Podcasts about Spirited Away

Send us a textWhat defines the greatest films of our still-young century? When The New York Times published their reader-selected Top 100 Films of the 21st Century, we couldn't resist diving into this cultural touchstone that had over 200,000 cinephiles weighing in on what matters most in modern cinema.With Bong Joon-ho's "Parasite" claiming the top spot and Christopher Nolan dominating with five entries (including both "Interstellar" and "The Dark Knight" in the top 10), the list reveals fascinating patterns about what resonates with today's audiences. We explore the international appeal of the selections, from "Spirited Away" at #8 to "In the Mood for Love" at #12, while questioning the noticeable absence of Black filmmakers like Spike Lee and the limited representation of female directors.The conversation takes unexpected turns as we debate which films deserve higher placement (could "Portrait of a Lady on Fire" crack the top 10?), which should be removed entirely (does "Everything Everywhere All at Once" belong at #13?), and what crucial omissions we'd add to create a more representative canon. From questioning the recency bias that elevates new releases like "Oppenheimer" and "Dune Part Two" to lamenting the underrepresentation of horror and comedy, we offer our unfiltered takes on what this list gets right and wrong.Whether you're a casual moviegoer or a dedicated cinephile, this episode provides both a roadmap for essential viewing and a framework for thinking critically about what makes a film truly stand the test of time. Join us for this passionate celebration and critique of the films that have defined our century so far – and let us know which rankings you'd fight to change!Support the show

Max and Evan are joined by guest Toussaint Egan to discuss the post-2000s output from the director Hayao Miyazaki. Before they dive into movies like Spirited Away, The Boy and the Heron, and Howl's Moving Castle, they discuss some of the latest film news. Then comes the finale of the Summer Box Office game. Stay tuned afterward for thoughts on the new movies like The Naked Gun and a lot more.  Check out episode 191 of the It's the Pictures podcast if you want more Hayao Miyazaki coverage.  Website: https://itsthepictures.libsyn.com/ itsthepictures.substack.com Download the episode today, and find us on Bluesky, Instagram, and Letterboxd.  Like the show? Review us on iTunes! We are also available on Stitcher, Spotify, and Letterboxd.  Opening: "The Fire" by Dan_Mantau (c) 2022 - http://ccmixter.org/files/Dan_Mantau/64603 Licensed under Creative Commons Attribution Noncommercial (3.0) Closing: Pixie Pixels (featuring Kara Square) by spinningmerkaba (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/jlbrock44/53778  Additional comments? Email us: itsthepictures@gmail.com

Daya joins after her surprise Lollapalooza appearance with Gryffin to talk about her big comeback and upcoming projects. We dive into her love for performing at festivals, Doechii, and even Spirited Away.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of High Notes, we're joined by iconic voice actor Bob Bergen, famous for voicing beloved characters like Porky Pig, Tweety, Marvin the Martian, and No Face from Spirited Away. Bob discusses his journey from mimicking cartoons as a child to becoming a full-time voice actor. He offers invaluable advice for aspiring performers, emphasising the importance of craft and focus. Bob also shares his thoughts on the rise of AI in voice acting and the significance of continuous learning and dedication to the craft. The episode concludes with a surprise guest appearance from our characters' coach, Elaine Clark.More about Bob:https://www.bobbergen.com/https://www.imdb.com/name/nm0074036/Also featuring: https://elaineclarkvo.com/Subscribe to the BRAVA newsletter for regular updates on news, training opportunities, and insights from the world of voice:https://www.brava.uk.com/subscribe Hosted on Acast. See acast.com/privacy for more information.

This week on Peanuts and Popcorn, Ichiro Suzuki, CC Sabbathia, Billy Wagner, Dick Allen and Dave Parker are all inducted into the Hall of Fame, while we bow our heads with respect to the passing of Ryne Sandburg.In Popcorn, we begin with Leo's selection from 1988, Pascali's Island, with Ben Kingsley and Helen Mirren, we then take on Tom's choice, the Japanese animation classic from 2001, Spirited Away.Next Show's Films:Leo's Pick: Pina (2011)Tom's Pick:  The Exterminating Angel (1962) 

Don't. Eat. Their. Food. Who doesn't love an abandoned amusement park? What's so stinky about a stink spirit? When will No Face find a friend? Can Chihiro make it back home or will she remain, forever... SPIRITED AWAY? On this ep, we dig into Hayao Miyazaki's unparalleled perfect film, and the first ever anime film to win an Academy Award. Join us for ghost, spirits, magic, and mischief... Plus the MouthGarf Report, and I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First (The Internet Comments Section Meme)

Welcome to Show Boys, a podcast that delves into the world of film, tv and gaming. In this week's episode, Nick and Chad review the anime Spirited Away!Patreon Link: ⁠https://www.patreon.com/showboyspodcast⁠Catch reruns of our massive backlog of content over on Twitch: ⁠https://www.twitch.tv/showboyspodcast⁠Follow PokéBoys on Twitter: ⁠https://twitter.com/PokeBoysPodcast⁠Visit our website for everything Show Boys related! ⁠https://showboysmedia.com/⁠Come for the podcast, stay for the community. Join our discord today!⁠https://discord.gg/gPqSu7QmnQ⁠Interested in supporting the podcast? Visit our Patreon page and sign up to become a Patron for some cool perks, or toss us a bone on Venmo @Show-Boys!Merch Shop! ⁠https://my-store-be6562.creator-spring.com/⁠Like what you hear? Let us know in the comments and please consider subscribing!

In this episode of Popcorn & Catch-Up, we continue the 2025 season with a discussion of Spirited Away!We'll be discussing the film in depth, so be sure to watch it before listening to the episode. And don't forget to let us know what you think on X/Facebook/Bluesky!Tell your friends about Popcorn & Catch-Up!Thanks for listening!

Hello and happy Thursday! This is your Disney News for Thursday, June 26th, 2025. Get ready for a day filled with magical Disney updates! - Disneyland Tokyo is creating a new land dedicated to Studio Ghibli, featuring attractions inspired by Spirited Away and My Neighbor Totoro. Plans include interactive meet-and-greets and immersive environments. - Epcot at Walt Disney World in Orlando will introduce a nighttime spectacular called "Harmonious," featuring pyrotechnics and dancing fountains, celebrating Disney music and cultural connections. - Mickey's Toontown at Disneyland Anaheim is getting a makeover with vibrant colors, character interactions, and a new gadget-themed ride. - Disney+ plans a special summer lineup with new episodes and exclusive behind-the-scenes content. Have a magical day and tune in again tomorrow for more updates.

In this episode we discuss Spirited Away from 2001.Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

"I initially wanted to pick a sound from nature to work with, but the Reitaisai Festival grabbed my attention as soon as I came across it. I didn't want to manipulate the recording too much so I kept the clip I worked with intact and didn't chop it up to keep to a certain tempo. I wanted to preserve the energy of the recording and for it to feel as if I was joining in spirit, swooping in to play with my friends and then floating away again.  "We sometimes slightly fall away from each other rhythmically and then come together, as you would do if playing and chanting through the streets. I used keyboard, synth, hammered dulcimer and tongue drum to play along from afar.  "At the end I imagine going into a house, running up the stairs and opening a window onto the streets below, getting a last burst of the crowd chanting “Reitaisai” before retreating back through whichever portal I came through." Reitaisei festival, Tokyo reimagined by Jess Bryant. IMAGE: Jean-Pierre Dalbéra from Paris, France, CC BY 2.0 , via Wikimedia Commons

Join Vivz & Amy for a celebration of Studio Ghibli's incredible 40-year legacy. In this episode, we explore the magic behind the legendary studio that gave us unforgettable classics like Spirited Away, Princess Mononoke, Howl's Moving Castle, and more.Vivz, a Ghibli newbie, takes on the role of the curious fan, asking all the questions you've probably wondered yourself while Amy, a longtime Ghibli enthusiast, guides us through what makes these films so timeless. From the emotional storytelling and iconic characters to the breathtaking visuals, cozy vibes, and subtle life lessons, we unpack why Studio Ghibli has remained a cornerstone of anime and animation culture for four decades.------------------------------------------------------Follow The Ara Ara Channel:https://www.facebook.com/thearaarachannelhttps://www.instagram.com/thearaarachannel/https://www.tiktok.com/@thearaarachannelSpotify:https://open.spotify.com/show/3HDL4oLo705HomfjAIaB0zApple Podcast:https://podcasts.apple.com/ph/podcast/ara-ara-the-weeb-podcast/id1611768187Discord:https://discord.gg/yck6f3tdCTReddit: https://www.reddit.com/r/UAEAnimeCommunity/Ara Ara Hosts:Vivz | https://www.instagram.com/vivzblackmage/Amy | https://www.instagram.com/justamything/Music By: KODOMOi - Mango Floathttps://www.youtube.com/watch?v=l50KoABRmDoLogo By: Ernestudiohttps://www.facebook.com/ernestudiographixLogo Animation By: Clarence Sampang

We're back for Round Two of the game that has captured the hearts and minds of no one, but is a fun format that lets Adam & Joe chat about great movies for a change. Who will win in the ultimate battle of Spirited Away vs Anchorman (not an actual face off, but you get the gist). We've got a big deck of films that we pick from, but send us your must-haves and we'll tot the scores and add them in. It's moviesyouforgotyouforgot@gmail.com. Also, follow Adam on Letterboxd and Instagram @errorofways. For those interested, here is the scoring system (Colin's scores are final). Box Office Impact Critical Acclaim Cultural Penetration Industry Influence Career Catalyst Rewatchability Social/Political Impact Franchise Impact Innovation & Risk Fanbase Loyalty

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Hayao Miyazaki's masterpiece, ‘Spirited Away': the wonderful 2002 animated fantasy film, which features an unbound representation of what it feels like to be a child. They talk about what they make of Chihiro as an unusual main character figure, celebrate the huge technical achievement in its stunning animation, and explore how its “perfect movie status" is defined by its singularity. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Anime watch club, a bi-weekly group discussion and review where the hosts of the what do you say anime podcast, nominate and vote on shows either that we haven't seen or shows that will hopefully lead to a great discussion. On today's episode, we will be reviewing the 2001 Studio Ghibli film, Spirited AwaySocials/Discord - https://linktr.ee/whatdoyousayanime0:00 - Intro2:04 - First Impressions12:30 - Takeaways and messages?27:05 - Dealing with the fairy tale-esque world33:26 - What Do You Say Geography?35:58 - Target audiences and media comprehension39:24 - The folklore within Spirited Away46:39 - Red vs Blue53:09 - Closing thoughts and scores1:01:53 - What we're watching next

J. Jonah Jameson won this one and that menace was vetoed! That is correct, Spider-Man 2 was vetoed and Paul and Dustin have wondered into an abandoned amusement park...and...it's pretty spooky here. There are spirits, Gods and a really mean old lady that is bossing every one around. We are talking 2002 Spirited Away!

Series 3 Incense: Kyoto by Comme des Garçons (2002) + Hayao Miyazaki's Spirited Away (2001) + Isao Takahata's The Tale of Princess Kaguya (2013) with David 5/23/25 S7E35 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

See Muffed Movies Live: The Nightmare Before Christmas on May 28, 2025 Click Here for Tickets ________________________________________________ This episode was recorded on September 26, 2024. Cohosts: Blake Hood & Kyra Young-Hood Host: Mark Soloff ________________________________________________ Bluesky: @muffedmovies.bsky.social Instagram: @muffedmovies YouTube: @muffedmovies Tiktok: @muffedmoviespodcast #RedYoda Support the show: Patreon- Support Muffed Movies on Patreon to gain access to bonus content including longer, weirder episodes, + bonus audio content in the secret feed - Muffed Movies Plus! Visit the Muffed Movies YouTube Channel  Ko-Fi Threadless store Spirited Away intro song generated & performed by Suno AI, Lyrics by Mark Soloff

"You don't remember your name?" "No, but for some reason I remember yours." - HakuThis review gets a little deep, fair warning. Instagram: @goodbadbettershow

The Big Mates discuss Spirited Away, underwater photography, deer vocalisations, and HIT ME HARD AND SOFT by Billie Eilish.Adam, Steve, and Lucas return to the subject of their third season and explore Eilish's third studio album, released in 2024. They talk about the writing and recording process, the context surrounding the albums, and offer up analysis, opinions, and thoughts from three differing perspectives on music, from being deeply into analysis and music, to not caring for art or critique, and everything in between.How has Billie evolved? How was Tom Cruise involved? What's the difference between a book and novel?  Find out on this episode of What Is Music?Our next episode is out Monday May 19th, and will continue and conclude the deep-dive into HIT ME HARD AND SOFT!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

Send us a Question!MOVIE DISCUSSION: Shirleon joins Melvin to discuss what is perhaps Hayao Miyazaki's most popular feature, Spirited Away! Its music, its character, it's magic; Spirited Away continues to dominate the conversation among Ghibli and anime fans alike, and the two get into all the good stuff in their latest episode!Topics:(PATREON EXCLUSIVE) 23-minutes of wondering if we're back on the MCU train with the success of Thunderbolts*, and also playing a rapid-fire MCU trivia game! (PATREON EXCLUSIVE)Shirleon, "I really don't think I can say anything bad about the movie."Melvin does a rundown of similarities he's observed between the 3 Miyazaki-directed movies they've covered on the show.Chihiro grows from someone who fears a lack of agency into someone empowered with determination.Spirited Away is a little different from other family-accessible movies in that its complicating incident isn't the fault of it's child-protagonist but rather their parents.The concept of "work" is constantly on the mind of the movie.Talking about the "weeping rice-cake" scene.If we spend time meditating on the blessings of our lives, we start to notice how supported and how resilient we are.Recommendations:Code Geass: Lelouch of the Rebellion (2006) (Anime)Durarara!! (Season 1) (2010) (Anime) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

It's time to take a dip in the spirit worlds most luxurious bathhouse. Just make sure you don't get eaten!Support the show on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/animeighties⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get access to ad-free episodes & videos, discord, bonus content, and more! Free and paid tiers available!Your help allows us to improve the podcast and offer more retro anime content!If you'd like to check out our retro anime video essays, or our incredibly funny short videos, please subscribe to our YouTube Channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/@AnimEighties⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to follow us on social media we are @animeighties everywhere!If you liked this episode please rate and leave a review!If you have feedback or questions, please email us at animeighties@gmail.com

Joe Hisaishi is known for his scores to Studio Ghibli films, like this spacious theme from Spirited Away. It features quartal harmonies with a slightly eerie vibe to start with, but settles after a while into a perfect lounge piece. There are a few different official versions with Hisiashi himself, and in this video we see where they differ. With pianist Henrik Kilhamn.Video: https://youtu.be/_tRSzrQL-xU

Yu-Gi-Oh! first aired in Japan 25 years ago and brothers Aaron and Josh Sarnecky are here to talk about it.Yu-Gi-Oh! is the second anime adaptation of the manga series by Kazuki Takahashi. While the first anime covers the early arcs, the second focuses on the Duel Monsters portion of the story, hence the Japanese title Yu-Gi-Oh! Duel Monsters. The second series is in a separate continuity. It premiered in Japan on April 18, 2000. It ran in the US on Kids' WB, starting in 2001. The show consists of 224 episodes.The show follows Yugi Moto (Dan Green), a high school student and the world's best Duel Monsters player. Duel Monsters is a card game based on magical beasts from ancient Egypt. By completing the Millenium Puzzle, Yugi is imbued with the spirit of Yami (also Green), a pharaoh who save the world thousands of years ago. It is up to Yugi and Yami to save the world again.Yugi's friends include Joey (Wayne Grayson), an accomplished duelist, as well as his friends Téa (Amy Birnbaum) and Tristan (Sam Riegel, Greg Abbey). Yugi's opponents include his archrival Seto Kaiba (Eric Stuart), Maximillian Pegasus (Darren Dunstan), Marik Ishtar (Jonathan Todd Ross), and the demonically possessed Bakura (Ted Lewis).Yu-Gi-Oh! has spawned multiple movies and spinoff series. The Duel Monsters game exists in real life as the Yu-Gi-Oh! Trading Card Game.Aaron and Josh talk about their history with Yu-Gi-Oh! before going into the plot, characters, card game, and notorious changes made in the English dub.For more anime, you can listen to Josh and Aaron's podcasts on Kirby: Right Back at Ya! and Spirited Away.Yu-Gi-Oh! is streaming on Hulu and Crunchyroll

Back by popular demand, welcome to Animated April! This month Movies That Raised Us will be covering all your favourite cartoon classics. Make yourself a blanket fort and grab yourself a fruit roll up as we take a trip back to our childhood!              Mo and Christina take on their second animated flick, 2001's Spirited Away. Join them as they discuss kami, children's intuition, and the self destructive cycle of the rat race.                Our Patreon is LIVE! https://www.patreon.com/moviesthatraisedus We are thrilled to launch our Patreon with exciting perks such as a listener picked bonus movie episode, exclusive Discord, being added to our Close Friends, and a personalized thank you note!   Our merch shop is live! Check out our Raymond the Lifeguard design and so much more!! https://tinyurl.com/vxpbczup    Follow us on instagram @moviesthatraisedus   Follow us on tiktok @moviesthatraiseduspod  Follow us on twitter @mtru_pod     Do you have a movie you want us to cover next? Fill out our form! https://forms.gle/fU5vRfTk8K5Gb7cD8

This week we talk about Studio Ghibli, Andrej Karpathy, and OpenAI.We also discuss code abstraction, economic repercussions, and DOGE.Recommended Book: How To Know a Person by David BrooksTranscriptIn late-November of 2022, OpenAI released a demo version of a product they didn't think would have much potential, because it was kind of buggy and not very impressive compared to the other things they were working on at the time. This product was a chatbot interface for a generative AI model they had been refining, called ChatGPT.This was basically just a chatbot that users could interact with, as if they were texting another human being. And the results were good enough—both in the sense that the bot seemed kinda sorta human-like, but also in the sense that the bot could generate convincing-seeming text on all sorts of subjects—that people went absolutely gaga over it, and the company went full-bore on this category of products, dropping an enterprise version in August the following year, a search engine powered by the same general model in October of 2024, and by 2025, upgraded versions of their core models were widely available, alongside paid, enhanced tiers for those who wanted higher-level processing behind the scenes: that upgraded version basically tapping a model with more feedstock, a larger training library and more intensive and refined training, but also, in some cases, a model that thinks longer, than can reach out and use the internet to research stuff it doesn't already know, and increasingly, to produce other media, like images and videos.During that time, this industry has absolutely exploded, and while OpenAI is generally considered to be one of the top dogs in this space, still, they've got enthusiastic and well-funded competition from pretty much everyone in the big tech world, like Google and Amazon and Meta, while also facing upstart competitors like Anthropic and Perplexity, alongside burgeoning Chinese competitors, like Deepseek, and established Chinese tech giants like Tencent and Baidu.It's been somewhat boggling watching this space develop, as while there's a chance some of the valuations of AI-oriented companies are overblown, potentially leading to a correction or the popping of a valuation bubble at some point in the next few years, the underlying tech and the output of that tech really has been iterating rapidly, the state of the art in generative AI in particular producing just staggeringly complex and convincing images, videos, audio, and text, but the lower-tier stuff, which is available to anyone who wants it, for free, is also valuable and useable for all sorts of purposes.Just recently, at the tail-end of March 2025, OpenAI announced new multimodal capabilities for its GPT-4o language model, which basically means this model, which could previously only generate text, can now produce images, as well.And the model has been lauded as a sort of sea change in the industry, allowing users to produce remarkable photorealistic images just by prompting the AI—telling it what you want, basically—with usually accurate, high-quality text, which has been a problem for most image models up till this point. It also boasts the capacity to adjust existing images in all sorts of ways.Case-in-point, it's possible to use this feature to take a photo of your family on vacation and have it rendered in the style of a Studio Ghibli cartoon; Studio Ghibli being the Japanese animation studio behind legendary films like My Neighbor Totoro, Spirited Away, and Princess Mononoke, among others.This is partly the result of better capabilities by this model, compared to its precursors, but it's also the result of OpenAI loosening its policies to allow folks to prompt these models in this way; previously they disallowed this sort of power, due to copyright concerns. And the implications here are interesting, as this suggests the company is now comfortable showing that their models have been trained on these films, which has all sorts of potential copyright implications, depending on how pending court cases turn out, but also that they're no long being as precious with potential scandals related to how their models are used.It's possible to apply all sorts of distinctive styles to existing images, then, including South Park and the Simpsons, but Studio Ghibli's style has become a meme since this new capability was deployed, and users have applied it to images ranging from existing memes to their own self-portrait avatars, to things like the planes crashing into the Twin Towers on 9/11, JFK's assassination, and famous mass-shootings and other murders.It's also worth noting that the co-founder of Studio Ghibli, Hayao Miyazaki, has called AI-generated artwork “an insult to life itself.” That so many people are using this kind of AI-generated filter on these images is a jarring sort of celebration, then, as the person behind that style probably wouldn't appreciate it; many people are using it because they love the style and the movies in which it was born so much, though. An odd moral quandary that's emerged as a result of these new AI-provided powers.What I'd like to talk about today is another burgeoning controversy within the AI space that's perhaps even larger in implications, and which is landing on an unprepared culture and economy just as rapidly as these new image capabilities and memes.—In February of 2025, the former AI head at Tesla, founding team member at OpenAI, and founder of an impending new, education-focused project called Eureka Labs named Andrej Karpathy coined the term ‘vibe coding' to refer to a trend he's noticed in himself and other developers, people who write code for a living, to develop new projects using code-assistant AI tools in a manner that essentially abstracts away the code, allowing the developer to rely more on vibes in order to get their project out the door, using plain English rather than code or even code-speak.So while a developer would typically need to invest a fair bit of time writing the underlying code for a new app or website or video game, someone who's vibe coding might instead focus on a higher, more meta-level of the project, worrying less about the coding parts, and instead just telling their AI assistant what they want to do. The AI then figures out the nuts and bolts, writes a bunch of code in seconds, and then the vibe coder can tweak the code, or have the AI tweak it for them, as they refine the concept, fix bugs, and get deeper into the nitty-gritty of things, all, again, in plain-spoken English.There are now videos, posted in the usual places, all over YouTube and TikTok and such, where folks—some of whom are coders, some of whom are purely vibe coders, who wouldn't be able to program their way out of a cardboard box—produce entire functioning video games in a matter of minutes.These games typically aren't very good, but they work. And reaching even that level of functionality would previously have taken days or weeks for an experienced, highly trained developer; now it takes mere minutes or moments, and can be achieved by the average, non-trained person, who has a fundamental understanding of how to prompt AI to get what they want from these systems.Ethan Mollick, who writes a fair bit on this subject and who keeps tabs on these sorts of developments in his newsletter, One Useful Thing, documented his attempts to make meaning from a pile of data he had sitting around, and which he hadn't made the time to dig through for meaning. Using plain English he was able to feed all that data to OpenAI's Deep Research model, interact with its findings, and further home in on meaningful directions suggested by the data.He also built a simple game in which he drove a firetruck around a 3D city, trying to put out fires before a competing helicopter could do the same. He spent a total of about $13 in AI token fees to make the game, and he was able to do so despite not having any relevant coding expertise.A guy named Pieter Levels, who's an experienced software engineer, was able to vibe-code a video game, which is a free-to-play, massively multiplayer online flying game, in just a month. Nearly all the code was written by Cursor and Grok 3, the first of which is a code-writing AI system, the latter of which is a ChatGPT-like generalist AI agent, and he's been able to generate something like $100k per month in revenue from this game just 17 days, post-launch.Now an important caveat here is that, first, this game received a lot of publicity, because Levels is a well-known name in this space, and he made this game as part of a ‘Vibe Coding Game Jam,' which is an event focused on exactly this type of AI-augmented programming, in which all of the entrants had to be at least 80% AI generated. But he's also a very skilled programmer and game-maker, so this isn't the sort of outcome the average person could expect from these sorts of tools.That said, it's an interesting case study that suggests a few things about where this category of tools is taking us, even if it's not representative for all programming spaces and would-be programmers.One prediction that's been percolating in this space for years, even before ChatGPT was released, but especially after generative AI tools hit the mainstream, is that many jobs will become redundant, and as a result many people, especially those in positions that are easily and convincingly replicated using such tools, will be fired. Because why would you pay twenty people $100,000 a year to do basic coding work when you can have one person working part-time with AI tools vibe-coding their way to approximately the same outcome?It's a fair question, and it's one that pretty much every industry is asking itself right now. And we've seen some early waves of firings based on this premise, most of which haven't gone great for the firing entity, as they've then had to backtrack and starting hiring to fill those positions again—the software they expected to fill the gaps not quite there yet, and their offerings suffering as a consequence of that gambit.Some are still convinced this is the way things are going, though, including people like Elon Musk, who, as part of his Department of Government Efficiency, or DOGE efforts in the US government, is basically stripping things down to the bare-minimum, in part to weaken agencies he doesn't like, but also, ostensibly at least, to reduce bloat and redundancy, the premise being that a lot of this work can be done by fewer people, and in some cases can be automated entirely using AI-based systems.This was the premise of his mass-firings at Twitter, now X, when he took over, and while there have been a lot of hiccups and issues resulting from that decision, the company is managing to operate, even if less optimally than before, with about 20% the staff it had before he took over—something like 1,500 people compared to 7,500.Now, there are different ways of looking at that outcome, and Musk's activities since that acquisition will probably color some of our perceptions of his ambitions and level of success with that job-culling, as well. But the underlying theory that a company can do even 90% as well as it did before with just a fifth of the workforce is a compelling argument to many people, and that includes folks running governments, but also those in charge of major companies with huge rosters of employees that make up the vast majority of their operating expenses.A major concern about all this, though, is that even if this theory works in broader practice, and all these companies and governments can function well enough with a dramatically reduced staff using AI tools to augment their capabilities and output, we may find ourselves in a situation in which the folks using said tools are more and more commodified—they'll be less specialized and have less education and expertise in the relevant areas, so they can be paid less, basically, the tools doing more and the humans mostly being paid to prompt and manage them. And as a result we may find ourselves in a situation where these people don't know enough to recognize when the AI are doing something wrong or weird, and we may even reach a point where the abstraction is so complete that very few humans even know how this code works, which leaves us increasingly reliant on these tools, but also more vulnerable to problems should they fail at a basic level, at which point there may not be any humans left who are capable of figuring out what went wrong, since all the jobs that would incentivize the acquisition of such knowledge and skill will have long since disappeared.As I mentioned in the intro, these tools are being applied to images, videos, music, and everything else, as well. Which means we could see vibe artists, vibe designers, vibe musicians and vibe filmmakers. All of which is arguably good in the sense that these mediums become more accessible to more people, allowing more voices to communicate in more ways than ever before.But it's also arguably worrying in the sense that more communication might be filtered through the capabilities of these tools—which, by the way, are predicated on previous artists and writers and filmmakers' work, arguably stealing their styles and ideas and regurgitating them, rather than doing anything truly original—and that could lead to less originality in these spaces, but also a similar situation in which people forget how to make their own films, their own art, their own writing; a capability drain that gets worse with each new generation of people who are incentivized to hand those responsibilities off to AI tools; we'll all become AI prompters, rather than all the things we are, currently.This has been the case with many technologies over the years—how many blacksmiths do we have in 2025, after all? And how many people actually hand-code the 1s and 0s that all our coding languages eventually write, for us, after we work at a higher, more human-optimized level of abstraction?But because our existing economies are predicated on a certain type of labor and certain number of people being employed to do said labor, even if those concerns ultimately don't end up being too big a deal, because the benefits are just that much more impactful than the downsides and other incentives to develop these or similar skills and understandings arise, it's possible we could experience a moment, years or decades long, in which the whole of the employment market is disrupted, perhaps quite rapidly, leaving a lot of people without income and thus a lot fewer people who can afford the products and services that are generated more cheaply using these tools.A situation that's ripe with potential for those in a position to take advantage of it, but also a situation that could be devastating to those reliant on the current state of employment and income—which is the vast, vast majority of human beings on the planet.Show Noteshttps://en.wikipedia.org/wiki/X_Corphttps://devclass.com/2025/03/26/the-paradox-of-vibe-coding-it-works-best-for-those-who-do-not-need-it/https://www.wired.com/story/doge-rebuild-social-security-administration-cobol-benefits/https://www.wired.com/story/anthropic-benevolent-artificial-intelligence/https://arstechnica.com/tech-policy/2025/03/what-could-possibly-go-wrong-doge-to-rapidly-rebuild-social-security-codebase/https://en.wikipedia.org/wiki/Vibe_codinghttps://www.newscientist.com/article/2473993-what-is-vibe-coding-should-you-be-doing-it-and-does-it-matter/https://nmn.gl/blog/dangers-vibe-codinghttps://x.com/karpathy/status/1886192184808149383https://simonwillison.net/2025/Mar/19/vibe-coding/https://arstechnica.com/ai/2025/03/is-vibe-coding-with-ai-gnarly-or-reckless-maybe-some-of-both/https://devclass.com/2025/03/26/the-paradox-of-vibe-coding-it-works-best-for-those-who-do-not-need-it/https://www.creativebloq.com/3d/video-game-design/what-is-vibe-coding-and-is-it-really-the-future-of-app-and-game-developmenthttps://arstechnica.com/ai/2025/03/openais-new-ai-image-generator-is-potent-and-bound-to-provoke/https://en.wikipedia.org/wiki/Studio_Ghibli This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe

It's only been a day since ChatGPT's new AI image generator went live, and social media feeds are already flooded with AI-generated memes in the style of Studio Ghibli, the cult-favorite Japanese animation studio behind blockbuster films such as “My Neighbor Totoro” and “Spirited Away”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anime memes depicting famous historical events take over X. @KingLibertarian talks Tesla terrorism, Woke Wildlings. Anheuser Busch won't sponsor St. Louis Gay Pride event. @RareCamellia + @DCPentsak on why girlfriends would end the Groyper movement.  

Theo Low. Acts 8:26-40

Clay and Aaron revisit Hayao Miyazaki's 2001, film Spirited Away. Contact info: Twitter: @theflyingcowpod Instagram: @theflyingcowpod Email: theflyingcowpod@gmail.com Facebook: The Flying Cow

And this is Studio Ghibli's 2001 classic from famed writer-director Hayao Miyazaki. When 10-year-old Chihiro moves with her family to a new neighborhood, a wrong turn sees her trapped in the world of kami, the spirits of Japanese Shinto folklore. Raking in almost $400 million in coin, the film stood as the highest-grossing film in Japan for almost 20 years. Widely regarded as one of the best films ever made, animated or otherwise, it became the first hand-drawn, Japanese anime and non-English-language animated film to win the Academy Award for Best Animated Feature at the 75th Academy Awards. It also received North American distribution from Disney at the urging of Pixar's John Lasseter, who worked on the English dub, raising its profile with audiences stateside and introducing us to Soot Sprites, No-Face, and Haku the Dragon. Now our hosts are here to get Spirited Away!   Someone needs a bath!    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  

Have you ever dreamt of being Spirited Away? If I asked you, would you tell me Your Name? Forever elusive, not unlike a Ninja Scroll. Perhaps you're the Neo-Tokyo to my Akira. And yet, a Ghost in the Shell is worth two in the hand. All in all, keep calm and patient, until The Cat Returns. Every effort is made to keep spoilers to a minimum. (The only exception being older titles) Catch our Fresh Bites Review Show and AMVs on our YouTube channel: The Anime Freshmen Be sure to rate and subscribe to the show & follow on our socials:  How to connect: Website: https://animefreshmen.com/ Email: hello@animefreshmen.com  Instagram: @AnimeFreshmen Facebook: @AnimeFreshmen Twitter: @AnimeFreshmen Keep It Fresh! TAGS: Anime, Otaku, Manga, Anime Podcast, Anime Reviews, Anime Recommendations, Pokemon, Black Clover, Attack On Titan, Dragon Ball, Demon Slayer, Bleach, Fire Force, One Piece, Naruto, Bleach, Hunter x Hunter, Jojo's Bizzare Adventure, Full Metal Alchemist, Chainsaw Man, Vinland Saga, Seven Deadly Sins, Cowboy Bebop, One Punch Man, Haikyuu, My Hero Academia, Tokyo Revengers, Mob Psycho 100, Boruto, Jujutsu Kaisen, That Time I Got Reincarnated As A Slime, Spy x Family, Hell's Paradise, Blue Lock, Cheat Skill

Luke and Cam try to figure out why the 2001 anime Spirited Away is considered such a good movie?

"Don't worry, I've got four-wheel drive."THE VHS VILLAGE 100 continues with SPIRITED AWAY. Maybe the longest uncut in history? Cripes alive two and a half hours. That's an hour-long uncut segment! We also talked about losing an icon in filmmaking, the Nintendo Switch 2, Nosferatu, slime's pick for the month and much more. In the uncut extended version of the episode the cost of AAA video games, religious grifters, the hidden cost of being a Baldwin brother, and reality TV.Chapters:(00:00:00) Introductions + David Lynch(00:08:54) What we watched(00:19:34) Spirited Away(01:18:35) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, and over 50 others. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod,⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.)

In this episode, we explore the power of Studio Ghibli's films to resonate with audiences of all ages, from the magical adventures in Spirited Away to the comforting lessons of failure in Kiki's Delivery Service. We also reflect on the impact of Hayao Miyazaki's recent Ramon Magsaysay Award, where his powerful acknowledgment of Japan's WWII history echoed deeply, and how personal reflections shape our understanding of the world. Hosted on Acast. See acast.com/privacy for more information.

Chase, Aaron, and Richard delve once more into the magical worlds crafted by Studio Ghibli with their review of "Spirited Away." Witches, spirits, and the hallmark delicious-looking Ghibli food are all in store.Contact UsDo you have any questions or comments? Visit thelorehounds.com, where you can use the contact form or the voicemail feature. Or, send us an email to radioactive@thelorehounds.comJoin the conversation on DiscordANDfollow us on Bluesky @Radioactive141For early and ad-free content as well as exclusive episodes, check out our brand new Patreon!Check out the podcasts we are affiliated with:The LorehoundsRings & RitualsSeverance PodcastWool-Shift-DustThe Star Wars Canon Timeline PodcastProperly Howard Movie ReviewsNevermind the MusicAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Margaret Talbot, writing in The New Yorker in 2005, recounted that when animators at Pixar got stuck on a project they'd file into a screening room to watch a film by Hayao Miyazaki. Best known for works like “My Neighbor Totoro,” “Princess Mononoke,” and “Spirited Away,” which received the Academy Award for Best Animated Feature, in 2002, he is considered by some to be the first true auteur of children's entertainment. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the themes that have emerged across Miyazaki's œuvre, from bittersweet depictions of late childhood to meditations on the attractions and dangers of technology. Miyazaki's latest, “The Boy and the Heron,” is a semi-autobiographical story in which a young boy grieving his mother embarks on a quest through a magical realm as the Second World War rages in reality. The Japanese title, “How Do You Live?,” reveals the philosophical underpinnings of what may well be the filmmaker's final work. “Wherever you are—whether it seems to be peaceful, whether things are scary—there's something happening somewhere,” Cunningham says. “And you have to learn this as a child. There's pain somewhere. And you have to learn how to live your life along multiple tracks.”Read, watch, and listen with the critics:“Kiki's Delivery Service” (1989)“My Neighbor Totoro” (1988)“Old Enough!” (1991-present)“Princess Mononoke” (1997)“Spirited Away” (2001)“The Boy and the Heron” (2023)“The Lion, the Witch and the Wardrobe” by C. S. Lewis (1950)“The Moomins series” by Tove Jansson (1945-70)“The Wind Rises” (2013)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.This episode originally aired on December 7, 2023. Learn about your ad choices: dovetail.prx.org/ad-choices

Hey there, and a very happy Thursday! This is your Disney News for Thursday, December 26th, 2024. - Disneyland Tokyo announces a new ride based on Studio Ghibli's Spirited Away, offering an immersive experience in Chihiro's enchanting world. - Epcot International Festival of the Holidays at Walt Disney World runs through December 30th, featuring global holiday traditions, treats, and live performances. - Disneyland Paris introduces a New Year's special dessert: a chocolate éclair with a gold leaf, available at select locations. - Disney+ premieres "Behind the Magic: Imagineering Legends," a documentary series that explores the creative minds behind Disney attractions. Have a magical day and tune in again tomorrow for more updates.

Nobody thought we could do it but we made it through our next 9 random movies! In this episode we look back at what sticks out in our withered memories of the movies we have put ourselves through: Spirited Away, Shaun of the Dead, The Thing, Rollerball, The Color Purple, Big Fish, Along Came a Spider, Con Air, and True Romance. How did we feel about them in retrospect and with hindsight in our rear view mirror? Listen on and find out! Want to contact us? 15krandommoviereviews@gmail.com Follow, rate, and review our podcast on all audio platforms here: https://linktr.ee/15krandommoviereviews Follow us on Tiktok to see our favourite (and least favourite) scenes: https://www.tiktok.com/@15krandommoviereviews We are Colin and Niall, two movie enthusiasts from Ireland who wanted to take a different approach to movie watching and reviewing. So we came up with the idea to randomly choose a movie from Metacritic's all time movie list (which at the time of starting our podcast was over 15,000 movies, hence the title!). We take pleasure in bad movies as well as good! We hope you enjoy our podcast and follow us on your favourite podcast platform (or Youtube). See all our review ratings for all our movies in all our episodes in spreadsheet form! https://docs.google.com/spreadsheets/d/1BLin0MnPslu13i003F9PE9c6CBOCs4RQfWcblt65PhI/edit?usp=sharing Our list of movies reviewed on IMDB: https://www.imdb.com/list/ls526575109/ Our list of movies reviewed on Letterboxd: https://letterboxd.com/15krandommovier/list/15k-random-movie-reviews-1

COME WITH US AS WE TUMBLE DOWN THE RABBIT HOLE, PASS THROUGH THE LOOKING GLASS, ENTER THE WARDROBE, AND RIDE A TORNADO TO OZ!   It's time to cover one of my favorite subgenres: movies where people cross over into another world where they learn a lesson and meet a bunch of walking metaphors. This episode's guest host, Betsy, calls these Portal Fantasies and notes similarities to the popular anime/manga Isekai genre, but I'm afraid that those titles will mess up my search results, so I'm calling them [Blank] in Wonderland Movies.   We're trying to cover some of the rarer examples of the genre – specifically Tsui Hark's Zu: Warriors from the Magic Mountain (1983), Vladimir Grammatikov's Mio, Min Mio (aka: Mio in the Land of Faraway, 1987), Hiroyuki Morita's The Cat Returns (2002), and Gokhan Yorgancigil's On the Count of Zero (Turkish: Sıfır Dediğimde, 2007) – but we can't help but also talk about popular classics, like Alice in Wonderland, The Wizard of Oz, Pan's Labyrinth, Spirited Away, and others.   00:00 – Intro and all the important, great movies we aren't going to cover 12:29 – Zu: Warriors from the Magic Mountain  34:04 – Mio, Min Mio 1:07:22 – The Cat Returns 1:29:23 – On the Count of Zero 1:47:55 – Outro and other recommendations  

Khu vs. TyranitarTube, Thanksgiving recaps, plus Creed & Wicked Reviews. BECOME A MEMBER: https://www.youtube.com/channel/UCC1dr278XrRkoZReO4QoBiA/join SUPPORT US BY BUYING MERCH: https://bellhopproductions-shop.fourthwall.com/ JOIN OUR DISCORD: https://discord.gg/yBaGQKafeY Please leave 5 stars and a review on Apple Podcasts and follow us on Spotify! https://rss.com/podcasts/bnwpod/ Subscribe to Bellhop Productions on YouTube: https://www.youtube.com/channel/UCC1dr278XrRkoZReO4QoBiA @BellhopProductions on IG and TikTok (Our old merch: https://my-store-7405526.creator-spring.com/listing/bellsnwhistles) Love you! TIMECODES 0:00 Intro & Nonsense 1:56 TTar vs. Khu 8:14 Thanksgiving Recaps 20:43 Creed Concert 27:05 Wicked Review 34:08 Spirited Away & Kiki's Delivery Service

All aboard the Cat Bus One! This week, Cameron leads Alec, John, and Rachel through some trivia about Studio Ghibli, the Japanese animation studio that has created movies such as Spirited Away, My Neighbor Totoro, and Ponyo. Because if there's anything we know about Ghibli, it's that it means "family". Don't forget to answer Totoro's audience question in the comments or on Instagram to get a point! Intro/Outro: 5978 by Virt Other background music is a copyright of Studio Ghibli --- Support this podcast: https://podcasters.spotify.com/pod/show/busonetrivia/support

What happens when you mix the whimsical world of Studio Ghibli with the gritty backdrop of post-World War I Europe? Thanks to one of our Patrons, we explore the often-overlooked, "Porco Rosso," in our latest edition of International Feature. Many consider this film a hidden gem that offers a fresh perspective within the beloved Ghibli collection, standing out against more recognized titles like "Spirited Away" and "Howl's Moving Castle."From the breathtaking animation that Studio Ghibli is renowned for to the poignant themes of historical significance, "Porco Rosso" captivates us with its unique narrative style. We unravel the layers of this film, acknowledging both its visual brilliance and its narrative quirks, like unresolved plot points and the peculiar romantic undertones. While some of these elements might prompt mixed feelings, we appreciate the distinctive charm that this film offers, particularly for the biggest fans of the Ghibli universe. Looking ahead, we ponder the future Ghibli adventures on the podcast with titles like "Princess Mononoke" and "Grave of the Fireflies" on our radar. Letterbox'd Synopsis:  In Italy in the 1930s, sky pirates in biplanes terrorize wealthy cruise ships as they sail the Adriatic Sea. The only pilot brave enough to stop the scourge is the mysterious Porco Rosso, a former World War I flying ace who was somehow turned into a pig during the war. As he prepares to battle the pirate crew's American ace, Porco Rosso enlists the help of spunky girl mechanic Fio Piccolo and his longtime friend Madame Gina.

ABSOLUTELY STUNNING!! Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Agatha All Along Full Reaction Watch Along: Become A https://www.patreon.com/thereelrejects Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en Animation Monday becomes Miyazaki Monday as Coy Jandreau & Tara Erickson give their FIRST TIME Reaction, Commentary, Breakdown, & Full Movie Spoiler Review for the beloved Studio Ghibli Adventure Fantasy Written & Directed by the legendary Hiyao Miyazaki (Howl's Moving Castle, My Neighbor Totoro, The Boy and The Heron, Spirited Away). On a journey to find the cure for a Tatarigami's curse, Ashitaka finds himself in the middle of a war between the forest gods and Tatara, a mining colony. In this quest he also meets San, the Mononoke Hime.. The American Voice Cast includes Billy Crudup (Watchmen, Big Fish) as Ashitaka, Claire Danes (Romeo + Juliet, Homeland) as San, Minnie Driver (Gross Pointe Blank, Good Will Hunting) as Lady Eboshi, Billy Bob Thornton (Slingblade, Bad Santa, Fargo) as Jigo, Jada Pinkett Smith (The Matrix Reloaded, Madagascar) as Toki, John DiMaggio (Futurama, Adventure Time) as Gonza, Keith David (The Princess and the Frog, The Thing, They Live) as Okkoto, Gillian Anderson (The X-Files) as Moro, & MORE! Coy & Tara REACT to all the Best Scenes & Most Moving Moments including Departure to the West, The Legend of Ashitaka, Ashitaka & San, Princess Mononoke Main Theme, You're Beautiful, The Enchanted Forest, & Beyond! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 22 - Suzanne Sheldon Suzanne Sheldon can be found on Twitter @425suzanne and on The Dice Tower Podcast Support us on Patreon Find us on Twitter @CultClassicPod Find us on Instagram @CultClassicCallbackLinsae Find us on Facebook @CultClassicCallback Find more episodes at boardsalivepodcast.com/category/cult-classic-callback Theme song "Ghost Run" by Jean-Marc Giffin @JeanOfmArc

Description: I've entered Spooky Season and we're exploring from body horror on this week on Trope Trophies, Don't speak! The Trope: This week's episode is all about “Wipe That Smile Off” – where a character has their mouth removed magical or other means. The Picks: * Yari chose Chip and Dale Recuse Rangers (2022) * Stephanie picked Spirited Away Fandoms Mentioned: ◦ Broad City ◦ Hogwarts Legacy ◦ House of Dragons ◦ Friends ◦ Girlfriends ◦ Living Social It's Time to Vote: Choose which film sealed your vote? Share your pick on social media using #TropeTrophies, and get ready for another exciting episode when we return in two weeks. Follow us on Instagram: Tropetrophies.Pod

Join our panel of talented filmmakers as they take you on a journey through the creation of an animated film, using their latest project "The Arbiters'' as a case study. This session will offer a comprehensive look at the entire process, from initial concept and storyboarding to animation and final production. Learn about the unique challenges and creative solutions involved in bringing an animated film to life, especially on the indie level. Our panelists will share their experiences with script development, character design, voice acting, and the use of innovative animation techniques. Perfect for fans of Hayao Miyazaki, the genius behind "Spirited Away" and "Princess Mononoke," and other iconic anime works like "Akira," "Paprika," "Your Name," and "Suzume," this session will immerse you in the world of animation. Discover how these filmmakers harness the power of creativity and technology to turn their ideas into captivating animated features, and gain valuable insights to help you bring your own visions to life. Panel Moderator: Candice Cruz (@CandiceCruz) Participants: A'storia Hill (@astoriaehill), Sara Stretton (@sarastretton), Phil Svitek (@PhilSvitek), Keoki Trask (@KeokiTrask), John Comerford Panel Length: 50 minutes Photographer: Marisa Serafini (@SerafiniTV) Videographer: John Coleman (@OfficialJohnColeman)  Link to Supplemental Material: https://docs.google.com/document/d/1Oy6Yv8EjyDSciPrtX9TBT8LAakyVpAeIlWdvNh_yT_s/edit?usp=sharing Become A Supporter: If you Venmo @Phil-Svitek with a note (include The Arbiters), we'll give away the same perks as we did for the Seed & Spark crowdfund contributors (original crowdfund link: https://seedandspark.com/fund/the-arbiters#story)  Don't forget to like, share, and subscribe! Yours truly, Phil Svitek Filmmaker, author, podcaster & 360 Creative Coach ⁠http://philsvitek.com⁠

Paul and Erin review the Tim Burton legacyquel BEETLEJUICE BEETLEJUICE, the grossout Cannes sensation THE SUBSTANCE, the issue-driven actioner REBEL RIDGE and Ken Loach's likely final filim THE OLD OAK, as well as the limited TV series SHOGUN and THE PERFECT COUPLE.

In a shocking twist of events, Sokka and Kata land in the spirit world alongside Aang. Peter and Eli once again try to find a way to fix this series. This is episode 66 of Avatar: The First Viewing, the podcast where two first time viewers and a series veteran watch Avatar: The Last Airbender from start to finish. We go episode by episode to recount Aang's story. If you're a fan of ATLA or The Legend of Korra — or are watching for the first time — join us as we recount the series!

This season is coming to a close and we want this episode be a reminder to champion for yourself. We share the most valuable lessons of our 20s and the craziest health-scare stories that will make your BLOOD BOIL. On top of that, we finally address Alisha's peach cobbler and how it almost set Remi's house on fire after a night of smoked meats and Spirited Away. Let's just say we were definitely HIGH on life. Tune in!Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Sponsors:Macys.com code GIFT to shop for your family this season and save today!Download Hinge and find someone worth deleting the app for!Storyworth.com/prettybasic to save $10 on your first purchaseVEGAMOUR.com/PRETTYBASIC code PRETTYBASIC for 20% off your first orderProduced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.