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The Darkest Indiana Jones AdventureIn this episode of The Most Excellent 80s Movies Podcast, hosts Krissy Lenz and Nathan Blackwell dive into the controversial second installment of the Indiana Jones franchise, Indiana Jones and the Temple of Doom (1984). This prequel to Raiders of the Lost Ark takes our hero to Shanghai and then India for what many consider the darkest chapter in the series.The hosts explore how the film's darker tone was influenced by George Lucas and Steven Spielberg's personal lives at the time, with both going through difficult periods that affected the creative direction. Despite being considered the black sheep of the original trilogy, Temple of Doom has gained appreciation over time for its unique qualities and memorable moments.Nathan shares his childhood memory of seeing the film in theaters and covering his eyes during the infamous heart-ripping scene—the very scene that, along with Red Dawn, prompted the creation of the PG-13 rating that changed Hollywood forever. Both hosts give the film high marks (8-8.5 out of 10), placing it just below The Last Crusade in their rankings.Key topics discussed:How Temple of Doom works as a prequel set in 1935 (before Raiders)The incredible Shanghai club opening sequence and its filming challengesShort Round as one of the best sidekicks in the series who sadly never returnedKate Capshaw's performance as Willie Scott and her real-life sedatives for the bug scenesThe film's cultural insensitivity issues and how they were meant to be portrayedWhy the mine cart chase might be 20% too long but remains iconicPractical effects including stop-motion animation and early compositing techniquesIndiana Jones' character as more of an anti-hero than classic heroThe brilliant suspension bridge finale and Mola Ram as a memorable villainIn their deep cut recommendations, Nathan suggests exploring Bollywood classics like Om Shanti Om featuring Shahrukh Khan, while noting that Amrish Puri (Mola Ram) appears in the classic DDLJ. Krissy recommends checking out Ke Huy Quan's (Short Round) recent renaissance, including his Oscar-winning performance in Everything Everywhere All at Once.Whether you're covering your eyes during the heart scene or laughing at Willie's dinner reactions, Temple of Doom remains a unique, polarizing adventure that helped define 80s action cinema. --We couldn't do this without your support of The Most Excellent 80s Movies Podcast! Thank you!Join now for: $5/Month • $55/year • Learn More

This June, the Indianapolis Symphony Orchestra will premiere a new work from the Indianapolis composer, vocalist and musician Hanna Benn. Benn's piece is a double concerto for oboe and bassoon titled "A Through Line." Listen to an interview with Hanna Benn, along with ISO's principal oboe Jennifer Christen and principal bassoon Ivy Ringel. Benn's solo work defies classification, featuring intricate vocal layering with refined electronic production. She's contributed to high profile projects across the modern music landscape. As a vocalist, she can be heard on Meshell Ndegeocello's Grammy winning album "The Omnichord Real Book" and the Academy Award nominated soundtrack for "Everything Everywhere All at Once." As a composer, her work has been performed at Carnegie Hall.

Postmodern Patrimonialism. That's the term Brookings Institution scholar Jonathan Rauch uses to describe Trump's second presidency, arguing it represents a 21st century model of running government as if it's his own personal property. Rauch describes Trump 2's "everything everywhere all at once" strategy as a venture capital-like approach: launching numerous initiatives simultaneously to overwhelm opposition, expecting some to succeed while recognizing that others will fail. Noting that this strategy has slowed since March due to court challenges and declining approval ratings, Rauch discusses the institutional breakdown of Congress, the emergence of Gavin Newsom as the apex of the resistance to Trump 2, and identifies Stephen Miller and Russell Vought as key strategic masterminds behind the administration's coordinated assault on universities, law firms, and democratic norms. Five Key Takeaways * Patrimonialism, Not Fascism: Rauch has shifted from describing Trump as fascist to "patrimonial"—running government as personal property and family business. This model is less organized than fascism but equally corrosive to democratic institutions.* "Everything Everywhere All at Once" Strategy: Trump's administration deliberately overwhelms opposition by launching simultaneous attacks on multiple fronts (universities, law firms, agencies, individuals), making coordinated resistance nearly impossible.* Congressional Institutional Collapse: America has effectively moved from a three-branch to two-branch government, with Congress absent as a check on executive power—a more fundamental threat than Trump himself.* Democratic Governors as Resistance Leaders: Figures like Gavin Newsom are emerging as the most effective opposition voices, using states' rights to challenge federal overreach in ways Congress cannot.* Miller and Vought as Strategic Masterminds: Stephen Miller (immigration/security) and Russell Vought (domestic policy/OMB) are identified as the key architects behind the administration's coordinated assault on democratic institutions.Jonathan Rauch is a senior fellow in the Governance Studies program at the Brookings Institution and the author of eight books and many articles on public policy, culture, and government. He is a contributing writer of The Atlantic and recipient of the 2005 National Magazine Award, the magazine industry's equivalent of the Pulitzer Prize. His many Brookings publications include the 2021 book “The Constitution of Knowledge: A Defense of Truth”, as well as the 2015 ebook “Political Realism: How Hacks, Machines, Big Money, and Back-Room Deals Can Strengthen American Democracy.” Other books include “The Happiness Curve: Why Life Gets Better after 50” (2018) and “Gay Marriage: Why It Is Good for Gays, Good for Straights, and Good for America” (2004). He has also authored research on political parties, marijuana legalization, LGBT rights and religious liberty, and more.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

On episode 290 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, for part two of their Best Actress Tier Rankings. In the second part of the Best Actress tier rankings (listen to Part 1 here), the team return to the scene of the crime from last week to rank the remaining 49 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. Some of the winners ranked on this week's episode are Claudette Colbert for It Happened One Night, Nicole Kidman for The Hours, Meryl Streep for Sophie's Choice, Julia Roberts for Erin Brockovich, Jodie Foster for The Silence of the Lambs, Diane Keaton for Annie Hall, Faye Dunaway for Network, Michelle Yeoh for Everything Everywhere All at Once, our most recent winner Mikey Madison, Anora, and many more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it's lot of fun. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 4h18m. We will be back in next week reviews of Materialists and The Phoenician Scheme. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Sebastian Barrios was the longtime head of product and engineering at Mercado Libre, the largest company in Latin America—valued at over $100 billion and home to more than 100,000 employees. There, he led a team of more than 18,000 engineers across 18 countries and oversaw an astonishing 30,000 code deployments a day. Before Mercado Libre, he founded multiple startups, including a ridesharing company that competed directly with Uber in Latin America. And at just 17, he got a personal phone call from Steve Jobs asking him to take his app off the App Store. Today, Sebastian is the SVP of Engineering at Roblox.What you'll learn:• Why Mercado Libre operates with 95% fewer PMs than typical tech companies (and how it actually works)• How to maintain product quality with 30,000 daily deployments and distributed ownership• The weekly email system Sebastian uses to maintain alignment with leadership• How to build a culture of radical candor and direct feedback in a traditionally hierarchical region• The counterintuitive approach to product reviews that keeps 18,000 engineers aligned• How to evaluate hype cycles (crypto, AI) pragmatically while staying innovative—Brought to you by:Merge—A single API to add hundreds of integrations into your appVanta—Automate compliance. Simplify securityLinkedIn Ads—Reach professionals and drive results for your business—Where to find Sebastian Barrios:• LinkedIn: https://www.linkedin.com/in/zebas/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Sebastian Barrios and Mercado Libre(05:03) Mercado Libre's scale and unique ways of operating(14:48) AI's impact on operations(19:19) Empowering teams and reducing fear of failure(34:20) The importance of radical candor(38:26) Weekly updates(41:03) Avoiding hype cycles(44:24) When Steve Jobs personally called 17-year-old Sebastian(49:00) Building successful app businesses(55:33) Unique personal habits(01:04:00) Raising independent children(01:07:15) Lightning round and final thoughts—Referenced:• Mercado Libre: https://www.mercadolibre.com/• Claude: https://claude.ai/• Salesforce: https://www.salesforce.com/• Nvidia: https://www.nvidia.com/• TikTok: https://www.tiktok.com/• Adobe: https://www.adobe.com/• Uber: https://www.uber.com/• OpenAI: https://openai.com/• Marcos Galperin on LinkedIn: https://www.linkedin.com/in/marcosgalperin/• Cursor: https://www.cursor.com/• Windsurf: https://windsurf.com/• Which companies produce the best product managers: https://www.lennysnewsletter.com/p/which-companies-produce-the-best• Which companies accelerate PM careers most: https://www.lennysnewsletter.com/p/which-companies-accelerate-your-pm• How Revolut trains world-class product managers: The “local CEO” model, raw intellect over experience, and a cultural obsession with building wow products | Dmitry Zlokazov (Head of Product): https://www.lennysnewsletter.com/p/how-revolut-trains-world-class-product-managers• Intercom: https://www.intercom.com/• Atlassian: https://www.atlassian.com/• Radical Candor: From theory to practice with author Kim Scott: https://www.lennysnewsletter.com/p/radical-candor-from-theory-to-practice• Managing up: https://www.lennysnewsletter.com/p/managing-up• Steve Jobs: https://en.wikipedia.org/wiki/Steve_Jobs• Tobi Lütke's leadership playbook: Playing infinite games, operating from first principles, and maximizing human potential (founder and CEO of Shopify): https://www.lennysnewsletter.com/p/tobi-lutkes-leadership-playbook• Everything Everywhere All at Once: https://www.imdb.com/title/tt6710474/• Dune on Max: https://www.max.com/movies/dune/e7dc7b3a-a494-4ef1-8107-f4308aa6bbf7• Bluey on Disney+: https://www.disneyplus.com/browse/entity-fa6973b9-e7cf-49fb-81a2-d4908e4bf694• Mentava: https://www.mentava.com/• Matt Bateman's website: https://mattbateman.xyz/• Beast Academy: https://beastacademy.com/• David protein bars: https://davidprotein.com/• Marc Andreessen on X: https://x.com/pmarca• Tatami mats: https://en.wikipedia.org/wiki/Tatami—Recommended books:• Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity: https://www.amazon.com/Radical-Candor-Kick-Ass-Without-Humanity/dp/1250103509• High Output Management: https://www.amazon.com/High-Output-Management-Andrew-Grove/dp/0679762884/• The Odyssey: https://www.amazon.com/Odyssey-Homer/dp/0140268863• The Dream Machine: https://www.amazon.com/Dream-Machine-M-Mitchell-Waldrop/dp/1732265119/• Dune: https://www.amazon.com/Dune-Chronicles-Book-1/dp/0441013597/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lennysnewsletter.com/subscribe

Love DOES hurt. For instance, we love and only want the best for Everything Everywhere All at Once comeback king Ke Huy Quan, but then we have to witness him struggle through a movie like Love Hurts. Fortunately he comes off all right. The movie itself? Not so much. But hey, looks like he's got Zootopia 2 and a movie from the guy who made Rare Exports coming up. Maybe those will be good!Wikipedia page for Love HurtsRecommended in this episode:Dan: Summer of 69 (2025)Stu: The Order (2024)Elliott: Pee-wee as Himself (2025)

Ende Mai endet wie immer die "Emmy"-Deadline, das heißt Anfang Juni ist für Serien eher Saure-Gurken-Zeit, sodass wir ein klein wenig zurückgreifen in dieser Woche. In der zweiten Hälfte der Folge sprechen Michael und Rüdiger über den Amazon-Thriller "Die perfekte Schwester" (31:18) mit Jessica Biel und Elizabeth Banks, der mal wieder zeigt wie schwer es reiche Frauen haben. Kann die Adaption eines Romans von Alafair Burke dem Genre neues Leben einhauen? Danach holen wir mit "Parallel Me" (50:37) eine deutsche Multiverse-Dramedy auf Paramount+ nach, die in deutschen Kritiken mit "Everything Everywhere All at Once" und "Und täglich grüßt das Murmeltier" verglichen wurde, aber bei Rüdiger eher Erinnerungen an eine seiner liebsten Jugendserien weckt. Zu Beginn des Podcasts aber sprechen er und Michael gemeinsam mit Holger über die aktuelle Apple-Comedy "Stick" (4:21) mit Owen Wilson und fragen sich wie attraktiv Serien über Golf sein können, ob es die Serie ohne "Ted Lasso" gegeben hätte und was sie mit "Der Zauberer von Oz" gemein hat. Cold-Open-Frage: "Was halten wir von Amazons deutschen Plänen für 2025/2026?"

Aujourd'hui, je reçois, Maxime Delcher, VP UX & Product Design chez CEGID. Ensemble, nous revenons sur l'évolution d'un designer autodidacte devenu leader d'une équipe de 35 personnes, et sur les leviers pour installer une culture design forte dans un contexte B2B global.

Happy Asian American and Pacific Islander Heritage Month, Richies! In light of AAPI Month, we have a story about someone who has given “comeback” a whole new meaning. After fleeing North Vietnam as a child with his family, Ke Huy Quan turns to acting and is immediately cast in “Indiana Jones and the Temple of Doom” and then “The Goonies.” He seems to be on a rocket to stardom. But then, in an industry that's unfair to non-white actors, the acting roles dry up and he can't find work. So he pivots and turns to stunt coordinating. But 30 years later, just when he thinks he'll never act again, he's cast in “Everything Everywhere All at Once” and everything changes. Again. He wins an Oscar. And 50-year-old Ke is a star all over again.You can follow Brooke and Aricia on socials at @brookesiffrinn and @ariciaskidmorewilliamss. And check out the brand new Even the Rich merch store at www.eventherich.com.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Even The Rich on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App or on Apple Podcasts. Start your free trial today by visiting wondery.com/links/even-the-rich/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this mind-bending episode of Badlands Story Hour, Burning Bright and Chris Paul dive deep into the Oscar-winning multiverse epic Everything Everywhere All at Once, unpacking its frenetic chaos, cultural subtext, and the profoundly human themes buried beneath its absurdist surface. Despite initial skepticism, mocking what they assumed to be another Hollywood morality lecture wrapped in wokewash, the hosts find themselves surprised by the film's emotional core and moralist message. They dissect the film's commentary on nihilism, family breakdown, systemic dysfunction, and the desperate search for meaning in a collapsing world. Michelle Yeoh's Evelyn is a tragic heroine who finds redemption not through superhero powers but through compassion, presence, and the quiet strength of choosing love over despair. Chris and Burning explore how Evelyn's immigrant experience and generational trauma mirror cultural clashes between East and West, modernity and tradition, duty and individuality. The discussion turns philosophical and personal, with reflections on multiverse theory, the illusion of infinite choice, and the spiritual consequences of postmodern storytelling. From Waymond's underestimated wisdom to Joy's doomer spiral, the film becomes a lens through which the hosts examine relationships, regret, and the modern obsession with alternate paths and lost potential. With humor, insight, and just enough sarcasm, Story Hour transforms what could have been a Hollywood write-off into a meaningful meditation on what it means to truly matter. The verdict? “The universe may be a bagel, but there's still something worth fighting for in the center.” Next week's pick: The Apprentice, a film about Trump's early years with Roy Cohn. Tune in for a very different kind of multiverse.

DREAMWORKS' BEST MOVIE??? The Wild Robot Full Reaction Watch Along:   / thereelrejects   Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Download the PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! With Pedro Pascal in both The Last of Us & Fantastic 4 and Lupita Nyong'o in Christopher Nolan's upcoming The Odyssey, John & Roxy reunite to give their The Wild Robot Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Roxy Striar & John Humphrey as they embark on an epic island adventure with DreamWorks Animation's 2024 family favorite, The Wild Robot. When an advanced android named Roz (voiced by Lupita Nyong'o, Oscar-winner for 12 Years a Slave and Black Panther) washes ashore, she must learn to survive in the wilderness—befriending a playful fox named Fink (Pedro Pascal, The Last of Us, The Mandalorian) and adopting an orphaned gosling, Brightbill (Kit Connor, Heartstopper, Slumber Party), as her own. Alongside Roz's newfound family are Pinktail the possum mom (Catherine O'Hara, Home Alone, Schitt's Creek), Longneck the wise elder goose (Bill Nighy, Love Actually, Pirates of the Caribbean), and Thunderbolt the peregrine falcon (Ving Rhames, Mission: Impossible series, Pulp Fiction)—each teaching Roz vital lessons. But when the ruthless retrieval robot Vontra (Stephanie Hsu, Everything Everywhere All at Once, The Marvels) arrives to capture Roz, and the fearsome bear Thorn (Mark Hamill, Star Wars, Batman: The Animated Series) stalks the island, Roz must rely on her ingenuity and the loyalty of her animal friends—like neurotic beaver Paddler (Matt Berry, What We Do in the Shadows, The IT Crowd)—to protect Brightbill and call the island home. Roxy & John break down every standout moment: Roz's first dawn-lit trek through the forest, the heartwarming microbot experiment that almost goes awry, the breathtaking flight-training sequences, and the tense factory showdown with Vontra. Dive into our in-depth reaction and review as we explore how The Wild Robot blends action, emotion, and stunning animation into a touching tale of friendship and belonging! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THUNDERBOLTS OUT OF THEATER REVIEW!! Play War Thunder now with my links, and get a massive, free bonus pack including vehicles, boosters and more on PC/console and mobile: PC/Console: https://playwt.link/reelrejects | Mobile: https://wtm.game/reelrejects Marvel Studios Thunderbolts Out of Theater Reaction! John Humphrey & Roxy Striar share their out-of-theater review after attending the IMAX screening of Marvel Studios' Thunderbolts! We dive into the emotional character journeys, fresh team dynamics, Florence Pugh's standout performance as Yelena Belova (Black Widow, Midsommar), Wyatt Russell as U.S. Agent (Falcon and the Winter Soldier, Overlord), Sebastian Stan as Bucky Barnes/Winter Soldier (Captain America: The Winter Soldier, Pam & Tommy), David Harbour as Red Guardian (Stranger Things, Black Widow), Hannah John-Kamen as Ghost (Ant-Man and the Wasp), Lewis Pullman as Sentry (Top Gun: Maverick, Bad Times at the El Royale), and Julia Louis-Dreyfus as Valentina Allegra de Fontaine (Veep, Seinfeld). We talk about the refreshing ensemble chemistry, the Winter Soldier tone, character arcs, standout hand-to-hand action, the surprising emotional depth, Son Lux's incredible score (Everything Everywhere All at Once), and how Thunderbolts successfully balances humor, sadness, and thrilling combat. We also cover how the movie breaks away from Suicide Squad comparisons and carves out its own space in the MCU, discussing the thoughtful story beats and how it fits into the larger Marvel narrative. We had Deadpool & Wolverine, Agatha All Along, Daredevil Born Again, & Captain America Brave New World --upcomng is Eyes of Wakanda, Spider-Man 4, Ironheart, Blade, Fantastic Four, Avengers: Doomsday, Avengers Secret Wars, Wonder Man, Vision, & MORE! PATREON: https://www.patreon.com/thereelrejects Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Evelyn, a seemingly normal middle-aged Chinese immigrant, is swept up into an extraordinary adventure in which she must prevent a powerful being from destroying all existence by exploring other parallel universes. Stephanie and Eric harness the power of Everything Everywhere All at Once (2022), collectively directed by the Daniels.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch

Helen and Gavin chat about On Becoming a Guinea Fowl, and We're All Gonna Die and it's the FINAL WEEK of our journey through Oscar Best Picture Winners, looking at the winners from 2023, 2024, and 2025; Everything Everywhere All at Once, Oppenheimer, and Anora.

Podcast Delays, Everything Everywhere All at Once, Nomadland, Wallace and Gromit: Vengeance Most Fowl, Room on the Broom, Wolf Man, Companion, M3GAN, Creep Box, Timestalker, Invincible, Legion, Daredevil: Born Again, Mythic Quest, Andor, Doctor Who, The X-Files, Motorcycle Wrenching, Physical Media Conversion, Skype, CRRRRS on YouTube

Melanie is finally back. She is discussing her new podcast on the Other Girls Media Network. In this episode Melanie and I discuss a range of topics including personal updates, the emotional impact of the movie 'Everything Everywhere All at Once', and the launch of Melanie's new podcast 'Open to Life'. We explore the intersection of pro-life values and fertility awareness, emphasizing the importance of education in women's health and the need for candid conversations about birth control and fetal development. The episode concludes with reflections on the significance of these discussions in changing cultural perspectives.Listen to Open to Life HEREFollow on Instagram: @opentolifepodcast00:00 Introduction and Personal Updates03:55 Cherishing Moments and Movie Reflections06:36 Launching Open to Life Podcast11:58 Fertility Awareness and Pro-Life Perspectives17:05 The Role of Education in Reproductive Health22:17 Changing Conversations Around Fertility and Sex27:17 Vision for a World Beyond AbortionFollow on Instagram:TOG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thoseothergirlspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lifeasmalpal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Isabel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@styleandsmilee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This is a Other Girls Media production.You are able to listen on Apple Podcasts, Spotify, iHeartRadio, Google Podcast, Amazon Music, Pandora PLUS YouTube.Join our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sponsors:COL 192:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://col1972.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "thoseothergirls1972"America Women Beauty:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://americanwomanbeauty.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "mal15"Garnuu:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://garnuu.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "othergirls10"The Pink Rose:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shopthepinkrose.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "othergirls10"Want more TOG?Get the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Those Other Girls Rumble Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Those Other Girls Youtube Channe⁠⁠l⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesThis doctor makes house calls! Russo brothers Joe and Anthony told Entertainment Tonight that Iron Man turned Doom actor Robert Downey, Jr. is doing a lot of work to prepare for his new role in the Marvel Cinematic Universe. Joe Russo commented that Downey is “dialed in” and the actor is even writing a backstory for the character, immersing himself in the role.In a new move for Marvel Studios, the latest Thunderbolts* teaser had title cards between shots of the movie showcasing all of the talent behind the film that people might recognize. Shots of actors were intercut with cards citing their acting credits outside of the MCU aynd behind-the-camera credit for writing, directing, composing, cinematography, and editing, was also featured. Projects mentioned by these credits include Midsommar, Everything Everywhere All at Once, Beef, The Green Knight, and A Different Man, as well as a couple of others. Director Jake Schreier cited a goal given by Kevin Feige to make this film different and this seems to be one of the ways Schreier is attempting to do so. On March 8, HBO released an official trailer for The Last of Us Season 2. Several of us on this panel have a special place in our hearts for this show…let's talk about it! Stranger Things star Sadie Sink has joined the cast of Spider-Man 4. It's unclear who she will play at this time, though Deadline, which first reported the casting news, hinted that her role will be “significant.”Disney has released the first full trailer for the upcoming live action remake of Lilo & Stitch, which hits theaters on May 23.A series adaptation of “Crazy Rich Asians” is in development at Max. Adele Lim, who co-wrote the 2018 film, has been set as showrunner and executive producer, while director Jon M. Chu will also return to executive produce.Emmy award winning comedy Hacks will return for its fourth season on April 10. Max has also released the first teaser trailer for the upcoming season, which will run for 10 episodes.Netflix has released the trailer and first-look images for the fifth and final season of its psychological thriller series “You.” The series begins streaming on April 14.David Arquette will officially reprise his role as Dewey Riley from the first five “Scream” movies in the upcoming seventh installment of the horror franchise.Disney is hosting a Hollywood premiere of Snow White on March 15, but the studio won't be rolling out the red carpet like it usually does. The afternoon festivities will include a pre-party and screening at the El Capitan Theatre with stars Rachel Zegler and Gal Gadot expected to attend. However, the red carpet will not include the dozens of media outlets usually invited by Disney to interview the cast and creatives at its premieres. Instead, coverage will be limited to photographers and a house crew.Bong Joon Ho's sci-fi space epic Mickey 17 has finally landed at the box office, where it opened to a sluggish $19.1 domestically. Nevertheless, it was more than enough to come in at No. 1 at the box office, with a $53.3 million dollar worldwide total. Captain America: Brave New World took second place with $8.5 million dollars domestically, bringing its worldwide total to $370.8 million dollars in its fourth weekend.Netflix has released the first official trailer for season 7 of sci fi anthology series Black Mirror. The series will begin streaming on April 10th.In an interview with InStyle, Scarlett Johansson spoke on the potential return of Black Widow in the MCU, saying “Natasha is dead. She is dead. She's dead. Okay? They're like, ‘But she could come back! Look, I think the balance of the entire universe is held in her hand. We're going to have to let it go. She saved the world. Let her have her hero moment.”

On this episode, Heather and Joe talk about seven essential productivity hacks to help accountants and bookkeepers stay sane during the busy season. They cover strategies like the two-minute rule, email automation, mindset shifts, and the importance of setting boundaries to maintain efficiency and well-being. Joe also revisits The Execution Factor by Kim Perrell (from episode 41 of the Woodard Report podcast). TV and Movie Quote: Heather quoted Everything Everywhere All at Once Joe quoted Michael Corleone from the Godfather Book of the Week: The Execution Factor by Kim Perrell Joe interviewed Kim Perrell on episode 41 of The Woodard Report Podcast Favorite Social Posts: Heather mentioned Matt Tait of Decimal and his post on LinkedIn Joe mentioned Greg Kyte on X/Twitter as posted by The Soul of Enterprise The Woodard Report Article of the Week: Executive Orders: The Good, the Bad and the Impact on Business by Ryan Francis Thank you to our show sponsor, Bill! They are the intelligent way to create and pay bills, send invoices, manage expenses, control budgets, and access the credit your business needs to grow—all on one platform. Learn more about the show and our sponsors at Woodard.com/podcast

Self-made and self-taught, the story of Martial Club - a YouTube channel created in 2012 by Daniel Mah and the brothers Andy Le and Brian Le - is truly inspiring. As kids obsessed with kung fu movies, they would copy the moves, create their own short films and upload them to the internet, purely as a way of expressing their passion for the martial arts. As their filmmaking and on-screen talent progressed - Brian, Andy and Daniel are all incredible performers, combining their martial arts skills with tricking, breakdancing, gymnastics and more - as did their following, and pretty soon, Hollywood came calling. The last few years have been a whirlwind for the Le brothers, including work as fight choreographers on the multi award-winning 'Everything Everywhere All at Once', which involved going toe-to-toe on-screen with the queen of kung fu cinema, Michelle Yeoh; then there was a TV commercial with Jackie Chan, work on the Marvel blockbuster, 'Shang-Chi and the Legend of the Ten Rings', plus TV work in 'Into the Badlands' (Brian doubled the actor Nick Frost) and 'The Brothers Sun' (again with Michelle Yeoh). Their success is built on over a decades' worth of hard work and dedication to the craft of martial arts filmmaking; they have quite literally put their blood, sweat, and tears into producing some of the most exciting kung fu action you will find on the internet. Their latest short film, 'Shaolin Avengers', is a love-letter to the genre they cherish and its their most ambitious project yet. It shows them at the top of their game - creative, comedic, and highly charged. With plans to turn it into a feature film, it seems the inspirational story of Martial Club is far from over.LINKSMartial Club on YouTube: https://www.youtube.com/user/martialclubMartial Club on Instagram: https://www.instagram.com/martialclubofficial/Andy Le on Instagram: https://www.instagram.com/andyle_official/Brian Le on Instagram: https://www.instagram.com/brianle_official/'Shaolin Avengers' by Martial Club: https://www.youtube.com/watch?v=l1K8OtHQuas'Ip Man - The Intercepting Fist' by Martial Club: https://youtu.be/08akhqwjBwc?si=8KcRpZheGa-JWcfr'Supreme Art of War' by Martial Club: https://youtu.be/-dzt7vski64?si=YKPt2dINl76qUhjO'A Kung Fu Vampire Story' by Martial Club: https://youtu.be/y3PVTrVQvH0?si=mDFXfG8HDdfAgdUl'Working with Jackie Chan' by Martial Club: https://youtu.be/JvV_Sa4Tnso?si=owF4jXmmfPsudzRf'Luc Van Tien: Kung Fu Warrior' (2017) review on Kung Fu Movie Guide: https://bit.ly/LucVanTien2017'The Paper Tigers' (2020) review on Kung Fu Movie Guide: https://bit.ly/ThePaperTigersKFMG'Shang-Chi and the Legend of the 10 Rings' (2021) review on Kung Fu Movie Guide: https://bit.ly/ShangChiKFMG'Everything Everywhere All at Once' (2022) review on Kung Fu Movie Guide: https://bit.ly/EEAAO2022'Everything Everywhere All at Once' fanny pack fight scene: https://youtu.be/1UQ7yvfctOU?si=ijp8o4U7gmnzvfwr'Everything Everywhere All at Once' trophy fight scene: https://youtu.be/O-gplbWy__Q?si=QFjLeMmIcBN7kPup'Urban Ninja' clip on YouTube: https://youtu.be/D2kJZOfq7zk?si=kbebwtc4mkIUJ63G'Turn Down for What' by DJ Snake and Lil Jon, directed by Daniels: https://youtu.be/HMUDVMiITOU?si=7Q5vJDld7k-3GF0dDonate to the Kung Fu Movie Guide Podcast on PayPal: https://paypal.me/kungfumovieguide Hosted on Acast. See acast.com/privacy for more information.

This week Zak and Stevie try to wrap their mind around the fever dream that is Everything Everywhere All at Once.

Every spring brings entertainment award season, which means it’s time for the Plugged In Movie Awards! The Plugged In team reveals their 2025 picks for last year’s movies in four different categories: Kids, Teens, Adults, and Christian. You’ll discover some great movies your family may enjoy together! Connect with us! www.ThePluggedInShow.com Connect on Facebook Find us on Instagram EMAIL: team@thepluggedinshow.com PHONE: 800-A-FAMILY (800-262-3459) Read the full review: · Out of My Mind · Juror #2 · Everything Everywhere All at Once · Deadpool and Wolverine · Nosferatu · Sing Sing Check out the Plugged In Blog and the Plugged In Movie Award Categories: · Best Movies for Kids 2025 · Best Movies for Teens 2025 · Best Movies for Adults 2025 · Best Christian Movies 2025 The Plugged In Tech Guide Focus on the Family with Jim Daly Episode: How Your Family Can Manage Technology Well Part 1 How You Can Make Wise Entertainment Choices for Your Family Donate Now! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you've listened to any of our podcasts, please give us your feedback.

David French joins to discuss upending the NATO alliance, attacks on the rule of law, and how the pardon power was one of the Founders' worst mistakes.  The Mona Charen Show is a weekly, one-on-one discussion that goes in depth on political and cultural topics. Ad-free editions are exclusively available for Bulwark+ members. Add the show to your player of choice, here, or find it wherever you get your podcasts and on YouTube. Join now Referred Works The Federalist Papers – A collection of essays written by Alexander Hamilton, James Madison, and John Jay, referenced in discussions about constitutional powers, particularly the presidency. Anti-Federalist Papers ("An Old Whig" – Letter No. 5, 1787) – Cited as an early critique of the presidential pardon power and excessive executive authority. Marbury v. Madison (1803) – A landmark U.S. Supreme Court case establishing judicial review, mentioned in the context of legal authority over the president. U.S. Constitution – Indirectly referenced multiple times, particularly concerning executive powers, rule of law, and the balance of power. Learned Hand's Quote on Liberty – "Liberty lies in the hearts of men and women; when it dies there, no constitution, no law, no court can save it." Quoted in reference to the fragility of democratic institutions. DARVO (Deny, Attack, Reverse Victim and Offender) – A concept from psychology and sociology used to describe manipulative tactics, discussed in relation to political rhetoric. "Everything Everywhere All at Once" (Film, 2022) – Referenced metaphorically to describe the chaotic state of global and domestic affairs.

This week on And the Runner-Up Is, Kevin welcomes back his partner Sebastian Gronback to discuss the 2022 Oscar race for Best Actress, where Michelle Yeoh won for her performance in "Everything Everywhere All at Once," beating Cate Blanchett in "Tár," Ana de Armas in "Blonde," Andrea Riseborough in "To Leslie," and Michelle Williams in "The Fabelmans." We discuss all of these nominated performances and determine who we think was the runner-up to Yeoh. 0:00 - 11:35 - Introduction 11:36 - 39:44 - Cate Blanchett 39:45 - 1:03:01 - Ana de Armas 1:03:02 - 1:23:19 - Andrea Riseborough 1:23:20 - 1:47:23 - Michelle Williams 1:47:24 - 2:16:44 - Michelle Yeoh 2:16:45 - 3:16:13 - Why Michelle Yeoh won / listener questions 3:16:14 - 3:19:55 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter, Instagram, and Bluesky Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Send us a textHello Friends! Welcome back to your favorite Wednesday morning podcast! This time Robbie saw a real life wizard, Jordan literally is Team USA... and they both discuss Everything Everywhere All at Once... in more detail this time because Jordan watched it! Thanks for stopping by!Support the showLike the show?! Want to support us?! Click here!Email us @ tidbitzwiththeboyz@gmail.com Tik Tok Instagram Facebook

“Love Hurts” star Ke Huy Quan and Drew are reminiscing about acting as children and becoming close with Steven Spielberg. He's also telling Drew about choreographing stunts for Hugh Jackman, how he met his wife of over twenty years and making an acting comeback for “Everything Everywhere All at Once". Learn more about your ad choices. Visit megaphone.fm/adchoices

Nosferatu, Everything Everywhere All at Once, Star Trek: Section 31, Dune: Prophecy, Star Wars: Skeleton Crew, Silo, The Agency, I'm Back to the Beginning with Podcasting Gear, Windows 11, Youtube Create

l⁠⁠⁠inktr.ee/CatchingUpOnCinema⁠⁠⁠⁠⁠⁠⁠This February at Catching Up On Cinema, is “Ladies' Night”!All month long we'll be reviewing action movies headlined by women!This week, Trevor conducts a solo review Johnnie To and Ching Siu-Tung's, The Heroic Trio (1993) and Executioners (1993)!Starring the trio of prestigious Hong Kong starlets, Anita Mui, Maggie Cheung, and Michelle Yeoh, the pair of films were a box office smash in Asia in the early 90's, and was just recently inducted into the Criterion collection via a fabulous new 4k transfer.Singer/actress Anita Mui sadly passed away in 2003, however her cultural footprint remains vast, and in fact a biopic and documentary were made about her in recent years.Maggie Cheung has been a fixture in Hong Kong cinema since the 80's, earning critical acclaim in her later career collaborations with director Wong Kar-wai.Like her costars Mui and Cheung, Michelle Yeoh has been a fixture of Hong Kong and Chinese cinema for decades now, however in more recent years, beginning in the late 90's, her popularity and prominence in film markets outside of Asia has grown by leaps and bounds, culminating in her recently receiving an Academy Award for Best Actress for her performance in Everything Everywhere All at Once (2022).Follow us on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@catchinguponcinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CatchingCinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, subscribe, and we'll catch you next time!

Mind Power Meets Mystic - Episode: Movie Gush SessionWelcome to Mind Power Meets MysticWhere practical mind power and mystical wisdom collide with humor and wild curiosity. We're not here to play it safe! Hosted by Cinthia Varkevisser, your resident spiritual shit disturber, and Michelle Walters, coach and hypnotherapist. Together, we shake up your thinking, dive into your soul, and inspire bold moves in your life. Get ready for wild, transformative conversations that connect you to your highest self and flip fear into strength.Episode Title: The Movie Gush Episode: Nostalgia, Multiverses & Musical MagicEpisode Overview:Life's been a little intense lately, so we're hitting pause on the serious stuff and diving into something light-hearted—MOVIES! This episode is all about the films that make us laugh, cry, and think differently about life. From nostalgic classics to mind-bending multiverse adventures and Broadway hits brought to the big screen, we gush about the movies that left a mark on our hearts.In This Episode:Cinthia's Old Favorite: Joy Luck Club - A heartfelt reflection on family, culture, and identity. Cinthia shares how this film resonated deeply with her personal family story and cultural ties.Michelle's Old Favorite: Sliding Doors - A thought-provoking film exploring parallel lives and the impact of small decisions. Michelle discusses how this film mirrors her own fascination with life's infinite possibilities.Cinthia's New Favorite: Everything Everywhere All at Once - A chaotic, mind-bending multiverse adventure that's both hilarious and deeply emotional. Cinthia breaks down why this film is a masterpiece in storytelling, relationships, and existential reflection.Michelle's New Favorite: Wicked - A magical, visually stunning adaptation of the beloved Broadway musical. Michelle gushes about the film's powerful themes of friendship, acceptance, and challenging societal narratives.Bonus Segment:Learn about Mind Power Meets Mystic: The Project - Our unique offering combining Cinthia's intuitive insights with Michelle's transformative hypnosis. It's a one-hour session that leaves you with actionable steps and a custom hypnosis recording to supercharge your growth.Key Takeaways:Movies are more than entertainment—they can connect us to our emotions, memories, and even our personal growth journeys.The power of storytelling transcends culture, time, and even dimensions (literally, in some cases!).It's okay to give yourself a break from the heavy stuff. A good movie can be the perfect reset button.Resources & Mentions:Joy Luck Club (1993)Sliding Doors (1998)Everything Everywhere All at Once (2022)Wicked (2024)Mind Power Meets Mystic: The Project - Contact us to book your session!Work With Us!

Join us as we break down Everything Everywhere All at Once, the mind-blowing sci-fi film that took the multiverse concept to a whole new level. From its chaotic action to deep emotional storytelling, we explore how this Oscar-winning film blends sci-fi, comedy, and drama. Whether you're a longtime fan or a first-time viewer, here's our take on Everything Everywhere All at Once. WE'RE ON: TIKTOK: https://www.tiktok.com/@retirementhouse INSTAGRAM: https://www.instagram.com/retirementhouse/# FACEBOOK: https://www.facebook.com/theretirementhouse/ TWITCH: https://www.twitch.tv/retirementhouse SNAPCHAT: https://www.snapchat.com/add/retirementhouse EPISODE HIGHLIGHTS: 00:00 Introduction 15:48 What if saying "I Do" was a mistake? 20:32 The universe's most unexpected metaphor 32:29 The power of perspective 38:54 The sweetest way to say I love you 49:42 Letting go of the illusion of "perfect"

Ke Huy Quan was born in Vietnam, but his family fled the country and eventually settled in the U.S. as refugees. Not long after arriving, Quan was cast in "Indiana Jones and the Temple of Doom" and "The Goonies." He then struggled for years until "Everything Everywhere All at Once" came along. Quan talks to Rachel about his new action film, "Love Hurts," self doubt and love at first sight. To listen sponsor-free, access bonus episodes and support the show, sign up for Wild Card+ at plus.npr.org/wildcardLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Stephanie Hsu broke through—and landed her first Oscar nomination—three years ago in Best Picture winner ‘Everything Everywhere All at Once.' That film had some oddball laughs for sure, but if you had only seen her in the dual roles of the diminutive Joy Wang and villainous Jobu Tupaki, you would have no idea she was capable of playing a classic rom-com lead like she does in the new Peacock series ‘Laid.' In this episode, Hsu talks about how a background in comedy helped prepare her to portray a deeply flawed character who discovers that all of the men she has slept with are dying and why getting cast in the show felt like a “huge step” in the fight for representation on TV. She also gets into the wild journey from her audition for ‘Everything Everywhere' to the Oscars, explains why she turned down the chance to possibly play Glinda in John M. Chu's ‘Wicked,' and teases her upcoming buddy comedy with ‘Abbott Elementary's' Quinta Brunson.Follow Stephanie Hsu on Instagram @stephaniehsuofficial Follow Matt Wilstein on Bluesky @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

THE DANIELS MAKE THEIR STAR WARS DEBUT!! Download the PrizePicks today & use code REJECTS to $50 instantly when you play $5! https://prizepicks.onelink.me/LME0/RE... Star Wars: The Skeleton Crew "“Can't Say I Remember No At Attin" Reaction Watch Along:  https://www.patreon.com/thereelrejects Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ We've reached the HALFWAY POINT as Michael Tessler & John Humphrey REUNITE for their inaugural series together, giving their FIRST TIME Reaction, Commentary, Analysis, Easter Eggs, Breakdown, & Full Spoiler Review for Episode 4 the new Disney+ series from Showrunners Christopher Ford & John Watts (Spider-Man: Homecoming / Far From Home / No way Home, Clown, Cop Car) - and DIRECTORS Daniel Kwan & Daniel Scheinert aka Daniels (Swiss Army Man, Everything Everywhere All at Once)!!!. Centered around 4 kids on am epic journey to get back to their home planet, The Skeleton Crew introduces us to a new corner of the Galaxy Far, Far Away with a healthy dose of Amblin Entertainment-style Coming-of-Age themes & aesthetics. The Skeleton Crew features Ravi Cabot-Conyers, Ryan Kiera Armstrong,  Robert Timothy Smith, & Kyriana Kratter as our surrogate Goonies along with appearances from Jude Law (The Talented Mr. Ripley, Sky Captain and the World of Tomorrow), Kerry Condon (Captain America: Civil War, The Banshees of Inisherin), Nick Frost (Shaun of the Dead, Hot Fuzz, Attack the Block), Tunde Adebimpe (Twisters, TV on the Radio), & MORE! With its Stand By Me, Stranger Things, & Pirates of the Caribbean vibes, can the Skeleton Crew bring a much-needed shot of good will & heart to the Star Wars universe?? Follow Michael Tesslerr:https://www.instagram.com/mjtessler/ Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Donna Farizan shares the latest in celebrity news and headlines. Also, Stephanie Hsu joins to discuss her rise in Hollywood after ‘Everything Everywhere All at Once' and her new dark comedy series, ‘Laid.” Plus, model-turned-viral TikTok star Nara Smith shares a delicious homemade sprinkles and cookies recipe.

Everything Everywhere All at Once - WikipediaCode-switching - WikipediaTIL Canadians say “Pencil Crayons” instead of “Colored Pencils” like Americans : r/todayilearnedList of North Carolina hurricanes - WikipediaFood Safety Talk 312: 37 Things Are Not Going To Happen On Thursday — Food Safety TalkAbout Kourosh | Kourosh DiniInstitute of Food Technologists (IFT) - Board Of Directors Nominations & ApplicationsHome - IAFNSInternational Food Information Councilflood.nc - North Carolina's Flood Information Center220/221 Volts Whatever it takes? - YouTubeGoogle News - Search, Asheville NCThey came to Asheville looking for a ‘climate haven.' Then came Hurricane Helene : NPRLive updates: Hurricane Milton's storms arrive in Florida | CNNHurricanes: Preparedness and Recovery | NC State ExtensionNicki Minaj - WikipediaViolent FemmesViolent Femmes - Blister in the Sun - YouTubeM. Ward - WikipediaM. WardShe & Him - Official SiteZooey Deschanel - WikipediaRoderick on the Line - Merlin MannSaxapahaw, NCSmall Entity Compliance Guide: Juice HACCP | FDAWhat You Need to Know About Juice Safety | FDAADFO Apple Cider Processing GuidelinesHealth departments warn consumers about apple cider safety this fall | Food Safety NewsTrust in Government Assurance of Food Safety Hits Record LowWilliam K. Hallman, Ph.D. – Department of Human EcologyFoodborne Illness Acquired in the United States—Major Pathogens - PMCHealthy People 2030 Framework - Healthy People 2030 | health.govPrevention of Foodborne Illness and Medical Product Adverse Events: A Healthy People 2020 Progress ReviewReduce infections caused by Listeria — Data - Healthy People 2030 | health.govReduce infections caused by Salmonella — Data - Healthy People 2030 | health.govReduce infections caused by Campylobacter — Data - Healthy People 2030 | health.govReduce infections caused by Shiga toxin-producing E. coli — Data - Healthy People 2030 | health.govAssociations between governor political affiliation and COVID-19 cases, deaths, and testing in the United States - PMC

In this episode, we chat with Larkin Seiple, the visionary cinematographer behind some of the most iconic visuals in recent film and music video history. Larkin discusses his early years working in reality television and shooting over 100 music videos. We break down his work on viral music videos like DJ Snake's "Turn Down for What" and Childish Gambino's "This is America". We also explore his long-time collaborations with directors Hiro Murai, The Daniels, and Jon Watts. Finally, we dive into some of his recent feature film work, including Everything Everywhere All at Once and Wolfs. This episode is sponsored by Soundstripe, Panavision and Film Tips Pro.

Music Credit: TimMoor on Pixabay Links Used: https://www.imdb.com/title/tt6710474/ https://www.google.com/search?q=everything+everywhere+all+at+once+streaming&oq=everything+everywhere+all+at+once+streaming&gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIMCAEQIxgnGIAEGIoFMgcIAhAAGIAEMgcIAxAAGIAEMgcIBBAuGIAEMgcIBRAAGIAEMgcIBhAAGIAEMgcIBxAAGIAEMgcICBAAGIAEMgcICRAAGIAE0gEINTI1NmowajeoAgCwAgA&sourceid=chrome&ie=UTF-8 https://en.wikipedia.org/wiki/Everything_Everywhere_All_at_Once https://www.rottentomatoes.com/m/everything_everywhere_all_at_once https://www.google.com/search?q=everything+everywhere+all+at+once+budget&oq=everything+everywhere+all+at+once+budget&gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIMCAEQIxgnGIAEGIoFMgwIAhAjGCcYgAQYigUyBggDEEUYQDIMCAQQABhDGIAEGIoFMhIIBRAuGBQYhwIY1AIYsQMYgAQyEggGEC4YFBiHAhjUAhixAxiABDIMCAcQABhDGIAEGIoF0gEINjQ3N2owajeoAgCwAgA&sourceid=chrome&ie=UTF-8 https://www.google.com/search?q=everything+everywhere+all+at+once+box+office&oq=everything+everywhere+all+at+once+box+office&gs_lcrp=EgZjaHJvbWUyDggAEEUYORhDGIAEGIoFMgcIARAAGIAEMgcIAhAAGIAEMggIAxAAGBYYHjIICAQQABgWGB4yCAgFEAAYFhgeMggIBhAAGBYYHjIICAcQABgWGB4yCAgIEAAYFhgeMggICRAAGBYYHtIBCDYwOTNqMGo3qAIAsAIA&sourceid=chrome&ie=UTF-8

The 500th episode of The Director's Cut! To celebrate, we are highlighting some of our most notable discussions over our nine years on the air. We'll be revisiting the futuristic dunes of Arrakis, the streets of 1970s Mexico City, the trenches of WW1-era Europe and more as filmmakers give insight into their process of building incredible cinematic experiences. Thank you so much to everyone who has participated in our conversation series over the years, and to you, our listeners, for supporting our show and our member's work since we started this podcast in 2015. You can find links to our featured Q&As below, or you can check out our full catalog wherever you listen to podcasts: Everything Everywhere All at Once https://dga.org/en/Events/2022/May2022/EverythingEverywhere_QnA_0422 Once Upon a Time... In Hollywood https://dga.org/en/Events/2019/Oct2019/Tarantino_OnceUponATimeInHollywood_QnA_0919 Lady Bird https://dga.org/en/Events/2018/Jan2018/LadyBird_QnA_1117 Roma https://dga.org/en/Events/2018/Dec2018/Roma_QnA_1118 Dune https://dga.org/en/Events/2021/November2021/Dune_QnA_1021 BlacKkKlansman https://dga.org/en/Events/2018/Oct2018/BlacKkKlansman_QnA_0818 Wonder Woman https://dga.org/en/Events/2017/August2017/WonderWoman_QnA_0617 The Irishman https://dga.org/en/Events/2019/Dec2019/Irishman_QnA_1019 The Shape of Water https://dga.org/en/Events/2018/Jan2018/GuillermodelToro_ShapeofWater_QnA_1217 Bridge of Spies https://dga.org/en/Events/2015/Dec2015/BridgeofSpies_QnA_1015

“So they work out their differences, so once again — best friends. But they're also dead.” Christel brings Richard along to help her with three movies she had never seen before! And all the movies are really weird! 0:00 -- Intro9:05 -- Godzilla41:51 -- Death Becomes Her1:07:36 -- Everything Everywhere All at Once1.48:32 -- Contact information1:54:05 -- Awards and rankings3:09:07 -- Future business 3:12:51 -- Outro, and outtakes (ooop#38-ghost) Hey! Be sure to watch Raising Arizona, Snatch, and Good Time for next time! Hey! We have a Patreon (Ours, Ours, & Ours)! Hey! DON'T leave us a voicemail at (801) 896-####! Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time! Hey! Hear Christel and Richard on Turning Trekkie! Hey! See the trailer for Death Becomes Her! Hey! Hear the Death Becomes Her Blank Check! Hey! Farley on a game show! Hey! ”Something In the Way" by Nirvana! Hey! Crocomire in Super Metroid! Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list! Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Stephen Follows, author of The Horror Movie Report.Stephen and I go back a ways, he's a pop culture data journalist I really respect and you've seen him in the newsletter lately based on his great work on stuff like Hallmark movies. He's out with a really fun new book diving into horror movies, one of the more exciting genres in the film industry these days. We spoke about the rise of horror as a genre, its unique relationship with audiences, and how certain trends have evolved over time.Follows can be found at his website, and the book can be found at HorrorMovieReport.com.This interview has been condensed and edited. Stephen, thank you so much for coming on.Thanks for inviting me. It's always a joy to have a chat with a fellow nerd who likes to go as deep as we do on this stuff.You have this really interesting new book out called The Horror Movie Report: The Ultimate Data Analysis of Horror Films. This thing's amazing. We're going to get into it. But before we dive in, I'd love to start off by hearing about how you'd describe the work you do. Can you tell folks a little about your history as a writer, blogger and analyst?Definitely. I kind of came to this in a strange way. I always knew I wanted to do film and thinking, but I didn't know what that meant. I was a teenager, and everyone told me to go and study thinking, study science and do film on the side. So I did the opposite, because I'm a contrarian. I went to film school and went down a path of writer/producer, and I set up a production company. It still runs, but is now doing more advertising for the charity sector in the UK.I'm still involved with that, but it meant that as my stuff moved away from film, I missed being connected to the film industry. I started to use my thinking principles and maybe 15 years ago I started studying film through the lens of data. I have no training in data. I stopped studying math at about 15, but I have an aptitude for it, and I enjoy it. Not many people do in film. I thought, oh, this is fun. This is a place for me. I started blogging about that, and some in the film industry like it. Not many people run away to do the accounts for the circus. It's nice to have a place.Then that evolved. I've done stuff within gender and other forms of inequality, and things within business to help filmmakers' profitability — but also crazy things, like looking at which Bond film mentions its own title most frequently in the dialogue. Which I don't think you're going to guess.GoldenEye is my only guess.It's a good guess, and you're on the right path, but it's the wrong answer. The answer is Moonraker. You were right to think object instead of character.But that led me on, and I now work for Guinness World Records as a side gig, finding out movie records. That's the sum total of 20 years of numbers and film fun.I love your work. I've always enjoyed your work quite a bit, and I've done a lot of work myself in the pop culture data space and there's not a lot of folks in here. Particularly back in the day, there weren't many folks at all, so it was always really cool to see your stuff. It definitely always got me thinking and is really one-of-a-kind.That's nice to say. And I agree; I would often think of an idea, or someone would ask me about an idea, and I'd be like, I wonder if anyone's done that. Then I'd Google it and it would either be you, me and I'd forgotten, or no one's done it. That's great. What a privilege to have a space to actually make some progress in.It's good. Again, I admire your stuff so much, and this is why when you hit me up and mentioned you were working on this project, I was so excited. Horror movies have been one of the biggest success stories of the past couple of years, particularly in the postpandemic box office. They tend to overperform; they tend to get good ROI. We've seen a surge in horror film production and we've seen the market share increase.Can you talk a little bit about why this is historically anomalous? We've always had horror movies, since the beginning of the invention of the medium, but why are we now seeing a bit of an uptick?You're absolutely right. It's way more than an uptick. If we were looking at how many horror films were made last year worldwide, it was over 1,500, whereas around 2000, it was 500-something, and in the 1980s it was below 200. It's really transformed. As you said, not only have the raw numbers gone up, but also has the market share. Now about 12 percent of movies are horror films. That's a large percentage.It's a number of factors. Certainly all genres have grown in raw numbers, because it's easier and cheaper to make a film than ever before. Every device I own has some sort of HD camera on it — you can do it on a doorbell. It's possible to do that. You also have the ubiquity of information. I went to film school in 2001 and there was education from tutors, there were a few hardback books, but that was how you learned how to do stuff. Now there's so much content online telling you amazing stuff from awesome people for free. That has an effect.But that's across all films. With horror itself, the market share growth is, as you said, the more interesting part of it. There are a few factors. One, we're more accepting that a film is a horror film. A film that we might think of as horror now, if it had been made in the '80s, it might've been pitched as a psychological thriller. There's more acceptance; there's no shame in it. People are like, yeah, it's a horror film, whereas in the past they might not have done.There's also that generation that grew up with VHS horror films, The Evil Dead generation — and maybe even the generation after that, when it comes to executives — where people have grown up loving horror, but also knowing that it does well. Therefore, if there's no business shame and there's no art shame and there's no personal shame, why not say, yeah, I'm making a horror.There's still a bit of way to go. The awards are pretty poor for horror, and the trade press doesn't cover it properly. It's still not as fully accepted as other genres, but production-wise and audience-wise, it's really evolved and grown and, in the last 20 years, really matured.It's so funny that you mentioned the award stuff. I remember when Jamie Lee Curtis won her Oscar for Everything Everywhere All at Once, I thought it was actually really special that she took a moment and shouted out the horror fans. That's a constituency in movies that does not get a lot of shout-outs from award stages, but nevertheless really did keep her in business for a few years.And it was keeping her in business because it was delivering to audiences. There's no hiding from that. It's the most audience-connected genre, in my opinion.All my stuff is from raw data and from doing my own research, but sometimes I'll do a bit of Googling around to get a context before or after I do the work. With the awards, I found a few blog articles about how horror does at the Oscars, and all the numbers were wrong. They were all different, and they were different from mine. I was like, what is going on?It turns out there is a very, very small number of horror films that do well at the Oscars. Most of them are quite questionable horrors, as in, is it a horror or not? Silence of the Lambs. Jaws. Those are two films that IMDB says are not horror films. You can argue either way, and it doesn't matter what my opinion is, but there are a few like that. Or Black Swan, which is very much a horror film, but because it's female led and about a female perspective, people often go, “Ah, it's a psychological thriller,” in a very misogynistic way.A small number of films that have outperformed have really changed that data. You end up almost immediately talking about existential questions of what horror is. I love that. That's what the data immediately suggests we should chat about.I want to talk a little more about that audience for horror. You had a stat in here that was really interesting to me about how horror is the only genre where the audiences that actually go to the cinema to watch it are direct reflections of the actual national audience. I know you write about the UK in there, but also in general, one really interesting thing about the cinema is that you do have quote-unquote “four quadrants” for movies. For the most part, you're going to see a gender skew or an age skew in terms of who attends a film. But I'd love to hear you speak to how horror is really one of the most universal genres.It really is. It's interesting, because as you've mentioned, there are a few different ways we can cut up the data. The one way that horror is not like the population is age. It has the largest percentage of 18- to 24-year-olds. If you split them into the different buckets, as they often do, horror has the lowest percentage of people under 18 and the lowest percentage of people over 45, which is fascinating. It's really condensed within your 20s. However, it's a good gender split, and also crucially, in the UK, they do just the most British thing ever and do stats around social status.Interesting.It's a rabbit hole. If ever you're looking for a rabbit hole, Google social status. Everyone's classed into different groups, usually based on the job they do or that their parents did, or whether they went to university — things that are sort of falling apart. But it does mean they put people in different brackets. They do that for all the different audiences because it's part of the cinema business' advertising: They want to know whether to sell Rolex watches or lager. And when you compare it to the UK population, every other genre is posher. To a large degree, things like biographies are unbelievably posher than the average population.Horror is the one that just reflects the public. Also, almost every genre has a very strong correlation between what critics think of the movie and whether it makes money or not. In almost all genres, it makes sense; if you can make the film better, according to critics, you'll make more money. Horror has little to no correlation — functionally irrelevant correlation. Critics are irrelevant. Horror always gets poor scores from audiences, even, but I think that's because it delivers something different. It still is a film and it still is in the film genre space, but it's the weird cousin that's there delivering because it doesn't have the snootiness. It doesn't have the credibility. It only has the fact that it delivers, so when it does deliver, it does stunningly well. And the audience has a different criteria for what they'll put up with, whether they'll tolerate junkie effects or a bad idea or bad acting. I love that. It has its own identity.I love it, too. I'm glad that you mentioned that, because when I was doing my book, I was really interested in horror. I'm not good at horror movies; I am very easily scared and I don't have fun during them. I'll see them if I'm dragged to by my husband, but nevertheless, I am a gigantic weenie. There's no personal affection for this genre, but I was obsessed with it because, to your point, the first thing that people start messing around with when a new medium is invented is spooky stuff, right?When the novel was invented, you were very quickly after that getting stuff like Dracula, or Frankenstein. Once the medium has ossified, you start getting people experimenting with scares. Some of the earliest films that we have, whether it's Nosferatu or things like that, are people trying to spook one another. It's almost like the stuff that came before the dinosaurs.You're absolutely right. What's fascinating about it is that as soon as there's a new medium, people use it to scare other people, but then they take a long time to acknowledge that. The idea of a horror film as a nomenclature, as a name for it, didn't emerge until the early '30s, when you started to have universal monsters. We had horror films before that, but they didn't call them that. They might be called Gothic. So, there is a very quick move to scare ourselves, but then there's a very slow realization of acceptance, of publicly going, yeah, I don't mind being scared. Which is fascinating, isn't it?It is. It's so cool, and it's cool seeing it replicate itself. Online, you used to have jump-scare videos as some of the first stuff. Some of the earliest viral videos were that. Even with podcasts, a lot of true crime podcasts are horror podcasts.One hundred percent.There's another thing you write about in here that I genuinely just love, which is that there's no link between a filmmaker's experience and the actual profitability of the horror film. This is one of the things that makes this genre so cool, and I'd love to hear your perspective on it and some of the data from it. It's a really approve-yourself kind of genre. A lot of the time, you can show up with a little bit of money and some corn syrup and red food coloring, and they've been really special.Totally. It is the most accessible genre, partly because it has the lowest cost but also because it doesn't need gatekeepers. It doesn't need stars. It doesn't need visual effects. So it's immediately open to more people, but then on the other end, the audience is also willing to go with something great. They're not going to go, “Well, who made it?” They'll just go, “Ah, that was great.” You're right.I looked at the correlation between the number of films that someone had made before and the profitability of their films. I looked at it for writers, producers, directors, and exec producers. What we found, when we were looking through this, is that with writers, producers and directors, there's little to no correlation. Really. That's staggering when you think about it, because most horror films do nothing — that's what films do — and if you have a lot of microbudget films, that's 1,500 a year and not all of them making money. But the ones that do make money can do staggeringly well. You would imagine that experience is a factor, but it's not.Except for the exec producer. There was a correlation, though it's not the strongest. It's not make-or-break. I don't know which way around that is, whether it's exec producers being very good at spotting the right projects, so they become an identifier, or whether they transform the project and therefore become the transformation.Functionally, it doesn't matter. It's a bit of both: a bit of column A, a bit of column B. The horror producers I've spoken to often say it's a mix of those things, that they're not going to come aboard a bad project. But at the same time, it is about having the right relationships to know how to get distribution or how to retitle it or basically how not to eff up one contract that could ruin everything. Sometimes it is just a steady hand.If you're making a horror film and you've never done it before, I don't see that as any kind of problem, but maybe have at least one voice who's experienced that you can go to — infrequently, so they don't have to do a huge amount. The exec producer is not on set picking up trash.It's almost reminiscent of the Roger Corman film school stuff.Totally. The things that the really experienced person will do are basically, here's the big picture, here are some connections, but the bits the audience is actually going to love if they're given the chance to watch the film — the story, the acting, the moments, the editing, the sound — that's all going to be done by the creatives. And that doesn't matter about your experience.I remember an interview with Wes Craven a long time ago where they said to him, why are there so many bad horror films? And he said, because they're made by people who don't love horror. I've got to say, that's probably true. You can't make it cynically, but if you make it with your passion and heart, you have a good chance. Make a Western or a sports movie with your heart and you're not getting the money back. But if you make a horror film with your heart, there's a chance. I'm not saying there's a big one, but there's a route to success and establishment and franchise and all that.Sam Raimi very notoriously tread that path. Even folks like James Cameron. It's interesting to look at filmmakers who really did make their bones by being very passionate about a horror film and getting it done and learning something very cool.The Terminator might be a horror film. I don't know. It certainly doesn't have the money to be what Terminator 2 is, which is solid action.Absolutely.It's not really sci-fi; there's a bit of sci-fi in it, but it's just a man. It's too cheap to have any of the expensive things you'd expect. It's a torment film, or maybe even a slasher, almost. There is an infamous killer.There's another element on this that I wanted to bring up, which is that you have this really cool stat about horror films and shot length. You were able to compare them to other mediums, and horror films just have so much more room to breathe. Can you speak to that?Before I study something, I tend to have a preconception of what it's going to be, which you can't help because you're around. But what I love is that I'm sometimes completely thrown off-kilter. Then I'm forced to go back and be like, what happened there? Why was I wrong? Is my data wrong? Because, as you know, sometimes when you find that anomalous result, you have to double check or even triple check it.This was one of those things. What I found when I was looking at this was that, unsurprisingly, action and sci-fi films had the shortest shot lengths of about four seconds on average, or something like that. That's short, and that's the whole movie. That was across all films. Drama had the second highest, and it was something like 12, 13, 14 seconds — I can't remember, I don't have it in front of me. But horror was 16 seconds on average per shot.That's a long time. And that's an average. First of all, I thought it was an error and I went through it, but no, this is true. Then I thought about it, and of course it makes perfect sense, because horror is about what you can't see. It's about the lack of control. Action is about sound and fury and it's a firework show. You don't really need to know what's going on; you're just excited to be involved. Whereas horror is like, no, you're going to sit there and you can't see what's behind that thing. Or the reverse, which is that you can see it's approaching whoever's on screen, and they're getting closer. No, you can't look away. No, you can't warn them. It's about the control of the image.It might be one of the quintessential genres for film. You watch some films and go, eh, I should have read the book. But with horror, it's not on the page. You have to have the required elements, but it's made on the screen and it's made in the moment of the interaction between the screen and the audience. That's what shot length does. It's control. It's awesome.It is. You also think about Hitchcock movies, where there's an absolute control of the camera. That got boiled out of a lot of dramatic filmmaking and a lot of action-thriller filmmaking, but it's still there in horror because it still does something to us. That's an amazing stat. I like it a lot.It speaks to the medium. It's not a play that's been filmed, which is what drama can be sometimes. It's used entirely differently than in drama, where the camera's just rolling so you capture it. In horror, and in a good horror especially, it's being used by a craftsperson to paint a picture, to force you to feel. That's the bit that horror fans like: the strapping into the rollercoaster. Make me think I'm going to die, you know? That's it.I want to talk a little about content. You're able to do some really awesome content analysis on this stuff, and there are a couple different angles that you've tackled in the book. Some are about the kinds of monsters we see on screen. There was a cool stat in here about aquatic-based monsters and the rise of water as a medium of fear, which I'd love for you to speak to, but what are some of the monster stats that popped out at you? What are some of the things hunting us now that have evolved over time?Well, let's be clear. They're not actually hunting us; this is movies. It's so funny, because sometimes I have reflected and thought, oh my god, the world is — oh, no, these are the stories we're telling ourselves about ourselves.I did see a parallel between serial killers on screen and serial killers in the real world. That was one of the things I found. I was looking at serial killers in the graph over time, and there's a big peak in the '80s, and then I showed it to one of my colleagues at Guinness World Records. They nerd-sniped me and went, “I wonder if that correlates with the real world.” And I was like, well now I have to go and have a look, don't I? Thanks. I thought I was done with this topic.Going back to your monsters, it's interesting. Monster horror movies are two subgenres: There are horror movies, and then there are ones that have to do with monsters. Within that, I classified the monsters where they were flying, aquatic or land-based mammals. There are other bits around the edges, but this has to do with monsters rather than little creatures. I found that the land-based category is the biggest, but has been declining quite quickly over the last two or three decades. Shooting up almost out of nowhere — well, out of the ocean — are aquatic monsters. It's such a clear trend. It's definitely happening. Because I'm looking at decades, and the whole report looks over 27,000 films — not all monster films, but still, monsters is a big genre. So, this isn't an anomaly of the data of just two films.I've got two theories, but they are only theories. This is what I love about this data stuff: I'll do the data stuff, I'll present it to you objectively, and then we'll all sit around over a drink or some food and disagree about the why. My current two thoughts are, one, that environmentalism has changed what we think of as villains and what's unknown. It's changing our understanding of monsters and nature, and the ocean is more unknown. But two, a more practical answer came from a producer friend of mine. I was talking to her about this and she said it was quite expensive to make an aquatic monster without visual effects.What were the monsters you could have in, say, the 20th century? For most of the 20th century, it was a bloke in a suit, or it was ants on a small model. That's it, right? It looks cool, but it is a certain kind of thing, and water doesn't scale. You can't have a miniature because it just looks different. Water is incredibly complex from a visual effects point of view, as well as the way the beings move. If you put a guy in a suit and put him underwater, he's going to drown, because that suit's heavy. But you're freed up in the 21st century to use more visual effects. More are freely available, so now we can live out our aquatic dreams — and nightmares. And, because we haven't for most of history, there's loads more space. There are plenty of more dangerous fish in the sea.Those are my two working theories, but I have no idea. I would happily talk with people about it for hours, because it doesn't matter. That's what I like about this. This isn't instructive. It's not like we must figure this out because it's going to change what people invest in or anything. No, let's just have some fun and talk about movies.There's that scene in Ed Wood where they're like, all right, Bill, just get in there and flail.Exactly.The tech has got to be a part of it. I also thought it was really fun to dive into some of the stuff you had about clowns, because we are in the week where Terrifier is a box office champion. Unforeseeable, unless you potentially foresaw it.Well, it's at least the third in the series, so there's a certain amount of success that's gone on before. But I don't think anyone expected Terrifier 3 to do the kind of business it's done and Joker 2 not to. Those two coming out a few weeks apart have had such different journeys that it's quite dramatic.Terrifier 3 has done exactly what good horror films do. They've got a very clear idea that's been tested before and gone big on it. They know what they're delivering to their audience, which is shock. They've also got a great advertising campaign. From what I understand, from what I've read around, they did test screenings in some cinemas where they didn't tell the audience what they were going to watch. They were like, “It's a holiday film!” and then showed this grotesque film. Lots of people walked out. Some people threw up, apparently. Then, with the remaining people that stayed, they did the piece to camera afterward. Like, “What did you think of the movie?” But loads of people walked out. The viral marketing is spot-on.Clowns weren't a big feature of horror films until about the 2010s, when we started to see them creep up to 1 percent of films, which is quite a lot. I'm not that bothered either way by clowns. I certainly don't think they're fun, but I'm not terrified of them. In reading around, I found a study — I don't have it in front of me, so I can't quote it exactly — that they did on the fear of clowns. It was across many, many people across multiple countries, and they found that over half of people reported some fear of clowns. So I think clowns are inherently scary, and most people, like me, are ambivalent. Someone will get a clown for a kid's birthday party, and I'll go, oh, okay. Whereas some people are actually like, why?That's also what horror is supposed to do, right? Horror is supposed to take something that you feel is safe and make it unsafe, but then in playing out the unsafe, you'll have exorcised the demon that worried you. Therefore you now feel safe, perhaps, because your body thinks you've played with that demon. You've played with that thought.I don't know. It'll die down, it'll get tired and something else will come along. I can't even think what the next thing is. Probably an IT engineer, or something that doesn't feel scary. Though, mind you, you'd have to call that “IT,” and they've already done that with clowns.The SEO on that is quite bad.We'll work on that together off-pod so we can keep the copyright.Terrifier is great, though. It's not my kind of film, but they've done such a good job. Everything they've done, they've delivered to their audience, and they've also created a franchise and a character, so they will be making a lot of money. They've earned it, as far as I'm concerned. Not mine, though; not my money.I thought some of the stuff you wrote in here about survival as an increasing theme in these films was really interesting, which also goes well with what you had about body horror films and infection as a prominent way we deal with that. When the pandemic hit, a lot of films that saw quite a bit of pop were the ones that pertained to this idea of survival during infection and things like that. You had some really interesting, decade-long data.Before we wrap it up, what are some emerging trends? What are some of the charts that have been going up? As we think about the evolution of this really durable genre, where do you see this stuff going?You're absolutely right. The pinnacle of infection movies wasn't actually postpandemic, though we'll see what it will be for the rest of the current decade. 28 Days Later might be patient zero for that kind of movie. But you're right. What we saw during the lockdown was that we wanted to find meaning and structure to the narrative that was playing out in our lives. It wasn't coming from the media, and it wasn't coming from the scientists, because we didn't know. So there were films like Contagion that did such a great job.It's kind of spooky when someone predicts the future. We forget all the ones where they failed to predict the future, or they did a terrible job. Out of however many it was at that point, 20,000 horror films, one of them nailed the future. Mathematicians are rolling their eyes, but at the same time, we're in this emotional experience saying, oh my god. Gwyneth Paltrow went through that, so I can.But it was interesting, actually. There was a film that was shot before the pandemic called The Pink Cloud, a Brazilian film. It was shot in 2019, but it was then edited and ready just as the pandemic was happening. It was relatively low budget, and it's about a big pink cloud that comes over cities and forces everyone to live in lockdown. It's a film about being in lockdown and it was just coincidence. It's great art, but it was just coincidence. It played at Sundance the year it was not physical — either 2020 or 2021, I can't remember. But it was amazing. The timing was sort of weird, and I think that adds an extra spookiness to it.Speaking to your point, obviously there are loads of films that talk about lockdown and infection, but not nearly as much as you'd think. We're done with it. “I get enough of that at home,” if you see what I mean. What is interesting in the trends is that, you're right, survival has gone up, but one of the biggest things that's gone down — which I think is really interesting. This is over almost 100 years of content — is how people are thinking about the brain or the mind.We're seeing fewer films where the brain is being attacked or madness is the cause of the psycho, and we're seeing far more understanding, like maybe they had a bad childhood. I think it's a strong story of mental health moving on from being the thing that you're scared of. You could read Foucault, you could look at 12 monkeys — there are lots of films that have played with this idea of madness and what sanity is. But largely we've moved away from, “He's mad, run away,” to, “He's mad. Let's listen to what he's got to say and try to understand him as a real human being.” That's really interesting. I don't know where that goes, but that's been a very clear trend over almost 100 years of horror films.That is fascinating. Again, so much of horror is interior-looking. A lot of the things that we're scared of and that are played up are more reflections of our own state of mind and our own fears. If we're not worried about madness being contagious in a Lovecraftian way, that is super interesting.Exactly. Throughout all of literature and all of art, madness has been fascinating. Up until a certain point, maybe 500 years ago, it was seen as a root to the divine or harmless. Then at some point, when you start having authority figures in certain ways, you need to shut down the anti-voices. It started to become something terrifying that you lock away, like it might be infectious and a problem.Then, more recently, we start to think about how actually we're all a bit effed up. There are reasons behind this. We can do something about this. It's not mad to go and see a therapist, or a psychotherapist, or whatever it might be. That then speaks to, well, you can't have the motivation of a slasher be that he's mad. It doesn't work; it's just not credible.You need to have a different origin, and you go one of two ways: You either give a lot more context, like he went through this horrific thing as a kid, or you say it's unknown. It's just unknown. It's a man in a mask. What's terrifying is the lack of knowledge, or it's too much information. Each film takes a different route on that.All right. This book is really good. It's called The Horror Movie Report, and it looks at all those different ways these movies take and the history of this stuff, which I think is one of the most fascinating things. Horror in general is just such a cool genre.Stephen, I would love to hear you pitch where folks can find you and where things are going. Tell folks a little about the book and where they can get ahold of it.Thank you. That's high praise indeed, because you're someone whose work I respect a huge amount. That's really cool. You're someone who actually can find the holes in it.If you go to HorrorMovieReport.com, you can get there. It's all digital at the moment; I'd love to do a coffee-table book of it, but that will take a bit of time. I've put it out in two editions. One is for film fans, and it's much cheaper, like 20 bucks. That'll give you the 400 pages and all the charts and graphs. If you love horror films, that's enough. If you're a filmmaker or a data geek, you'll want the film professional version, which is only a little bit more. That gives you all the data as spreadsheets, as well as some bonus reports.I've got different constituencies. Some people just want a pretty graph and then argue about aquatic monsters; others are like, give me the data. So here you go! And by all means, reach out to me if you've read something you want more detail on. I love this stuff, and if you love it, too, we're going to get on. Grab a report, and if you want to reach out, I'm not hard to get hold of.Terrific. Again, your stuff is always so good. People will know it from the newsletter if they've read it long enough. It's great stuff. Thanks again for coming on, I really appreciate it.My pleasure. I'm always here. And if anyone listening has a question about the film industry, if you think there's some data out there somewhere but can't bother to do it, someone else will do it — contact me. The best stuff I do comes from readers, the 4 o'clock in the morning ideas, the shower thoughts. Reach out, I promise I'll give it a go.Amazing. Stephen, have a spooktacular day.Nice.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

”I came to Provo armed with some C.H.U.D. knowledge” Josh finds vacancy in three haunted domiciles for the final chapter of Halloweenicaismpaloozica '24! 0:00 -- Intro3:55 -- The Legend of Hell House22:46 -- Hausu44:28 -- 14081.13:43 -- Contact information1:15:56 -- Awards and rankings2:00:00 -- Future business 2:08:10 -- Outro, and outtakes (ooop#38-matter) Hey! Be sure to watch Godzilla, Death Becomes Her, and Everything Everywhere All at Once for next timet! Hey! We have a Patreon (Ours, Ours, & Ours)! Hey! DON'T leave us a voicemail at (801) 896-####! Hey! Shop the Zazzle store! Hey! Hear In Memoriam! Hey! Hear Fantasy Murder Love Triangle! Hey! Hear J.R. Watches Star Trek for the first time! Hey! Subscribe in iTunes! Hey! Check out the Facebook page and vote on the next category! Hey! Check out Jon's YM&T Letterboxd list! Hey! Check out Roy's YM&T Letterboxd list! Hey! Email us at yoursminetheirspodcast@gmail.com! Send new topics! Send new theme songs!

Hungry for an everything bagel or wanting to craft with googly eyes? Join Ellie and Kaly while they try to unpack this confusing, entertaining, rollercoaster of a movie, Everything Everywhere All at Once. Warning: This episode contains movie spoilers! Follow us on Instagram @cinemaladiespodcast.

With a healthy dose of disdain, we enter the multiverse via the Marvel movie Deadpool and Wolverine and the Oscar-winning movie Everything Everywhere all at Once.Sagi talks about the hollow nostalgia of the cameo, and the way that the characters become something a Heideggerian standing-reserve for more scenes, more plots, and more revenue. Is Sagi finally doing Marx Grudge?Andy wishes that the multiverse would remain solely a video game construct, ruing the day when Mickey Mouse and Wolverine show up together in the same movie. He also introduces the Oikodicy, as a way to describe how profits justify all the silly games and narrative tricks we keep getting sold.Jake links the multiverse to the fantasy of the Internet as a perfectly connected hypertextual universe. He introduces Jacques Derrida's deconstruction of this fantasy, and asks whether the void-inducing everything bagel in Everything Everywhere all at Once is an anti-Semitic reference to the way the Jew gets in the way of Christian presence. He also reads from Leibniz's Theodicy.Jack kicks us off with some heavy-hitting take downs of the quality of Everything Everywhere All at Once, and makes sure we see the capitalist cynicism of both films, at every turn.

In this special Season Nine Preview, we're excited to dive into a new theme: Modern Classics. This season, we'll explore films from the last 20 years and ask the important question: Do they belong in the 21st-century canon?  From Oppenheimer to Everything Everywhere All at Once, we're covering the best cinema has offered in recent decades. Join us as we dissect these films, their cultural impact, and why they've earned a place in our modern-day classics list. This episode also includes a detailed review of Bardstown Bourbon Company Collaborative Series Silver Oak Bourbon—a whiskey you won't want to miss. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

 ”I've come to my parents with challenges and they say, keep working hard, keep pushing through it — they're so used to working 12 hour days, making ends meet — it's interesting to see them understanding my career.” Raman recently moderated a community conversation on "Building Bridges across Generations" for the inaugural Asians in Marketing and More summit - where we explored the personal and professional expectations of work and family across different generations. We explored how we, as a professional community can support the next generation of leaders. Moderating the panel was a real treat - especially in sharing stories on stage - and getting to know fellow purpose-driven Asian business leaders.  FEATURING: Amrita Dutta-Gupta (GNC), Chris Schmicker (Shopify), Vanessa Huynh (LabCorp), Paresh Jha (LinkedIn), David Yin (Capital Y Consulting), Lisa Reid (Dear Flor), Jill Kelly (WPP), Jennifer Chen (Connatix), Ranjana Choudhry (Inmar), Aniko DeLaney (Fordham University), Julie Lee (TDW+Co), Elliot Lum (Association of National Advertisers) MENTIONS FILMS: The Joy Luck Club, Everything Everywhere All at Once, Crazy Rich Asians BOOKS: Dava Shastri's Last Day, Sharks in the Time of Saviors, The Night Diary, The Whole Story of Half a Girl SHOWS: Never Have I Ever, Pachinko, Physical: 100 Learn more about your ad choices. Visit megaphone.fm/adchoices

Costume design plays an important role in filmmaking. Films like Austin Powers, Lala Land, Boogie Nights, Black Panther, and Malcolm X transport us to a different time and place through costume. Have you ever wondered how the concepts for costume designs come together? We have—that's why we're talking today with Mimi Haddon, author of Palace Costume, a book about the most important costume house in Hollywood, and costume designer Shirley Kurata who was nominated for an Oscar for her work on Everything Everywhere All at Once. We speak with Mimi and Shirley about the origin story of Palace Costume, how it's organized and how costume designers use its vast collection. We also talk about how working with a limited budget inspires creativity, how costume designers think about color in their work, and how they collaborate with directors and other colleagues to execute on the vision for the film. For bonus content and more, visit our Substack: https://designbetterpodcast.com/p/shirley-kurata-and-mimi-haddon Bios Mimi Haddon is the author of Palace Costume, a behind-the-scenes glimpse into Palace Costume & Prop Co., an exclusive Los Angeles film-industry haven of dresses, gowns, garments, accessories, props, and jewelry featured in countless movies for more than fifty years. Acclaimed designers such as Sandy Powell (Carol, The Aviator, Shakespeare in Love), Ruth E. Carter (Black Panther, Malcolm X, Frankie and Alice), Arianne Phillips (Once upon a Time in Hollywood, A Single Man, W.E.), Shirley Kurata (Everything Everywhere All at Once), and Mary Zophres (La La Land, Babylon, True Grit) and Mark Bridges (Boogie Nights, Licorice Pizza) each share insightful anecdotes about the importance of Palace Costume as their go-to creative resource, especially for historic period films. Shirley Kurata is an Academy Award-nominated costume designer who has worked on films like Everything Everywhere All at Once. As a stylist, Kurata's clients have included celebrities such as Billie Eilish, Lena Dunham, Pharrell Williams, Zooey Deschanel, Beck, Mindy Kaling, and Tierra Whack.  *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Incogni: Every year, both the number and scope of data breaches worldwide are rising. According to the 2022 Annual Data Breach Report by the Identity Theft Resource Center, the number of victims has gone up nearly 41.5% from 2021. Incogni reaches out to data brokers on your behalf, requests your personal data removal, and deals with any objections from their side. Use promo code DESIGNBETTER at https://incogni.com/designbetter to get 60% off an annual plan. Methodical Coffee: Join us for a coffee break with our friends at Methodical Coffee. In this segment, Methodical Coffee co-founder Will Shurtz discusses options for the best brewing gear, depending on your budget. Select your own preferred roast at methodicalcoffee.com, and use code "designbetter" for 10% off of your order. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wellness + Wisdom | Episode 670 How does photon consciousness elevate human awareness? Brian Richards, Founder of SaunaSpace, joins Josh Trent on the Wellness + Wisdom Podcast, episode 670, to share why he finds inspiration in ancient teachings, how near-infrared light improves our health and increases our awareness, why we're beings of light, and how photobiomodulation corrects DNA. "The light reminds us that we create our own light. We're much more electromagnetic and quantum than we are chemical or biological. The knowledge we had of ourselves, energy work, and internal alchemy is something so profound that we're just beginning to circle back and remember now." - Brian Richards 10% Off SaunaSpace ThermaLight® technology combines the finest tungsten filaments, mouth-blown red-stained glass, and years of engineering to produce a full-spectrum infrared light that mimics the best of nature. Benefits: Compact and portable, hypoallergenic, tool-free assembly, wheelchair accessible, machine-washable cover, minimalist design, ZERO EMFs. All saunas have the same goal: to raise your core body temperature enough to jump-start its natural healing processes. Traditional saunas use steam, fire, or electric heaters to make the air in the sauna hot, which eventually heats up your body from the outside in. Infrared saunas tap into the science of light to help you sweat faster and more comfortably. Save 10% Off Your Order With "JOSH10" Why Near-Infrared Saunas? Unlike the traditional methods, near-infrared (NIR) light works with your body's biology to create radiant heat—from the inside out. By using near infrared's shorter wavelengths in a way that mimics natural sunlight, the light penetrates deeply to raise your core temperature faster. Near-infrared saunas give you: Ultrafast heat therapy Comfortable air temperatures Built-in light therapy Faster sauna sessions Save 10% With code "JOSH10" In This Episode, Brian Richards Uncovers: [01:30] Rediscovering The Atlantis Brian Richards 525 Red Light Therapy For Seasonal Affective Disorder (SAD) | Brian Richards Why Brian went on a spiritual trip to Italy and Egypt. Damanhur Foundation We never learn, we only remember. [07:55] The Journey of Remembrance Atlantis: The Antediluvian World by Ignatius Donnelly Why the Atlantis is the foundation of myths and all the different races. Why remembering who we are brings haven on Earth. Egyptian pyramids are the remains of Atlantis. [14:15] Advanced Egyptian Technology How stories help us remember. There is no junk DNA in our bodies. The history of the Egyptian pyramids. How the monuments in Egypt were built using advanced technology used. Why pyramids are antennas connecting to the universe. [20:20] You Create Your Own Light Why the human race is more ancient than we think. How SaunaSpace recreates sun exposure without ultraviolet light. Our DNA creates light. Why Brian is convinced that we're not alone in the universe. There is a war between the natural world and the artificial Matrix. We need to experience the dark in order to be in the light. [26:45] Near-Infrared Light VS Far-Infrared Light How our conditionings are not our own. Why the access to all knowledge is within our DNA. The difference between near-infrared and far-infrared light. Why awareness gives us more responsibility. Once we have awareness, we can't go back to being unconscious. [33:55] Compassion Over Judgment How to choose compassion over judgment. The Four Agreements by Don Miguel Ruiz Why compassion provides a window for new choices. Be Here Now by Ram Dass We're not truly healed until our family stops triggering us. [36:30] The Art of Letting Go Reality Transurfing. Steps I-V by Vadim Zeland 391 Renée Garcia | Reality Transurfing: The Art of Controlling Reality Using Our Freedom of Choice How to let go of assigning importance and attaching to things. What we can do to let go of the need for external validation. How religions outsource the connection to God externally. [41:10] SaunaSpace Rebrand Why Brian decided to rebrand SaunaSpace because it's an extension of his consciousness. How he's changing the narrative of biohacking. Why the infrared sauna is about being, not about doing. How the sauna serves as a replacement for firelight. [49:10] The Benefits of Red Light Therapy How SaunaSpace helped Josh's daughter heal jaundice. Why technology prevents us from connecting with our families. How subtle frequencies heal our nervous system and remind us to be ourselves. [53:00] Infrared Sauna Raises Your Frequency Not every red light bulb is the same. Why SaunaSpace's red light has a higher frequency. How man-made EMFs are toxic to us. The difference between infrared light and regular sauna. Why 15 minutes inside the infrared sauna is enough. Better physical health is not the biggest benefit of the sauna. [01:00:10] Photobiomodulation for DNA Correction Taking vitamin D is not the same as taking light in through our skin. How ultraviolet light damages our DNA. Photobiomodulation corrects our genes. Why indoor lights are not healing. [01:02:40] Light Is an Energy Source Why light is a nutrient source and can satisfy up to 70% of our caloric needs. Dr. Steven Young Samuel B. Lee How sungazing transformed Brian's friend's consciousness. Why we don't need to eat all the time. We get the benefits of the sunshine even when it's cloudy. [01:08:10] Healing Benefits of Heat Therapy How photobiomodulation supports the healing of traumatic brain injury. Why red light is beneficial for nervous system problems. The benefits of heat therapy. [01:13:15] Accessing Infinite Consciousness How Brian blends science and spirituality. We're multidimensional limitless beings. The heart and the mind are both different aspects of the same thing. Everything Everywhere All at Once (2022) Why we're in an era of awakening right now. [01:18:10] Who Am I? If we take everything away, what is left? How ancient symbols convey a knowing that we're all connected to. Why ancient technology is more advanced or similar to modern technology. What new frequency technology Brian's developing now. [01:26:50] How to Be Your Authentic Self Why attaching ourselves to our programming harms us. How using the infrared sauna helps purify the body to grow awareness. Every guide or therapist only reminds us of what we already know. A wounded healer should address their own issues. Why curiosity and adding variety to our lives reprograms our brain. [01:35:45] How Children Get Programmed Why we need to accept reality and let go of the beliefs we've been holding onto. We can't prevent children from being programmed. How Brian's helping his children understand how to be conscious and have the power of choice. Children absorb how we are and what we say and do. [01:41:15] Learning from Children How having children influenced Brian's growth. Why being ourselves has a positive influence on our children. How Josh realized he was practicing to be himself all his life during an Ayahuasca ceremony. Why we need to experience the polarity to be able to get out of it. [01:47:35] Healing The Physical Body Why we need to unblock the physical body first to elevate our mental, spiritual, emotional, and financial wellness. How physical movement helped Brian realize he was putting the most importance on work. Why we wouldn't need to purchase any biohacking products if we lived the same way our ancestors did. What detox protocol is Brian going through now to get rid of environmental toxins. How we spread genetically engineered e-coli. [01:56:10] Be True to Yourself Why the CV-19 vaccine acts like snake venom. Finding Joe (2011) How being true to himself is important for Brian's personal wellness. Why we always have a choice and we can find empowerment instead of victimhood. Leave Wellness + Wisdom a Review on Apple Podcasts Power Quotes From The Show We Are Not Getting Enough Sunlight "The average American gets 5 to 7 minutes of sunlight a day going out to their car and going to work. We're really deprived of the things that keep us resilient and also allow us to be high frequency and multidimensional." - Brian Richards Head VS Heart "In our individuality, we're this collection of consciousness units, that has decided to have this experience in conjunction with the instrument of a biological form that we sit in. And the two are the same thing. So when we talk about our head versus our heart, and decisions of the heart versus decisions of the mind, it's all different aspects of the same thing." - Brian Richards Align with Your Highest Self "The more you do what's aligned with your highest and best self, the more you're true to yourself, the more meaning you have in your life, the more purpose you have, the more happiness, the more health, the more connection, the more wellness and wisdom you have. It's all coming from within." - Brian Richards Links From Today's Show  Brian Richards 525 Red Light Therapy For Seasonal Affective Disorder (SAD) | Brian Richards Damanhur Foundation Atlantis: The Antediluvian World by Ignatius Donnelly The Four Agreements by Don Miguel Ruiz Be Here Now by Ram Dass Reality Transurfing. Steps I-V by Vadim Zeland 391 Renée Garcia | Reality Transurfing: The Art of Controlling Reality Using Our Freedom of Choice Dr. Steven Young Samuel B. Lee Everything Everywhere All at Once (2022) Finding Joe (2011) Josh's Trusted Products | Up To 40% Off Shop All Products Biohacking ⁠⁠

Dive into a captivating bonus episode of Sista Brunch, broadcasting directly from USC's campus in collaboration with Black Girls Film Camp.  Join host Fanshen Cox as she welcomes Terryn Pinder, a Black Girls Film Camp alumna whose short film "Desquamated" explores complex themes of body image through a sci-fi horror lens.  The episode also features a special guest, Chassidy Jade, a trailblazing film editor and indie director known for her work on major films like "Everything Everywhere All at Once" and "Creed III." Chassidy discusses her unique journey into the world of film editing, the challenges and triumphs of the craft, and her passion for empowering female artists in the film industry. This insightful discussion not only highlights the importance of mentorship and development in the arts but also showcases the powerful impact of Black Girls Film Camp in nurturing new talent. YouTube Link: https://youtu.be/OJ_6mXv2pZg IG Profiles: Interview Host: @fanshencox  @sistabrunchpodcast Black Girls Film Camp Alumni Co-host: @terrynpinder Guest: @editbaejade Alumni Co-hosts from @blackgirlsfilmcamp Editor: @ekulnesta DP & Colorist: @kholih Audio recordists: @msgoodygudi @winstorm68

Cody Cannon (@codycannoncomedy and ComicsandChronic.com) picked five of his favorite movies. NOT definitive his favorite movies… just 5 he loves. The Goonies, Stepbrothers, The Thing, Kill Bill, Everything Everywhere All at Once. You will love this. IT IS SPOILERY. Donate to The Dork Forest if you like the show. The paypal is my email jackie@jackiekashian.com and venmo is jackiekashian. Links to everything is at www.dorkforest.com or www.jackiekashian.com THERE IS NEW MERCH: BEES TSHIRT and BEANIES. I'm Made of BEES. Are you? www.JackieKashianStore.com is the direct. www.jackiekashian.com and www.dorkforest.com have so many other things.  Extra TDF / standup and a storytelling album are available here: https://thedorkforest.bandcamp.com/   Lots of stuff here: https://www.youtube.com/@JackieKashianInc And it's @jackiekashian on all the social mediaz. Audio and Video by Patrick Brady Music is by Mike Ruekberg #applepodcasts #spotify #amazon #youtube #tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

  (Original release Oct 9, 2023)   This PATREON episode has everything and Gabe has Covid. We still manage to get so weird that the Patreon uncut episode has a full 30 minutes of extra jokes and asides. Stabler's Dad Math, the MOST undercover work, the WORST undercover work, hotshots and tough guys, Everything Everywhere All at Once dad, the voice of Mulan (Ming-Na Wen) gets to again work with the voice of Shang (BD Wong) and if you need Midwesterners saying ‘bag' ASMR, this is the episode for you.   **TW: sex trafficking, murder, kidnapping**   Recap 0:36 True Crime Chaser 56:01   Patreon: Recap 2:54 True Crime Chaser 1:21:53   Rate and review! Email us at svupod@gmail.com! P.O. Box 176 Deforest, WI 53532 Follow us on all of the social media: Instagram, TikTok - @svupod! Get pod merch and more at ! Join the Facebook group, SVU POD Elite Squad! and our chat group called “walk and talk!” Started a book club “single tomato”! #littlebitloud for Indie pods! Join the Patreon! Call or text us and leave us your questions, stories and comments!   Thank you to our Dedicated Detective Patrons:   Nikki M, Sophia C, Rachel S, Gloria B, Claire P, Angela D, Kelsey M, Kayla R, Sydney, Sarah H, Samantha, Heather S, Jenny M, Dana R, Shannon C, Natalie H, Akilah S, Cari, Katie M, Brittany W, Em, MaryJack, Susan C, and Victoria B     And to our Elite Squad Patrons:   Marisa M, Elke H, Tricia S, Emily T, Katarina G, Mary D, Joshua H, LEM, Eliza W, Nikki B, Kaylan B, Melanie G, Andrew, Miranda B, Lauren T, Katie A, Kate H, Vanessa, Lex, Shelby K, Bonita R, Maren, Courtney W, Ursula, Catherine M, Kate P, Jessica S, Danielle W, Jana M, Tammi J, Bear, Sam D, Nisha G, Neida M, MAC, Meg M, Casey, Abby W, Alexis J, Caitlyn S, Kristina D, Camille Z, Maggie D, Cyn, Jessica P, Zahn and Jay, Madison H, Emily O, Victoria, Scout G, Melissa M, Desiree R, Lexie Y, Drew B, Monica K, Katy S, Brenna T, Andrea M, Tash, Jenna, Al H, Andrea H, Nicky R, Aunt Sarah, Katie H, Vern, Katherine B, Aryanna, Madeline K, Mallory J, Kristin F, Samara B, DimSim, Alice D, Amanda P, Mahalia S, Jules K, Kimberly L, Julie R, and Tracey

Jenny Slate has starred in films like Marcel the Shell with Shoes On, Obvious Child and Everything Everywhere All at Once. She's also a standup - she just released her second special! Jenny Slate: Seasoned Professional. Slate joins us to talk all about it. The MaxFunDrive is still going strong – right now is the best time to support Bullseye and the MaxFun podcasts you love by starting a monthly membership or upgrading your existing one! Learn more at https://maximumfun.org/join/Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy