Podcasts about Charles Kingsley

Treasure House - a series of dramatised stories on the lives of historical figures. Tonight's programme features the life and times of English writer and clergyman Charles Kingsley

We act as though comfort and luxury were the chief requirements of life, when all that we need to make us really happy is something to be enthusiastic about. ― Charles Kingsley Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Tonight's bedtime story is an adaptation of a Greek Myth by Charles Kingsley. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off. Hosted on Acast. See acast.com/privacy for more information.

Charles Kingsley lived in the 19th century and was a literary household name. But beyond that, he also rubbed shoulders with some of history's most famous atheists, such as Charles Darwin and Aldous Huxley. Special thanks to John Raynar for reading this episode of Revived Thoughts. You can get all of your audio needs taken care of by this amazing voice talent by going over to his website! Join Revived Studios on Patreon for more!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fern welcomes fellow podcast host and Grey Gardens fan Hadley Mendelsohn to todays episode. Hadley is the co-host of the podcast titled Dark House, which features two amazing episodes about Grey Gardens. Listen in to hear Fern and Hadley discuss the Edies, the women's stance against societal norms, ghostly energy existing within Grey Gardens and we will hear Big Edie recite her favorite Charles Kingsley poem. Let's mix some gin gimlets, pet the cats and dive into today's episode! The episode of Dark House that Hadley and Alyssa did on Grey Gardens can be found on Apple Podcasts or the podcatcher of your choice. Lois Wright's book My Life at Grey Gardens: 13 Months and Beyond, which Fern and Hadley referenced in today's episode, can be found on Amazon.com or at your local bookseller (such as Burton's Books).

  We act as though comfort and luxury were the chief requirements of life, when all that we need to make us really happy is something to be enthusiastic about. ― Charles Kingsley Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

••• The Power of Diligent Perspiration . ••• Bible Study Verses: Psalm 126:6, Deuteronomy 28:1-2, 1 Corinthians 9:16, 1 Samuel 30:6, Proverbs 22:29 , Luke 14:28, I Corinthians 9:27, I Corinthians 9:16, Proverbs 22:29, Philippians 3:13, Proverbs 10:4, Proverbs 29:18, Genesis 30:1, Genesis 32:26, II Kings 2:10, Hebrews 6:11-12 . ••• “Being forced to work, and forced to do your best, will breed in you temperance and self-control, diligence and strength of will, cheerfulness and content, and a hundred virtues which the idle will never know”, Charles Kingsley, 1819 - 1875, Curate of Eversley Parish in Hampshire, England † “And let us not grow weary while doing good, for in due season we shall reap if we do not lose heart” Galatians 6:9, NKJV . ••• What is Diligent Perspiration? ••• What 3-life actions does diligent perspiration require? ••• What 5-factors are associated with diligence and success? ••• What are 3-possible positive results of diligence? ••• What are 4-dangers of Indolence? ••• What are the 5-steps in developing a diligent mentality? ••• Are you going to trust The Living Invisible Almighty Creator God and have your small group pray that you will be willing to diligently perspire, so that you can live a life a God intended through the power of Holy Spirit? ••• Pastor Godwin Otuno expounds on this and much more on the exciting journey of Fresh Encounters Radio Podcast originally aired on June 24, 2023 on WNQM, Nashville Quality Ministries and WWCR World Wide Christian Radio broadcasted to all 7-continents on this big beautiful blue marble, earth, floating through space. Please be prayerful before studying The Word of God so that you will receive the most inspiration possible . ••• This Discipleship Teaching Podcast is brought to you by Christian Leadership International and all the beloved of God who believe in it's mission through prayer and support. Thank you . ••• SHARING LINK: https://shows.acast.com/fresh-encounter-radio-podcast/230624perpirationPower . ••• Exceeding Thanks to Universe Creator Christ Jesus AND photo by Tolga Aslantürk Photography, İzmir, Turkey, https://www.youtube.com/@tolgaaslanturkfilms/about, https://www.instagram.com/tolgaaslanturk/ , www.tolgaaslanturk.com . ••• † https://www.british-history.ac.uk/vch/hants/vol4/pp32-41 . ••• Study Guides at - https://shows.acast.com/fresh-encounter-radio-podcast/episodes . ••• Broadcaster's Website - https://www.lifelonganointing.com/ . ••• RESOURCE - https://www.soundcloud.com/thewaytogod/ . ••• RESOURCE - https://www.biblegateway.com/audio/mclean/kjv/john.1%20 . ••• FERP230624 Episode #282 GOT 230624Ep282 . ••• Living Beyond the Limits: The Power of Diligent Perspiration . Support this show http://supporter.acast.com/fresh-encounter-radio-podcast. Hosted on Acast. See acast.com/privacy for more information.

The Water-Babies by Charles Kingsley audiobook. The Water-Babies, A Fairy Tale for a Land Baby is a novel by the Reverend Charles Kingsley, first published in its entirety in 1863. Though some of the author's opinions are very dated now, the journey of a little chimney-sweep water-baby through rivers and storms, under sea and over iceberg, is still a classic, wonderful children's adventure. Learn more about your ad choices. Visit megaphone.fm/adchoices

Un día como hoy, 12 de junio: Nace: 1819: Charles Kingsley, escritor británico (f. 1875). 1827: Johanna Spyri, escritora suiza (f. 1901). 1892: Djuna Barnes, escritora estadounidense (f. 1982). 1941: Chick Corea, pianista, teclista y compositor estadounidense de jazz, ganador de 20 premios Grammy (f. 2021). 1962: Jordan Peterson, psicólogo clínico y profesor. Fallece: 1917: Teresa Carreño, pianista venezolana (n. 1853). 1995: Arturo Benedetti Michelangeli, pianista italiano (n. 1920). 2003: Gregory Peck, actor estadounidense (n. 1916). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Two Years Ago, Volume I

Two Years Ago, Volume II.

This week we tackle the fascinating and complex relationship between science and religion, in the company of the academic and writer Nicholas Spencer. Spencer takes us back to a dramatic moment of conflict that began at the end of the 1850s with the publication of Charles Darwin's On The Origin of the Species. This book ignited a fierce debate about his new theory of natural selection and of humanity's place in the world. The feud would become increasingly bitter over the year that followed. It would ultimately lead to the famous Oxford debate between T.H. Huxley (“Darwin's bulldog”) and Bishop “Soapy” Sam Wilberforce in June 1860. Spencer guides us through all this history, taking us back to meet Darwin himself. He gives us an insight into Darwin's personal life, his relationships with his wife and family and the effect losing his beloved daughter Annie had on his faith in God. Nicholas Spencer is a Visiting Research Fellow at Goldsmiths, University of London and director of the think tank Theos, which investigates the place of faith in society. His new book is, Magisteria: The Entangled Histories of Science & Religion For more, as ever, visit our website: tttpodcast.com. Show notes Scene One: Charles Darwin receiving a letter from clergyman and novelist Charles Kingsley, in November 1859, congratulating him on The Origin of Species, an advance copy of which he has just read. Scene Two: The publication of the most controversial book of the age – not On The Origin of Species but Essays and Reviews, in March 1860, igniting a passionate debate about Biblical texts. Scene Three: The famous Oxford debate between T.H. Huxley (“Darwin's bulldog”) and Bishop “Soapy” Sam Wilberforce in late June 1860. Memento: One of Charles Darwin's notebooks, written when he returned from his voyage on the Beagle, as his theory of evolution began to take shape in his mind. People/Social Presenter: Violet Moller Guest: Nicholas Spencer Production: Maria Nolan Podcast partner: Ace Cultural Tours Theme music: ‘Love Token' from the album ‘This Is Us' By Slava and Leonard Grigoryan Follow us on Twitter: @tttpodcast_ See where 1859 fits on our Timeline

Enero Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun 1. Los niños del agua – Charles Kingsley --- Send in a voice message: https://anchor.fm/irving-sun/message

Support the podcast: patreon.com/thehemingwaylist War & Peace - Ander Louis Translation: Kindle and Amazon Print Host: @anderlouis

The Heroes, or Greek Fairy Tales for my Children by Charles Kingsley audiobook. The Heroes, or Greek Fairy Tales for my Children by Charles Kingsley is a collection of three Greek mythology stories: Perseus, The Argonauts, and Theseus. The author had a great fondness for Greek fairy tales and believed the adventures of the characters would inspire children to achieve higher goals with integrity.

Simon and Rachel speak with the academic and author Robert Douglas-Fairhurst. After undergraduate studies and a PhD at Cambridge, Robert moved to Oxford in 2002, where he is a professor of English Literature and a fellow of Magdalen College. His previous books include "Becoming Dickens: The Invention of a Novelist", which won the Duff Cooper Prize for biography in 2011; "The Story of Alice: Lewis Carroll and the Secret History of Wonderland" in 2015, which was shortlisted for the Costa Prize, and most recently "The Turning Point: A Year that Changed Dickens and the World" (2021). Robert has edited editions of Charles Dickens, Charles Kingsley and J.M. Barrie, and is a regular contributor to the Times, Guardian, Spectator, Literary Review, New Statesman and TLS. He has worked as a historical advisor on BBC adaptations of "Jane Eyre" (2006), "Emma" (2009) and "Great Expectations" (2011); acted as a consultant to the "Enola Holmes" film franchise; and served as a judge for the Man Booker and Baillie Gifford prizes. We spoke to Robert about combining an academic career with writing for a wider audience, his biographies of Charles Dickens and Lewis Carroll, and his upcoming book "Metamorphosis." You can find us online at alwaystakenotes.com, on Twitter @takenotesalways and on Instagram @alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.

Hurricane Ian tore into western Cuba and left 1 million people without electricity. Now it's on a collision course with Florida over warm Gulf waters expected to strengthen it into a catastrophic Category 4 storm.  At the White House, President Joe Biden said his administration was sending hundreds of Federal Emergency Management Agency employees to Florida and sought to assure mayors in the storm's path that Washington will meet their needs. Denmark says it believes “deliberate actions” by unknown perpetrators were behind big leaks, which seismologists said followed powerful explosions, in two natural gas pipelines running under the Baltic Sea from Russia to Germany. European leaders and experts pointed to possible sabotage amid the energy standoff with Russia provoked by the war in Ukraine. Over 194,000 Russian nationals have entered Kazakhstan, Georgia and Finland in the week since President Vladimir Putin announced a partial mobilization of reservists to fight in Ukraine. Student activists have walked out of class across Virginia to protest Republican Gov. Glenn Youngkin's proposed changes to the state's guidance on district policies for transgender students. If adopted by districts after they become final, the new policies would roll back some accommodations for transgender students. A New Orleans social services nonprofit long known as the Kingsley House has ditched the name of a Victorian clergyman found to have held profoundly racist views. It was named in 1896 for both social reformer Charles Kingsley and the founder's son Kingsley Warner, who died as a toddler. Now the organization is named “Clover." U.S. consumers grew more confident for the second month in a row as gas prices continued to fall. The Conference Board said Tuesday that its consumer confidence index rose to 108 in September, from 103.6 in August. The Biden administration has an ambitious goal for America: ending hunger in the U.S. by 2030. The administration's plan includes expanding monthly benefits that help low-income Americans buy food. It also seeks to promote healthy eating and physical activity so that fewer people are afflicted with diabetes, obesity, hypertension and other diet-related diseases. Biogen has agreed to pay $900 million to resolve allegations that it violated federal law by paying kickbacks to doctors in the form of speakers and consulting fees to persuade them to prescribe its multiple sclerosis drugs. Jury selection is underway in one of the most serious cases to emerge from the Jan. 6, 2021, attack on the U.S. Capitol. The founder of the far-right Oath Keepers extremist group and four associates are charged with seditious conspiracy. Stewart Rhodes and the others are the first Jan. 6 defendants charged with the the rare Civil War-era offense to stand trial. King Charles III's new monogram has been unveiled, as the official period of mourning for his mother Queen Elizabeth II came to a close. The emblem, known as the king's cypher, will appear on government buildings, state documents and some post boxes in the coming months and years. The cypher unveiled Tuesday features the initial C intertwined with the letter R for Rex, the Latin word for king. The Roman numeral III sits in the center of the R and a crown hovers above the letters. —The Associate PressSee omnystudio.com/listener for privacy information.

It was such a pleasure to talk to Sarah Harkness. Sarah is a former partner at Arthur Andersen who had a career in corporate finance and then as a non-executive director. She is now a literary late bloomer. She has self-published a book about the Victorian artist Nelly Erichsen. She has an MA in Biography from the University of Buckingham, where she studied with with Jane Ridley. She won the Tony Lothian Prize, 2022. And she is now writing a biography of the Victorian publisher Alexander Macmillan and his brother which will be published next year. We talked about Sarah's career, her long-held ambitions, what she learned from corporate finance, her views on talent spotting, Alexander Macmillan, how Sarah would try to discover other late bloomers lurking in the wrong jobs, and why a business career helps you to understand Victorian literature.Being a Late Bloomer and Alexander MacMillanHenry: Are you a late bloomer?Sarah: My husband says I should be very annoyed at that question because he says I've been marvellous all along. I think I'm a late bloomer if in the blooming bit, which is that I'm now doing something that makes me really unconditionally happy, whereas before I did a lot of stuff that was sometimes important and sometimes well paid, but I never enjoyed it half as much as what I'm doing now.Henry: So, let's start with just briefly, what are you doing that makes you really happy now?Sarah: I have a contract to write a book that a proper-publishing house says they're going to publish. So I'm writing a biography, a double biography called The Brothers of Daniel and Alexander Macmillan, who founded MacMillan publishing 180 years ago. And it's taken me a while, but I've got an agent and I've got a publishing contract, and I need to submit a manuscript in the next eight months, and it will come out in 2024 all being well. And that's making me very happy.Henry: Good, and that's the grandfather or great-grandfather of the prime minister?Sarah: Daniel is the grandfather of the prime minister, and Alexander, who's the one who really built the business after Daniel died, is his great uncle.Henry: So an interesting family for more than just their business interests.Sarah: Yeah. And I mean, fantastic achievers themselves because Daniel and Alexander were born into absolute poverty on the West Coast of Scotland. Their father was a carter, who died when they were young boys. Daniel left school at 10, Alexander when he was 15. And by the mid-1860s, Alexander is one of the literary hosts of London, and within two generations, they have an offspring who will be prime minister and married into the Duke of Devonshire's family, it's quite a climb.Henry: So, what we're talking about, this is really the Victorian self-made man?Sarah: Absolutely. Samuel Smiles and all his glory, absolutely.Henry: Yeah, yeah, we love Samuel Smiles.Sarah: Yeah, same.Henry: So, where does your interest in that type of subject or person come from?Sarah: Well, there's a basic love of all my period, of all the periods of history and all the periods of literature, Victorian times would be absolutely bang on is what I know most about. I'm very comfortable working in that time, and I love the books and the poetry from that time. The way I found it was very serendipitous, which was that my husband collects art and had found a lot of art by a big, very unknown Victorian woman painter. And I researched her life, and the more I researched it, the more I thought I need to write this down, and it turned into a book that no one would publish, but people said to me, "Write about someone we've heard of and come back to us," and that's a really hard question because almost everyone you've heard of has got a book. That's why you've heard of them, but I had a stroke of luck, which was literally in the research on the book about... The artist is called Nelly Erichsen, and in my research on her, she was a neighbour of the MacMillan family in South London in the 1870s, and related by marriage, sort of in a hop and a skip to the MacMillan family, so she knew the MacMillans, she stayed with the MacMillans. And I did research the MacMillan family to write about Nelly, and there wasn't a book, there haven't been a book since the 19... Since 1940. So there was an opening to do a book because most people have heard of MacMillan Publishing, most people would think it was interesting to understand how that had been started and no one has written about it for 80 years. So that was the stroke of luck, I think.Henry: So it comes from a kind of a long-term immersion in the period and a very indirect discovery of the subject matter?Sarah: It does, it does. I mean, I have been talking about Nelly Erichsen and her bit of Tooting where she lived and the people that she knew for, gosh, nearly 20 years now, so I mean it is a long immersion, but it took me a very long time to have confidence to show anyone what I was writing about it.Early interest in VictoriansHenry: Yeah. And that if we go back 20 years, is that where you start sort of reading and working on this?Sarah: Yes.Henry: Or had you been reading about the Victorians from earlier?Sarah: I think that... I mean, I did PPE at Oxford, but my favourite paper and finals was Victorian social political history, so the 1860s is bang on the period. I think all the time I was working and having a career, I was reading my way through Trollope and Dickens and George Eliot, so... And Tennyson. So that in that way, and it's the sort of art I like, so it is definitely my spot, but I had never thought about researching online, finding out about anyone and writing it down until, yeah, 15 years ago when I started doing that.Henry: But when you started doing that, you'd actually had years of reading the novels, being immersed in the period, it goes back, you were ready, you weren't just coming to this out of nowhere?Sarah: Yes, I wasn't, I wasn't. And it does remind me that about... Well, it was at the time when my children were babies, I wanted to give up work and study Victorian literature. I mean, I felt then that it was something I wanted to do, and I had an idea of writing... The book that inspired me was some Anthony Trollope's The Way We Live Now.Henry: Fantastic book.Sarah: And I was fascinated, yeah, fascinated by the Melmotte character and I wanted to do an MA or something that would allow me to write, to use the knowledge I had at the city today against what was Trollope writing about, I thought that would be interesting. So I have thought about it 25 years ago, and that had to absolutely no encouragement from anyone to do anything about it. So I didn't, I kept working, but it's funny that that's almost where I've ended back up, which is looking at Victorian literature.Henry: Yeah, it's like a... It's a deep vein that runs through your life and now it's come to the surface.Sarah: It is, it is, absolutely.Sarah in the City: business expertise as a literary advantageHenry: So, you've hinted it that you did PPE, you were in the city, tell us, because you were already blooming before, you are not a late bloomer, you're a repeat bloomer, tell us what was happening when you weren't being a Victorian writer.Sarah: So, I went from Oxford into the city into a corporate finance house that was part of NatWest Bank, so we call that NatWest markets, and I did corporate finance, so flotations, mergers, takeovers, raising money from 1983 right the way through to 1990s. In the 1990s, I left London and moved up to Yorkshire, but I kept working. And at that point, I had small children, so I was working three or four days a week, working in Leeds doing corporate finance. And then there was a big excitement in 1998 because I left NatWest and took my team into Arthur Andersen, which at the time caused a bit of a fuss and a bit of a stir. And I had three or four... Four years at Arthur Andersen. And then Arthur Andersen went into liquidation. And at that point, I'd been doing corporate finance for nearly 20 years and I'd had enough of it, and there were a lot of young and unpleasant young men coming up who didn't think that women in their 40s with children should be stopping them doing what they wanted to do. So I did head-hunting for a little while, and then I started becoming a non-executive director, so I became plural. And I'm still plural, I still do trustee jobs, and audit jobs, non-executive director jobs.Henry: So you, in three different ways, at Arthur Andersen, and then as a head-hunter, and then as a non-exec, you've actually been a senior person. You've been running an area of a business, you've had that kind of oversight?Sarah: Yeah.Henry: Does this help you... You've got the background reading Trollope and understanding the character of Melmotte, but you've also got the background as actually a business person. So when you look at someone like MacMillan, if you hadn't done that career, you would have had less insight. Do you sort of...Sarah: I think that's right, I think that's right. I've spent some time in the archives just the other week looking at the partnership deeds from when he set the business up. I've looked at... There had to be a court case in Chancery when Daniel's widow died because she died in testate and there was a risk that the partnership would have to be dissolved and split around his children. So to me, that makes sense. The big risks that he takes, like moving from Cambridge to London, and then at the moment, I'm really interested in him opening an office in New York, which he did in 1869. I mean to me, that is about a business risk. And then, this little small bit. So at the time when I was running an office in Leeds, I was very conscious of how vulnerable you feel when you are not in the head-office, when you are running a satellite. And I've been reading this week, the letters coming back from New York to London, from the poor chap that Alexander sent out to New York. And I can... I mean, I could have written those letters, you know, "Just tell me what's going on?" "What are your plans?" "What do you mean your son's coming to work here?" "Is that alright? Is that a good sign?" And so that to me is business as well, so I do recognise a lot of it.Henry: Yeah, that's a timeless problem, especially in big-business today, right, global businesses?Sarah: It is, it is. "How do you make everyone feel equally important?" and, "How do you manage something that's the other side of the ocean?"Henry: So your book will be interesting, not just from a sort of literary and social-history perspective, but for people in business or people trying to understand how to be a manager.Sarah: I hope so, I hope so. Alexander did an enormous amount all on his own, but as I move on, he's going to start running a more complex business. And I haven't really gotten into that yet. He's got one partner and he's just set up, sent someone to New York. But it will become more interesting. And then, how he's gonna bring the sons and nephews into the business, is gonna be fascinating. Because they didn't all want to come in at the same time and he's got to manage that as well. So it is a business book.Henry: So he's a sort of... He's a great publisher with an eye for a book, he's a great businessman who can cut deals and manage money, and he's also important as a people manager.Sarah: He is, he is, and seems to manage that well. Other firms are not nearly as successful as MacMillan, avoid the wrong people. He never really gets anything... The big calls, he doesn't get them wrong. He never has a big failure. If he launches a magazine, he goes on supporting it, it survives. If he launches an office in New York, it becomes... MacMillan, New York, becomes bigger than MacMillan, England. He doesn't make bad calls, he is a good manager.Henry: And where does that come from? Because he grew up... He did not grow up around business people. Where does that come from?Sarah: He certainly didn't, he certainly didn't. I don't know, that's really interesting. I mean, I think he was much more entrepreneurial than his brother was. The business really takes off when Daniel dies. Daniel was driven by a Christian missionary spirit. He was driven by Christian socialism, he wanted to bring good-quality and religious literature to the masses and the working man. And he saw it as... He wasn't well enough to go to India, so this was his mission. Alexander goes along with that and is fascinated by the Christian socialist side, but he also wants to make money. And I think some of it might just be, you know... He wakes up one day in 1857, and suddenly he's responsible for eight children, his wife, and a widow, people who work for him. He really has to grip it or he'll sink. And he grips it. But how and why? Apart from sheer bravery, I don't know how he got to do that. He didn't have any models, he wasn't being mentored by anyone else in the industry, they all saw him as a Scottish upstart. So there's one guy he talks to who's a publisher in Edinburgh called MacLehose, but he becomes much more successful than MacLehose.Henry: Was he a late-bloomer?Sarah: Alexander? So when Daniel dies, he... How old is he? He's nearly 40, he's nearly 40. And up until then, yes, he's been the second fiddle in the business. He's had a ton of energy. I mean, if you research him, he's living in Cambridge, running a shop in Cambridge, but he's also... He's on the board of the Working Men's College that they establish. He's doing stuff with the YMCA in Cambridge. He's a parish overseer. He has a ton of energy, and he talks about... You know, he was up reading throughs till 2:00 in the morning, and he was up again at 6:00 to get a train to London. His wife must have been pulling her hair out, I would think. [laughter] So he was a man of phenomenal energy, and not good health, he suffered badly from sciatica and various other problems. He was sometimes frustrated with pain, but he never gave up. He's quite a hero.Henry: Yeah, he is. He sounds really interesting. I'm really looking forward to this book. So, I want to go back over your... We've had the summary of your life. I want to get into some details because it's really, really interesting how you kept to yourself those interests and ambitions for so long, and obviously lots of people do that. Lots of people leave university and they've got a thing that they really, they're passionate about, but they end up as an accountant or whatever, and it just sort of slowly dies, or they realise they're not quite as interested as all that, or life gets in the way, or they have kids. Why didn't it go away for you? Because when you were a senior at Arthur Andersen, you were pretty busy, right?Sarah: Yeah, and I don't think, if you'd said to me... If you had said to me when I was a senior at Arthur Andersen, "Would you still like to write a book?" I just said, "Don't be daft, of course not." [laughter] But my huge frustration with Andersen, and I had some mentoring at the time from a coach who said to me, "The problem you have is that you have a person who needs choice and the more involved in one particular job you get, the more you push, get pushed down a tunnel, the less happy you will be, Sarah, because you like to wake up every morning and you think, I'm gonna do something different today. What am I going to do today? What am I going to do today?" And that's the life I now have. And it's the life I've had since the day I walked out of Arthur Andersen in 2002, which is every day I've done something a bit different. And the lucky break that happened to me was the collapse of Andersen could have been a disaster, but actually it gave me a lump sum and it gave me freedom to explore, bend my career to suit my children and my circumstances, and it gave me time to discover the things I liked doing.Henry: Do you think... So one thing that separates a lot of late bloomers from early bloomers, although as discussed you were an early bloomer, but it's that early bloomers often have a mentor or they belong to a small group of their peers. So they have people that they can experiment with and have ideas with, or they have someone saying, "Don't be an idiot, you need to do this, why haven't you written to that person or whatever." And late bloomers often just don't have this.Sarah: No.Henry: But I've got a little theory that it probably wouldn't have made any difference. And that in a way, you're... Tell me if this is right, you're quite a divergent person.Sarah: Yeah.Henry: But you were in a very narrow life.Sarah: I was.Henry: And the only mentorship that you required was for someone to say, as they said to you, you're in the wrong game here.Sarah: Yes.Henry: And you needed to take your own time, you needed to take your own path. There's something innate about, or just in your personality, that means you were never going to write a book when you were 25.Sarah: No.Henry: And the other experiences you gathered along the way were part of that divergence. What do you think of that as a sort of model of you and of other late bloomers?Sarah: I certainly think that there was no way when I was in my 20s and 30s, anyone that I knew, socialised with or worked with would have had any interest at all in what interested me. I mean, none of them read. None of them went to the theatre like I went to the theatre. None of them had the interest in film that I had. And at the time, I was married into the medical profession, and they absolutely weren't. So I mean at business they weren't interested, medics aren't interested, or don't have time to be fair to them. So it had to be just in my head and what I read and what I started listening to once you started getting audio books and I had time. So definitely there was no one around in my 20s who would have given me any encouragement to do anything different, and I was sucked into a job that was very high, very exciting, very high pressure and very rewarding, and then I had children, which we know, really upped the confusion of life. And I was just lucky that at the age of 40 I was relaxed and comfortable enough to be able to start spending my time with people who were encouraging.Henry: How unusual do you think it is to have... You do PPE, you work in corporate finance, but you've also got a strong interest in literature and the arts, and as you say, you don't do...Sarah: Really unusual. I can think... Of all the people I worked with right through for NatWest under Andersen, I can remember the one guy who, if you went on a business trip with him would open his briefcase to get out a book. He was a wonderful man, he was called Simon Metgrove, and he carried poetry around his briefcase. I remember him. He is the only one. I mean, no one else did, they read the... They read the FT, they talked about business. There was a lot of heavy drinking. It just, it wasn't part of the culture at all, and I didn't live with anyone who read like I read either. So it was completely me on my own blowing my own little furrow.Henry: Where does this joint interest come from? Is that parents, school, Oxford? Is it something you just always remember?Sarah: I think from my parents. I think particularly from my mother who had, came from a very, very poor background, left school as fast as she could when war broke out and got a job at the age of 16. And then after she married, my dad became a more senior civil servant. My mum discovered she needed and wanted to educate herself, so when I was growing up, my mother was doing WEA classes, and talking to me because I was by far the youngest child, so I was more or less at home on my own with her. She would talk to me about an essay she had to write on Jane Austin or she was reading T.S. Eliot, and she would talk to me about it all the time. So that was very encouraging. And she knew poetry, and that's... I've passed on to my children who are all interested in literature in their way. That background, if you need to... You know the stories, you know every Jane Austin, you know your Dickens, you know your poems. That comes from my mum and my dad as well. Yeah.Henry: Sounds like your mum was a bit of a late bloomer.Sarah: I think she was a frustrated, never bloomed because she was that generation of just they stated at home, and it didn't do her any good at all. She was quite an unhappy woman.Henry: Do you have her in mind as a sort of model of she went back and started doing that education and was that something that was just with you?Sarah: I think it probably was, I think it made sense to me that I could do an MA when I was 55, because my mother would have thought that was a sensible thing to do. If I had the time and the money, and then why wouldn't I do it? So yeah, it seems perfectly sensible to me, I didn't think it was odd. My husband had done one as well, and he was... I've never had any education at all, and did an MA ten years ago, so.Henry: Oh great.Sarah: Yeah, University of Buckingham.Henry: Oh very good.[laughter]Henry: And how did you end up at Oxford?Sarah: Oh, I came from a tiny Grammar School in Dorset that sent one girl to Oxford or Cambridge about every three or four years, so it felt like quite a lonely process. And I had massive imposter syndrome. I didn't get into the college I applied to, but there's a college in Oxford, Mansfield, that used to just collect all the best people that didn't get into any of the other colleges. We were all there with chips on our shoulders because we haven't got into some St. John's or Balliol and the others. And it was an incredibly good atmosphere, but it's still, there were two issues, one was Oxford was still dominated by the public schools, and I was a Grammar School girl.And Oxford was dominated by the big confident academic colleges, and I was at the college no one had heard of, so spinning out of that and into the city, just felt like that was a bit of a weird stroke of luck, because even though I was at Oxford doing PPE, I didn't feel like I was... I didn't feel like I had... It would never have occurred to me to become academic when I left university. I wasn't going to get a first, I wasn't going to do that.Henry: But did this thing about imposter syndrome and sort of being in a marginal position, is that quite good because it does encourage you to sort of keep seeing yourself as divergent and keep seeing yourself as not quite in the right place. It preserves that energy of well, I'm here, but I'm not going to stay here, whereas if you'd got into the right college and being more accepted, maybe you would have just a bit more easily slipped into a, staying on the track, if you like.Sarah: Maybe, maybe. But I don't feel that I was a very assertive person when I started work. To me, working my way up through the city, I would contrast myself with mostly men who were working around me, all of whom had a time table, I've got to be an assistant director by this age and I'm going to be director by this age, then I'm going to go out and join a real company and I'm going to make money. And I was just wanted to keep my job and keep doing it.And not get in any trouble. But then what used to happen is I would get to know someone at my level, and I think, well, other clever people in the next room because he's not very bright, and then why is he gonna get promoted and not me? Because I think I'm better. So I think there's a bit of that chippiness or edginess which makes you... Which can make you push on a bit harder, but it certainly didn't drive me. I was always a bit surprised, to be honest, I was always a bit surprised when I got promoted, I was a bit surprised when Andersen hired me and I was very surprised when that got in the papers. It was always a bit of a surprise to me. So I didn't have much confidence.Henry: As you talk about your background, it sounds a bit like there are parallels between you and McMillan. You don't come from an Arthur Andersen background, but there you are and you become very successful, just like he didn't come from that. Is that part of what interests him to you, like, are you writing about yourself?Sarah: Well, I haven't thought of that, but I think I absolutely am sensitive. So I feel for him when I know how much he did for certain Victorian writers, and I go to their memoirs and diaries and letters, and he hardly gets a mention. And I know because I can see all the letters he wrote to them where he said, "You've got to change the title, you've got to take out half that book, why don't you write about this instead." I can see what he was giving to them, and then you go to the index of some of their books, and he gets a one line or it mentions that this is something I wrote in Macmillan magazine. I am very sensitive to Alexander 's, feeling that people took him for granted, didn't give him any due reward, and I suspect he... Yeah, I suspect, I do imagine that he felt some of the stuff that I felt, which is, have I got any right to be in this room and actually now I've met them, they're not a bright as I thought they were gonna be. And you could see his confidence grows in the '60s, he definitely becomes a lot more assertive with his authors during the '60s.Henry: Oh, really?Sarah: Yeah, the more he spends time with them, the firmer he gets about I'm not publishing that, this isn't good enough, he takes on Lady Caroline Norton and that's quite a brave thing to do.And I think he wins, so that's very hard to tell.Henry: I always have a slightly, not very well-informed view, but a view that there was less editing of novels in the 19th century, and that Thomas Hardy dropped off his manuscript and they printed it, and that was that. You seem to have found a lot of material that suggests that the authors wouldn't talk about it, but that their work more edited quite heavily.Sarah: I think their work was edited quite heavily. And particularly, so the complication is the ones who are submitting for something for serialisation in a magazine, I think they were just so relieved to get at each month and another month that turned up. 'Cause you know that they were writing up to the deadline. So that didn't get edited, but then sometimes you can see at Macmillan saying, "When we turn this into a book, we're gonna do something different with it." That definitely happens. He does it to Charles Kingsley, Water Babies when it comes out as a book, has been edited from what appeared in the magazine. And what the other author, Mrs. Oliphant published a serial in the magazine, and he definitely got her to change it before it went into the book. So he did have an influence on these people, you wouldn't get from either their biographies or autobiographies.Life LessonsHenry: No. So this sort of feeling that you've described as almost a chip on the shoulder feeling, I think this is potentially an advantage because when I look at some of the scientific research on late bloomers, one thing you notice is, take scientists, for example. A lot of scientists make their breakthrough when they are young, but when people have researched this and said why is that, it's because a lot of scientists stop working once they get tenure or once they win a prize or whatever. The scientists who do carry on working, keep making breakthroughs. [chuckle] So it's actually not because there's anything special about being young, it's because that's when people are really trying. If you don't ever settle into, the people you have met who are on a time table, "I'm going to be a director at this age," they get there and they settle in and, great. They can cruise through for a bit. But if you never settle into that or you retain the chip or you retain the sort of feeling of oh, God. Oh, God. Should I really be here? That's actually quite good because it keeps you energetic and it keeps you looking and it keeps you thinking "What am I going to do? What am I going to do?" Do you think there's a kind of... I don't know. Was that part of your success and Alexander's success that it... You never settled for what you had.Sarah: Yeah. I think that's right and there's something else I would see a parallel, which is I was not the greatest corporate financier in terms of my grasp of numbers and I'm hopeless at negotiation. But what I was doing, which most of my colleagues weren't, is I can market and sell. I'm interested in people and I used to go and win business. I used to bring it back and then other people would transact it, but that's certainly what I did in Yorkshire. I was out all the time meeting people because I was interested and I wanted to know what they did and what they did and how does that business work.So I was always out looking and I never wanted to just sit at my desk and shout at people and run the numbers again. I wasn't very good at any of that, but I think I can see that in Alexander too. I mean, Alexander recruits a partner in the mid-1860s to take the back end off him because he just wants to be out meeting new authors and that's what he's gonna be good at and George Lillie Craik is going run the numbers and have the fights with the printers and talk to America. So I can see that and I think that is... You're not that interested in the day job, you're interested in the next idea and the next interesting thing that's gonna grab your attention. And because you're interested, other people bond with you and, hey, you've made a sale. I used to talk to potential clients who would say, "It's really good that you've come out because you sound like you're genuinely interested in this business whereas the other three guys were just wondering what fee they could get out of me."That's why I would win business 'cause I was interested in them as people and I made friends and I asked interesting questions. And I wasn't just there kicking the tires and then hoping I can sign someone up, you know?Henry: Yeah, yeah. That's the novel reader in you.Sarah: Yes.Henry: There will be lots of women in their 30s in City jobs or office jobs or accountancy jobs or whatever who feel the way you felt. Either they've got imposter syndrome or they secretly would rather just be reading Trollope or whatever. What's your advice to them? Difficult to give advice in general terms, but, you know.Sarah: Yeah. My advice is you will... The thing you will do best is the thing that makes you happiest. So if you go on trying to push yourself into being something that you see other people being and it's not really making you happy, you won't be very successful at it anyway. So it is worth taking a risk and thinking is there something out there I could do, which I'm... Owning a flower shop or whatever, that would make me happier. If I had stayed on in corporate finance, if I had gone into private equity, I could have made millions and millions, but I don't think I'd have been any happier. In fact, I think I'd have been a lot less happy than I am sitting here on a tiny, little book advance doing exactly what I wanted to do. I don't regret any of that because I wouldn't have enjoyed it. I wouldn't have liked doing it.I mean, the other thing is... The other thing I would say to all women who are in my position is don't beat yourself up all the time that you're not being the perfect mother or the perfect executive because you're gonna live with that guilt forever and you're never gonna know what you could have done better. If you had given up, maybe you'd have been a terrible mother at home. If you'd found the children out or never had them, maybe your career wouldn't have taken off. You're never going to know. So don't beat yourself up with that, just do the best you can and cut corners wherever you can and get help. And don't be afraid to say, "I need help with this" and "I can't come tonight 'cause I've got to go to a parents evening." Just... The more women say that we need help with this and don't try and pretend that it's easy. It's not easy. It's never gonna be easy to do both. I found it very hard.Henry: So you are now navigating the publishing world. Doing book research, being a writer. What things did you learn from your earlier career in all its guises whether it's like small techniques and skills or sort of big life lessons or whatever, but what things did you learn from that earlier career that you're sort of using now?Sarah: I certainly learned... I mean, I certainly picked up a lot of small skills along the way. I am a very fast reader, I'm a summariser and a lot of my job in corporate finance was writing good, crisp, prose because you wrote prospectus because you wrote... So I think all of that has helped. I think I'm a better writer and a better researcher because I did it professionally for 20 years, but we called it corporate finance. I mean, there was a lot of cross over. In terms of the bigger stuff, what have I learned? I've learned to cope with worry and stress. I mean, if you wake up in the middle of the night and stuff's going around in your head, get up, have a cup of tea and write it all down. Don't lie in bed worrying that you're not going back to sleep. You just have to learn to cope with stress.And I think the other thing I've learned and I try and get into my children's head all the time is to be more assertive just not to run away and hide. If you think something's wrong or you're not being treated properly, don't lose your temper, don't sulk and don't spend your whole life taking it out on your friends and your family. You have to address it at work. Nothing is more boring than the person who really ought to have handed in their notice and just spends their whole life moaning to their wife, their husband, their best friends about what their bloody job is. Don't do it. If you don't like what you're doing, you will become very boring and to everybody else. Change your job. Change your job.Henry: Yes. Yes. Having recently been that person, I can endorse that sentiment. Sarah: So we've all done that. We've all spent time listening to someone who's thinking, why don't they just stop doing this job if it's making them so unhappy? And I know that's a... I know particularly the current climate that's easier said than done, but don't, life's very short really.Henry: Yeah, yeah. No, I think that's right. And what would the Alexander McMillan advice be? Could we have a little book of the wisdom of Alexander McMillan?Sarah: I think he's going... I mean, I am absolutely immersed in his life in the 1860s. And it is that the decade of the 1860s is the absolute pivotal decade for the business. It completely transforms. It looks utterly different in 1870 than it did in 1860. In 1871, his first wife dies and he rapidly remarries a much younger woman. And I think he starts going abroad on holidays. And I think his life changes. I think the 1870s Alexander is gonna... Had a younger woman saying to him, you're killing yourself. It's not worth it. You've got sons coming into the business, let George take the strain. We're going to France for a month Alexander and you are coming too. I mean, I think his life is gonna change in the 1870s.Ask me again when I know what he's writing to people in the '70s. Because in the '60s, he's saying, get your head down. Really got to work. Put start another book. Don't let the grass grow on your feet. Boom, boom, boom, boom, boom. He's at it all the time. I think he's gonna have a very different attitude in 10 years' time.Henry: A lot of writers seem to have a decade or a 15 year period where they kind of really do most of their great work. If that seems to be like that for him, but in a business sense, then you're saying the '60s that was his time and then it cooled off.Sarah: Yeah. Yeah. And well after... But with a publishing house in particular, I think once you built up a critical mass, it's not so difficult to run because good authors are going come to you and you can be selective and you can take a Thomas Hardy manuscript and you can take a Kipling manuscript and a Henrig. They're going to come to you. Whereas in the 1860s, he's really scrabbling around. What's going to be good? And he creates things like the Golden Treasury Series or the Clarendon Press textbooks with Oxford University. He's creating things because he hasn't got Thomas Hardy or Henry James. He's got Charles Kingsley, who's becoming increasingly racist and unpleasant. By the 1870s, the business is... There's a magazine that comes out every month. It has regular subscriptions.And now Nature is going to come out every month and be written for by her Huxley. And he's got, he can choose who he publishes. So I think by the 1870s, the business runs much better even when he is on holiday. Whereas in the 1860s, he just needs to be there every day and he needs to read every manuscript and he needs to look at every proof and he's changing the colour of the bindings. He's in all over it and I think it would've killed him and it killed his wife possibly. And I think in the 1870s, it's easier for him to step back. And then he starts having a son and a nephew in the business. And then he has three nephews in the business, I mean, it just moves on. And he's lucky that the next generation of the one, two, three, five boys, three of them stay in the business and are still in the business in their 70s and 80s. And they all die within a couple of months of each other in 1936, bang, bang, bang. But they were all there, three brothers. So he's lucky in that there is at least two generations of McMillan that know how to run a publishing company. Not everyone gets that. Do they? Some people can't even get to some...Talent SpottingHenry: What did you learn about talent spotting when you were at Arthur Andersen?Sarah: That one of the best things you can have in a business career is instinct about people, that I could always tell within five minutes of an interview starting whether I ought to hire this person or not. It's a bit like house hunting, it all looks lovely on paper and then sometimes you get to the gate and you think I'm not even going to look at this house. [laughter] I can't imagine living in this house, why have I come? And I think I had really good instinct for people spotting and I was good at bringing people on particularly women. I mean, there were a couple of women around who say nice things to me about I learned a lot from you, Sarah.Henry: What were the signals? The good and the bad signals? What set your instincts off?Sarah: Genuine intelligence, not just... A spark in the eye literally and a bit of a sense of humour. So not just they've learned it all by wrote. I wasn't ever interested in the people who told me they'd been reading the Financial Times since they were 12. I was interested in someone who'd tell me something interesting they'd seen it on the back of a lorry coming into the interview. That was a better sign for me of genuine interest. And I always used to say when I was teaching other people to interview and hire as well, if you don't think...If this new person is going start on Monday morning, am I going to really look forward to seeing them? Or am I thinking that, I hope this is gonna be alright? Then you've already made your decision, you want that person to be someone you wanna work with on a Monday morning when it's pouring with rain and you've got to hangover you. So pick people who you are gonna get on with and who are as bright as you are or brighter if you can find them.Henry: Let's say I was going to plant you into the offices of some big consultancy, PwC or EY or someone, and your job is to talent spot some potential late bloomers. They don't have to want to write a book or be victorious, they just have to be some other Sarahs, who have this in them, but they're not talking about it, and we don't know what it is, how are you going to go about looking for these people, and when will your instinct sort of prick up and say, "Yeah, I'm gonna get to know her, she seems like there's something in the background there."Sarah: I think it's the... You're gonna see that person thinking outside the box. So in a room of people where everyone said something around the table, they've said the most interesting thing that wasn't what anyone else said. And it might have been a small point that they've made, but it was just different their brains weren't working, they weren't doing groups speak. Because they may not have been listening to the group speak and they might though it was very dull, but this was the thing that had been interesting them about this problem. And I know that's the thing. I also think I would be looking for the person who had done something interesting at the weekend, or was going to theatre that night or just the show that the brain was not completely sucked into the job, that in fact, they were probably more looking like hoping they were gonna get to the national theatre that night, than worrying about anything else that was going on. It's that feeling that you have a life outside work. And for lots of people, there is no life outside work.And I feel so sorry for them when they give up because, what are they gonna do with their lives? Whereas I always knew that there were 50 things. If I'd have to stop working tomorrow, I wouldn't have been bored for a second, there are 50 things I wanted to do, and I always feel sorry for people to say, "Oh, I don't know what I'd do if I didn't have this job." Really? You know.But I think, how do you spot them when that's not coming out? I think you are gonna spot them because they are gonna say something that's a different take from everyone else.Henry: Yeah, no, that's interesting, if you're not going to sort of have the chance to see them pull a book of poetry out of the briefcase or whatever, you can... You're saying there are signals in the meeting. Comes back to divergence almost, they're not...Sarah: It does.Henry: How many people do you think you met like that in your career? I tell you why I'm asking, I feel like we have no idea how many late bloomers there could be out there. But my suspicion is there a lot of people who could be in the right circumstances, given the right conditions or whatever, but we just don't know.Sarah: No, I don't know. I don't think many. I can't think of people. There were people who did surprisingly well after I'd worked with them, went off and did other business things and have done very well, and I think... Well, I wonder what they might do next.Henry: Were they the ones saying the out of the box stuff in the meeting or are there other indicators of those?Sarah: There's a girl in particular, I'm thinking about, who worked for me and Leeds who could have gone down a very boring banking corporate route. Actually, she's now running a really interesting small business, and she always... She used to get teased and laughed at because she would sometimes say such off the wall things, used to make a look a bit stupid sometimes, but I always used to be interested in what she'd said, 'cause there was something going on there. So I would think about her. I'm trying to think. So later life, when I've been around NHS boards, there are people there who I think could easily spring off and do something completely different, 'cause working for the NHS is so completely absorbing of your life, your energy and your compassion, but some of them are very interesting people, they wouldn't be doing that job otherwise.Best Victorian Novel?Henry: Finally give us a recommendation for one really good Victorian novel that we might not have read.Sarah: Okay, I'm going to say a part from I've already told you that I love The Way We Live Now, and I love Middlemarch, which I think are the two absolute classic novels. But the one that I read last year, which I'd never heard of and loved, it's by Mrs. Oliphant, and it's called Hester, and it was written, I think in the 1880s, and it's set in a small town, but it's about a woman who saves the Family Bank from going bankrupt. Her father has over extended the bank and run off, and a bit like, It's a Wonderful Life, there's going to be a run on the bank, but Hester goes into the office, it's a small town, and the fact that she's there, she saves the bank and effectively runs it, and then the book starts as the next generation are coming through what's gonna happen. And will she have to do it again? It's a really good book.Henry: Yeah, that sounds a great.Sarah: Hester by Mrs. Oliphant.Henry: I'm going to read that. Well, Sarah, thank you very much.Sarah: Thank you, Henry. It's been very enjoyable.Thanks for reading. If you're enjoying The Common Reader, let your interesting friends know what you think. Or leave a comment at the bottom.If you don't subscribe to The Common Reader, but you enjoy reading whatever's interesting, whenever it was written, sign up now. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

Welcome to Day 1919 of our Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom All But God Changes – Daily Wisdom Welcome to Wisdom-Trek with Gramps. We are on Day 1919 of our Trek, and it's time to explore another nugget of wisdom, which includes an inspirational quote and some wise words from Gramps for today's trek. Wisdom is the final frontier in gaining true knowledge. So we are on a daily trek to create a legacy of wisdom, seek out discernment and insights, and boldly grow where few have chosen to grow before. Hello, my friend; this is Gramps. Thanks for coming along on today's trek as we increase Wisdom and Create a Living Legacy. https://www.biblegateway.com/passage/?search=Proverbs%2016%3A16&version=NLT (Proverbs 16:16)  How much better to get wisdom than gold, and sound judgment than silver!    If you apply the words you hear today, over time, it will help you become more healthy, wealthy, and wise as you continue your daily trek of life. So let's jump right in with today's nugget: Today's quote is from Charles Kingsley, and it is: All but God is changing day by day. All But God Changes Very few people I know enjoy changes in any area of life. I, for one, adapt to change quickly, but as I mature and age, I find that I enjoy routine more and more. Even if the situation is not ideal, most people would rather stay in their comfort zone of mediocrity than enter the unknown, which may be much better. King Solomon wrote in https://www.biblegateway.com/passage/?search=Ecclesiastes%201%3A10&version=NLT (Ecclesiastes 1:10), Sometimes, people say, “Here is something new!” But actually, it is old; nothing is ever truly new. While this is true in that people go through the same cycles throughout their lives and throughout history, our individual circumstances are constantly in a state of flux. Our situations constantly change which brings anxiety and discomfort to our lives. As Imagers of God, change can be good if we are changing to become more like that perfect imager, which is Jesus Christ. We can then take comfort that although our lives change, we serve an unchanging God. In that, we can have peace in the midst of storms. We can have joy amid uncertainty. https://www.biblegateway.com/passage/?search=James%201%3A16%2D18&version=NLT (James 1:16-18) So don't be misled, my dear brothers and sisters.  Whatever is good and perfect is a gift coming down to us from God our Father, who created all the lights in the heavens. He never changes or casts a shifting shadow. He chose to give birth to us by giving us his true word. And we, out of all creation, became his prized possession. As you ponder this nugget of wisdom for yourself, please encourage your friends and family to join us and come along tomorrow for another day of ‘Wisdom-Trek, Creating a Legacy.' If you would like to listen to any of our past 1918 treks or read the Wisdom Journal, they are available at Wisdom-Trek.com. In addition, I encourage you to subscribe to Wisdom-Trek on your favorite podcast player to automatically download each day's trek. Finally, if you would like to receive our weekly newsletter called ‘Wisdom Notes,' please email me at guthrie@wisdom-trek.com. Thank you so much for allowing me to be your guide, mentor, and, most of all, your friend as I serve you through this Wisdom-Trek podcast and journal. As we take this trek together, let us always: Live Abundantly (Fully) Love Unconditionally Listen Intentionally Learn Continuously Lend to others Generously Lead with Integrity Leave a Living Legacy Each Day I am Guthrie Chamberlain….reminding you to 'Keep Moving Forward,' ‘Enjoy your Journey,' and ‘Create a Great Day…Everyday'! See you next time for more daily wisdom!

My mother, Edith Langford, passed away this week and today's episode is a tribute to my mom. The funeral was yesterday and as you can imagine, I'm flooded with emotions. There are so many sad thoughts and emotions that I feel as I create this tribute to my mother. We had a very special relationship, a lot of great talks and special times together. I thought back to something she told me a few years ago, which had a huge impact on me, and a huge impact on the direction of my career. I was talking to her about the past and I said, remember back in the 1960s, you had a lot of a lot of trouble with anxiety. You really had a tough time. You had psoriasis as a result of it. It seemed to go on for a long time and it was a real problem. I asked her, what was the thing that ended this part of your life, that situation where you had so much anxiety? Listen & Subscribe on: iTunes / Stitcher / Podbean / Overcast / Spotify 5 Words of Wisdom She answered this question in five words, a five-word sentence. I thought so much about this afterwards. I thought, wow, this is staring me in the face. Every time I look at an appliance, an LG appliance, I realize the LG stands for their slogan, Life's Good. The five words she told me were, “I learned to let go”. So when I said LG, let go, every time I look at one of those appliances, I think, “Let Go, Life's Good. And letting go allows our life to be good. And I thought, wow, that was incredible. Beautiful Smile I asked my mother, ‘how did you come to that conclusion?' I wanted to know how she landed on those five words. But to her, there wasn't really a lot to say, she just said ‘I learned to let go'. And then she looked at me and she smiled that familiar smile. I said to mom, you know, that's mindfulness. That was long before I started working in the field of mindfulness. And she looked at me in a quizzical way and I said, Yeah, it's a thing they call mindfulness. It's about letting go. It's about not being so concerned about the past or so concerned about the future. It's about living in the moment, and letting go of so much of what holds us back and causes anxiety and issues. And she was good with that. Share With The World I was working in the field of bullying prevention at the time and I just thought so much about what my mom had said to me about this. I had already been thinking about the fact that with bullying prevention, if I can teach children and teachers about mindfulness then bullying would decrease. And I thought, wow, this worked in my own mother's life. She was able to come to this conclusion without meditating, without reading self-help books. She didn't listen to podcasts. She just came up with this herself. “I learned to let go.” I thought, what if I could share these five words with the world? A Visual Gift My mother has always been a visual person. Whenever I watch the sunrise, which is many, many mornings, I think of her because she loved the colors. She loved orange, brilliant yellows, golds, pinks, fuchsias. All colors I see in the sky when the sun is coming up; brilliant, beautiful colors. She loved these colors and she used her incredible skills to weave and to crochet and to create beautiful items like placemats, dishcloths, and tea towels. She seldom used a pattern and even if she had a pattern, it usually ended up being adapted to the ‘Edith Version'. She had her own thoughts and her own ways of doing these things and she would work away until she had something beautiful. The Edith Basket She always had a basket of placemats and dishcloths and she would always get this basket out and offer something. And she made 1000s of finger puppets. So every night, after supper, she would sit down and she would crochet a finger puppet. It was for children in the hospital who were about to have their finger pricked or have blood taken and so the nurse would give them a finger puppet. Vesta Love One of the things that came to mind about my mom was her special love for her aunt Vesta. Vesta was also my great aunt. She was such a special person. And so my mom would go visit her and very often when it was time to leave Vesta would say a few lines of a poem to her. The poem became a favorite of my mother's and when aunt Vesta died, my mom decided to make a needlepoint out of the lines of this poem that were so very special to her. Meaningful Words The poem was written by Charles Kingsley; 1819-1875. He was a clergyman and novelist whose many stories have become famous works of fiction. He was also a writer of poetry. The poem my aunt recited is called A Farewell. Here are the four lines that she sewed with needlepoint; Be good, sweet maid and let who can be clever; do noble things, not dream them all day long. And so make Life, Death, and that vast forever, one grand, sweet song. Those words are so special to me and I'm happy to say I have that needlepoint piece that my mother created, and it's beautiful. These words are a tribute to my mom. Gratitude Thanks for letting me share this with you today in memory of my mom. As you know, I think about the special times and how special she was, and the love I had for her and have for her. It hasn't ended. Foot Bliss She came to live with us at our house for five weeks in 2020, when she was preparing for a heart valve surgery. It was a special time for us to get to know her even more, in a different way. So we had a lot of special times and one of the things that she loved was every night, she would get a foot rub. And she would kind of look at me in a special way and say something that I knew meant that she would really appreciate a foot massage with lotion. When I would do that, she would have this look of ecstasy on her face and a beautiful smile. It was a special thing between us, and I was able to give her a foot rub just a couple of days before she passed, which was a beautiful experience as well. These are some personal thoughts that I wanted to share with you today. As always, I thank you for tuning into mindfulness mode and thank you so much for being a part of the show. All the best to you. Bye now. Suggested Resources Book: Peace Is Every Step: The Path of Mindfulness in Everyday Life by Thich Nhat Hanh App: Insight Timer Related Episodes 128 The Healthy Way To Process Grief Is To Honestly Feel Your Emotions Explains Ramona Rice 333 Don't Wait To Be Great Proclaims Raven Blair Glover 444 Live The Life You Love With Victim To Victor Author, Nick Santonastasso Are you experiencing anxiety & stress? Peace is within your grasp. I'm Bruce Langford, a practicing coach and hypnotist helping fast-track people just like you to shed their inner bully and move forward with confidence. Book a Free Coaching Session to get you on the road to a more satisfying life, feeling grounded and focused. Send me an email at bruce@mindfulnessmode.com with ‘Coaching Session' in the subject line. We'll set up a zoom call and talk about how you can move forward to a better life

Meditación ”El hombre que tiene amigos ha de mostrarse amigo.” (Proverbios 18:24)     Aun cuando hay versiones modernas que traducen este versículo de modo diferente, las versiones más viejas y fieles conservan escrupulosamente la valiosa verdad que la amistad debe cultivarse. Florece cuando la atendemos y muere cuando la descuidamos.    Un editorial en la revista Decisión decía: “Las amistades no surgen simplemente; hay que cultivarlas, es decir, trabajarlas. No se basan en tomar sino en dar. No son sólo para los buenos tiempos sino también para los malos. No ocultamos nuestras necesidades a un verdadero amigo. Tampoco nos apegamos a un amigo sólo para recibir su ayuda”.    Vale la pena conservar a un buen amigo. Está a tu lado cuando te acusan falsamente. Te elogia por todo lo que es digno de alabanza y es franco para señalar áreas que necesitan mejora. Se mantiene en contacto a través de los años, compartiendo tus tristezas y alegrías.    Mantenerse en contacto es importante. Por ejemplo, por medio de cartas, tarjetas postales, llamadas telefónicas, algún mensaje de texto o correo electrónico, y de ser posible,  una visita. Pero la amistad es una calle de dos sentidos. Si dejo de escribir o de contestar cartas, estaré diciendo que no considero la amistad tan valiosa como para que siga. Estoy demasiado ocupado, no deseo que me molesten o detesto escribir cartas. Pocas amistades pueden sobrevivir el abandono continuado.    Nuestra renuncia a comunicarnos es a menudo una forma de egoísmo. Pensamos en nosotros mismos, en el tiempo, el esfuerzo y el costo implicados. La verdadera amistad piensa en los demás, cómo podemos animar, consolar, alegrar y ayudar; cómo podemos ministrar alimento espiritual.    ¡Cuánto debemos a los amigos que se nos acercan con una palabra del Espíritu cuando ésta más se necesita!     Un hermano, ya anciano, contó lo siguiente:  “Hubo un tiempo en mi vida cuando me sentía muy desanimado por una profunda decepción en el servicio cristiano. Un amigo que no sabía de mi desilusión me escribió una animada carta en la que citaba Isaías 49:4, “Pero yo dije: por demás he trabajado, en vano y sin provecho he consumido mis fuerzas; pero mi causa está delante de Jehová, y mi recompensa con mi Dios”. Era justamente la palabra que necesitaba para levantarme y ponerme a trabajar de nuevo.”     Charles Kingsley escribió: “¿Podemos olvidar a un amigo, / podemos olvidar un rostro, / que nos alegró hasta el fin, / que nos animó en nuestra carrera? / ¡Con las almas divinas, qué profunda es nuestra deuda! / Aunque pudiéramos, no las olvidaríamos”.     La mayoría de nosotros tenemos solamente unos cuantos amigos cercanos en la vida. Siendo esto así, con toda firmeza debemos mantener esas amistades fuertes y saludables.

Peça para um cristão fazer uma lista “do que os crentes devem e o que não devem fazer para viver” e você provavelmente não obterá os Dez Mandamentos. Na pequena igreja da qual me tornei membro depois de me converter, a nossa lista tinha coisas como “não fumar”, “não beber”, “não ir ao cine­ma”, “ir à igreja à noite como também de manhã”, e algumas outras coisas semelhantes. A nossa lista do que se deve e do que não se deve fazer não nos impediu de amar ao Senhor e a outras pessoas. E não nos afastou da oração e da adoração mais sig­nificativas que já experimentei. Na verdade, relem­brando, tenho dúvidas quanto a se a lista causou qualquer grande impacto na minha vida — exceto me deixar um pouco incomodado quando algum amigo marinheiro acendia um cigarro no meu car­ro “cristão”. Uma lista do que se deve e não se deve fazer, que re­almente pode fazer diferença, é encontrada no rela­to que Lucas faz do ensino de Jesus sobre o futuro. Entre os ensinamentos que se aplicam diretamente a nós estão: * Não siga líderes falsos (v. 8). * Não fique assustado quando desastres naturais e de outros tipos ocorrerem (w. 9-11). * Não fique ansioso se for perseguido por causa do seu testemunho cristão (w. 12-16). E no lado positivo: * Preserve e mantenha uma posição firme quando outros se virarem contra você (w. 17-19). * Tenha coragem; a redenção completa será sua quando Jesus voltar (w. 25-28). * Vigie e ore, para que você possa viver uma vida que o Filho do Homem aprove (w. 34-36). Que teste simples isto sugere que apliquemos à nossa própria vida. Se tivermos medo ou vergonha de fazer algo abertamente — não o façamos de modo algum! Se liga!!! As instruções de Deus sobre o que podemos fazer, e o que não podemos fazer, devem estar no topo de nossa lista. “Tenha as tuas ferramentas preparadas; Deus acha­rá trabalho para ti.” — Charles Kingsley. RICHARDS, Comentário Devocional da Bíblia

We act as though comfort and luxury were the chief requirements of life, when all that we need to make us really happy is something to be enthusiastic about. ― Charles Kingsley Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Un día como hoy, 12 de junio: Nace: 1819: Charles Kingsley, escritor británico (f. 1875). 1827: Johanna Spyri, escritora suiza (f. 1901). 1892: Djuna Barnes, escritora estadounidense (f. 1982). 1941: Chick Corea, pianista, teclista y compositor estadounidense de jazz, ganador de 20 premios Grammy (f. 2021). 1962: Jordan Peterson, psicólogo clínico y profesor. Fallece: 1917: Teresa Carreño, pianista venezolana (n. 1853). 1995: Arturo Benedetti Michelangeli, pianista italiano (n. 1920). 2003: Gregory Peck, actor estadounidense (n. 1916). Una producción de Sala Prisma Podcast. 2021

Suz and Ken present Time For Go To Bed 5-13-2021 Episode 1 featuring Tideland by Terry Gilliam, The Water-Babies, A Fairy Tale for a Land Babys by Charles Kingsley & Ozma of Oz by L. Frank Baum! Show art by FoxFire505 Title Music: Music: Gymnopedie No 1 - Satie https://youtu.be/bLbxSHFHPuk

Sherri Seligson became a Christian and a marine biologist and had a dream job with the Walt Disney company. After she got married and started having children, she decided to step away from her career and stay home with her children to care for them and educate them. We talk to Sherri about why she chose that path and how God is still using her gifting and love for nature to teach and encourage those in her sphere of influence.    Sherri Seligson Show Notes:  Win 4 tickets and airfare to Wilberforce Weekend: https://bit.ly/3m1t0XT  Wilberforce Weekend: https://wilberforceweekend.org/  Sherri Seligson Website: https://www.sherriseligson.com/  “Person of Interest: Why Jesus Still Matters in a World that Rejects the Bible” by J. Warner Wallace: https://www.barnesandnoble.com/w/person-of-interest-j-warner-wallace/1138270095?ean=9780310111276  Apologia Curriculum: https://www.apologia.com/  Sherri Seligson Videos: https://www.youtube.com/channel/UCBRgU9RgcrShPOEbqJGqZew  “Signature in the Cell” by Stephen C. Myer: https://www.barnesandnoble.com/w/signature-in-the-cell-stephen-meyer/1103371825?ean=9780061472794  “Madame How and Lady Why” by Charles Kingsley: https://www.barnesandnoble.com/s/madam%20how%20and%20lady%20why  Erin and her husband, Brett, run Maven which “exists to help the next generation know truth, pursue goodness, and create beauty, all for the cause of Christ.” Check out more about Maven here: https://maventruth.com/   The Strong Women Podcast is a product of the Colson Center which equips Christians to live out their faith with clarity, confidence, and courage in this cultural moment. Through commentaries, podcasts, videos, and more, we help Christians better understand what’s happening in the world, and champion what is true and good wherever God has called them.  Learn more about the Colson Center here: https://www.colsoncenter.org/   Visit our website and sign up for our email list so that you can stay up to date on what we are doing here and also receive our monthly book list: https://www.colsoncenter.org/strong-women   Do you have questions for Sarah and Erin? You can write to us at strongwomen@colsoncenter.org or join our Facebook group and submit them here: https://www.facebook.com/groups/567802873885320           

Sherri Seligson became a Christian and a marine biologist and had a dream job with the Walt Disney company. After she got married and started having children, she decided to step away from her career and stay home with her children to care for them and educate them. We talk to Sherri about why she chose that path and how God is still using her gifting and love for nature to teach and encourage those in her sphere of influence.    Sherri Seligson Show Notes:  Win 4 tickets and airfare to Wilberforce Weekend: https://bit.ly/3m1t0XT  Wilberforce Weekend: https://wilberforceweekend.org/  Sherri Seligson Website: https://www.sherriseligson.com/  “Person of Interest: Why Jesus Still Matters in a World that Rejects the Bible” by J. Warner Wallace: https://www.barnesandnoble.com/w/person-of-interest-j-warner-wallace/1138270095?ean=9780310111276  Apologia Curriculum: https://www.apologia.com/  Sherri Seligson Videos: https://www.youtube.com/channel/UCBRgU9RgcrShPOEbqJGqZew  “Signature in the Cell” by Stephen C. Myer: https://www.barnesandnoble.com/w/signature-in-the-cell-stephen-meyer/1103371825?ean=9780061472794  “Madame How and Lady Why” by Charles Kingsley: https://www.barnesandnoble.com/s/madam%20how%20and%20lady%20why  Erin and her husband, Brett, run Maven which “exists to help the next generation know truth, pursue goodness, and create beauty, all for the cause of Christ.” Check out more about Maven here: https://maventruth.com/   The Strong Women Podcast is a product of the Colson Center which equips Christians to live out their faith with clarity, confidence, and courage in this cultural moment. Through commentaries, podcasts, videos, and more, we help Christians better understand what’s happening in the world, and champion what is true and good wherever God has called them.  Learn more about the Colson Center here: https://www.colsoncenter.org/   Visit our website and sign up for our email list so that you can stay up to date on what we are doing here and also receive our monthly book list: https://www.colsoncenter.org/strong-women   Do you have questions for Sarah and Erin? You can write to us at strongwomen@colsoncenter.org or join our Facebook group and submit them here: https://www.facebook.com/groups/567802873885320           

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor's roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature's pivotal role in shaping what war has made thinkable and actionable under medicine's increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many.  While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor’s roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature’s pivotal role in shaping what war has made thinkable and actionable under medicine’s increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

God for Your FreedomMatthew 5:16In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven.John 8:30-4230 As he was saying these things, many believed in him.31 Then Jesus said to the Jews who had believed him, “If you continue in my word, you really are my disciples. 32 You will know the truth, and the truth will set you free.”33 “We are descendants of Abraham,” they answered him, “and we have never been enslaved to anyone. How can you say, ‘You will become free'?”34 Jesus responded, “Truly I tell you, everyone who commits sin is a slave of sin. 35 A slave does not remain in the household forever, but a son does remain forever. 36 So if the Son sets you free, you really will be free. 37 I know you are descendants of Abraham, but you are trying to kill me because my word has no place among you.38 I speak what I have seen in the presence of the Father; so then, you do what you have heard from your father.”39 “Our father is Abraham,” they replied.“If you were Abraham's children,” Jesus told them, “you would do what Abraham did. 40 But now you are trying to kill me, a man who has told you the truth that I heard from God. Abraham did not do this. 41 You're doing what your father does.”“We weren't born of sexual immorality,” they said. “We have one Father—God.”42 Jesus said to them, “If God were your Father, you would love me, because I came from God and I am here. For I didn't come on my own, but he sent me.You shall know the truth, and the truth shall make you mad.—Aldous HuxleyGalatians 5:7You were running the race so well. Who has held you back from following the truth?PRIDESolution: Ask for constructive criticism from people you trustLUSTSolution: Take some time off social mediaANGERSolution: Pray for the person who angers youFEAR OF PEOPLESolution: Spark a conversation with somebody about JesusDependencySolution: Evaluate if it's a NEED or WANT and then limit your consumption of that thing.John 10:7-107So Jesus went over it again, “I speak to you eternal truth: I am the Gate for the flock. 8 All those who broke in before me are thieves who came to steal, but the sheep never listened to them. 9 I am the Gateway. To enter through me is to experience life, freedom, and satisfaction. 10 A thief has only one thing in mind—he wants to steal, slaughter, and destroy. But I have come to give you everything in abundance, more than you expect —life in its fullness until you overflow!There are two freedoms - the false, where a man is free to do what he likes; the true, where he is free to do what he ought.—Charles KingsleyJohn 4:14But whoever drinks the water that I give him will never be thirsty again. But the water that I give him will become in him a spring of water [satisfying his thirst for God] welling up [continually flowing, bubbling within him] to eternal life.”2 Corinthians 5:17Therefore, if anyone is in Christ [that is, grafted in, joined to Him by faith in Him as Savior], he is a new creature [reborn and renewed by the Holy Spirit]; the old things [the previous moral and spiritual condition] have passed away. Behold, new things have come [because spiritual awakening brings a new life].

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

Read from Charles Kingsley's "The Heroes, or, Greek Fairy Tales for My Children" [1855] Produced and Narrated by Tanner Campbell Music by Nico Vettese Support this podcast

As a nod to Darwin Day and Black History Month, today’s ID the Future spotlights the racist thinking of Charles Darwin and the scientific racism fueled by Darwinism and Darwinists. As guest and historian Michael Flannery notes, Darwin’s followers, including Darwin’s cousin, Francis Galton, took ideas found in Darwin’s work and used them to vigorously press the case for eugenics, a movement that came to have a horrifying impact for American blacks in the twentieth century, including for thousands who were subjected to forced sterilizations.  Was Darwin’s racism purely a function of his time and place, Victorian England? Flannery says no, and on two counts. First, he says that the co-discoverer of the theory of evolution by natural selection, Alfred Read More › Source

Get your flippers and goggles on - and those funny little peg things to stop water going up your nose - as we dive deeply into the rivers of Yorkshire for the 1978 live action/animated chimney sweep and fish adventure THE WATER BABIES. Joining us to paddle about a bit is comedian and Fan Club podcaster Nathaniel Metcalfe. High Cockalorum!

Welcome to Day 1520 of our Wisdom-Trek, and thank you for joining me.This is Guthrie Chamberlain, Your Guide to WisdomNo Darkness, Loneliness, or Abandonment – Wisdom UnpluggedWisdom - the final frontier to true knowledge. Welcome to Wisdom-Trek! Where our mission is to create a legacy of wisdom, to seek out discernment and insights, to boldly grow where few have chosen to grow before. Hello, my friend; I am Guthrie Chamberlain, your captain on our journey to increase Wisdom and Create a Living Legacy. Thank you for joining us today as we explore wisdom on our 2nd millennium of podcasts. This is Day 1520 of our Trek, and it is time for our 3-minute mini trek called Wisdom Unplugged. This short nugget of wisdom includes an inspirational quote with a little bit of additional content for today's trek. Consider this your vitamin supplement of wisdom for today. So let's jump right in with today's nugget: Today's quote is from  Charles Kingsley, and it is:     It is not darkness you are going to, for God is light. It is not lonely, for Christ is with you. It is not an unknown country, for Christ is there.    No Darkness, Loneliness, or Abandonment During times like we face throughout the entire world with the pandemic, unrest, and polarization between people, we may feel that we are shrouded in darkness, in loneliness, and that the world is a bit unstable. From a purely humanistic perspective, there is some truth to this. As a Christ-follower, we have no reason to feel in this manner. First, we are part of God's kingdom which will last forever. We do not need to depend on earthly government structures for our security. We are sojourners in this world, as citizens of an eternal dwelling. We do not need to feel lonely, because we are one with Christ who promises never to leave us or forsake us. We don't need to be shrouded in this world's darkness because God has created all the lights of heaven, illuminating our hearts. https://www.biblegateway.com/passage/?search=James%201%3A17&version=NLT (James 1:17) Whatever is good and perfect is a gift coming down to us from God our Father, who created all the lights in the heavens. He never changes or casts a shifting shadow. https://www.biblegateway.com/passage/?search=Hebrews%2013%3A5&version=NLT (Hebrews 13:5) Don't love money; be satisfied with what you have. For God has said, “I will never fail you. I will never abandon you.” https://www.biblegateway.com/passage/?search=Hebrews%2013%3A14&version=NLT (Hebrews 13:14) For this world is not our permanent home; we are looking forward to a home yet to come. That's a wrap for today's Wisdom Unplugged quote. If you would like free access to my database of over 11,000 inspirational quotes, the link is available on the main page of Wisdom-Trek.com. Just as you enjoy these nuggets of wisdom, encourage your friends and family to join us and then come along tomorrow for another day of ‘Wisdom-Trek, Creating a Legacy.' If you would like to listen to any of our past 1519 treks or read the Wisdom Journal, they are available at Wisdom-Trek.com. I encourage you to subscribe to Wisdom-Trek on your favorite podcast player so that each day's trek will be downloaded automatically. Thank you for allowing me to be your guide, mentor, and most importantly, I am your friend as I serve you through this Wisdom-Trek podcast and journal each day. As we take this Trek of life together, let us always: Live Abundantly (Fully) Love Unconditionally Listen Intentionally Learn Continuously Lend to others Generously Lead with Integrity Leave a Living Legacy Each Day I am Guthrie Chamberlain….reminding you to 'Keep Moving Forward,' ‘Enjoy your Journey,' and ‘Create a Great Day…Everyday'! See you tomorrow for Worldview Wednesday!

ATELIER SPECIAL: LET US PRAISE THE PUBLIC LIBRARY -- Atelier Specials feature original creative content including essays, fiction, and excerpts. Today: an essay by M. Allen Cunningham, slightly abridged. "Let Us Praise the Public Library" was originally published as a special 3-part series in The Oregonian. You can read the complete essay at medium.com/@M_A_Cunningham. Mentioned in this episode: Portland, Oregon; Multnomah County Library; Victor Hugo; Charles Dickens; Mark Twain; Herodotus; J.M. Whistler; Charles Kingsley; Jorge Luis Borges; Toni Morrison; John Steinbeck; the Library of Alexandria; Der Spiegel; Virginia Quarterly Review; Hypnerotomachia Poliphili; Aldus Manutius; American civic life; democratic institutions; The Oregonian. Music: "Mythological" by Ofrin; "Do Your Thing" by Guesthouse; "Thoughts" by ANBR; "Settle Down" by Giants and Pilgrims; "Shallow Water" by Sivan Talmor; "Betula Lenta" by Shahar Haziza (All music used courtesy of the artists through a licensing agreement with Artlist.) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/in-the-atelier/support

Charles Kingsley's strange garden/graveyard poem presented here in a folk-rock performance. For more about this and other combinations of various words with original music go to frankhudson.org

We act as though comfort and luxury were the chief requirements of life, when all that we need to make us really happy is something to be enthusiastic about. ― Charles Kingsley Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

Slightly Foxed Editors Gail and Hazel take us between the pages of the magazine, bookmarking articles along the way. Crack the spine of the quarterly to discover T. H. White taking flying lessons, smutty book titles, a passion for romantic ruins, John Berger shadowing a remarkable GP, a rebellious Mitford ‘rescued’ by a destroyer, a night to remember on the Titanic and much more besides. From correcting proofs to welcoming writers with a host of experiences, the story of putting together an issue of enthusiasms unfolds. And in this month’s reading from the archives, a hapless apprentice at the Hogarth Press recounts his disastrous stint with the Woolfs. Please find links to books, articles, and further reading listed below. The digits in brackets following each listing refer to the minute and second they are mentioned. (Episode duration: 36 minutes; 33 seconds) Books Mentioned We may be able to get hold of second-hand copies of the out-of-print titles listed below. Please get in touch (mailto:anna@foxedquarterly.com) with Anna in the Slightly Foxed office for more information. - Slightly Foxed Issue 66 (https://foxedquarterly.com/shop/slightly-foxed-issue-66-published-1-jun-2020/) - Basil Street Blues (https://foxedquarterly.com/shop/michael-holroyd-basil-street-blues/) , Michael Holroyd: Slightly Foxed Edition No. 29 (6:00) - England Have My Bones, T. H. White is out of print (6:47) - Inside of a Dog (https://foxedquarterly.com/shop/alexandra-horowitz-inside-of-a-dog/) , Alexandra Horowitz (11:04) - The Letters of Charles and Mary Lamb is out of print (13:04) - No Voice from the Hall, John Harris is out of print (14:33) - The Family from One End Street (https://foxedquarterly.com/shop/eve-garnett-the-family-from-one-end-street/) , Eve Garnett (15:15) - A Taste of Paris, Theodora FitzGibbon is out of print (15:33) - A Fortunate Man (https://foxedquarterly.com/shop/john-berger-a-fortunate-man/) , John Berger (19:38) - Rosemary Sutcliff’s Roman novels (https://foxedquarterly.com/shop/a-set-of-rosemary-sutcliffs-roman-novels/) : Slightly Foxed Cubs (21:15) - Hons and Rebels (https://foxedquarterly.com/shop/jessica-mitford-hons-and-rebels/) , Jessica Mitford: Slightly Foxed Edition No. 52, published 1 September 2020 (21:53) - A Night to Remember (https://foxedquarterly.com/shop/walter-lord-a-night-to-remember/) , Walter Lord (23:50) - A Boy at the Hogarth Press (https://foxedquarterly.com/shop/hogarth-press-richard-kennedy-plain-foxed/) , Richard Kennedy: Plain Foxed Edition (24:55) - House of Glass (https://foxedquarterly.com/shop/hadley-freeman-house-of-glass/) , Hadley Freeman (31:47) - All the Light We Cannot See (https://foxedquarterly.com/shop/anthony-doerr-all-the-light-we-cannot-see/) , Anthony Doerr (34:00) Related Slightly Foxed Articles - Underwater Heaven (https://foxedquarterly.com/maragret-drabble-charles-kingsley-water-babies-literary-review/) , Margaret Drabble on Charles Kingsley, The Water-Babies in Issue 66 (5:45) - Harvey Learns the Ropes (https://foxedquarterly.com/rudyard-kipling-captains-courageous-literary-review/) , Andrew Joynes on Rudyard Kipling, Captains Courageous in Issue 56 (6:24) - On the Shoulders of Giants (https://foxedquarterly.com/andrew-joynes-t-h-white-england-have-my-bones-literary-review/) , Andrew Joynes on T. H. White, England Have My Bones in Issue 66 (6:30) - Sarah Crowden on smut: Something for the Weekend (https://foxedquarterly.com/sarah-crowden-smut-book-titles-literary-review/) in Issue 32 and All in the Mind? (https://foxedquarterly.com/sarah-crowden-smut-literary-review/) in Issue 44 (7:57) - Unsung Heroes (https://foxedquarterly.com/alastair-glegg-childrens-books-literary-review/) , Alastair Glegg on learning to read at prep school in Issue 60 (9:59) - Dog’s-eye View (https://foxedquarterly.com/alexandra-horowitz-inside-of-a-dog-literary-review/) , Rebecca Willis on Alexandra Horowitz, Inside of a Dog in Issue 65 (11:04) - In Praise of Pratchett (https://foxedquarterly.com/terry-pratchett-small-gods-literary-review/) , Amanda Theunissen on Terry Pratchett, Small Gods in Issue 33 (11:33) - Streets, Streets, Streets (https://foxedquarterly.com/felicity-james-the-letters-of-charles-and-mary-lamb-literary-review/) , Felicity James on the letters of Charles and Mary Lamb in Issue 65 (13:06) - These Fragments (https://foxedquarterly.com/jon-woolcott-john-harris-no-voice-from-the-hall-literary-review/) , Jon Woolcott on John Harris, No Voice from the Hall in Issue 66 (14:33) - Keeping up Appearances (https://foxedquarterly.com/kate-tyte-eve-garnett-the-family-from-one-end-street-literary-review/) , Kate Tyte on Eve Garnett, The Family from One End Street in Issue 66 (15:15) - Simply Delicious (https://foxedquarterly.com/clive-unger-hamilton-theodora-fitzgibbon-a-taste-of-paris-literary-review/) , Clive Unger-Hamilton on Theodora FitzGibbon, A Taste of Paris in Issue 66 (15:33) - An Early-Flowering Climber (https://foxedquarterly.com/ursula-buchan-reginald-farrer-garden-writing-literary-review/) , Ursula Buchan on the plant-hunting and garden writings of Reginald Farrer in Issue 66 (16:01) - A Well-tempered Gardener (https://foxedquarterly.com/christopher-lloyd-well-tempered-gardener/) , Michael Leapman on the garden writings of Christopher Lloyd in Issue 59 (17:00) - Putting up Useful Shelves (https://foxedquarterly.com/richard-kennedy-a-boy-at-the-hogarth-press-plain-foxed-editions/) , Sue Gee on Richard Kennedy, A Boy at the Hogarth Press in Issue 20 (24:55) Other Links - Slightly Foxed Editors’ Diary (https://foxedquarterly.com/category/from-the-slightly-foxed-editors/) (0:28) - Sign up to the free Slightly Foxed email newsletter here (http://eepurl.com/dmxw1T)   - Slightly Foxed articles by Christopher Rush (https://foxedquarterly.com/contributors/rush-christopher-slightly-foxed-literary-review-magazine/) (12:46) - Little Toller Books (https://www.littletoller.co.uk/) (14:18) Opening music: Preludio from Violin Partita No.3 in E Major by Bach Reading music: Dark Hallway, written and performed by Kevin MacLeod courtesy of incompetech.filmmusic.io (https://incompetech.filmmusic.io/) The Slightly Foxed Podcast is hosted by Philippa Lamb and produced by Podcastable (https://www.podcastable.co.uk/)

We remember the year 1819 and the birth of poet and priest Charles Kingsley Jr. The reading is "Easter Week" by Charles Kingsley. — FULL TRANSCRIPTS available: https://www.1517.org/podcasts/the-christian-history-almanac/2020-06-12 GIVE BACK: Support the work of 1517 today CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter This show was produced by Christopher Gillespie (gillespie.media

The year was 1916 and Owen Chadwick was born. The reading is "Easter Week" by Charles Kingsley. — We’re a part of 1517 Podcasts, a network of shows dedicated to delivering Christ-centered content. Our podcasts cover a multitude of content, from Christian doctrine, apologetics, cultural engagement, and powerful preaching. GIVE BACK: Support the work of 1517 today CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter This show was produced by Christopher Gillespie, a Lutheran pastor (stjohnrandomlake.org), coffee roaster (gillespie.coffee), and media producer (gillespie.media).

An announcement about our brand spanking new website. Also: “The Three Fishers,” by Charles Kingsley. New episode of Heretics, and the conclusion of Phantastes, coming next week. The post Poetry: “The Three Fishers,” by Charles Kingsley appeared first on Air War Media.

This week, Jane Dismore discusses with Ivan six things which he thinks should be better known. Jane Dismore is a biographer and a freelance writer of history and heritage. Her latest book is Princess: The Early Life of Queen Elizabeth II (2018), pub. USA (Lyons Press) and UK (Thistle). Her website is: https://janedismore.com/ The beauty of Northumberland https://www.chroniclelive.co.uk/whats-on/family-kids-news/hidden-beauty-spots-northumberland-nine-13096075 Lady Dorothy Mills, novelist, explorer and early woman Fellow of the Royal Geographic Society: my feature for Eastern Daily Press: https://janedismore.com/2014/12/10/lady-dorothy-mills-nee-walpole/ Ruth Cavendish Bentinck, suffragist: my feature for Dorset Life: https://janedismore.files.wordpress.com/2018/06/2018-dorset-life-article.pdf The Cavendish Bentinck Library at the LSE is named for her. The Water Babies by Charles Kingsley www.theguardian.com/books/2016/jul/11/the-water-babies-fairytale-social-change-richard-coles-documentary Public archives https://archiveshub.jisc.ac.uk/guides/introduction/ Original 78 rpm records http://www.charm.rhul.ac.uk/history/p20_4_6.html This podcast is powered by ZenCast.fm

Co-creator of "Processing" and founder of Fathom Information Design — Ben Fry (@ben_fry) — on the beginnings of the Processing programming environment, the use of information design and visualization to understand complicated data problems, and his approach to design, life, & work. Ben Fry is founder and principal of Fathom Information Design, a studio in Boston focused on understanding complicated data problems. He holds a Ph.D. from the MIT Media Laboratory and is a Lecturer at MIT. Fry has authored and co-authored multiple books and develops "Processing" — the programming environment he co-created with Casey Reas used by artists, engineers, scientists, and students all over the world since 2001. His work can be found in museums, feature films, research labs, and the portfolios of Fathom's clients such as Nike, JP Morgan, DARPA, and National Geographic. In 2011, Fry was honored to visit the White House to receive the National Design Award for Interaction Design. Connect with Ben at Fathom.info, benfry.com, and Processing.org. Links Processing Netscape Fathom Information Design Arduino OpenFrameworks Open Render acu by Ben Fry, Jared Schiffman, and Tom White (1999) acWorld by Tom White, Jared Schiffman, and Ben Fry (1998) acWindows by David Small (1996) OpenGL C++ Bad Windows by Bob Sabiston (1988) Visible Language Workshop Aesthetics + Computation Group (ACG) Design by Numbers Human genome project NYU ITP Valence by Ben Fry (1999) Valence in Minority Report National Air and Space Museum Star Wars Star Trek NASA MIT Media Lab Valence in the Hulk On needing approval for what we create, and losing control over how it's distributed by Ben Fry (2010) SGI Octane Photoshop Sentinel typeface by Hoefler & Co. National typeface by Klim Fabriga typeface by Lux Typo Ringside typeface by Hoefler & Co. ProPublica MacRecipes by Fathom Rocky Morphology by Fathom Books The Information by James Gleick The Innovators by Walter Isaacson Movies Big Hero 6 2001: A Space Odyssey by Stanley Kubrick Alien by Ridley Scott Powers of Ten by Charles and Ray Eames Episode notes Intro. [0:05] Who is Ben Fry? [2:05] The beginnings of Processing - "Can we actually build an environment that feels as immediate and simple as Design By Numbers having something more performant on the back?" Learn about how Processing was conceived, the role it played in Ben's live when it got started, and why Processing is still around after almost 20 years. [6:00] Information design and visualization. [15:42] The human genome project - Information design and visualization to understand genetic data. [16:33] Casey Reas. [18:27] Daniel Shiffman - How did Daniel Shiffman join the Processing community? [19:03] Valence - How do you make visualizations that can withstand change over time? One of Ben's visualization projects—which dynamically updates as you feed it with new data—made it to The Hulk and Minority Report. [22:02] John Underkoffler. [27:00] Valence in the Hulk. [27:44] On needing approval for what we create. [30:20] Building your own tools. [40:17] Your favorite user interface. [45:57] Typefaces. [47:36] What you look for in a design - How do you look at what's there, think about the context a design is going to be used in, and account with the audience you are trying to reach. [49:22] Fathom - Learn about what mediums Fathom works on. [52:21] Projects that spread - In-house projects to understand movies like Rocky and MacGiver, or countries like China. [59:07] Is your life simple? [1:01:32] Daily habits. [1:03:34] Non-work activities. [1:04:26] Boredom - "I really despise boredom." [1:05:06] Social media. [1:05:51] Disconnection. [1:07:53] Technology. [1:10:44] Ads - How do online ads affect us? [1:12:33] Success. [1:16:31] A message to the world - "We act as though comfort and luxury were the chief requirements of life, when all that we need to make us happy is something to be enthusiastic about." —Charles Kingsley [1:18:28] Book recommendations. [1:20:30] Side projects. [1:23:39] Simplicity. [1:24:06] People mentioned John Maeda Casey Reas Daniel Shiffman Andres Colubri Tom White David Small Bob Sabiston John Underkoffler Tom Cruise Jose Luis García del Castillo y López Jack Dorsey Charles Kingsley James Gleick Walter Isaacson Submit your questions and I'll try to answer them in future episodes. I'd love to hear from you. If you enjoy the show, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds and really helps. Show notes, transcripts, and past episodes at gettingsimple.com/podcast. Theme song Sleep by Steve Combs under CC BY 4.0. Follow Nono Twitter.com/nonoesp Instagram.com/nonoesp Facebook.com/nonomartinezalonso YouTube.com/nonomartinezalonso

In this episode, your hosts Adam Whybray and Ren Wednesday go way back to 1863 for their discussion of the bizarre and 'nearly unreadable' Victorian morality tale The Water-Babies, by Charles Kingsley. Join us for an underwater spectacular of whimsy, heavy-handed moralising and offhand bigotry, that'll have you saying: 'I'm glad I didn't have to read this book!' A full transcript of this episode is available at: http://stillscared.podigee.io/17-waterbabies Content note for discussion of a part of the novel that features anti-black racism.

“If you wish to be miserable, think much about yourself; about what you want, what you like, what respect people ought to pay you, and what people think of you.” - Charles Kingsley

This podcast episode explains Charlotte Mason's use of nature lore books and how they expand outdoor nature study work. Listen for lots of hints of our favorite such books. Listen Now: If you are seeing this message, please make sure you are using the most current version of your web browser: Internet Explorer 9, Firefox, Chrome "Our main dependence is on books as an adjunct to out-of-door work...In [these] books the children are put in the position of the original observer of biological and other phenomena. They learn what to observe, and make discoveries for themselves, original so far as they are concerned. They are put in the right attitude of mind for scientific observations and deductions, and their keen interest is awakened." (Vol. 3, p. 237 "The real use of naturalists' books is to give the child delightful glimpses into the world of wonders he lives in, reveal the sorts of things to be seen by curious eyes, and fill him with desire to make discoveries for himself." (Vol. 1, p. 64) If you would like to study along with us, here are some passages from The Home Education Series and other Parent's Review articles that would be helpful for this episode's topic. You may also read the series online here, or get the free Kindle version from Fisher Academy. The Charm of Nature Study, Parents' Review Article Eyes and No Eyes Series, Arabella Buckley or online here. Madam How and Lady Why, Charles Kingsley or online here. Life and Her Children, Arabella Buckley The Storybook of Science, Jean Henri Fabre or online here. Winners in Life's Race, Arabella Buckley or online here. We Were There with Charles Darwin on the H.M.S. Beagle, Philip Eisenberg Pilgrim at Tinker Creek, Annie Dillard John Muir Books John Burroughs Autumn Across America, Edwin Way Teale Life of the Spider, Jean Henri Fabre The Evolution of Calpurnia Tate, Jacqueline Kelly The Grasshopper Book, Wilfrid Bronson Robert McClung Books Olive Earle Books Millicent Selsam Books Charles Ripper Books Alice Goudey Books Girl of the Limberlost, Gene Stratton-Porter The Keeper of the Bees, Gene Stratton-Porter A Sand County Almanac, Aldo Leopold William Long Books Treasury for Children, James Herriot All Creatures Great and Small, James Herriot Rascal, Sterling North (Contains affiliate links)

Episode Show Notes jeffsanders.com/097a Learn More About the Show The 5 AM Miracle Podcast Free Productivity Resources Join The 5 AM Club! Connect on Social Media Facebook Group • Instagram • Twitter • LinkedIn Episode Summary Enthusiasm is a springboard to fulfillment and high achievement. With it, you have the power to catapult yourself into success through the wild pursuit of your own curiosity. Without it, your life and work become nothing more than a daily drudgery — a mediocre effort towards an outcome that has no personal value. In other words, enthusiasm matters a great deal. Charles Kingsley, the late historian, novelist, and priest, said that “We act as though comfort and luxury were the chief requirements of life, when all we need to make us happy is something to be enthusiastic about.” I agree. In fact, having something to be enthusiastic about sits at the core of daily productivity and long-term goal achievement.

As a musical version of The Water Babies opens Simon Heffer and New Generation Thinker Corin Throsby discuss the ideas of Charles Kingsley. Matthew Sweet talks about literary satire with novelist Edward St Aubyn. Plus we mark today's anniversary of Roger Bannister's 4 minute mile by talking to documentary maker Sally McLean about her current film project which profiles the Viennese running coach Franz Stampfl.

Listen HEREThis week I speak of an email I received, special thanks to Doug Hines, and I speak of a wonderful concept that was given to me by Randy Sandberg.Please visit the wonderful Quotes on Slavery website: http://quotesonslavery.org/Here is a quote I think relevant to the theme of this podcast:"A common criticism is that the time is not yet ripe for our reform. Can time ever be ripe for any reform unless it is ripened by human determination? Did Wilberforce wait for the ripening of time before he commenced his fight against slavery? Did Edwin Chadwick, Lord Shaftesbury, and Charles Kingsley wait for such a non-existent moment before trying to convince the great dead weight of public opinion that clean water and bathrooms would be an improvement? If they had declared their intention to poison everybody the opposition they met could hardly have been greater. There is an obvious danger in leaving the fulfilment of our ideals to posterity, for posterity may not have our ideal. Evolution can be retrogressive as well as progressive, indeed there seems always to be a strong gravitation the wrong way unless existing standards are guarded and new visions honoured. For this reason we have formed our [Vegan] Group, the first of its kind, we believe, in this or any other country.~ Donald Watson (November, 1944)" http://quotesonslavery.org/a-common-criticism-is-that-the-time-is-not-yet-ripe-for-our-reform/

"Freedom", "There are two freedoms - False freedom, where a man is free to do what he likes; True Freedom, where he is free to do what he ought." - Charles Kingsley, Freedom MATTERS!, "Consecrate the fifieth year and proclaim liberty throughout the land." - Leviticus 25:10, Freedom isn't FREE!, "For this reason Christ is the mediator of a new covenant, that those who are called may receive the promised eternal inheritance - now that he has died as a ransom to set them free from the sins committed under the first covenant." - Hebrews 9:15, Freedom is ETERNAL, not just TEMPORAL!, "Then you will know the truth, and the truth will set you free." - John 8:32, Given by Ken Adams in Newnan, GA. , on 07/04/2010.

"Freedom", "There are two freedoms - False freedom, where a man is free to do what he likes; True Freedom, where he is free to do what he ought." - Charles Kingsley, Freedom MATTERS!, "Consecrate the fifieth year and proclaim liberty throughout the land." - Leviticus 25:10, Freedom isn't FREE!, "For this reason Christ is the mediator of a new covenant, that those who are called may receive the promised eternal inheritance - now that he has died as a ransom to set them free from the sins committed under the first covenant." - Hebrews 9:15, Freedom is ETERNAL, not just TEMPORAL!, "Then you will know the truth, and the truth will set you free." - John 8:32, Given by Ken Adams in Newnan, GA. , on 07/04/2010.

C Kingsley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------- Easter Week by Charles Kingsley (1819 – 1875) See the land, her Easter keeping, Rises as her Maker rose. Seeds, so long in darkness sleeping, Burst at last from winter snows. Earth with heaven above rejoices; Fields and gardens hail the spring; Shaughs and woodlands ring with voices, While the wild birds build and sing. You, to whom your Maker granted Powers to those sweet birds unknown, Use the craft by God implanted; Use the reason not your own. Here, while heaven and earth rejoices, Each his Easter tribute bring- Work of fingers, chant of voices, Like the birds who build and sing. First aired: 22 March 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud index. Reading © Classic Poetry Aloud 2009

Kingsley read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- Easter Week by Charles Kingsley (1819 – 1875) See the land, her Easter keeping, Rises as her Maker rose. Seeds, so long in darkness sleeping, Burst at last from winter snows. Earth with heaven above rejoices; Fields and gardens hail the spring; Shaughs and woodlands ring with voices, While the wild birds build and sing. You, to whom your Maker granted Powers to those sweet birds unknown, Use the craft by God implanted; Use the reason not your own. Here, while heaven and earth rejoices, Each his Easter tribute bring- Work of fingers, chant of voices, Like the birds who build and sing.