Podcasts about everything everywhere all

We made it — Episode 100! To celebrate this incredible milestone, Karen, Meredith, and Julie turned the microphone around and handed it straight to you — the listeners who have made this podcast what it is. In this joyful, heartfelt Q&A episode, your questions spark rich conversations about how to shift from the thinking mind into the open heart for animal communication, what viral moments like Punch the Monkey reveal about soul contracts and collective awakening, and how to wrap your mind (and heart) around the expansive world of 5D consciousness — with a little help from quantum physics, Everything Everywhere All at Once, and yes, the Keebler elves. We are so deeply grateful for every single one of you who has listened, shared, asked questions, and shown up for this community. One hundred episodes in, and we are just getting started. Thank you for being part of the journey.  Do YOU want to be an animal communicator or learn more about Soul Level Intuitive Coaching®? Check out the new classes and Be Open Community offered by our teacher, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Danielle MacKinnon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. It's a great place to learn Energy Management, trusting yourself and even finding a great, supportive community.   YOUR HOSTS Julie is a Soul Level Animal Communicator®, Heart Animal Soul Professional Communicator, Soul Level Intuitive Coach®, Spirit Animal Sacred Alchemy Practitioner and Certified Trauma-Informed Grief Coach. She writes the column ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠“Trust the Animals”⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Substack and is a teaching assistant for the Danielle MacKinnon School. Find out more about her and her monthly Pet Loss Grief Circles at her website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.juliehirt-intuitive.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Karen is a Soul Level Animal Communicator®, Soul Level Intuitive Coach®, Pangu Shengong (qigong) Instructor and Energy Healer. She is an End-of-life Companion Animal Doula through the UVM certificate program and a teaching assistant for the Danielle MacKinnon School. She is also on the board of NicaLove Animal Rescue and the Founder and a Director of The Animal Communication Collective®. Find out more about her at her website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.karendendysmith.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Meredith is a Soul Level Animal Communicator®, Soul Level Intuitive Coach®, Let Animals Lead® Animal Reiki Practitioner, and certified dog trainer with a focus on behavior modification and positive reinforcement. She is also a Director of The Animal Communication Collective®. Find out more about her at her website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.meredithtollison.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can find all of our episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MindBodySpirit.fm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Reach out to us with questions or comments via the Contact Us form on our website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theanimalcommunicationpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about the fundraising work Karen, Meredith and Julie do with The Animal Communication Collective at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.animalcommunicationcollective.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back! This week the ladies dive into "The Drama", the uncomfortable, anxiety-inducing A24 film starring  Zendaya and Robert Pattinson. What starts as an awkward romantic drama about an engaged couple heading into their wedding week, quickly spirals into something much darker after a “worst thing you've ever done” conversation goes completely off the rails. Emma reveals a disturbing part of her teenage past, and that one confession detonates the relationship, the "friend"group, and the entire wedding weekend. We break down the film's tense atmosphere, uncomfortable chemistry, and the bigger conversations surrounding alienation, radical honesty, identity, and whether people should be permanently defined by their teenage years. We also discuss how the movie intentionally challenges audience expectations by centering a Black woman in a narrative typically associated with a very different demographic, and whether that changes the level of empathy viewers are willing to extend. If you watched this movie and immediately needed to unpack all of that emotional chaos with somebody, this episode is for you. Cheers!

A movie from 2006 looks like it could have come out last year. The cars are the same. The computers are the same. The fashion, the cinematography, the music -- all of it effectively unchanged. Chris and Daniel use The Devil Wears Prada as a lens to ask a question that goes well beyond film: has Western pop culture simply... stopped moving? The conversation covers the film's craft -- Meryl Streep's uncommonly restrained performance, why the movie works better than it has any right to, and why Daniel reads Miranda Priestly not as a villain but as a Whiplash-style manifestation of what the main character actually wants. But the real thesis is bigger: the iPhone, social media, the collapse of risk-taking across studios and streaming, and why neither audiences nor executives are really to blame -- the incentive structure is. Chris and Daniel also get into the sin-eater problem, why indie film has lost its live-wire energy, and what it actually takes to stop doom-scrolling and just make the thing. Links and References What The Devil Wears Prada and Your iPhone Have in Common: Nothing Has Changed in Twenty Years > The Devil Wears Prada (2006, dir. David Frankel) The Devil Wears Prada 2 (2026, dir. David Frankel) Justin Denton, The Curse of the Sin Eater Five Easy Pieces (1970) The Last Detail (1973) Whiplash (2014) Everything Everywhere All at Once (2022) Swiss Army Man (2016) Sinners (2025) Suits (TV series) The Office (TV series) Frasier (TV series) The Big Picture podcast > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)  

Big things are on the horizon for Betsy! A book deal, a beach move, a birthday. Tune in to this Q & A to get to know the woman behind The Art of Living Big and The Navigate Method. With lots of laughs and a few tears, this one is a great one to watch or listen to. Check out the video version on YouTube. Transcript:  Welcome to The Art of Living Big, where we explore how to live intentionally and with more joy. I’m Betsy Pake, your host, master, coach, and creator of the Navigate Method. Here to help you listen in to your true desires, elevate your standards, and live life to the fullest. Now, let’s go live big  All right, I’m excited. I’m excited to do this. I’m excited, and Feels very official. actually am, um, nervous, which is weird, ’cause I d- I mean, I’ve had this podcast for how long? Like 10 years. But I’m nervous, because I feel like we’re not… Yeah, we’re not just ask- can’t believe I’m not nervous, but I’m just excited for it. All right, I’m excited too. Okay, so let’s tell everybody who you are that’s listening. So I’m, I’m Joy, and I am Betsy’s ops person, um, her virtual assistant, go-to person hopefully. And, uh, I Yeah. job. It’s been an honor and a privilege to work for someone so innovative and caring and, , I , I can’t say enough good things about Navigate. I’m an No. member myself. I am Yeah. be working for you now years later after I completed the program. But, , I love my job. Yeah. Oh, that makes me happy. And now you can add podcast host Yeah, a resume. I don’t know about that. We’ll see. So this episode is gonna be a little different than typical. My birthday’s next week, which I wanna say, like, I don’t care, whatever, but I do. I think I do kinda care. I think I’ve always tried to not care, but I think it’s kind of fun that my birthday’s next week. , I’ll be 55, and my birthday is on 5/15, and I feel like the numbers are all, like… I feel like it’s kinda magical, and I don’t know why. I’m not, , a numerology buff or anything , but , it just feels like 55 and then this. So I’m excited to kinda do this. And so I thought what we would do is, , we asked on Instagram just for, , questions of what people had. ready. Yeah, and you’ve got them ready. Okay, and then you had some other ones of your s- your own that I don’t necessarily know all of them, , so yeah. So we’ll… we can just dive in and see where the conversation takes us. I know. I’m excited. Okay. So also I wanna say about 5:15, that’s a special number for you, isn’t it? Yeah, well, uh, uh, I think because it’s my birthday, I always am looking for 5:15. Like, I’m always… I think it’s, like, a message from my mom. I do too, because we post your podcast at 5:15. Yeah. Yes, that’s right, yeah. We post it at 5:15 a- on Thursday mornings. Yeah, yeah. That’s, I like it, and I feel like it feels balanced and also, , I know this is a weird thing, but like 5-1-5, it feels balanced, and it feels like the one is, uh… It’s not a hyphen, but a what would go this way? Do you know what I mean? Up and down. So it feels like 5-5, which feels like a mirroring and- Like, , it’s not infinity, it’s not an eight, but it feels like that to me. Like, kind of chaotic, but also measured, you know? So anyway, I love the 515, yeah. Yeah, I, I like numbers too, but I’m a, I’m an even number person. Yeah. pump gas without ending on an even number. It’s so weird. Oh, really? Yeah. I know it’s weird. I love that. It is weird. So But thanks. love that ’cause it’s weird. Are you ready for your first question? Okay. Yeah, I think so. Okay. ., So this is a question that kind of encompasses everything that you do, so it’s a good starting point, I feel like. Okay. you help women decide whether to stay or leave, and you left. , So looking back, was there a single moment that you knew, or was it a slow build that you only saw clearer in the rearview mirror? Oh, okay. That’s a really good question. I’m so scared right now. Okay. So here’s what I think to answer this question. I wanna, like, zoom way, way out, and I’m gonna start with, like I’m gonna s- I’m gonna start, like, when I’m a kid, and you’re gonna be like, “Oh my God. Is she gonna tell her whole life story?” But for those of you that are listening that are fairly new, so I believe that we are always doing things, our actions are coming from a place of trying to keep us safe. Like, emotionally safe or physically safe, right? And so even if we’re doing things sometimes that is clear that that’s not helpful, it’s because our brains think that it’s keeping us safe, and part of the reason it thinks it’s keeping us safe is ’cause we’re alive, and it’s our, our unconscious mind’s prime directive is to keep us alive. So whatever we’re doing is hypothetically working ’cause you’re alive, okay? So when I was in high school, my mom died in a car accident, and pretty soon after that my dad got remarried. Now, he was married to my mom and, , f- by all accounts was happy enough, you know? And then he started dating somebody, I would say within, , eight or nine months of my mom dying, and then they got married very quickly. It wasn’t, , the best relationship. They’re all still alive, so I wanna be careful of how I speak about it. But it wasn’t… I, I, I was se- 17 by the time they got married, and it wasn’t a safe relationship for me, and so I think I did a lot of accommodating to- Feel safe. So I would get in trouble for a lot of things, and I had never been a kid that ever got in trouble. Do you know what I mean? , My, my mother was always so, so kind and , respectful of my sister and I. So that whole relationship, I think, really changed the dynamic of how I experienced relationships. And I think I was pretty, like when we think about attachment theory, like I think I was securely attached and then became anxious after my mom died in that whole experience. Okay. So now, when the question is, like, when you got d- divorced, was it all at once or was it a, a, you know, slow burn? I wanna say… I- I’m gonna tell you my journey of … Joy’s like, “This is a longer answer than I expected.” But the, , the jour- the journey of, of… Let me tell you why I am so chic. Because I have been married several times. And so to answer that question I’m like, “Well, which time?” Okay. When I was in college, I got married right after college, and, I got divorced very quickly. … We didn’t have kids. Like, there was no… And so I know that that was a marriage. We had a wedding. It… But in my brain it doesn’t feel like one. It feels like such a blip, and I was so young, and honestly, I was coming right off the heels of my mom dying, like five years before or something. Do you know what I mean? , It all feels very blurry. And so then years later I met my son’s dad, and that was my second marriage, but felt like my first. It operated like my first. And more importantly, my third marriage operated like my second. I sound very chic, Joy. I’m very chic. Um, so my first marriage, I think I, I, I… What I have found in my relationships in general, marriages or otherwise, is that I have chosen people that I could try and heal that relationship with my dad. Like, I’m gonna tell you something’s wrong, and you’re gonna ignore me and tell me I’m misreading it, which is what happened when I was young. And so I would find people unconsciously that I could play that out because that felt safe, because that was so familiar, right? And so I, I think that I did that with my first marriage, and I was not mature enough to recognize that there was something going on within me. And then I got divorced when my son, m- and I have a trans son, so when my son was four. And then again, you know, replayed stuff. Had some terrible relationships in between all of that. And then married my last, my last and final. I will never get the government involved ever again. So my, my most recent marriage, and that was a marriage that lasted… We were married for 12 years. We were together, like, 15 years. And I think I was playing the same exact thing out, but the difference this time, and what I teach inside the Navigate method, is that we can trust ourselves, right? That we can find the, our side of the street and heal our side of the street. That we can use the relationship as a mirror to figure ourselves out so much deep, much deeper. And so I think I knew almost immediately that my marriage wasn’t good, and for a lot of circumstances, I stayed for a long time. I think I didn’t wanna fail again. I think my , r- you know, relationship with my, then my daughter at that time was complicated, ’cause she was getting sick as a teenager, and there was just a lot of things going on where, , it didn’t… I couldn’t leave. And I say I couldn’t. I had options, but, , I, I didn’t feel like I could leave, and I didn’t want to. I wanted desperately for it to be good. And what I realize now is that going through that whole process and actually using it to heal myself, and now I would say I’m absolutely securely attached, earned secure, because I earned it back. But that relationship, although, , one of the most heinous in my life I think, I’m the most grateful for it. It changed me in such profound ways because I did the work, because I looked at it, because I paid attention and didn’t say, “I’m gonna let…”, I was like, “I’m not letting…” This is, it, to me, and I’m gonna say this too as we continue this conversation, in my relationships, any of them, I’m not the only one in them. And so, you know, if you brought my former husband, any of select one, any of the many former husbands, like they may have a totally different story, and it doesn’t mean they’re wrong. It just means that’s our versions, and there’s a truth in there somewhere in the middle, right? But to me, I’m like, that relationship was so profoundly, , harmful to me that it forced me into change, and for that I am incredibly, incredibly grateful. So to answer the question, it didn’t happen all at once, but the clarity of, oh, I’m healed enough to do this on my own, I get it, sort of unraveled within, , I would say, like, the last six or eight months. If that makes sense. That is a very answer to that question. sense. and you needed the backstory to, to complete that, Yeah. Yeah. that. Yeah, yeah. Okay, Okay. question. Okay. It’s okay, it’s okay. Okay. What’s something that you believed about your own marriage right up until the end that turned out not to be true? Oh, question. God, that’s a good question. Is that one of yours, or is that one that we got in? That’s one that was the myth. What is some… Say it again, something that’s true What is was true. about your own marriage right up until the end that turned out not to be true? That’s… That there was something I could have done to save it. I don’t think there was anything I could have done. I think lots of times we try and make sense of things, and we’re like, “If I could have done this better,” or, “Maybe if I had just learned how to cook dinner better,” or I had… Do you know what I mean? Like, we think of all the things, and now I recognize that what was happening, just like for him, none of what I was doing had to do with him. It was, had to do with this old story. The same thing for him. What he was doing and how he was responding and how he was interacting with me had nothing to do with me, and there was nothing I could have done, and I think that actually brings me a lot of peace. But it, uh, it took me a,, a long while, even after we were divorced, for me to get to that. Yeah. good answer. I think, I think that’s probably a common answer because as women, I think we feel like we maybe could try this, maybe we could try this, Yeah. and, and maybe there’s nothing else and I, yeah, and I think, not to interrupt you, I’m sorry. , That’s why we go to couples counseling, and I don’t have anything against couples counseling. But I think that what happens is we go, and then we talk about problems that have happened, and you’re talking about the problem, but the problem actually isn’t the issue. It’s the reasons that you got to the problem. So if everybody would just go their own way and figure out their own crap, you, y- you wouldn’t have to, like, rehash a situation for two months, you know? Like, I, I could have rehashed so many different situations, and we never, ever, ever… It’s clear we never could have come to a conclusion ’cause it was our own crap we were bringing in. I, I was responding to stuff because of me and who I was, and he was responding s- to stuff because of him. Yes, absolutely. Yeah. Okay. Okay. Okay. It’s okay. It’s okay, Bessie. you’re great. You’re doing really good. I know. I don’t know. Okay, people assume the woman who teaches this work has it all figured out. Mm-hmm. ending are you still making sense of? Oh, I think one of the biggest things, and I think if people follow me for a long time, I think they understand that I often will even say, people, like, “I’m on this path with you. I don’t think we ever have it all figured out.” And I think one of the biggest mistakes I could ever make as a leader or as a coach would be to make people feel like I had it all figured out. ‘Cause I never want anybody to, um, need me forever. Like I always say to my clients, “I want you to want me forever, but I don’t want you to need me. I want you to have your own tools and your own ways of thinking so I, I’ll never have it all figured out, and I think there’s always things to uncover. One of the things that I think I do really well is I will sit and think about stuff, and I won’t… Or I, I say I won’t. It’s not that I never, but I try. I do, not avoid hard thoughts. I make room for hard thoughts. And so as I come up against things I haven’t had, don’t have figured out, there’s always new things to uncover and I will figure them out. If that makes sense. So I know I’m not necessarily answering the question, but it’s just, like I don’t have the, to let, make a list of all the things I don’t have figured out. It’s everything. You know? Like there’s so much, ’cause I am not one that, that pushes the idea that I do. I think that’s– I mean, because we’re always evolving and, and changing and figuring stuff out as we Yeah. And you question, but… yeah, and you know sometimes when I get really overwhelmed, uh, with work, and then I’ll say like, “I’m just gonna go sit,” and you’re always like, you’re good at “What the…” Yeah, and you’re like, “What the hell? What the heck?” I’m like, “I’m just gonna go sit and just be quiet for 15 minutes and see what happens.” normal.” Yeah. “Let me do 800 things that Yeah, you always tell me. Yeah, I love it. Okay, so this is about your birthday. Oh, okay. um, okay. So you’re about to turn 55. Mm-hmm. that you thought you would have figured out by now that you haven’t, have you made peace with that? I think I thought I would- grow up and have, like, a family and, like, the father of the bride house and the white picket fence and a husband that adored me. I’ve never ever, ever, I’ve never ever had anybody in my life that adored me. I think I thought I would, have, uh probably more kids than just one. I think, you know what I mean? I think there was, I, I think there’s so much of my life that isn’t what I thought it was gonna be and I think it’s because what I thought it was gonna be was created before my mom died and when she died it, like, scrambled eggs, you know what I mean? And, and I really like where I ended up right now, you know? So I think it’s not… Martin adores you. Dean Martin does adore me but only See? wants to. He’s ve- he’s al- he’s taught me more about consent. Like, consent is, is a, a subject that comes up sometimes in the Navigate group, right? Like with your husband, like, you know, if he wants sex and I don’t want sex and how, can I say no and all of those things. I swear to God I learned more about consent from my freaking cat. Like, it makes sense. , You have to ask permission to grab at somebody. So yeah. Okay. Um, let’s see. Oh, I love this question. I love this question. , What is a pattern that you see in almost every woman who comes to you that she swears does not apply to her? . I know what it is and I’m just trying to formulate it. Um, I think, well, I think first of all every woman thinks that their husband’s behavior is their fault. Like if they could do something different then things could be different and I think that they take a lot of ownership of his behavior instead of letting him own it and that becomes really heavy. And you think that Yeah, I think- that at the time? Yeah. Yeah. I think they don’t realize it and then I think as we move through the program then they start to recognize it but I don’t think it’s just like if you’re listening and you’re like, “Oh yeah,” I think that’s not a thing you can just hear and go, “Oh okay.” I think you have to, like, internalize it and I think going through the program helps you, like, viscerally understand that and I think that’s like the shift, a big shift that happens for people Mm-hmm. Because, yeah, maintaining somebody else’s life is impossible. Okay, this is another question that pertains to the work you do in Navigate. , So you’ve been clear that you don’t push women towards staying or leaving Mm-hmm. the Navigate program. Um, has that ever cost you a client that you’d wish you’d been more direct with? Like where I wish they had left or I wish they had stayed? I know, I know personally, I can tell you that as a, a former Navigate person, hearing some of the stories, sometimes, you know, part of you, the girlfriend side of you wants to be like, you gotta get out of there.” Yeah. you, you’re very good about not, , Yeah. that on anyone and letting them arrive at those decisions themselves. So I guess, that is the question. — Has it ever cost you a client that you’ve y- you would– were more direct with? yeah. I, I’m gonna say no, and the reason that I’m gonna say no is because it’s not that I think, “Oh, they should leave,” but I left, and then I went back, and then I had to leave again a couple years later, which we can talk about that. But, like, that process was so important for me that I need people to have their own process because that’s the only way we trust ourselves. And part of this program is, is getting women to a place where they know themselves so deeply, and if I’m putting any pressure on any of that, then that whole foundation crumbles. Mm-hmm. is there part of me that’s like, “Give me his phone number”? Yeah, and sometimes I’ll say that. Do you know what I mean? Like, ’cause there is the girlfriend side of you that’s like, “Girl. Oh my God.” But, but also, , the overarching goal and purpose, and I… , and again, I’m gonna go back to, like, when I said I was so grateful for my former husband this last relationship because I feel like this is my purpose. This is why I’m here on this planet, and I never, ever, ever could have got here if I hadn’t had that relationship. Oh my God, I’m so grateful for that relationship. But that’s how come I know not to push anybody anywhere. Mm-hmm. Yeah. good answer. this is kind of a piggyback question,, what is a piece of your own advice that you’ve struggled to take? A piece of my own advice I struggle to take I, I’m gonna say this.  I don’t typically give advice unless I’ve lived it. I think that one of the things that anyone that’s worked with me would say is that I will say, I’ll even say, like, “Hey, I’m open to being wrong. You decide what feels right to you.” And even in my personal relationships, I’ll say, “I’m open to being wrong,” ’cause I’m open to learning. I’m really open to learning and seeing things in a different way. I love when I can see things in a different way., I think in my… If I were to say, is there something that, advice I should take, it’s just that I can’t control everything. Like, I, uh,, you know, we all have that desire to want to have some sense of control of the world and the universe, and you just can’t. You can’t make people do what you wanna, want them to do. You can only invite. You know, the you can’t lead a horse to water. It’s the same with me, I guess.  Like, I can know the things, and there’s gonna be days where I’m, I bypass myself just because I’m human. Mm-hmm. Yeah. Good. Okay, let’s see. Hmm. Okay. You live alone. What does a hard night actually look like for you, and what do you do? A hard night. So, Is there any hard nights alone? yeah, I mean, I think, yeah, I know, right? There’s been some debate on Instagram on any of my posts where I say I’m not lonely. I don’t get lonely. I get bored. I don’t get lonely. And so now I’m gonna say something, and I’m open to being wrong if this w- people were to label this as lonely. But one of the things that I found is that I had limited friendships when I was married, and those friendships- Sort of disintegrated, and I had to create all new friendships. And I think I had hard nights in the beginning in that that was really confusing to me. Nothing happened. I, I still w- I wouldn’t be shocked if somebody reached out to me and said, “Oh my God, I haven’t talked to you in so long. You wanna go get a coffee?” ‘Cause nothing happened, but there was just a shift, and I think there was an energetic shift to me, and that felt confusing because I… Nothing had happened. So, so there were nights, especially in the beginning, I think, where it was more like confusing of like, “How do I make friends? Like, what did I do? Why w- at this, , vulnerable moment did the people that were in my life disappear?” And I think there’s, again, it had nothing to do with me. And so, um, I think the hard nights were just that like, “How do I rebuild my life?” And kind of figuring that out. That makes And then the… And there’s ice cream for nights like that. But I think most of the time, like, I have pretty good nights. , I have my routines, you know? I, I work, and then I make dinner, and then I sit on the couch, and I like to watch YouTube videos. I, I have YouTube, like the subscription, so I don’t have commercials. And I love going down the rabbit hole of documentaries, and I watch all a bunch of stuff about the Gilded Age, and I’m into, like, uh, uh, you know, how they run stuff. Like, I watched this documentary the other day on how they run the Atlanta airport. It’s so fascinating. How they run cruise ships., So I, I’m into stuff, and I’m interested and curious. And then when I get tired, I get in bed, and you know, people have heard me talk about my evening routine with the bed. But like, I get in my BedJet heated up bed and crick it away while I read or watch TV. , .. and I have a lot of friends that I message with. , We use Voxer, and you and I use Voxer. But , we message about stuff all the time. Like, you’re having a glass of wine and you’re like say- You know, like, there’s a lot of interaction that I have with people now that’s friends that live all over., It does take up time and, and space in a good way.. And that is the part that’s like I’m never really lonely, ’cause I have all these structures around me that if I w- want somebody, I could just reach out. But I think in the beginning it was that, like, reorienting and how do I recreate my life. Mm-hmm. Well, I think every woman too that, , is watching will, feel like, you know, when they’re alone or their husband’s out of town, it’s almost like a Yeah, really. Yeah. cool. Yeah, yeah. I got a message from a friend the other day, um, and she reached out to me a couple months ago, and I hadn’t heard from her, like, in years. And I was talking to her, she lives in New York, and I was talking to her a lot on Voxer when we met, and,, she’s a business owner, too, and you know what I mean, we commiserated on all that stuff. Uh, and it was when I was living with my husband. We were married at the time. And anyway, the other day we were messaging and she said, “You know, Betsy, you need to go back and listen to your voice in the messages that you would leave me back in like 2023, 2024,” early 2024. She’s like, “You sound like a completely different person, like it doesn’t even sound like you.” And I was like, “Really? That’s so weird.” And she was like, “Yeah, like you’re… The joy, you’re way more excited, like you sound alive.” And she kept saying, “Go back and listen. Go back and listen.” So I scrolled back and I saw, like the last time we had messaged, like 2023, I think it was, October, and I couldn’t listen. I just was like, “I don’t wanna revisit her.” Like I, I looked at the message for a long time. I could see it, you know? And I just couldn’t hit play. I was like, “I’m just gonna let her rest,” you know? Yeah. It was interesting. Yeah, that’s interesting and, and profound really. It’s Yeah, yeah. like you’ve moved on from that person all the way. Yeah, yeah. And I just didn’t wanna like… It felt like digging up a grave, you know? It felt like, like a, I don’t know, like a betrayal. Like just let her be. So yeah, it was kinda interesting. Okay, this, this one may be a long answer, so Oh. ready? Need opposed to the other ones where I feel like I’ve talked. Okay. Okay. Okay, so, um- Tell us the moment that you realized it was time to leave in your marriage, your Yeah. Um, I think that in my marriage, I was very depleted, and I think I tried really hard. When I look back, and I don’t recognize this as much now, but I remember at the time, and even maybe like a year after I lived in my own apartment, if someone said, “Describe your marriage, give me one word-” It would have been frustrating and, like, frustrating. Like, it was very frustrating. It probably was for him, too. So again, I’m just gonna reiterate that this isn’t anything… This isn’t about him. This is about me. It was very frustrating, and I think that I had a moment when I… I’m gonna say something very strange, I think., I hired somebody to hypnotize me because some of the feedback that I would get online felt really crushing in a weird way, and people would comment on my clothes or my big glasses or whatever, but it felt very deeply injured me. And I was like, “What is that?” Now, if I had been in, , an incredible relationship where I felt, , supported and loved, like, maybe it wouldn’t have, but it did. And it got to the point where I remember one day I was laying on the floor in my home office, and I was like, “I don’t know if I can keep doing this.” Now, I started the Navigate method when I was still married, so that’s something we can talk about. But I, I was laying on the floor, and I was like, “I don’t know if I can do this anymore.” Like, this feels like such important work to me, but I… And was given to me, which we can talk about that. And so, “But I don’t know if I can do it.” And so a friend of mine was like, “You need to hire this guy, Joseph Cloth.” He and I were in a coaching group together, and she was like, “You should hire Joseph.” And I was like, “Oh yeah, I should.” So I reached out. It, it wasn’t cheap. I mean, it was thousands and thousands and thousands and thousands of dollars to be hypnotized so that I could get rid of feeling awful when people commented. But we had to get to, like, the root cause, and the root cause was I am bad. Now, if somebody said to me, like, “What do you think is the root cause of your…” I would never, ever, ever had said I am bad. So he had me do this whole exercise. It took me, like, two weeks of, like, crying all night. Like, like I really sat with it. Like, what is this? And I… And, and I think because I’m a coach, I could get to, like, this deep, deep, deep root. And go back to the first story I told you. When, after my mom died and my dad started dating somebody, and when they got married, I would tell him, “This isn’t… This doesn’t feel right. Like, the things that are being said to me feel terrible. I… This isn’t good.” And he would say, “You’re misunderstanding. It- you’re wrong.” You’re misinterpreting that and, you know, stop trying to mess up my life. And I think I internalized that to, like, don’t trust yourself. You can’t rely on your own feelings. They’re not right. And, you know, uh, y- y- you’re bad. And so w- he hypnotized me, and I came out of that hypnosis with clarity, like, “Oh, I’m not bad.” And I… That means that I deserve good things and good people around me that love me. And, uh, and I, and, and it shifted. I n- I, I don’t g- give a rat’s ass about what anybody says online in the weirdest way. In fact, I love it. I’m like, “Well, that making you feel something, and that’s good.” You know? Um, but I think that was a big part in my shift of, like, what is it that I deserve? And that’s something that we work on in the Navigate method. Like, what is it that I deserve? Is it true that this is what I deserve? You know? And, and I’m gonna keep saying this just because I feel like it’s so important, my former husband deserved different than he had with me. It wasn’t the right match. Do y- do you know what I mean? And so, um, when I got that, I think that was a huge piece of my clarity. But again, it’s layers. You know what I mean? Like, you gotta, like, do the work and look at the stuff and, like, unpack it all. That’s good. Yeah. I have not yet been hypnotized. That’s why I wore my non-black glasses today because can’t handle the negativity. I think it’s funny. And then it’s funny ’cause people will be like, “I hate your glasses. I love your glasses.” And then sometimes they’re like, “Why do you dress in such big clothes?” That’s a big one I get. “Why are you dressed in such baggy clothes? You’re so little. Why are you in such big clothes?” I’m like, “‘Cause I don’t want you looking at my body.” how people feel like they can say whatever they wanna say. It’s so terrible. Like, It’s funny ’cause they, I don’t think they’d say it in real life, you know? But- they probably don’t. It’s all Yeah a screen and on a keyboard. Keyboard it, it makes it way more obvious if somebody loves my glasses and says, “Where’d you get those?” And somebody hates them, then it’s not the glasses. It’s the person that’s viewing the glasses. so true. Yes. So I just go, “Oh, whatever. I ain’t bad.” I actually was like, “Let me do these today,” because Yeah. no one will say, “Why sh- why are they both wearing black glasses?” Wait. Hey, I know. Freaking damn big g- black glasses, yeah. That one’s funny okay. Um, okay, so… Oh, okay, so you’ve… This is kind of an all-encompassing. So you’ve built a business, a podcast, a method, a book deal. Yeah. is the thing that you’re quietly most proud of that no one knows about? Um, so I will say, let’s see. And the book, let’s just comment on the book ’cause someone will be like, “She has a book?” Years ago, years and years ago, I wrote a book, but this isn’t the book that we’re talking about now. So we’re in the process of writing a book. I have an agent, and we’re writing a book., And we’ll know more about that around Christmastime, but it’ll be out next year. , So what is the thing that I’m most proud of that nobody knows about? Mm-hmm. I think my ability to be open to new ideas. I got divorced from my second husband, ’cause I’m very chic. Just a reminder, I’m very chic and I’m not afraid of change. , But I got divorced, you know, from my son’s dad, and we remained really good friends. And years and years later, I asked Oliver, I said, “Have you ever heard me say anything bad about Dad?” And he said, “No. Why would you?” And that made me so proud, because he was like, “Why would you say anything bad?” ‘Cause he had never, ever heard me say anything bad. And you know what? I love his dad. I love his dad. His dad is part of him, and I’m really proud of the relationship that we have. Is it perfect? No. Do I wish parts of it were different, especially over the past few years? Yeah, absolutely. But we have really been good partners and good co-parents in the best way that we could, and I think that’s because, uh, of him as well as because I am open and not afraid of being wrong. And when I say wrong, like, I’m not afraid of, of being like, “Okay, maybe that wasn’t right. Maybe I didn’t handle that right. Maybe I c- … I’m open to hearing other people’s experience of me and taking that into account and apologizing where I need to.” So I’ve always been really proud of that. When Oliver was little, we did holidays together with his wife, and then I’ve I mean, his kids have been to my house. Like, we’ve maintained a, a f- really friendly relationship, which I’m always been really grateful for. That’s awesome. Yeah. It’s awesome for Oliver. Yes. uh, something that’s just, uh, you Yeah stress away from the child of any Yeah. whether married or, or, you know, going through a divorce or a separation, just to take that away, that stress away from the, child in that Yeah. is awesome, so… we still have every Friday, every Friday at 3:00 we have a family meeting. Now Oliver is 24, but he’s got some challenges. And so every Friday we meet and talk with him, see how his week has been, where he struggled, where we can support him. And so, you know, that’s always been like a team effort. So I think that that’s like just an important piece of my whole journey, you know? Awesome. Okay, let’s see where we’re at. , Oh, this is probably my favorite question. It’s one of the– my favorite. So I have a,, I have a question that has nothing to do with Navigate Okay. Okay. Okay. that you wish someone would ask that they never ask? , What is something I could go… I should’ve… I, you mentioned this, this question to me earlier and I thought, “Oh, how would I answer that?” And I still don’t know. I wish they would ask that they never ask. it and come back to it? Well, you know, one thing I’ll say is I think, and this goes back to one of the earlier questions, is that I think lots of times people think, and I’m not gonna be answering the question exactly, but a roundabout way. I think lots of times people think, “Well, Betsy’s fine,” because I present as fine. And I think just I’m a human like anybody else, and I think there have been challenges. I know when I moved into my apartment, I had a lot of challenges in my nervous system when I moved and lived alone, not because I didn’t like being alone, but because I was so used to scanning to manage other people’s emotions, that the lack of knowing if I was, I’m gonna use air quotes, “in trouble”. But again, remember like I had this thing from when I was young, it had nothing to do with my husband. So, uh, is that I, I, I didn’t know if I was in trouble ’cause I wasn’t around anybody. And so I… So I think the thing that I wish, not necessarily people would ask me, but I think that people could recognize, was that everything that I share is truly because I have done the work. Like, I have walked through it. Like, I have thought about it deeply, and I think that if, you know, if somebody were to ask me something, I think it would just be like something totally different from anything that we talk about. Do you know what I mean? , Like what do you, why do you love the ocean so much? I, I’m gonna cry. Like, why do you love the ocean so much? Like, I think … Well, that’s weird. That’s gonna make me cry, Joy. We’ll, we’ll cut that out. Um think you should cut it out. By the way, I’m I mean, your audience already knows you’re looking to move to the Yeah. proud of you for making that decision and doing that. It’s so brave of you. And, Yeah. um, you clearly, you clearly love it so much that it’s emotional for you. So I’m Yeah. for you to do that. And I think that, like, for a long time the ocean was, like … When I thought about the beach, and if people have listened to the podcast forever,, That– I, I don’t think I’ve ever seen you tear up, so I, I think Yeah. something you shouldn’t cut out because it’s real Yeah. Yeah. I, I’m so happy for you because, um, like you said the other day, you know, we were talking with, um, a group of women that, that were s- that was saying like, “Uh, just wish I could get on the other side of this. Like, I wish I could take out all of the middle ground, the hard stuff.” Yeah. you said something so profound, which was, you know, that’s going to be the stuff that makes you that next person. That– Going through that is going to yield, you know, the, the person that you’re growing to be. So sometimes you just have to go through those hard things first. It’s like getting forged, you know? It’s like pottery, is like you mold it and then you stick it in the fire, and it’s the fire that makes it so beautiful. And so yeah, I think that trying to cut out the middle or t- not trying to go through the hard stuff, I think, like you don’t have to know what it’s gonna be like to get… Like, how long is it gonna be? How bad is it gonna be? You don’t have to know. All you have to know is today. All you have to know is, like, this moment. Can I handle this moment? Okay, I’m good. I’m good. What about this moment? Okay, I’m good. Like, I think we get so far ahead of ourselves, but it’s such important work to, like, move through. And, you know, I could go into the whole woo-woo, which I love to do, , i- which is like y- you know, you were meant to come here and go through this. You were meant to, like, have this experience. And, you know, I have a belief that… And other people can believe differently, but I think,, if I hadn’t gone through this, like, thing where I, I believe leaving my former husband this last time, becoming the person that I needed to become, and then leaving, was my life’s journey. I know that sounds so weird, but, like, that was a huge part of my life’s journey, and I think, I think, I would have come back in some other reincarnation and had to do it again. And now I get to, like, graduate from it ’cause I freaking went through it, you know? And I was… And we always say in the program, with bravery and integrity. Like, how do we move forward things with bravery and integrity? And I feel like I was able to do that. Did I do everything perfect? No, but I tried really hard to be in integrity with, with… And clear, you know, in, in what I wanted. Yeah. this question. What’s Okay. favorite movie? Okay, so my favorite movie ever, when you first w- asked me this question, like when you mentioned it yesterday, I think, um, I al- I loved Elizabethtown years ago. I have ADHD. it. Yeah, it’s really good. But, but I have, like, ADHD, so, like, I don’t remem- if you told me to tell you what Elizabethtown was about, I wouldn’t be able to tell you. I, I’ll leave a m- a movie and I’ll be like, “That was so good.” And then outside the theater someone could be like, “Tell me about it,” and I’ll be like, “I don’t know, but I was entertained.” You know? So, uh, so but I will say my favorite movie ever, and I could tell you all about it, is Everything Everywhere All at Once. And when I… I’ve seen this movie like three different times. Every time I’ve seen it I wanted so badly to talk to somebody about it, like, in depth. Like, everybody in my life, I was like, “You know, you need to see that movie. Can we talk about it?” But it is a movie about the, like, the unis- universe, like collective consciousness, basically. And you get to see every piece of your life all at once as if you had made every decision differently than you did, and you, in the end, still recognize that this life matters, that this, where you ended up, was exactly right. Even with all the other metaverses in the world that could’ve happened, where you are is exactly right. And there’s also a greater story about a mother and a daughter, and it’s about her having, the mother having to see the daughter in every other universe to see all the sides of her before she could really love her in this one. And I just think it’s so profound. It’s such a good, it’s such a good movie. And, like, it’s the kind of movie you watch it once and you’re like, “What the fuck just happened to me?” And then you gotta watch it again and, like, every time I’m on a airplane I’m like, “Oh, let me see if they have it on there.” It’s so good. You know what else was a really good movie? And I’ve watched it twice, and the second time it didn’t hit the same time as the first time. But it was called, um, Nine Days, I think it was called. And it was about these souls that are auditioning to get to have a life, and they want it so bad. Oh. Oh, wow. and it’s, it makes you go, “Oh my God, I’m so lucky to be here.” Like, I’m, this is so fucking cool that I get to be here. And hard stuff. They want hard stuff. Like, they don’t just want fun, great stuff. Like, they want the hard stuff, too. Like, it is the range of emotion that is, like, the biggest gift that we have, and I think we- Try and stay so far away from anything that feels, like, uncomfortable or bad, but it’s part of the gift, ’cause when you do that, then, m- you know, like I cry thinking about going to the beach. Like, I can’t even say it because I g- had the fucking bad, and now I get to have the good, and I can’t even stand it, I’m so excited. It’s happy tears. But I think we move away from hard, and, and I see this in the program too, and I get it. Of like, I don’t wanna go through this, it’s gonna be hard. And I say like, “Let it be. What’s gonna happen on the other end?” Like, what if it ends up great? Like, I have this sign in my bathroom, and it’s in my bathroom only because, um, I see it every day, but sometimes on the internet people are like, “Why is that in your bathroom?” But it says, um, what if it’s great? What if it’s great? Like, we are really good at catastrophizing, being like, “This is terrible. My kids are gonna suffer.” Like, well, what if it’s great? What if your kids get to see you do something totally different? What if they get to see a whole new side of you? What if they get to experience you in real love or their dad having real lo- like, what if it’s great? I just, I, like, let’s spend as much time there, you know? Yep. 100%. Yeah. Yeah. So I just realized by your movies that I, um, may need to try some different movies out, ’cause I was thinking about Steel Magnolias, Parenthood, and yeah. Yeah, totally. You need to watch Everything Everywhere All at Once. Yeah. think, well, I’ve r- Is that a book? ‘Cause I think I might have read the book. Oh, I know. yeah. But it’s a movie, like Jamie Lee Curtis is in it, and it’s really good. Yeah, watch that for I sure. Yeah. Okay. Well, we’re, we’re getting to the bottom of these questions. You’ve done a great job. Uh, let’s Okay. I have one. Um, so are you open to dating? Oh, no. Why? I know, that was so fast, wasn’t it? Okay, so let’s tell the story about, like, the… Okay, so I wanna say this. I feel whole and complete, and I would w- and I, I’m gonna make sure I’m not telling myself a lie. I feel whole and complete. I don’t feel like I’m missing anybody. The idea of having somebody and finally having someone in my life that actually likes me, like, I don’t feel like I don’t, I don’t feel like I have been in relationships in the past where people even liked me. So, the idea of having somebody like me, that actually would feel really good to have somebody like me. , I think I have had to fight my own ageism and really look at that from my own perspective. When I look outside of myself, I see women in their 50s and 60s that are beautiful, and I think absolutely they deserve love. And then when I look at myself, I immediately go, “She’s too old. I’m too old. Nobody’s gonna wanna date me at 55.” Like, I’m, I have gray hair. I… Do you know what I mean? Like, I do the, a little of that. So with that said, it would have to be a… I am s- I have such a filter now. , I s- smell, like, red flags. , It would have to really be someone that’s really spectacular. If you ever hear, if anybody listening ever hears of me dating, just know that they are, like, the freaking bomb. And I have joked that I would only date somebody if they had a yacht, which was very safe here in Atlanta ’cause nobody has a yacht. But now I’m going to the beach, so I feel like my v- my v- Venn diagram of overlap could be different. So with that said, I think that, yeah, I think it would have to be somebody great. There was one day that Joy and I were talking and w- I was like, “We’re gonna… I’m gonna get on a dating app.” And I had applied for, um, Raya, which is like which is, , for celebrities basically. But I was like, “I have enough followers. I think I could get into Raya.” But I didn’t. I- they put me on a wait list. And so then I was like, “Well, it could be my age. It could also be my content.” Do you know what I mean? Like, my content is gonna fil- filter out a, a lot of guys that wouldn’t be the right match, and so I feel grateful for that. So what did I get on? , I don’t– Was it? Hinge. It I got on Hinge. Oh, okay. Yeah. I lasted 24 hours, Mm-hmm. I asked for my money back and got it. It was a I got… 24 It was a whirlwind 24 hours. I was just disgusted by every freaking question. I, the… Men tried to introduce intimacy so quickly, and I am, like, I have a super filter for that. , Oh my God, was that funny or what? oh my God. hours, but it was s- I mean, I, I’m, I don’t mean to say it was funny, but It was funny, yeah. Betsy called me, she’s like, “I’m out, I’m off of it.” Yeah. joined it.” It was like, I joined it that night, and I was like, I think I had a glass of wine, and I was like, “I’m gonna do it.” And then by the next morning, I was like, “Screw this.” And somebody asked me out, and I said yes, and I liked that they were decisive. They were like, “Meet me here.” And then when I said, “I can’t do that on a Friday at lunch. , I run a company. Like, I don’t know what you think I’m doing.” And they wanted me to drive 40 minutes to meet them for lunch at like a cafeteria. And, and, and they were like, “I don’t know. The app says it’s 20.” And so I was like, “Oh, are you calling me a freaking liar? Are you try-,” like, I… And I got in the shower, and I was angry because some man was telling me what to do or telling me who I was, and I was like, “Oh, I’m not… This isn’t for me., I’m just not there yet.” And I, I don’t, I don’t know that there’s more evolving that I have to do, but I definitely think I need to, um, I wanna say like relax a little bit, but also, no. , I sensed that as like a… There was a rhetorical pattern there, right? Of like, “You don’t know what you’re saying. I know the truth, and you can- you’re gonna do what I say,” even though he didn’t say it in that way. That’s the… , and he gave this emoji of the what? I don’t know. You know, like, huh? my God, wow. And so I just was like, “I’m not doing that. I’m not… I am not ever playing that out with somebody else,” of like, “You know better than me.” I know m- the most about my life than anybody else. Like, I know me, and, and I know that’s too far for me to drive because I do important things too, buddy. But I was so… I, I mean, you can even hear it in my voice now. , I just… So no, I’m not dating ’cause I don’t want to. like a quick answer, a quick Yeah. tell you that’s probably the right answer. I was on a podcast recently, an, an interview. It’s not live yet. But she asked me like what d- what’s dating like, and I was like, I, I, I was almost confused by the question ’cause I was like, well, I… And I was like, I, I, I don’t know. I, yeah, I j- I was like, “I don’t know.” Like, I don’t know. I don’t know. Ask somebody else, not me. I have an a- amazing life, and to fit somebody else into that life… And you know, I’m moving to the beach, and I’m going down next weekend to look for my apartment, and I decided I’m gonna rent for a little while till I figure it out. The people who have come out of the woodwork to be kind to me, to… And, and actually, when people are listening to this, I’m probably on a airplane. So have come out of the woodwork to be kind to me, to offer to bring me out. You know, my birthday, I’m gonna be there on my birthday. There’s people bringing me out on my birthday that I don’t know, that know me from the internet, you know? Um, it- that ha- offered to help me find pla- that videotaped, like- These, this is one place you’d might really like at the beach. And, , took so much time to help me. I- it was a lesson in, like, you deserve to have people be kind to you. It’s okay to let people help you. , It was a moment, you know, where I was like, “Okay, this is a lesson in, , let people love you,” you know? And so maybe I’ll get there, and this is, like, the first piece, you know? That’s awesome. I’m excited for you. And, too. you I’m excited for you to come down and visit. least expect it. I’m talking about if there’s Yeah. a, you know, Yeah. partner in your future, it will yeah. least And like, it, I think. yeah. And like I’m, I’m g- I think I, I am a great partner. Like, I think I’m a really good partner, so I just gotta find the really good partner to partner with that. , I’m not afraid to have hard conversations. I listen. I’m a- available for new ideas. I like to try new things., I will do the things you’re into, but, like, I need the reciprocal, you know? So I will wait until I find that. Also, the yacht. Awesome. Yes. Got that. Well, we’ve gone through, um, a lot of these. Yeah. And we’ve been talking for an hour, which we could talk for two hours. It’s fine. But, I know. yeah. Are we done with all the questions? There’s one more, , it’s if the podcast ended tomorrow and you never coached another woman, would you feel like you did what you came here to do? Oh, you know what’s so weird is even when you said that, I was like, “No.” Like, I, like this is such, like, my purpose. I don’t know that I’ll ever not do it. Do you know, like, sometimes I think about retiring. My sister just retired, and I’m like, “I can’t imagine not doing this.” , It’s just so much of how I think and who I am. , Okay, so wait, what’s the question? If I ever don’t do it, then If, is. To do? I came here to do. Yeah. Years ago, I had this mentor when I lived out in the suburbs, and I had this mentor in my life who, you know, would give all these examples of things he had done or worked with people on or… You know, when we were working together, he would say, like, “I had this client once who…” And I remember saying to him, like, “You’ve, uh, I can’t imagine, like, having such a big impact on everybody. , you’ve had such a big impact.” And he said, “Yeah, if I died tomorrow, I know I would have given more than I took, and that feels good to me.” I, I think that only recently, like maybe in the last year, have I started to recognize Mostly because women on the internet are so incredibly kind to me. But only recently have I started to realize how much of an impact even just the podcast has made, or those videos that I do on Instagram. A- and I wanna mention something about that. But those videos, I think, , people are so kind to tell me how much that impacted them and changed their life, and changed how they thought about themselves. And so I think I could safely say that I’ve given more than I’ve taken, and, and I don’t know that it needs to be that way. I don’t need to give more than I get. That, I’m open to that being more of both. D- does that make sense? , Mm-hmm. like, I, I am open to receiving, and I think maybe for a long time I wasn’t. We talked about this in the group the other day of like, how open are you to receive, and to receive help, and to receive? And I think that I was closed for a long time ’cause I had to be so hyper independent. But anyway, so I would say yes, I, I think I’ve done what I came here to do, and I wanna keep doing it ’cause I think there’s more. Yeah. That’s a great ending. I think you are a phenomenal asset to women. I think that watching and working with you and watching you do what you do Yeah. it’s amazing. Yeah, thank you. Thank you. I’m grateful to do it, and I’m grateful that you were able to help me today with all these questions. Yeah, we Thanks, Joy. Our first it. official podcast. May th- may there be more. Thanks so much, Joy. You’re welcome. Have a great day. Thanks for joining me on The Art of Living Big. I hope today’s episode sparked something within you, maybe pushed you to dream a little bit bigger and live a little larger. Don’t forget to subscribe. Leave us a review and share this podcast with someone you know who might need a little inspiration today. You can find me over on Instagram at Betsy Pake and on my YouTube channel. Remember, the world is vast. Your potential is endless, and your life, it’s yours to shape. Until next time, keep reaching, keep exploring, and keep living big.

Stephanie Hsu (Rocky Horror Show on Broadway, Everything Everywhere All at Once) joins her Rocky cast mate Rachel to discuss all of the luck and omens along the way that led to her acting career. Plus, apparently having a Pisces moon in your chart comes with a great deal of emotions! You can catch bonus content now on the Woo Woo YouTube channel: https://www.youtube.com/@WooWooPodcast. Follow us on Instagram! @raedratch @irenebremis Learn more about your ad choices. Visit podcastchoices.com/adchoices

We've packed and starched three pairs of pants just to make sure we're prepared for ANYTHING this episode! So bring on the much-needed glasses, duplicate Jugheads, and extremely appealing haunted artifacts! Spilled coffee? No problem! Just gotta figure out how to get into these fresh, starched-solid jammies. Suggested talking points: One of Travis's Brain Mistakes, Starchmaxxing, Everything Everywhere All at Brush, Nut Emergency, Stop Ogling the Vampire Sex Spell Marsha P. Johnson Institute: https://marshap.org/ Happy MaxFunDrive! Right now is the best time to start a membership to support your favorite shows. Learn more and join at https://maximumfun.org/joinmbmbam

This week, Oscar-winning actress Jamie Lee Curtis comes on IMO to talk about her anti-Hollywood Hollywood upbringing, what she thought of her role in Everything Everywhere All at Once, and her real thoughts on awards season. Plus, she shares a profound personal update.Have a question you want answered? Write to us at imopod.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesSuper TrailerWarner Bros. released the first full trailer for Supergirl, giving us our best look at Milly Alcock's hard-partying Kara Zor-El as she embarks on an interstellar revenge mission to save her poisoned dog Krypto after villainous Krem leaves him only three days to live. The June 26 release directed by Craig Gillespie adapts Tom King's Woman of Tomorrow comic, featuring Jason Momoa's Lobo as an unlikely ally and Eve Ridley as young Ruthye Marye Knoll, whose parents were murdered by Krem. With James Gunn's punk rock aesthetic and emotional animal stakes reminiscent of Guardians of the Galaxy Vol. 3 all over, did this trailer deliver the goods in terms of hyping us up, up and away?Trailer Who LivedHBO unveiled the first trailer for its Harry Potter series last Wednesday, revealing an earlier-than-expected Christmas Day 2026 premiere for the eight-episode first season officially titled Harry Potter and the Philosopher's Stone. Showrunner Francesca Gardiner and director Mark Mylod lead the ambitious seven-season adaptation with each season dedicated to one book, reportedly costing around $100 million per episode, making it potentially the most expensive television production of all time. With the trailer becoming the most-viewed in HBO Max history at 277 million views in 48 hours, can this decade-long reboot justify its lofty budget and overcome the controversy surrounding the franchise's creator?Galactically Good Box OfficeRyan Gosling's Project Hail Mary crossed $300M globally to become the highest-grossing film of 2026 so far, but its reign might be short-lived as The Super Mario Galaxy Movie is projected to dominate Easter weekend with $175M-$180M domestically over five days and $350M globally. Tracking is running slightly ahead of 2023's The Super Mario Bros. Movie, which opened to $204.6M domestically and $377M worldwide before finishing with $1.36B. The $110M sequel reunites Chris Pratt, Anya Taylor-Joy, Charlie Day, and Jack Black while adding Donald Glover as Yoshi and Glen Powell as Star Fox in a recently announced surprise crossover cameo.With first reviews seeming to echo the first film's middling critical reception, will its box office performance be as out of this world as expected?Lightning RoundThis morning Amazon MGM released the official trailer for Masters of the Universe, slated for theaters June 5. Stephen Colbert revealed he's co-writing The Lord of the Rings: Shadow of the Past with his son Peter McGee and franchise veteran Philippa Boyens, adapting six early chapters from The Fellowship of the Ring that were omitted from Peter Jackson's 2001 filmHimesh Patel has been cast in writer-director Ryan Coogler‘s revival of the X-Files and will star opposite the previously cast Danielle Deadwyler. Ryan Gosling is set to star in Universal Pictures' untitled event film directed by The Daniels, the Oscar-winning duo behind Everything Everywhere All at Once. At this time, all major plot details are being kept under wraps. Sonya Walger has been cast as Freya in Prime Video‘s God of War series. Filmmaker Tim Miller has tapped actor Stefan Kapicic to join the cast of his upcoming sci-fi movie starring Keanu Reeves. This reteams Miller who directed Deadpool and Kapicic who played Colossus. Filming has been halted on Amazon MGM Studios' Tomb Raider series due to an injury suffered by series star Sophie Turner. Filming is expected to resume in about two weeks. A24 has released the official trailer for The Backrooms, an upcoming sci-fi horror film starring Renate Reinsve and Chiwetel Ejiofor, marking first-time feature director Kane Parsons' expansion of his viral YouTube found-footage universe. The screenplay, written by Will Soodik, is based on the online urban legend that originally inspired Parsons' series.

In this episode, No Film School host GG Hawkins speaks with director Charlie Tyrell and editors Davis Coombe and Daysha Broadway about The AI Doc: Or How I Became an Apocaloptimist. The conversation explores how the team shaped an essay-driven documentary around AI, parenting, authorship, and uncertainty, while also breaking down the collaborative editorial process, the ethics of making a film in real time about a rapidly changing subject, and the analog craft choices that gave the project its tactile visual identity. In this episode, No Film School's GG Hawkins and guests discuss... How The AI Doc: Or How I Became an Apocaloptimist uses a filmmaker's journey into impending parenthood as a narrative device for exploring AI anxiety and optimism Why the team chose an essay-documentary structure while still grounding the film in Daniel Roher's on-camera perspective The challenges of shaping a documentary whose subject kept changing during production as AI news evolved in real time How Charlie Tyrell, Davis Coombe, and Daysha Broadway each found their way into filmmaking and documentary storytelling The creative and ethical complications of having a co-director also function as a subject within the film How the filmmakers balanced accessibility, complexity, and emotional honesty while making a movie about a massive technological shift The editorial collaboration behind the film, including remote workflows, shared creative decision-making, and leaving ego at the door Why the team intentionally avoided using AI in the film's creative workflow How Premiere Pro Productions, transcription tools, Blender, After Effects, Dragonframe, stop-motion builds, and practical effects supported the film's handmade aesthetic Where the guests currently land on the spectrum between AI optimism and AI anxiety as working filmmakers and editors Why the guests believe the biggest question is not just what AI can do, but how people choose to use it Memorable Quotes: “It actively wrestles with it in real time, both thematically and in the way that it was made.” “Everyone kind of just left their ego at the door and showed up to do the work.” “Filmmaking only brings suffering.” “I don't feel like AI is the big bad. To me, the people are the big bad.” Guests: Charlie Tyrell Davis Coombe Daysha Broadway Resources: The AI Doc: Or How I Became an Apocaloptimist Synopsis: From the Academy Award-winning filmmakers behind Everything Everywhere All at Once and Navalny, a father-to-be tries to figure out what is happening with all this AI insanity. The AI Doc: Or How I Became an Apocaloptimist is a hand-made, eye-opening documentary about the most powerful technology humanity has ever created and what's at stake if we get it wrong. For resources and ways to join the apocaloptimist community, visit theaidocgetinvolved.com Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

"The AI Doc: Or How I Became An Apocaloptimist" is a 2026 American documentary film directed by Daniel Roher and Charlie Tyrell. It is produced by the Academy Award-winning teams behind "Everything Everywhere All at Once" (Daniel Kwan and Jonathan Wang) and "Navalny" (Shane Boris and Diane Becker). The film premiered at the 2026 Sundance Film Festival and received positive reviews for the questions it asked (and answered) about the threat or uses for good in the world about AI, Roher's personal journey of becoming a father while developing the documentary, its editing, and handcrafted animation and artwork made by humans. Roher was kind enough to be our first fully produced in-studio interview and spent a good forty minutes talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which is opening in theaters on March 27th from Focus Features. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry becomes an iconic movie star with Noah Baumbach's Jay Kelly then ties up loose ends in Apple TV's Wolfs plus he also discusses The Accountant 2, Magazine Dreams, Everything Everywhere All at Once, Dead Man's Wire, and 127 Hours.0:00 - Intro1:27 - Review: Jay Kelly7:40 - Review: Wolfs11:58 - Picks of the Week: The Accountant 2, Magazine Dreams, Everything Everywhere All at Once, Dead Man's Wire, and 127 Hours16:51- OutroFollow Film Buds:LinktreeFaceBookTwitter / XInstagramYouTubeWebsiteFollow Henry & Elle on Letterboxd:Henry's ProfileElle's ProfileBuy Our Premium Podcasts:BandcampSponsors / Inquiries:FilmBudsPodcast@gmail.com

367 Everything Everywhere All at Once with Doug EamesSteven is joined by actor, Doug Eames, to talk about Everything Everywhere All at Once! Go to episode 155 to learn more about Mr. Eames.Please send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thanks for listening!!

South by Southwest is celebrating its 40th anniversary, and it looks different than it ever has. Greg Rosenbaum, the festival's head of programming, joins me to talk about the creative reset forced by the demolition of the Austin Convention Center, the new neighborhood clubhouse model that's embedding communities throughout the city, and what it actually means to run all of SXSW simultaneously for the first time. Plus, the story of how the Daniels went from screening music videos at SXSW in 2012 to sweeping the Oscars with Everything Everywhere All at Once, and what that journey says about what the festival has always been trying to do. Newsweek will be at SXSW this year, covering it all. In fact, I'll be on stage with Jamie Lee Curtis on March 14 for what is sure to be a conversation worth the trip alone. Also, Newsweek's Editor-In-Chief Jennifer Cunningham will be there on March 16 for the panel on the future of news. If you see us there, make sure to say hi. And make sure you watch this space and subscribe to my newsletter for all the latest. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

공 하나에서부터 퍼져 나가는 믿을 수 없이 판타스틱한 이야기. Everything Everywhere All at Once 이후의 최고 수확... 꿀잼.---✍️ 녹취록: https://aimdreaming.imaginariumkim.com/through-the-arc-of-the-rainforest-공-마술적-사실주의-박진감-플롯-테크노-everythi/☕️ 한아임한테 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠커피 사주기⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://buymeacoffee.com/ithaka⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We use the phrase “action star” to describe the massive talent at the center of this episode, but Michelle Yeoh has demonstrated over the course of her remarkable career that she's so much more than that.In fact, her career as a performer didn't start with scripts or stunts. She was more focused on pirouettes and pliés as a classically trained ballet dancer, getting all the way to London's Royal Academy of Dance before a spinal injury set her on a path to the big screen (but not before becoming a literal beauty queen).Dori and Kpolly get into Yeoh's off-screen activities — even touching on her humanitarian work and activism — as they give her the star treatment for this episode. It's a well-deserved spotlight considering everything Yeoh has accomplished across her 40-year career, from performing her own stunts despite zero marital-arts training to winning Best Actress for Everything Everywhere All at Once at the 2023 Academy Awards.That's just one of the Yeoh-centric movies you can check out at the Oriental Theatre throughout March as Milwaukee Film presents its irresistibly titled “Just Say Yeoh” series. You'll hear our dynamic duo discuss all four movies in the series, a handful of her other memorable roles and the other releases you should catch at the Oriental this week.#####Cinebuds is sponsored by Joe Wilde Garage Door Company.

What would happen if the Christian movie industry tried to make its own Everything Everywhere All at Once? Brother, you don't have to imagine! We discuss Angel Studios' THE SHIFT (2023), starring our favourite actor, Neal McDonough. PLUS: We check Keir Starmer's pulse after last week's UK by-election, and assess the looming Warner/Paramount merger. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "The Ground Game is Back" by Grace Blakeley - https://substack.com/home/post/p-189343412 "Starmer is Driving Labour to Disaster" by Jon Trickett - https://tribunemag.co.uk/2026/02/starmer-is-driving-labour-to-disaster

We're re-releasing this amazing film to celebrate both Michelle Yeoh's recent Lifetime Achievement Award and the Lunar New Year. Listen in as hosts Daron Jenkins and Chris Saunders dive into the film and soundtrack of "Everything Everywhere All at Once".This episode was originally published on February 21, 2024.Follow The Tracklist on Instagram⁠ ➡︎⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tracklistshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Chris Saunders on Instagram⁠ ➡︎⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@chrissaunders_music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Daron Jenkins on Instagram ➡︎⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thedaronjenkins⁠⁠⁠⁠

Why are we still waiting for a green light from people who do not understand our craft? This reality is at the heart of our conversation with Andy Cochrane, a creative who has spent twenty years navigating the collapsing bridges of the entertainment industry. Andy takes us through the trenches of his career, from the grueling 70-hour weeks as a runner on CSI: Miami to the high-stakes visual effects world of Asylum and Terminator Salvation. We discuss the hard realization that being a "button pusher" in a massive pipeline is no longer a safe bet, and why the most vital work is now happening in the "weird stuff" between traditional film and immersive technology. The future of storytelling belongs to the tactical generalists who are willing to build their own labs rather than wait for a studio to discover them. We look at how Markiplier bypassed the traditional, expensive studio marketing machine by leveraging his own fanbase to bring Iron Lung to life, and why artist-driven projects like Everything Everywhere All at Once have become the new blueprint for success. Andy breaks down his current mission in Santa Monica, where he is bypassing traditional distribution models to create "Loud Movies," an open-source medium that prioritizes human experience over corporate commodification. It is a deep dive into why the most important tool in your kit isn't a new piece of software, but the willingness to keep moving while the building collapses around you. The CG Pro Show > Andy Cochrane on LinkedIn > Andy Cochrane on IMDB > Mark Duplass: The Cavalry is not Coming >    This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

"Crime 101" is a slick and engaging thriller featuring Chris Hemsworth, Halle Berry, and Mark Ruffalo. Hemsworth portrays a jewel thief who is emotionally conflicted and determined to complete one final heist. Guided by a personal code of ethics, his character refuses to harm anyone and targets only insurance companies with his schemes. The film's impressive supporting cast includes Barry Keoghan, Monica Barbaro and Nick Nolte who all contribute to the film's strong ensemble dynamic. Bart Layton, a British documentary filmmaker, brings surprisingly taut and effective direction, allowing "Crime 101" to remain engaging even when the plot stretches believability. “Crime 101” is an entertaining action throwback. The animated sports comedy "Goat" is from producer Steph Curry, who also lends his voice to one of the characters. The story centers on a young goat who dreams of competing in "Roarball," an intense and dangerous version of full-contact basketball. The film boasts a talented voice cast, including Caleb McGlaughlin from “Stranger Things,” David Harbour, Jennifer Hudson, Jelly Roll, and Gabrielle Union. "Goat" is a predictable, but family-friendly bit of escapism. "Good Luck, Have Fun, Don't Die" is a high-concept, sci-fi comedy that combines the time-loop antics of "Groundhog Day" with the energy of "Terminator." Sam Rockwell stars as a time traveler who repeatedly journeys back from the future, attempting to save humanity from the impending threat of artificial intelligence. Director Gore Verbinski seems to draw inspiration from the eccentric style of the Oscar-winning “Everything Everywhere All at Once.” The result is a smart and wildly imaginative film, even if it sometimes struggles with pacing and knowing when to wrap things up.

Jamie Lee Curtis says she still has no idea what was happening in Everything Everywhere All at Once, Al Roker just celebrated 30 years on The Today Show and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Last week Lucasfilm announced that Kathleen Kennedy is stepping down from her role as studio president, a position she has held since Disney's 2012 acquisition. Succeeding her are George Lucas' protégé and Ahsoka creator Dave Filoni, who will oversee the franchise's creative direction as co-president alongside former Lucasfilm General Manager Lynwen Brennan handling the business side of things. Kennedy still has an active hand as an executive producer of both Star War's next theatrical offerings: May's The Mandalorian & Grogu as well as 2027's Starfighter and will continue to produce other projects independently. Kennedy's tenure saw its fair share of highs and lows, especially contending with an often fickle fandom, but with multibillion dollar films under her belt her exit marks the end of an era.It was a surprisingly noteworthy MLK weekend box office– outside of Avatar: Fire & Ash's continuing reign, Marty Supreme became A24's top-performing film of all time with 80 million dollars domestically, surpassing Everything Everywhere All at Once, while Zootopia 2 became the highest-grossing animated film of all time globally with over 1.7 billion dollars, passing Inside Out 2. Meanwhile, Nia DaCosta's 28 Years Later: The Bone Temple opened below expectations with just 15 million dollars over the four-day weekend, falling well short of the 30-million-dollar debut of its predecessor and behind tracking projections of 20 million dollars. Despite the horror sequel's muted debut, it's been an unusually robust box office this January.Netflix has revised its $83 billion dollar deal for Warner Bros. Discovery to an all-cash transaction valued at $27.75 dollars per share, simplifying the structure to provide greater certainty of value for shareholders and accelerate the path to a shareholder vote by April. The amended deal, unanimously approved by both boards, maintains the same per-share valuation while WBD stockholders will still receive additional value from shares of Discovery Global following its spinoff, with Netflix financing the deal through cash on hand, credit facilities and committed financing. This update comes on the heels of Netflix co-CEO Ted Sarandos' renewed promise to keep WB studio films in theaters for at least 45 days before hitting streaming.Prime Video has released a first look photo of Sophie Turner as Lara Croft in the upcoming Tomb Raider series, which has begun production.Hans Zimmer, who has scored more than 500 movies and TV projects, will officially score the upcoming Harry Potter series for HBO Max in partnership with Bleeding Fingers Music, a composer collective that he co-founded.Sons of Anarchy star Ryan Hurst has been cast as main character Kratos in Amazon's upcoming God of War series, which is currently confirmed for two seasons and has begun pre-production. Teresa Palmer was also cast last week and will play Sif, Thor's wife and the goddess of family.Cate Blanchett has signed a deal to reprise her role as Viking warrior Valka in Universal Pictures' live-action How to Train Your Dragon 2.Warner Bros. has set Jorge R. Gutiérrez to direct an animated feature centering on the classic Looney Tunes character Speedy Gonzales, The Hollywood Reporter has exclusively learned.

What film studio consistently sparks the interest of the average moviegoer? There's really only one answer: A24.The studio behind Best Picture winners Moonlight and Everything Everywhere All at Once. But how did a small independent film distributor become one of the most profitable and iconic studios in Hollywood?The answer lies in creative risk-taking, viral marketing, and a whole lot of vibes. Join Pat and Mark, as we explore how A24 has captured the cinema zeitgeist.

Jamie Lee Curtis is an Academy Award and Emmy winning actress, author, and producer best known for Everything Everywhere All at Once, the Halloween franchise and her acclaimed guest role in The Bear. Curtis sits down with Willie Geist to discuss her late career hot streak, embracing aging and authenticity, and her role as Aunt Helen in James L. Brooks's new film Ella McCay. Plus, she reflects on the woman who first saw her potential, the hustle behind building her Comet Pictures production company, and why she believes the most important moments in life hinge on a few unexpected seconds. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Blasters & Blades PodcastToday we have our favorite Aussie, all the way from the future! We have none other than author Robert Tillsley, fresh from the wars against the dreaded Drop Bear Incursions and the Emu Invasions. When he's not wrasslin mother nature, Robert talks nerdy with us and writes imaginative speculative fiction. This time we're discussing his book Wayfarer's Rift, which sounds like an awesome romp through hellscapes of his mind! This was a fun interview, so go check out this episode. Lend us your eyes and ears, you won't be sorry!! Co-Hosts: JR Handley (Author) (Grunt)Nick Garber (Comic Book Artist) (Super Grunt)Madam Stabby Stab (Uber Fan) (Horror Nerd)Jana S Brown (Author) (Chief Shenanigator)We work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandley Our LinkTree: https://linktr.ee/blastersandbladespodcast Today's SponsorGenesis: A LitRPG Fantasy Adventure by Jonathan Yanez & Ross Buzzell: https://www.amazon.com/Genesis-LitRPG-Journey-Legends-Online-ebook/dp/B07S9HTZ67/ Coffee Brand Coffee Affiliate Support the Show: https://coffeebrandcoffee.com/?ref=y4GWASiVorJZDb Discount Code: PodcastGrunts Coupon Code Gets you 10% offWayfarer's Rift by Robert Tillsley: https://www.amazon.com/Wayfarers-Rift-Wayfarer-Chronicles-Book-ebook/dp/B0FR46WXJV https://www.barnesandnoble.com/w/wayfarers-rift-robert-tillsley/1148305840 Follow Robert Tillsley on social mediaRobert's Amazon: https://www.amazon.com/stores/Robert-Tillsley/author/B0BTX67KRW Robert's Website: https://tillsley.com Robert's Twitter: https://x.com/rmaxtillsley Robert's BlueSky: https://bsky.app/profile/tillsley.bsky.social Robert's Facebook: https://facebook.com/rmaxtillsley Robert's Instagram: https://www.instagram.com/rmaxtillsley Robert's GoodReads: https://www.goodreads.com/author/show/26212818.Robert_Tillsley Autographed copies in Australia: https://tillsley.com/store Robert's Publisher: https://www.blackskybooks.com/ Mentioned In The ShowEverywhere All At Once Show: https://en.wikipedia.org/wiki/Everything_Everywhere_All_at_Once Otherworld Show: https://en.wikipedia.org/wiki/Otherworld_(TV_series) #scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #religionquestion #coffee #tea #coffeeortea #CoffeeBrandCoffee #JRHandley #NickGarber #MadamStabby #JenaRey #JanaSBrown #OpalKingdomPress #WayfarersRift #RobertTillsley #TheLibrarians #TheSpiderwickChronicles #TheShannaraChronicles #TerryBrooks #Warehouse13 #Eureka #FallingSkies #AmandaTapping #alieninvasion #Sliders #platypus #redpanadas #tiger #bear #koala #murderkitty #polarbear #rum #Bunderberg #AliceInWonderland #PortalFiction #Isekai #Stargate #StargateSG1 #StargateAtlantis #StargateUniverse #DrWho #Sliders #Tardis #DungeonsAndDragonsCartoon #Dungeons&DragonsCartoon #Otherworld #TheLionTheWitchAndTheWardrobe #QuantumLeap #DrStrange #MirrorDimensions #Fringe #Tron ##TronAres #Cinema #TronLegacy #MultiverseOfMadness #Labyrinth #EverywhereAllAtOnce #Valhalla #Airship #Blackbird #RoboCop #ED209 #EnforcementDroidSeries209 #RogerZelazny #TheChroniclesOfAmber #NinePrincessInAmber #StephenRDonaldson #TheMirrorOfHerDreams #ForestWhitaker #Divergent #TheGoodiesTVShow #TheGoodies

En este episodio especial de Marea Nocturna, grabado en el Centre Born durante la Biennal Ciutat i Ciència, exploramos cómo el cine se ha convertido en el mejor laboratorio para pensar la física cuántica. Desde Rash?mon y Corre, Lola, corre hasta Memento, Mulholland Drive o Everything Everywhere All at Once, recorremos relatos que juegan con realidades múltiples, superposiciones, bucles temporales y estructuras ramificadas que parecen salir directamente de un experimento de laboratorio. Analizamos cómo la cuántica ha pasado de la ciencia a la metáfora cultural, infiltrándose en el blockbuster y transformando nuestra forma de imaginar el tiempo, la identidad y el azar. Si te intriga por qué el cine se ha vuelto cada vez más cuántico y cómo estas ideas moldean las historias que consumimos, entra con nosotros en este viaje por los mundos posibles.

The cynics strike back! Guest Alice Moody joins the gang for the ritual slaughter of a sacred cow, the Widely awarded, critically lauded and enormously popular Everything Everywhere All at Once. Along the way we try and examine what what made this movie so popular, and what puts us in the small minority of people who dislike (or even hate) it - ranging from the writing and production, to it's absurdist and 'metamodern' philosophical underpinnings, and the 'whimsical, sincere' sensibility that seems to rub us the wrong way.  Alice's piece, 'Contrarianism Isn't Real'.   An extra special thanks to our $10 Executive Producers: JetChiclete, Isaac, squishward, Walt Lewellyn of The Black Casebook, Tropical Doves, Lohik, bernventers, and Owen2.  If you can, please lend some support to these organizations: Gaza Funds PCRF (Palestinian Children's Relief Fund) MAP (Medical Aid for Palestinians) National Networks of Abortion Funds If you enjoy the show please consider: Subscribing to our Patreon, where you can enjoy exclusive subscriber only episodes. Joining our Discord. Checking out our Credits page where you can view a complete list of Patrons. Leaving a rating and review on your podcast provider of choice.  Production by Miguel Tahni. Art by Zoe Woolley and Jo Hermeer. Follow @MarvelousDeath for updates.   

This week, Seth and Josh welcome a guest you won't be able to stop smiling along with…Ke Huy Quan! Ke talks all about his incredible journey escaping Vietnam to the U.S., growing up with a lot of siblings, the personal impact his movies like 'Indiana Jones' and 'Everything Everywhere All at Once' have had on him, visiting family in Houston, his short-lived restaurant gig, his visit to the Grand Canyon, and so much more! Plus, Ke talks about his upcoming film Zootopia 2, releasing November 26, 2025! Support our sponsors: TovalaFor a limited time, save up to $300 on the Tovala smart oven when you order meals 6+ times, by visiting Tovala.com/TRIPS and using code TRIPS.Tropical Smoothie CafeTropic Fan Fest is back on at Tropical Smoothie Cafe®! Which means: FREE smoothies**! A free smoothie** every. single. day – for a whole week,Nov 3 - 9 2025 with bowl or food purchase. Joining Tropic Rewards®. Just download the app, sign up and start sippin'! **Terms and conditions apply.HuelToday, get Huel for FIFTEEN PERCENT OFF with this exclusive offer for New Customers only with code trips at https://huel.com/trips (Minimum $75 purchase). Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we continue our exploration of the 25 best films of the 21st century (so far). We take a look at the current #5 on the list: Everything Everywhere All at Once. We are putting this list together based on the rankings of our Patrons. You can check out the list, compile your own, and help influence the top 25 over at Doofmovies.com! Support us on Patreon: https://www.patreon.com/doofmedia Follow us on Twitter: @doofmedia See all of our podcasts and more at doofmedia.com!

"Cinematographer Larkin Seiple (Weapons, Everything Everywhere All at Once, This Is America) joins Bonfire Conversations to discuss his creative process, building emotion through light, and crafting the haunting “woman with the scissors” scene in Weapons. Hosted by Hamidreza Nikoofar."In this episode of Bonfire Conversations, I talk with award-winning cinematographer Larkin Seiple, the creative eye behind the horror hit "Weapons", "Everything Everywhere All at Once" (Oscar Winner for Best Picture), "Swiss Army Man", and Childish Gambino's iconic "This Is America".Larkin talks about his journey from shooting low-budget music videos to crafting some of the most inventive visuals in modern cinema. He shares the story behind his collaboration with director Zach Cregger on Weapons — one of the year's most talked-about horror films — and breaks down the now-famous “woman with the scissors” scene that left audiences breathless.We also discuss how he builds emotion through light and movement, what makes a strong director-cinematographer partnership, and his creative philosophy when balancing beauty and tension on screen.

Episode 515 marks the very first CG Garage Podcast episode under the Monstrous Moonshine banner, and it's a big reset moment. Chris is joined by longtime collaborator Daniel Thron and new producer/coordinator Lily Nichols to introduce this new chapter. Together, they reflect on the origins of the Monstrous Moonshine name, its ties to both 1970s cinema and mathematics, and why it represents the kind of creative synchronicity they want to bring into filmmaking. They also talk openly about the transition from Chaos, where the podcast began 11 years ago, and what this move means for the future of the show. The discussion quickly moves into the state of the movie industry today, with the group debating whether Hollywood is on the brink of another “New Hollywood” moment like the late 1960s. They examine the rise of bold new films such as Everything Everywhere All at Once, Spider-Verse, K-Pop Demon Hunters, and Godzilla Minus One, contrasting them with the fatigue of endless franchises. The conversation also tackles AI's role in the future of production, the pressures on young filmmakers, and why risk-taking is once again the only way forward. It's both a reflection and a rallying cry: a podcast looking back at its roots while leaning hard into the future of filmmaking. Monstrous Moonshine > CG Garage > Ray Tracing FTW >

Kristina and Anna unpack the Hungry Shapeshifter archetype, mapped to Enneagram 7, the Father Wound (self-worth, identity, power), and the Throat Center in Human Design. They explore how attention, identity shapeshifting, and voice become coping strategies, how this arc differs from the Vain Controller (3) and Eternal Child (4), and how it transforms into the Fabricator (Hero) and ultimately The Present (Legend). Pop-culture touchstones include Everything Everywhere All at Once and I Heart Huckabees, plus a lively “Am I the A**hole?” case that spotlights performative empathy and attention-seeking.Quick guide to this arcVillain (Primary): Hungry ShapeshifterCore hunger is attention and specialness. Masters of adopting identities and stories to secure validation.Pinnacle Villain: The ThiefSteals attention, time, and identity, often unconsciously.Successful Antagonist: The PersecutorUses pressure, performance, and voice to dominate the narrative.Wounded Child: The DefensiveHighly reactive when the crafted identity is questioned.Covert Form: The EntertainerIrresistible at parties, self-deprecating, will “do anything” for a good story.Hero: The FabricatorStops using force, integrates formerly rejected identities, chooses non-violence and nuance.Legend: The PresentStillness and presence replace performance. Time “slows” through grounded attention.How it differs from nearby arcsVersus Vain Controller (3): The 3 works to accrue status and resources. The 7 curates identities and stories for attention and specialness.Versus Eternal Child (4): The 4 escapes into inner worlds for meaning. The 7 samples identities and external experiences for validation.Clinical and energetic notesWound: Father wound, with emphasis on identity and powerCenter: Throat (voice, expression)Pattern often seen: ADHD tendencies, diffused focus and persona-switchingPath of healing: Focus, presence, integrity in speech, letting attention be earned by reality rather than performancePop-culture anchorsLoki as the archetypal shapeshifterEvelyn in Everything Everywhere All at Once: early ravenous sampling of parallel selves, later pivot to Waymond's gentler strategyJude Law's character in I Heart Huckabees: recycled stories for validation, performative charmTimestamps00:00–03:10 Hello and warm-up, quick recap of arcs 1–603:10–05:25 Introducing the Hungry Shapeshifter, Father Wound, Throat Center, Enneagram 705:25–07:30 Specialness and attention as fuel, the cost of consuming others' identities06:20–07:45 I Heart Huckabees example, story-stealing for validation07:45–10:30 The Thief, unconscious attention-taking, “stealing time,” personal anecdote10:30–12:15 Wounded Child: defensiveness when identity is challenged12:15–13:15 Diagnostic shortcut: when someone feels like a 3 and a 4, look at 713:15–14:10 Covert form: the Entertainer at parties14:10–16:20 Actors and open throats, personal resonance and life phases16:20–17:25 Multiple active villains over a lifetime, complexity beyond a single arc17:25–19:10 Hero: the Fabricator, Waymond's non-violence and relational repair19:10–19:55 Legend: The Present, stillness, “the generous present moment”19:55–21:56 AITA reading: “I am an empath,” or attention-seeking22:00–23:26 Real-life example of making another's crisis about oneself23:26–24:06 ADHD, focus, presence as medicine, closePractice promptsVoice audit: Where do I speak to be seen, rather than to be trueStory integrity: Which stories do I retell for attention, and are they mine to tellFocus training: One commitment, one audience, one promise at a timePresence reps: Two minutes of quiet before speaking in a charged momentEpisode glossaryFather Wound: Distortions around self-worth, identity, powerThroat Center: Expression, timing, and the compulsion to speak for attentionFabricator: Hero form that fabricates reality through choiceful, ethical creation, not performanceThe Present: Legend form, a clear, still field where attention is no longer chasedMentioned worksEverything Everywhere All at OnceI Heart HuckabeesCall to actionCurious which Inner Villain patterns lead in your lifeTake the Inner Villain Quiz: [add your quiz link here]CreditsHosts: Kristina Wiltsee, AnnaProduction: Inner Villain WorksNote: Contains light spoilers for Everything Everywhere All at Once.*Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the No Film School Podcast, GG Hawkins sits down with Oscar-winning editor Paul Rogers, best known for his work on Everything Everywhere All at Once. Paul opens up about his journey from Alabama to Hollywood, founding the post-production company Parallax, and how personal experiences—like fatherhood and burnout—reshaped his approach to creativity and work. The conversation dives deep into balancing artistic passion with sustainable working habits, challenging the toxic grind culture in filmmaking, and embracing a more holistic view of success in the industry. In this episode, No Film School's GG Hawkins, Jason Hellerman, and guest Paul Rogers discuss... The origins of Paul's career and his path to editing How Parallax was founded and its evolving mission The “one for me, one for them” model—redefining it for sustainability How COVID redefined Paul's understanding of work-life balance Setting boundaries in the film industry and learning to say no The creative benefits of rest and “collecting experiences” How fame after winning an Oscar impacted his workflow Memorable Quotes: "Surviving wasn't thriving... and I really wanted to thrive." "You can get to flow state through burnout, or through joy. Joy is just harder." "You're going to start regurgitating the same ideas creatively over and over again." "Have life outside of filmmaking… be collectors, not recyclers.” Guests: Paul Rogers Resources: Parallax Everything Everywhere All at Once BLKNWS: Terms and Conditions (upcoming) Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

HDTGM all-star Nicole Byer (Best Friends, Nailed It!) joins Paul, June, and Jason to break down the 1994 Sly Stallone & Sharon Stone thriller The Specialist, a movie that argues bombs are more precise weapons than guns. LIVE from Largo in LA, they discuss James Woods savoring every second on screen, Rod Steigers' bonkers Cuban accent, and the hotel shower sex scene that reminded Nicole of the hot dog hands in Everything Everywhere All at Once. Bye bye! (Originally Released 04/06/2023) • Go to hdtgm.com for tour dates, merch, FAQs, and more• Have a Last Looks correction or omission? Call 619-PAULASK to leave us a voicemail!• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm

Send us a textWhat defines the greatest films of our still-young century? When The New York Times published their reader-selected Top 100 Films of the 21st Century, we couldn't resist diving into this cultural touchstone that had over 200,000 cinephiles weighing in on what matters most in modern cinema.With Bong Joon-ho's "Parasite" claiming the top spot and Christopher Nolan dominating with five entries (including both "Interstellar" and "The Dark Knight" in the top 10), the list reveals fascinating patterns about what resonates with today's audiences. We explore the international appeal of the selections, from "Spirited Away" at #8 to "In the Mood for Love" at #12, while questioning the noticeable absence of Black filmmakers like Spike Lee and the limited representation of female directors.The conversation takes unexpected turns as we debate which films deserve higher placement (could "Portrait of a Lady on Fire" crack the top 10?), which should be removed entirely (does "Everything Everywhere All at Once" belong at #13?), and what crucial omissions we'd add to create a more representative canon. From questioning the recency bias that elevates new releases like "Oppenheimer" and "Dune Part Two" to lamenting the underrepresentation of horror and comedy, we offer our unfiltered takes on what this list gets right and wrong.Whether you're a casual moviegoer or a dedicated cinephile, this episode provides both a roadmap for essential viewing and a framework for thinking critically about what makes a film truly stand the test of time. Join us for this passionate celebration and critique of the films that have defined our century so far – and let us know which rankings you'd fight to change!Support the show

Kill the word podcast? Our guest votes yes.This week on “What's a Podcast? - The Extended Interviews,” Dan Granger (CEO, Oxford Road & Veritone One) hosts AJ Feliciano (former GM of The Roost Network) for a deep dive on how The Roost became the in-house “media company of tomorrow.”AJ is all-in on 360 content. He even built a flywheel for how podcasts can pivot into video so they can “pump [distribution platforms] with all types of content.” Oh. And in the podcast vs. simulcast debate? He's 11/10 “simulcast.” Dan and AJ are also talking: Be a Mini-Disney, Everything Everywhere All at Once, Find What Clicks, and more. Let's get into it.“Simulcast doesn't put itself in a box necessarily. When I'm talking to creators or fans and I say the word ‘simulcast,' they see it's in multiple places. It just sort of clicks immediately without having to explain it.”– AJ Feliciano (former GM of The Roost Network)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Darkest Indiana Jones AdventureIn this episode of The Most Excellent 80s Movies Podcast, hosts Krissy Lenz and Nathan Blackwell dive into the controversial second installment of the Indiana Jones franchise, Indiana Jones and the Temple of Doom (1984). This prequel to Raiders of the Lost Ark takes our hero to Shanghai and then India for what many consider the darkest chapter in the series.The hosts explore how the film's darker tone was influenced by George Lucas and Steven Spielberg's personal lives at the time, with both going through difficult periods that affected the creative direction. Despite being considered the black sheep of the original trilogy, Temple of Doom has gained appreciation over time for its unique qualities and memorable moments.Nathan shares his childhood memory of seeing the film in theaters and covering his eyes during the infamous heart-ripping scene—the very scene that, along with Red Dawn, prompted the creation of the PG-13 rating that changed Hollywood forever. Both hosts give the film high marks (8-8.5 out of 10), placing it just below The Last Crusade in their rankings.Key topics discussed:How Temple of Doom works as a prequel set in 1935 (before Raiders)The incredible Shanghai club opening sequence and its filming challengesShort Round as one of the best sidekicks in the series who sadly never returnedKate Capshaw's performance as Willie Scott and her real-life sedatives for the bug scenesThe film's cultural insensitivity issues and how they were meant to be portrayedWhy the mine cart chase might be 20% too long but remains iconicPractical effects including stop-motion animation and early compositing techniquesIndiana Jones' character as more of an anti-hero than classic heroThe brilliant suspension bridge finale and Mola Ram as a memorable villainIn their deep cut recommendations, Nathan suggests exploring Bollywood classics like Om Shanti Om featuring Shahrukh Khan, while noting that Amrish Puri (Mola Ram) appears in the classic DDLJ. Krissy recommends checking out Ke Huy Quan's (Short Round) recent renaissance, including his Oscar-winning performance in Everything Everywhere All at Once.Whether you're covering your eyes during the heart scene or laughing at Willie's dinner reactions, Temple of Doom remains a unique, polarizing adventure that helped define 80s action cinema. --We couldn't do this without your support of The Most Excellent 80s Movies Podcast! Thank you!Join now for: $5/Month • $55/year • Learn More

This June, the Indianapolis Symphony Orchestra will premiere a new work from the Indianapolis composer, vocalist and musician Hanna Benn. Benn's piece is a double concerto for oboe and bassoon titled "A Through Line." Listen to an interview with Hanna Benn, along with ISO's principal oboe Jennifer Christen and principal bassoon Ivy Ringel. Benn's solo work defies classification, featuring intricate vocal layering with refined electronic production. She's contributed to high profile projects across the modern music landscape. As a vocalist, she can be heard on Meshell Ndegeocello's Grammy winning album "The Omnichord Real Book" and the Academy Award nominated soundtrack for "Everything Everywhere All at Once." As a composer, her work has been performed at Carnegie Hall.

Postmodern Patrimonialism. That's the term Brookings Institution scholar Jonathan Rauch uses to describe Trump's second presidency, arguing it represents a 21st century model of running government as if it's his own personal property. Rauch describes Trump 2's "everything everywhere all at once" strategy as a venture capital-like approach: launching numerous initiatives simultaneously to overwhelm opposition, expecting some to succeed while recognizing that others will fail. Noting that this strategy has slowed since March due to court challenges and declining approval ratings, Rauch discusses the institutional breakdown of Congress, the emergence of Gavin Newsom as the apex of the resistance to Trump 2, and identifies Stephen Miller and Russell Vought as key strategic masterminds behind the administration's coordinated assault on universities, law firms, and democratic norms. Five Key Takeaways * Patrimonialism, Not Fascism: Rauch has shifted from describing Trump as fascist to "patrimonial"—running government as personal property and family business. This model is less organized than fascism but equally corrosive to democratic institutions.* "Everything Everywhere All at Once" Strategy: Trump's administration deliberately overwhelms opposition by launching simultaneous attacks on multiple fronts (universities, law firms, agencies, individuals), making coordinated resistance nearly impossible.* Congressional Institutional Collapse: America has effectively moved from a three-branch to two-branch government, with Congress absent as a check on executive power—a more fundamental threat than Trump himself.* Democratic Governors as Resistance Leaders: Figures like Gavin Newsom are emerging as the most effective opposition voices, using states' rights to challenge federal overreach in ways Congress cannot.* Miller and Vought as Strategic Masterminds: Stephen Miller (immigration/security) and Russell Vought (domestic policy/OMB) are identified as the key architects behind the administration's coordinated assault on democratic institutions.Jonathan Rauch is a senior fellow in the Governance Studies program at the Brookings Institution and the author of eight books and many articles on public policy, culture, and government. He is a contributing writer of The Atlantic and recipient of the 2005 National Magazine Award, the magazine industry's equivalent of the Pulitzer Prize. His many Brookings publications include the 2021 book “The Constitution of Knowledge: A Defense of Truth”, as well as the 2015 ebook “Political Realism: How Hacks, Machines, Big Money, and Back-Room Deals Can Strengthen American Democracy.” Other books include “The Happiness Curve: Why Life Gets Better after 50” (2018) and “Gay Marriage: Why It Is Good for Gays, Good for Straights, and Good for America” (2004). He has also authored research on political parties, marijuana legalization, LGBT rights and religious liberty, and more.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

On episode 290 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, for part two of their Best Actress Tier Rankings. In the second part of the Best Actress tier rankings (listen to Part 1 here), the team return to the scene of the crime from last week to rank the remaining 49 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. Some of the winners ranked on this week's episode are Claudette Colbert for It Happened One Night, Nicole Kidman for The Hours, Meryl Streep for Sophie's Choice, Julia Roberts for Erin Brockovich, Jodie Foster for The Silence of the Lambs, Diane Keaton for Annie Hall, Faye Dunaway for Network, Michelle Yeoh for Everything Everywhere All at Once, our most recent winner Mikey Madison, Anora, and many more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it's lot of fun. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 4h18m. We will be back in next week reviews of Materialists and The Phoenician Scheme. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Sebastian Barrios was the longtime head of product and engineering at Mercado Libre, the largest company in Latin America—valued at over $100 billion and home to more than 100,000 employees. There, he led a team of more than 18,000 engineers across 18 countries and oversaw an astonishing 30,000 code deployments a day. Before Mercado Libre, he founded multiple startups, including a ridesharing company that competed directly with Uber in Latin America. And at just 17, he got a personal phone call from Steve Jobs asking him to take his app off the App Store. Today, Sebastian is the SVP of Engineering at Roblox.What you'll learn:• Why Mercado Libre operates with 95% fewer PMs than typical tech companies (and how it actually works)• How to maintain product quality with 30,000 daily deployments and distributed ownership• The weekly email system Sebastian uses to maintain alignment with leadership• How to build a culture of radical candor and direct feedback in a traditionally hierarchical region• The counterintuitive approach to product reviews that keeps 18,000 engineers aligned• How to evaluate hype cycles (crypto, AI) pragmatically while staying innovative—Brought to you by:Merge—A single API to add hundreds of integrations into your appVanta—Automate compliance. Simplify securityLinkedIn Ads—Reach professionals and drive results for your business—Where to find Sebastian Barrios:• LinkedIn: https://www.linkedin.com/in/zebas/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Sebastian Barrios and Mercado Libre(05:03) Mercado Libre's scale and unique ways of operating(14:48) AI's impact on operations(19:19) Empowering teams and reducing fear of failure(34:20) The importance of radical candor(38:26) Weekly updates(41:03) Avoiding hype cycles(44:24) When Steve Jobs personally called 17-year-old Sebastian(49:00) Building successful app businesses(55:33) Unique personal habits(01:04:00) Raising independent children(01:07:15) Lightning round and final thoughts—Referenced:• Mercado Libre: https://www.mercadolibre.com/• Claude: https://claude.ai/• Salesforce: https://www.salesforce.com/• Nvidia: https://www.nvidia.com/• TikTok: https://www.tiktok.com/• Adobe: https://www.adobe.com/• Uber: https://www.uber.com/• OpenAI: https://openai.com/• Marcos Galperin on LinkedIn: https://www.linkedin.com/in/marcosgalperin/• Cursor: https://www.cursor.com/• Windsurf: https://windsurf.com/• Which companies produce the best product managers: https://www.lennysnewsletter.com/p/which-companies-produce-the-best• Which companies accelerate PM careers most: https://www.lennysnewsletter.com/p/which-companies-accelerate-your-pm• How Revolut trains world-class product managers: The “local CEO” model, raw intellect over experience, and a cultural obsession with building wow products | Dmitry Zlokazov (Head of Product): https://www.lennysnewsletter.com/p/how-revolut-trains-world-class-product-managers• Intercom: https://www.intercom.com/• Atlassian: https://www.atlassian.com/• Radical Candor: From theory to practice with author Kim Scott: https://www.lennysnewsletter.com/p/radical-candor-from-theory-to-practice• Managing up: https://www.lennysnewsletter.com/p/managing-up• Steve Jobs: https://en.wikipedia.org/wiki/Steve_Jobs• Tobi Lütke's leadership playbook: Playing infinite games, operating from first principles, and maximizing human potential (founder and CEO of Shopify): https://www.lennysnewsletter.com/p/tobi-lutkes-leadership-playbook• Everything Everywhere All at Once: https://www.imdb.com/title/tt6710474/• Dune on Max: https://www.max.com/movies/dune/e7dc7b3a-a494-4ef1-8107-f4308aa6bbf7• Bluey on Disney+: https://www.disneyplus.com/browse/entity-fa6973b9-e7cf-49fb-81a2-d4908e4bf694• Mentava: https://www.mentava.com/• Matt Bateman's website: https://mattbateman.xyz/• Beast Academy: https://beastacademy.com/• David protein bars: https://davidprotein.com/• Marc Andreessen on X: https://x.com/pmarca• Tatami mats: https://en.wikipedia.org/wiki/Tatami—Recommended books:• Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity: https://www.amazon.com/Radical-Candor-Kick-Ass-Without-Humanity/dp/1250103509• High Output Management: https://www.amazon.com/High-Output-Management-Andrew-Grove/dp/0679762884/• The Odyssey: https://www.amazon.com/Odyssey-Homer/dp/0140268863• The Dream Machine: https://www.amazon.com/Dream-Machine-M-Mitchell-Waldrop/dp/1732265119/• Dune: https://www.amazon.com/Dune-Chronicles-Book-1/dp/0441013597/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lennysnewsletter.com/subscribe

Love DOES hurt. For instance, we love and only want the best for Everything Everywhere All at Once comeback king Ke Huy Quan, but then we have to witness him struggle through a movie like Love Hurts. Fortunately he comes off all right. The movie itself? Not so much. But hey, looks like he's got Zootopia 2 and a movie from the guy who made Rare Exports coming up. Maybe those will be good!Wikipedia page for Love HurtsRecommended in this episode:Dan: Summer of 69 (2025)Stu: The Order (2024)Elliott: Pee-wee as Himself (2025)

Happy Asian American and Pacific Islander Heritage Month, Richies! In light of AAPI Month, we have a story about someone who has given “comeback” a whole new meaning. After fleeing North Vietnam as a child with his family, Ke Huy Quan turns to acting and is immediately cast in “Indiana Jones and the Temple of Doom” and then “The Goonies.” He seems to be on a rocket to stardom. But then, in an industry that's unfair to non-white actors, the acting roles dry up and he can't find work. So he pivots and turns to stunt coordinating. But 30 years later, just when he thinks he'll never act again, he's cast in “Everything Everywhere All at Once” and everything changes. Again. He wins an Oscar. And 50-year-old Ke is a star all over again.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this mind-bending episode of Badlands Story Hour, Burning Bright and Chris Paul dive deep into the Oscar-winning multiverse epic Everything Everywhere All at Once, unpacking its frenetic chaos, cultural subtext, and the profoundly human themes buried beneath its absurdist surface. Despite initial skepticism, mocking what they assumed to be another Hollywood morality lecture wrapped in wokewash, the hosts find themselves surprised by the film's emotional core and moralist message. They dissect the film's commentary on nihilism, family breakdown, systemic dysfunction, and the desperate search for meaning in a collapsing world. Michelle Yeoh's Evelyn is a tragic heroine who finds redemption not through superhero powers but through compassion, presence, and the quiet strength of choosing love over despair. Chris and Burning explore how Evelyn's immigrant experience and generational trauma mirror cultural clashes between East and West, modernity and tradition, duty and individuality. The discussion turns philosophical and personal, with reflections on multiverse theory, the illusion of infinite choice, and the spiritual consequences of postmodern storytelling. From Waymond's underestimated wisdom to Joy's doomer spiral, the film becomes a lens through which the hosts examine relationships, regret, and the modern obsession with alternate paths and lost potential. With humor, insight, and just enough sarcasm, Story Hour transforms what could have been a Hollywood write-off into a meaningful meditation on what it means to truly matter. The verdict? “The universe may be a bagel, but there's still something worth fighting for in the center.” Next week's pick: The Apprentice, a film about Trump's early years with Roy Cohn. Tune in for a very different kind of multiverse.

Melanie is finally back. She is discussing her new podcast on the Other Girls Media Network. In this episode Melanie and I discuss a range of topics including personal updates, the emotional impact of the movie 'Everything Everywhere All at Once', and the launch of Melanie's new podcast 'Open to Life'. We explore the intersection of pro-life values and fertility awareness, emphasizing the importance of education in women's health and the need for candid conversations about birth control and fetal development. The episode concludes with reflections on the significance of these discussions in changing cultural perspectives.Listen to Open to Life HEREFollow on Instagram: @opentolifepodcast00:00 Introduction and Personal Updates03:55 Cherishing Moments and Movie Reflections06:36 Launching Open to Life Podcast11:58 Fertility Awareness and Pro-Life Perspectives17:05 The Role of Education in Reproductive Health22:17 Changing Conversations Around Fertility and Sex27:17 Vision for a World Beyond AbortionFollow on Instagram:TOG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thoseothergirlspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lifeasmalpal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Isabel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@styleandsmilee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This is a Other Girls Media production.You are able to listen on Apple Podcasts, Spotify, iHeartRadio, Google Podcast, Amazon Music, Pandora PLUS YouTube.Join our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sponsors:COL 192:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://col1972.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "thoseothergirls1972"America Women Beauty:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://americanwomanbeauty.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "mal15"Garnuu:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://garnuu.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "othergirls10"The Pink Rose:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shopthepinkrose.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "othergirls10"Want more TOG?Get the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Those Other Girls Rumble Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Those Other Girls Youtube Channe⁠⁠l⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesThis doctor makes house calls! Russo brothers Joe and Anthony told Entertainment Tonight that Iron Man turned Doom actor Robert Downey, Jr. is doing a lot of work to prepare for his new role in the Marvel Cinematic Universe. Joe Russo commented that Downey is “dialed in” and the actor is even writing a backstory for the character, immersing himself in the role.In a new move for Marvel Studios, the latest Thunderbolts* teaser had title cards between shots of the movie showcasing all of the talent behind the film that people might recognize. Shots of actors were intercut with cards citing their acting credits outside of the MCU aynd behind-the-camera credit for writing, directing, composing, cinematography, and editing, was also featured. Projects mentioned by these credits include Midsommar, Everything Everywhere All at Once, Beef, The Green Knight, and A Different Man, as well as a couple of others. Director Jake Schreier cited a goal given by Kevin Feige to make this film different and this seems to be one of the ways Schreier is attempting to do so. On March 8, HBO released an official trailer for The Last of Us Season 2. Several of us on this panel have a special place in our hearts for this show…let's talk about it! Stranger Things star Sadie Sink has joined the cast of Spider-Man 4. It's unclear who she will play at this time, though Deadline, which first reported the casting news, hinted that her role will be “significant.”Disney has released the first full trailer for the upcoming live action remake of Lilo & Stitch, which hits theaters on May 23.A series adaptation of “Crazy Rich Asians” is in development at Max. Adele Lim, who co-wrote the 2018 film, has been set as showrunner and executive producer, while director Jon M. Chu will also return to executive produce.Emmy award winning comedy Hacks will return for its fourth season on April 10. Max has also released the first teaser trailer for the upcoming season, which will run for 10 episodes.Netflix has released the trailer and first-look images for the fifth and final season of its psychological thriller series “You.” The series begins streaming on April 14.David Arquette will officially reprise his role as Dewey Riley from the first five “Scream” movies in the upcoming seventh installment of the horror franchise.Disney is hosting a Hollywood premiere of Snow White on March 15, but the studio won't be rolling out the red carpet like it usually does. The afternoon festivities will include a pre-party and screening at the El Capitan Theatre with stars Rachel Zegler and Gal Gadot expected to attend. However, the red carpet will not include the dozens of media outlets usually invited by Disney to interview the cast and creatives at its premieres. Instead, coverage will be limited to photographers and a house crew.Bong Joon Ho's sci-fi space epic Mickey 17 has finally landed at the box office, where it opened to a sluggish $19.1 domestically. Nevertheless, it was more than enough to come in at No. 1 at the box office, with a $53.3 million dollar worldwide total. Captain America: Brave New World took second place with $8.5 million dollars domestically, bringing its worldwide total to $370.8 million dollars in its fourth weekend.Netflix has released the first official trailer for season 7 of sci fi anthology series Black Mirror. The series will begin streaming on April 10th.In an interview with InStyle, Scarlett Johansson spoke on the potential return of Black Widow in the MCU, saying “Natasha is dead. She is dead. She's dead. Okay? They're like, ‘But she could come back! Look, I think the balance of the entire universe is held in her hand. We're going to have to let it go. She saved the world. Let her have her hero moment.”

Every spring brings entertainment award season, which means it’s time for the Plugged In Movie Awards! The Plugged In team reveals their 2025 picks for last year’s movies in four different categories: Kids, Teens, Adults, and Christian. You’ll discover some great movies your family may enjoy together! Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459) Read the full review: · Out of My Mind · Juror #2 · Everything Everywhere All at Once · Deadpool and Wolverine · Nosferatu · Sing Sing Check out the Plugged In Blog and the Plugged In Movie Award Categories: · Best Movies for Kids 2025 · Best Movies for Teens 2025 · Best Movies for Adults 2025 · Best Christian Movies 2025 The Plugged In Tech Guide Focus on the Family with Jim Daly Episode: How Your Family Can Manage Technology Well Part 1 How You Can Make Wise Entertainment Choices for Your Family Donate Now! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you've listened to any of our podcasts, please give us your feedback.

David French joins to discuss upending the NATO alliance, attacks on the rule of law, and how the pardon power was one of the Founders' worst mistakes.  The Mona Charen Show is a weekly, one-on-one discussion that goes in depth on political and cultural topics. Ad-free editions are exclusively available for Bulwark+ members. Add the show to your player of choice, here, or find it wherever you get your podcasts and on YouTube. Join now Referred Works The Federalist Papers – A collection of essays written by Alexander Hamilton, James Madison, and John Jay, referenced in discussions about constitutional powers, particularly the presidency. Anti-Federalist Papers ("An Old Whig" – Letter No. 5, 1787) – Cited as an early critique of the presidential pardon power and excessive executive authority. Marbury v. Madison (1803) – A landmark U.S. Supreme Court case establishing judicial review, mentioned in the context of legal authority over the president. U.S. Constitution – Indirectly referenced multiple times, particularly concerning executive powers, rule of law, and the balance of power. Learned Hand's Quote on Liberty – "Liberty lies in the hearts of men and women; when it dies there, no constitution, no law, no court can save it." Quoted in reference to the fragility of democratic institutions. DARVO (Deny, Attack, Reverse Victim and Offender) – A concept from psychology and sociology used to describe manipulative tactics, discussed in relation to political rhetoric. "Everything Everywhere All at Once" (Film, 2022) – Referenced metaphorically to describe the chaotic state of global and domestic affairs.

This week on And the Runner-Up Is, Kevin welcomes back his partner Sebastian Gronback to discuss the 2022 Oscar race for Best Actress, where Michelle Yeoh won for her performance in "Everything Everywhere All at Once," beating Cate Blanchett in "Tár," Ana de Armas in "Blonde," Andrea Riseborough in "To Leslie," and Michelle Williams in "The Fabelmans." We discuss all of these nominated performances and determine who we think was the runner-up to Yeoh. 0:00 - 11:35 - Introduction 11:36 - 39:44 - Cate Blanchett 39:45 - 1:03:01 - Ana de Armas 1:03:02 - 1:23:19 - Andrea Riseborough 1:23:20 - 1:47:23 - Michelle Williams 1:47:24 - 2:16:44 - Michelle Yeoh 2:16:45 - 3:16:13 - Why Michelle Yeoh won / listener questions 3:16:14 - 3:19:55 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter, Instagram, and Bluesky Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

“Love Hurts” star Ke Huy Quan and Drew are reminiscing about acting as children and becoming close with Steven Spielberg. He's also telling Drew about choreographing stunts for Hugh Jackman, how he met his wife of over twenty years and making an acting comeback for “Everything Everywhere All at Once". Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie Hsu broke through—and landed her first Oscar nomination—three years ago in Best Picture winner ‘Everything Everywhere All at Once.' That film had some oddball laughs for sure, but if you had only seen her in the dual roles of the diminutive Joy Wang and villainous Jobu Tupaki, you would have no idea she was capable of playing a classic rom-com lead like she does in the new Peacock series ‘Laid.' In this episode, Hsu talks about how a background in comedy helped prepare her to portray a deeply flawed character who discovers that all of the men she has slept with are dying and why getting cast in the show felt like a “huge step” in the fight for representation on TV. She also gets into the wild journey from her audition for ‘Everything Everywhere' to the Oscars, explains why she turned down the chance to possibly play Glinda in John M. Chu's ‘Wicked,' and teases her upcoming buddy comedy with ‘Abbott Elementary's' Quinta Brunson.Follow Stephanie Hsu on Instagram @stephaniehsuofficial Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.