Podcasts about weaves

Last night, in the first Oval Office interview of his second term, Donald Trump let loose on a range of topics — from wildfires in California and his pardons of Jan. 6 rioters to his near assassination and his coming immigration crackdown. What was the takeaway from the interview, and what does it all tell us about the message the Trump team wants to send? White House Bureau Chief Dasha Burns joins Chief Playbook correspondent Eugene Daniels to walk through it all.

WHAT A SHOW TODAY! Happy Wednesday! Tate is tootin, Charlie can't carpool, the drama today is real. Meanwhile, Johnjay got a new face treatment and Rich has TV rules with Stacey. Then we ask you for THE SILLY WAYS YOU HURT YOURSELF! And, will Johnjay be deported with new management in the White House? Find out in an all new episode of Johnjay and Rich ON DEMAND!

Tá fíodóirí ag lorg aitheantais speisialta le lipéad Bréidín Dhún na nGall a chosaint mar go bhfuil aithris a ndéanamh ag comhlachtaí eile ar a dtáirge, rud atá ag cur isteach ar an margadh.

Tune in for another riveting discussion of Karl Edward Wagner's sword and sorcery icon Kane.  This month, Karl Haikara and I continue our discussion of BLOODSTONE, Karl Edward Wagner's first KANE novel. This is part 3 covering the following chapters: 14 Flight into Nightmare 15 Lord of Bloodstone 16 When Death is Unmasked 17 What Manner of Man 18 The Wolf Lays Plans 19 Dreams in Arellarti 20 Night of Bloodstone Intro / Outro: “Darkness Weaves” – Mike Hill

Episode 54: Rear Cross Side Change  ** Part 3, Section B, Going through the chapters of my foundation classes, Margaret talks about the Rear Cross side change. Workbook is not finished, but if you'd like to see my outline and Foundation through Level 1 (including Teeter and Weaves) you can download it here: https://www.facebook.com/groups/beginningdogagilityusa/files/files   Video of the podcast, includes demonstrations: https://youtu.be/CZLWr4sMVvE

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Another crazy prank from the nephew.

In this episode of the Fully-Booked podcast, we dive into the magical world of Wicked, the long-awaited film adaptation of the beloved Broadway musical. Releasing in two parts, with the first installment hitting theaters in November 2024, Wicked promises to enchant audiences with its dazzling visuals, incredible performances, and timeless themes of friendship, acceptance, and personal growth. The Enduring Legacy of Oz Before delving into the specifics of the film, it's important to recognize the enduring cultural impact of the Oz universe. L. Frank Baum's original novel, The Wonderful Wizard of Oz, was published in 1900, sparking a franchise that has captivated audiences for over a century. From the iconic 1939 film starring Judy Garland to countless adaptations across various media, the world of Oz has become a beloved part of our collective imagination. Wicked, based on Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West, offers a fresh perspective on this classic tale. By exploring the origins and complex relationship between Elphaba (the Wicked Witch of the West) and Galinda (the Good Witch), the story challenges our preconceptions and invites us to consider the nature of good and evil. From Stage to Screen: Adapting a Broadway Sensation The journey of Wicked from page to stage to screen is a testament to the power of great storytelling. The musical, with music and lyrics by Stephen Schwartz and a book by Winnie Holzman, premiered on Broadway in 2003 and quickly became a cultural phenomenon. With its soaring melodies, clever wordplay, and heartfelt performances, Wicked has captivated audiences worldwide for nearly two decades. Meaghan: Shout out to, like, what is it? Steven Schwartz, who I think wrote the original stage musical. Shout out to him because he wrote some bangers for Popular. Bringing this beloved musical to the big screen was no small feat. Director Jon M. Chu, known for his work on Crazy Rich Asians and In the Heights, faced the challenge of translating the stage production's magic and intimacy into a cinematic experience. By leveraging the power of film technology and assembling an all-star cast, Chu has created a visually stunning and emotionally resonant adaptation that stays true to the spirit of the original while expanding its scope and reach. A Star-Studded Cast and Stunning Visuals One of the film's greatest strengths is its exceptional cast. Pop sensation Ariana Grande brings her powerhouse vocals and comedic timing to the role of Galinda, while Tony Award-winner Cynthia Erivo delivers a deeply moving and nuanced portrayal of Elphaba. The chemistry between the two leads is palpable, and their performances anchor the film's emotional core. Meaghan: That's it. Like, I have no feelings really about Ariana Grande one way or another kind of thing, but she did a really good job. Shirin: She did a great job. Really good. The supporting cast is equally impressive, with standout turns from Jonathan Bailey as Fiyero, Michelle Yeoh as Madame Morrible, and Jeff Goldblum as the Wizard. Each actor brings depth and complexity to their role, elevating the material and creating a rich tapestry of characters. Visually, Wicked is a feast for the eyes. The production design is lush and immersive, with intricate costumes, jaw-dropping sets, and stunning visual effects that transport the audience to the magical land of Oz. The film's use of color and light is particularly noteworthy, with Elphaba's emerald green skin and Galinda's pastel pink wardrobe serving as visual markers of their characters' journeys. Themes and Resonance At its core, Wicked is a story about friendship, acceptance, and the power of personal choice. Through Elphaba and Galinda's unlikely bond, the film explores themes of prejudice, conformity, and the consequences of our actions. As Elphaba grapples with her identity and the expectations placed upon her, she becomes a symbol of resilience and self-acceptance in the face of adversity. Shirin: But, like, a lot of, like, you know, it's when you actually, like, think about the plot itself, which they've they've kind of peppered in a little bit more into this movie to make it a bit longer, it was very long. It was very long. Yes. The first this is like I said, they've split it into 2 bits. This is part 1. It was 2 hours and 40 minutes long. These themes resonate deeply with contemporary audiences, particularly in an era where issues of social justice and individual identity are at the forefront of public discourse. By presenting a nuanced and empathetic portrayal of characters who have been historically villainized or marginalized, Wicked encourages viewers to question their assumptions and embrace the complexity of the human experience. Conclusion: The Magic Lives On As we eagerly await the release of Wicked: Part 2, it's clear that the magic of this beloved story is as potent as ever. Through its stunning visuals, incredible performances, and timeless themes, the film adaptation of Wicked has proven itself a worthy successor to the Broadway musical and a testament to the enduring power of the Oz universe. Whether you're a longtime fan of the musical or a newcomer to the world of Elphaba and Galinda, Wicked is a must-see cinematic event that will leave you spellbound. As the film casts its enchanting spell over a new generation of viewers, one thing is certain: the magic of Oz will continue to captivate and inspire audiences for generations to come. See omnystudio.com/listener for privacy information.

Aujourd'hui, je suis ravie de recevoir Julie Robert, aussi connue sous le nom de Julie Weaves.  Pour suivre le Bol : www.le-bol.frwww.le-blog-du-bol.fr Pour suivre Julie: https://www.julie-robert.fr/ Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Weaving in CMC to the offense with Director of Yarn, David "Dorb" Breece Hall Jr. 

Episode 53: Cues and Side Changes  ** Part 2 Section B, Going through the chapters of my foundation classes, Margaret talks about Cues and Side Changes. Workbook is not finished, but if you'd like to see my outline and Foundation through Level 1 (including Teeter and Weaves) you can download it here: https://www.facebook.com/groups/beginningdogagilityusa/files/files Hannah Branigan - mention about hand signal description at minute 9:40. https://soundcloud.com/hannah-branigan/187-training-faster-behaviors-without-frustration-part-2?utm_source=clipboard&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fhannah-branigan%252F187-training-faster-behaviors-without-frustration-part-2 Where to put your side change: https://youtu.be/j_gGS0_tTP0 Blind cross podcast: https://www.podbean.com/ew/pb-pfqrh-142b25b More on side changes: https://www.podbean.com/ew/pb-923vv-11e41bf

Sunday November 3, 2024: Pastor Matt shares once again from Romans 8, and the significance of being led by Holy Spirit, and uses Mark 4 and 5 as a picture of what awaits us as we venture into new days, challenges, and storms with the lens of beloved identity.  Even the storms He does not originate, He weaves for glory in our lives. We are in a Mark 4 into Mark 5 day, a crossing over, and it is imperative that we see each moment through the lens of Abba's love.

Tune in for another riveting discussion of Karl Edward Wagner's sword and sorcery icon Kane.  This month, we start our dive into the novels with BLOODSTONE first published on January 1, 1975 by Warner Books. We're going to break the 200 page book up into section. This month we will hit the Prolog through Chapter 6.   Intro / Outro:     “Darkness Weaves” – Mike Hill

The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science. The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Thank you graciously for your time, consideration, understanding, and support. ^.^ To Donate Please Visit,please visit gofundme.com/thecomplexcolletive TRIGGER WARNING! ⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️ This series contains adult content not suitable for children or under the legal age of majority. Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort. The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only. The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark. All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances. The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion. [The Festival Project ™] Apparently, the Yeah Yeah Yeah's are a real band. No fucking way. Apparently. I had no idea at all when I wrote that…. –Wrote what? …nothing. [The Festival Project™ ] … ‘Mm. More protein.' I knew protein wasn't exactly entirely going to help me lose weight, but I had lost a lot of muscle only cycling and being bombarded at the gym— and the inferior protein I had purchased earlier in the month was less than inferior, as it turned out— it simply wasn't working. How the fuck is this a real rock group?! I don't know! I thought I made it up. I thought you made everything up. I MADE EVERYTHING UPz. Well, this is turning out to be a disaster. Hm. No spouse listed. You fucked a drummer? You could say I hopped on the bandwagon. Ew. Gross. What do you want from me?! Shut up! {Enter The Multiverse} ___ I'm going to need you to feed my dragon. Uhm. Okay. Don't worry. She doesn't bite. Uh. Give her a kiss. …no. Do it, or she'll set you on fire. *kisses dragon* ..Okay. Good girl. She's soft. For a dragon. Yes, she's very friendly. So. What does she eat? People. +.+ –Agh?! —but only purple ones. What? She's not going to eat you, Fredrick. Who the fuck is “Fredrick”?! (We don't know.) My name's not— —you're not purple. I'm not. No. Don't worry. I'm—worried. I said don't. Well; wait— what color am I, then? That's not important. *shiny* Oh, good. A gatekeeper. What in the actual circumstance is this. Length? 8.5 inches. Girth? A hearty 3.5 Circumference. What the fuck is “circumference”? [VOID.] Well, that's was fun. What was? …nothing. OH GOF— GOD Go to sleep. …I just want to know, though. Just ask Google. I'm not asking Google that! Hey Google… GOOGLE /incognito {Enter The Multiverse} Body shopping on the internet Not worth following Got to find the father who bought me the body I can self publish books, but can't do it all myself My artform costs money. Performances put off till I can afford to look adorable By New York standards, On California stereotypes No work darlin' An escort service Will cost Two dumb dollars more In your karma jar Than you've got goin. Call Tony Hawk, A star struck hallmark card For the workman's comp You were offered —Subpoena the penis. —oh that's right, I need actual ink pens. Oh God, he bought secrets on stop signs; —someone's daughter #stop for comedy DO NOT PUT FOOD ON MY VAGINA. DO NOT— No. My vagina IS food. You don't put— No. No. You want peanut butter all over your dick and balls? Awesome. You want whipped cream on the shit? Fine. Chocolate? (Non dairy, if you will.) But DO NOT. I repeat: DO NOT PUT FOOD ON MY VAGINA. Toppings are for ice cream. This here is sorbet. #lilbitz {Enter The Multiverse} So I did the math the other day— And I finally figured it out, That the reason the world is such a fucked up place Is that 80 percent of dudes have short dicks. That's why the “ideal” woman has always been small waisted, short, petite, tiny. — 80% of men have penis lengths smaller than 5 inches. That's statistics. I'm just saying— There's a reason why super models are super skinny. That's so dudes can hit it and really feel like they're fucking shit up. With their little short dicks. These tiny short girls make their little dicks feel LARGE, okay? Doesn't even matter. I just figured out the whole world is fake. I want to go somewhere the fuck else. I want to go somewhere selfies don't exist. {Enter The Multiverse} MOO-HAHA HA-HA HahAHa-HAHA! WHAT! That's my evil laugh. NO ITS NOT. What do you mean, it's not? “MOO-HAHA” NOBODY LAUGHS LIKE THAT. That's my evil laugh! No, it's not. Well, how am i supposed to laugh, then? Justnfucking— “Mwa-ha-ha”? There you go. That's perfect. What!? That's simple. That's just like everybody else. Be simple then. What! You're also just like everybody else! I am not! What makes you different? I'm—going to take over the world. See. See—what?! You're just like everybody—all the other villains. I am not! You are, though, for real. Like— Ugh. Just—do your laugh. MOO-HAH— Not that one. :( The other one. What— Do the other one. …mwa-haha… That's better. :( Come on. This opener is running lo— [TITLE SEQUENCE] I earned two tattoos and a crown From loving a man Who can't love me back I won the pawn, the aces, the sword Chariot, gardens and graces A house full of waivers Could you uncover the arc of the architect? Probably not, As it changes upon discovery Could you uncover the mask of the rabbit? The tantra of habit? The cruel suffering of the crucifix? Neverwell you, Harper Son of Sam And Harlem's daughter The forever golden one —a forager. Arches— Hark, you call, cruel summer Never forward Wondering blossom, Talking of longshores, sportsman's, Wailers, down coats Fools for orphans, are you all! Proof of the word for the propaganda, Mother Sandra Bullocks and Bulletwounds (But Bullock would have wanted one next, Just to summon a role for her.) Passion projects! Here they are, now! Bulletproof and, Table readings— Don't be greedy! Your agents and managers Also are facing inflations On yachts and at parties And meanwhile, The projects of poverty are awestruck With guttural proportions Of treasures uncovered from rubble Of sidewalks And storm gutters —how was your morning? Celebrity, aren't you? Well, aren't I then? Relax rabbit, I have a new task for you— Go bring me back what you haven't yet, And try staying on task without habits at all Or adderall— (Won't be that hard on an all organic diet, Proper programming and parental encouragement, Plus support, recommended.) Here you are again, to bother anyone around you. There I go again, not caring a fuck less. Here we are both a genius and robot Deciding to go walk the dog, At the wrong time Just a reminder I'm less of myself, In a room full of anyone else, Nevermind A few thousand —the likely cause of my invisibility. Battlegrounds as the brainless have managed to outnumber us. Beyonce became the first black woman to headline Coachella in 2018. Halle Berry, just shortly before that in 2001 became the first black woman to win an academy award for best actress. I'm just realizing what era of time I've been born into—and I have to continue to keep wondering to myself—‘why do they hate us?' For the first time in my life, advertisements for a Disney movie which will showcase an African American girl as its lead character—not as a frog, or a lion, or a mermaid—but as a human being—and one of the first animations in my lifetime to feature a female character with brown eyes—and not the usual blue, green, purple, or pink the media often uses to dehumanize or water down the blackness of dark skinned characters— saddens me, as although she is wearing braids, she is still made to look light skinned, with freckles—as beautiful some girls are, but still, this alerted me to the fact that white audiences still hate seeing black women in the spotlight, and solidified the truth that white audiences will not adapt to watching dark skinned women as the leading role in almost anything. Is the intrinsic hatred and jealousy of the white supremacy the underlying cause in the continual disadvantage of darker skinned women and the portrayals as such as strong leading characters—why does the success and happiness of the black woman seem to be such an imposing threat to whites so much so that the entire media has been, even of late, a parade of forced diversification, further colorism, and the solidification of light skinned people being seen as more beautiful, acceptable, and prioritized, in the media and otherwise? Has the obsession of white hatred towards black woman been the underlying cause in the justification of white supremacy in the media in order to create more steady sources of revenues for entertainment provisioners, programmers, and networks—appealing to largely white audiences with whitewashed and Eurocentric classification of diversity amongst the new generation's subset standards? The dark skinned woman continues to be undermined and unappreciated — it seems out of deep seated fear— fear of dark skin, fear of dark eyes—fear of having to share a world which used to revolve around eurocentricity—with diversified beauty—fear of actual equality. Why Do They Hate Us? Wine glass— Bloodstains (My blood four hundred proof) —I disappear for about Three days Come back golden (But ya'll out of order) Bitch, buy me a bottle! Nobody else can hear the Motorcycles Cause I'm the Only one sober Writing in fours because After all This is A drama Not a Comedy, no (Nope, not at all) I get wronged for it when I black out— Funny thing about it is, That ain't never happened Colonizer poison all of the water Code of conduct I promise the karma For carnival circus I promise when I die The rest of it goes out with me (But not coming home with us) The darker the berry, The longer the story —the older we are Y'all out of order Ain't it funny when The whole world is Sons and your daughters Wine glass— Bloodstains (My blood four hundred proof) —I disappear for about Three days Come back golden (But yall out of order) I tie the rope, Then I slit my wrists (Pull the trigger) Amen, I'm three times dead, And ain't left my apartment Bitch, buy me a bottle. Yo. I don't hate white peoples. At all, bro. But— They're just scary. Sometimes. Like ey— Stop trying to kill us. They're like, “We're not! …Just… …the ugly ones…” But then that's like… They're the ones that set the standards in the first place on who's “ugly.” “Ok! Ok! Everyone's beautiful!” [That's good.] “…Just the stupid ones!” lol. But they run all the fuckin systems, So the education system is like, Unequal and shit. They're like, “It's okay! Everything's better now.” But all the dark skinned people in movies are either like, Men, or like, Off to the side and shit. Morbidly obese and shit— Like, “Here's your representation.” What in the fuck though— I swear to God I don't hate white people. I don't. But it's like… Every time we get too far ahead— Or no, Try to catch up to them, They're like, “GET THE FUCK BACK!!” AHEM. I mean— Ahem. “Ahem.” They got gatekeepers. Like the only way they can handle dark skinned people, Especially women, Exceeding is if it's by being ghetto, Or standing on some soapbox, Or going above and beyond in some way. We only get centered representation of color, If it's in some ways, in total, flawed. Watching the Olympics, I almost thought they had Simone Biles hair messed up on purpose. Like, “Here's your representation.” That is our representation. How Americans actually feel about black women in general. Like, we couldn't have our best and be our best. Nobody's gonna pull this girl to the side and comb down those flyaways? An Olympic champion! A fucking Gold medalist— a perfect representation of the fact that America can't let black American women be “all the way the best”. Something looks wrong! I don't hate white people. But now I'm like… … … …Why do they hate us? Ahem. {Enter The Multiverse} After an intense round of furious masturbation, I had the sudden onset feeling that I may have written something interesting over the last 3 months. … Mm…perhaps….maybe. —but first, some heavy deep cleaning. I don't like the way it smells in here. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū. Sleep on it Sure. Maybe we omit everything about race? Probably. Could just put that with— —with the other race war stuff. Probably should. Maybe just release the uncensored copy on the Skrillex podcast where it might be more well received? Probably that. Yeah. The Complex Collective © is committed to serving the independent artist community by providing a safe and welcoming environment, performance opportunities, rehearsal spaces, and outlets in which they can grow, enhance their skills and master their craft, and create bonds with one another, to form friendships, professional connections and networking opportunities outside of the restrictions and limitations of social media, mass surveillance, and algorithmic privilege/ preference tactics governed by corporate media enterprises without judgement or interference by outside influence, while creating an open-concept and free-form space as an artistic springboard and color-palate for all artists wishing to expand each's own mindset to involve out-of-the box thinking, outer consciousness, awareness, inner peace, and overall health and wellbeing, promoting a clean, modern and evolved, hyperrealistic lifestyle. The Complex Collective © is open to writers, musicians, graphic and visual artists, filmmakers, fashion designers, spiritual enthusiasts, world travelers, and others seeking a safe space to bond, heal, and create through collaboration, exploration, and self improvement. Up Next: Re-examining mental health conditions which affect those facing poverty or at risk environmental circumstances. Killing Me Softly is an organization established to help de-victimize and support survivors of un/reported violent crimes; an answer and antithesis to the #metoo movement, Killing Me Softly promotes the ideology of the safety in anonymity, as survivors of violent crimes often forego seeking traditional treatment or filing reports against such violence in fear or persecution or retaliation. Historically, reporters of violent crimes (particularly against women) are met with accusations of falsifying or fabrication, social exclusion, defamation of character, and even revenge and punishment enacted by the perpetrator of such crimes in defense– which in today's current justice system has proven to derail survivors livelihoods, wellbeing, and put their safety at risk. Killing Me Softly seeks to maintain a safe and anonymous space for survivors of violent crimes, welcoming all genders, races, orientations and those who identify across all spectrums who identify as survivors of un/reported violent crimes seek by to remain anonymous or maintain a change of identity due to violent crime, allowing the de-victimization and empowerment of survivors of all acts of abuse, physical and/or psychological, neglect, psychological terrorism, gangstalking and other forms of ridicule, terror, torture, or abuse overlooked and systemized and/or classified by standard systematic institutions as disabilities or disorders, incapabilities which include misdiagnoses due to medical inequality, colorism, racism, biased, or sociopolitical inequality such as, but not limited to; mislabeling as paranoia, hallucinations, conspiracy, fabrications or other under-recognized or deprioritized documentation of incidents and intent to cause harm to others by a singular abuser and/or groups, hate groups and organizations designed or designated to attack and subdue diversified others, minorities, and ‘lesser-persons', those represented in the media or otherwise as second-class citezens, and treatment by organizations or authorities aimed towards dismantling the peace of mind or livelihoods of others for personal, political, or socioeconomical reasons. The Complex Collective © | New York, New York 2024 Created as a music warehouse project based in Brooklyn New York in 2023, The Complex Collective as a non-profit seeks to encompass a large industrial space which will serve as a multi-use facility which includes a kitchen and food pantry, dance floor/event space, black box theater, cafe/ small stage, fitness spaces (Yoga/Dance) Boxing Club, media room and recording spaces designed to open the minds of artists to a bustling mecca of creativity and opportunity. The space will be used to hold flea markets, host seminars, community meetings, and lectures, as well as provide an operational and practical multimedia space to screen films, stage plays, musicals, and other theatrical productions, as well as host musical events and artists, such as DJs and live bands, poetry readings, dance recitals and other community geared events. {Enter The Multiverse} [The Festival Project.™] The Complex Collective © COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū. {We appreciate your time, charitable donations & support.} [Thank You.] gofundme.com/thecomplexcollective givebutter.com/thefestivalproject Sometimes no matter what you do Black is ugly It don't matter— That's just the way things are Dark skin, negro hair, brown eyes You must grow to understand that to the oppotite race, Those things are lesser than We love blonde With blue eyes preferably And only a hint of olive in the lightest skin tone We like a carefree, fun loving girl Who doesn't worry about trauma She doesn't worry about oppression Or the right hair Because the “right” hair grows out of her head There's just something too harsh for us About dark skin And dark eyes There's something so intense about Frizzy hair And black features That we cost ourselves hundreds in “Beautification” to look like them So they respect us more While inwardly, they become relieved That they don't have to spend money on Weaves and wigs and when they wear braids It's a costume Or a statement piece Not a way of life Because it has to be To Submit Your Artist Portfolio, Track or Demo for distribution on our record label, please contact: Email Us At: festivalproject.tv@gmail.com For Membership Information and Opportunities, please visit http://thefestivalproject.bandzoogle.com

Ontario poet and author Gary Barwin discusses his new nonfiction Imagining Imagining, exploring a young queer relationship through multiple endings in How It Works Out, Canadian American author Vauhini Vara on her short story collection This Is Salvaged on this episode of The Next Chapter: The Summer Edition with Christa Couture.

Karl and I continue our darkness Weaves project with Cold Light, one of Karl Edward Wagner's most genre-fluid stories.    Intro / Outro:     “Darkness Weaves” – Mike Hill

In this episode, John explains how lucrative it is to sell hair!See omnystudio.com/listener for privacy information.

Karl and I are at it again with another action-packed episode of Darkness Weaves, our exploration of Karl Edwar Wagner's Dark Fiction and Fantasy writing.  This week we discuss the short story Misericorde, originally published back in 1983 in Sorcerer's Apprentice.   Intro:    “All the Dark Things / Darkness Weaves” – Mike Hill Outro:  “Craven” - Atrament

In this episode (27:19) In this episode, Sarah, Jennifer, and Esteban share and discuss the qualifying rates for all jump heights in AKC agility, covering both Jumpers with Weaves and Standard, from Novice A to Masters level. You Will Learn The qualifying rates for each height class in AKC agility for 2023. How to calculate your predicted QQ rate. What Q rate is considered “good.” The pros and cons of using Q rate to evaluate performance. Mentioned/Related AKC Q Rates for 2023 A Look at Qualification Rate by Height A Look at Speed by Height

On this week's Hemp Podcast, we talk to Guy Carpenter, founder of Bear Fiber in North Carolina, where he is spinning a blend of hemp and cotton into yarn and making garments like hats, shirts, and socks. “The vision was to incorporate sustainability and longevity into people's lifestyle,” he said. Bear Fiber developed proprietary methods to produce cottonized hemp fiber, and is making connections around the U.S. and the world to reestablish hemp as a primary “source of natural fibers for better products,” he said. When mixed with other fibers, such as cotton, hemp brings added strength and durability to textiles, he said. Carpenter has witness drastic changes to the American textile industry over his career. “The American textile apparel industry as it existed, doesn't exist anymore,” he said. “Textiles have have been remaining rather strong, but apparel, of course, has gone to lowest cost producers and, primarily China.” American textile jobs are more craftsman-oriented and geared toward luxury goods, and hemp can make those products better, more durable, more sustainable, Carpenter said. While he sees hope for the industry with hemp, the industry is still contracting. He said companies in the supply chain are going out of business. “We've lost five spinning mills. We're losing a dyeing and finishing operation in South Carolina that's been a bulwark in the industry for decades,” he said. Spinning is the big issue, he said. But he is hopeful because he sees the work being down to save the industry “There are people who are working on solutions, not to build it back to the way it was, but to be able to spin better yarns and more technical yarns, and also more sustainable yarns, which are what the industry is calling for.” Bear Fiber https://www.bearfiber.com/ Hempcrete events: Hempcrete Workshop in Pennsylvania, May 25 https://americhanvre.com/cast-in-place-workshop/ 2024 NIHH Hemp Building Workshop https://nihh.org/ 2-Day Intro to Hempcrete https://www.muddauberbuilding.com/2dayhempcrete?mc_cid=f1f4673930&mc_eid=128b44621a Thanks to our Sponsors! Mpactful Ventures https://www.mpactfulventures.org/ IND HEMP https://indhemp.com/ Forever Green https://www.getforevergreen.com/ Pennsylvania Hemp Industry Council https://www.pahic.org/  

For poet Camille Dungy, environmental justice, community interdependence and political engagement go hand in hand. She explores those relationships in her book, Soil: The Story of a Black Mother's Garden. In it, she details how her experience trying to diversify the species growing in her yard, in a predominantly white town in Colorado, reflects larger themes of how we talk about land and race in the U.S. In today's episode, she tells NPR's Melissa Block about the journey that gardening put her on, and what it's revealed about who gets to write about the environment.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Thanks to a question submitted, I bring you the full report of how Moxie did her weaves in public and what that meant for me in terms of mindset. Then I give you a new phrase to incorporate into your visualizing and general goals prep. You might be surprised to learn why it works SO well! Really like this episode? Say thanks with a coffee or slice of pizza! https://www.buymeacoffee.com/theqcoach Got a question for me? Or a topic idea? You can even be anonymous. Drop me a note: https://www.theqcoach.com/askQ Don't forget, if you want more support, check out the Q-membership! https://www.theqcoach.com/q-membership The planner is out!! WooHoo! https://www.theqcoach.com/dogged Get on my email list: https://www.theqcoach.com/fb-sign-up-page Music by Alex_MakeMusic from Pixabay.

Karl Haikara and I continue our collaboration, Darkness Weaves, an exploration of the work of Karl Edward Wagner.  The subject of this episode is Sing a Last Song of Valdese, the final short story in the Night Winds collection.  Join us as we delve into a take of vengeance from beyond the grave.  Intro: “All the Dark Things / Darkness Weaves” – Mike Hill Outro:  “Virus” – Machinenzimmer 412

Thank you for your patience; Enjoy the episode and another this Thursday on our regularly scheduled day! In this episode, Matt and Enn discuss Chapters 52 & 53 of Robert Jordan's Lord of Chaos from the Wheel of Time series! Ch. 52: Weaves of the PowerCh. 53: The Feast of LightsFrom the Episode:For those who listen to our opening prepare for secondhand embarrassment for us as we discuss languages and geography :D - for those who like to get to the book - Skip to about 17 min

How does poetry help us understand people better, using words that touch our hearts and reveal hidden feelings? In this captivating episode of This Anthro Life, we engage with Adrie Kusserow, an esteemed anthropologist who brings a unique poetic perspective to her work. We delve into the essence of anthropology, emphasizing the transformative power of storytelling and its role in shaping cultural narratives. Adrie Kusserow shares her profound journey in Kathmandu, recounting how it shifted her worldview at a tender age. The conversation navigates through the intricacies of fieldwork, drawing parallels between anthropologists and refugees, and exploring the impact of language, emotion, and technology on cultural understanding. Adrie Kusserow's book, "The Trauma Mantras," becomes a focal point, highlighting the significance of authentic personal narratives in reshaping dominant discourses. The episode culminates in a reflection on the potency of poetry in anthropology and the ongoing endeavor to confront and redefine established narratives in a dynamic world. Join me in this enlightening conversation with anthropologist Adrie Kusserow as we explore the power of storytelling and the importance of engaging with different cultural perspectives. Discover how narratives shape our understanding of the world and how we can challenge dominant narratives to create a more inclusive society. Take advantage of this thought-provoking discussion.Timestamps:00:00 - Introduction to Adrie Kusserow and the Power of Anthropology05:00 - Adrienne's Childhood and the Birth of an Anthropologist10:00 - The Art of Writing and Engaging the Public in Anthropology31:35 - Confronting Western Narratives of Depression and Individualism35:00 - The Collective Nature of Suffering and Learning from Refugees40:00 - Bhutan's Struggle with Western Influence and Youth Depression44:30 - The Search for Authenticity and the Anthropologist's Role50:00 - Language, Grammar, and Perception in the Anthropocene55:00 - The Impact of Digital Communication on Emotional Depth1:00:00 - The Interplay of Desire and Cultural Exchange in Bhutan Key Takeaways:Anthropologists are like careful watchers of everyday people, learning from how they talk, move, and live to understand their lives.Refugees are like their own kind of observers, trying to understand a new culture and where they fit in it.Sharing stories is important for understanding pain, and different groups have different stories to explain what they go through.In understanding mental health and pain, Western medical ideas often take over, but we should listen to people's own stories.Poetry can help anthropologists explore feelings, experiences, and the small details of different cultures.How we speak and use language affects how we see the world, so it's important to pay attention to it.About This Anthro Life This Anthro Life is a thought-provoking podcast that explores the human side of technology, culture, and business. Hosted by Adam Gamwell, we unravel fascinating narratives and connect them to the wider context of our lives. Tune in to https://thisanthrolife.org and subscribe to our Substack at https://thisanthrolife.substack.com for more captivating episodes and engaging content. Connect with Adrie KusserowWebsite: https://www.adriekusserow.com/ Linkedin: https://www.linkedin.com/in/kusserow-adrie-8a882ba Twitter (X): https://twitter.com/mreddingtoncfi Facebook: https://www.facebook.com/adrie.kusserow/  Connect with This Anthro Life:Instagram: https://www.instagram.com/thisanthrolife/ Facebook: https://www.facebook.com/thisanthrolife LinkedIn: https://www.linkedin.com/company/this-anthro-life-podcast/ This Anthro Life website: https://www.thisanthrolife.org/ Substack blog: https://thisanthrolife.substack.com 

In this episode, Joe, Jen, and Tom talk about the latest show news, including leaked set photos with wigs, wagons, and probable Age of Legends things! Then, Weave Got Tonight, and we're discussing some of the leaves we love from the books, and whether they'll be in the show - or already were?! Jen won big and is Weaving Las Vegas! Joe isn't Irish, so he's Weaving on a Jet Plane! Tom just wants to tell you, Don't Weave Me This Way! As always spoilers abound, and there's 50 Ways to Weave Your Lover, and listening to this episode may be one of them!News: https://reddit.com/r/WoTShowLeaks/comments/1bbrjf0/s3_set_leak/Support the showhttps://www.talkaranrhiod.com/Rate/review us: https://tinyurl.com/udspfm5eX: @arantalkInstagram: talk_aran_rhiodDiscord: https://dsc.gg/talkaranrhiodYouTube: https://www.youtube.com/c/TalkaranrhiodEmail: podcast@talkaranrhiod.comMerch: https://www.newcreationsbyjen.com/collections/talkaranrhiod

Episode 93 - RC Composite - Strong, Light weight Today Matt and I get to sit down again with our friend Red Jensen. special guest Robert “Red” Jensen who is a Class I & II SUAS Chief Pilot, Master UAS Technician, and the Model Lab Operations Engineer at Dale Reed Subscale Flight Research lab at NASA's Armstrong Flight Research Center Edwards AFB. Designer and Builder of the IF-1 Reno Racer and who I consider an expert on building a planes from fiber glass, and other composites, both RC and full sized. Links and Resources:  @RedJensen  NASA: https://www.nasa.gov/gallery/subscale-research-aircraft/ https://www.homebuiltairplanes.com/forums/threads/impulse-if-1.37989/ Recommended further watches on Composites https://www.youtube.com/watch?v=U2PX1p7nbw8 https://www.youtube.com/watch?v=-5nNadZKI6s Big thanks to Brian Phillips for joining us -  @RaraSVT  History - Windecker Eagle I: https://youtu.be/IVkVQW8P09A?si=fCO8udVeQ99TnDSF https://texasarchive.org/2012_00213 Podcast Links https://discord.gg/dpjGee6dtP www.Patreon.com/aviationrcnoob/ www.aviationrcnoob.com Email Us Aviationrcnoob@gmail.com matthew@avationrcnoob.com Joe@aviationrcnoob.com #RC #Aviation #Noob #ARCN #Composites #Red Jensen #Prandtl-M #Mars #Carbon Fiber #Reno Racer #NASA #UAS #Pilot Timeline 00:00 Start 01:00 Prandtl-M 04:30 Guest Welcome & Composite introduction 16:10 X-59 25:58 Our Journey in Aviation 41:40 Community and Events 48:39 History Windecker Eagle I 1:08:00 Composites with Red Jensen 1:25:00 Fabrics 1:32:00 Weaves & Weights 1:38:00 Resins 1:43:05 Spar Talk 2:18:10 Layup Types (Wet) 2:26:45 Ratios: Fiber v Resin 2:29:00 PrePreg - How to 2:39:40 Vacuum Infusion Method 2:46:20 Listener Questions 2:51:40 Good Night Joe 2:57:21 Listener Qs Cont'd 3:08:45 Layup Preparation 3:13:05 Gelcoat 3:17:20 Waxing 3:25:00 How to Spray PVA 3:27:00 Spray Adhesive 3:38:00 Closing --- Send in a voice message: https://podcasters.spotify.com/pod/show/avaitionrcnoob/message

Website: https://saltmustflow.comOTHER PLATFORMSRumble: https://rumble.com/c/SaltyCrackerYouTube: https://www.youtube.com/@SaltyCrackerTwitter: https://twitter.com/SaltyCracker9Locals: https://saltycracker.locals.com/Odysee: https://odysee.com/@SaltyCracker:aBitchute: https://www.bitchute.com/channel/thesaltycracker/Dlive: https://dlive.tv/TheSaltyCrackerFoxhole: https://pilled.net/#/profile/135344SUPPORT SALTYWebsite: https://saltmustflow.com/support/SubscribeStar: https://www.subscribestar.com/salty-crackerCash App: https://cash.app/$saltmustflowMerchandise: https://saltmustflow.com/shop/Mrs. Salty's Channel: https://www.youtube.com/channel/UChnZMOno3rthe1LHvcxufdwMusic by: https://incompetech.com/ Crinoline Dreams In Your Arms--Disclaimer-- These are the opinions and ramblings of a foul-mouthed lunatic. They are for entertainment purposes only and are probably wrong. You listen at your own risk.

Today we're discussing Brain Candy episodes 61 and 62, which covered hair and a mid-season discussion of Rivals 3. First Sarah shares what she got wrong about weaves and her regrets about encouraging Devyn to wear her natural hair for the final because the weave would be an encumbrance to their victory. We discuss the stigma of hair plugs for men and Susie makes the argument that a lot of cosmetic procedures would fall under the category of "gender-affirming care." We hear why Sarah felt she "lost herself" in her marriage, and why she approaches relationships differently now. We learn the science behind washing your jeans and whether it is safe to wear them without washing them for long periods.Listen to more podcasts like this: https://wavepodcastnetwork.comJoin our Candy Club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: https://www.thebraincandypodcast.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP Twitter: https://www.twitter.com/braincandypodSusie's Twitter: https://www.twitter.com/susie_meisterSarah's Twitter: https://www.twitter.com/ImSarahRiceSponsors:Get 25% off any order or up to 60% off as a new subscriber by using code WRONG at https://nextevo.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christian and Devin review  MADAME WEB. In a switch from the typical genre, Madame Web tells the standalone origin story of one of Marvel publishing's most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan who develops the power to see the future... and realizes she can use that insight to change it. Forced to confront revelations about her past, she forges a relationship with three young women bound for powerful destinies... if they can all survive a deadly present.TOPICS IN THIS EPISODE:Start / Housekeeping (00:18)Spoiler Free Section (05:42)Spoiler Section (19:00)Final Thoughts and Ratings (39:36)Coming Up Next / Closing (44:01)GRADES: Christian: /100Devin:  /100Overall  Score: /100Contact Film Optix Rate and Review us on Apple Podcast and Spotify on your podcast platform of choice! Email us at filmoptix@gmail.com Tweet at us @FilmOptix Follow us @Film Optix on Instagram Follow us on Letterboxd Visit our Website Thank you for listening!!!

In this week's Connecting Clip Of The Week, Paul and guest Ross Wilson discuss the role of creativity in our lives and in the life of the church.To hear more of Ross's story, check out The Connecting Podcast Ep. 028 wherever you listen to podcasts. You can also watch the video on Paul Tripp's YouTube channel or Facebook page.

Karl Haikara of Sol Nox joins us this week or another episode of Darkness Weaves, our collaborative project exploring the work of Karl Edward Wagner.  This week we dive into the Gothic, dark fantasy of Raven's Eyrie. Music in this episode: “All the Dark Things” – Mike Hill “Darkness Weaves” – Mike Hill “How It Ends” - Primordial

Hey, it's Katie and I want to welcome you to this special bonus episode. It'll be here for you completely ad-free for the next week so you can get a feel of what it's like to be a PREMIUM member. If you'd like an easy ad-free experience for all of our podcasts - that's over 200 episodes each month, then JOIN PREMIUM today at https://WomensMeditationNetwork.com/premium Finding a comfortable seated position...Place your hands upward on your lap Gently close down your eyes....Moving all of your awareness to your breath... Notice...The Rise and Fall of your chest the Movement of your belly... Bless our space....call forth.... We are beings of light...energy all around and within us. Imagine this for a moment.... You are a being of Pure Light. A precious light. See yourself as light... There Is a interconnectedness to all beings... a web of light... Light moves like waves It includes our thoughts feelings emotions personality and holds a healing vibration.... Go...Within your body and find the light.....See it, observe it. And feel it.... Your light emanates from your hands.....witness your hands and the light concentrated in each Palm.....see it moving up and down each arm... The light moves within your head....focus on The Light at Your head Now......Focus on the light at each energy center.... 1st center near the base of your spine. Ruby red 2nd below the Navel burnt orange 3rd near the diaphragm illuminated yellow 4th.at your chest vibrant green Keep focusing on the light 5th at your throat cool blue 6th the middle of your head rich purple 7th the top of your head clear white light Focus on the light........ Now extend your awareness to the space around you.... There are NO boundaries of the Light.......the light shines through from the inside of your body and cells to the skin and....outward....all around you........rays of light shine outward in all directions. Feel the expansion.....focus all of your attention on the light around your body now.... Weaves and winds around in beautiful shapes........ Feel the space around you...your vibration is being raised... Say internally I AM LIGHT I am light I am light until you hear my voice again.... Slowly come back......breath deeper 5 4 3 2. 1..... All the way back....now You have raised your vibration You are light You are healed and whole Healing Blessings~Namaste  

Have you ever wandered into a bookstore and felt immediately at home? Valerie Koehler, the warm and spirited owner of Blue Willow Bookshop, invites us into her literary world, where every shelf has a story. Our conversation takes us down the winding path that led her to the helm of this cherished local haven. She opens up about the shop's thoughtful inception, the significance behind its enchanting name, and the cultivated team of diverse readers who breathe life into its walls. It's a tale of how a bookstore can become the heart of a community, offering personalized recommendations that resonate with every visitor's quest for their next great read.The landscape of literature and learning faces new challenges, and they hit close to home for book enthusiasts in Texas. In a heartfelt discussion, Valerie sheds light on the contentious bill, HB 900, threatening the freedom of libraries and bookstores, stirring a mix of concern and defiance within the literary community. With a bill that casts a shadow of vagueness over what constitutes "sexually explicit" content, we reflect on the potential chilling effect on independent bookshops, the importance of preserving libraries as sanctuaries for young minds, and the irony of books being scrutinized more heavily than the vast digital world at our fingertips.Adaptability has become the hallmark of indie bookshops in recent times, and Blue Willow Bookshop is no exception. As we wrap up our chat, Valerie shares how the shop has embraced the challenge, shifting from bustling in-person events to the expansive realm of virtual gatherings. It's an ode to the resilience and innovation of these cultural keystones, ensuring that the joy of new releases and the intimacy of author interactions remain undiminished. We celebrate the inclusiveness of virtual participation and the continued commitment to fostering literary connections, making every episode a tribute to the indie bookstores that form the rich tapestry of our communities. Blue Willow BookshopThe Sparrow, Mary Doria RussellWhy I Love Indie Bookshops, Mandy Jackson-BeverlyHB 900That's Not My Name, Megan LallyThe Underground Library, Jennifer Ryan Support the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

The job has put into place new rules and whatever is in play is definitely a HR issue. SMH!See omnystudio.com/listener for privacy information.

The 21-year-old singer finds inspiration in the legendary crooners of the '50s and '60s.

Find your ideal foods and cultivate wellness with traditional wisdom• Weaves together three ancestral healing philosophies with modern nutrition science to show how to discover your ideal eating plan• Shares recipes, meal plans, food lists, and stories to illustrate the concepts discussed and helps you integrate your own ancestral wisdom into your life• Offers proven strategies for transforming cravings, changing habits, and reducing the symptoms of chronic illnessExploring the healing power of food, holistic nutritionist Lisa Masé weaves together three ancestral healing philosophies—Ayurveda, traditional Chinese medicine (TCM), and the Mediterranean diet—with modern nutrition science to help you discover your ideal foods for vibrant health.The author frames her book with her healing journey to overcome ten years of chronic infection, anxiety, depression, infertility, hypothyroidism, and food sensitivities. She explains how she grew up in Italy, cradled by the Adriatic Sea and the Dolomite mountains, and by returning to her traditional foods and healing herbs she was able to heal herself. She discusses the three kinds of hunger—Heart, Head, and Habit—and offers proven folk and scientific strategies for transforming cravings and changing habits, including meditation, breathwork practices, and realignment of the gut-brain axis via the vagus nerve.Detailing the healing principles behind Ayurveda, TCM, and the Mediterranean diet, the author provides clear, easy-to-follow instructions for determining your Ayurvedic and Chinese constitution types, which can help you discover how best to heal yourself. She includes food lists for each constitution. Discussing the energetics of food, she explains the importance of personalized nutrition based on genetics, epigenetics, intuitive eating, and seasonal, local foods. She guides you on the path of food sovereignty to regain control of your food. Throughout the book, the author shares recipes, meal plans, and stories to illustrate the concepts she discusses and to help you easily integrate your ancestral healing wisdom into your life.Showing how to simplify your eating to cultivate wellness, this engaging and comprehensive guide to the culinary pharmacy provides all the knowledge and tools necessary to help you make your food your medicine.Lisa Masé is a board certified holistic nutritionist (BCHN) and a registered health and nutrition coach (RHNC) as well as an herbalist, intuitive eating coach, food sovereignty activist, and poet. The founder of Harmonized Living, a wellness practice, she lives on unceded Abenaki land in Montpelier, Vermont.www.harmonized-living.comBecome a supporter of this podcast: https://www.spreaker.com/show/earth-ancients_1/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2790919/advertisement

Louis Francis-Edge and Annette Stride from Leeds Beckett University join me to discuss the article Basketball shorts, plantation food, and ponytail weaves: Black teachers' experiences of becoming and being a Physical Education teacher. We talk about the lived experiences of Black teachers becoming physical education teachers. On top of everything this is Louis' Master's Thesis! This is a GREAT read Full Cite: Francis-Edge, L., Stride, A., & Fitzgerald, H. (2023). Basketball shorts, plantation food, and ponytail weaves: Black teachers' experiences of becoming and being a Physical Education teacher. Physical Education and Sport Pedagogy, 1-13. https://doi.org/10.1080/17408989.2023.2230232 Twitter: @DrAnnetteStride @LouFrancisPE   Podcast on Tribal Critical Race Theory: https://podcasters.spotify.com/pod/show/pwrhpe/episodes/202Tribal-Critical-Race-Theory-and-Miami-Universitys-Myaamia-Heritage-Logo-e19pgb5/a-a6r577f --- Support this podcast: https://podcasters.spotify.com/pod/show/pwrhpe/support

We continue the Sol Nox / EWB collaboration with another installment of Darkness Weaves, a comprehensive deep dive in Karl Edward Wagner's dark world of heroic fantasy and weird horror fiction. Two Suns Setting was originally published in Fantastic Magazine in 1976 and was included in Night Winds, Wagner's out of print collection of Kane stories. In this tale, we find Kane, late of Carsyltyal, wandering a desolate, remote wasteland where he happens upon the giant Dwasslir and adventure ensues as they embark on a quest to find the ancient crown of a long dead Giant King.

This week's episode explores the common thread that we can all see throughout our lives; that piece of authenticity of our unique gift that is carried throughout everything we do. I'll talk about the moments in my life where I followed that thread, and how I felt when I didn't follow it. Plus we'll explore some ways we can better connect with our unique way of loving the world - or discover it for the very first time.Resources:// Episode 71: How to Find Your Purpose// Episode 99: Rebel Purpose// If you want to explore soul purpose - and the deep personal inquiry that's required to do so - come join us in the next cohort of the Adventure Mastermind. We start at the end of January with our first retreat in Hawaii in February.Registration is officially open. So head on over to AdventureMastermind.com and grab your spot now!  // Want something more self-paced with access to weekly group support and getting coached by yours truly? Check out Freedom School – the community for ALL things related to freedom, inside and out. Plus, we have entire months devoted to wisdom and compassion. Learn more at JoinFreedomSchool.com. I can't wait to see you there!  // If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.

Sara Gruber is a highly experienced Textile Designer and Collection Developer with over 20 years of experience in the Hospitality and Furniture industries. She's known for her skills in Trend Forecasting, Textiles, Painting, Weaves, and Yarn Development. Sara is exceptional at creating beautiful woven and printed fabrics, overseeing every step from the idea to the final product. During her long career at Valley Forge Fabrics, Sara has played a crucial role in innovative design, strategic planning, and understanding textiles. What makes Sara stand out is her ability to manage the entire design process, from concept to stunning fabrics. She's also skilled at coordinating collections and budgets, and harmonizing colors and textures. Sara collaborates with mills worldwide to bring new ideas to life, creating designs that leave a lasting impact. Her expertise includes unique digital designs, Mill R&D, Fabric Sourcing, and Trend Forecasting. In addition to her professional excellence, Sara is a personable visionary who makes a lasting impression on every project she's involved in. https://www.valleyforge.com/ https://www.instagram.com/valleyforgefabrics/

This episode of Darkness Weaves marks a milestone in the series.  Beyond Any Measure is the last story in Wagner's horror collection In A Lonely Place.  Our original mission statement was to cover this collection but we are going to move on to his other material.  Up next, we will delve into the Kane stories.  Thanks for checking this out and I promise you, if you dug these stories, you will also love the Kane stories.   Intro / Outro: “Darkness Weaves” – Mike Hill

Jase's thoughts on the mythical Bigfoot shift a little when he beholds Willie's eerie resemblance to the famous creature. The debate rages on over other creatures in the Louisiana swamps, but Si has surrounded himself with a crew of believers. The guys recall their first encounters with "Unashamed” contributor Larry Bowles and explore the difficult concept of money and wealth as a follower of Jesus.  In this episode: Luke 16, verses 1-14; Matthew 5, verses 17-20 & 31; James 1, verses 7-8 https://www.patriotmobile.com/phil — Get FREE activation today when you use code PHIL or call 878-PATRIOT https://amac.us/unashamed — Join today and get access to low rates on cell phone plans, prescription drugs, travel and lodging, and much more https://philmerch.com — Get your “Unashamed” mugs, shirts, hats & hoodies! "The Blind" is in theaters now! Get your tickets: https://www.fathomevents.com/events/The-Blind — Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Darkness Weaves Collaboration marches on.  Karl and I have been exploring the work of Karl Edward Wagner, a prolific, yet obscure author of dark fantasy and horror. In this episode, we cover .220 SWIFT, one my favorite stories in the IN A LONELY PLACE collection.  If you have been following us, please be sure to check out IN A LONELY PLACE, the Karl Edward Wagner collection brought to us by Valancourt Books.   Intro:     “Darkness Weaves” – Mike Hill Outro:   “All Pigs Must Die” – Death in June

For poet Camille Dungy, environmental justice, community interdependence and political engagement go hand in hand. She explores those relationships in her new book, Soil: The Story of a Black Mother's Garden. In it, she details how her experience trying to diversify the species growing in her yard, in a predominantly white town in Colorado, reflects larger themes of how we talk about land and race in the U.S. In today's episode, she tells NPR's Melissa Block about the journey that gardening put her on, and what it's revealed about who gets to write about the environment.