Podcasts about next reel

Tyler Johns and Lance Taylor are back on The Next Reel for a movie-packed episode featuring weekend watch recaps, classic film talk and a confession-style main topic: famous movies they somehow still have not seen. Before revealing their biggest movie blind spots, Tyler and Lance break down what they watched recently, including Alfred Hitchcock's Strangers on a Train, the brand new Toy Story 5, the legacy of Toy Story, the 1984 adventure drama The Bounty, reviewing The Death of Robin Hood, the classic western High Noon, an Apple TV thriller and more. Then, the guys dive into a list of their most surprising movie blind spots — popular films, all-time classics, sports favorites, comedies, thrillers and pop-culture staples that everyone assumes they have seen, but somehow missed. Some picks are shocking because of how iconic they are. Others are embarrassing because they fit perfectly into each host's taste. And a few will make you ask: “How have you never seen THAT?” The guys also discuss how certain movies become part of pop culture even if people have never actually watched them, why some classics feel impossible to avoid, and whether knowing the quotes, scenes or reputation of a movie counts as truly knowing it. What famous movie have YOU somehow never seen? Drop your biggest movie blind spot in the comments.

Just because critics love a movie doesn't mean everyone else has to. In this episode of The Next Reel, Lance Taylor and Tyler Johns take aim at some of the most praised movies of the last several decades with their list of Movies Critics Loved… But We Hated. Every movie discussed in the main list scored 85% or higher on Rotten Tomatoes, but Lance and Tyler believe some of these critical darlings are boring, overrated, overhyped, confusing, or just not as great as their reputation suggests. The show also opens with recent movie talk, including thoughts on The Batman, Highlander, 10 Cloverfield Lane, Fast Charlie, The World According to Garp, and Disclosure Day. If you love movie rankings, Rotten Tomatoes debates, overrated movie lists, film criticism, Oscar debates, superhero movie arguments, and hot takes on classic films, this episode is for you. Tell us in the comments: what is the most overrated movie critics love? Subscribe to The Next Round and follow The Next Reel for more movie reviews, rankings, and entertainment debates. #TheNextReel #OverratedMovies #RottenTomatoes #MovieReviews #FilmDebate #MoviePodcast #CriticalDarlings SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Brooks Carter: /BrooksACarter Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Spielberg is seventy-nine years old, and he just made the movie where the government finally stops lying about aliens. Disclosure Day caps the loose trilogy he started with Close Encounters and E.T. — private awe, then childhood friendship, and now a global broadcast that yanks the curtain back on all of it. This month the Film Board gathers to toss about whether the old master still has the magic.Full spoilers, of course. The panel digs into Emily Blunt and Josh O'Connor as the searching heart of the thing, Colin Firth's body-hopping menace, the cosmic-FaceTime dinner table, a train sequence that actually pays off its punchline, and a panic attack they call of the most accurate they've ever seen on screen. They argue the device nobody understands (Duraflame theory included), the news-station climax, and a big-swing ending that stops cold at the moment of disclosure and whispers a single word.Then the larger brawl: whether a 79-year-old's plea for empathy and transparency lands in a cultural moment where the same disclosure could just as easily become a hunting license.The Film Board is a monthly deep-dive on new releases, part of The Next Reel family of film podcasts.Want to hear more? Over on Make Me A Nerd…Disclosure Day is the back half of a Spielberg conversation Steve already started. Over on Make Me a Nerd, Mandy hands him the mic for Close Encounters of the Third Kind — one of his top five films of all time — and gets the full package: curiosity, obsession, government lies, blinking lights, and questionable parenting. It's the hunger for connection that Disclosure Day spends fifty years catching up to. Mandy arrives late to the party, but by the end she understands exactly why this movie meant — and still means — so much. If you want the origin point of every instinct this new one is paying off, that's the room.Make Me A Nerd • Close Encounters with Steve SarmentoOver on The Next Reel…Pete Wright and Andy Nelson took Close Encounters apart for the Next Reel's Original Sci-Fi series — the three existing cuts of the film, what's different, why the changes were made, and which to watch — plus an older-and-wiser reckoning with how the parenting of both Roy and Gillian now feels incredibly poor. The private-awe-versus-government-stonewall DNA that Disclosure Day scales up to a global broadcast starts right here. The Next Reel • Close Encounters of the Third Kind

Cinematographer Nicole Hirsch Whitaker, ASC was in the tenth grade when her English teacher screened “The Conformist” on a film print. A single scene—a car moving through trees, shot by Vittorio Storaro—changed the direction of her life. Now an Emmy-nominated cinematographer with credits spanning Netflix's record-breaking “One Piece” and the Spirit Award-nominated feature “Dust Bunny,” Nicole brings a career built on visual intelligence to Bernardo Bertolucci's 1970 psychological thriller.Andy Nelson and Pete Wright dig into Storaro's color-as-psychology approach, the fascist architecture that makes bodies feel small on screen, and the forest sequence that echoes across decades into the Coen brothers and Roger Deakins. Nicole also talks about the 3:1 aspect ratio on “Dust Bunny” and why scope is worth fighting for in a world designed for phone screens. Her word for “The Conformist”: elegant darkness.

Lance Taylor and Tyler Johns are back with another episode of The Next Reel, and this time they are taking on one of the best debates in movie fandom: what movies did critics get completely wrong? Before getting to their Top 5 lists of movies critics hated but they personally love, Lance and Tyler recap everything they watched recently, including classic films, thrillers, horror, comedies, reboots, franchise movies, box office surprises, and nostalgic favorites. This episode covers everything from classic Clint Eastwood crime thrillers like Dirty Harry and Magnum Force, to the tense Nicole Kidman thriller Dead Calm, the disappointing return of Scary Movie 6, the messy Masters of the Universe reboot, and a theatrical rewatch of The Backrooms. Lance and Tyler also break down the massive box office success of Obsession, a low-budget film that exploded into a nearly $200 million phenomenon, and compare its word-of-mouth success to some of the biggest movie surprises of all time. Then, the guys dive into the main event: a spoiler-safe countdown of their favorite movies that received harsh reviews, low critic scores, or poor Rotten Tomatoes ratings — but still deserve love from real movie fans. Are critics too harsh on certain genres? Do comedy, action, nostalgia, and crowd-pleasing blockbusters get unfairly dismissed? And are there some so-called “bad movies” that are actually great? If you love movie reviews, film podcasts, Rotten Tomatoes debates, underrated movies, cult classics, rewatchable films, nostalgic favorites, bad reviews vs audience scores, and passionate arguments about the movies critics got wrong, this episode of The Next Reel is for you. Drop your favorite movie that critics hated but you still love in the comments. Did Rotten Tomatoes get it wrong? Are critics out of touch? Or are some movies just more fun than their reviews suggest?

On this episode of The Next Reel, hosts Lance Taylor and Tyler Johns dive into a packed movie and streaming conversation before counting down their Top 5 favorite directorial debut films of all time. The episode begins with Lance and Tyler breaking down their latest theater and streaming viewings, including the Alabama-made horror hit Obsession, the viral horror phenomenon Backrooms, the highly recommended Project Hail Mary, the dark Apple TV comedy Maximum Pleasure Guaranteed, the Clint Eastwood cult classic Any Which Way But Loose, and Tyler's premium theater experience watching The Mandalorian. Then, the guys shift into a movie countdown built for serious film fans: the greatest first films from legendary directors. Which debut movies made the list? Which iconic filmmakers started their careers with a masterpiece? And who had the better Top 5: Lance Taylor or Tyler Johns? From horror and crime thrillers to animation, action, drama, and classic cinema, this episode of The Next Reel is full of film debate, movie history, streaming recommendations, theater reactions, and passionate picks for anyone who loves movies. Drop your own list of the best directorial debut films in the comments!

What are the greatest space movies of all time? On this episode of The Next Reel, Lance Taylor and Tyler Johns count down their personal Top 5 space-themed movies, debating the sci-fi classics, blockbuster adventures and cinematic experiences that best capture the mystery, danger and spectacle of outer space. Before the countdown, Lance and Tyler recap what they watched over the weekend. Tyler shares his thoughts on the new theatrical Star Wars adventure, Star Wars: The Mandalorian and Grogu, and whether seeing Din Djarin and Grogu on the big screen brings the franchise back to the fundamentals that made it special. He also reviews the horror movie Passenger and explains why its pacing and repeated jump scares missed the mark. Lance discusses Billy Wilder's film noir classic Double Indemnity, revisits the Academy Award-winning Amadeus, and breaks down Hearts of Darkness: A Filmmaker's Apocalypse, the documentary about Francis Ford Coppola's chaotic production of Apocalypse Now. Plus, a harmless night watching Homeland somehow ends with red wine in Maddie's eyes. Then it is time for the main event: Lance and Tyler each reveal their Top 5 movies set in space. Which films made the cut? Which selections caused the biggest debate? And did they agree on the number one space movie ever made? Watch the full countdown and let us know your own Top 5 space movies in the comments. Like this video and subscribe to The Next Round for more episodes of The Next Reel, featuring movie reviews, television reactions, entertainment rankings and pop culture debates with Lance Taylor and Tyler Johns. #TheNextReel #SpaceMovies #SciFiMovies #TheMandalorianAndGrogu #StarWars #MovieRankings #MovieReviews #TheNextRound SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Brooks Carter: /BrooksACarter Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Seven years after The Rise of Skywalker, the saga finally got off the couch, and what it brought back was a tin-canned dad, a green gremlin, and a teenage Hutt with a glandular disorder. The Film Board lands split right down the middle, mostly in the affectionate way. Everyone agrees the adventures of Grogu are the heart of the thing. Everyone also agrees the plot is thin enough to read a newspaper through, and that this plays less like a movie than like the best three episodes of a Mandalorian season nobody got to make.Pete, JJ, and Ocean are joined by Matthew Fox, host of the Star Wars Generations podcast, and the table works through all of it: whether a jacked, English-speaking Rotta the Hutt is the dumbest swing or the most heroic one (Ocean is buying, Pete is not), why Sigourney Weaver got cast in a role that forgot to be a character, the Martin Scorsese cameo that weirdly lands, and the swamp sequence where Grogu plays caretaker to a poisoned Mando and the whole room finally forgets it is watching a puppet. Ocean makes the case for television as the franchise's natural home, Pete keeps glancing over his shoulder at Andor, and somebody floats the idea of just letting Matthew run Lucasfilm.The scores are in, and the panel landed in a tight cluster. Ludwig Göransson's score gets the home-run vote. The swole Hutt gets the side-eye.Connect with the ShowThe Film Board is part of the Next Reel Family of Film Podcasts. Find everything at thenextreel.com. Follow the show and rate every movie with us at letterboxd.com/thenextreel. Get member-only extended episodes at trustory.fm/join.Watch & DiscoverWatch Now: Apple TV | LetterboxdOriginal Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Pete | JJ | Steve | Tommy | Andy | Ocean Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

What are the most disturbing movies ever made? On this episode of The Next Reel, hosts Tyler Johns and Lance Taylor discuss the latest entertainment news, share what they've been watching recently, and count down their Top 5 Most Disturbing Films. Before the disturbing movies countdown, Tyler and Lance break down their recent watches, including Chef, Homeland, Top Gun: Maverick, The Mandalorian, and the dark new horror film Obsession. From comfort movies and prestige TV to blockbuster sequels, Star Wars, and psychological horror, the guys discuss what is worth watching and what has stuck with them lately. Then, Tyler and Lance reveal their personal lists of the movies that disturbed them the most. This countdown covers horror classics, psychological thrillers, shocking documentaries, brutal dramas, foreign films, and unforgettable endings that leave audiences uncomfortable long after the credits roll. What movie disturbed you the most? Drop your pick in the comments, like the video, and subscribe to The Next Round for more episodes of The Next Reel with Tyler Johns and Lance Taylor. #movies #movie #moviereviews #movierecap #DisturbingMovies #HorrorMovies #MovieDiscussion #Top5Movies #MovieReview #EntertainmentNews #horror Learn more about your ad choices. Visit megaphone.fm/adchoices

Roger Fires is a production designer—”Nobody”, “Violent Night”, “Psycho Killer”—and one of the films he loves most is William Friedkin's “The Exorcist” (1973). He first encountered it not in a theater but through a wall as a child in Brazil, told not to watch and so he listened in the dark. That experience kept him away for nearly twenty years. At thirty he finally watched it and fell completely in love—and the specificity of that arc is what makes this conversation worth your time.Andy and Pete dig into what Roger calls the “unnoticeably good” standard: the refrigerated set, the spatial geometry, the window that marks two deaths and carries the film's entire theological argument. They cover what makes Friedkin's approach—dread over spectacle, religious drama over horror movie—still impossible to replicate, and Roger talks about his work on “Psycho Killer” and the “Scrubs” reboot along the way. 

What are the best movies from six of the greatest directors ever? Lance Taylor and Tyler Johns go filmmaker by filmmaker through the careers of Quentin Tarantino, Martin Scorsese, David Fincher, Paul Thomas Anderson, Stanley Kubrick, and Christopher Nolan to choose the films that best define each director. From Tarantino's pop-culture-changing Pulp Fiction to Scorsese's gangster classic Goodfellas, Fincher's dark thriller Seven, PTA's powerhouse drama There Will Be Blood, Kubrick's horror landmark The Shining, and Nolan's massive historical epic Oppenheimer, this episode is a full movie-lover deep dive. The guys also discuss the difference between a director's “best” movie and their personal favorite, why some films age better than others, and how certain movies reshape an entire genre. Before the main topic, Lance and Tyler review recent viewings including Who Will Stop the Rain?, Marathon Man, Billy Idol Should Be Dead, Hooper, Widow's Bay, Mortal Kombat 2, and Batman Beyond. #BestFilms #BestMovies #LegendaryDirectors #QuentinTarantino #MartinScorsese #ChristopherNolan #StanleyKubrick #DavidFincher #PaulThomasAnderson #PulpFiction #Goodfellas #Oppenheimer #TheShining #TheNextReel #moviereview SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the best foreign language films of all time? On this episode of The Next Reel, Lance Taylor and Tyler Johns review new movies and streaming releases before revealing their personal Top 5 Foreign Language Films — without giving away the full list too early. The guys discuss All Her Fault on Peacock starring Sarah Snook, Dakota Fanning, and Michael Peña, the brutal RZA-directed revenge thriller One Spoon of Chocolate, the Adam Scott horror movie Hokum, the shark survival thriller Deep Water, the upcoming animated mystery The Sheep Detectives, and the London-set heist movie Fuse starring Aaron Taylor-Johnson, Sam Worthington, and Theo James. Then, Lance and Tyler count down their favorite foreign language movies, debating international cinema classics, modern Oscar winners, Korean thrillers, Japanese masterpieces, monster movies, horror favorites, and a few surprise picks. They also share honorable mentions that just missed the cut. Are these the greatest foreign language films ever made? Which foreign movie belongs at No. 1? Drop your Top 5 in the comments. Topics include:

In this episode, we break down our latest television and movie watches before counting down our top five favorite concert experiences of all time, inspired by the energy and nostalgia of Coachella. We start with recent TV and film talk, including Friends and Neighbors Season 2, the new Netflix comedy Big Mistakes starring Dan Levy, and the controversial new season of Euphoria. On the movie side, we discuss Super Mario Galaxy, the 2025 film Heel starring Steven Graham, the classic The Night of the Hunter (1955), and the shark-flood chaos of Thrash. Then the show shifts into a countdown of our all-time favorite concerts, from first-concert memories to unforgettable live performances. We talk Elton John in Las Vegas, Metallica at Soldier Field, Mötley Crüe and Ozzy in 1984, June Jam, Midtown Music Festival, Twenty One Pilots, Wu-Tang Clan and Run the Jewels, Grey Day, Panic! at the Disco, and Judah and the Lion in an intimate brewery alleyway set. If you love TV reviews, movie talk, live music memories, concert rankings, and pop culture conversations with some personality, this episode is for you. #Coachella #Euphoria #DanLevy #MovieReview #TVReview #Concerts #LiveMusic #Metallica #EltonJohn #TwentyOnePilots #TVReview, #MovieReview, #WhatToWatch, #Euphoria, #Netflix, #PopCulture, #Concerts, #LiveMusic, #Top5, #Coachella, #EltonJohn, #Metallica, #TwentyOnePilots, #WuTangClan, #MusicFans Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Next Reel, Lance Taylor and Tyler Johns break down everything they watched over the weekend before revealing their picks for the best off-the-beaten-path organized crime movies you need to see. First, the guys review a wide range of recent watches, including The Killer, The Drama starring Zendaya and Robert Pattinson, The Warriors, The World's End, Something Very Bad is Going to Happen, and Daredevil. Some are easy recommendations, some are divisive, and a few take the conversation in wild directions. Then the show shifts into a curated list of hidden gem crime movies, with Lance and Tyler each sharing their personal top 5 organized crime films that fall outside the usual mainstream picks like The Godfather and Goodfellas. The discussion features titles like Training Day, Menace II Society, Blow, Blood In, Blood Out, American History X, Carlito's Way, In Bruges, Sorcerer, Charley Varrick, and State of Grace. If you love crime movie recommendations, gangster films, mob movies, cult classics, and discovering underrated films that deserve more attention, this is the episode for you. Topics covered in this video:

This week, we're breaking down everything we watched recently and then debating the top 5 greatest movie villains of all time. First, we review a wide range of films, from timeless classics to recent releases. Tyler Johns gives his thoughts on Ben-Hur (1959), The Mummy (1999), They Will Kill You, and The AI Doc: Or How I Became an Apocaloptimist, while Lance Taylor weighs in on Hoosiers, M (1931), Send Help, and Mike and Dave Need Wedding Dates. Some of these movies are easy recommendations, some are fun but flawed, and a couple get absolutely buried. Then we reveal our personal top 5 movie villains ever. Names like Darth Vader, The Joker, Anton Chigurh, John Doe, Calvin Candie, Nurse Ratched, Alex Forrest, and Godzilla all make the conversation. Who is the most iconic villain in movie history? Who is the most terrifying? And who deserves the number one spot? We also talk about a couple of upcoming releases worth watching, including The Drama from A24 starring Robert Pattinson and Zendaya, and the upcoming Super Mario Galaxy movie. If you love movie reviews, classic cinema, thriller talk, and ranking the greatest villains in film history, this episode is for you. Comment below with your top 5 movie villains of all time and let us know which movie we reviewed that you'd most want to watch next. SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive 267,216 Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the most anticipated movies of 2026? In this video, we break down our personal Top 10 lists and talk through the films we cannot wait to see, including Dune: Part Three, Godzilla Minus Zero, Spider-Man: Brand New Day, The Odyssey, Clayface, The Social Reckoning, The Death of Robin Hood, Digger, The Hunger Games: Sunrise on the Reaping, and Coyote vs. ACME. We also recap some of the recent media we've been watching, from the Night Stalker Netflix docuseries to Peaky Blinders, plus reactions to new releases like Ready or Not 2: Here I Come and Project Hail Mary, which sparked some of the biggest praise of the week. This is a full movie discussion for film fans who love rankings, trailers, release date talk, casting updates, sequels, franchise films, prestige directors, and big-screen event movies. From Christopher Nolan and Denis Villeneuve to blockbuster franchises and surprise wild cards, we're diving into the movies that have us most excited for 2026. Drop your Top 10 in the comments and let us know which 2026 release you think will be the biggest hit. Topics covered:

The Oscars are over, and we're breaking down everything from the biggest winners and biggest surprises to our personal Top 10 movies of 2025. In this episode, we recap the biggest moments from the 2026 Oscars, including Amy Madigan's surprise win for Weapons, Sean Penn taking home another Oscar for One Battle After Another, Michael B. Jordan winning Best Actor, and Paul Thomas Anderson dominating the night with Best Picture and Best Director. Before the awards talk, we also review the movies we watched over the weekend, including Undertone, Argo, Dracula (2025), and The Great Santini. Then we each reveal our Top 10 films of 2025, featuring titles like Bugonia, Frankenstein, Sinners, Bring Her Back, One Battle After Another, Chainsaw Man: The Movie, Rental Family, and more. If you love Oscars reactions, movie rankings, film analysis, and year-end best-of lists, this episode is for you. Topics covered:

On this episode of The Next Reel, Tyler Johns and Lance Taylor break down everything they've been watching lately and make their Oscars 2026 predictions for the biggest categories. The guys recap a wide range of films, from legendary classics to buzzy new releases. Lance talks about seeing Kill Bill Vol. 1 & 2 as one epic theatrical experience, plus first-time watches of On the Waterfront and The Good, the Bad and the Ugly. Tyler reviews The Bride, Hoppers, The Secret Agent, and the new Guillermo del Toro Frankenstein, which both hosts rave about as one of the best takes on the classic story ever put to screen. They also touch on War Machine, the animated short Snow Bear, the Bob Probert documentary, and The Rolling Stones Rock and Roll Circus, while Tyler shares early thoughts on Daredevil and previews the upcoming A24 horror film Undertone. Then it's time for awards talk as Tyler and Lance give their picks for:

Tyler Johns and Lance Taylor are back talking movies, TV, and what's worth your time—from a fresh Scream 7 theater trip to deep-cut classics and streaming picks on the FIRST episode of The Next Reel! In this episode:

Dracula may never stay dead, but his film incarnations sure evolve—or devolve—across decades. In this episode, Kyle Olson guides Pete Wright, Kynan Dias, and Tommy Metz III through three flavors of Dracula: Bram Stoker's Dracula (1992), Dracula 2000, and Dracula Untold.They dig into Coppola's sweaty gothic melodrama, where Oldman chews the scenery and Keanu Reeves gets chewed out. Then it's on to Dracula 2000, where Gerard Butler's vampire has some serious history, and finally Dracula Untold, where Luke Evans broods his way through a Marvel-ified antihero origin story.The team debates: Is Dracula sexy? Is he even supposed to be? Is he best as a metaphor for carnal desire, theological vengeance, or medieval honor? And what happens when you declaw the monster in hopes of building a cinematic universe?Kyle signs off with a legacy worthy of the Count himself, and Tommy reveals next month's theme: rug-pulling horror films with Barbarian, Strange Darling, and the legendary British TV special Ghostwatch.Film SundriesThe List on LetterboxdWatch the movies discussed:Bram Stoker's Dracula: Apple • Amazon • LetterboxdDracula 2000: Apple • Amazon • LetterboxdDracula Untold: Apple • Amazon • LetterboxdThe Drac Pack (00:00) - Welcome to Sitting in the Dark (08:41) - Bram Stoker's Dracula (34:41) - Dracula 2000 (50:36) - Dracula Untold (01:09:11) - The Drac Pack (01:15:44) - But Kyle promised immortality! (01:17:42) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

The Film Board Gathers! And this time… it's for Superman. Yes, again. James Gunn has rebooted the Big Blue Boy Scout for the 37th time (give or take), and this version comes with a sunnier tone, a superpowered dog, and—brace yourself—feelings. Actual feelings.David Corenswet slips into the tights with impressive sincerity, Rachel Brosnahan delivers the Lois Lane we didn't know we desperately needed, and Nicholas Hoult's Lex Luthor is basically what would happen if Mark Zuckerberg and Elon Musk had a baby, and that baby grew up to weaponize STEM fairs and jealousy. It's weird. It's bright. It's shockingly heartfelt. And yes, there's a kaiju fight.Pete Wright, Kyle Olson, Rob Kubasko, Ocean Murff, and Tommy Metz III tackle it all—like the ethics of punching countries, the physics of pocket universes, and the sheer audacity of making Jimmy Olsen a ladies' man. One of them cried, one of them gave it five stars, and one of them may never emotionally recover from the Siberian super-gulag.Also discussed: Silver Age comic book weirdness, the trauma of seeing Superman bleed, why Supergirl is a lush, and whether this movie actually pulled off the impossible—making DC fun again without being a total mess.Links & Notes

The gang of thugs dons their most practical jungle gear and reluctantly boards the biotech boat for Gareth Edwards' Jurassic World Rebirth. Scarlett Johansson leads a mission to harvest dinosaur DNA in what Universal hopes is the beginning of a new trilogy—but does this franchise still have life in its genetic code, or has it gone full dino-extinct?In this episode, Pete Wright, Steve Sarmento, Tommy Metz III, Justin “JJ” Jaeger, and Mandy Kaplan unpack everything from ADR overload and missing velociraptors to why this script might have been written by a chatty AI trained exclusively on soft reboots and midday sarcasm. They examine the film's visual flatness, its confused tone, the tragic misuse of Mahershala Ali, and the shocking absence of smart kids—the emotional compass of the good Jurassic movies.There's plenty of laughter, frustration, and jalapeño cheddar popcorn as the panel debates whether the soul of this franchise can ever be resurrected. Spoiler alert: if dinosaurs had a peanut allergy, this movie would be their Snickers bar.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

This Pride Month edition of Sitting in the Dark shines a lavender light on the long-standing but often invisible relationship between horror cinema and queer identity. Host Kynan Dias traces horror's appeal to outsiders—particularly LGBTQ+ viewers—who find coded representation in monsters, victims, and the margins of genre storytelling.The episode dives deep into three genre-defining films.The Bride of Frankenstein (1935)James Whale's campy sequel is reevaluated as a foundational queer text. The panel explores how Whale, an out gay director, infused the film with coded themes of same-sex companionship, rejection, and theatricality. From Dr. Pretorius's foppish villainy to the Bride's brief, iconic scream, the film is bursting with subtext—much of it retroactively interpreted through the lens of queer longing and societal othering. The group also riffs on Whale's tonal whiplash, Elsa Lanchester's cultural impact, and why “We belong dead” might be the most tragic queer line in horror history.A Nightmare on Elm Street 2: Freddy's Revenge (1985)Often derided as a messy sequel, this film is now embraced by many as a camp classic of queer horror. The conversation covers the now-notorious creative denials around its subtext, the dynamic between actor Mark Patton and the filmmakers, and the striking presence of a “final boy” whose journey blurs lines between possession, repression, and queer awakening. The film's overt homoeroticism—locker rooms, leather bars, and sweaty dance sequences—is discussed not just for laughs, but as meaningful queer coding in the Reagan-era horror landscape. The panel also reckons with Freddy as a metaphor for internalized shame, and what it means when a horror film can't quite let its subtext become text.Titane (2021)Winner of the Palme d'Or and easily the most divisive film of the trio, Titane pushes the panel into complex conversations about gender fluidity, body horror, and the relationship between performance and identity. Is this a trans allegory? A critique of binaries? Or just a deeply weird tale of trauma and transformation? The hosts wrestle with the film's ambiguity, discussing its uncompromising visuals, unexpectedly tender surrogate father-son relationship, and what it means to build a chosen family amidst radical bodily change. Some saw it as alienating; others, transcendent. All agreed: this one will be analyzed for decades.This episode doesn't wrap everything up with a rainbow bow—and that's the point. Horror isn't tidy, and queerness rarely comes with clean lines or clear labels. But if you've ever felt like the monster, the final someone, or the person who's just a little too into the firetruck, this conversation might feel like coming home. Or at least like sitting in the dark with people who see what you see.Film SundriesThe List on LetterboxdWatch the movies discussed:The Bride of Frankenstien: Apple • Amazon • LetterboxdA Nightmare on Elm Street 2: Freddy's Revenge: Apple • Amazon • LetterboxdTitane: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:05) - Coded Queer Horror (10:03) - Dealing with the Morality Police (16:21) - Bride of Frankenstein (35:14) - A Nightmare on Elm Street Part 2: Freddy's Revenge (53:55) - Titane (01:21:46) - Coming Attractions: The Drac Pack Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Wes Anderson's The Phoenician Scheme crash-lands into theaters with a symmetry—and we're here to unpack the wreckage. Benicio Del Toro plays Anatole “Zsa-Zsa” Korda, a morally exhausted arms dealer who survives a plane crash and decides, rather abruptly, to become a better man. His daughter, a nun (played with unsettling calm by Mia Threapleton), may be his salvation. Or his reckoning. Or both. Along for the ride: Michael Cera as a soft-spoken entomologist, a council of multinational bureaucrats with murderous intent, and Bill Murray as God (in grayscale, naturally).Pete Wright hosts this morally ambiguous briefing with fellow operatives Tommy Metz III and Steve Sarmento, as they parse Anderson's most spiritually ambitious and physically violent film to date. There are questions—big ones. Is this Cain and Abel by way of a TWA departure lounge? Why does forgiveness feel like a conference call?We dig into the film's sumptuous craft, its emotional architecture, and the performances that hold it all together with linen thread and murmured apologies. If you've ever wanted to see a man seek redemption through dinner parties, aerial espionage, and awkward family reunions, this one's for you.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“When you're scared all the time, you reach a point when you wish you were dead.”Talking About Takeshi Kitano's Sonatine with our guest, Production Designer Liz BischofProduction designer Liz Bischof joins Movies We Like to discuss Sonatine, Beat Takeshi's 1993 meditative yakuza film that masterfully blends moments of shocking violence with poetic contemplation. As a special guest who has worked on projects ranging from Broadway's Aladdin to Apple TV+'s See, Bischof brings unique insights into the film's visual language and thoughtful approach to production design.In our wide-ranging conversation, Bischof shares her journey from props maker for international opera companies to production designer for film and television. She discusses her recent work on A Nice Indian Boy and upcoming thriller Getaway starring Jason Biggs in his directorial debut, before diving deep into why Takeshi Kitano's Sonatine left such a lasting impression on her when she first saw it at the Rotterdam Film Festival. The film's minimalist aesthetic, strategic use of color (particularly in the red and blue motifs), and carefully composed shots that often feel like still life paintings exemplify what draws her to this unique take on the yakuza genre.The discussion explores how Kitano, primarily known as a comedian in Japan at the time, crafted this deliberately paced crime drama about a tired gangster (played by Kitano himself) sent to Okinawa. The film's remarkable middle section, where the characters retreat to a beach and briefly recapture moments of childhood play, provides a stark contrast to the inevitable violence that bookends the story. Bischof particularly appreciates how the film's production design reinforces themes through its use of gritty, fluorescent-lit spaces in the city scenes versus the poetic beauty of the beach sequences.Sonatine remains a masterpiece of 90s Japanese cinema that rewards patient viewers with its unique blend of violence, humor, and existential meditation. Our conversation with Liz Bischof illuminates how the film's thoughtful design choices and visual poetry continue to influence and inspire filmmakers and designers nearly 30 years after its release.Film SundriesWatch this episode on YouTube!Find Liz on her website, her Instagram, or on IMDbWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailer Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Pete Wright hosts a brutally personal Mother's Day episode of Sitting in the Dark, joined by regular co-conspirators Kyle Olson, Kynan Dias, and Tommy Metz III, as they dig into three films that ask a profoundly unsettling question: What if Mom is the monster?We start with Run (2020), a film that's more “Lifetime original” than it has any right to be. It's clean, tight, and distressingly effective. Sarah Paulson's performance is terrifying not because she twirls her mustache but because she doesn't have one. And newcomer Kiera Allen rolls (yes, rolls) away with the movie by doing exactly what her character does best—staying two clever steps ahead.Next, Goodnight Mommy (2014). Austrian, austere, and absolutely harrowing. It's a film about maternal misrecognition, grief-fueled delusion, and the dangers of not labeling your twins' toothbrushes. There's a twist, and if you see it coming, that won't make the third act any less of a gut punch. It's what happens when grief curdles, and no one's left to explain bedtime.And then: mother! (2017). Darren Aronofsky's symphonic descent into allegorical madness. Sure, it's “about” the Bible. It's also about climate change. It's about patriarchy, artistic ego, and the cosmic price of hospitality. Or maybe it's just a guy on a cocaine bender writing a play he'll never finish. Whether you think it's pretentious or profound (hint: it's both), one thing is clear—Jennifer Lawrence earns every ounce of your attention and maybe a few gallons of blood.Across these three films, the panel explores how motherhood in horror isn't just about nurture gone wrong. It's about architecture—both of the home and the psyche. It's about women who are worshipped, consumed, blamed, and erased. And yes, sometimes it's about cockroaches.Films Discussed:Run (2020) – dir. Aneesh ChagantyGoodnight Mommy (2014) – dir. Veronika Franz & Severin Fialamother! (2017) – dir. Darren AronofskyComing AttractionsFor Pride Month, Kynan's curating a trio of queer-coded and queer-explicit horror: from the monstrous repression of Nightmare on Elm Street 2, to the camp and creaturehood of Bride of Frankenstein, to the raw queer body-horror ballet of Titane. You won't want to miss it.Film SundriesThe List on LetterboxdWatch the movies discussed:Run: Apple • Hulu • LetterboxdGoodnight Mommy: Apple • Amazon • Letterboxdmother!: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (08:05) - The Horror Bond of Motherhood (15:41) - Run (32:43) - Goodnight Mommy (49:39) - Mother! (01:09:49) - Coming attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Are you tired of superheroes who always do the right thing? Exhausted by teams that save the day and, dare we say it, have a plan? This month, The Film Board dives into Marvel's Thunderbolts—the super squad you get when you order the Avengers from the bargain bin. Pete Wright is joined by Mandy Kaplan, Justin Jaeger, Tommy Metz III, and Steve Sarmento for a roundtable that spoils everything, celebrates Florence Pugh's star turn, and debates whether more MCU movies should end with a hug instead of a fistfight.We dig into the surprising emotional depth, the ensemble's knack for both grounded action and found-family pathos, and a Taskmaster controversy that set the chat ablaze. The conversation covers what works for Marvel die-hards and superhero newbies alike, why Florence Pugh and Lewis Pullman might be the new MVPs of the MCU, and how Jake Schreier's direction finds the sweet spot between earnest and absurd. Along the way, you'll hear our takes on trauma, group dynamics, and Julia Louis-Dreyfus's master class in playing Marvel's most maladaptive Nick Fury. This is a rare comic book movie that's as interested in grief and group therapy as it is in punching things.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“All your followers are blind, Too much heaven on their minds, It was beautiful but now it's sour, Yes it's all gone sour.”Talking About Jesus Christ Superstar with our guest, editor Lucy DonaldsonFilm editor Lucy Donaldson joins Andy Nelson and Pete Wright to discuss Norman Jewison's bold 1973 musical adaptation Jesus Christ Superstar and share insights from her impressive editing career. From working on acclaimed projects like Ma to recent hits like A Haunting in Venice, Donaldson brings her expert perspective to analyzing what makes this unconventional rock opera work so magnificently on screen.In this entertaining and insightful conversation, Donaldson opens up about her journey in the film industry, from her early days at the National Film and Television School to assisting on major productions at Blumhouse before landing breakthrough editing opportunities. The discussion explores the collaborative nature of film editing, working with directors, and how test screenings help shape the final cut. The conversation then dives deep into Jesus Christ Superstar, examining how Jewison's creative vision of hippie performers telling the Biblical story in the Israeli desert creates a uniquely compelling cinematic experience. From the magnetic performances of Ted Neely as Jesus and Carl Anderson as Judas to the bold editing choices and striking cinematography, the group analyzes what makes this controversial film continue to resonate decades later.With its daring artistic choices, memorable musical numbers, and raw emotional power, Jesus Christ Superstar remains a fascinating piece of cinema that challenges conventional storytelling. Through Donaldson's thoughtful analysis and personal connection to the film, we gain new appreciation for this groundbreaking rock opera that shouldn't work on paper but absolutely triumphs on screen. This engaging discussion with a talented editor offers wonderful insights into both the craft of film editing and the enduring impact of bold artistic vision.Film SundriesWatch the conversation on YouTubeLucy's WebsiteWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Welcome, you depraved ghouls and ghost enthusiasts, to another episode of Sitting in the Dark—the podcast where we ask the truly vital horror questions, like, “Is this house cursed by restless spirits, or is it just what happens when unresolved trauma and black mold get into a knife fight?” This week, host Tommy Metz III is joined by fellow ghost provocateurs Pete Wright, Kynan Dias, and Kyle Olson to dig into haunted house horror—though not just your average “the walls are bleeding, but let's still stay the night” tales. No, we're talking haunted spaces—as in, Session 9, Ouija: Origin of Evil, and The Others—three films that prove the scariest thing in any building isn't the wallpaper peeling off the walls… it's the emotional wreckage you brought with you.Tommy kicks things off with a haunted homage to asbestos removal (yes, really), leading a deep dive into Brad Anderson's Session 9—the only film that will make you afraid of abandoned hospitals and David Caruso's dramatic whisper-acting. Then it's on to Mike Flanagan's miraculous studio rescue, Ouija: Origin of Evil—the rare horror prequel that's smarter than its brand deal, sharper than its title suggests, and way too good to be based on a board game. Finally, the gang closes the coffin lid on Alejandro Amenábar's The Others, Nicole Kidman's masterclass in weaponized repression, ghostly guilt, and why sunlight is overrated anyway.Along the way, expect critical mass levels of hot takes on ghost psychology, asbestos-based metaphors, PG-13 trauma horror, and why the real haunted house is sometimes the one you build inside your own mind. So pull the blackout curtains tight, polish your crucifixes, and maybe call your therapist—because tonight, we're not just sitting in the dark. We are the dark.Film SundriesThe List on LetterboxdWatch the movies discussed:Session 9: Apple • Amazon • LetterboxdOuija: Origin of Evil: Apple • Amazon • LetterboxdThe Others: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:32) - Do you LOVE Ghost Stories (10:02) - Thinking about Haunted House Tales (16:28) - Session 9 (24:20) - Mysterious Peanut Butter (26:04) - Session 9 (35:43) - Ouija: Origin of Evil (55:16) - The Others Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

For nearly a century, horror films have told us a story—one of terror, of survival, of the inevitable confrontation between innocence and brutality. But there's one story, in particular, that has evolved in ways both subtle and seismic: the story of the Final Girl.It begins in the shadows, in the screams of Janet Leigh, in the wide, terror-stricken eyes of Jamie Lee Curtis. The Final Girl is the last one standing, the one who fights back, who outwits the killer, who survives. But survival is never just survival, is it? It's transformation.It's a reckoning. And it's a mirror reflecting the anxieties of the era.In this episode of Sitting in the Dark, Kyle Olson takes us on a journey—a journey that moves from the early days of horror's damsels-in-distress to the fierce, unrelenting heroines of the modern era. With Pete Wright, Tommy Metz III, and Kynan Dias by his side, the discussion turns to three films that redefine the trope for the 21st century: Prey (2022), Sweetheart (2019), and The Invisible Man (2020).What do these films tell us about the evolution of gender in horror? How does the Final Girl of today differ from her predecessors? And perhaps most intriguingly, why are these stories—stories written by men—resonating so deeply with audiences yearning for something different?From the jungles of Prey to the desolate island of Sweetheart to the omnipresent, unseen menace of The Invisible Man, this is an exploration of fear, of power, and of the ghosts that refuse to be ignored. Because in horror, as in life, survival is never just about making it to the end. It's about what you become along the way.Film SundriesWatch the movies discussed:Sweetheart: Apple • Amazon • LetterboxdThe Invisible Man: Apple • Amazon • LetterboxdPrey: Apple • Amazon • LetterboxdHer Body, Himself: Gender in the Slasher Film by Carol J. Clover (00:00) - Welcome to Sitting in the Dark (07:20) - Sweetheart (21:22) - Prey (42:38) - The Invisible Man (01:04:05) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Talking About Michael Schaack's Felidae with our guests, Deaf Crocodile's Dennis Bartok and Craig RogersJoin us for a fascinating conversation with Dennis Bartok and Craig Rogers, co-founders of Deaf Crocodile Films, as we explore their journey in film restoration and distribution, culminating in their latest release—the 1994 German animated noir Felidae. From their early days working together at Cinelicious Pictures to launching Deaf Crocodile during the pandemic, these passionate film preservationists have rescued nearly 70 films from obscurity thus far.The heart of our discussion centers on Felidae, a dark animated detective story following Francis, a cat who moves to a new neighborhood only to find himself embroiled in a series of gruesome murders. The film, based on the first of Akif Pirinçci's novel series, pushes boundaries with its mature themes, graphic violence, and surprising commentary on eugenics. We dive deep into the challenging restoration process, including the race against time to preserve the deteriorating original negative, and the fascinating history of this ambitious international animation project that featured Boy George on its soundtrack.Beyond Felidae, Dennis and Craig share incredible stories about their other restorations, including the rediscovery of Solomon King, a lost 1974 black action film they found through its soundtrack album. They discuss their philosophy on film restoration, the challenges of securing rights to forgotten films, and their commitment to preserving cinema history while making these works accessible to modern audiences.This episode offers a rare glimpse into the world of film restoration and distribution, highlighting how passionate individuals are working to save important pieces of cinema history. Felidae stands as a prime example of their work—a unique, challenging animated film that deserves to be rediscovered by modern audiences, and we had a wonderful time discussing it with these dedicated film preservationists.Film SundriesCheck out Deaf Crocodile!Tune in to The Official Deaf Crocodile PodcastFind Deaf Crocodile on Instagram, Bluesky, and TwitterFind Dennis on IMDbListen to Pete's and Andy's conversation about Gangs of Wasseypur Part 1 and Part 2 on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Dead Mountaineer's Hotel on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Kin-Dza-Dza! on The Next Reel Film PodcastWatch our conversation on YouTube!Find other places to watch this at JustWatchScript OptionsTheatrical trailer (restoration version)Original MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Welcome to Sitting in the Dark, the podcast that illuminates the shadowy corners of horror cinema. This month, your host, Kynan Dias, and a coven of his most insightful monster aficionados – Pete Wright, Kyle Olson, and Tommy Metz III – go under the sheets into a chillingly erotic realm: the intersection of horror and sex.Now, we're not talking about the gratuitous, the exploitative. No, this is a deeper dive, a plunge into the murky waters where fear and desire intertwine. Think of it as the uncanny valley of emotion – that unsettling space where repulsion and attraction collide.Our cinematic subjects? A trio of films that span decades and genres, each offering a unique perspective on this monstrous ménage à trois. First, we confront the hallucinatory, emotionally raw world of Andrzej Żuławski's Possession. Isabelle Adjani's Cannes-winning performance anchors this psychosexual nightmare, a film that pushes the boundaries of body horror and marital breakdown. Prepare for tentacles. Prepare for existential dread. Prepare to question everything you thought you knew about love and divorce.Next, we shapeshift into Mike Nichols' Wolf, a film that explores the beast within. Jack Nicholson's transformation from corporate drone to lycanthrope becomes a metaphor for unleashed primal instincts.Finally, we sink our teeth into Karen Kusama's Jennifer's Body. This darkly comedic horror-satire tackles the complexities of female desire and monstrous appetites. Megan Fox, as the titular Jennifer, embodies the seductive power of the demonic feminine, a force that both allures and devours.Film SundriesPossession: Apple • Amazon • JustWatchWolf: Apple • Amazon • JustWatchJennifer's Body: Apple • Amazon • JustWatch (00:00) - Welcome to Sitting in the Dark (03:22) - Sexy, Sexy Monsters (07:22) - Possession (26:04) - Wolf (47:59) - Jennifer's Body (01:11:54) - Coming Attractions: Last Woman Standing Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Enigmatic whispers in the Oregon woods. A father's love, twisted and gnarled. This isn't your grandmother's werewolf story. Because she probably killed the wolf and made his pelt into a coat, AmIRight?Pete, Tommy, and Steve venture into the shadowy heart of Leigh Whannell's Wolfman, a film that dares to ask: what if the monster within isn't just fur and fangs, but the inherited burden of family, the gnawing anxieties of parenthood, and the terrifying erosion of self? Forget silver bullets and full moons. This is a descent into the primal, a claustrophobic exploration of generational trauma played out in a remote farmhouse, where the walls close in as quickly as the darkness.And yet, the crew wrestles with the film's unrealized potential on almost every point, the tantalizing promise of thematic depth ultimately yielding to a sense of hollowness. So, is it a poignant meditation on the fragility of connection? Or a missed opportunity?Ok, it's mostly the second one. Mostly. Listen in to learn just how much, though!Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

What makes a single movie become a phenomenon? What is it about certain films—films that arrive in theaters, scare the daylights out of us, and then stay with us—that transforms them into franchises spanning decades? Why does one horror film birth sequels, spin-offs, reboots, and even TV shows, while others fade quietly into obscurity?Picture this: a young boy receives a doll for his birthday, only to discover it's inhabited by the spirit of a serial killer. Elsewhere, a teenager falls asleep, only to find herself hunted by a burned man in a striped sweater who kills through dreams. And, in another corner of horror lore, a puzzle box opens the doors to a realm of sadistic creatures who blur the line between pleasure and pain. These, taken on their own, sound mostly ridiculous.Child's Play, A Nightmare on Elm Street, and Hellraiser. These three films became more than just singular stories—they evolved into worlds. Worlds filled with iconic characters like Chucky, Freddy Krueger, and Pinhead, names that transcend the genre to become part of pop culture itself. But how?Why do some horror films captivate us so deeply that we want to revisit their worlds, again and again? Why do we keep coming back to the dolls, the dream-demons, and the interdimensional sadists? Unforgettable villains? Unique and terrifying concepts? Marketing? Or is it something deeper—something they reflect about us, about our society, about our fears?Today, we're going to explore this question by diving into these three legendary horror films as we take on First Frights this month on Sitting in the Dark with Pete Wright, Kynan Dias, Kyle Olson, and Tommy Metz III. (00:00) - Welcome to Sitting in the Dark (04:39) - First Frights (08:05) - A Nightmare on Elm Street (26:20) - Hellraiser (46:59) - Child's Play (01:06:28) - Coming Attractions: Sexy, Sexy Monsters! Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Is Amazon's $250 million Christmas blockbuster Red One a fresh take on holiday magic, or a cynical cash grab? Join Pete and guest Matthew Fox as they unwrap this action-packed holiday film starring Dwayne "The Rock" Johnson and Chris Evans. From buff Santas to beach-fighting snowmen, this episode explores how Hollywood's attempt to "Marvelize" Christmas might have missed the spirit of the season.Did Red One forget what makes Christmas special? We dive deep into how the movie's attempt to universalize Santa Claus across all cultures reveals a concerning lack of cultural awareness. The hosts explore why forcing Christmas onto everyone – including those who don't celebrate it – feels particularly tone-deaf in our current social climate.What happens when you mix Marvel-style action with holiday mythology? We examine how J.K. Simmons' surprisingly buff Santa and the movie's fresh take on Krampus reshape traditional Christmas lore. The discussion weighs whether these creative choices enhance or diminish the heart of Christmas storytelling.This episode brought to you by:LevelUp LightsaberAudible Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

From the blood-soaked sands of the Colosseum to the hushed halls of the Senate, a shadow looms large over the Roman Empire. It's not the specter of barbarian hordes, but something far more insidious: a sequel. Ridley Scott returns to the world of gladiators and emperors, but is this triumphant return, or a tragic stumble?On this episode of The Film Senate, Pete, Steve, Justin, and Tommy grapple with the cinematic beast that is Gladiator 2. The whispers started early – Denzel Washington, an acting titan, seemingly adrift in a sea of CGI sharks and misplaced baboons. Could this truly be the legacy of Maximus Decimus Meridius?Join us as we whack away at the film's triumphs and failures, exploring the delicate balance between historical epic and over-the-top spectacle. We'll certainly talk performances, from Paul Mescal's stoic Lucius to Denzel's enigmatic Senate leader, a man seemingly battling his own wardrobe as much as the forces of corruption. And along the way, we'll ponder the questionable editing choices, the abrupt cutaways, the lingering shots of… two emaciated dogs?Is Gladiator 2 a worthy successor to the throne, or a pretender destined for the thumbs down? Enter the arena and decide for yourself. But be warned, you may never look at a baboon the same way again. TWO EMPERORS!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Richard Connell's 1924 short story, "The Most Dangerous Game," continues to haunt and inspire filmmakers nearly a century later. Its chilling premise of a wealthy sportsman hunting humans for sport has resonated through decades of cinema, influencing countless horror and thriller narratives. Join Kyle and his subjects, Pete, Kynan, and Tommy, as they embark on a thrilling exploration of this enduring tale and its impact on modern film.This episode of "Sitting in the Dark" focuses on three distinct cinematic interpretations of the "man hunting man" theme, each offering a unique perspective on the source material. The discussion begins with "The Hunt" (2020), a big-budget action thriller starring Betty Gilpin and Hilary Swank. The hosts dissect the film's controversial reception, its exploration (or lack thereof) of class warfare and political commentary, and the effectiveness of its fast-paced, often brutal action sequences. They debate whether the film's slick Hollywood production enhances or detracts from its core message.Next, the group turns to "Get Duked!", a British horror-comedy that subverts expectations with its unique rhythm and youthful energy. The hosts praise the film's performances, its exploration of class dynamics, and its ability to make the vast Scottish Highlands feel terrifying. They also highlight the surprising subplot involving a local DJ and his unexpected audience.Finally, the discussion shifts to "Run Sweetheart Run," a film that tackles the horrors of being a woman in a world of toxic masculinity. The hosts commend the movie's refusal to be voyeuristic in its depiction of violence against women, while debating the effectiveness of its supernatural elements. They also explore the film's themes of privilege, survival, and the societal constraints faced by women.Throughout the conversation, Kyle and his co-hosts offer insightful analysis and personal reflections on the enduring appeal of the "hunting humans" narrative. They examine how these films tackle issues of class, gender, and power dynamics while delivering thrills and scares. The episode serves as a thought-provoking exploration of how a nearly century-old story continues to shape and inspire modern horror cinema.Film SundriesRead The Most Dangerous Game by Richard ConnellWatch the movies discussed:The Hunt: Apple • Amazon • JustWatchGet Duked: Apple • Amazon • JustWatchRun Sweetheart Run: Apple • Amazon • JustWatch (00:00) - Welcome to Sitting in the Dark (03:46) - The Most Dangerous Game (08:21) - The Hunt (26:50) - Get Duked (41:39) - Run Sweetheart Run (01:11:17) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

"Joker: Folie à Deux" has arrived, and with it, a cacophony of critical dissonance. Is it a cinematic triumph or an expensive folly? This week on The Film Board, Pete Wright, Steve Sarmento, and Tommy Metz III grapple with the sequel's perplexing identity. From the sterile confines of the courtroom to the surreal bursts of musical fantasy, the film dances between genres, leaving audiences and critics alike in a state of bewildered contemplation.The panel dissects the film's curious obsession with its predecessor, questioning whether "Folie à Deux" truly stands on its own or merely exists as a reaction to the first film's cultural impact. They delve into Joaquin Phoenix's mesmerizing, yet arguably repetitive, performance, exploring the nuances of a character teetering on the precipice of sanity. Lady Gaga's portrayal of Harley Quinn, a departure from her usual flamboyant persona, also sparks debate. Is it a nuanced performance or a miscasting?And what about the film's exorbitant budget? The crew is left pondering whether the visual spectacle justifies the cost. In a world saturated with superhero narratives, does "Joker: Folie à Deux" offer a meaningful commentary on society, or is it simply a beautifully crafted, yet ultimately hollow, exercise in style? Tune in for a discussion that explores the film's artistic merits, its narrative flaws, and its potentially enduring enigma.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“The reason, Mr. Gashade, for the hunt is the kill.”A Low-Budget Western from the Corman-Hellman-Nicholson TrioAfter impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting, our second installment and member bonus episode.Unraveling the Mysteries of The ShootingIn this episode, we delve into the enigmatic world of The Shooting, discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era.The Corman Connection and the Film's Place in Cinema HistoryWe discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting, along with its companion piece, Ride in the Whirlwind, served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s.A Divisive Film: Contrasting OpinionsWhile Andy enjoyed The Shooting, finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre.Other Topics Covered in the EpisodeThe film's status as one of the first "acid Westerns"The symbolic and metaphorical elements woven throughout the narrativeThe effective use of the stark Utah landscape to convey isolation and despairStandout (?) performances from the cast, including Will Hutchins and Millie PerkinsA Thought-Provoking and Unconventional WesternWhile Andy appreciated The Shooting's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman's passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesNew Glossary Term: Casablanca MovieWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you'd love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.

“She doesn't know it yet, but she's hunting us.”How a Virus Spreads Through LanguageThe 2008 Canadian horror film Pontypool, directed by Bruce McDonald and written by Tony Burgess, was inspired by Orson Welles' famous radio broadcast of War of the Worlds. Originally, Burgess envisioned the entire film as a radio play, with the main character Grant Mazzy reading the script accompanied only by a visual of the blue waveform. While this concept wasn't fully realized, it heavily influenced the confined, constrained storyline of the radio station employees trying to make sense of the outbreak consuming their small town. Join us – Pete Wright and Andy Nelson – as we continue the Disease Films series with a conversation about Pontypool.Dissecting the Viral Outbreak in PontypoolOne of the most intriguing aspects of Pontypool is how the horror unfolds through the limited perspective of the radio station employees. As Grant Mazzy, Sydney Briar, and Laurel-Ann Drummond receive increasingly disturbing reports from Ken Loney in the "Sunshine Chopper," the tension builds before the true nature of the viral outbreak is revealed. The film's unique approach to storytelling keeps the audience engaged, even when the explanation for the virus itself may seem a bit far-fetched.Throughout our discussion, we explore the metaphorical implications of a virus that spreads through the English language. As a Canadian film, Pontypool seems to comment on the value of traditionalism and the French language in Ontario, while also critiquing the potentially damaging influence of American shock jock radio. The film's central conceit – that language itself can become contagious and dangerous – resonates even more strongly in today's era of social media and misinformation.Other Highlights from Our ConversationThe wordplay and coincidences in Grant Mazzy's opening monologue, foreshadowing the importance of language in the storyThe debate over whether Grant Mazzy was infected by the virus at the end of the filmThe role of Dr. Mendez as the "book of the vampire," providing exposition and context for the outbreakThe powerful portrayal of Laurel-Ann's deterioration, offering a window into the effects of the virusPontypool may not be a perfect film, but its clever premise and thought-provoking themes make it a worthwhile entry in the Disease Films series. By confining the action to the radio station and relying on reports from outside, the movie creates a sense of claustrophobia and dread that keeps the audience engaged despite the sometimes flimsy explanation for the virus itself. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“I think, therefore I scam.”The Sundance Struggle of Wendell B. Harris Jr.'s Sensational Con Artist StoryIn 1989, writer-director-actor Wendell B. Harris Jr. crafted a stunning debut feature, Chameleon Street, based on the incredible true story of con artist William Douglas Street Jr. Despite winning the Grand Jury Prize at the 1990 Sundance Film Festival, Harris faced immense difficulties securing distribution for his groundbreaking film. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Chameleon Street.Unraveling the Layers of a Chameleon's TaleThroughout our discussion, we dive into the fascinating layers of Chameleon Street, from its energetic and in-your-face production style to the subversive commentary on race and identity. We explore how Harris Jr. taps into the con artist's perspective, using voiceover narration and camera techniques to create a thrilling cinematic experience that keeps the audience engaged from start to finish.As part of our One-and-Done series, we also delve into the unfortunate reality of Harris Jr.'s struggle to make more films after this impressive debut. Despite his undeniable talent and the film's critical acclaim, the Hollywood system failed to provide him with the opportunities he deserved.Unpacking the Complexities of Identity and RepresentationThe film's thought-provoking exploration of race and the challenges faced by a black man navigating various roles in societyHarris Jr.'s masterful performance as William Douglas Street Jr., showcasing the con artist's chameleon-like abilitiesThe movie's subversive humor and biting social commentary, particularly in scenes where Street Jr. openly insults his unsuspecting targetsThe film's propulsive narrative structure, which keeps the audience engaged as the protagonist moves from one audacious scheme to anotherA One-and-Done Wonder Worth RediscoveringChameleon Street is a testament to Wendell B. Harris Jr.'s immense talent as a filmmaker and storyteller. Through his deft handling of the subject matter and innovative storytelling techniques, Harris Jr. crafts a compelling and thought-provoking exploration of identity, race, and the art of the con. While it's disheartening that he never had the chance to make another feature film, Chameleon Street remains a powerful and essential piece of cinema that deserves to be celebrated and rediscovered by audiences today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Well I'll be greased and fried! What's the circus doing up in these parts?”The Chiodo Brothers and Their Creature Feature LegacyBefore Killer Klowns from Outer Space, the Chiodo Brothers – Charles, Edward, and Stephen – had already made a name for themselves in the special effects world of the 1980s. With credits on films like Critters and sequences in RoboCop, they were well-versed in creating practical effects and creature designs. Killer Klowns from Outer Space represented an opportunity for them to showcase their skills in a feature-length film, with Stephen Chiodo taking on the role of director. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about their 1988 film Killer Klowns from Outer Space.Clowning Around with Horror Tropes and Twisted ExpectationsIn our discussion, we marvel at how Killer Klowns from Outer Space gleefully subverts classic clown tropes, turning seemingly innocent gags into sinister and often grotesque moments. From the balloon animal hunting dog to the shadow puppet T-Rex that devours its victims, the film consistently surprises and delights with its inventive use of clown iconography. However, we question whether the horror-comedy balance always lands, with some scenes leaning more heavily into the absurd than the truly frightening.A Trio of Heroes and the Trope of Incompetent Authority FiguresThroughout our conversation, we explore the dynamics between the film's central trio – Mike, Debbie, and Dave – and how their relationships evolve as they face the alien clown threat. We also examine the trope of young heroes pitted against incompetent authority figures, a common theme in 1950s-era B-movies that Killer Klowns from Outer Space both embraces and satirizes.Other topics we cover include:The memorable performances of the supporting cast, particularly Royal Dano as Farmer Gene Green and John Vernon as the skeptical police officerThe film's vibrant color palette and the effectiveness of the practical effectsThe Chiodo Brothers' continued work in the industry, including their involvement in Team America: World Police and Marcel the Shell with Shoes OnWhy Killer Klowns from Outer Space Endures as a Cult ClassicDespite its status as a one-and-done feature for director Stephen Chiodo, Killer Klowns from Outer Space has endured as a beloved cult classic. Its unique blend of horror and comedy, combined with the Chiodo Brothers' imaginative creature designs, has helped it stand the test of time. While it has some soapy acting and feels of its era, we ultimately find Killer Klowns from Outer Space to be a delightful and entertaining entry in the realm of 1980s horror-comedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.”Bruce Lee's One-and-Done Showcase of Martial Arts MasteryIn 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon, a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon.Exploring the Comedic Side of Kung Fu and the Legendary Bruce LeeIn our discussion, we delve into the humor infused throughout The Way of the Dragon, from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale.The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“You didn't mean it. You never mean it. You didn't mean it the time when you put up the bouquet with the 'get well' card in the funeral parlor, and sent the black lilies to the old lady in the hospital, you didn't mean it.”Roger Corman's 38th Film in 5 YearsThe year was 1960. The American movie landscape was dominated by Westerns, sword-and-sandal epics, and Rock and Roll musicals. But in the underbelly of Hollywood, a different kind of movie was brewing. This was the era of exploitation cinema, and Roger Corman was its undisputed king. With a knack for spotting talent and squeezing every penny out of a budget, Corman churned out low-budget genre films at an astonishing rate. The Little Shop of Horrors was one of them. Join us – Pete Wright and Andy Nelson – as we kick off our Member Bonus Roger Corman series with a conversation about his 1960 film The Little Shop of Horrors.Don't Feed the JokesIn this episode, we dig into the fascinating backstory of how The Little Shop of Horrors came to be, a film shot in just two days on a set borrowed from another Corman production, A Bucket of Blood. We marvel at Corman's legendary efficiency and his ability to create entertaining films on a shoestring budget. We also discuss the film's unique blend of horror and comedy, noting how the comedic elements ultimately overshadow the horror, making for a surprisingly funny viewing experience. We analyze the film's sharp, witty dialogue, packed with puns, wordplay, and topical references that would have resonated with audiences in 1960.Other Buds to Snip From This ConversationJack Nicholson's small but memorable roleThe film's connection to the later stage musical and film adaptationThe somewhat effective practical effects used to bring Audrey Jr. to lifeThe film's lasting legacy as a cult classicThe differences between the original ending and the ending of the musicalThe Little Shop of Horrors is a fascinating time capsule of early 1960s filmmaking and a testament to Roger Corman's ingenuity and talent. It's a fun, fast-paced, and surprisingly funny film that holds up remarkably well today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you'd love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.

“How can you tell what's a dream or what's real when you can't even tell when you're awake or when you're asleep?”Dalton Trumbo's Controversial Anti-War ClassicIn 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen. The film marked Trumbo's directorial debut and only feature film as director. Set during World War I, the story follows a young American soldier who becomes a quadruple amputee after being hit by an artillery shell. Trumbo's powerful critique of war and its devastating effects on soldiers resonated strongly in the Vietnam War era. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Johnny Got His Gun.Locked-In Horror: A Haunting Tale of War's CasualtiesWe dive deep into the film's harrowing portrayal of Joe Bonham, played by Timothy Bottoms, as he struggles with his horrific injuries and loss of autonomy. The movie's exploration of disability rights and the dehumanization of wounded veterans sparks a thoughtful discussion. We examine how Trumbo's adaptation differs from his novel, particularly in its use of flashbacks and dream sequences to break up the claustrophobic hospital scenes. While we appreciate the film's powerful anti-war message, we debate the effectiveness of some of its more surreal elements.Other points of discussion include:• Timothy Bottoms' compelling performance as Joe Bonham• The impact of Jason Robards as Joe's father• Donald Sutherland's portrayal of Christ in dream sequences• The film's bleak ending and its emotional impact• Comparisons to other "locked-in" films like The Diving Bell and the Butterfly• Trumbo's transition from novelist to filmmakerA Thought-Provoking Journey Through War's AftermathJohnny Got His Gun remains a powerful and disturbing examination of war's human cost. While we found some aspects of the film more effective than others, we agree that it's an important work that continues to resonate decades after its release. Its unflinching look at the physical and psychological toll of combat makes it a challenging but worthwhile viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“I don't have anything. Never did have anything. Never will have anything.”The Tale of Barbara Loden's Unsung MasterpieceIn the late 1960s, actress Barbara Loden came across a newspaper article about a woman on trial for bank robbery who thanked the judge for her sentence. Perplexed by what could drive a woman to such a point, Loden crafted a story that would become her sole feature film, Wanda. Despite being married to acclaimed director Elia Kazan, Loden struggled to get the film made, eventually scraping together a meager budget and shooting on 16mm. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Wanda.A Portrait of Aimlessness and Apathy in Rural AmericaOn the surface, Wanda may seem like a bleak and meandering character study, but it's precisely those qualities that make it such a fascinating film. We dive into Loden's raw, cinema verité-style approach to storytelling, which eschews traditional Hollywood structure in favor of a more naturalistic portrayal of its titular character's directionless existence. From her passive acceptance of a divorce that leaves her children in the care of their father to her listless drift into a life of crime with a small-time thief, Wanda's journey is one of quiet desperation and longing for purpose.Throughout our discussion, we grapple with the film's deliberate pacing, sparse cinematography, and lack of a traditional character arc. While Pete finds the film's unrelenting bleakness and Wanda's apparent lack of agency challenging, Andy argues that the film's power lies in its unflinching portrayal of a marginalized woman's experience.Wanda may not be an easy watch, but it remains a powerful and uncompromising portrait of a woman adrift in a world that offers her little in the way of hope or purpose. Barbara Loden's singular vision and commitment to telling an untold story make this a film that demands to be seen and discussed. Despite our differing reactions to the film, we both agree that Wanda is a work of undeniable importance and a testament to Loden's talent as a filmmaker. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Now that you know everything about me, you still love me?”A Twisted Love Story and a Director's Only FilmThe Honeymoon Killers, released in 1970, is a crime drama based on the real-life story of Raymond Fernandez and Martha Beck, the infamous "Lonely Hearts Killers" who murdered as many as 20 women in the 1940s. The film was originally set to be directed by a young Martin Scorsese, but after a start too slow for the budget, the project was handed over to the producer's friend and roommate Leonard Kastle, a composer and opera director with no prior filmmaking experience. Kastle had written the screenplay and so was asked to also direct the film, which would be his only foray into the world of cinema. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Honeymoon Killers.Discussion PointsThe film's low-budget, black-and-white aesthetic and its impact on the overall atmosphereThe sequences directed by Martin Scorsese and how they fit into the larger narrativeThe real-life story of the "Lonely Hearts Killers" and how the film adapts and fictionalizes certain elementsThe film's controversial and provocative marketing campaign, including its sexually charged posterOliver Wood's striking cinematography in his first solo job, particularly the powerful closeups that heighten the film's emotional intensityA Singular Vision Worth RediscoveringDespite its grim subject matter and challenging characters, The Honeymoon Killers remains a fascinating and singular work of cinema, one that showcases Leonard Kastle's unique vision, the fearless performances of its lead actors, and Oliver Wood's evocative cinematography. It's a shame that Kastle never directed another film, as his debut suggests a talent for crafting complex, emotionally charged stories that push the boundaries of conventional Hollywood storytelling. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

“Why can't anybody hear me?!”The Fascinating Origins of a Classic Horror FilmIn the early 1960s, director Herk Harvey stumbled upon an abandoned amusement park in Salt Lake City, sparking the idea for what would become the classic horror film Carnival of Souls. With a shoestring budget and a cast of mostly unknown actors, Harvey set out to capture the haunting atmosphere of that desolate park. Join us – Pete Wright and Andy Nelson – as we kick off the One-and-Done series with a conversation about Harvey's 1962 film Carnival of Souls.Exploring the Liminal Space Between Life and DeathOur discussion of Carnival of Souls delves into the film's unique storytelling approach and its exploration of the space between life and death. We examine how the protagonist, Mary Henry (played by Candace Hilligoss), navigates this liminal space after surviving a tragic car accident, and how her experiences blur the lines between reality and the supernatural.Throughout our conversation, we touch on:The effective use (overuse?) of organ music and striking visual imageryThe ambiguity of certain scenes and their room for interpretationThe film's influence on later horror moviesA Timeless Classic That Continues to CaptivateDespite its low budget and relatively unknown cast, Carnival of Souls has endured as a classic of the horror genre. Its haunting imagery, ambiguous storytelling, and exploration of existential themes continue to captivate audiences decades after its initial release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchCheck out An Occurence at Owl Creek BridgeScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Apply these ASAP and you'll see your Reels stats BLOW UP!The inspo for this episode: https://www.instagram.com/p/C6W7oczu9wl/The 1M views reel: https://www.instagram.com/reel/C0zG04gu0QU/+ DM me @marieewold with the words 'GRID GLOW UP' for the pre-pre-sale for my next Instagram mini course!