn about the resources and books recommended by Hodges, as well as ways to connect with him and Wolfe. Don't miss out on this inspiring conversation, tune in now to the Gathering The Kings podcast!During this episode, you will learn about;[01:57] Intro to Jeremy and his business[07:14] Building allies in business[09:21] Becoming the person worthy of the painting[14:59] Harnessing your passion and going for it [21:02] Following your path takes time[23:56] Killing the ego [25:49] Chasing money [30:31] Building a legacy [33:21] The secret to success[38:44] Why adding value is key [40:17] How to reach up to business owners further along than you are[46:02] How Jeremy goes all in with his business, family, and marriage[49:01] Making sure you're following the right path [50:24] How to connect with Jeremy [51:22] Information on Gathering The Kings roundtable mastermind group Notable Quotes“We're in a business to bring artistic experiences to life and bring people together.” - Jeremy Hodges “It's more important to have allies out in the world because you never know when that phone call is gonna come to help you and when you need to help someone. You can't just be selfish in business.” - Jeremy Hodges“If I kept my ego. . I don't know if I would be where I'm at today.” - Jeremy Hodges“Commercial success from a financial standpoint is meaningless if you don't think about the bigger picture.” - Jeremy Hodges“Find others that are successful and don't be afraid to go up to them.” - Jeremy Hodges“Success is only a secret to those who aren't looking for it.” - Chaz Wolfe (Host) “It's not about NOT selling or selling, it's about just being genuine and adding value.” - Chaz Wolfe (Host)“When you know you have a purpose and you know you are on the right path, you just have to know to keep going and never quit.” - Jeremy HodgesBooks and Resources Recommended:The Creative Act: A Way of Being by Rick Rubinhttps://www.amazon.com/Creative-Act-Way-Being-ebook/dp/B09Z7MH5C3Let's Connect!Jeremy Hodges:Facebook: https://www.facebook.com/ProjectArtCollectiveInstagram: https://www.instagram.com /projectartcollectiveInstagram: https://www.instagram.com/longlivehodges/Linkedin: linkedin.com/in/jhodges99Website: www.projectartcollective.comChaz Wolfe (Host): Website: ...

The Un Poquito Crew discuss the ASCO Art Collective, Latino/Latinx influence on american art, and the chicano movement of the 70's Join our Patreon: https://www.patreon.com/unpoquitopod Join our Discord: https://discord.gg/eDAhPfZZ8n Follow Us: Rian Reyes https://linktr.ee/RianReyes Dominic Angel https://linktr.ee/Domsiethebomsie Un Poquito Podcast https://linktr.ee/unpoquitopod Ricky Macias: https://linktr.ee/therickymac , https://www.instagram.com/therickymac/ https://linktr.ee/Batsignalradio  Legacy Teas and Spices: https://legacyteasandspices.com/t/shop-teas?page=2 code: UP20  Theme music by: Piano Blac https://www.instagram.com/piano_blac/?hl=en

For those experiencing homelessness fulfilling immediate needs around food, shelter and safety are incredibly important. However, it's also important, that as people, we are able to fulfill needs that aren't just centered around survival, but also joy.

New York -based UNI and The Urchins was started by “bassist/director/engineer/probably wizard” Charlotte Kemp Muhl (Bust Magazine), and in lead singer Jack James Busa, they have an androgynous alien who brings a glorious glam rock sensibility to the band's mix of psychedelia and post punk.  The band has just released their debut LP, called Simulator, full of catchy, dance-y, sometimes cheeky songs about a world made dizzy by media and technology.  The conversation ranges from using AI – a neural network to generate lyrics, a love of David Bowie, their favorite Japanese food (the sticky, slimy kind), high school Latin, ASMR, waiting rooms, observations about the disappearing middle class, the New York music scene, growing up in the South, to tuba sound effects and more. Also, the band plays live in-studio. They play at Elsewhere in New York on March 3, and will be in Austin at South by Southwest. Set list: “Subhuman Suburbia”, “Popstar Supernova”, “Simulator” Watch "Subhuman Suburbia": Watch "Popstar Supernova": Watch "Simulator":

The Full, Instrumental, Audiomantic score of Pragmagick's last Haunt Manual chapter performed and casted by Keats Ross … HAUNT ONDIM SESSION 02 “YOSOTROS” ∴ Audiomancy ∴ Haunt Manual Score ∴ Updates

Revelator Keats Ross helped usher in the haunted autumnal swing on Anthony Tyler's Black Hoodie Alchemy podcast this October discussing hauntomancy, hungry ghosts, audiomancy and more. … HAUNT ONBHA23: Ghostbusting the Psyche (feat. Keats Ross of PragMagick)

Curious about what it takes to create beautiful works of Indigenous art with your own hands? There's a special project underway in Fredericton. ​Jeanne Armstrong spoke to the Tara Francis with the Mawi' Art Collective.

The second chapter of the multimedia grimoire, Haunt Manual, part one concerns the meditation and audiomantic praxis of "Hauntomancy" … HAUNT ONSine Wave Serpents (Part One) ∴ Haunt Manual ∴ Pragmagick

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Harmony shares the news about app SudShare and the Wordle board game in her Tech Report. Then Ali and Harmony talk to founder of Lovely's Sewing and Art Collective, Keiona Cook.

Starting as an event producer and promoter between 1999 - 2008 Azzurro built a foundation for his career producing hundreds of premiere night-life events, fashion shows and concerts between Los Angeles and Ibiza.  From 2006-2009 Azzurro served as a talent manager for actors, writers, performing artists, and directors at the ROAR talent management agency in Beverly Hills, California. As CEO of BOXeight Studios from 2009-2014, he served as Executive Producer to what were called the most impactful events during L.A. Fashion Week. He ran and managed daily operations of Los Angeles based Photography Studio, Art Collective, Gallery, and Event Space in Downtown Los Angeles overseeing a staff of up to15 people. During this time he was the head of the BOXeight Creative Agency and built a national footprint for the women's contemporary fashion brand Lilly Black while opening and operating pop-up contemporary art galleries in Berlin, Miami, and St. Barths. From 2015 - 2018 Azzurro served as Executive Producer for Mack Sennett Studios and TaskForce PR. He co-produced several nation wide experiential social justice art festivals with a staff of over100 people. He was responsible for booking and managing several large scale concerts, film shoots and events, producing a network television show, music videos, branded experiential advertising campaigns, virtual reality and various experiential and digital content.Since 2018 he's been developing regenerative residential retreat centers in Los Angeles and Lake Atitlan Guatemala, he serves as a leadership and mindfulness facilitator and mentor for men and children, works as a social entrepreneur providing resources and infrastructure to marginalized indigenous communities, and performs as a singer, songwriter, orator and poet around the world. Follow Azzurro on Instagram @azzurromanIf you're enjoying this podcast and haven't already, please leave a 5* rating and review. Every review helps us in reaching more men and changing more lives, so that 60 seconds it takes to leave us a positive review could really help someone in need. I appreciate your support of this podcast greatly!Follow me @billygartonjr across all platforms and let me know what you thought of today's episode.Share your favorite part on Instagram and tag me (I'll be sure to share)!

At the Other Life x Urbit meetup in Austin, a group of 8 people rocked up wearing black trenchcoats. Endproject is an art and music collective based in Houston. I didn't know a thing about any of them until this podcast, and we quickly went deep into their defection from institutions, faith, the logic of culture, Deleuzian immanence, Urbit, and how authentic counterculture always wins.✦ Endproject website✦ Endproject's group on Urbit: ~rocdel-napsec/endproject✦ Vincent on Twitter✦ Vincent on Urbit: ~tacnul-docrux✦ Maria on Instagram✦ Maria on Urbit: ~doltud-topsyp✦ Justin on Twitter✦ Justin on Urbit: ~dirtec-hassunOther Life✦ Subscribe to the coolest newsletter in the world OtherLife.co✦ Get a free Urbit planet at imperceptible.computer✦ We're building a new country at imperceptible.countryIndieThinkers.org✦ If you're working on independent intellectual work, join the next cohort of IndieThinkers.org

Hey Hoisters ready for some records to be shattered? Yes? Well Listen to this, First tattoo artist, First Podcast more than 25 miles from the Shab-N-Basset, and new addition of the Peanut gallery with some bangers before a Podcast! Bam! In this episode the boys travel with an entourage of Mauleau, Skifter, and First time to the show Daniel Suarez Bam another one to Roseville and the Legion Art Collective. Whats that you ask? Well its Ian Millers badass tattoo studio with some much awesome everything in it. Beers and indepth tattoo talk is the name of the game so grab a Heavy and Hoist it! Cheers!

Turtle Island Art CollectiveHeather Francis and Brenda Beyal speak with two artists from the Turtle Island Art Collective, Crystal Begay and Alan Groves. Crystal is an artist who specializes in Plains Indian-style moccasins. Alan is a teacher and artist who works with quilt work and beadwork. The Turtle Island Art Collective's mission is to empower Indigenous artists, showcase Indigenous artists, and inspire Indigenous youth.How Did the Turtle Island Art Collective Come to Be?In a suburban or urban area, it can be difficult for native children to learn about their traditional culture and develop an identity as an Indigenous person. Art is a non-threatening way that they can learn about their traditions and cultures.There are two parts to the Collective's Mission Statement: One is to provide a space for Indigenous, specifically Native-American, artists in the digital realm. The second is to try to empower native kids and connect them with artists who have similar stories.“It is hard growing up in an urban area where you are removed from your cultural heritage,” Crystal said. “Children do not see it every day. They don't learn it in school. They're not learning the language in school. Through the creation, sharing and learning about Native American art, they are better able to live their cultural heritage. The Turtle Island Art Collective is a vehicle for this exposure and empowerment.”How Art Helps to Connect to Our CultureAlan describes how difficult it can be to grow up where there are not many other Indigenous people. He was drawn to art. His first love was graffiti art. “It had meaning. They were saying something,” he said.As he began having his own children, he and his wife talked about what they want for their children and they came to the conclusion that art is the way they could help them connect to their people and to their culture. “That's my draw to Native American art. There is a story behind the colors you use and the patterns you use and the images you use. There is a definite story there.”Offerings and ReciprocityHow does reciprocity occur between Native American artists or between artists and those who enjoy and learn from their art? Is it possible to exchange artistically in a way that is mutually beneficial to both parties? Can artists truly reciprocate by responding to a positive action with another positive action?There is a lot of effort, love, and pain that goes into the creation of Native American art. Supporting artists can be a way to reciprocate – supporting financially and, in return, obtaining a piece of culture and art. But, a question comes to mind, “What is appropriate to pay Native American artists?”Alan acknowledged that some create art and are desirous and able to make a living from it and that the decision to do so is up to each individual artist. Because of the time and care that goes into creating these works, Alan generally chooses to gift his art, after he gets to know somebody, at least to some extent. “And that's been one of the blessings of actually doing it through digital means is that people can message me from around the country and share their story with me,” he said. The reciprocity comes from the learning about each other and creating from those stories.  Trading can also be a meaningful and rewarding way to experience reciprocity. One artist may trade work for the work of another artist. One artist may trade natural goods to be used in art for the works of another artist. Lives and stories are shared.When Alan first started creating two years ago, somebody traded him a box of porcupine quills that were already dyed. “A big giant box had thousands and thousands of quills in it. But they're all mixed up. There's thirteen colors, and they're all mixed up. And so I'm sitting there at my table sorting quills. And my daughter just sits down next to me. She's in high school. She just sat down next to me and she's like, ‘Do you need some help?' And I'm like, ‘Sure.'” He recalled that his daughter sorted the whole box, taking her the entire summer, “We would just sit down and I would start making stuff and she would start sorting stuff. And then when we got done, we had all these bags full of quills. And then we got done and I said, ‘Okay, what do you want?' And she said, ‘I want one of these medallions you've been making.' Well, that was two years ago and so I finished it yesterday and I gave it to her today and she was so excited. But the idea is this idea of offerings, that when somebody does something for you, that you can't do for yourself, then you provide them with an offering. And it can be big and it can be small.”Native-Inspired vs The Inspired NativeIt has been a widely accepted idea to be inspired by Native art. We have seen beaded garments at Walmart, geometric designs inspired by Native symbols on pottery and homes, mass-produced dream-catchers, figurines, and t-shirts with pan-tribal representation of Native culture. But, times have shifted. Crystal said, “I think it's important for Native artists to have a voice.” Now, we are inspired ourselves. We don't just need representation in media or consumer products, we need space to represent ourselves the way we want to be represented. There was a time when the United States tried to take the Native American culture away through legislation during the period of allotment and assimilation. This period of Native American relations in the United States was a huge failure. Following this failure came the period of self-determination beginning in the 1970s. At this time, representation of any Native American idea, person, or tradition—authentic or not—in American life may have been applauded. But again, times have been changing, according to Alan. Now, we are realizing it is important to not just represent the culture, but to represent it in accurate and authentic ways—the way native individuals and distinct tribal groups would like to be represented. “It's not enough to be a mascot of a team,” he said. Alan said he wants to share what it means to be him through his art. “The story I'm telling is my story now,” he said.Communal SuccessEven those of us who are non-Native can feel connected to and inspired by Native art. Communal success comes when artists and those who support the artists are working together so that the art benefits all of our lives, whether we are Native artists or not.According to Alan, this success comes when you find your right way to give to your community. This goes beyond purchasing a t-shirt with a Native American print on it: “You're just taking the art without taking the lessons to go with it,” he said. When teaching art to students, the teaching is more about just the art: it is about the stories and lessons that live with the art. It is about the interaction that comes with the process of creating art. Communal success can occur when artists are engaging in positive ways with Native communities. Supporting the Turtle Island Art Collective can also help create this communal success. As native and non-native children get more exposure to Native art,  this success and connection will carry over to them and their stories.ResourcesTurtle Island Art Collective Website https://turtleislandartcollective.square.site/Turtle Island Art Collective Instagram https://www.instagram.com/turtle_island_art_collective/?hl=enTurtle Island Art Collective Facebook https://www.facebook.com/TurtleIslandArtCollective/Alan Groves Instagram @al_groves https://www.instagram.com/al_groves/Crystal BegayeInstagram @creativenativeboutique https://www.instagram.com/creativenativeboutique/Follow Us:Native American Curriculum Initiative Mailing ListBYU ARTS Partnership NewsletterAdvancingArtsLeadership.comSubscribe on Apple PodcastsSubscribe on SpotifySubscribe on Amazon MusicInstagramFacebookPinterestDon't forget to peruse the bank of lesson plans produced by the BYU ARTS Partnership in dance, drama, music, visual arts, media arts, and more. Search by grade-level, art form or subject area at www.education.byu.edu/arts/lessons.

Artist Rob Rose tells us about the Healing Art Collective, a group on Vancouver Island that builds community through artistic expression. From the February 23, 2022 episode.

It was time for us to step out of our comfort zones and do some abstract painting. As usual the conversation “leaped off of the brush” into mistaken suspects, stick a fork in the grave, taboo on display, Babe Ruth's bathtub, your QR Code when you're dead, two parking tickets, our ties to the Olympics, board game competition, dressed to the nines and Tim is not a good Googler.   

Hello Artists and Art lovers! This week we are joined by Andrea Kostyal out of Hattiesburg, MS. Not only was Andrea gracious as I absolutely butcher her last name, but she shares all about moving to the US and finding opportunities in Mississippi. I really like the part when she starts talking about how she creates her amazing cityscapes.You can see Andrea's work in person along with the Women's Art Collective on view at the Meridian Museum of Art until November 27thFind Andrea at andreakostyal.com and on Instagram @art_of_andrea_kostyalHere are a few other links for the organizations that were mentioned:@southmississippiartassociation@hattiesburgartscouncil@artsneworleans@msartcolony@artwisticrevolution@peterandersonfestival@meridianmuseumofart@wmcareyu@oddfellowsgalleryFind more interviews, upcoming exhibits, and more at thelittleyellowbuilding.com Support the show (https://bit.ly/3lXHFEN)

024 Nicolas Caesar (Artists, Founder for Scary-Art Collective, Curator of Art for Scream 4) Nicolas Caesar is an accomplished artist with works of art sold all over the world. He's been featured on Late Night with Conan O'Brien and was the curator of Art for Scream 4. We talk advice for new artists, merging business and art, and how as an artist you must never stop your whoring ways. The power of community and partnership comes up as well. There is a ton of laughter and so many nuggets of wisdom for artists and entrepreneurs alike. You can connect with Nicolas at http://www.scary-art.com/ ⚫️ ⚫️ ⚫️ Subscribe on Apple Podcasts here

“A lot of trans Native folks create things because of exclusion.” Xemi shares about creating Angel Rose Artist Collective, a multilingual Two-Spirit Native American Transgender, Intersex, Asexual, Queer+ led collective of artists, healers, educators, and advocates, that uplift Two-Spirit Nation and BIPOC Communities through art and land justice.Topics include owning Trans-identity, the importance in Native-Trans and Black-Trans solidarity, centering Elders in her practice, and the need for community care in leadership transitions. Your donation to Advancing Arts Forward supports liberated spaces, like this podcast, that uplift, heal and encourage us to change the world. (https://www.advancingartsforward.org/)Connect with us on :::TikTok @buildingourowntablesInstagram @advancingartsforward @howlroundFacebook @advancingartsforward@HowlRound