Podcasts about Bangarra Dance Theatre

May 28th marks 25 years since the Walk for Reconciliation across the Sydney Harbour Bridge in the year 2000. Frances Rings, proud Kokatha woman and Artistic Director of Bangarra Dance Theatre, was reporting live for SBS on the day and shares her personal reflections with NITV Radio.

Try our FREE burnout quiz.Grab your burnout workbook HERE. If you would like us to work with your team book a 30 min chat HERETrigger warning: sexual assaultEvery now and then I encounter someone who has lived a life that is so much bigger and jam packed than you could expect. That means it comes with more than a few highs and more than a few challenges. That is very much the case for Andreea Kindryd whose early childhood was marked by moments of sexual assault, trauma and racism. Andreea went from working with Martin Luther King, Jr, Malcolm X and Maulana Karenga in Los Angeles, to work on radio stations in Chicago and New York, and then back to LA joining the crew on TV's Star Trek. In 1974, she finally settled in Australia where she was able to make her own films. Her first film, Sunrise… Awakening, won awards and changed opinions. Andreea joined with the Aboriginal and Torres Strait Islander's NAISDA Dance College and helped launch Bangarra Dance Theatre. She was selected as an Australian presenter by TED during their global,14 city, six continent search for voices and ideas the world needs to hear.In this episode she shares:Her childhood experiences as the only black student at her Catholic schoolThe impact of her mother's fear-driven parenting style on her self-imageNavigating teenage challenges, including early relationships and societal expectationsHer experiences with coercive control land sexual assaultHer involvement in the Civil Rights Movement alongside figures like Martin Luther King Jr. and Malcolm XThe evolution of her career in entertainment and the significance of representation, particularly in projects like Star TrekThe rejection she experienced trying to make it was a woman in HollywoodThe turning point in her life and the writing of her deeply personal book, From Slavery to the Stars Key Quotes ”You can't go and tell people that you've just been raped, I guess. So I didn't tell my mother, and then I hated my mother because she didn't know what I hadn't told her so she didn't respond.” More Information about AndeYou can find out more about Ande and her book via her website. You can get involved with the podcast onlineOn facebook in our community: https://www.facebook.com/groups/challengesthatchangeusOr on Instagram: @challengesthatchangeusIf you want to contact the podcast, email us here: support@challengesthatchangeus.comOr check out our website: www.Challengesthatchangeus.com If you want to find out more about what Ali does, check out her business via the website: http://www.trialtitudeperformance.com.auInterested in DISC personality profiling or a Burnout workshop for your team, get in touch with Ali today. Hosted on Acast. See acast.com/privacy for more information.

Today I have the immense privilege of speaking with Bangarra Dance Theatre's James Boyd. James is a proud Aboriginal man with connections to the Kunja and Muruwari people of southwest Queensland. Born on Wiradjuri country in Orange, as a little boy, James wasn't quick to use his words, and had delayed speech. James's mum and dad then began to notice other things—James kept getting bruises. At just five years of age, James was diagnosed with Leukemia. In this most incredible episode, James shares his journey through cancer, the lows of hospital life, and also the highs when James was introduced to movement and music therapy as part of his recovery. And with that, he was introduced to dance. James then shares how he successfully auditioned for the Hunter School of the Performing Arts, and then how his world opened up at NAISDA Dance College. James then shares how, with his Leukemia is in remission, what it was like to receive a call from Frances Rings, the artistic director of Bangarra Dance Theatre. And then his decision to move to Sydney, which not only changed the course of his love life, but also defined his career.James continues to dance with Bangarra Dance Theatre, sharing the joy of dance across Australia and the world. For Bangarra performance times and tickets, head to bangarra.com.au and to follow all of James's adventures, you can find him on Instagram @jamesrossboyd. Talking Pointes is produced on the lands of the Gadigal People of the Eora Nation, to whom we pay our greatest respects. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Over the past 200 years, theatre has often been a lightning rod for social and political upheaval in the United States. Even the plays of William Shakespeare have been the subject of violent debate. This surprising history is examined in two recent books by James Shapiro: Shakespeare in a Divided America and The Playbook.Also, we explore Bangarra Dance Theatre's first mainstage cross-cultural collaboration, Horizon. Horizon includes work choreographed by Deborah Brown, a descendent of the Wakaid Clan and Meriam people in the Torres Strait, with Moss Te Ururangi Patterson, of the Māori Ngāti Tūwharetoa tribe in Aotearoa and the artistic director of the New Zealand Dance Company.

Amelia Thompson is one of two recipients of the 2024 David Page Music Fellowship. This music fellowship, in honour of the late David Page, offers emerging Aboriginal and/or Torres Strait music/sound artists the opportunity to work in a professional, culturally respectful, and collaborative environment, guided by highly experienced mentors. The recipients will be actively contributing to Bangarra's Dance Clan later this year.

For Frances Rings dance is her first language. Since childhood Frances has always know dance would be part of her identity and in 2023 she was appointed the Artistic director of Bangarra Dance Theatre - making her childhood dreams a reality. In this chat with Antoinette Lattouf, Frances unpacks her journey from a working class family that couldn't afford dance lessons to her first production as leader of Bangarra. Weekend List TO EAT - Meatless Mondays and alliteration TO WATCH - Abbott Elementary on Disney+ TO TRY - Going off social media and a dump phone TO TRY - Good running shoes Follow The Briefing:TikTok: @listnrnewsroomInstagram: @listnrnewsroom @thebriefingpodcast YouTube: @LiSTNRnewsroomFacebook: @LiSTNR NewsroomSee omnystudio.com/listener for privacy information.

Bangarra Dance Theatre is a modern Australian dance troupe with unparalleled style. With their movements, indigenous dancers tell the stories of their ancestors dating back thousands of years. Frances Rings, an Australian with German roots, is the artistic director for this unique ensemble. - Das Bangarra Dance Theatre ist eine moderne australische Tanztruppe mit unvergleichlichem Stil. Indigene Tänzerinnen und Tänzer erzählen mit ihren Bewegungen die jahrtausendealten Geschichten ihrer Vorfahren. Die künstlerische Leitung für dieses einzigartige Ensemble hat mit Frances Rings eine Australierin mit deutschen Wurzeln inne.

If you're looking for entertainment on the weekend, I can recommend a visit to the Bangarra Dance Theatre's new ballet production HORIZON. I was at the media premiere on Tuesday and am very impressed by the dance talent of the young indigenous dance ensemble. But I don't want to push my opinion. My colleague Barbara Barkhausen has much more understanding of ballet and will be reporting extensively about HORIZON on the SBS Audio program on Monday. But we journalists also had the pleasure of getting to know the new director of the Bangarra Dance Theatre in an interview. Her name is Frances Rings and she has a German father from Bad Honnef, opposite the city of Bonn, on the right side of the Rhine. In the following, Frances introduces herself and I also asked her if she also speaks some German. I got an amusing answer to that: - Wer am Wochenende nach Unterhaltung sucht, dem kann ich einen Besuch der neuen Ballettproduktion HORIZON des Bangarra Dance Theatres empfehlen. Ich war am Dienstag bei der Medienpremiere und bin von dem Tanztalent des jungen indigenen Tanzensembles sehr angetan. Ich will aber mit meiner Meinung nicht vorgreifen. Meine Kollegin Barbara Barkhausen hat viel mehr Verständnis fürs Ballett und wird am Montag in der Sendung bei SBS Audio ausführlich über HORIZON berichten. Wir Journalisten hatten aber auch das Vergnügen, die neue Leiterin des Bangarra Dance Theatre im Interview kennenzulernen. Sie heißt Frances Rings und sie hat einen deutschen Vater aus Bad Honnef, gegenüber der Stadt Bonn, auf der rechten Rheinseite. Im Folgenden stellt Frances sich selbst vor und ich habe sie auch gefragt, ob sie auch noch etwas Deutsch spreche. Darauf bekam ich eine amüsante Antwort:

Horizon, is Bangarra's first ever mainstage cross-cultural collaboration.

Perhaps no dance company has done more to expand the horizons of Australian audiences than Bangarra Dance Theatre. Now they expand those horizons further, presenting their first mainstage cross-cultural collaboration.Horizon includes work choreographed by Deborah Brown, a descendent of the Wakaid Clan and Meriam people in the Torres Strait, with Moss Te Ururangi Patterson, of the Māori Ngāti Tūwharetoa tribe in Aotearoa and the artistic director of the New Zealand Dance Company.

Stephen Page - Australian choreographer and former artistic director of the Bangarra Dance Theatre - joins Graham Cornes.See omnystudio.com/listener for privacy information.

Today I am speaking with the divine Deborah Brown. Deborah is a descendant of the Wakaid Clan of Badu Island, the Meriam people of Murray Island, and also has Scottish heritage. Deborah grew up in Brisbane, learning jazz, ballet and tap at her local dance school, while also dancing around the family home learning cultural dance. It was an eye opener to a world she never dreamt could be her career. But after finishing school, Deborah moved to Sydney, and while working as an usher at the Lyric Theatre she auditioned for Bangarra Dance Theatre and was accepted. It was a love affair that would last 15 years. Deborah was not only a dancer in the company, but as a principal muse, performing in 16 original works that travelled to 14 countries across the globe. She also turned her hand to choreography, creating works for the company and mentoring young dancers.In this beautiful conversation, Deborah talks about her early life growing up in Brisbane, auditioning for Bangarra, the first time she met Steven Page, and the 15 years she spent with the Company. But Deborah talks about more than that, about the importance of culture, the pressure and obligations that come with that, and how she ultimately made the decision to find life after Bangarra as both a choreographer and film director.Deborah continues to work with companies and dancers choreographing and directing projects all over Australia. She most recently worked with Bangarra to bring Terrain back to the Sydney Opera House stage 10 years after it debuted. To work with Deborah or to follow all of her adventures, you can find her on Instagram @abrowndeborahDeborah and I recorded remotely, with Deborah dialing in from Queensland on the land of the Gimuy people, to whom we pay our greatest respects. With production on the land of the Gadigal People of the Eora Nation. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

"There is a place between sea and sky - a sacred realm, where the sun rises and falls, and the light is new."

On the eastern edge of the Nullarbor Plain is a deeply spiritual place called Yuldi Kapi, or Ooldea Soak. It's the electrifying starting point for the bold new work from Bangarra Dance Theatre called Yuldea. It's choreographed by Bangarra's new artistic director, Mirning woman Frances Rings.Also, Mary Coustas is the creator of the big-haired, outspoken Greek Australian Effie who first took on the world in a stage show called Wogs Out of Work in 1987. She went on to star in the comedy series Acropolis Now and Mary Coustas continues to perform as Effie in stand-up. Recently, Mary has revealed a new persona on stage: her own, in her one-woman show This Is Personal.

Conversation with Frances Rings, Bangarra Dance Theatre's Artistic Director about Yuldea, her inaugural work at the helm of Australia's preeminent First Nations creative company. In this show, Frances goes back to her Country, Yuldea, situated in the grand sweep of the Great Victorian Desert on the traditional lands of the Anangu peoples. The performance debuted at the Opera House in Sydney in June, has travelled around the country with much acclaim and is about to make a very anticipated arrival in Naarm (Melbourne) and regional Victoria in late September and October as part of the last legs of its national tour.

Frances Rings, chats to NITV Radio about her inaugural year as Artistic Director Bangarra Dance Theatre, her latest work Yuldea and how her family's personal connection inspired this new body of work.

This episode is proudly supported by Monash University, promoting the Masters of Indigenous Business Leadership program, delivered by Monash Business School & The William Cooper Institute. A proud Dunghutti man, Josh has over eight years' experience providing professional services to a wide range of clients across Australia including Federal Government, listed and non-listed entities. Josh is a highly accomplished Chartered Accountant and was the recipient of the 2021 ACT Young Chartered Accountant of the Year award and the Indigenous Leaders Program Scholarship through the Australian Institute of Company Directors. Josh is currently a Senior Manager within Deloitte's Indigenous Services Group. Josh is also a Graduate of the Australian Institute of Company Directors and currently holds and has held a number of Directorships including Bangarra Dance Theatre, the YMCA Canberra, Inaugural Chair and founding member of the Aboriginal and Torres Strait Islander Panel for Charted Accountants Australia and New Zealand, Ausdance ACT, Deputy Chair of the Young Chartered Accountants' Committee. Josh also sits on the National scholarship panel for Chartered Accountant's Australia. Recommendations throughout this episode:  https://www.monash.edu/study/courses/find-a-course/2023/indigenous-business-leadership-b6024 https://www.bangarra.com.au/about/people/joshua-duke/ https://www2.deloitte.com/au/en/pages/about-deloitte/articles/home.html Website: www.blackmagicwoman.com.au Follow us on Instagram - @blackmagicwomanpodcast The Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities.  Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do. If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSee omnystudio.com/listener for privacy information.

The art of scenic design is a craft as old as the theatre itself. Painted cloths, gauze and scenery complete the illusion to which we attend so freely. However, with the advent of technologies, the theatrical experience, which essentially has a responsibility to transport us into other worlds, has seen new and often unsatisfying ways of conjuring this magical immersion. Rod Clarke and Stella Ginsberg are artists who have been constructing and executing the specific craft of the scenic artist for several decades. Their bespoke and alluring art has given dimension, atmosphere and life to stage settings in a most unique and hypnotic manner. It is an art form that is at some risk however, as a new generation of designers begin to explore other avenues of invention to tell their stories. Their craft was inherited from ‘old hands' who generously and responsibly passed on their knowledge of constructing huge canvases. This ensured a dying art was kept alive so that it could continue to enhance precious storytelling. Their work has been experienced and applauded across a range of disciplines and stages - Opera Australia, Bell Shakespeare, Bangarra Dance Theatre, The Elizabethan Theatre Trust, The West Australian Ballet Company, Jupiter's Casino and commercial musicals including Love Never Dies and South Pacific; they've worked with artists Charles Blackman and Sidney Nolan; and performers such as Crowded House and magician Joe Labero. Clarke and Ginsberg set up their own studio and theatrical business, Scenografic Studios, in the 1980s. Their headquarters in Newtown quickly became a location of enormous creativity and hive of activity as the couple and their staff were enlisted to prepare and paint scenery for a vast range of entertainments - pop concerts, operas, plays, dance and musicals. Their talent and experience preserving and celebrating this theatrical craft is to be applauded. Stella and Rod have keenly accepted the challenge of translating an idea on paper to a spellbinding realisation of dramatic effect on the stage. They have completed a magical experience for all of us who have ever sat in a theatre. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Between the 1920s and 1960s many Aboriginal people from Australia's great Western Desert and Kimberley regions were removed from their country and forced into hard labour on livestock stations. Despite this, the Traditional Peoples have maintained strong unbroken connections to their country. Now, Bangarra Dance Theatre's new work Sandsong is bringing their stories and songs to Aotearoa.

Daniel Riley is the newly appointed artistic director of Australian Dance Theatre. Daniel is a proud Wiradjuri man of Western New South Wales. He grew up around Canberra, inspired by the Tap Dogs, learning contemporary dance, ballet, and tap. But it was a chance encounter with ADTs founder, Elizabeth Cameron Dalman, which changed the direction of Daniel's life to one of pursuing dance as a career. He ultimately headed north to study dance at Queensland University of Technology and following graduation and various adventures building his craft around the globe, Daniel joined Bangarra Dance Theatre, where he spent the next 12 years performing, choreographing, and honing his creative skills. In this incredibly open interview, Daniel talks about his childhood in dance, about being bullied, the impact of First Nations' dances, and how he's gearing up to take the helm of the Australian Dance Theatre in 2022.Your host and producer is me, Claudia Lawson, additional production by Penelope Ford, with editing and sound production by Martin Peralta. And for the latest in all things dance, head to fjordreview.com.

If you've seen a performance by Bangarra Dance Theatre in the last 12 years, then you've seen the work of Jacob Nash. Jacob is Bangarra's head of design and he has created the dazzling sets for every Bangarra show since 2010. He is also a key creative force at the Sydney Festival.Also, we hear a performance from the new opera The Priestess of Morphine, based on the life of Baroness Gertrud von Puttkamer who wrote lesbian erotic poems in the early 1900s under the pen name Marie-Madeleine, and we learn about the overlap between theatre and philosophy in Ancient Greece and a new playwriting competition that considers the absence of women in Greek philosophy.

If you've seen a performance by Bangarra Dance Theatre in the last 12 years, then you've seen the work of Jacob Nash. Jacob is Bangarra's head of design and he has created the dazzling sets for every Bangarra show since 2010. He is also a key creative force at the Sydney Festival. Also, we hear a performance from the new opera The Priestess of Morphine, based on the life of Baroness Gertrud von Puttkamer who wrote lesbian erotic poems in the early 1900s under the pen name Marie-Madeleine, and we learn about the overlap between theatre and philosophy in Ancient Greece and a new playwriting competition that considers the absence of women in Greek philosophy.

The incredible Frances Rings, Bangarra's Associate Artistic Director, joins us on this episode of Talking Pointes. A descendant of the Kokatha people, Frances was born in Adelaide and spent her childhood traveling, dancing, and living all around Australia while her father worked on the railways. However, it was a teacher at her boarding school in Queensland that spotted her talent, and encouraged her to audition for NAISDA, the National Aboriginal and Islander Skills Development Association.And so at 18 years of age, Frances boarded a Greyhound bus and traveled the 12 hours to Sydney. In this beautifully raw and personal interview, Frances talks about her journey into dance, her incredible career with Bangarra, and finding confidence in her own body. But Frances talks about more than that. Her onstage connection with the late Russell Page, becoming a mum, and the pressure but also the importance of not only being a female leader, but a First Nations female leader in dance in Australia.Listen here or find us on Apple Podcasts, Google Podcasts, or Spotify.For our Aboriginal and Torres Strait Islander listeners, this episode of Talking Pointes contains the names of people who have passed. Please pause now, if you'd prefer not to hear their names. The Page family have given Bangarra Dance Theatre permission to use their names for the purpose of this interview. And just a trigger warning for this episode, we discuss issues around suicide, so if you'd prefer not to listen or read, please press pause or stop reading now. Your host and producer is Claudia Lawson, additional production by Penelope Ford, with editing and sound production by Martin Peralta. And for the latest in all things dance, head to fjordreview.com.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

Today I am speaking with the divine Deborah Brown. Deborah is a descendant of the Wakaid Clan of Badu Island, the Meriam people of Murray Island, and also has Scottish heritage. Deborah grew up in Brisbane, learning jazz, ballet and tap at her local dance school, while also dancing around the family home learning cultural dance. It was an eye opener to a world she never dreamt could be her career. But after finishing school, Deborah moved to Sydney, and while working as an usher at the Lyric Theatre she auditioned for Bangarra Dance Theatre and was accepted. It was a love affair that would last 15 years. Deborah was not only a dancer in the company, but as a principal muse, performing in 16 original works that travelled to 14 countries across the globe. She also turned her hand to choreography, creating works for the company and mentoring young dancers.In this beautiful conversation, Deborah talks about her early life growing up in Brisbane, auditioning for Bangarra, the first time she met Steven Page, and the 15 years she spent with the Company. But Deborah talks about more than that, about the importance of culture, the pressure and obligations that come with that, and how she ultimately made the decision to find life after Bangarra as both a choreographer and film director.Deborah continues to work with companies and dancers choreographing and directing projects all over Australia. She most recently worked with Bangarra to bring Terrain back to the Sydney Opera House stage 10 years after it debuted. To work with Deborah or to follow all of her adventures, you can find her on Instagram @abrowndeborahDeborah and I recorded remotely, with Deborah dialing in from Queensland on the land of the Gimuy people, to whom we pay our greatest respects. With production on the land of the Gadigal People of the Eora Nation. Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

Conversation with Frances Rings, Bangarra Dance Theatre's incoming artistic director, in Melbourne to mark the company's first performance in Victoria in three years; as part of their national tour of both SandSong: Stories from the Great Sandy Desert and the 10th anniversary of Terrain, choreographed by Frances.

Stephen Page and Francis Rings to reflect on the evolution of Bangarra Dance Theatre and discuss what's next for the company?

Stephen Page and Francis Rings to reflect on the evolution of Bangarra Dance Theatre and discuss what's next for the company?

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history, including Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage. Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

As the ABC celebrates its 90th birthday, we delve into our archives to revisit key moments in Australian performing arts history. Highlights include Laurence Olivier on tour, Nureyev and Fonteyn dancing into Australian hearts and Indigenous theatre taking centre stage.Also, Ian McKellen makes his Australian debut, Dorothy Hewett revolutionises Australian playwriting, Philip Glass writes a piece for organ and didgeridoo and Joan Sutherland records a stupendous La Traviata in a 17th-century Italian theatre.

The Art of Costume Design is a key element in the evolution of a production. The work of the Designer helps to establish the ‘world of the play', the definition and resonance of character, and a ‘skin' in which the performer can execute their best work.Australian Costume Designers, Jennifer Irwin and Julie Lynch have decades of experience helming the aesthetic of attire in a vast repertoire of entertainments across many genres and disciplines.Jennifer Irwin's commissions include over 90 ballets as well as some of the largest scale spectacular productions ever staged in Australia; including the Opening and Closing Ceremonies for the Sydney 2000 Olympic Games, and Francesca Zambello's ‘West Side Story' staged on Sydney Harbour.Jennifer designed the costumes for the International Box office sensation ‘Dirty Dancing' the musical, breaking all pre box office pre sales of any show ever staged in the history of London's West End.Her costume design for the feature film ‘SPEAR' was nominated for an AACTA award in 2017. She was recognized for her contribution to Dance at the Australian Dance Awards ‘Service to Dance' in 2015. Jennifer has designed for Bangarra Dance Theatre since the company's inception.Jennifer's work can currently be seen on the stages of the Sydney Opera House in 3 seperate productions with Bangarra and Opera Australia.Julie Lynch enjoys a successful costume design career spanning 35 years, working with many of Australia's leading directors, including: Neil Armfield, John Bell, Jonathan Biggins, Richard Cottrell, Gale Edwards, Lee Lewis, Elke Neidhardt and Richard Wherrett.She has designed for Australia's leading theatre companies, including: The Sydney Theatre Company, Opera Australia, Belvoir St, Bell Shakespeare, Victoria State Opera, The State Theatre Company of South Australia and Opera South Australia.After a year of teaching young students online during the first wave of COVID-19, Lynch decided to leave her leadership position as Director for Design Practices at the National Institute of Dramatic Art (NIDA) to pursue her passion for Visual Art and has loved every minute.A great discussion ensued at STAGES ‘Live' dissecting the process of the designer and exploring the immense possibilities presented with Costume Design.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Bangarra Dance Theatre's award-winning Terrain is a hymn to Country.

Bangarra Dance Theatre's Frances Rings explains how Kati Thanda inspired one of her most acclaimed works. And centenarian Uncle Wes Marne shares his debut collection of poetry, Through Old Eyes.

My guest is Alana Valentine. Alana Valentine is a multi-award winning playwright Librettist and screen writer. Her works include:-  The Sugar house, Ladies Day, Paramatta Girls, Letters to Lindy, Barbara and the Camp Dogs with Ursula Yovich which is being adapted to the screen and won both a 2019 Helpmann Award and 2020 Green Room Award for Best Original Score, as well as a Helpmann for Best Musical and Green Room for Best New Australian Work. Also Alana is a long time dramaturg with Bangarra Dance Theatre and most recently worked on Wudjang Not the Past for Sydney Festival . She has recently worked on Watershed: The Death of Dr Duncan, writing the libretto with Christos Tsiolkas and was directed  by Neil Armfield for Adelaide Festival. She has more than 20 published works including two books of non-fiction including BOWERBIRD: The art of making theatre drawn from life (2018). She has written for radio television and screen and is here to talk about ….Wayside Brides - Till the 29th May, 2022.

Start your day the right way, with a stimulating discussion of the latest news headlines and hot button topics from The Advertiser and Sunday Mail. Today, hear from Royce Kurmelovs, Claudia Paul and Jo Dyer. Royce Kurmelovs is a journalist and writer whose work has been published by the ABC, CNN, BBC, Al Jazeera English, VICE, and The Guardian. Royce's bestselling first book, The Death of Holden, was published in 2016, followed by Rogue Nation and Boom and Bust. His latest book is Just Money. Claudia Paul is an Aboriginal woman descending from the Wiradjuri people of central New South Wales, and is the third Indigenous Rhodes Scholar.   She is undertaking a DPhil in Musculoskeletal Science at Magdalen College, Oxford. In 2018, she graduated with a MSc in International Health and Tropical Medicine from Magdalen College, Oxford.  Claudia also holds a Master of Traumatology from the University of Newcastle, and a Bachelor of Medicine, Bachelor of Surgery (MBBS) from the University of Adelaide. Claudia has worked as a doctor with Hunter New England Local Health District and was previously a Student Representative for the Australian Indigenous Doctors Association.  Jo Dyer is currently Director of Adelaide Writers' Week.  She has held leadership roles at national cultural institutions including Sydney Writers' Festival, Sydney Theatre Company and Bangarra Dance Theatre and her freelance productions have been staged at venues including the Sydney Opera House, Brooklyn Academy of Music, the National Centre for the Performing Arts in Mumbai and the legendary Tropicana Hotel in Las Vegas. A two-time nominee for Best Picture at Australia's AACTA awards, Jo's films have won awards and screened worldwide, notably at the Berlin International Film Festival. Jo's first book, Burning Down the House: Reconstructing Modern Politics, was published in February 2022 as part of Monash University Publishing's In the National Interest series. See omnystudio.com/listener for privacy information.

Featuring Stephen Page, Director, Choreographer & Co-Writer of Wudjang: Not the Past and Artistic Director of Bangarra Dance Theatre.

In a groundbreaking new production, Bangarra has collaborated with the Sydney Theatre Company, to present Wudjang: Not the Past  as part of the Sydney Festival. It's the final production for Bangarra's long-term artistic director Stephen Page who is due to handover the reigns early next year after more than thirty years in the role. 

Wudjang : Not the Past is Stephen Page's swan song after 30 years at the helm of Australia's First Nation company, Bangarra Dance Theatre. This production is their biggest yet; a contemporary corroboree of story, poetry, song, dance and music, told by twenty-six performers on stage. This is a new work and as the last in Stephen's long career as Artistic Director of Bangarra Dance, the pressure is on to create his crowning achievement in a short eight weeks where it will premier at Sydney Festival, a huge cultural event that takes place across Sydney in January. The work lives close to Stephen's experience of family, drawing on his father's lost language of Mibinyah from Yugambeh Country and the songlines of his Aboriginal heritage. It's a work that addresses ancestors and new knowledge and connects the past with the present. It's a fusion of form that elevates and strengthens the continent's troubled culture and moves from the land and ritual to the stage. Join Regina Botros as she follows Stephen in his creative process from conception to completion. She'll also talk with the other creatives in this very collaborative production including; award winning co-writer Alana Valentine, composer Steve Francis, designer Jacob Nash and dancer Daniel Mateo. Wudjang: Not The Past is the first co-production between Bangarra Dance Theatre, until recently, Australia's only First Nations company and Sydney Theatre Company.

Elaine Crombie is a powerhouse of an actor and singer on stage and screen. Her new role sees her performing with Bangarra Dance Theatre in Wudjang: Not the Past — a co-production with the Sydney Theatre Company at the Sydney Festival.Also, we're joined by Bangarra's artistic director Stephen Page and his recently announced successor Frances Rings and we visit Australian artists from Circa currently navigating a tangled web of border closures and health measures on tour in Europe.

Elaine Crombie is a powerhouse of an actor and singer on stage and screen. Her new role sees her performing with Bangarra Dance Theatre in Wudjang: Not the Past — a co-production with the Sydney Theatre Company at the Sydney Festival. Also, we're joined by Bangarra's artistic director Stephen Page and his recently announced successor Frances Rings and we visit Australian artists from Circa currently navigating a tangled web of border closures and health measures on tour in Europe.

Elaine Crombie is a powerhouse of an actor and singer on stage and screen. Her new role sees her performing with Bangarra Dance Theatre in Wudjang: Not the Past — a co-production with the Sydney Theatre Company at the Sydney Festival. Also, we're joined by Bangarra's artistic director Stephen Page and his recently announced successor Frances Rings and we visit Australian artists from Circa currently navigating a tangled web of border closures and health measures on tour in Europe.

Daniel Riley is the newly appointed artistic director of Australian Dance Theatre. Daniel is a proud Wiradjuri man of Western New South Wales. He grew up around Canberra, inspired by the Tap Dogs, learning contemporary dance, ballet, and tap. But it was a chance encounter with ADTs founder, Elizabeth Cameron Dalman, which changed the direction of Daniel's life to one of pursuing dance as a career. He ultimately headed north to study dance at Queensland University of Technology and following graduation and various adventures building his craft around the globe, Daniel joined Bangarra Dance Theatre, where he spent the next 12 years performing, choreographing, and honing his creative skills. In this incredibly open interview, Daniel talks about his childhood in dance, about being bullied, the impact of First Nations' dances, and how he's gearing up to take the helm of the Australian Dance Theatre in 2022.Your host and producer is me, Claudia Lawson, additional production by Penelope Ford, with editing and sound production by Martin Peralta. And for the latest in all things dance, head to fjordreview.com.

The incredible Frances Rings, Bangarra's Associate Artistic Director, joins us on this episode of Talking Pointes. A descendant of the Kokatha people, Frances was born in Adelaide and spent her childhood traveling, dancing, and living all around Australia while her father worked on the railways. However, it was a teacher at her boarding school in Queensland that spotted her talent, and encouraged her to audition for NAISDA, the National Aboriginal and Islander Skills Development Association.And so at 18 years of age, Frances boarded a Greyhound bus and traveled the 12 hours to Sydney. In this beautifully raw and personal interview, Frances talks about her journey into dance, her incredible career with Bangarra, and finding confidence in her own body. But Frances talks about more than that. Her onstage connection with the late Russell Page, becoming a mum, and the pressure but also the importance of not only being a female leader, but a First Nations female leader in dance in Australia.Listen here or find us on Apple Podcasts, Google Podcasts, or Spotify.For our Aboriginal and Torres Strait Islander listeners, this episode of Talking Pointes contains the names of people who have passed. Please pause now, if you'd prefer not to hear their names. The Page family have given Bangarra Dance Theatre permission to use their names for the purpose of this interview. And just a trigger warning for this episode, we discuss issues around suicide, so if you'd prefer not to listen or read, please press pause or stop reading now. Your host and producer is Claudia Lawson, additional production by Penelope Ford, with editing and sound production by Martin Peralta. And for the latest in all things dance, head to fjordreview.com.

Stephen Page is a force of nature. As artistic director for Bangarra Dance Theatre, he's told the stories of Indigenous Australia through movement, for more than thirty years. Bangarra began in the late 80's, but it was Stephen's appointment as the first Aboriginal artistic director that shaped what it has become today. And the story of Bangarra is not only one of dance, but of brothers. Stephen comes from a big family in Meanjin. A descendent of the Nunukul people and the Munaldjali clan of the Yugambeh Nation. Two of his brothers came with him to Sydney, to Gadigal Land, and would shape what he did from that moment forth. His younger brother Russell was renowned for his incredible talent, and a body that could express story like no other. Older brother David, was the songman. He composed beautiful scores to every Bangarra production, laced with language and culture, until his death in 2016. Stephen has a big story, so I was hugely grateful when he joined me to Take 5 and share it. His theme, was unbroken songs. The music that had marked big moments in his life, and continued the stories of him and his culture. From Elvis to Rihanna to his brother's beautiful compositions, this is a heartfelt conversation about family, storytelling, and passion. Elvis Presley – Jailhouse Rock Warumpi Band – Fitzroy Crossing David Page – Gift (from Bangarra's 2003 work “Bush”) Whitney Houston – Why Does it Hurt So Bad Rihanna – Love on the Brain

Advancing Treaty processes in Queensland and SandSong, the lastest creative work from Bangarra Dance Theatre.

Bangarra Dance Theatre's latest production is a story of cultural resilience in the face of adverse Government policy.

Flick Ford, Paul Anthony Nelson and special guest, Daniel James (presenter of Triple R's 'The Mission') interview director Simon Maxwell Johnson and review his new film HIGH GROUND (2020) as well as new releaseFIRESTARTER: THE STORY OF BANGARRA DANCE THEATRE dir. Nel Minchin and Wayne Blair (2020).Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Can thousands of years of Australian agricultural practices be translated into dance? This week, Bangarra Dance Theatre takes on Bruce Pascoe's revision of pre-colonial Australian resource management as it premiers Dark Emu.