Podcasts about tamarind institute

In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form. Episode image: Erwin Thamm Midwest Matrix film: https://www.midwestmatrix.info/index.html Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html IG: lily_press_studio IG: goldmansusan Spread from Journal of the Print World on Midwest Matrix. Rudy Pozzatti. Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington. John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions. Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD. Installation shot of Susan Goldman's Squaring the Flower, McLean Project for the Arts, McLean, VA. Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD. Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD. Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD. Renee Stout working at Lily Press, Rockville, MD.  Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD. Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD. Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD. Dennis O'Neill in the shop at the Corcoran College of Art and Design, Washington, D.C. Lily Press booth at the Baltimore Fine Art Print Fair, 2023. Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton working at Lily Press, Rockville, MD. Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield. Lloyd Menard, founder of Frogman's Print Workshops. Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist. Rochelle Toner and Susan Goldman filming their interview. Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink. Garo Antreasian. Y'es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico. Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com. Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD. Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD. Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist. Keiko O'Hara at Lily Press, Rockville, MD.

Photo by Brad Trone Maja Ruznic (b. Bosnia and Herzegovina, 1983) fuses personal narrative, psychoanalysis, mythology, and esoteric thought into vivid paintings that hybridize figuration and abstraction. Painting variably with oils and gouache on immense and small scales alike, she extracts order from layers of diluted pigment. Ruznic's practice is informed by her studies, from Slavic shamanism and alchemy to Jungian psychoanalysis and sacred geometry. Imbued with a discordant beauty, her compositions emerge without a premeditated outcome. Ruznic's introspective, mystical approach places her into a lineage of visionary painters including Paul Klee and Hilma af Klint. Ruznic lives in Placitas, New Mexico. Recent solo exhibitions include those held at Karma (New York, 2024, Los Angeles, 2023); Tamarind Institute, Albuquerque (2022); Karma, New York (2022); and Harwood Museum of Art, Taos, New Mexico (2021). Ruznic's work is held in the collections of the Crocker Art Museum, Sacramento, California; Dallas Art Museum; EMMA – Espoo Museum of Modern Art, Espoo, Finland; Harwood Museum of Art, Taos, New Mexico; Jiménez–Colón Collection, Puerto Rico; Portland Art Museum, Oregon; Rachofsky House, Dallas; and San Francisco Museum of Modern Art. Her work was recently on view in the Whitney Biennial 2024: Even Better Than the Real Thing at the Whitney Museum of American Art in New York. Maja Ruznic, On the Other Side, 2023, Oil on canvas, 100 x 150 x 2 1/2 inches, 254 x 381 x 6.35 cm. © Maja Ruznic. Courtesy the artist and Karma Maja Ruznic, Arrival of Wild Gods II, 2023, Oil on canvas, 100 x 150 x 2 1/2 inches, 254 x 381 x 6.35 cm. © Maja Ruznic. Courtesy the artist and Karma Maja Ruznic, Geometry of Sadness, 2023, Oil on canvas, 100 x 150 x 2 1/2 inches, 254 x 381 x 6.35 cm. © Maja Ruznic. Courtesy the artist and Karma Maja Ruznic, Arrangement of a Nervous System, 2023, Gouache on paper, 16 3/8 x 11 5/8 inches, 41.59 x 29.53 cm. 24 x 29 1/4 inches, 60.96 x 74.30 cm (framed). © Maja Ruznic. Courtesy the artist and Karma

This week, Miranda speaks with Alyssa Ebinger. They talk about how she found her way to lithography coming from a musical family, going to the Tamarind Institute during the deep, dark heart of the pandemic, lakes of lithotine tears, and the future of collaborative printmaking. Alyssa Ebinger Website https://alyssaebinger.com/ Alyssa on Instagram https://www.instagram.com/alyssa.m.ebinger/ The Contemporary Print Open Call printaustin.org/open-calls/ VOTE for Reinaldo! www.sgcinternational.org/midcareervot…rdsmidcareer YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend SPONSORS Speedball www.speedballart.com SRISA www.srisa.org/ Legion Paper www.legionpaper.com/

This week, Miranda speaks with Jake Ingram of Jackalope Editions. They talk about his road from the New York Academy of Art to starting his own studio in Dolly Parton's backyard, creating a printmaking banjo, breaking vegetarianism at the Tamarind Institute, and learning what a jackalope even is. Jackalope Editions https://www.jackalopeeditions.com/ Jackalope Editions on Instagram https://www.instagram.com/jackalopeeditions/ The Contemporary Print Open Call https://printaustin.org/open-calls/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend SPONSORS Speedball www.speedballart.com SRISA www.srisa.org/ Legion Paper www.legionpaper.com/

Mokuhanga has the ability to take the artist or craftsperson anywhere they would like to be. From the subject matter in their studio to physical movement around the world, teaching, exploring, and discovering. Wonder and beauty is what makes mokuhanga so special.   In this episode of The Unfinished Print, I speak with printmaker Jacqueline Gribbin, who has spent years honing her craft in mokuhanga and other printmaking techniques across Japan, Southeast Asia, and Australia. We discuss her deep connection with Indigenous communities, collaborating with the late Ralph Kiggell, and exploring the nuances of water-based and oil-based mokuhanga. Jaqueline explains her experiences traveling to isolated communities, conducting workshops, and sharing her passion for printmaking. We'll explore her teaching methods, the importance of community in her work, and how she balances creating and selling her prints.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacqueline Gribbin - website  Shifting Tides (2022) Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   Toru Ueba - was a print instructor at Nagasawa Art Park, and was one of Yoonmi's instructors in 2004.   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Orange Flower On Blue    Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Instagram   赤絵（アンドレ・マルティ「狼よ！」より) (2022) 34.7cm×28.4cm   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     The Torii Gate at Miyajima (2009) 37.5 x 26cm sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Yoshitaka Amano (b. 1952) - is a character designer for the Final Fantasy video game series. He uses ukiyo-e and Japanese woodblock prints as insirpation for some of his work.    Takashi Murakami (b. 1962) is a contemporary artist best known for his fine art works and contributions to the commercial market. His works are heavily influenced by manga and anime, characterized by their bright colors and distinctive style. Multicolour Superflat Flowers - archival pigment print, silkscreen, 45 cm x 17.7cm   Margaret Thatcher 1925-2013) -  was the Prime Minister of the United Kingdom from 1979 to 1990. She was the first woman to hold the office and remains one of the most influential figures in British political history. Leading the Conservative Party, Thatcher implemented a series of economic policies known as "Thatcherism," which emphasized deregulation, privatization of state-owned industries, and reducing the power and influence of trade unions. Her tenure was marked by significant economic transformation, as well as controversial measures that sparked widespread debate and protest.    Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.    STPI Creative Workshop & Gallery - which stands for Singapore Thailand Print Institute is an educational gallery and workshop, based in Singapore. More info, here.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga which was separated in two parts, Kyoto and the Awaji Islands in Japan.    MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.    Incoming Tide 30.5 x 30.5cm   Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Keiko also leads the Mokuhanga Project Space based in Walla Walla, Washington. More info on Keiko's work can be found, here. More info regarding the Mokuhanga Project Space, here.   Verse Space M-1, lithography and stencil, 55.8 cm x 76.2 cm   Yamanashi Prefecture - (山梨県, Yamanashi-ken) is located in the Chūbu region of Honshu, Japan, and borders Saitama Prefecture to the northeast, Nagano Prefecture to the northwest, Shizuoka Prefecture to the southwest, Kanagawa Prefecture to the southeast, and Tokyo to the east. The capital and largest city is Kōfu. Yamanashi is one of only eight landlocked prefectures in Japan, with most of the population residing in the central Kōfu Basin, surrounded by the Akaishi Mountains. 27% of its land area is designated as Natural Parks, and it is home to many of Japan's highest mountains, including Mount Fuji, the country's tallest peak and a significant cultural icon, which is partially located on the border with Shizuoka Prefecture.   Tiwi Islands - which means "two islands," are part of the Northern Territory, Australia, located 80 km (50 mi) north of Darwin. They comprise Melville Island, Bathurst Island, and nine smaller uninhabited islands, with a combined area of 8,320 square kilometers (3,212 sq mi). The islands have been inhabited by the Tiwi, an Aboriginal Australian people, since before European settlement, with a population of 2,348 recorded in the 2021 census. The Tiwi Land Council, one of four land councils in the Northern Territory, serves as a representative body with statutory authority under the Aboriginal Land Rights (Northern Territory) Act 1976 and holds responsibilities under the Native Title Act 1993 and the Pastoral Land Act 1992.   Charles Darwin University - was established in 2003 in the Northern Territory of Australia, and resulted from the merger of Northern Territory University, Centralian College, and the Menzies School of Health Research. Named after naturalist Charles Darwin, CDU focuses on research and education tailored to the unique challenges of the region, with strong emphasis on Indigenous education and partnerships. The university offers a broad range of programs across disciplines like health, education, engineering, business, and environmental science, and is recognized for its research in desert knowledge, Indigenous systems, tropical health, and sustainable development. With campuses in Darwin, Alice Springs, Katherine, and Nhulunbuy, CDU plays a crucial role in the educational, economic, and social development of the Northern Territory. The More Than Human World: North Australian Ecologies was the exhibit which Jacqueline speaks on in her episode. The exhibit catalogue can be found, here.    Balgo - also known as Wirrimanu, is a remote Aboriginal community in the Kimberley region of Western Australia. Home to the Kukatja people and other desert groups like the Ngarti and Warlpiri, Balgo is renowned for its vibrant art scene, particularly through the Warlayirti Artists art center, which produces art reflecting the rich cultural heritage of the local people. The community, accessible mainly via local roads and air, provides essential services such as a health clinic, school and plays a vital role in preserving and promoting Indigenous culture and traditions. A description of Wirrimaru can be found, here via Deutscher and Hackett.    Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here.   Arnhem Land - is located in the northeastern Northern Territory of Australia, and is a vast and culturally rich region covering approximately 97,000 square kilometers. Bordered by the Arafura Sea, the Gulf of Carpentaria, and Kakadu National Park, it is one of the largest Aboriginal reserves in Australia, home to around 16,000 Indigenous people, primarily the Yolngu. Known for its stunning natural landscapes, including rugged coastlines, rainforests, and wetlands, Arnhem Land is also a cultural treasure, famous for Indigenous art, music, and traditions. Access is restricted to protect its heritage, and the region plays a crucial role in Indigenous land rights movements and the preservation of Aboriginal culture.   Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.    Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō.   uwa senka long - is a Thai kozo machine made paper which can be used for mokuhanga.    The Japanese Paper Place- is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here.   gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques.   The Adelaide River - is a significant waterway in the Northern Territory of Australia, extending approximately 180 km from its source in the Litchfield National Park to its mouth at the Timor Sea. The river flows through  lush wetlands, dense mangroves, and open floodplains, providing a rich habitat for diverse wildlife. It is particularly renowned for its large population of saltwater crocodiles.    © Popular Wheat Productions opening and closing credit - Stardust by Lester Young, Oscar Peterson Trio. (1956) © UMG Recordings logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                                

In s3e49, Platemark host Ann Shafer talks with Valpuri Remling, collaborative printer and manager of the pro workshop at Tamarind Institute, University of New Mexico, Albuquerque, which was established in 1960 by the legendary June Wayne in order to preserve and promote the art of lithography. Valpuri, a native of Rovaniemi in Finnish Lapland, graduated from the program in 2009. After working at Helsinki Litho with Matti Hintikka and Kalle Berg, Valpuri returned to Albuquerque in 2015 to assume the position of printer and workshop manager from Bill Lagattuta, Tamarind's longtime collaborative printer. In her role, Valpuri collaborates with visiting artists, manages multiple publishing projects, and advises other workshops and manufacturing entities on best practices in lithography. Every year she directs the research of Tamarind apprentice printers and mentors the next generation of lithographers. Ann and Valpuri talk about growing up on the Artic Circle, how the two Tamarind shops function side by side, research into new lithograph tools and techniques, the printshop ballet, collaborating with artists, being true to oneself, and the surprising opportunity for artists to have work printed at Tamarind by students. Brandon Gunn, Tamarind Master Printer, Director of Education, and Professor of Practice. Arikah Lynne, 2023–24 Apprentice Printer. Brandon Gunn demonstrating a rainbow roll for a cohort. Bill Lagattuta, Marjorie Devon, and Rodney Hamon. Rodney Hamon and Bill Lagattuta with a cohort. Alyssa Ebinger and Valpuri Remling in the pro shop. Kylee Aragon Wallis, Gallery Director. Tamarind founder June Wayne. Garo Antreasian and Clinton Adams. Diana Gaston, Director. Marge Devon, retired Director. Matti Hintikka, Valpuri Remling, and Kalle Berg at Helsinki Litho. Adam Ostreicher. The Procession, 2007. 5-plate etching and aquatint. Tru Ludwig. Ask Not…, 1997. Etching and aquatint, engraving, and softground etching. 36 x 24 in. Tusche test stone. Jeffrey Gibson (American, Mississippi Choctaw-Cherokee, born 1972). Mighty Real, 2021. Four-color lithograph. Sheet: 36 11/16 x 25 ¼ in. Published by Tamarind Institute; printed by Valpuri Remling and Lindsey Sigmon.   USEFUL LINKS Tamarind Institute website: www.tamarind.unm.edu Map to find Tamarind-trained shops and printers: www.tamarind.unm.edu/map/fatp_map.html# Instagram accounts @tamarindinstitute @tamarindeducation @valpuriremling   Other printmaking podcasts Platemark Hello, Print Friend The Unfinished Print NewsPrint Podcast The Print Cast All About Printmaking with Phil and Amy  

This week Miranda speaks with Robert Arber, the founder of Arber and Sons Editions in Marfa, TX. This episode was recorded on-site in Robert's studio in this iconic art town. They talk about his journey to printmaking after working in a car design studio in Detroit, going to the Tamarind Institute of Lithography in the 1970s, making motorcycles that go very fast, and printing, collaborating, and drinking with Donald Judd. Go to our Instagram if you want to see photos of some of the objects Robert mentions in the episode, such as the prototype of the sotol bottom that Judd designed, the Deadhead Moth print, and more! Robert's Website: https://30x30cmproject.com/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com Our sponsor, Legion Paper legionpaper.com/

In this fun podcast episode, we sit down with Miro Kenarov, one-half of the talented Bulgarian-born artist couple behind the unique Canvas on Clay project. We delve deep into their artistic journey, from their early days in Bulgaria to their inspiring life in Santa Fe, New Mexico, and how their contrasting backgrounds have come together to create an extraordinary fusion of art forms. Miro shares their insights on the creative process behind Canvas on Clay, the importance of maintaining a healthy balance between their personal and professional lives, and the impact of their experiences at the Tamarind Institute on their artistic practice. They also discuss the challenges and opportunities of working with mixed media, the significance of being designated as a "Trusted ART Seller," and their recent record-breaking Mother's Day sale with ASF's new Co-Pilot Service. This episode is packed with valuable advice for artists looking to collaborate, explore new mediums, and achieve recognition in the art world. Don't miss this opportunity to learn from Miro and Maria's experiences and gain a fresh perspective on the art of collaboration.If you're interested in Co-Pilot, be sure to sign up here!

Join Tamara for an interview with Curtis Bartone, printmaker and SCAD printmaking professor, who's lived in Savannah since 2001. His paintings, drawings, and etchings focus on the uneasy relationship between human beings and the natural world, exploring the idea of wilderness and how it has changed from being a real place–mysterious, unknown, and pristine–to a distorted fiction. Curtis does a great job breaking down all the ins and outs of various printmaking processes, including lithography, intaglio, and etching, and also his subject influences -- from Italian Renaissance painting and 17th-century Dutch still life to 19th-century scientific illustration.  Check out his work and follow him here: https://www.instagram.com/cabartone/ https://www.curtisbartone.com/  Topics in their chat include: Our perception of the natural world vs. the reality of it; his fascination with animals who have been brought / have migrated to an area where they aren't naturally found; how Curtis started out as a painter but fell in love with printmaking in an etching class during grad school at Northwestern; what is Bavarian limestone?; the Tamarind Institute, a a lithography workshop in New Mexico; the art of purposefully leaving some areas of a piece unfinished; how printmaking is the art of "thinking in layers"; his experience doing an artist residency in Iceland; how much he's learned from bearing witness to his students' printmaking experiments in his 20+ years; and the best artist advice he's gotten.  Tune in and get all the details!

This week on Hello, Print Friend Miranda speaks with Diana Gaston, director of the Tamarind Institute. We talk about how one becomes the director of an internationally renowned printmaking enterprise in the first place, the ambitions of the institute's founder June Wayne to save the medium of lithography (and if it worked), what kind of research is done at Tamarind, and the importance of limestone in a plate litho world. Tamarind Website https://tamarind.unm.edu Tamarind Instagram https://www.instagram.com/tamarindinstitute YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor Speedball www.speedballart.com

This week on Hello, Print Friend Miranda speaks with Bill Lagattuta master printer and workshop manager at the Tamarind Institute of Lithography from 1988 to 2015. We talk about his early days as a printer traveling around the country from job to job and rethinking his career path, landing at Tamarind and working with incredible artists over the years, and being included in the exhibition at the Albuquerque Museum “Printers Proof” which features editions from some of the great master printers of our time. Tamarind Institute https://tamarind.unm.edu Shop Talk www.patreon.com/helloprintfriend YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor Speedball www.speedballart.com

Ryan Singer is a Diné (Navajo) artist-painter based in Albuquerque, NM. Creating artwork based on his Navajo heritage and incorporating pop culture elements including science fiction imagery. He weaves stories of his childhood memories with nostalgic iconography. He has been included in the “Indigenous Futurism” movement but has been drawing Star Wars characters since 1977. Ryan also enjoys creating portrait realism of Native subjects with a contemporary appeal. His artwork is in collections of several museums and collectors worldwide. Ryan had garnered several awards including from the renowned SWAIA's Santa Fe Indian Market. He is currently attending UNM to acquire a BFA in Art Studio, where he is in a collaborative lithography class with the Tamarind Institute. He plans on working towards his MFA right after UNM. Join Blue Rain Gallery for the opening of "CROSSROADS" featuring new works from Ryan Singer. Opening Reception Friday, February 25th, 2022 from 5-7pm AVAILABLE WORKS Blue Rain Gallery Podcast is hosted by gallery owner and art dealer, Leroy Garcia and is produced by Leah Garcia with music by Mozart Gabriel Abeyta

In this episode of Hello Print Friend Miranda speaks with Brandon Gunn and Valpuri Remling of The Tamarind Institute of Lithography. Brandon is Director of Education and Valpuri Master printer and workshop manager. Together they run the two sides of Tamarind's world famous lithographer training program. We had a wonderful conversation about how tamarind works and the seemingly at times mercurial world of litho. [more information] Tamarind Website tamarind.unm.edu Tamarind Instagram www.instagram.com/tamarindinstitute/?hl=en Tamarind Education Instagram www.instagram.com/tamarindeducation/ Shop Talk www.patreon.com/helloprintfriend YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com instagram www.instagram.com/helloprintfriend print gallery helloprintfriend.com/print-gallery ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor Speedball www.speedballart.com

The world of mokuhanga has a lot of moving parts. It's a machine that needs to be consistently monitored, updated and supervised. This is especially true when most mokuhanga practitioners are the ones working on every step to get their finished product. Many times we as mokuhanga artists tend to overlook what goes into our tools; the barens, the brushes, pigments and paper, many of us simply wanting to get the work, “done.” Jon Lee, a printmaker, craftsperson and artist based in San Antonio, Texas goes a little deeper where most people don't. Jon makes barens, and brushes, and paper through his academic work as well as personally. In this episode of The Unfinished Print I speak to Jon Lee about how he approaches his work, how he builds and constructs his tools, his studying under master baren maker Gotō Hidehiko, and how all of this melds with his academic research. Please follow The Unfinished Print and my own print work on Instagram @popular_wheatprints, Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Jon Lee  - The Print Center bio and Instagram page  University of Iowa - founded in 1847 U of I is a public research university. More information can be found here. Trinity University of San Antonio - founded in 1869, more info can be found, here. mezzotint -  a print made using copper plate and a “rocker.” Invented in the mid-17th Century. More info can be found, here from The National Portrait Gallery, England. hanji Korean mulberry paper - is a paper used, amongst other ways, for woodblock printmaking. It's a very dense and fibrous paper.  More info can be found, here. Tamarind Institute - dedicated to prints of all types, this institution began in 1960 as a lithography workshop in Los Angeles. More information can be found, here. Akira Kurosaki (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there is a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. McClains Woodblock Print Supply Co.  - based in Portland, Oregon McClains is the go to supplier of woodblock print tools in the United States. Their website can be found, here. My interview with Daniel Jasa of McClain's can be found, here. Gotō Hidehiko - is a baren maker and printmaker from Japan. He has conducted workshops at MI Lab, the mokuhanga residence program , for baren making. He has also conducted workshops at the Mokuhanga Conference several times, and will be there in 2021. His prints can be found, here. Jim  Croft bookbinder - bookbinder based in Idaho. His website can be found, here. Hon baren - is the traditional Japanese baren used in mokuhanga printmaking. David Bull has a concise description of it, here. Wood-like Matsumura - a supplier of tools and other necessities for woodblock printmaking based in Tōkyō. Website can be found, here. Meiji Period (1868-1912) - a period of upheaval and change as the Tokugawa military government toppled with a brand new government replacing it, based on a European model. For a fantastic book on the subject please read, Meiji and His World by Donald Keene (1922-2019). Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here. Hosho paper - a handmade paper from Japan used for printmaking. Some information can be found here. Yokohama - a port city located in the prefecture of Kanagawa in Japan. Made famous for its Chinatown, historical foreign settlement and ramen museum. Yokohama-e was a series of prints made from around 1850-1870 about the new foreign people coming into Japan. More info can be found, here. Bracken plant - a fern located throughout the world. More info can be found, here. mochi - glutinous rice cake made for holidays or simply for everyday enjoyment   bfk Rives - a cotton mould paper used for printmaking Hangul - is the written system of the Korean language with 10 consonants and 14 vowels. More info, here. King Sejong or Sejong The Great (1397-1450) - was the fourth king of the Joseon Dynasty (1392-1897), and amongst other contributions to Korean culture, helped create the Hangul language. Shinjuku City - a ward in the city of Tōkyō famously known for its entertainment district, parks, and shopping.  More info can be found, here. Shibuya City - a ward in the city of Tōkyō also, famously known for its shopping and heavy tourism. More info can be found, here. urushi  - is a type of lacquer used  in Japanese lacquerware for hundreds of years especially in maki-e lacquer decoration. A very good blog posting by Woodspirit Handcraft has great information about urushi, here. David Bull size recipe (s) - can be found here. tempera - a pigment mixed with binder historically used throughout Europe and the Middle East. More info, here. gesso - a hard drying white paint used in priming canvas for work. More info can be found, here. Nakayama stone - a very famous sharpening stone which can fetch to upwards of 7,000 CDN, like here. From a region in Kyōto,  the stone requires little to no soaking in water. Japan Stone has more info, here. opening and closing credit background music:  By the almighty KRS One. ‘Outta Here' from the 1993 album Return of the Boom Bap.  © Popular Wheat Productions logo designed an produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) if you find any issue with something in the show notes please let me know. The opinions expressed in The Unfinished Print podcast are not necessarily those of Andre Zadorozny and of Popular Wheat Productions.  

Emily Arthur (Eastern Band Cherokee descent) is an Associate Professor at the University of Wisconsin-Madison and serves as Chair of the Printmaking Area within the Art Department where they will host (SGCI) Southern Graphics Council Conference in March 16 – 19 2022 titled Our Shared Future. Arthur received an MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia and has served as a Fellow at the Barnes Foundation for Advanced Theoretical and Critical Research, Pennsylvania. Additional education includes the Rhode Island School of Design, University of Georgia and the Tamarind Institute of Lithography at the University of New Mexico. Arthur is awarded to the Notable Women in the Arts, National Museum of Women in the Arts and has been nominated for a Joan Mitchell Foundation, Painters and Sculptors Grant. She is the recipient of a Florida Artist Enhancement Grant provided by the State of Florida and the National Endowment for the Arts. Her work is included in the permanent collections of the Saint Louis Art Museum, Chazen Museum of Art, Minneapolis Museum of American Art, Tweed Art Museum, Denver Art Museum, Autry National Center of the American West and the Museum of Contemporary Native Arts, Santa Fe, NM. Arthur's work is included in the recent 2020 book, Knowing Native Arts (Lincoln): University of Nebraska Press, by Nancy Marie Mithlo as well as Dr. Mithlo's forthcoming book titled Visualizing Genocide co-authored with Yve Chavez, Ph.D. Arthur is also a co-curator and co-author of Re-Riding History: From the Southern Plains to the Matanzas Bay, edited by Phillip Earenfight, PhD. (The Trout Gallery: Carlisle, PA, Fall 2018). Arthur has served as an International Artist in Residence in France and Japan with artists from the Diné/Navajo Nation and as part of the 2011 Venice International Print Studios where she exhibited at the University of Ca” Foscari on Occasion of the Venice Biennale 54th International. International permanent collections include the nations of Iceland, Russia, Estonia, Ireland, France, Italy United Kingdom, India, Argentina, New Zealand, and Japan.

In this episode of pine copper lime Miranda speaks with Brandon Gunn and Valpuri Remling of The Tamarind Institute of Lithography. Brandon is Director of Education and Valpuri Master printer and workshop manager. Together they run the two sides of Tamarind's world famous lithographer training program. We had a wonderful conversation about how tamarind works and the seemingly at times mercurial world of litho. [more information] Tamarind Website tamarind.unm.edu Tamarind Instagram https://www.instagram.com/tamarindinstitute/?hl=en Tamarind Education Instagram https://www.instagram.com/tamarindeducation/ pine|copper|lime YOUTUBE https://www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw pine|copper|lime MERCH www.teepublic.com/user/pinecopperlime pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime Our sponsor Speedball www.speedballart.com

In this episode of pine|copper|lime Miranda speaks with Satoru Itazu. Satoru has been a collaborative lithographer for over three decades running a compact studio on the outskirts of Tokyo where he produces meticulous, high-end editions. He is a generous teacher and his Instagram account is known for in depth instructional videos and collaborations with artists from around the world. In this episode we talk about how his study of lithography took him from Japan, to Washington State, to the Tamarind Institute, to Oregon, and finally back home before starting his print shop. We dive into the love of lithography, the romance of buried stones, and contemporary Japanese printmaking. Satoru Itazu's Instagram https://www.instagram.com/itazu_litho pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime

cover art 中作品：Verrazano Composite / Yvonne Jacquette / 蜡笔、铅笔 / 162.5 x 121.4 cm 他带火了“版画”，离开了自己的工作室，潜心“艺术出版”。 这个人就是杨老师，印物所的创始人。 一个在德国半路辍学的艺术生，在中国开展“艺术出版”的工作，一番艰辛探索，称得上收获的，就是令更多国人知晓了“版画”二字。之前他离开了自己创办的工作室，整理思路，再次踏上“艺术出版”之路。 中国，看不到“艺术出版”。 成熟的“艺术出版”生态是什么样子？带着这个问题，杨老师和DJ.乱花去年深秋飞去纽约，游历纽约版画艺术周。 这集节目，我们跟大家分享纽约的版画周，解释清楚什么是“版画”（以防你上当），以及什么是“艺术发行”（欢迎你参与

In this episode of pine|copper|lime Miranda speaks with Peter Lancaster. To mark the happy one year anniversary of PCL we take a vacation together to Lancaster's newly founded printmaking residency in Fiji. We learn about his childhood on the island, moving to Australia to attend college, traveling to New Mexico to receive training at the Tamarind Institute, and his years spent collaborative printing in Melbourne. This episode and article are a celebration of the global printmaking community and the opportunities the artistic life affords us. Printmaking forever. Shun the non-believers. Join the party. [more information] pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ https://www.patreon.com/pinecopperlime Lancaster Press Website https://lancasterpress.com.au/ Lancaster Press Instagram https://www.instagram.com/lancasterpressfiji/

This week: Live from Miami, well it was broadcast live at the time, whatever, anyways, Sharon Louden!! Sharon M. Louden graduated with a BFA from the School of the Art Institute of Chicago and an MFA from Yale University, School of Art. Her work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Birmingham Museum of Art, Weatherspoon Art Museum and the Kemper Museum of Contemporary Art. Louden's work is held in major public and private collections including the Neuberger Museum of Art, Whitney Museum of American Art, National Gallery of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others. Sharon Louden's work has also been written about in the New York Times, Art in America, Washington Post, Sculpture Magazine and the Philadelphia Inquirer, as well as other publications. She has received a grant from the Elizabeth Foundation for the Arts and has participated in residencies at Tamarind Institute, Urban Glass and Art Omi. Louden's animations continue to be screened and featured in many film festivals and museums all over the world. Her animation, Carrier, premiered in the East Wing Auditorium of the National Gallery of Art in Washington, DC in March, 2011 in a historical program of abstract animation since 1927. Sharon also premiered a new animation titled, Community, at the National Gallery of Art in the program, "Cine Concert: Abstract Film and Animation Since 1970" on September 8, 2013. Louden was commissioned by the Weisman Art Museum to make a site-specific work in dialogue with Frank Gehry's new additions to the museum. Entitled Merge, this solo exhibition consisted of over 350,000 units of aluminum extending over a 3,000 square foot space and was on view from October 2011 through May 2012. This piece was then reconfigured and permanently installed in Oak Hall at the University of Connecticut in Storrs, CT and completed in January, 2013. Also in 2013, Louden received a New York Foundation for the Arts Artist Fellowship in the category of Architecture/Environmental Structures/Design. Recent exhibitions include a solo exhibition of new work including Community (the animation that premiered at the National Gallery of Art), as well a site-specific installation, painting, drawing and sculpture at Morgan Lehman Gallery in New York in October through November, 2013. Currently on view is  a solo exhibition of Louden's paintings and drawings at Beta Pictoris/Maus Contemporary Art in Birmingham, Alabama, which will run through February 16, 2014. Sharon Louden has taught for more than 20 years since graduating from Yale in 1991. Her teaching experience includes studio and professional practice classes to students of all levels in colleges and universities throughout the United States. Colleges and universities at which she has lectured and taught include: Kansas City Art Institute, College of Saint Rose, Massachusetts College of Art, Vanderbilt University and Maryland Institute College of Art. Sharon currently teaches at the New York Academy of Art in New York City. Last summer, Sharon taught experimental drawing and collage in the School of Art at Chautuaqua Institution in Chautauqua, New York. In addition to teaching at the New York Academy of Art, Sharon also conducts a popular Lecture Series where she interviews luminaries and exceptional individuals in the art world and from afar. Louden is also the editor of Living and Sustaining a Creative Life: Essays by 40 Working Artists published by Intellect Books and distributed by the University of Chicago Press. The book is already on its fourth printing since the first run sold out before its official release on October 15th, and has been #1 on Amazon.com's Bestseller List of Business Art References. It was also on Hyperallergic's List of Top Art Books of 2013. Recent press includes an interview in Hyperallergic blogazine, "How do Artists Live?".  A book tour started on November 2, 2013 which includes Sharon Louden and other contributors visiting cities across the United States and in Europe through 2015.  Highlights include an event in the Salon at the Art Basel Miami Beach Art Fair this past December, 2013 as well as a discussion and book event at the 92nd St Y in New York and a panel discussion at the Hirshhorn Museum and Sculpture Garden in Washington, DC in January, 2014. For more information on the book tour, please click here.  In addition, she continues to conduct Glowtown workshops in schools and not-for-profit organizations across the country. Louden is also active on boards and committees of various not-for-profit art organizations and volunteers her time to artists to further their careers. Sharon is a full-time practicing, professional artist who lives and works in Brooklyn, NY.

Featuring art events throughout New Mexico, including at Arroyo, Meyer East Gallery, Tamarind Institute, Wade Wilson Art Santa Fe and more

Featuring art events throughout New Mexico, including at Turner Carroll Gallery, Tamarind Institute, Photo-Eye Gallery and more.

Tamarind Institute founder June Wayne talks about the about the early history at Tamarind’s Fabulous at 50 Symposium and Birthday Bash.

A dialogue between artist Ed Ruscha and critic Dave Hickey at Tamarind Institute’s Fabulous at 50 Symposium and Birthday Bash.

A dialogue between artist Jim Dine and National Gallery of Art curator Ruth Fine at Tamarind Institute’s Fabulous at 50 Symposium and Birthday Bash. Dine cre­ated Tamarind’s 50th anniver­sary com­mem­o­ra­tive print, “Dou­ble Dose of Color.”

A panel discussion of Tamarind Institute-trained printers opening lithography workshops around the world: Plinio Avila Marquez, Museo Grabado, Mexico; Mark Attwood, The Artists’ Press, South Africa; Kalle Berg, Helsinki Litho, Finland; Sarah Dudley, Keystone Editions, Germany. Moderated by Arif Khan, Tamarind Gallery director.

Tamarind Institute’s first technical director, Garo Antreasian, talks about the early challenges of building a collaborative lithography workshop at Tamarind’s Fabulous at 50 Symposium and Birthday Bash.