Podcasts about Balliol

NOTE: This episode will also serve as Patreon Supporting Listeners Episode 21 (entitled "The Book of Alexios: Chapter 2: Bryennios's Rebellion"), helping to bridge the public series and the Patreon Supporting Listeners series. On this episode, we see Nikephoros III Botanieates make his first moves as emperor in the wake of the devastating Bread Riots of 1078, as well as his response to the first coup (yes, first coup) against his brief reign, a coup that his most trusted general, young Alexios Komnenos, would be called upon to put down swiftly and decisively. If he thought Roussel de Balliol was a formidable enemy, then Alexios was in for a very rude awakening. Members-Only Series on Patreon: For only a dollar per month, you can hear multiple varying stories and storylines so far through the 11th century. Every dime donated will be put directly back into the show, so I hope you consider becoming a Patreon member!  Just follow this link to our Patreon page to peruse the right “subscription” for you: https://www.patreon.com/FortunesWheelPodcast.  Social Media: YouTube Page: Fortune's Wheel Podcast Facebook Page: https://www.facebook.com/fortunes.wheel.3  Twitter Page: https://twitter.com/WheelPodcast  Music: Music for this episode is called “Cutting Edge” from the talented artist Hemlock!Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/hemlock/cutting-edge License code: Y0ZLEPLIZYV2RTMJ

Talk about accelerated development. Robert the Bruce's son David is already a married ‘man' at four (his wife was a positively elderly seven-year-old), then at 5, after his father's death, he becomes a king. He's barely old enough to look after a hamster. Before you know it, the Balliols sniff an opportunity and are back. They crown their heir at Scone as Edward I, King of Scots. The nearly-deposed little King and Queen are in terrible danger and flee to France.The Bruce dynasty now fights for its survival against two Edwards on the Scottish and English thrones, plus a peeved force known as ‘The Disinherited', the Lords and Barons who sided against Robert Bruce. Castles will be defended by ladies on either side - the gallant Christian Bruce at Kildrummy, her Balliol counterpart Katherine Beaumont at the island fortress of Lochindorb. Eventually oor Edward I gets caught napping and is ambushed in his nightshirt. English Eddie realises that Scottish Eddie is another Balliol Bust and his support subsides. Scotland has turned into a war zone, famine follows fighting and innocent peasants pay the price for their overlords' ambition. Winter has definitely come.Meanwhile, over in France, David is growing up and learning siege-craft. The gallant Bruce fightback has brought Edward's enemies to the table and the French king brokers a deal. David and his young wife Queen Joan finally land back in Scotland at Inverbervie, north of Montrose, on 2 June 1341. They think it's all over. But oh! It's definitely not!Presenters: Len Pennie and Susan Morrison Producers: Louise Yeoman and Lynsey Moyes Executive Producer: Peter McManus Music & Sound Design: Gav Murchie Commissioning editor for BBC Scotland: Gareth Hydes

fWotD Episode 2470: Second War of Scottish Independence Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Thursday, 8 February 2024 is Second War of Scottish Independence.The Second War of Scottish Independence broke out in 1332 when Edward Balliol led an English-backed invasion of Scotland. Balliol, the son of former Scottish king John Balliol, was attempting to make good his claim to the Scottish throne. He was opposed by Scots loyal to the occupant of the throne, eight-year-old David II. At the Battle of Dupplin Moor Balliol's force defeated a Scottish army ten times their size and Balliol was crowned king. Within three months David's partisans had regrouped and forced Balliol out of Scotland. He appealed to the English king, Edward III, who invaded Scotland in 1333 and besieged the important trading town of Berwick. A large Scottish army attempted to relieve it but was heavily defeated at the Battle of Halidon Hill. Balliol established his authority over most of Scotland, ceded to England the eight counties of south-east Scotland and did homage to Edward for the rest of the country as a fief.As allies of Scotland via the Auld Alliance, the French were unhappy about an English expansion into Scotland and so covertly supported and financed David's loyalists. Balliol's allies fell out among themselves and he lost control of most of Scotland again by late 1334. In early 1335 the French attempted to broker a peace. However, the Scots were unable to agree a position and Edward prevaricated while building a large army. He invaded in July and again overran most of Scotland. Tensions with France increased. Further French-sponsored peace talks failed in 1336 and in May 1337 the French king, Philip VI, engineered a clear break between France and England, starting the Hundred Years' War. The Anglo-Scottish war became a subsidiary theatre of this larger Anglo-French war. Edward sent what troops he could spare to Scotland, in spite of which the English slowly lost ground in Scotland as they were forced to focus on the French theatre. Achieving his majority David returned to Scotland from France in 1341 and by 1342 the English had been cleared from north of the border.In 1346 Edward led a large English army through northern France, sacking Caen, heavily defeating the French at Crécy and besieging Calais. In response to Philip's urgent requests, David invaded England believing most of its previous defenders were in France. He was surprised by a smaller but nonetheless sizable English force, which crushed the Scots at the Battle of Neville's Cross and captured David. This, and the resulting factional politics in Scotland, prevented further large-scale Scottish attacks. A concentration on France similarly kept the English quiescent, while possible terms for David's release were discussed at length. In late 1355 a large Scottish raid into England, in breach of truce, provoked another invasion from Edward in early 1356. The English devastated Lothian but winter storms scattered their supply ships and they retreated. The following year the Treaty of Berwick was signed, which ended the war; the English dropped their claim of suzerainty, while the Scots acknowledged a vague English overlordship. A cash ransom was negotiated for David's release: 100,000 marks, to be paid over ten years. The treaty prohibited any Scottish citizen from bearing arms against Edward III or any of his men until the sum was paid in full and the English were supposed to stop attacking Scotland. This effectively ended the war, and while intermittent fighting continued, the truce was broadly observed for forty years.This recording reflects the Wikipedia text as of 01:02 UTC on Thursday, 8 February 2024.For the full current version of the article, see Second War of Scottish Independence on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Kendra Standard.

Join us as we welcome the enigmatic and boundary-pushing author, Will Carver, to The Writing Community Chat Show. It's been exactly a year since our last interview with him, and he's back with exciting news! Will's books are often hailed as 'LITERARY CRIME NOVELS' and have even been described as genre-defying, making them a challenge to neatly categorize on your bookshelf.His work has garnered recognition, including long listings and shortlistings for prestigious awards like the AMAZON Readers Independent Voice Award, GOLDSBORO Books Glass Bell Award, NOT The Booker, THEAKSTON'S Old Peculiar Crime Novel of the Year Award, and the FINGERPRINT Genre-Busting Book of the Year Award. Not to mention, his books have been selected as favorites in mainstream press's books of the year lists.Will Carver is about to release his next book, "UPSTAIRS AT THE BERESFORD," on November 9th. It's a dark and humorous story that straddles the realms of crime and horror, delving into the lives of Hotel Beresford's guests and residents. At the heart of the mystery is Mr. Balliol, who resides in the penthouse, overseeing everything and everyone.Exciting news for fans of Will's work: "THE BERESFORD" is currently in development for television!Be sure to click "FOLLOW" on our channel so you won't miss out on this intriguing interview with an author who is not afraid to push the boundaries of storytelling.If you'd like to get in touch with Will, you can often find him on Twitter @will_carver, though he humorously ponders how long that platform will last. For updates, deals, competitions, and a glimpse of which events Will will be attending throughout the year, visit his website, which is a treasure trove of hidden easter eggs, much like his books.Did we mention he lives in Reading with his partner, five kids, and a tortoise? You won't want to miss this episode!Additionally, Will Carver has ventured into podcasting, co-hosting the "LET'S GET LIT" podcast with fellow writer SJ Watson. Tune in to hear them discuss books and writing while sharing a drink. You can find their podcast on all major podcast platforms.#WillCarver #Authorinterview #ThewritingcommunitychatshowAnd just in case Twitter implodes, you can also connect with Will on other social media platforms:Facebook: @WillCarverAuthorInstagram/Threads: @will_carverBlue Sky: @willcarverWatch the interview on YouTube here: https://youtube.com/live/ks0pWXC4N8w______________________________________Find out more: www.TheWritingCommunityChatShow.ComTHE WCCS – TOGETHER AS ONE WE GET IT DONE!If you would like to advertise your #book on the show, to enroll in a book launch interview, or to have a WCCS social media shout out, visit here: https://www.buymeacoffee.com/TheWCCSFOLLOW US► Our website – https://www.thewritingcommunitychatshow.com► Universal link – https://linktr.ee/TheWCCS► Buy the show a coffee – https://www.buymeacoffee.com/TheWCCS► Use hashtag TheWritingCommunityChatShow or TheWCCS on social media to keep us current. This show will only succeed with your support!► Support us through Patreon – https://www.patreon.com/WCCS► For our FIVERR affiliate link click here (we will earn a little from you signing up through our link and more if you use the service. We back this service and have used it with great results! – https://fvrr.co/32SB6cs► For our PRO #WRITING AID affiliate link click here – https://prowritingaid.com/?afid=15286Hey! We have spent 3 years using StreamYard. You can see how much we love its features, and how we can make it look great for live streaming. We are huge fans and they are constantly improving their service. Check it out with our link and we could earn from referrals!https://streamyard.com/pal/d/4835638006775808This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5445493/advertisement

Another Tuesday night programming has left us all out of sorts! Hear our thoughts on yet another enjoyable match, the ancient origins of rap beef and more! Stay tuned till the end for the famed best-dressed.

Ladies n' Genminminminmin (er, min...) please welcome the warm and wonderful silky-voiced beauty Michael Fenton Stevens to "The Good Listening To" Clearing!Michael Fenton Stevens is an English actor and comedian. He is best known for being a founder member of The Hee Bee Gee Bees and the voice behind the Spitting Image 1986 number 1 hit "The Chicken Song":"Hold a chicken in the air Stick a deckchair up your nose Buy a jumbo jet and then bury all your clothes Paint your left knee green then extract your wisdom teeth Form a string quartet and pretend your name is Keith"  We've all done it...Mike also has his own wonderful podcast called "My Time Capsule":A podcast that asks guests, such as Stephen Fry, David Mitchell, Caroline Quentin, Ross Noble, Lee Mack, Arabella Weir & Rob Brydon, for five things which they'd like to put in a Time Capsule.They can choose anything from an item, to a memory, a film or even a country. Four of them are things they want to preserve but one has to be something they're happy to lock away and never have to think about again. And he's also been in the seminal BBC sit-com "Only Fools & Horses".Like the Great Gatsby before him, Michael Fenton Stevens has always been proud to be an Oxford man - albeit more Brookes than Balliol. When, in his second year, Michael was introduced to fellow student, Mandy Fenton, it was love at first sight - at least as far as Michael was concerned. But, a bit like Doris Day, he kept his love a secret. When a subtle twist of fate revealed that Mandy Fenton also had feelings for Michael Stevens, they started on a path to becoming Mr and Mrs Fenton Stevens. They had children and now their children have children. First and foremost, Michael Fenton Stevens is a family man and his wife, Mandy Fenton Stevens, has a PhD in Bio Chemistry.  Michael remains her greatest fan to this day and acknowledges the profound personal transformation that he attributes primarily to her. Michael's other greatest influencers were his own parents, both alas no longer with him. His father, Harry, was a good professional comic before becoming a full-time criminal defence lawyer, who still enjoyed singing old music-hall songs at weekends, often encouraging Michael to join him on stage. Originally also,  Michael followed in his father's footsteps for a year or two, as a potential legal eagle - but all he ever really wanted to do was tread the boards himself, in his own right. Taking his father's advice, Michael boldly asked all and sundry to help him get an Equity card. Bill Kenwright kindly obliged. Again as directed by his father, Michael modelled his voice on the dulcet tones of the film star, Robert Donat, rather than continuing with his sprawling suburban drawl, originally from Bermondsey, modified in Orpington. Yvonne Mitchell acted as his acting coach. Anthony Quayle took on the role of professional mentor and pub lunch companion. Michael has worked with many of the most famous names in the business, including Richard Curtis, Ben Elton and Angus Deayton. Michael also has a number one novelty song to his credit for Spitting Image - the Chicken Song topped the charts in 1986! In the last two years Michael has created well over 200 "My Time-Capsule" podcasts, starting with Stephen Fry, no less! A former smoker, Michael is also just completing a one million step exercise to raise awareness of Type 2 Diabetes. Michael finds contentment sitting quietly beside the sea at Cooden Beach, throwing pebbles at a groyne. He has the rhyming skill of William McGonagall and the surreal humour of Man U star Eric Cantonar. In fact, Michael Fenton Stevens has a lot of wise words to say - and he says them all so beautifully. Please sit back and listen now. Thank you and enjoy!

It was such a pleasure to talk to Sarah Harkness. Sarah is a former partner at Arthur Andersen who had a career in corporate finance and then as a non-executive director. She is now a literary late bloomer. She has self-published a book about the Victorian artist Nelly Erichsen. She has an MA in Biography from the University of Buckingham, where she studied with with Jane Ridley. She won the Tony Lothian Prize, 2022. And she is now writing a biography of the Victorian publisher Alexander Macmillan and his brother which will be published next year. We talked about Sarah's career, her long-held ambitions, what she learned from corporate finance, her views on talent spotting, Alexander Macmillan, how Sarah would try to discover other late bloomers lurking in the wrong jobs, and why a business career helps you to understand Victorian literature.Being a Late Bloomer and Alexander MacMillanHenry: Are you a late bloomer?Sarah: My husband says I should be very annoyed at that question because he says I've been marvellous all along. I think I'm a late bloomer if in the blooming bit, which is that I'm now doing something that makes me really unconditionally happy, whereas before I did a lot of stuff that was sometimes important and sometimes well paid, but I never enjoyed it half as much as what I'm doing now.Henry: So, let's start with just briefly, what are you doing that makes you really happy now?Sarah: I have a contract to write a book that a proper-publishing house says they're going to publish. So I'm writing a biography, a double biography called The Brothers of Daniel and Alexander Macmillan, who founded MacMillan publishing 180 years ago. And it's taken me a while, but I've got an agent and I've got a publishing contract, and I need to submit a manuscript in the next eight months, and it will come out in 2024 all being well. And that's making me very happy.Henry: Good, and that's the grandfather or great-grandfather of the prime minister?Sarah: Daniel is the grandfather of the prime minister, and Alexander, who's the one who really built the business after Daniel died, is his great uncle.Henry: So an interesting family for more than just their business interests.Sarah: Yeah. And I mean, fantastic achievers themselves because Daniel and Alexander were born into absolute poverty on the West Coast of Scotland. Their father was a carter, who died when they were young boys. Daniel left school at 10, Alexander when he was 15. And by the mid-1860s, Alexander is one of the literary hosts of London, and within two generations, they have an offspring who will be prime minister and married into the Duke of Devonshire's family, it's quite a climb.Henry: So, what we're talking about, this is really the Victorian self-made man?Sarah: Absolutely. Samuel Smiles and all his glory, absolutely.Henry: Yeah, yeah, we love Samuel Smiles.Sarah: Yeah, same.Henry: So, where does your interest in that type of subject or person come from?Sarah: Well, there's a basic love of all my period, of all the periods of history and all the periods of literature, Victorian times would be absolutely bang on is what I know most about. I'm very comfortable working in that time, and I love the books and the poetry from that time. The way I found it was very serendipitous, which was that my husband collects art and had found a lot of art by a big, very unknown Victorian woman painter. And I researched her life, and the more I researched it, the more I thought I need to write this down, and it turned into a book that no one would publish, but people said to me, "Write about someone we've heard of and come back to us," and that's a really hard question because almost everyone you've heard of has got a book. That's why you've heard of them, but I had a stroke of luck, which was literally in the research on the book about... The artist is called Nelly Erichsen, and in my research on her, she was a neighbour of the MacMillan family in South London in the 1870s, and related by marriage, sort of in a hop and a skip to the MacMillan family, so she knew the MacMillans, she stayed with the MacMillans. And I did research the MacMillan family to write about Nelly, and there wasn't a book, there haven't been a book since the 19... Since 1940. So there was an opening to do a book because most people have heard of MacMillan Publishing, most people would think it was interesting to understand how that had been started and no one has written about it for 80 years. So that was the stroke of luck, I think.Henry: So it comes from a kind of a long-term immersion in the period and a very indirect discovery of the subject matter?Sarah: It does, it does. I mean, I have been talking about Nelly Erichsen and her bit of Tooting where she lived and the people that she knew for, gosh, nearly 20 years now, so I mean it is a long immersion, but it took me a very long time to have confidence to show anyone what I was writing about it.Early interest in VictoriansHenry: Yeah. And that if we go back 20 years, is that where you start sort of reading and working on this?Sarah: Yes.Henry: Or had you been reading about the Victorians from earlier?Sarah: I think that... I mean, I did PPE at Oxford, but my favourite paper and finals was Victorian social political history, so the 1860s is bang on the period. I think all the time I was working and having a career, I was reading my way through Trollope and Dickens and George Eliot, so... And Tennyson. So that in that way, and it's the sort of art I like, so it is definitely my spot, but I had never thought about researching online, finding out about anyone and writing it down until, yeah, 15 years ago when I started doing that.Henry: But when you started doing that, you'd actually had years of reading the novels, being immersed in the period, it goes back, you were ready, you weren't just coming to this out of nowhere?Sarah: Yes, I wasn't, I wasn't. And it does remind me that about... Well, it was at the time when my children were babies, I wanted to give up work and study Victorian literature. I mean, I felt then that it was something I wanted to do, and I had an idea of writing... The book that inspired me was some Anthony Trollope's The Way We Live Now.Henry: Fantastic book.Sarah: And I was fascinated, yeah, fascinated by the Melmotte character and I wanted to do an MA or something that would allow me to write, to use the knowledge I had at the city today against what was Trollope writing about, I thought that would be interesting. So I have thought about it 25 years ago, and that had to absolutely no encouragement from anyone to do anything about it. So I didn't, I kept working, but it's funny that that's almost where I've ended back up, which is looking at Victorian literature.Henry: Yeah, it's like a... It's a deep vein that runs through your life and now it's come to the surface.Sarah: It is, it is, absolutely.Sarah in the City: business expertise as a literary advantageHenry: So, you've hinted it that you did PPE, you were in the city, tell us, because you were already blooming before, you are not a late bloomer, you're a repeat bloomer, tell us what was happening when you weren't being a Victorian writer.Sarah: So, I went from Oxford into the city into a corporate finance house that was part of NatWest Bank, so we call that NatWest markets, and I did corporate finance, so flotations, mergers, takeovers, raising money from 1983 right the way through to 1990s. In the 1990s, I left London and moved up to Yorkshire, but I kept working. And at that point, I had small children, so I was working three or four days a week, working in Leeds doing corporate finance. And then there was a big excitement in 1998 because I left NatWest and took my team into Arthur Andersen, which at the time caused a bit of a fuss and a bit of a stir. And I had three or four... Four years at Arthur Andersen. And then Arthur Andersen went into liquidation. And at that point, I'd been doing corporate finance for nearly 20 years and I'd had enough of it, and there were a lot of young and unpleasant young men coming up who didn't think that women in their 40s with children should be stopping them doing what they wanted to do. So I did head-hunting for a little while, and then I started becoming a non-executive director, so I became plural. And I'm still plural, I still do trustee jobs, and audit jobs, non-executive director jobs.Henry: So you, in three different ways, at Arthur Andersen, and then as a head-hunter, and then as a non-exec, you've actually been a senior person. You've been running an area of a business, you've had that kind of oversight?Sarah: Yeah.Henry: Does this help you... You've got the background reading Trollope and understanding the character of Melmotte, but you've also got the background as actually a business person. So when you look at someone like MacMillan, if you hadn't done that career, you would have had less insight. Do you sort of...Sarah: I think that's right, I think that's right. I've spent some time in the archives just the other week looking at the partnership deeds from when he set the business up. I've looked at... There had to be a court case in Chancery when Daniel's widow died because she died in testate and there was a risk that the partnership would have to be dissolved and split around his children. So to me, that makes sense. The big risks that he takes, like moving from Cambridge to London, and then at the moment, I'm really interested in him opening an office in New York, which he did in 1869. I mean to me, that is about a business risk. And then, this little small bit. So at the time when I was running an office in Leeds, I was very conscious of how vulnerable you feel when you are not in the head-office, when you are running a satellite. And I've been reading this week, the letters coming back from New York to London, from the poor chap that Alexander sent out to New York. And I can... I mean, I could have written those letters, you know, "Just tell me what's going on?" "What are your plans?" "What do you mean your son's coming to work here?" "Is that alright? Is that a good sign?" And so that to me is business as well, so I do recognise a lot of it.Henry: Yeah, that's a timeless problem, especially in big-business today, right, global businesses?Sarah: It is, it is. "How do you make everyone feel equally important?" and, "How do you manage something that's the other side of the ocean?"Henry: So your book will be interesting, not just from a sort of literary and social-history perspective, but for people in business or people trying to understand how to be a manager.Sarah: I hope so, I hope so. Alexander did an enormous amount all on his own, but as I move on, he's going to start running a more complex business. And I haven't really gotten into that yet. He's got one partner and he's just set up, sent someone to New York. But it will become more interesting. And then, how he's gonna bring the sons and nephews into the business, is gonna be fascinating. Because they didn't all want to come in at the same time and he's got to manage that as well. So it is a business book.Henry: So he's a sort of... He's a great publisher with an eye for a book, he's a great businessman who can cut deals and manage money, and he's also important as a people manager.Sarah: He is, he is, and seems to manage that well. Other firms are not nearly as successful as MacMillan, avoid the wrong people. He never really gets anything... The big calls, he doesn't get them wrong. He never has a big failure. If he launches a magazine, he goes on supporting it, it survives. If he launches an office in New York, it becomes... MacMillan, New York, becomes bigger than MacMillan, England. He doesn't make bad calls, he is a good manager.Henry: And where does that come from? Because he grew up... He did not grow up around business people. Where does that come from?Sarah: He certainly didn't, he certainly didn't. I don't know, that's really interesting. I mean, I think he was much more entrepreneurial than his brother was. The business really takes off when Daniel dies. Daniel was driven by a Christian missionary spirit. He was driven by Christian socialism, he wanted to bring good-quality and religious literature to the masses and the working man. And he saw it as... He wasn't well enough to go to India, so this was his mission. Alexander goes along with that and is fascinated by the Christian socialist side, but he also wants to make money. And I think some of it might just be, you know... He wakes up one day in 1857, and suddenly he's responsible for eight children, his wife, and a widow, people who work for him. He really has to grip it or he'll sink. And he grips it. But how and why? Apart from sheer bravery, I don't know how he got to do that. He didn't have any models, he wasn't being mentored by anyone else in the industry, they all saw him as a Scottish upstart. So there's one guy he talks to who's a publisher in Edinburgh called MacLehose, but he becomes much more successful than MacLehose.Henry: Was he a late-bloomer?Sarah: Alexander? So when Daniel dies, he... How old is he? He's nearly 40, he's nearly 40. And up until then, yes, he's been the second fiddle in the business. He's had a ton of energy. I mean, if you research him, he's living in Cambridge, running a shop in Cambridge, but he's also... He's on the board of the Working Men's College that they establish. He's doing stuff with the YMCA in Cambridge. He's a parish overseer. He has a ton of energy, and he talks about... You know, he was up reading throughs till 2:00 in the morning, and he was up again at 6:00 to get a train to London. His wife must have been pulling her hair out, I would think. [laughter] So he was a man of phenomenal energy, and not good health, he suffered badly from sciatica and various other problems. He was sometimes frustrated with pain, but he never gave up. He's quite a hero.Henry: Yeah, he is. He sounds really interesting. I'm really looking forward to this book. So, I want to go back over your... We've had the summary of your life. I want to get into some details because it's really, really interesting how you kept to yourself those interests and ambitions for so long, and obviously lots of people do that. Lots of people leave university and they've got a thing that they really, they're passionate about, but they end up as an accountant or whatever, and it just sort of slowly dies, or they realise they're not quite as interested as all that, or life gets in the way, or they have kids. Why didn't it go away for you? Because when you were a senior at Arthur Andersen, you were pretty busy, right?Sarah: Yeah, and I don't think, if you'd said to me... If you had said to me when I was a senior at Arthur Andersen, "Would you still like to write a book?" I just said, "Don't be daft, of course not." [laughter] But my huge frustration with Andersen, and I had some mentoring at the time from a coach who said to me, "The problem you have is that you have a person who needs choice and the more involved in one particular job you get, the more you push, get pushed down a tunnel, the less happy you will be, Sarah, because you like to wake up every morning and you think, I'm gonna do something different today. What am I going to do today? What am I going to do today?" And that's the life I now have. And it's the life I've had since the day I walked out of Arthur Andersen in 2002, which is every day I've done something a bit different. And the lucky break that happened to me was the collapse of Andersen could have been a disaster, but actually it gave me a lump sum and it gave me freedom to explore, bend my career to suit my children and my circumstances, and it gave me time to discover the things I liked doing.Henry: Do you think... So one thing that separates a lot of late bloomers from early bloomers, although as discussed you were an early bloomer, but it's that early bloomers often have a mentor or they belong to a small group of their peers. So they have people that they can experiment with and have ideas with, or they have someone saying, "Don't be an idiot, you need to do this, why haven't you written to that person or whatever." And late bloomers often just don't have this.Sarah: No.Henry: But I've got a little theory that it probably wouldn't have made any difference. And that in a way, you're... Tell me if this is right, you're quite a divergent person.Sarah: Yeah.Henry: But you were in a very narrow life.Sarah: I was.Henry: And the only mentorship that you required was for someone to say, as they said to you, you're in the wrong game here.Sarah: Yes.Henry: And you needed to take your own time, you needed to take your own path. There's something innate about, or just in your personality, that means you were never going to write a book when you were 25.Sarah: No.Henry: And the other experiences you gathered along the way were part of that divergence. What do you think of that as a sort of model of you and of other late bloomers?Sarah: I certainly think that there was no way when I was in my 20s and 30s, anyone that I knew, socialised with or worked with would have had any interest at all in what interested me. I mean, none of them read. None of them went to the theatre like I went to the theatre. None of them had the interest in film that I had. And at the time, I was married into the medical profession, and they absolutely weren't. So I mean at business they weren't interested, medics aren't interested, or don't have time to be fair to them. So it had to be just in my head and what I read and what I started listening to once you started getting audio books and I had time. So definitely there was no one around in my 20s who would have given me any encouragement to do anything different, and I was sucked into a job that was very high, very exciting, very high pressure and very rewarding, and then I had children, which we know, really upped the confusion of life. And I was just lucky that at the age of 40 I was relaxed and comfortable enough to be able to start spending my time with people who were encouraging.Henry: How unusual do you think it is to have... You do PPE, you work in corporate finance, but you've also got a strong interest in literature and the arts, and as you say, you don't do...Sarah: Really unusual. I can think... Of all the people I worked with right through for NatWest under Andersen, I can remember the one guy who, if you went on a business trip with him would open his briefcase to get out a book. He was a wonderful man, he was called Simon Metgrove, and he carried poetry around his briefcase. I remember him. He is the only one. I mean, no one else did, they read the... They read the FT, they talked about business. There was a lot of heavy drinking. It just, it wasn't part of the culture at all, and I didn't live with anyone who read like I read either. So it was completely me on my own blowing my own little furrow.Henry: Where does this joint interest come from? Is that parents, school, Oxford? Is it something you just always remember?Sarah: I think from my parents. I think particularly from my mother who had, came from a very, very poor background, left school as fast as she could when war broke out and got a job at the age of 16. And then after she married, my dad became a more senior civil servant. My mum discovered she needed and wanted to educate herself, so when I was growing up, my mother was doing WEA classes, and talking to me because I was by far the youngest child, so I was more or less at home on my own with her. She would talk to me about an essay she had to write on Jane Austin or she was reading T.S. Eliot, and she would talk to me about it all the time. So that was very encouraging. And she knew poetry, and that's... I've passed on to my children who are all interested in literature in their way. That background, if you need to... You know the stories, you know every Jane Austin, you know your Dickens, you know your poems. That comes from my mum and my dad as well. Yeah.Henry: Sounds like your mum was a bit of a late bloomer.Sarah: I think she was a frustrated, never bloomed because she was that generation of just they stated at home, and it didn't do her any good at all. She was quite an unhappy woman.Henry: Do you have her in mind as a sort of model of she went back and started doing that education and was that something that was just with you?Sarah: I think it probably was, I think it made sense to me that I could do an MA when I was 55, because my mother would have thought that was a sensible thing to do. If I had the time and the money, and then why wouldn't I do it? So yeah, it seems perfectly sensible to me, I didn't think it was odd. My husband had done one as well, and he was... I've never had any education at all, and did an MA ten years ago, so.Henry: Oh great.Sarah: Yeah, University of Buckingham.Henry: Oh very good.[laughter]Henry: And how did you end up at Oxford?Sarah: Oh, I came from a tiny Grammar School in Dorset that sent one girl to Oxford or Cambridge about every three or four years, so it felt like quite a lonely process. And I had massive imposter syndrome. I didn't get into the college I applied to, but there's a college in Oxford, Mansfield, that used to just collect all the best people that didn't get into any of the other colleges. We were all there with chips on our shoulders because we haven't got into some St. John's or Balliol and the others. And it was an incredibly good atmosphere, but it's still, there were two issues, one was Oxford was still dominated by the public schools, and I was a Grammar School girl.And Oxford was dominated by the big confident academic colleges, and I was at the college no one had heard of, so spinning out of that and into the city, just felt like that was a bit of a weird stroke of luck, because even though I was at Oxford doing PPE, I didn't feel like I was... I didn't feel like I had... It would never have occurred to me to become academic when I left university. I wasn't going to get a first, I wasn't going to do that.Henry: But did this thing about imposter syndrome and sort of being in a marginal position, is that quite good because it does encourage you to sort of keep seeing yourself as divergent and keep seeing yourself as not quite in the right place. It preserves that energy of well, I'm here, but I'm not going to stay here, whereas if you'd got into the right college and being more accepted, maybe you would have just a bit more easily slipped into a, staying on the track, if you like.Sarah: Maybe, maybe. But I don't feel that I was a very assertive person when I started work. To me, working my way up through the city, I would contrast myself with mostly men who were working around me, all of whom had a time table, I've got to be an assistant director by this age and I'm going to be director by this age, then I'm going to go out and join a real company and I'm going to make money. And I was just wanted to keep my job and keep doing it.And not get in any trouble. But then what used to happen is I would get to know someone at my level, and I think, well, other clever people in the next room because he's not very bright, and then why is he gonna get promoted and not me? Because I think I'm better. So I think there's a bit of that chippiness or edginess which makes you... Which can make you push on a bit harder, but it certainly didn't drive me. I was always a bit surprised, to be honest, I was always a bit surprised when I got promoted, I was a bit surprised when Andersen hired me and I was very surprised when that got in the papers. It was always a bit of a surprise to me. So I didn't have much confidence.Henry: As you talk about your background, it sounds a bit like there are parallels between you and McMillan. You don't come from an Arthur Andersen background, but there you are and you become very successful, just like he didn't come from that. Is that part of what interests him to you, like, are you writing about yourself?Sarah: Well, I haven't thought of that, but I think I absolutely am sensitive. So I feel for him when I know how much he did for certain Victorian writers, and I go to their memoirs and diaries and letters, and he hardly gets a mention. And I know because I can see all the letters he wrote to them where he said, "You've got to change the title, you've got to take out half that book, why don't you write about this instead." I can see what he was giving to them, and then you go to the index of some of their books, and he gets a one line or it mentions that this is something I wrote in Macmillan magazine. I am very sensitive to Alexander 's, feeling that people took him for granted, didn't give him any due reward, and I suspect he... Yeah, I suspect, I do imagine that he felt some of the stuff that I felt, which is, have I got any right to be in this room and actually now I've met them, they're not a bright as I thought they were gonna be. And you could see his confidence grows in the '60s, he definitely becomes a lot more assertive with his authors during the '60s.Henry: Oh, really?Sarah: Yeah, the more he spends time with them, the firmer he gets about I'm not publishing that, this isn't good enough, he takes on Lady Caroline Norton and that's quite a brave thing to do.And I think he wins, so that's very hard to tell.Henry: I always have a slightly, not very well-informed view, but a view that there was less editing of novels in the 19th century, and that Thomas Hardy dropped off his manuscript and they printed it, and that was that. You seem to have found a lot of material that suggests that the authors wouldn't talk about it, but that their work more edited quite heavily.Sarah: I think their work was edited quite heavily. And particularly, so the complication is the ones who are submitting for something for serialisation in a magazine, I think they were just so relieved to get at each month and another month that turned up. 'Cause you know that they were writing up to the deadline. So that didn't get edited, but then sometimes you can see at Macmillan saying, "When we turn this into a book, we're gonna do something different with it." That definitely happens. He does it to Charles Kingsley, Water Babies when it comes out as a book, has been edited from what appeared in the magazine. And what the other author, Mrs. Oliphant published a serial in the magazine, and he definitely got her to change it before it went into the book. So he did have an influence on these people, you wouldn't get from either their biographies or autobiographies.Life LessonsHenry: No. So this sort of feeling that you've described as almost a chip on the shoulder feeling, I think this is potentially an advantage because when I look at some of the scientific research on late bloomers, one thing you notice is, take scientists, for example. A lot of scientists make their breakthrough when they are young, but when people have researched this and said why is that, it's because a lot of scientists stop working once they get tenure or once they win a prize or whatever. The scientists who do carry on working, keep making breakthroughs. [chuckle] So it's actually not because there's anything special about being young, it's because that's when people are really trying. If you don't ever settle into, the people you have met who are on a time table, "I'm going to be a director at this age," they get there and they settle in and, great. They can cruise through for a bit. But if you never settle into that or you retain the chip or you retain the sort of feeling of oh, God. Oh, God. Should I really be here? That's actually quite good because it keeps you energetic and it keeps you looking and it keeps you thinking "What am I going to do? What am I going to do?" Do you think there's a kind of... I don't know. Was that part of your success and Alexander's success that it... You never settled for what you had.Sarah: Yeah. I think that's right and there's something else I would see a parallel, which is I was not the greatest corporate financier in terms of my grasp of numbers and I'm hopeless at negotiation. But what I was doing, which most of my colleagues weren't, is I can market and sell. I'm interested in people and I used to go and win business. I used to bring it back and then other people would transact it, but that's certainly what I did in Yorkshire. I was out all the time meeting people because I was interested and I wanted to know what they did and what they did and how does that business work.So I was always out looking and I never wanted to just sit at my desk and shout at people and run the numbers again. I wasn't very good at any of that, but I think I can see that in Alexander too. I mean, Alexander recruits a partner in the mid-1860s to take the back end off him because he just wants to be out meeting new authors and that's what he's gonna be good at and George Lillie Craik is going run the numbers and have the fights with the printers and talk to America. So I can see that and I think that is... You're not that interested in the day job, you're interested in the next idea and the next interesting thing that's gonna grab your attention. And because you're interested, other people bond with you and, hey, you've made a sale. I used to talk to potential clients who would say, "It's really good that you've come out because you sound like you're genuinely interested in this business whereas the other three guys were just wondering what fee they could get out of me."That's why I would win business 'cause I was interested in them as people and I made friends and I asked interesting questions. And I wasn't just there kicking the tires and then hoping I can sign someone up, you know?Henry: Yeah, yeah. That's the novel reader in you.Sarah: Yes.Henry: There will be lots of women in their 30s in City jobs or office jobs or accountancy jobs or whatever who feel the way you felt. Either they've got imposter syndrome or they secretly would rather just be reading Trollope or whatever. What's your advice to them? Difficult to give advice in general terms, but, you know.Sarah: Yeah. My advice is you will... The thing you will do best is the thing that makes you happiest. So if you go on trying to push yourself into being something that you see other people being and it's not really making you happy, you won't be very successful at it anyway. So it is worth taking a risk and thinking is there something out there I could do, which I'm... Owning a flower shop or whatever, that would make me happier. If I had stayed on in corporate finance, if I had gone into private equity, I could have made millions and millions, but I don't think I'd have been any happier. In fact, I think I'd have been a lot less happy than I am sitting here on a tiny, little book advance doing exactly what I wanted to do. I don't regret any of that because I wouldn't have enjoyed it. I wouldn't have liked doing it.I mean, the other thing is... The other thing I would say to all women who are in my position is don't beat yourself up all the time that you're not being the perfect mother or the perfect executive because you're gonna live with that guilt forever and you're never gonna know what you could have done better. If you had given up, maybe you'd have been a terrible mother at home. If you'd found the children out or never had them, maybe your career wouldn't have taken off. You're never going to know. So don't beat yourself up with that, just do the best you can and cut corners wherever you can and get help. And don't be afraid to say, "I need help with this" and "I can't come tonight 'cause I've got to go to a parents evening." Just... The more women say that we need help with this and don't try and pretend that it's easy. It's not easy. It's never gonna be easy to do both. I found it very hard.Henry: So you are now navigating the publishing world. Doing book research, being a writer. What things did you learn from your earlier career in all its guises whether it's like small techniques and skills or sort of big life lessons or whatever, but what things did you learn from that earlier career that you're sort of using now?Sarah: I certainly learned... I mean, I certainly picked up a lot of small skills along the way. I am a very fast reader, I'm a summariser and a lot of my job in corporate finance was writing good, crisp, prose because you wrote prospectus because you wrote... So I think all of that has helped. I think I'm a better writer and a better researcher because I did it professionally for 20 years, but we called it corporate finance. I mean, there was a lot of cross over. In terms of the bigger stuff, what have I learned? I've learned to cope with worry and stress. I mean, if you wake up in the middle of the night and stuff's going around in your head, get up, have a cup of tea and write it all down. Don't lie in bed worrying that you're not going back to sleep. You just have to learn to cope with stress.And I think the other thing I've learned and I try and get into my children's head all the time is to be more assertive just not to run away and hide. If you think something's wrong or you're not being treated properly, don't lose your temper, don't sulk and don't spend your whole life taking it out on your friends and your family. You have to address it at work. Nothing is more boring than the person who really ought to have handed in their notice and just spends their whole life moaning to their wife, their husband, their best friends about what their bloody job is. Don't do it. If you don't like what you're doing, you will become very boring and to everybody else. Change your job. Change your job.Henry: Yes. Yes. Having recently been that person, I can endorse that sentiment. Sarah: So we've all done that. We've all spent time listening to someone who's thinking, why don't they just stop doing this job if it's making them so unhappy? And I know that's a... I know particularly the current climate that's easier said than done, but don't, life's very short really.Henry: Yeah, yeah. No, I think that's right. And what would the Alexander McMillan advice be? Could we have a little book of the wisdom of Alexander McMillan?Sarah: I think he's going... I mean, I am absolutely immersed in his life in the 1860s. And it is that the decade of the 1860s is the absolute pivotal decade for the business. It completely transforms. It looks utterly different in 1870 than it did in 1860. In 1871, his first wife dies and he rapidly remarries a much younger woman. And I think he starts going abroad on holidays. And I think his life changes. I think the 1870s Alexander is gonna... Had a younger woman saying to him, you're killing yourself. It's not worth it. You've got sons coming into the business, let George take the strain. We're going to France for a month Alexander and you are coming too. I mean, I think his life is gonna change in the 1870s.Ask me again when I know what he's writing to people in the '70s. Because in the '60s, he's saying, get your head down. Really got to work. Put start another book. Don't let the grass grow on your feet. Boom, boom, boom, boom, boom. He's at it all the time. I think he's gonna have a very different attitude in 10 years' time.Henry: A lot of writers seem to have a decade or a 15 year period where they kind of really do most of their great work. If that seems to be like that for him, but in a business sense, then you're saying the '60s that was his time and then it cooled off.Sarah: Yeah. Yeah. And well after... But with a publishing house in particular, I think once you built up a critical mass, it's not so difficult to run because good authors are going come to you and you can be selective and you can take a Thomas Hardy manuscript and you can take a Kipling manuscript and a Henrig. They're going to come to you. Whereas in the 1860s, he's really scrabbling around. What's going to be good? And he creates things like the Golden Treasury Series or the Clarendon Press textbooks with Oxford University. He's creating things because he hasn't got Thomas Hardy or Henry James. He's got Charles Kingsley, who's becoming increasingly racist and unpleasant. By the 1870s, the business is... There's a magazine that comes out every month. It has regular subscriptions.And now Nature is going to come out every month and be written for by her Huxley. And he's got, he can choose who he publishes. So I think by the 1870s, the business runs much better even when he is on holiday. Whereas in the 1860s, he just needs to be there every day and he needs to read every manuscript and he needs to look at every proof and he's changing the colour of the bindings. He's in all over it and I think it would've killed him and it killed his wife possibly. And I think in the 1870s, it's easier for him to step back. And then he starts having a son and a nephew in the business. And then he has three nephews in the business, I mean, it just moves on. And he's lucky that the next generation of the one, two, three, five boys, three of them stay in the business and are still in the business in their 70s and 80s. And they all die within a couple of months of each other in 1936, bang, bang, bang. But they were all there, three brothers. So he's lucky in that there is at least two generations of McMillan that know how to run a publishing company. Not everyone gets that. Do they? Some people can't even get to some...Talent SpottingHenry: What did you learn about talent spotting when you were at Arthur Andersen?Sarah: That one of the best things you can have in a business career is instinct about people, that I could always tell within five minutes of an interview starting whether I ought to hire this person or not. It's a bit like house hunting, it all looks lovely on paper and then sometimes you get to the gate and you think I'm not even going to look at this house. [laughter] I can't imagine living in this house, why have I come? And I think I had really good instinct for people spotting and I was good at bringing people on particularly women. I mean, there were a couple of women around who say nice things to me about I learned a lot from you, Sarah.Henry: What were the signals? The good and the bad signals? What set your instincts off?Sarah: Genuine intelligence, not just... A spark in the eye literally and a bit of a sense of humour. So not just they've learned it all by wrote. I wasn't ever interested in the people who told me they'd been reading the Financial Times since they were 12. I was interested in someone who'd tell me something interesting they'd seen it on the back of a lorry coming into the interview. That was a better sign for me of genuine interest. And I always used to say when I was teaching other people to interview and hire as well, if you don't think...If this new person is going start on Monday morning, am I going to really look forward to seeing them? Or am I thinking that, I hope this is gonna be alright? Then you've already made your decision, you want that person to be someone you wanna work with on a Monday morning when it's pouring with rain and you've got to hangover you. So pick people who you are gonna get on with and who are as bright as you are or brighter if you can find them.Henry: Let's say I was going to plant you into the offices of some big consultancy, PwC or EY or someone, and your job is to talent spot some potential late bloomers. They don't have to want to write a book or be victorious, they just have to be some other Sarahs, who have this in them, but they're not talking about it, and we don't know what it is, how are you going to go about looking for these people, and when will your instinct sort of prick up and say, "Yeah, I'm gonna get to know her, she seems like there's something in the background there."Sarah: I think it's the... You're gonna see that person thinking outside the box. So in a room of people where everyone said something around the table, they've said the most interesting thing that wasn't what anyone else said. And it might have been a small point that they've made, but it was just different their brains weren't working, they weren't doing groups speak. Because they may not have been listening to the group speak and they might though it was very dull, but this was the thing that had been interesting them about this problem. And I know that's the thing. I also think I would be looking for the person who had done something interesting at the weekend, or was going to theatre that night or just the show that the brain was not completely sucked into the job, that in fact, they were probably more looking like hoping they were gonna get to the national theatre that night, than worrying about anything else that was going on. It's that feeling that you have a life outside work. And for lots of people, there is no life outside work.And I feel so sorry for them when they give up because, what are they gonna do with their lives? Whereas I always knew that there were 50 things. If I'd have to stop working tomorrow, I wouldn't have been bored for a second, there are 50 things I wanted to do, and I always feel sorry for people to say, "Oh, I don't know what I'd do if I didn't have this job." Really? You know.But I think, how do you spot them when that's not coming out? I think you are gonna spot them because they are gonna say something that's a different take from everyone else.Henry: Yeah, no, that's interesting, if you're not going to sort of have the chance to see them pull a book of poetry out of the briefcase or whatever, you can... You're saying there are signals in the meeting. Comes back to divergence almost, they're not...Sarah: It does.Henry: How many people do you think you met like that in your career? I tell you why I'm asking, I feel like we have no idea how many late bloomers there could be out there. But my suspicion is there a lot of people who could be in the right circumstances, given the right conditions or whatever, but we just don't know.Sarah: No, I don't know. I don't think many. I can't think of people. There were people who did surprisingly well after I'd worked with them, went off and did other business things and have done very well, and I think... Well, I wonder what they might do next.Henry: Were they the ones saying the out of the box stuff in the meeting or are there other indicators of those?Sarah: There's a girl in particular, I'm thinking about, who worked for me and Leeds who could have gone down a very boring banking corporate route. Actually, she's now running a really interesting small business, and she always... She used to get teased and laughed at because she would sometimes say such off the wall things, used to make a look a bit stupid sometimes, but I always used to be interested in what she'd said, 'cause there was something going on there. So I would think about her. I'm trying to think. So later life, when I've been around NHS boards, there are people there who I think could easily spring off and do something completely different, 'cause working for the NHS is so completely absorbing of your life, your energy and your compassion, but some of them are very interesting people, they wouldn't be doing that job otherwise.Best Victorian Novel?Henry: Finally give us a recommendation for one really good Victorian novel that we might not have read.Sarah: Okay, I'm going to say a part from I've already told you that I love The Way We Live Now, and I love Middlemarch, which I think are the two absolute classic novels. But the one that I read last year, which I'd never heard of and loved, it's by Mrs. Oliphant, and it's called Hester, and it was written, I think in the 1880s, and it's set in a small town, but it's about a woman who saves the Family Bank from going bankrupt. Her father has over extended the bank and run off, and a bit like, It's a Wonderful Life, there's going to be a run on the bank, but Hester goes into the office, it's a small town, and the fact that she's there, she saves the bank and effectively runs it, and then the book starts as the next generation are coming through what's gonna happen. And will she have to do it again? It's a really good book.Henry: Yeah, that sounds a great.Sarah: Hester by Mrs. Oliphant.Henry: I'm going to read that. Well, Sarah, thank you very much.Sarah: Thank you, Henry. It's been very enjoyable.Thanks for reading. If you're enjoying The Common Reader, let your interesting friends know what you think. Or leave a comment at the bottom.If you don't subscribe to The Common Reader, but you enjoy reading whatever's interesting, whenever it was written, sign up now. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

Sam's guest in this week's Book Club podcast is the writer Simon Kuper, whose new book – Chums: How a Tiny Caste of Oxford Tories Took Over the UK – argues that to understand the social and psychological dynamics of our present government, you need to understand the Oxford University of the 1980s, where so many of those now in power first met. He argues that the PM's love of winging it was nurtured in the tutorial culture of his Balliol days, that the dynamics of Tory leadership contests are throwbacks to the Oxford Union, and that Brexit – the grand project of this generation – was at root a jobs-protection scheme for the old-fashioned ruling class. Can that be the whole story? He tells Sam why he thinks we need to decommission the UK's rhetoric industry and learn to be more like Germany.  

My guest in this week's Book Club podcast is the writer Simon Kuper, whose new book – Chums: How a Tiny Caste of Oxford Tories Took Over the UK – argues that to understand the social and psychological dynamics of our present government, you need to understand the Oxford University of the 1980s, where so many of those now in power first met. He argues that the PM's love of winging it was nurtured in the tutorial culture of his Balliol days, that the dynamics of Tory leadership contests are throwbacks to the Oxford Union, and that Brexit – the grand project of this generation – was at root a jobs-protection scheme for the old-fashioned ruling class. Can that be the whole story? He tells me why he thinks we need to decommission the UK's rhetoric industry and learn to be more like Germany.  

Winter is house buying time. Toronto's Yonge & Eglinton community has seen a lot of changes in the real estate market! Today's returning guest is Jamie Harnish who tells us more about the market and how buyers can sellers can get the most out of it. _____________________________ Jamie Phone: (416) 428-8892 Jamie Email JHARNISH@BOSLEYREALESTATE.COM Jamie Harnish on Facebook: https://www.facebook.com/jamie.harnish.90 Jamie Harnish on Facebook Business Page https://www.facebook.com/JamieHarnishBosleyRealEstate/ Jamie Harnish on YouTube https://www.youtube.com/channel/UC9Sc8lJ-zQy4N3pITduGm4A Jamie Harnish on the Web https://jamieharnish.com/ Jamie Harnish on LinkedIn https://www.linkedin.com/in/jamie-harnish-2a7b42102/ Tom Ferry - http://www.TomFerry.com Coach Bob McCranie - https://www.facebook.com/BrokerCoachBob https://www.TexasPrideRealty.com Homes for sale Yonge and Lawrence, Yonge and Eglinton townhouses for sale, Yonge and Eglinton condos for sale, homes for sale Yonge and St Clair, Eglinton houses for sale, Yonge and Eglinton for sale, Eglinton west homes for sale, house for sale Balliol street Toronto

Holiday time is house buying time. Toronto's Yonge & Eglinton community has seen a lot of changes in the real estate market! Today's returning guest is Jamie Harnish who tells us more about the market and how buyers can sellers can get the most out of it. Jamie Phone: (416) 428-8892 Jamie Email JHARNISH@BOSLEYREALESTATE.COM Jamie Harnish on Facebook: https://www.facebook.com/jamie.harnish.90 Jamie Harnish on Facebook Business Page https://www.facebook.com/JamieHarnishBosleyRealEstate/ Jamie Harnish on YouTube https://www.youtube.com/channel/UC9Sc8lJ-zQy4N3pITduGm4A Jamie Harnish on the Web https://jamieharnish.com/ Jamie Harnish on LinkedIn https://www.linkedin.com/in/jamie-harnish-2a7b42102/ Tom Ferry - http://www.TomFerry.com Coach Bob McCranie - https://www.facebook.com/BrokerCoachBob Homes for sale Yonge and Lawrence, Yonge and Eglinton townhouses for sale, Yonge and Eglinton condos for sale, homes for sale Yonge and St Clair, Eglinton houses for sale, Yonge and Eglinton for sale, Eglinton west homes for sale, house for sale Balliol street Toronto

Scottish Wars of Independence - King John Balliol

Dr Vicky Neale is the Whitehead Lecturer at the Mathematical Institute and Balliol College at the University of Oxford. She is also a Supernumerary Fellow at Balliol and the author of two great books aimed at general audiences, namely ‘Closing the Gap' and ‘Why Study Mathematics?'. Vicky Neale is a great communicator of Mathematics. She was given an MPLS Teaching Award in 2016 and she also won an award for being the Most Acclaimed Lecturer in MPLS in the student-led Oxford University Student Union Teaching Awards 2015.Follow her on Twitter: @VickyMaths1729 For some clear proofs of a selection of mathematical theorems, check out her YouTube channel: https://www.youtube.com/channel/UCBGhXXBCAzbzQV65JZoGhjw and her blog https://theoremoftheweek.wordpress.com/ Conversation Outline: 00:00 Guest Introduction01:05 Vicky's mathematical background04:13 Motivations for writing a book on reasons to study mathematics07:11 Are good reasons for studying Mathematics timeless? Would this book have more or less the same contents, had it been written many years ago? 10:10 Is the job of pure mathematicians safe from AI developments?12:13 What are the benefits (for the non-mathematician) of knowing about mathematical notions such as integrals, derivatives, matrices and so on? 15:39 Are some people more mathematically talented than others? 18:45 Does the discussion of talent change when we are talking about research-level Mathematics? Douglas Hofstadter's experience.22:45 Aesthetics of Mathematics25:00 Is Number Theory more beautiful than other mathematical subfields? 25:52 A mathematician's view of the metaphysics of numbers27:58 Fermat's Last Theorem, Andrew Wiles and finding meaning in Mathematics29:26 FLT and the Twin Prime Conjecture32:27 Should graduate students tackle famous open problems?33:41 Closing the Gap: significant progress towards solving the Twin Prime Conjecture35:10 Polymath: an example of collaborative Mathematics39:40 Do we have reasons to believe that the Twin Prime Conjecture is actually true?Enjoy!Apple Podcasts:https://podcasts.apple.com/gb/podcast/philosophical-trials/id1513707135Spotify: https://open.spotify.com/show/3Sz88leU8tmeKe3MAZ9i10Google Podcasts:https://podcasts.google.com/?q=philosophical%20trialsInstagram: https://www.instagram.com/tedynenu/

Well, that was quite the match, wasn't it? We certainly were not expecting such a disparate final score, but as Paxman said, this was not a fair representation of Balliol's fantastic run through this season of University Challenge. Having said that, Lawson, Davies, Byrne and Payne have really stepped up their game and are looking like Warwick will have their work cut out for them in the final!Join us as we say goodbye to Balliol and O'Connor's eclectic dress sense, commend Magdalene's inspiring form, and marvel at how both teams manage to get so many answers correct.

We finally say goodbye to Imperial, who have managed to stay in the competition against the odds and currently have the most points accumulated of any team. After this match, it is hard to imagine anything other than a win for Warwick, who last took the title all the way back in 2007. So long as Rout can remember his teammate's names, they look to be serious contenders for the final, and either Balliol or Magdalene have their work cut out!

This week sees our second confirmed team heading to the semi-finals. Balliol College, Oxford joins Warwick in what is shaping up to be a nail-biting conclusion to Series 50 of University Challenge. Balliol's contender this week, Durham, will have one final chance to secure their place in the semis. That said, this week brought the laughs and the quoteworthy moments this hoary old show is so beloved for. Stay tuned till the end for our famed best-dressed segment!

The quarter-finals and their impenetrable rules continue. This time with Balliol, Oxford facing off against King's College London. Will Baillol continue their amazing form from the second round, or will King's prove triumphant? Which classical painting has the best bum? Do the contestants know any music from the 1950s? All this and more on this episode of I Got That One!

We are all the way up to episode 21, and it looks like the producers are determined to break our hearts as two more likeable teams are pitted against each other. This time, it's St. John's Cambridge, fresh off of their domineering win against the Royal Academy of Music, against Balliol, who had to work a bit harder against Claire College Cambridge. With the potential of a clash of siblings further down the line should St John's win, there was plenty at stake here.Join us as we find out how good our Russian is, yet another opera round, Paxman's choice of tie, and of course the ever-anticipated best dressed round.

Derek Hockaday interviews George Alberti, research endocrinologist and former President of the Royal College of Physicians, 24 May 2013. Topics discussed include: (00:00:00) admission into Balliol to study medicine, preliminaries and early years in Oxford, Sandy Oxton (00:05:15) Coolidge Scholarship to go to United States; (00:07:50) Biochemistry and DPhil project at Hans Krebs lab on amino acid metabolism in mitochondria; (00:12:12) work ethic and start of clinical work, involvement in teaching tutorials; (00:16:37) Endocrinology and diabetes research; (00:20:00) finals; (00:21:33) teaching staff; (00:25:23) visits to United States, post-qualification fellowship applications; (00:27:35) research and clinics in Boston; (00:31:57) returning to Oxford to do clinical research; (00:35:40) comparing the Radcliffe and Oxford in general to other places clinically (United States, Southampton, Brighton); (00:36:43) Oxford undergraduate course as preparation for a career in medicine; (00:38:07) clinical research at the Hans Krebs unit; (00:42:10) reasons for leaving Oxford; (00:44:50) influence of multiple analyser on clinical biochemistry; (00:46:27) progression of the medical school since leaving Oxford; (00:48:25) reflection on teaching pre-clinical tutorials. Note that the following sections of audio are redacted: 00:09:29-00:09:35; 00:15:56-00:16:18; 00:23:40-00:23:42; 00:49:33-00:49:38.

We breakfast with Lyra and Pan in this strange new world, as she carefully crafts her first ever omelette with pride. Will and Lyra discuss their next move, as two strange children appear in the deserted town and explain where they are and why everything is so quiet.Join us, as we review the weird and wonderful history of processed food, rage about toxic femininity and take you on a virtual tour of real-world Oxford!------More on William Parry the explorer here.Virtual tour of Will's Oxford:The place where will and Lyra get off the bus is here.Viewing Balliol college from Broad street - here.Inside one of Balliol college's quadrangles - here.A view of the Bodleian library from Catte Street (Lyra's ‘Bodley's library) - here.A view inside one part of the sprawling Bodleian library (Duke Humphrey's Reading room, one of the oldest parts of the library) - here.------Music by: Jaymen Persaud, performed by Claire Wickeswww.thedarkmaterialpodcast.comPatreon: www.patreon.com/darkmaterialpodcastTwitter: @darkmaterialpodInstagram: @thedarkmaterialpodcastFacebook: www.facebook.com/thedarkmaterialpodcast

Episode 6 of this season's University Challenge is once again here, and this time it's a real nail-biter between two of the oldest colleges in the UK. With a combined age of 1451, these institutions are the purest example of Oxbridge Pedigree.Unlike their respective institutions, the teams are on the younger side, with an average age of 24 and 23 for Balliol and Clare respectively. Who comes out on top in this latest iteration of the Oxbridge competition? Listen with us and find out.Also making an appearance this week: A new mysterious segment!

John Balliol or 'Toom Tabbard' which means 'empty tunic' a nickname attributed to Balliol on account of the fact he was a king who was easily manipulated, had no real control over his kingdom, and was in power in name only - he didn't hide in fridges though

In this episode of The Director’s Chair, Michael Fullilove speaks with former diplomat, traveller, author and politician, Rory Stewart, a man whose life so far has been both conventional and highly unconventional. Born in Hong Kong, Rory spent his childhood in Malaysia and Scotland, and passed through a number of establishment institutions including Eton, Balliol, the Black Watch, the Foreign Office and, according to speculation, the Secret Intelligence Service. He was a summer tutor to Princes William and Harry. And yet he has also repeatedly gone off-piste and done interesting and sometimes remarkable things, including walking 10,000km across Asia, and running as an independent candidate for mayor of London. Rory and Michael speak about Rory's prescient response to the Covid-19 crisis, the disappointment of political life, the hollowing of the centre ground in British politics, and the Black Lives Matter movement.

In this episode of The Director's Chair, Michael Fullilove speaks with former diplomat, traveller, author and politician, Rory Stewart, a man whose life so far has been both conventional and highly unconventional. Born in Hong Kong, Rory spent his childhood in Malaysia and Scotland, and passed through a number of establishment institutions including Eton, Balliol, the Black Watch, the Foreign Office and, according to speculation, the Secret Intelligence Service. He was a summer tutor to Princes William and Harry. And yet he has also repeatedly gone off-piste and done interesting and sometimes remarkable things, including walking 10,000km across Asia, and running as an independent candidate for mayor of London. Rory and Michael speak about Rory's prescient response to the Covid-19 crisis, the disappointment of political life, the hollowing of the centre ground in British politics, and the Black Lives Matter movement.See omnystudio.com/listener for privacy information.

The Tower of London has imprisoned several monarchs, and one of the first was John Balliol, who became King of Scotland in 1292.  Whilst the Scottish and English Kings and Queens had lived peacefully side by side, Balliol and his Scottish noblemen were not always loyal to the English.  They were angry about laws made to tax and control them, and some of the nobles even made alliances with the French, who were sworn enemies of the English at that time. This betrayal was too much for King Edward of England.  He decided to take action and invade Scotland.   On 12th March 1296 the English troops invaded Berwick, a Scottish town.  After a bloody battle the Scottish refused to surrender and so the troops ransacked the remaining population and John Balliol was captured and stripped of his Royal Badge.  He became a prisoner of the Tower but because he had been a King, he was permitted to bring a large amount of staff. These included: Lord William de Froxfelde, his chaplain Richard, his pantler Henry, his butler John Clyware and Gantroni, his treasurers Henry, the clerk of the chaplain Peter, his barber Adam, his tailor (a second tailor named Robert also appears later) Three grooms Two esquires A carter A miller A cook and a porter A laundress An officer of the saucery A hunter and his page Two greyhounds Ten running dogs At least two horses (his own palfrey and one horse belonging to Alexander de Balliol ‘who at present has rebelled’!) Although his treatment seems like luxury compared to many of the poor prisoners, it would not have felt particularly luxurious to a King who was used to his own palaces, and who answered to no one. After his release he was able to live out his days in France.

Lord Richard Harries, former Bishop of Oxford is the author of ‘Haunted by Christ: Modern writers and the struggle for faith’ (SPCK). Philosopher Sir Anthony Kenny, former master of Balliol college Oxford, is the author of ‘Brief Encounters: Notes from a philosopher’s diary’ (SPCK) which recounts anecdotes from a life meeting significant personalities. They discuss their friendship, stories of significant encounters, why Anthony lost his faith as a young Catholic priest and why Richard found his faith affirmed in his literary loves.  For ‘Haunted By Christ’ by Lord Richard Harries: https://spckpublishing.co.uk/haunted-by-christ  For ‘Brief Encounters’ by Sir Anthony Kenny: https://spckpublishing.co.uk/brief-encounters  Get signed copies of Unbelievable? the book and audiobook: www.unbelievablebook.co.uk  For more faith debates visit http://www.premierchristianradio.com/Shows/Saturday/Unbelievable Join the conversation: Facebook and Twitter Get the MP3 Podcast of Unbelievable? Via RSS or Via Itunes  

12 de Noviembre de 1615. Nace Richard Baxter. 13 de Noviembre de 1950. Es asesinado Carlos Delgado Chalbaud. 14 de Noviembre de 1922. Nace Butros Butros-Ghali. 15 de Noviembre de 2002. Muere Myra Hindley. 16 de Noviembre de 1436. Nace Leonardo Loredan. 17 de Noviembre de 1292. Juan de Balliol se convierte en rey de Escocia. 18 de Noviembre de 1720. Es ahorcado el pirata Jack Rackman.

In this episode, we talk to Dame Helen Ghosh about the challenges of running a government department, why the National Trust is one of the most important institutions in the UK, and her first impressions upon becoming Master of Balliol College, Oxford.

IIPPE Training Workshop - Anglo-Saxon Capitalism since the Financial Crisis Simon Mohun (Queen Mary University of London) Part 2 (of 2) In this first of two sessions at the IIPPE Training Workshop on “Anglo-Saxon Capitalism since the Financial Crisis”, Trevor Evans discussed economic and financial developments in the United States. The International Initiative for Promoting Political Economy (IIPPE) held the Training Workshop on “Anglo-Saxon Capitalism since the Financial Crisis” at SOAS, London on 8 November 2017. Speaker Biography: After school in Leeds, Simon Mohun read Politics, Philosophy and Economics as an undergraduate at Balliol College, Oxford (1967-70). Following his BA, he remained at Balliol for the BPhil in Economics (1970-72). After a fixed term one year Lectureship in Economics at the University of Southampton (1972-3), he was appointed as Lecturer in Economics at Queen Mary in September 1973, where (apart from periods of leave) he remained. He gained his PhD from London University in 1990, and was promoted to Senior Lecturer in 1991. He spent the second half of the 1990s as Head of the Department of Economics. After a subsequent period of leave, in 2002 he transferred to the newly created Centre for Business Management, now the School of Business and Management at Queen Mary, where he was promoted to a chair in Political Economy in 2005. He retired from Queen Mary at the end of March 2011 to concentrate on his research, and was appointed Emeritus Professor of Political Economy. Speaker(s): Simon Mohun (Queen Mary University of London) Event Date: 8 November 2017 Released by: SOAS Economics Podcast

In a special live edition of Backlisted, recorded in front of an audience at Blackwell's Bookshop in Oxford, John and Andy are joined by Mark Haddon, author of 'The Curious Incident Of The Dog In The Night-Time' and Sally Bayley, author and tutor in English at Balliol and St. Hugh's Colleges, Oxford. The panel discuss Jacob's Room, the third novel from Virginia Woolf.

If Christ is in the bosom of the Father, what does that mean for us? Also on this weeks show; are you sacrificing creativity on the altar of productivity? Balliol bans Christian Union from freshers fair and a chef turns to Christ in his restaurant. Notes The Magic Behind Creativity & Why it Needs Protecting - Lynne Phillips - https://allthingsquiet.com/2017/10/11/the-magic-behind-creativity-and-why-it-needs-protecting/ Balliol Bans Christian Group -https://www.theguardian.com/education/2017/oct/09/anger-as-oxford-college-bans-christian-group-from-freshers-fair?CMP=share_btn_fb

Professor Adam Smyth talks to cataloguer Lucy Kelsall and book conservator Nikki Tomkins about the seventeenth-century library of Nicholas Crouch, now in Balliol College, and how to deal with fragile books.

After being chosen to be King of Scots in 1292, John Balliol had a tough job on his hands. He had not been raised for kingship, the nobility were divided and, most worryingly of all, Edward I of England had established himself as feudal lord of Scotland and was determined to make this clear to all concerned. Could Balliol restore Scotland's prosperity and remain independent from England or would the task be too big for him to face?

Facts about John Balliol's problematic reign as king of Scotland.

The Rt Hon the Lord Patten of Barnes, CH describes his long-standing links with Oxford and his high-profile political career in this wide-ranging podcast interview. From reading Modern History as an undergraduate to his role today as the Chancellor of the University, Lord Patten reflects on his numerous connections with Oxford. He describes how his studies and the tutorial system prepared him for politics by fostering independent thought. He also refers to playing cricket as a student, and to hearing the Rolling Stones perform at a College ball during the Swinging Sixties. Lord Patten continues by sharing political insights gained from high office, including his role as the last Governor of Hong Kong. He emphasises his interest in politics and identity – a subject he will address in a keynote lecture at the Alumni Weekend in September 2015. http://www.alumni.ox.ac.uk/alumni_home Music by Setuniman http://tinyurl.com/Setuniman-sounds

Richard Ovenden, Bodley’s Librarian and Fellow of Balliol, and Diarmaid MacCulloch, Professor of the History of the Church and Fellow of St Cross.

Richard Ovenden, Bodley’s Librarian and Fellow of Balliol, and Diarmaid MacCulloch, Professor of the History of the Church and Fellow of St Cross.

In the early 1330's, Edward was a hero searching for a way to undo the humiliations visited on him by Mortimer and by the French. And Edward Balliol, son of the ex king of Scotland John Balliol, gave him his chance. At the battle of Dupplin Moor, Balliol against all the odds defeated a much large Scottish army, but could not hold Scotland. Edward now had the chance to prove himself - if he could keep the French as bay. 

Balliol Bros. - Dear Friends - Firesign Theatre - 1972

Balliol Bros BlessedCraterSale - Dear Friends KPFK radio - Firesign Theatre - 1971