Podcasts about full size run

On the 82nd episode of Shirley's Temple, I sat with Trinidad James, best known for his viral smash “All Gold Everything.” Listen as we discuss opening his own store in Atlanta, owning over 1000 sneakers, Kendrick Lamar shouting him out in “Bitch Don't Kill My Vibe” remix, why Complex' Full Size Run ended after 18 seasons & more! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Sneaker History Podcast, Mike and Nick talk with Matt Welty to discuss the evolution of sneaker culture and media. They reflect on their early days in sneaker journalism, the importance of documenting sneaker history, and the generational shifts in sneaker appreciation. The conversation also touches on the mainstreaming of sneaker culture and the challenges faced by sneaker writers today. In this conversation, the speakers delve into the evolution of sneaker content creation, discussing the rise of platforms like Full Size Run and the challenges of maintaining authenticity in sneaker media. They explore the intersection of sneaker culture with broader societal themes, the personal connections formed through podcasting, and the changing landscape of sneaker critique. The discussion highlights the importance of genuine opinions and the impact of social media on public perception. In this conversation, the hosts discuss the challenges of dealing with negativity in the digital space, the importance of sharing personal journeys related to faith and fitness, and how sneakers serve as a medium for deeper connections and meaningful relationships. They reflect on their experiences and the impact they can have on others, emphasizing the significance of authenticity and the joy of giving back.Watch This Episode on Patreon

This week we welcome Conway to the podcast to talk kicks. We talk about his time working on Full Size Run, we also touch on where he grew up. The sneaker scene in his hometown and places he has lived at. His career route and how it all stemmed from sneakers. His love for Jordan's and of course the shoe that started it all. Great episode this week! Where to Find Conway: Socials: @AirConway Support the pod by downloading DROPS and COLLECT by SoleSavy: DROPS https://links.solesavy.com/myfirstkicks COLLECT https://links.solesavy.com/myfirstkickscollect    Podcast Linktree: https://linktr.ee/myfirstkicks   Music by Gordon Bombay: https://thegordonbombay.bandcamp.com/ (Cop something and tell him we sent ya!)

From Complex's Full Size Run to the Nappy Boy Radio Podcast, Mr. All Gold Everything, Trinidad James is here to celebrate a major career milestone. 2023 marks the tenth year of his career and he's taking us through the journey! Trinidad James, T-Pain, and the crew do a deep dive into the brands that shaped our fashionable guest in our Top 5 segment. He also poses the question, would you talk to Kanye West in a hookah lounge if you were the only ones at the bar? Find out the answers and get your fashion game up in this insane new episode! Thanks to our sponsors: Al Capone = Al Capones are the most sought-after leaf wraps used for rolling. They are the only wraps in the market that have a double leaf. Slow Burning for a great smoking experience. To find Al Capone's near you go to www.alcaponewrap.com Starbucks = Tune in to moments that matter with the uplifting boost of Starbucks Mocha Frappuccino Chilled Coffee Drink. Available now, online or wherever you buy groceries. Pluto Tv = Drop in. Watch Free. Watch 250+ channels of free TV and 1000's of on-demand movies and TV shows.

This episode: bottomless Modelo, PSLF program, Full Size Run, cash making cash, NBA Playoffs, Burning Man Festival, Rihanna rumors, NYC subway shooter theory, The Brett Favre scandal and much much more. ENJOY!!

On today's episode, Tony sits down with Trinidad James to talk all about his Saucony collaboration, his relationship with Complex, how he really got on Full Size Run and so much more!4:26 Why did you want to come out so loud when you first came on the scene?7:12 Can you give me your favorite song that you have ghostwritten?10:08 Why did you choose to film on the Nipsey Hussle basketball court for your Saucony collaboration?15:20 How did the Saucony collaboration come about?32:12 Is there any story behind you getting on Full Size Run?

The Complex Sneakers Podcast is co-hosted by Joe La Puma, Brendan Dunne, and Matt Welty. In this episode, they are joined by Trinidad James, a member of the Complex family and Full Size Run co-host. Trinidad talks about his Hommewrk brand and landmark first sneaker collaboration with Saucony, explaining exactly how the shoes happened and reliving the moment he sold out of them at ComplexCon. Also, the co-hosts discuss Joe's squandered rollerblading career and reflect on the impact Virgil Abloh had in sneakers. Hosted on Acast. See acast.com/privacy for more information.

Our good friend Matt Welty of Full Size Run and the Complex Sneakers podcast jumps on with us to talk sneakers/trainers and how he got into it all. Also we ask the all important question, how many times does he get asked if he resells sneakers

Christian Baesler is the President of Complex Networks. Christian is a young media savant, who in his 20's had more media experience than most executives have in a lifetime. We discuss his humble German childhood, how he launched Bauer Media's digital business at just 21 years old, being a touring DJ, and Complex's international growth plans for 2021.  Subscribe to our newsletter. We explore the intersection of media, technology, and commerce: sign-up linkLearn more about our market research and executive advisory: RockWater websiteFollow The Come Up on Twitter: @TCUpodEmail us: tcupod@wearerockwater.com--EPISODE TRANSCRIPT:Chris Erwin:Hi, I'm Chris Erwin. Welcome to The Come Up, a podcast that interviews, entrepreneurs and leaders. Christian Baesler:I was there first as the student, still at my program. And I basically took the initiative to say, "Well, you say there is no opportunity here, why don't I just build a case study for you?" And so I programmed a website, plugged in the programmatic ads. And at first, I was also creating some of the content myself. There was, like, celebrity news on In Touch's websites. Chris Erwin:This week's episode features Christian Baesler, the president of Complex Networks. Christian is a young media savant who in his 20s had more media experience than most executives have in a lifetime. And he's a “get your hands dirty”-type builder. Like when he was tapped to be the head of digital at Bauer Media, right out of college and programmed the company's first website himself. And today Christian runs day to day operations of one of the world's largest digital companies, which includes hot sauces, a sneaker marketplace, live and virtual events, and so much more. And oh yeah, he even finds time to be a performing DJ throughout Europe. So yes, Christian is a rockstar, but as you'll quickly learn is also extremely humble. I'm pumped to tell you his story. All right, let's get into it. So Christian, let's jump back a few years. Let's start with where you grew up in Germany. Christian Baesler:Yeah. Where I grew up in Germany is, even for Germany I would say, not as popular place or as well regarded place, at least back then when I grew up there, it was heart of the GDR, the German democratic Republic or Eastern Germany, that only merged with Western Germany in 1990. And fun fact, I was actually born on the day that the German Wall fell. So November 9, '89. So my mother's always joking that's that one might have caused the other, I don't know which one caused what, but. Chris Erwin:Yeah, the whole like causality correlation thing. Christian Baesler:Probably the Wall falling was the cause for her giving birth that day. But I grew up in that area, that in terms of the economic environment had been very depressed. And for the next 10, 20 years after was integrating into Western Germany, but still there weren't that many of the same opportunities like there was in Western Germany. And in addition to that, I grew up most of the time of my childhood in small villages of like a few 100 people. I think the biggest place I lived in was like 1,000 people and everything was very rural. You had a lot of agriculture around and you would have to go 15, 20 minutes to the next nearest town at least, or to see other friends living out of town. So it felt very small and it wasn't the most progressive place, especially with the businesses that were there. Chris Erwin:And growing up, what was your household like? What did your parents do? Were they in a similar field that you are in now or totally different? Christian Baesler:Again, they grew up both in the GDR where it was mostly working class in general, in the GDR with the kind of jobs that people had especially living in villages. After the GDR became one Germany, my father, who was a plumber, started his own company doing plumbing. And so he was entrepreneurial, which previously in the GDR, you couldn't have your own business. There was no concept of privatizing where post he started his own local company. And so my mother was for the most part, a secretary in his company. Before that's in the GDR times, she was a waitress in restaurants. And I don't think I've said that in other podcasts or interviews before, my father passed away when I was 12 of cancer and so that was definitely a big moments of just unexpected big change and also something that was definitely a very difficult, but also important experience for me looking like now? Chris Erwin:Your memories of your father, is it that he was an entrepreneur and he ran his own plumbing business from what you recollect? Christian Baesler:Yes. Chris Erwin:Interesting. A lot of people think about entrepreneurship in the US or in the modern economy as go raise a bunch of money from Silicon Valley and have a big technology startup, but entrepreneurship takes many different forms; small businesses, blue collar businesses. Growing up in small communities of like a few 100 people, did that make you very curious of, "Hey, what else is out there? What else could I get into?" Or was there a level of comfort, which is, "This feels right. I could live like this with these type of people for the rest of my life." What was an early feeling, or if there's tension in your life? Christian Baesler:It was definitely, there must be more than this village life, which was comfortable and people knew each other around the village. So that was nice that sense of community, which I think is somewhat missing today in life in general, that it was more of a feeling of togetherness rather than everyone for themselves. So that was a plus, but I somewhat got lucky in terms of the time I was born on the exposure had early on in my childhood, because that was all pretty much at the development of the internet was just growing and computers were just growing, the personal computers were growing. Christian Baesler:That plus just overall TV getting bigger really gave me a window into what's out there in the world, which if you just live on the village and you read the local newspapers or some magazines, you have no idea what other lifestyles or what other cultures are outside of that bubble. And so I was quite early fascinated with computers in general, but then more importantly the internet, which was just a huge opportunity to learn about different things that otherwise I wouldn't have any exposure to. And that really showed me that there's more outside of this world I live in that I'd like to learn or immerse myself in. Chris Erwin:I understand that you began programming at a pretty early age, I think in your teens, early teens around 13. But your first exposure to the internet and computers, was it at home where your family purchased a computer for you or there was a shared computer or was it through local library or school? Because what I'm hearing from you is there were simple means growing up, like working class people in the community. So what was that first exposure to internet and technology? Christian Baesler:Yeah. My family as you mentioned, just in general by the nature of the environment and the jobs they had, they weren't wealthy by any means. So it was definitely not something that was readily available. We didn't have any computers at home, so that was not like an environment that I could benefit from, but I did have an uncle in my family that was very much into computers at the time. He assembled his own computers; buying all the parts and assembling all of them themselves. And so that was the first time I truly had an exposure to computers. Christian Baesler:And I was very fascinated by this concept of combining different things that if you plug them in, in the right way, it turns out to be this interactive device that then you can manipulate something on a screen with. That was very fascinating. And I would say the curiosity that I developed in this to begin with was probably within computer games. Just the idea that you can play on a device and again, influence what's happening on the screen was what sparked the initial interest and curiosity and computers then allowed me to create something myself that I can interact with manipulate like the games were previously. Chris Erwin:With the internet, what were you consuming? So games was a big part of that. And then did you start developing your own games as well? Christian Baesler:I started building games at the time, but what I was more fascinated with was programming languages around the internet itself. Early on, I think the first thing I started playing with, there was no big systems like Squarespace, back then you have to do a lot of the things manual yourself. And so early on, I remember being very interested in message boards, which was like this exchange platform for a lot of the communities and subcultures that might be on Reddit or other places today. But back then message boards were huge. And oftentimes message boards also got recorded by us for how to program. Like if you were stuck figuring out how to solve a specific programming problem, you could ask someone in the message board and this kind community would just take the time and help you. Christian Baesler:And so early on, for example, I discovered phpBB, I think it was called. It was like one of those WordPress like message board platforms that someone already built and you can create your own message board. But back then you had to host, you have to have your own hosting space and server and then you could style it. And so I took something that was existing like that and figure out how to do the hosting part and then started to manipulate it. Christian Baesler:And then over time it made me more and more curious to create websites on my own, which ultimately when I was probably 13, I started doing it. I made available as a service for companies and organizations in the local village at first, but then in the area. And so I developed websites for a fee for the local companies as probably the first big income source early on. Chris Erwin:When people think about the success formula, it's the power of curiosity and wonder coupled with serendipity and the right connections, and that you had this curiosity about you and then with your uncle who also had curiosity and access to the hardware and the software and interesting computers and intention to share that, what a powerful combination that puts you on a unique path. Christian Baesler:Absolutely. Chris Erwin:So then what is that transition where, okay, you're in high school, you're working these jobs and then I think there's a transition into interest in journalism before you go to university, tell me about like right before university some of the work that you were doing. Christian Baesler:Yeah. Some of the other work I did outside of the developing the website was I developed an interest in photography as well. And I bought myself, at least for that time, quite a good, I think it was called DLSR camera, which at the time was taking the best photos you could take. Maybe these days, all you need is an iPhone but back then, that's what you needed. So I was really interested in the idea of creating something in general, either websites or things for people to consume, which also could be images like photography and text. And so after playing around with the camera, I ended up also working for companies and for weddings as a photographer at first. And so some people trust- Chris Erwin:How old were you when you're doing wedding photography? Christian Baesler:Probably 15, 16, I would say. And so that made me interested in media, which is basically also creating something that people consume around photos and texts. And there was this local newspaper, which is basically one of those weekly things that you get delivered to your house often times for free and covered by ads, so they can monetize through advertising, but it was like the local newspaper and they had a freelance position at first to basically be a local reporter. I applied for it. And for whatever reason, I don't know why now looking back, my boss there eventually gave me a shot and trusted me to be this local reporter even though I was only 16 at the time. Chris Erwin:So the youngest reporter of the paper, probably? Christian Baesler:Probably, Yeah. I mean, I didn't see anyone else there in my age at the time and I wasn't paying too much attention to who the reporters are previous to me, but I would assume so. And basically with that job, I had to go around to different events and two different things happening in the region and interview people undocumented, both with texts, like articles that I wrote, but also with the photos because the budgets were so small, you basically had to do everything yourself as a local reporter. Christian Baesler:That was a hugely transformative experience for me because outside of just exposing them more to medium previously in my childhood and early teens, I was a very shy person. I wouldn't want to talk to people that I don't know. And it was very difficult for me to make conversations and this job required me. It was part of the job description to get information out of people. And ultimately this further, the desire to find out information with people. Chris Erwin:A theme that we'll get into later is this notion of subtle or soft power, which I believe that you embody. And so I was curious to where those roots are and hearing about your early age shyness, but clearly you wanted to express yourself, but maybe just differently relative to social norms. So that was the internet expressing yourself in gaming, and programming and building websites. And then as you said this desire to create and you're creating these stories and photography at the paper, a very interesting theme that takes you to where you are today, that we'll touch on a bit more. So you're creating and expressing in unique ways and then it's time to apply to college or university. And I believe that you ended up going to Nordakademie in Hamburg. When you went to university, what did you want to get out of it? Christian Baesler:Again, coming from a difficult economic environment where my family didn't have a lot of money even going to the government university wasn't as good of an option because they couldn't support me financially to like pay rent and to have the basic income to go through that school. And so there's one other interesting concepts which might be somewhat unique to Germany and it's called an integrated study where after high school, you apply at a company that is partnering with specific private universities and private for the reason that they basically create specific programs with these companies to give you a bachelor degree, you get a salary and you work half the time at the company. So it's a 10 weeks at the partner school, which in my case was Nordakademie. And then you had two to three months at the company where you're basically a trainee rotating them through different parts of the organization from marketing, to sales, to finance, they pay your tuition and pay your salary. Christian Baesler:And so that to me, as a concept integrated study in general was something that seemed like a solution. Like I could basically get an income and study at the same time. And so I was very focused on finding a place to get an integrated study. And originally I wasn't as singularly focused on media. I applied at Diamler, the car company. I applied at Lufthansa, actually the airline to become a pilot, which was something I was fascinated by early on. So it was different paths that could be going down. Chris Erwin:Wait, let me pause you right there. You said interest in being a pilot, had you flown, where did that interest come from? Christian Baesler:It was maybe another symbol of just going places and the freedom that had represented. And so I was always fascinated just by flying and pilots and airplanes in general. And again, growing up I played quite a lot of, I think it was Microsoft Flight Simulator, which I saw they just brought back as a new version the last month, but that was like one of my favorite games. And so I was fascinated by just the art of flying. And so I was seriously considering becoming an airline pilots at the time, applying at Lufthansa. Chris Erwin:It's Lufthansa and Daimler and you end up at Bauer in their integrated study program. And so how did it feel when you got Bauer? Were you excited? Christian Baesler:The Bauer one was one of the first that I got confirmation from. So the other ones weren't as quick in the process. And so it was the first option that was available, but then also in the moment thinking through what would it mean to go to the different companies that also felt like the most exciting, because it would allow me to do more of the things that I was already doing, meaning it was in the media industry, which again, as a local reporter had already worked in as a photographer and digital media was still nascent, but the concepts to build websites to then express the content on was something that they were very focused on at the time. Christian Baesler:So it felt like the best option based on my passion so far, but also they have like 100 magazines or so in Germany and some of them were my favorite from my childhood time. So I also had this excitement about now being at the company that makes the things that I consumed when I grew up. Chris Erwin:Got it. You were busy during your university years, you were at school and you were working a part-time job, but on a pretty serious rotation program. What else did you do in between then? We're going to get into your career trajectory very soon, which clearly you started early. What were other things that you were into? Christian Baesler:During that time, as you mentioned, it wasn't like a normal study where you have a three months summer break or few courses during the day and otherwise not much to do. So the three and a half years then was probably among the most intense time of my life. Maybe for the last few years career wise were more intense, but just up until then, it was the most intense time because it was classes from 9:00 until 6:00 and it was only a 10 week semester, which we had six big exams and there was no break, you had to then go to the company and work for three more months, different departments. And so there wasn't really that normal student life where you just travel the world or you just have this time to pursue other passion projects. Christian Baesler:But the one other passion project I developed quite early as well, going back to the idea of creating something is music, where I was really fascinated by how music is created and how if arrange sounds in a certain way, it could make people feel something just by nature of how it's arranged. And so pretty early on, I, again, thanks to the internet, found out what the tools are, which at the time already were software based. It wasn't that you had to have this big physical hardware environments. So I was quite early on playing around with different softwares for music creation and went deeper and deeper into that. Chris Erwin:And did you also perform as a DJ as well? Christian Baesler:Not in that time during my studies, but afterwards where I did both on the music production side, teach myself how to create my own music, but then I also learned how to be a DJ, which has different meanings. There's like the DJ that's basically just has a playlist of prearranged things like at weddings or other things. They have their purpose and that's definitely one component, but for me it was more the how do I create this experience that shows people music that they've never heard before and it sounds like a two hour long song or track rather than a clear difference actually three to five minutes? And so then I ended up performing multiple times in Germany, which I still did pre-COVID. So I'm still doing it now, if we wouldn't be in the current situation. Chris Erwin:Another unique form of expression. And I've never seen you perform and I know that your SoundCloud handle maybe as a current mystery, I wonder onstage when you perform, is it a more subdued presence and you let the music speak for itself or do you look at that? Is there a unique release there or maybe you enter a form that's unique to your professional leadership or character? Christian Baesler:It's definitely highly therapeutic I would say, because it's a different way of expression and also communication with the audience. And again, that the music I play is not like what you would hear in charts. It's for the most part electronic music, mostly techno music which for people that aren't familiar with, it might sound like jazz sounds. For people that don't understand or don't like jazz, it's just like this random sounds that are just being played. But for the audience that does appreciate it and know it, it's this very reflective experience. Christian Baesler:And for me, I get more instant gratification and joy out of doing this for 90 minutes and seeing the audience react to the music I'm making than doubling revenues or having some other usual measurement of success that feels more indirect. Like you see numbers in spreadsheets, but you don't really know what it means what's happening on the other side. And this is a much more direct feedback loop that is much more rewarding. Chris Erwin:And to be specific, your identity, your behavior on stage, would you say it's very different from your day-to-day life or is it similar? Christian Baesler:I would say it's similar. It's very reserved. With the techno music as a category, the DJ is in the backgrounds like the audience is not even meant to realize that there is a person there doing things, which is very different to when you go to festivals and they're all on big stages and have all these big lights. So that's kind of the opposite of what the electronic music culture or the underground electronic music culture would be about. So I'm basically the shaman in the background playing music for people to be in trance. That's kind of the goal of that experience. Chris Erwin:You're like that master of ceremonies pulling the puppet strings, little do they know that Christian or your DJ name is making that all happen? That's a cool thing. Christian Baesler:The best example would be just like it's a form of meditation where you can influence the behaviors of a big group of people just by playing certain sounds and everything happens in a synchronized way, which is incredibly fascinating that's possible with music as a human species, you can just align everyone through these quite simple ways. Chris Erwin:A unique form of leadership in a way. So let's transition now as you go from university and integrated study into full-time at Bauer. So I think this happens around 2008, there's some like various roles in the company. What's your transition into full-time? What does that look like? Christian Baesler:It was actually 2012 into full-time. So 2008, I started integrated study that went until 2012. And so that study started 2008. I was 18 turning 19. So right after high school, straight into this college integrated study program. And so when I finished in 2012, I was 22 turning 23. Normally you stay within that company for two years after. That's kind of part of the deal, which is great for the student because you have a guaranteed job. And it's great for the company because they get someone at an entry level rate, relatively speaking, that already knows the company for the last three years of having worked there. So it's a great mutual partnership. But usually you're supposed to stay in that location, which for me, was in Germany. I was in Hamburg, which is where the company is headquartered. And so there was kind of a role carved out for me in a certain team or division and everything is kind of pre-planned. Christian Baesler:As part of the integrated study, so during those first three, four years, there were two opportunities to go abroad. One was to study a semester abroad, which I ended up doing at Boston University. And then there was the opportunity to work abroad for one of those practical semesters. And I ended up going to the US office of Bauer Media, the company I was working with. And when I got there during the study part of the three, four years. First of all, I was very fascinated by the US studying at BU and the overall energy and culture and approach here seemed very different to everything I grew up. Christian Baesler:And so it felt very different in a positive way. And then working at the office in New York for Bauer right after, the energy in the office was also totally different. Everyone was much more focused, much more passionate to just do the best work. And more importantly, for my role there specifically, and again, I was still like a 20, 21 year old student at the time, the big opportunity I saw coming here was that there wasn't really a digital business yet that was already built out. There were print magazines and actually at the time, Bauer was the biggest magazine publisher selling at newsstands in the US. So like supermarket checkouts, at airports, all the usual places where you would buy a physical magazine. And so they were the biggest magazine publisher at the time with multiple magazines. The most well-known ones are probably In Touch Weekly, Life & Style Weekly, Woman's World and First for Women. Christian Baesler:And it wasn't like an oversight that they didn't have a digital strategy or the digital business yet, it was by the nature of their print business model. Traditionally, all the media companies in the US, the magazine media companies in the US are build on discounting subscriptions to lock you in for a period of time as an audience and then they monetize it through advertising. So it's basically getting scale in subscriptions, which often a loss leader to then make money through ads. So when all these other companies expanded to digital in the early 2000s, they followed the same model for the online business which is giving away content for free, which is basically giving away subscriptions or discounting subscriptions and then monetizing the reach through ads. Christian Baesler:And so Bauer made the majority of its revenues through actually selling a single magazine to the reader. They didn't discount any subscriptions. The ads was a small part of the business. And so that made them very profitable and very successful, but it didn't really lend itself to just be scaled online because people just weren't used to paying for that kind of content online. Chris Erwin:And a totally new muscle to flex in terms of trying to try a new business model, hire the right team against that new mandate, manage it. So enter Christian, right? Christian Baesler:Yeah. I got there, again, as a student at first in 2011, it was. And so again, that was kind of the context that were the successful print magazines that make most of their revenue through consumers. And there was no way to make revenue through consumers as easily online. And the usual business model is to get most audience possible and directly to a sales team, sell ads into it, which the company wasn't set up for to do both in terms of the people and the kind of focus that was there, but also it might've disrupted the print business more rapidly if we would have pursued a different approach online. And so the timing there, again, was very unique and very much in my favor, which are really like two things. Christian Baesler:One, there was not the emergence of more standardized technologies like WordPress for example, and other systems that were already pre-built were more readily available. You didn't have to completely invent everything from scratch. And the other big opportunity at the time that was developing was programmatic advertising, which means you don't need an expensive sales team to have human conversations with potential clients and convinced him that they should not spend this money with you which in our position at the time, we were one of the smallest in terms of online reach and probably not as differentiated to some of our competitors. Christian Baesler:So it was a lot of upfront risk to spend all this money on the team that might then sell something where with programmatic advertising, every page impression that we generates has a certain amount of ads on them. And they automatically monetize through Google or other partners without question. And so it became very predictable. If we have more traffic, we can make more money without having an upfront risk of hiring a team to sell that space. Chris Erwin:What I want to understand is when you come in, you rise to transform this company into digital and to lead an innovation of their business model. And you are tapped to do this at a pretty young age. So when you are tapped to lead this initiative, some interesting things happen. One, I believe that you probably to really diverged from your peers in a meaningful way that are the same age and two, you get your hands dirty and in the weeds more than I think, I've heard about a lot of other executives, you're building their digital websites and their tech stack yourself, not hiring another team yourself. So first talk about when you were tapped to lead this, what did that feel like? Were you excited? Were you scared? Was it like, "No, of course I'm going to do this." What was in your head? Christian Baesler:It sounded surreal at first. And just again, the context at the US company was what I described and so I was there first as a student still on my program and I basically took the initiative to say, "Well, you say there is no opportunity here, why don't I just build a case study for you?" And so I programmed a website, plugged in the programmatic ads. And at first, I was also creating some of the contents myself for the website to be published there. Chris Erwin:You were writing what type of content? Christian Baesler:There was celebrity news on In Touch's websites. After the first few ones, we ended up hiring some freelancers and relied on some additional support. But yes, in the beginning it was basically, let me show you that there's potential opportunity here while I was still a student there. And I was there for three months, and in that three months I could showcase that there's a probable business. We basically build the website and monetize it, and it was profitable just within that trial period of the time I was there as an assignment. Christian Baesler:At the end of that assignment, when I received the job offer to go back full-time to the US business and join at the time director of new media. And I was still like 21, 22-year-old student in university and I still had one more year to go, I still had to finish my school. And so that was hugely flattering and surprising to be getting that level of trust and also that kind of offer even before I graduated and it was actually frustrating and I still had to basically finish my school for another year before I could take that opportunity. Christian Baesler:So I did go back to Germany and finish the degree and ended up moving to the US in 2012 for this job. And at first I was very scared and concerned I would say, because there were two differences I would say that I was facing to anyone else coming into this role. One was just, I was highly inexperienced in a traditional sense because I never managed people before and I never had one singular boss before I rotated through the whole company but I wasn't part of a traditional team. So now, having to lead a department or in this case it was just me in the beginning but the agreement or the goal was to build it up. It felt very scary because I hadn't done it before and I didn't see it before. Chris Erwin:That's a lot of responsibility at a young age. You're already going through a lot of change when you graduate university, and now this is adding in... It's a lot of change that happens in your career in your 20s is now happening to you all at 21. Christian Baesler:Totally. And also in a different country. While I just had spent six months in the US to study semester here and to work for the company here, it was still now being in a different country with a different culture in a leadership position at relatively young age. And so that was definitely a period of me not feeling sure or confident if I'm ready for this, if I can accomplish the goals that are set or if I'm able to meet the expectations. But in terms of how I felt just about being given the opportunity, it was very, again, flattering. Christian Baesler:But also, just I was very positively surprised to receive that level of trust that someone took a chance on me so early on in my career, which I would say is a constant theme that goes back to people back then trusting me to build their websites, later to work for the local newspaper at a relatively early age. And so having people that trusted me, was probably the single most important way for me to progress with these opportunities. Chris Erwin:Well, and putting in the work to be rewarded with that trust. But also just again the serendipity, Bauer a traditional media business that could really be empowered by transforming to digital and with your background and skills it was like right place, right time. Christian Baesler:Also, it's right place, right time but also I think in general when I talk to other friends about it, it's making sure that you are available for opportunities. You put yourself out there and you put in the hard work, but then when they arise that you go for them. It was definitely a difficult decision for me to say, "Okay. I'm not going to move by myself to the US and take this role and go into this uncertainty." And actually at the time, Bauer in Germany was against me going to the US even though the US part of the company wanted to hire me because they said, "We're educating for the German market and we have this path set out for you here," which was a more traditional progression. Christian Baesler:It was like, "You're going to be this junior project manager on this thing over here." And so that was ultimately decided against, as in they didn't want me to go to the US. And so I basically advocated and lobbied and showed what the potential benefit is or the risks of me not going for a few months to ultimately convince them otherwise. If I would've given up at the time, I would probably not be here where I am today. Chris Erwin:As we like to say, you stood in your power. You had a point of view and you put your foot down and said, "There's a major opportunity in the US, it's where I want to be and I'm going to make this a mutual win." And I like how you said, availability for opportunities. When people talk about success, there's luck that comes into it but it's increasing the likelihood of luck. I'm reading a book called, The Psychology of Money by Morgan Housel. And he talks about setting up your life, your finances, your health, so that when that opportunity comes along you can pounce and you are in a situation where you very much could and could very much make the case. Look, there is a lot more that we could talk about with Bauer. I know we're probably going to rush through the next five to six years there but I want to make sure we have time to talk about Complex, because there's a lot there too. Christian Baesler:Of course. Chris Erwin:A big question that I have is, I look at your next years at Bauer; you're navigating profitability in unprofitable times and you look a lot of digital peers in the US. And I was part of this world, the MCNs and all the digital studios that emerge out of Google original channels program, a lot of companies that did not succeed. And then you end up running two businesses at once, a UK media business and a digital business. I'm curious, high level, how did your leadership evolve during that period of coming in as a newbie leader at 21, 22, to the type of leader you were at the end of this incredible experience? And we'll save another podcast again, to the details there. Christian Baesler:I would say it evolved from not being sure what it means to be a manager and how to lead people, let alone different culture. When I first started to having to figure out how to do a lot in the weeds with other people in the US part, to then hiring a more senior team that then I was working with on a much higher level being less in the weeds. So in the end of my US time, we actually separated out the digital business into its own company called Bauer Xcel Media with standalone content creation technology, everything you can imagine having in a traditional visual media company. And so we had C-level executives, we had vice presidents, senior presidents for different functions. Christian Baesler:And so I transitioned from being the person that creates the content or writes the website to managing senior people at all times really, were older than I was. And so figuring out how to motivate and mentor people in their day-to-day work with me having had less work experience, was definitely one challenge. And it was the startup nature I would say in the US, when I ended up going to the UK as well. Where Bauer is the largest magazine company and Europe's largest radio company, it was kind of the opposite situation. There were already hundreds of brands and hundreds of people across all those brands that worked on digital, and I joined to oversee the digital business. And so I inherited an existing business with existing practices and that was mostly I would say big learning on change management, how do I build partnerships throughout the organization of other functions that don't report into me? How do I get alignments as I think about restructuring and making large scale changes of how we work and who was in certain roles? Chris Erwin:This is interesting. So let me ask you specifically, mentoring people and hiring people that are older than you in senior roles that you're the ultimate leader, what worked well for you to be able to do that? Christian Baesler:There were two parts, there's making sure I convinced people to join the company I was with from other jobs that were companies maybe they were more established to what we're trying to build. And so at that part, I was worried about what was the vision and can I show enough confidence and enough support to make them feel like they can truly build something here. So that was really the big opportunity to co-create or co-build something, but then in turns out actually working with them is finding the right people and then letting them do their work without interfere. So I was seeing myself more as a mediator or almost like the role of a therapist, of making sure they have the tools to work towards achieving their goals without me necessarily telling them what to do in there functions. Chris Erwin:I like that a lot. One of the greatest lessons that I learned was from the old founder and CEO of Big Frame, Steve Raymond, who said, "Hire great people and get out of the way and empower them." Beautiful, simple words and it works. Christian Baesler:Absolutely. And I think that's also what makes people feel like they're trusted and they have the freedom to truly make an impact. Chris Erwin:So Christian, we just took a break. We were talking about change management at Bauer and one of your proudest moments, why don't you tell us about that moment there? Christian Baesler:So looking back throughout my career the proudest moment I had is, at first in the US we were able to separate the digital business that I was tasked with creating into its own division, into its own company. The overall company is called Bauer Media Group, it's one of the largest media companies in the world, a couple of billion in revenue and more than 10,000 staff and one in a thousand radio, TV and magazine brands. It actually might be the biggest magazine company globally in terms of circulation. And so it's a huge organization. Christian Baesler:And so in the US when I was busy, at first the only person doing a digital business in the end we were roughly 50 to 60 people just for the US digital business and spun it off into its own company. The inspiration for me for that was the innovator's dilemma book which is basically, why do big companies that are successful in one industry fail when they're not seeing kind of the innovations around the corner and where things are going? And I thought that in general with print media and specifically at Bauer that was on the horizon and really the only way to solve for it is to create a separate company that in the context of the new market is big relatively speaking, because at Bauer the problem was always printed, so profitable and it's so big, why do we care so much about the small digital dollars? We don't want to cannibalize ourselves. Christian Baesler:And realizing that it's inevitable that digital would be bigger than prints and if we don't cannibalize ourselves our competitors will cannibalize us. And so ultimately, I got them to spin off in a separate company in the US at first called Bauer Xcel Media, which I then became the president of. And because we have been profitable every year since the beginning and scaled other 50 people and we're still highly profitable, which as you mentioned at this time was unusual with a lot of venture-backed companies raising hundreds of millions. I ultimately convinced the ownership, it's a family owned company in the fourth generation, to roll out that model globally. Chris Erwin:How did you convince them? Was it you just call up the family owner, the patriarch, and say, "I want to do some change?" Was it scheduled big board meeting? What was that process? Christian Baesler:I only really learned about what board meetings are after joining Complex now, because back then in a family owned business the board is the owner and so in this case is one person that owns more than 90% of the company. And so we would have monthly or quarterly check-ins with her and some of the other management team she has, just talking about business progress. And at the time they were super fascinated that we were able to build such a profitable business with no investment upfront and relatively little resources. And so they were really curious how we did it and why we were succeeding. And the business grew even more and was even more profitable after we spun off to be a separate business. Ultimately, it led to a conversation of, why are we not doing this in every country? Chris Erwin:When you have management saying, "Why are we not doing more of this?" That's a great place for you to be. Christian Baesler:Exactly. And ultimately, they rolled out Bauer Xcel Media as a concept of separating the digital business from the traditional magazine or radio business in every other major markets. And ultimately, the goal was to have one global platform. So one content management system, one ad tech stack, all the things you would imagine having locally and that's what enabled me then to also take on the UK business operationally to basically do the same business expansion there. Chris Erwin:Last question on Bauer, Christian, did you say that you came up with the name Xcel Media, the digital unit? Christian Baesler:Yes. Chris Erwin:What was the inspiration for that? And was that a proud moment to say, "This is my name, my stamp on the company." Christian Baesler:It was definitely the proudest moment and I think they still even use it now, every company and every country now that does digital is still called Bauer Xcel Media. So it's kind of my legacy now within the company that they're still adopting my name and the logo we created and everything. The name, it's difficult to find a good name in general and it doesn't always have to be super prescriptive of what it is that you're making, best example the Apple that sells computers. The name I think is completely arbitrary just to make sure it's not something negative. Christian Baesler:Traditionally, any kind of digital team within the company was called 'New Media,' which was my title actually. Director of New Media, which what does that mean in the context of everything or 'Digital Media,' which eventually everything will be digital at some point. And so we wanted to find something that wasn't so limiting in what it could mean or it would be out of date a few years later. And Excel just as a name, like the spreadsheet software, just thinking of doing something better and that's more progressive than what we've done so far was the inspiration. I think we just decided to leave out the E like the software, it's spelled X-C-E-L just to make it sound a bit more fancy. But that was the goal to find something lasting that sounds more inspiring. Chris Erwin:Yet another creative fingerprint from Christian that touches audiences, people in society in a unique way. All right. So speaking of interesting names, we now transition to the Complex part of the story. So you're at Bauer for about 10 years, a decade, maybe you're on the path to be the CEO, but something causes you to rethink where you want to be. And I'm curious, were you seeking out change or did change come to you or a mix of both? Christian Baesler:Actually, the change I was seeking at the time after 10 years at Bauer was a break and time to reflect. My plan was to take at least a year off and do a world trip in a way that I think was only possible at that time and maybe still now, meaning I didn't want to plan anything upfront. If I wanted to stay a certain place I like it, I might stay longer or not. Where I feel like you can take a vacation or even a sabbatical you're still at work, you're still thinking about work, you're still checking emails. Christian Baesler:And so I truly wanted to be completely disconnected from everything and if I hate it, then I can stop after two months and if not I would go longer and so that was my goal. And after 10 years in Bauer and the end of it living between London and New York, which was fun but also very tiring as we would fly every week or every two weeks between the two cities; I slept like four hours a night, I felt like I needed a break. So I resigned actually my roles at Bauer for that reason. So I wasn't actually planning to work again right after this. Chris Erwin:How much time was there? Did you get a reprieve? Did you get a vacation? What was the gap before you went to Complex? Christian Baesler:Probably a month I would say. Chris Erwin:A month, okay. Christian Baesler:Not what I had hoped for. Chris Erwin:I was thinking about this notion of sabbatical or time off recently. And I think it is one of the healthiest things that you can do, but I also feel that young up and comers feel well, "I'm going to get out of my groove. I got relationships, people like my work," and they don't want to change that. But I actually think spaces' transformative. So what was the special moment? Was it a conversation with Rich that made you change this whole big plan that you had been formulating for a while? Christian Baesler:Exactly. So Rich and I reached the founder and CEO of Complex, we've known each other since I think 2014. We met at a Digiday conference that we were both speaking at and we stayed in touch, maybe every three months or so we would have breakfast or lunch just to talk about what's happening in industry and what we're seeing in our businesses. I've always enjoyed my conversations with Rich. I was always very impressed by what Complex was doing and how fast it was growing. Christian Baesler:And so I would just meet him on ongoing basis, including when I just had resigned my role at Bauer and basically mentioned to him that I left or I'm actually leaving. After a six months' notice, I had to serve out which is a very European thing that even after you give notice you still have to work for at least three if not six more months, but I already had resigned but I was still there for six months. And I told him I planned to do a world trip and from that moment on he basically pitched me into join Complex instead. And so the one month was basically the compromise to still have some time off in between. Chris Erwin:So it's Rich's fault, he blew up this once in a lifetime chance for an amazing vacay. What did he tell you or show you that caused you to just totally change your thinking and come on board? Christian Baesler:Two things, the ability to focus on fewer brands and go deeper. At Bauer in the US we had 15 brands, in the UK when I was still in UK business it was more than 100 brands. So you never really focused on a brand in the role that I had there, it was always systems and processes and people and so it was very abstract, where this was truly a brand business. Christian Baesler:And then the second part which was the most exciting for me as well, it's just the diversity of the business in terms of the business models. Everything I had done previously was traditional digital media of building websites and optimizing the monetization of those websites for the most part, where at Complex it was also a huge TV, video business, a huge events business, a huge actual commerce business not just affiliate. So I also felt like I would learn a lot and get a lot of experience in areas of media and entertainment that I hadn't had exposure to previously. Chris Erwin:So Rich recruits you, what is your mandate on day one? "All right Christian, you like our vision, here's what we need you to do." What was that? Christian Baesler:I would say my main mandate was to optimize the operations of the company, that the company had been through a lot of growth previously and was acquired in 2016 by Verizon and by Hearst. And so I joined two years later. And so now it reached this point of maturity as an organization in terms of much bigger staff now and many more goals and so my role was created to help create focus and reorganize what we do and how we do it, but also to continue to scale it to the next stage of growth. Chris Erwin:I'm thinking back to your 21-year-old moment being tapped as the director of a department at Bauer. You were scared then. You were excited about the responsibility but natural anxiety. Now you're entering an exciting, well-lauded company in digital media and entertainment at a very senior level. What were your feelings at that point? Christian Baesler:I think at the beginning it was also a question of to some degree anxiety, because there were two unknowns or two uncertainties. One, at Bauer I was there for 10 years and even if I switched between countries or switched between roles I already had established myself, people internally knew me and I already had trust of the people around me. When I went to the UK, people already knew I did something successful in the US office so there was an established relationship or awareness, where here I felt like I was the new person coming in and I had to prove myself all over again. Christian Baesler:So that was definitely a big unknown or a big source of anxiety in the beginning of, can I do it again? Can I prove myself again? And then the second part was just around as I mentioned it, I was very excited about the opportunity because of the expansion to other areas of media entertainment that I hadn't done previously but now it was also my job to work in those areas not having had done them previously in such a way. And so there was also the question of, how quickly can I get up to speed to make sure we're doing better as a business as a whole, including those areas. Chris Erwin:How did you prove yourself? How did you gain trust with this new team right off the bat? What was your immediate approach? Christian Baesler:And with that it was very helpful to just have been at the UK part of Bauer which was established team, established company, everything was already there and I was brought on to optimize it in the UK. It was an incredible learning experience in my most recent role prior to apply here. And so the big learning was, to build trust first and to truly understand what's working and not working is to take the time. Christian Baesler:So the first three months of joining, I would not make any changes. I would not introduce anything new unless it was obvious or easy just so there's time to build relationships and to basically go on the listening tour and hear from everyone throughout the company what's working, what's not working and through basically creating a list of opportunities and issues I would get buy-in from each of the established people throughout the company to then collaborate on solving all the various issues or optimizing all the various opportunities. Chris Erwin:I love that. You're a big new executive, people might expect you're going to come in and mandate all this big change, new culture, the best leaders don't do that. There's an existing culture. There's a lot of smart, great people, listen to them, process that and then you start to add your flair to the business over time. So you joined Complex, this is back in 2018, this is two to three years ago? Christian Baesler:Right. Chris Erwin:Now, you know our team and I write about and I tweet about, why I think Complex is so special, that you guys have built this very impressive, diverse business across media, ads sales, commerce, E-learning events, virtual events, the gamut and which I'll let you talk about. I want to hear, why do you think Complex is so special? Talk about the business of what it is and why it is so unique to its peers and just in the overall media market place. Christian Baesler:I think the three reasons or answers why we are so successful or why we are different to some of our peers, the first one is just; which is the biggest one is, passion for the things that we're covering and creating. We don't cover certain contents or create certain content because it's popular in Google or Facebook right now and we think there's a revenue opportunity, if we were to cover it. All the things that we're creating which historically was mostly in the hip hop and sneakers and streetwear space, we've been pants off from the beginning when they were all still niches and subcultures early in 2001, 2002 when the company was started. And so it's that deep passion that leads to authenticity, like are people actually care about what we're creating which then resonates differently with the audience. Christian Baesler:And so we have benefited as a company from those content categories now being as big as they are with hip hop being the biggest music category and sneakers and streetwear is the biggest in fashion. And we expanded to other verticals since then, but it's really finding people that are truly passionate about the content that you're creating. From a business model perspective, I would say the second big difference is that we think about everything in a 360 connected way. We don't create a product that's a website and then separately we think, "There might be some revenue in events, let's create a completely different event just so we have an event." Everything is connected. Christian Baesler:And so one good comparison I could give is Marc Ecko, who's the co-founder of Complex together with Rich who was also a fashion designer, he compared it to us not trying to be like another print magazine at the time like The Source or XXL [inaudible 00:50:27] or from a TV perspective not like MTV but a youth cultured Disney. Disney, meaning like they think about each of their shows and movies as IP that then translates to all these different revenue streams across events and commerce rather than afterthought and that's really how we're approaching a lot of our businesses. Christian Baesler:And then the third one which I would say is helping us especially in these times today and I was very impressed by as well when I was talking to Rich before joining, it's just the responsibility from a financial perspective that the business has had and has been taken for for years now. We, as the company now, didn't raise a crazy amount of money like some of our peers did, which made us much more focused on running a sustainable business from the beginning. And so with that, we've been running a business that's been profitable for years now which allowed us to be much more dynamic and much more flexible in how we make decisions. Chris Erwin:I think to that last point because you probably won't say it yourself Christian due to your humility, but from personal experience in digital media and modern media there is a lot of founders that are great visionaries, have an idea of where they want to build to but don't know how to build sustainably towards that end. And you exhibited in your career from early days of wanting to build and create, having the lean resources that you had access to, it's like you had your uncle's computer hardware do what you can with that. Then going into Bauer and learning how to do that at a company, I feel like this was ingrained to you not only very early on in your childhood but also in your early career. Chris Erwin:And I think that you are a special leader that a lot of other companies lack that don't bring this discipline nor this focus. And it speaks to another sentiment which is at a lot of media companies studios, is usually a complimentary leadership, like a great business mind and a great visionary. And I think that you and Rich can serve as both, but you're optimizing the day-to-day being in the weeds with the team and also having incredible passion yourself for these brands and where you want this business to go. It feels like a very exciting setup for where Complex can go next. But I don't like to overly editorialize in these interviews, but I do want to call that out for the listeners because I think it's special and worth hearing. Christian Baesler:Totally. Thank you so much. I very much appreciate the kind words. Chris Erwin:Of course. Christian Baesler:I think the overall theme is definitely resourcefulness of just trying to figure out how to make things from very little, where in my case growing up that was just the environment I came from as I mentioned. But also as a company, I think if you have too much funding available it leads you down wrong decisions more easily and you don't realize that you made wrong decisions until you run out of money, so that's a very dangerous path. I do think there is still value in raising money if you have highly scalable business models, let's say if you have subscriptions with a proven cost per acquisition and other things. But for where media is today, it's not as beneficial as people thought it would be five or 10 years ago. Chris Erwin:So with all of those nice things being said, let's talk about something that you and I have chatted in coffee shops before and with Rich, that you feel a lack of industry recognition by your peers, by the press, Complex doesn't get the attention or the notoriety that it deserves. Why don't you expand on that a little bit. Christian Baesler:In general, there's still I would say in the traditional B2B world but also just in a general consumer perspective of people that might not be of our audience and non awareness of either who we are in general or how big we are and how diversified we are, all the things we're doing as a business. But just I think the most simple fact would just be that we, based on Comscore which is the standard measurement for digital media in the US, reached to most 18 to 34 year old males in the US more than any other media company and more than double to Vice and still most people know Vice or think of Vice as the biggest youth culture brand. Christian Baesler:And I give them a lot of credit for having done great marketing and they raised a lot of money for being able to do so over the years. But there's also another prejudice which is, the things that we do and the things that we cover like sneakers or hip hop both as a music as well as culture are niche. Meaning there are small, passion groups of small audiences. But actually, hip hop by far now is the biggest music category in the US and sneakers are a huge growing business, that's the fastest and biggest in fashion now. Christian Baesler:And so those industries are now mass and today's youth, meaning 13 to 40 probably, are incredibly passionate about them. So we're dealing with kind of a prejudice or to some degree ignorance about the markets with those things being perceived as niche, as well as our role in that overall market that we've been working through for the last few years of changing that awareness holistically. Chris Erwin:That sense about the prejudice of being niche focused and I think you've also talked about even the stigma around streetwear culture and hip hop can impact you. I never thought about that before, but it's interesting to think about. All right. So at Complex, you guys have a lot of different brands, a lot of different businesses. Let's talk about some of your favorite children, which I don't know if you often do but we've learned your passions in this interview. What do you kind of love the most working on there, some of the content that you have? Christian Baesler:I think the most obvious one to mention now that maybe most of the listeners know as well is Hot Ones; our interview show where celebrities eat chicken wings while they get interviewed and those chicken wings gets spicier and spicier. And so it's highly entertaining to watch but also to work with the team on and it's been an amazing experience to help them diversify their business beyond advertising into hot sauce, into a game show, into a board game. So that has been an incredible experience. Christian Baesler:But then we also have shows like sneaker shopping, where we have a host go into sneaker stores, interview celebrities in context of sneakers that we diversified into education programs, basically learning how to get into the sneaker industry as a student. But also, up and coming shows like Full Size Run which is a weekly show where we interview celebrities, talk to celebrities as a talk show talking about the sneakers of the week that were released. That's kind of the show that's on the next level coming up. Chris Erwin:And what's the name of that again, Christian? Christian Baesler:Full Size Run. Chris Erwin:Full Size Run. Got it. Christian Baesler:And so that's on the more entertainment side, we also have programming that's more investigative, more serious news journalism with our biggest show there called Complex World which looks at different issues throughout the country, especially in the upcoming election cycle. So it's a balance between the entertainment part of it that's more fun and more casual, to the more serious journalism as well. Chris Erwin:And what you talked about, which I want to make clear for the listeners is you talked about E-learning classes for how to launch streetwear products and businesses. And I think a very cool new theme that Complex has spearheaded in our industry is, we're not just hip hop, streetwear culture and news and reporting, we are expertise in understanding of this space. And that allows you to expand your business in many different ways and to sell that expertise to other businesses, advertiser clients or even youth who are in undergrad programs at Parsons or FIT for example, and to make them better entrepreneurs in your verticals, that is just an awesome thing. Christian Baesler:Absolutely. Chris Erwin:All that being said Christian, you love DJing music. So is it Pigeons and Planes? What's one of the brands that you do a lot but what for you that really resonates with your heart? Christian Baesler:I think Pigeons and Planes resonates because of my passion with music because the focus of Pigeons and Planes is to give emerging artists a platform before they are big enough to be covered by the more traditional music publications or even by Complex and that to me is the most important part of the ecosystem. Everyone that has great talent has the same struggle in the beginning which is, how do I get awareness for what I'm doing? And having a brand within our portfolio does just that, not just through social media and articles, but we do events where we bring emerging artists onto the stage in different cities, has been a big passion of mine for sure to work with. Chris Erwin:All right. So a couple more questions on Complex and then we're going to get into the rapid fire and we'll close this out, how's that sound good? Christian Baesler:It sounds good. Chris Erwin:I don't think I've fully exhausted Christian yet, but maybe getting close in this marathon. Where do you want complex to be in 2021 that you're not right now? Christian Baesler:The main goal that we still have ahead of us that got somehow paused this year is internationalization or globalization. Right now, we are the biggest youth culture company or collection of brands in the US. And what's quite unique right now is that the passion points and the topics that we are the experts on here, are also the biggest in many other markets internationally. So again, hip hop music as a culture and sneakers and streetwear, but there isn't a b

SOLE COLLECTOR/COMPLEX MEDIA'S SNEAKER EXPERT JOINS THE SHOW TO TALK ABOUT HIS POPULAR YOUTUBE SHOW, "FULL SIZE RUN," HIS COME UP IN THE SNEAKER MEDIA INDUSTRY, HIS FAVORITE SHOES OF 2020 AND MORE.

Full Size Run co-host/actor/rapper Trinidad Jame$ returns to Watch Less to break down season 1 of The Sopranos. TJ explains how khal inspired him to start it, why he's only just getting to this classic series, if the first season meets the hype, and the personal connection he had to a specific episode. (And for any fellow Sopranos late-bloomers, only season 1 is covered, no spoilers for the rest of the series.) Later, Frazier and Khal react to Taikia Waititi's Star Wars appointment and the season 3 finale of Westworld.Related Articles:'Westworld' Is Empty, Unfulfilling, and Un-quittable https://www.complex.com/pop-culture/2020/05/westworld-season-3-review See acast.com/privacy for privacy and opt-out information.

The Complex Sneakers Podcast is co-hosted by Joe La Puma, Brendan Dunne, and Matt Welty. This week they're joined by rapper and sneaker extraordinaire, Trinidad James, to talk about his transition from buying and selling fake sneakers to "All Gold Everything" to Full Size Run and everything in between. Hosted on Acast. See acast.com/privacy for more information.

With A24 building the wide release of the critically-acclaimed, Adam Sandler-starring 'Uncut Gems' for Christmas, it made sense for us to give you a special gift for Christmas: rapper, Full Size Run co-host, and international man of mystery Trinidad James, who was featured in 'Gems'. James talks about how The Weeknd introduced him to 'Gems' directors The Safdie Brothers, what Adam Sandler was like on the set, that iconic scene in 1OAK, and what defines classic cinema. You haven't seen this side of Trinidad before! And go see 'Gems'. See acast.com/privacy for privacy and opt-out information.

This was some of the most fun I’ve had recording an episode of Hurdle. This week, I’m sitting down with Brendan Dunne, a Deputy Editor at Complex, co-host of the wildly popular weekly talk show Full Size Run, and a good friend of mine. In episode 84, he tells me how he managed to make a career creating content about sneakers (he’s got 60 pairs alone at his desk, nevertheless his Brooklyn apartment). We also chat about the circumstances that inspired him to lace up and become a runner, and how falling in love with the sport changed his life for the better. Recently adding “marathoner “ to his resume, Dunne shares with me his biggest takeaways from his first 26.2 as well as why he’s super proud of his race despite it not going as planned. And no, this episode is NOT sponsored by Nike, but it’s safe to say he mentions the Swoosh at least 20 times throughout our session. SOCIAL @brendandunne @fullsizerunshow @hurdlepodcast @emilyabbate OFFERS Athletic Greens | Head to athleticgreens.com/hurdle to get 20 free travel packs ($79 value) with your first purchase, no code necessary. WHOOP | Head to whoop.com to get a free WHOOP band plus 15 percent off any membership by entering the code "hurdle" at checkout. MENTIONED IN THIS EPISODE Music and Strategy (MAS) | Huge thank you to my friends at MAS for the studio space. Give them a peak over on Instagram. Strong New York | Local to New York City? Get your tickets for the December 15 fitness festival here. --- Send in a voice message: https://anchor.fm/hurdle/message

The hosts of the Internet's biggest sneaker shows, Sneaker Shopping and Full Size Run, come together in The Complex Sneakers Podcast. Joe La Puma, Matt Welty, and Brendan Dunne discuss the most important sneaker news and topics every week, and give their expert opinions that can only be told authentically from Complex. Hosted on Acast. See acast.com/privacy for more information.

The Good and the Bad of Sneaker Campouts, Full Size Run, Top 10 Bad Guys We Rooted for…TO ME. IG:@thesneakdissTwitter:@the_sneakdiss All pics are from GOAT, Stadium Goods, NBA Store, Undefeated, Bleacherreport, sports grid, sports logos and sports 

What's up podcast, this is an awesome episode from Complex's sneaker series called Full Size Run. Brand new on the podcast as it was filmed a few days back. We talked sneaker culture and my new KSwiss 004's that drop exclusively on the network app in the coming days. Check out the original episode below and let me know what you thought on twitter @garyvee https://www.youtube.com/watch?v=e2L5YVgwJVM

Good evening Folks, and welcome to another episode of #sportsbizmusic the podcast and on tonight's show I was excited to have Gerald Flores to come join me in a dope convo. Gerald is the Editor-In-Chief of Sole Collector, Overseer of Complex Sneakers and is the creator of one of complex's hit new shows Full Size Run Show. As he talked about his accoplishment, he also talked about his journey and where it all started. He also talked the love of sneakers and the how the sneaker culture evolved and more!!!! Make sure to support his show Full Size Run and the complex brand!

Full Size Run welcomes the one and only Racks back to the show as we take a trip down memory lane with Alife partner Treis Hill. Watch while we reminisce over the glory days of NYC streetwear brands like Supreme and Staple then come full circle with a look at what’s happening in sneakers this week including hot takes on the Adidas Yeezy Boost 700 V2, Puma Thunder Spectra, and Off-White x Converse Chuck 70. Plus, Racks takes our own Matt Welty’s Nike On Air design to task with a relentless roast.   

This week on Full Size Run, we’re joined by the only violinist with a Jordan Brand deal, Lee England Jr. Find out all about his unique career and why he’s had to turn down free sneakers, plus his thoughts on Kanye West’s latest meltdown, Kendrick Lamar’s new Nike collab, and more. Elsewhere, we’re talking the best—and worst—news of the week including collabs from Dragon Ball Z x Adidas, Virgil Abloh x Nike, and Currensy x Reebok.

On this week’s Full Size Run, we’re joined by Complex’s own Brandon “Jinx” Jenkins to break down the week’s best, worst, and most ridiculous sneaker news. Does Kanye West really make more money on shoes than Michael Jordan? Why is he still riding so hard for Trump? What would a “Dragon Energy” Yeezy look like, anyway? Plus, we’re taking a look at ASAP Rocky’s first Under Armour sneaker, covering the latest updates on Drake’s Jordan deal, and much more.

Full Size Run is back this week with the return of Trinidad James and Los York’s Dexton Deboree, director of the upcoming “Unbanned: The Legend of AJ1” documentary. Find out what to expect from the film, which takes a thorough look at the Air Jordan 1’s controversial past. Plus, we’re talking Kanye’s latest tweets, Travis Scott’s “Cactus Jack” Air Jordan 4s, and potential replacements for our third host.

This week’s episode of Full Size Run is an emotional one as the team bids farewell to a host. Find out who’s leaving and hear our thoughts on recent news including Drake’s rumored jump from Jordan to Adidas, Nike’s “Art of a Champion” NBA playoffs pack, and Kobe Bryant’s Mamba Day releases. Plus, we’re talking fake sneaker sellers and taking an in-hand look at the “Shadow” Air Jordan 1s coming out this weekend.

Peter Rosenberg joins the Full Size Run team to map his come-up from disc jockey to WWE commentator and Puma collaborator, break down the nerdiest aspects of sneaker culture, compare Drake and Travis Scott’s influence on culture, and more. Plus, we talk his new show on Complex, Open Late, and tackle hot topics like Don C’s new Air Jordans and the return of “South Beach” LeBrons.

On this week’s episode, the Full Size Run squad says farewell to longtime Complex editor and OG authority on sneakers, Russ Bengtson. Join us as we take a trip down memory lane and hear his thoughts on hot topics including resellers, the state of Air Jordans, and Sean Wotherspoon’s Nike Air Max 1/97.

John Geiger sits down with the Full Size Run boys and answers the hard questions: does he think Travis Scott and Nike copied the ‘Misplaced Checks’ Air Force 1? How much did he make off the Nike Zoom Revis? Plus, we break down the week’s top sneakers, including Sean Wotherspoon’s Air Max 1/97, and address your mailbag questions.

Notorious Supreme reseller Racks Hogan joins us on this week's Full Size Run to break down his many hustles, compare Kanye’s Yeezys and Virgil’s Off-White sneakers, and critique Supreme’s recent collaborations with Nike and the NBA. Plus, we’ve got the latest on ‘Prom Night’ Air Jordans and the answers to your mailbag questions. 

This winter has brought about the good, the bad, and the ugly of the Air Jordan 3. Is Michael Jordan's classic 1988 signature sneaker trending in the right direction? Pigeons and Planes host Jersey Jinx joins this week's show, in which we also discuss retailers keeping resellers from cooking, Nike React vs adidas Boost, and the latest Yeezy releases. 

Roc-A-Fella co-founder Kareem "Biggs" Burke joins us to discuss the return of his label's famous Nike Air Force 1 collab, hip-hop's influence on sneaker culture, and his thoughts on shoe deals for Jay-Z, Drake, Kanye, and Justin Timberlake.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. Christmas comes in February for sneakerheads, who get the benefit of big brands stuffing NBA All-Star weekend with high profile pairs. Here, the Full Size Run team breaks down the best and the worst of what's coming out and unveils the most exclusive sneaker at All-Star Weekend, the never-before-seen Pharrell x Adidas BYW. 

Gold Gang Records founder Trinidad James sits down with Full Size Run to talk about his sneaker collecting credentials, Justin Timberlake's Super Bowl Air Jordan 3 stunt, and the CRAZY amount of money he spent after dropping "All Gold Everything." 

Complex alum Emily Oberg returns to tell the truth about sneaker influencers and answer once and for all if the Full Size Run crew falls into this category. She also speaks on her life after Complex, Supreme lineups, the “Dad Shoe” trend, Adidas Yeezys and more.

Complex Description: Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. What Minnesota Vikings wide receiver Jarius Wright will wear during the NFL's NFC championship game against the Philadelphia Eagles. The customizer behind the exclusive cleats, Mache (@mache275), joins Sole Collector's Full Size Run to talk about the world of custom sneakers, football cleats and his work for the NBA, NFL, and WWE clients that include John Cena, Stefon Diggs, Lonzo Ball, Nikki Bella, Shane McMahon, and more.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. If you've spent any time on sneaker YouTube and Instagram, then you know about Rashed Belhasa, aka MoneyKicks (@rsbelhasa), the wealthy teenager from Dubai who has a habit of blowing tons of money on shoes, cars, and other things. Where does he get all of his money? Is his father a billionaire? What's up with that Yeezy Escalade? How does he know Fat Joe? Watch the Full Size Run Squad grill him on these tough questions and more.  

Full Size Run Host - Rich Maze Lopez. We talk Complex/Solecollector, Jordan 3, Copping Sneakers, Building Relationships, Supreme and Sneaker Culture Rich "Maze" Lopez - Host of Full Size Run IG:@richmazelopez Twitter:@richmazelopez Thesneakdiss.com IG:@thesneakdiss Twitter:@the_sneakdiss Intro Beat: Radio City Ruuben Hardwick Email: rubenh813@gmail.com IG:@Imno.pd soundcloud.com/rubn813

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. 2017 is coming to a close, which means it's time for Full Size Run to pass out some trophies marking the most important moments in the sneaker industry this year. In this episode, we nominate a sneaker of the year and make our picks for some other very important categories.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. Europe's top sneaker boutique is moving to New York City. In this week's episode of Full Size Run, the team welcomes Erik Fagerlind and Peter Jansson, co-founders of the Sneakersnstuff empire. The duo talk about their long history selling sneakers, Nike vs. Adidas, and what to expect in 2018. Also: Tyler the Creator's Jordans, missing Yeezy Boosts, and more.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. This week, Full Size Run is joined by YouGottaEatThis.com’s Premium Pete to get an up close look at the NFL’s officially licensed light up Yeezy knockoffs. The crew also discusses how a thief was able to sneak out the backdoor of Nike’s NYC flagship with thousands of dollars worth of Air Jordan 11s and call Bun B to talk his latest sneaker collaboration.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. This week, rapper Stalley visits FSR to talk rapper sneaker deals, Big Baller Brand, and Kanye West's and Yeezy's impact on sneakers and why he would never wear Travis Scott's Air Force 1. 

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. This week, FSR returns in the aftermath of Cyber Monday madness. We welcome Concepts Creative Director Deon Point and tattoo artist BJ Betts for a discussion on the best/worst of the week, new "Ugly Sweater" Dunks, and a very special sneaker gift for Matt Welty.     

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. With fights breaking out and brands botching sneaker releases, who is to blame? This week, the Full Size Run crew discusses this along with the Gatorade Air Jordan collection, beef over fake Yeezys, Big Baller Brand and more.

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. This week, the Full Size Run team welcomes Jeff Staple, creator of the classic Pigeon Nike SB Dunk. FSR discusses his collabs, Giannis signing with Nike, upcoming Air Jordans, and more. 

Full Size Run is Sole Collector's weekly show breaking down everything happening in the world of sneakers. This week, Adidas VP of Global Entertainment and Influencer Marketing, Jon Wexler, talks working with Kanye West and Adidas' battle against Nike. Also, the FSR boys break down the biggest sneaker stories and releases from Nike, Adidas, New Balance, and finally Puma at ComplexCon in this special edition episode presented by Ebay.

Is it too early to start talking about the sneakers of the year? In this episode, the Full Size Run team tackles the issue. Also, an epic SB Dunk returns via the "Pigeon" retro, Nike promises new shoes for Kyrie and Kobe, and more.

This week, the Full Size Run team discuss the upcoming Air Force 1 exclusives and ComplexCon, along with Virgil Abloh's next Off-White x Nike wave. Also, Kobe Bryant talks Big Baller Brand, more Yeezy release date leaks, and we welcome the authors of a new book on sneakers.

This week, the Full Size Run crew welcomes guest Jason Mayden onto the show. Mayden is a longtime sneaker designer who worked with Michael Jordan and even created one of Nike's legendary dad sneakers, the Monarch 2. Also, we talk about Holiday 2017 Air Jordans, the awful Chicago Uptempos, and more.

The Full Size Run squad is back–yes, that includes Welty. On this episode, we talk about the Air Jordan 11 "Concord" comeback rumored for 2018, the latest in Big Baller Brand's strange story, and more. Of course, we're also skewering the worst sneakers to release this week and giving just a bit of praise to the best ones.

Adidas just passed Jordan Brand as the No. 2 sneaker brand in America. How did it happen? We break it down in the latest episode of Full Size Run. Also: Nike x NBA jerseys, Travis Scott Air Force 1s, and more.

On this week's Full Size Run, Rich "MaZe" Lopez, Brendan Dunne, and Complex's Matt Welty break down the Nike LeBron 15. Also, Ronnie Fieg debuted a bunch of Nike x Kith collabs and we broke them down. Plus: a cameo from EIC Gerald Flores.

Rich "MaZe" Lopez, Gerald Flores, and Complex Sneakers' Matt Welty talk Virgil Abloh's Nike collection, the Air Jordan 32, and terrible sneaker collabs.

Rich "MaZe" Lopez and Brendan Dunne discuss Michael Jordan versus Lavar Ball and an interview with the man who invented the Drystepper, protective shield for your sneakers.

Rich "MaZe" Lopez and guest co-host Matt Welty discuss the power of celebrity in sneaker culture, if Big Baller Brand is a marketing scheme, the worst sneakers of the week, and more. Michael Vincent joins the show this week to discuss his career in sneakers and what separates success from failure.

On this episode of Full Size Run from Sole Collector, international guest Mubi Ali from Sneakersnstuff stops by to talk about the current state of the sneaker scene. Ali, who's been in the industry for years and owns around 4,500 pairs of sneakers, talks about the state of the industry and how "sneaker culture" has changed over the years.

Multiple people have come forward online with reports of delivery drivers stealing their sneakers. We take a look at the evidence and try and sort it all out in this episode of Full Size Run. Also: big sneaker endorsement deals for ASAP Rocky and Tyler, the Creator.

In the latest episode of Full Size Run from Sole Collector, we break down the best shoes from 2017. Yes, we're only in July, but we're still taking some time to pause and reflect on the past months of footwear launches. Also: Big Baller Brand has more tomfoolery and a Yeezy basketball model is on the way.

Sole Collector's Rich "Maze" Lopez and Brendan Dunne get an up close look at former VP of Marketing of Gatorade Bill Schmidt's collection of Michael Jordan vintage and game-worn Air Jordan sneakers and memorabilia that was gifted to him by Michael Jordan himself.

Sole Collector's Rich "Maze" Lopez and Brendan Dunne prepare for the Adidas Yeezy Boost restock, discuss the PSNY x Air Jordan 12 collection, and break down Nike's latest cushioning.

SoleCollector.com's Rich "Maze" Lopez and Gerald Flores discuss the Tom Sachs Nike space camp experience, DJ Khaled's We The Best Jordan 3, and get an up-close look at a 1984 Air Jordan prototype 

SoleCollector.com's Rich "Maze" Lopez and Brendan Dunne discuss the Under Armour Curry 4, questionable Nike photoshops, and interview 13-year-old reseller Litty Sneaks.

SoleCollector.com's Rich "Maze" Lopez and Brendan Dunne discuss the Kendall Jenner's Adidas deal and how Nike released Kevin Durant's 10th signature sneaker. 

SoleCollector.com's Rich "Maze" Lopez and Brendan Dunne interview Boost God OhitsTeddy and discuss the biggest stories of the week, including a new Adidas Yeezy leak and the Air Jordan 2 Decon.