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3 episodes with international art
2 episodes with international art
3 episodes with international art
2 episodes with international art
2 episodes with international art
2 episodes with international art
11 episodes with international art
2 episodes with international art
2 episodes with international art
Episode 73 of ‘All About Art': Curating at Tate Modern with Dr. Val RavagliaIn this episode, I sat down with Dr. Val Ravaglia, Curator of Displays and International Art at Tate Modern.I speak to Val about their career path - having worked at the Tate Modern for over a decade, first as an intern, then as an assistant curator, and since 2019 as Curator of Displays and International Art.We delve into the most recent exhibition they curated, titled Electric Dreams: Art and Technology Before the Internet which celebrates the early innovators of optical, kinetic, programmed and digital art - on until June 1st 2025.We speak about the process of planning and developing such an extensive exhibition, they give tips to anyone wanting to follow in their footsteps and curate at the Tate, and so much more.Thank you Val for coming on the podcast! You can check out Val's work here: https://aestheticbricolage.wordpress.com/val-ravaglia/cv/You can check out Electric Dreams here: https://www.tate.org.uk/whats-on/tate-modern/electric-dreamsYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: https://www.patreon.com/allaboutartFOLLOW ALL ABOUT ART ON INSTAGRAM HERE: https://www.instagram.com/allaboutartpodcast/ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram @alexandrasteinacker Twitter @alex_steinackerand LinkedIn at Alexandra Steinacker-ClarkCOVER ART: Lisa Schrofner a.k.a Liser www.liser-art.com and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack
In this bonus episode, we discuss all things art for International Art Day; what's it like being an artist of colour in the space? And what inspires art of a certain size? Who are we? We're James and Tim; two gainers who want to explore everything about gaining and feedism. New episodes will come out every Tuesday, so please subscribe! Rate us five stars, leave us a review, donate to support us and share this episode with your friends. You can find us on our socials below if you want to contact us, but until next time, bye fats! James Instagram: s.t.a.n.n.u.m BlueSky: stannnum.bsky.social Tim Instagram: thickey_mouse Grommr: orpheus Twitter: thickey_mouse YouTube: thickey_mouse TikTok: thickey_mouse Special Guest | Cam Instagram: biggerisbest7 BlueSky: biggerisbest7.bsky.social Twitter: biggerisbest7 Thicc Radio Instagram: thiccradio TikTok: thiccradio YouTube: thiccradio Website: podpage.com/thiccradio/ Email: thethiccradio@gmail.com
In Part 3 of our Digital Curators Series, host Peter Bauman (Editor-in-Chief at Le Random) interviews Tate Modern's Val Ravaglia, a display specialist and the curator of Electric Dreams, Tate's major historical digital art exhibition which runs until June 1, 2025. Ravaglia is Curator, Displays & International Art at Tate Modern. Her curatorial work has focused on display for over twelve years. In addition to curating Le Random's exhibition of the year, Electric Dreams, Ravaglia assisted on Tate's complete collection rehang in 2016. The conversation covers the complexities of digital art display from a major museum perspective. Links: Chapters
Making My Way Home is an exhibition showing new work by Veronica Herber currently on at Melanie Roger Gallery. As Herber's first solo exhibition with Melanie Roger Gallery, the show is exhibiting new works of hers made from hand torn pieces of Japanese Washi Foto tape and graphite powder. To quote writer and Head Curator of International Art at the Art Gallery of New South Wales, Justin Paton, Herber's use of these materials create a “visual space that feels smokey, shifting, mysterious, and almost cosmic.” The exhibition borrows its title from Herber's late husband Derek Browne of dDub's second album, Medicine Man. Herber too has sourced the titles for her work from his lyrics, describing the way she incorporates his work as a way that the two are still collaborating. Sofia had a kōrero with Veronica about Making My Way Home and her practice.
In this episode of Art & Cocktails, I'm (host Ekaterina Popova, Kat) sharing my personal reflections on the power of art after an amazing experience at Art Basel Paris. I'll dive into the joy of reconnecting with my art community, the inspiring conversations I had, and some of the most meaningful moments from the fair. This isn't just about what I saw—it's about how art connects us, helps us grow, and why it's more important now than ever. So, join me as we explore how we can all embrace our unique creative paths and make art a bigger part of our lives. Blog Post: https://www.createmagazine.co/blog/why-art-matters-today-reflections-from-art-basel-paris-2024 Call For Art: https://www.createmagazine.co/call-for-art Become a Subscriber and Support Indie Art Publishing: https://www.createmagazine.co/magazine Key Takeaways: Art is a remedy for survival and thriving. Connections made through art are invaluable. AI cannot replace the human experience in art. Smaller works can be just as impactful as larger ones. Art serves as a bridge across cultures and languages. The art community thrives on collaboration and support. Art is essential for expressing complex emotions. Artists should respect their own work and its value. Art can provide a break from societal challenges. Creativity is vital for personal and collective growth. Chapters: 00:00 - The Transformative Power of Art 03:42 - Experiencing Art Basel Paris 06:25 - Connections and Community in the Art World 09:29 - The Role of Technology in Art 12:20 - Reflections on Art's Importance 15:38 - Invitation to Embrace Art's Gifts 17:29 - Outro
Conduce Graciela Echague. --- Send in a voice message: https://podcasters.spotify.com/pod/show/graciela-echague1/message
In this episode of Finding Grace I'm joined by Bhavini Vyas who has over 3 decades of practical experience, on the spiritual side of life. A highly sought after spiritual teacher, she began formally teaching in 2010 with the International Art of Living foundation, she has curated the renowned Mind Body Spirit UK Festivals, and now consults for the spiritual and wellbeing industry on representation, diversity and authenticity. She is a musician, meditator and creator that's recognised internationally for her voice, presenting, and directing events, Bhavini also has a vast portfolio of working with individuals and high performing teams around the world. It's a pleasure to have Bhavini on here today and we got connected through Bhavini hiring me for the Mind, body, spirit festival as a speaker. I love all the work Bhavini is sharing in the world now, and look forward to sharing it in this episode. In this episode, you'll discover: Bhavini's profound perspective on finding grace amid her personal journey and current state. Insights into Bhavini's background story and the transformative experiences that led her to fully embrace her current path. Explorations into Bhavini's deep connection with chant and kirtan, exploring its calling and the origins of her journey with it. Bhavini's exploration of meditation, its multifaceted nature, and common hurdles people face in establishing a meditation practice. Discussions on Bhavini's role in curating mind, body, and spirit festivals, emphasising the importance of diversity and inclusion within these spaces. Personal reflections from Bhavini on grief, drawing from her experience with the loss of her father, and advocating for open conversations about death in society. Insights into Sanga Global, the business venture Bhavini co-founded to support spiritual entrepreneurs in optimising their work. Conversations on embarking on a yoga journey, addressing feelings of overwhelm and providing guidance for newcomers. Insights into what currently supports Bhavini on her journey and the sources of joy in her life at present. Bhavini shares all this and more, I hope you enjoy this conversation. Do reach out to us to continue this. If you want to work with Bhavini and find out what she is up to you can find her here: Instagram @bhavinivyasldn and @sangha.global Website www.bhavinivyas.com You can find me at : Instagram @thehannahwallace Twitter @hannahwallace_ Face book @thehannahwallace Website www.hannah-wallace.com Thank you so much for listening please share, subscribe and review it's greatly appreciated and I hope you find grace in your week ahead.
What are the key takeaways from the interview with German defence minister, Boris Pistorius? Which country is the common link in the recent Middle Eastern conflicts, and why? Join Georgina Godwin and Austrian journalist Tessa Szyszkowitz for this and more from the week's news and culture. Plus: Monocle's Lilian Fawcett visits Singapore's international art fair, ART SG, to find out how Singapore is trying to establish itself as a global art hub
Replays of Roy's best interviews of 2023. How much would you be willing to pay for an Andy Warhol painting? Originally aired on December 2, 2023. An Andy Warhol portrait of Mick Jagger, signed by both Warhol and Jagger, will hit the auction block at Cowley Abbott Toronto's live auction of important Canadian and International Art next Wednesday at 4pm EST. The painting is estimated at between $135,000 - $175,000. Guest: Rob Cowley, president of Cowley Abbott and Canadian art specialist. Learn more about your ad choices. Visit megaphone.fm/adchoices
Take a look back at Roy's best interviews of 2023 with our end-of-year encore presentations of the Roy Green Show! Today's presentation includes: Sophie Gregoire (Trudeau) re-partners. What might we expect? By the book court case, or VIP treatment from the court? "Re-partnered?" Guest: Vancouver family lawyer and media commentator Scott Taylor. Originally Aired Oct. 28, 2023. In Vancouver rental prices are the highest in Canada. Average rent for a 1 bedroom apartment vaults to over $3,000 per month. Guest: Robert Patterson, lawyer and tenant advocate at the Tenant Resource and Advisory Centre, Vancouver. (TRAC). TRAC also advises on rents across the province. Other provinces not far behind B.C. Originally Aired Aug. 19, 2023. The Taylor Swift Eras Tour will stop in Toronto in November 2024, the tour's only Canadian performances and massive numbers of fans clamoring for tickets which went on sale Wednesday. The process of obtaining a ticket through Ticketmaster is exhausting involving the obtaining of access codes and the vast majority of fans will be disappointed. Also, this week Canadian rock guitarist and founder of The Band, Robbie Robertson died at age 80. Guest: That Eric Alper. 16 time Juno Award winner, 6 time nominee for Publicist of the Year during Canadian Music Week who has worked with some of the biggest and most important artists of our time (thatericalper.com). Originally Aired Aug. 13, 2023. An Andy Warhol portrait of Mick Jagger, signed by both Warhol and Jagger, will hit the auction block at Cowley Abbott Toronto's live auction of important Canadian and International Art next Wednesday at 4pm EST. The painting is estimated at between $135,000 - $175,000. Guest: Rob Cowley, president of Cowley Abbott and Canadian art specialist. Originally Aired Dec. 2, 2023. AI slithers into mainstream media? Sports Illustrated being accused of the creation of fake stories written by fake humans ...eg 'fake news'? Guest: Professor Jane Kirtley. Media ethics and the law, University of Minnesota Originally Aired Dec. 2, 2023. When men ignore health warnings and in this case symptoms of prostate health issues it can and does lead to metastasized prostate cancer. Metastesized prostate cancer is immediately classified as Stage 4. My reality, diagnosed in February of this year. Remarkable and effective very new and significantly life-extending medical treatments available, with more in the pipeline, however, they are not without considerable side effects which some men tolerate better than others. Todd Seals (toddseals63.blogspot.com) at age 42 was diagnosed with Stage 4 metastatic prostate cancer and given months to live and well before the newest drugs became available. 17 years later Todd is very much alive and while the cancer remains a threat, Todd Seals has become a much talked and written about survivor, motivator, as well as a contributor to U.S. World and News Report. His addresses his life since diagnosis 17 years ago and metastatic prostate cancer. Guest: Todd Seals and Roy Green speak about the journey and experience of living with Stage 4 metastasized prostate cancer, Seals with 17 years experience while I am just beginning that journey as modern medicine is hopefully increasingly turning this killer into a treatable chronic illness. Originally Aired Sept. 24, 2023. --------------------------------------------- Host/Content Producer – Roy Green Technical/Podcast Producer – Tom Craig Podcast Co-Producers – Tom McKay, Ben Straughan and Matt Taylor If you enjoyed the podcast, tell a friend! For more of the Roy Green Show, subscribe to the podcast! https://globalnews.ca/roygreen/ Learn more about your ad choices. Visit megaphone.fm/adchoices
An Andy Warhol portrait of Mick Jagger, signed by both Warhol and Jagger, will hit the auction block at Cowley Abbott Toronto's live auction of important Canadian and International Art next Wednesday at 4pm EST. The painting is estimated at between $135,000 - $175,000. Guest: Rob Cowley, president of Cowley Abbott and Canadian art specialist. Learn more about your ad choices. Visit megaphone.fm/adchoices
David Anthony Hummer's paintings are collected worldwide, but his real passion is blossoming in his hometown of Wausau, where internationally renowned artists share their work and expertise with Wisconsin residents. Shereen Siewert welcomes David Anthony Hummer to share his vision for the Wausau Museum of Contemporary Art, an under-the-radar spot that has hosted multiple international […]
Shereen Siewert welcomes David Anthony Hummer to share his vision for the Wausau Museum of Contemporary Art, an under-the-radar spot that has hosted multiple international competitions and exhibitions that are well-known in the artist community.
Travelling the world with just three briefcases, a backpack and his enormous canvases, Samuel de Saboia is considered by many to be a contemporary art prodigy. We caught up with the Brazilian creative nomad in the middle of an art residency in Italy where he was surrounded by birds and statues of deities from around the world. Samuel's multimedia paintings and sculptures are huge, swirling, colourful odes to Afro-Presentism. His first major solo show in New York, aged just 20 was called Beautiful Wounds and was about the deaths of five of his friends over a period of just six months. He has since exhibited in Zurich, Paris, Los Angeles, New York, Marrakesh, Mexico City, and all over Brazil and has close ties with the world of fashion and design; he's painted the cover for the September issue of Vogue, Brazil, been the cover star of Harper's Bazaar Art issue and Comme des Garçons named him their Artist of the year in 2022. Where on earth is Samuel this month? Check out his insta. During our conversation Samuel mentioned curator Alayo Akinkugbe whose work as ABlackHistoryofArt can be explored here and Osei Bonsu, the Curator of International Art at Tate Modern, London. Want to delve further into Samuel's art? Try this i-D article.This episode was created in partnership with the brilliant humans here Creative Blood and Scenery Studios. Say hello @creativebloodagencyMusic by Ben Tarrant-BrownProducer Lina PrestwoodMixed by ORO Audio
What you'll learn in this episode: How Arnoldsche collaborates with authors to create an effective design for each book What young artists should know before trying to publish a book How Dirk keeps tabs on trends and new developments in jewelry and decorative arts How Arnoldsche selects the right markets and languages for its books Why the art book market has changed dramatically over the last 10 years, and how Arnoldsche has adapted About Dirk Allgaier: Since April 2015, Dirk Allgaier has headed Arnoldsche Art Publishers, an internationally active publisher of art books that offers a unique list of titles in the fields of fine art, applied art and design. With great expertise, sheer hard work and a passion for his profession, he and his team ensure that books from Arnoldsche become what they are: high-quality, individually designed publications and book objects that transport the broad range of creative endeavor in all its diversity across the globe. Additional Resources: Arnoldsche Art Publishing's Website Arnoldsche Art Publisher's Instgram Arnoldsche Art Publisher's X/Twitter Photos Available on TheJewelryJourney.com Transcript: No other publishing house in the world has published as many books on jewelry, ceramics and other applied arts as Arnoldsche Art Publishing. Led by Dirk Allgaier, Arnoldsche is the go-to source for anyone who wants to learn more about the decorative and applied arts, the people who create them, and the museums that exhibit them. Dirk joined the Jewelry Journey Podcast to talk about how he selects the 10 to 15 books Arnoldsche publishes each year; how he works with artists to create a beautiful and informative book; and why a language barrier doesn't always prevent someone from reading an art book. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. My guest is Dirk Allgaier of Arnoldsche Publishing. They're art publishers, and if you have any kind of design library—and that includes jewelry, ceramics, monographs on artists, furniture and more—you no doubt have books that have been published by Arnoldsche. Welcome back. Do you have people come that you haven't heard of, but they have great expertise? Maybe they're a professor or somebody else that has a lot of expertise in their area? Dirk: I know our field quite well; it's a small field, but it happens that people approach me and send me a suggestion for a new book project and I don't know the artist. There's always something new to discover. I say every book we are doing, not only in jewelry but also in ceramics or in wooden art, in metalware, in furniture, in textile, in glass, it opens a new window. It gives me a new prospectus to see new things which I did not know before. This is a reason why I like my job. I love my job very much. It happened last year at the Art Jewelry Forum. Susan Cummins suggested to me to publish a book about Keith Lewis, the American jewelry artist. I really did not know his work. I read the manuscript in the evening when I was home. I was reading; I looked at the images. I was thinking, “That's fantastic, what he did. It was the 1980s. He was so progressive. He was so political in that time, so important. Today what is he doing?” That was totally new, and now we are publishing his book. It's designed. We are now doing the images. In about four weeks, we go to press for that book. So, it happens on the jewelry scene that artists are suggested to me, are recommended, which I do not know. But most artists, of course, I know more or less their work. Sharon: Susan Cummins had brought you several books before this Keith Lewis one. Does that reflect? Did you take that into account when you were deciding? Dirk: We met each other and decided to cooperate, to collaborate, because she has fantastic topics in jewelry. It's very political, the book about Laurie Hall. It's about Northwest American jewelry. We say in Germany it's narrative jewelry. This kind of jewelry was not so well-known in Europe. We have a very strong distribution. We sell our books worldwide, so we bring this topic through the book to an international audience, to the international market. It's important for this American artist to be represented through the book internationally, so it's a win/win situation. Susan has wonderful topics for publications. We produce the books and distribute them internationally. It's a very good joint venture. Sharon: You distribute them. I haven't seen them in the States, I don't think, except the Art Jewelry Forum books. I'm seeing those, but that's it. Dirk: We have a distributor in the United States. It's ACC Art Books. Every book is stored in the United States in a warehouse, and we have representatives in the United States. You can go to a bookshop and order our books, but the books are such special books that they are only in special bookstores, mainly in museum bookstores, like the Metropolitan Museum or the Museum of Modern Art in New York. The bigger bookstores and art bookstores have our books, but everything changed in the last 10, 15, 20 years. There are not so many bookshops left, so mainly art books are available online. This is an online trade. If you did a book about Sam Kramer, if you Google Kramer, you find immediately that you have to buy our book either on Amazon or on Book DE or on Instagram. You can order the book online. It's really a change to selling books. 60% to 70% of books we are selling now online, not through bookstores. Sharon: Does somebody come to the website and see a book they want? Dirk: We have a web shop. You can order the book from our web shop. That's also possible. Wherever you are living, you can order it. For example, when you are living in the United States, you can order it from the web shop, and our American partner or American distributor will send you the book within a short timeframe. Within three or four days, you will have the book. Sharon: Now, some of your books are only in German. Dirk: Yes. Sharon: Since I don't speak a word of German, what do you do? Do you have some in English and some in German and some half and half? Dirk: It depends on the topic. We publish in many languages, but the main language is English. That's definitive. English is very important, but there's also German if it doesn't have a major audience. Then it's also a question of money or financing. There are translation codes, which are very extensive. You have to make an extra typesetting. You need more pages. You need more printing. Then we say, “O.K., we leave it only in German. We know we would not sell many copies in the English-speaking market, so we leave it in German.” But mainly the books are in English. A few are only in German, but if the artist comes from another country, we also publish books, for example, in the French language, in Italian, in the Norwegian language, also in Estonian, in Catalan. We have two books in the Hebrew language, in Arabic and even in the Japanese language. It depends where the artist is living and in which country the topic is, and then we publish in different languages. Sharon: Wow! The jewelry you mentioned, and in looking at your books, it's so contemporary. Is that what you look for? It's really unusual. Dirk: Yeah, because for us, jewelry is art. There is no difference. It's studio jewelry. It's art jewelry. It's like an art book. We have to publish jewelry books like an art book, and that's very important. The style of the jewelry, its artistic value, is represented in the book, so the quality must be very high. You must see the high value of jewelry. You must see it in the book. That's why it's important for us. Sharon: That's interesting. So, you wouldn't publish a book on “normal” jewelry. Dirk: We do books about higher-range costume jewelry because they're fantastic topics. In the 1920s in Germany, in the Art Deco period, there were companies who did articles of fantastic jewelry. Next year, we are planning a book about the New York jewelry designer Marcus & Co. So, we have books about art and costume jewelry, but not about the regular jewelry you can buy in a regular shop. This is not our interest. Sharon: Have you ever started a book and then said, “Forget it. This is too complicated,” or “There's not a market”? Dirk: No, normally we don't. If I start something, I bring it to an end. That's very important for me, even if it's very, very difficult. Usually, once we start on a book, we finish it. That's very important. I remember a book we did 20 years ago. It was about an Italian topic, and everybody told me at the time, “You would never publish that book. You would never finalize it,” but we did it. That made me very proud; that we did this book finally. Every book we've started, we finished the book. For me, it's important to publish a book together with an artist or with a partner—the person is a partner for me—with a lot of mutual respect and to achieve a result which satisfies everybody: the publishing house, the artist, the museum. If we work together for three, four, five months, it's like a partnership. You work very intensively together with an artist, and the results just have to be right. That's very important. You put the book together; you celebrate; you're happy. That's how it should be, and that's how it is, usually. Sharon: Do you go to book trade shows where they have new books? I don't know if they still have them. They used to have book trade shows. Dirk: They had it some years ago, but there's no big importance anymore. There are book fairs in Frankfurt, so we go to Frankfurt. 20 years ago, we went to the Chicago Book Fair, to the American Book Fair, to London, but we don't do that so much. We have our books at the Schmuck in Munich, of course. You can buy them at the Schmuck Fair, or if there are special ceramic fairs, special jewelry events. We also have bookshops that go there. They have their stands there, and there are books at these events. Sharon: I was looking online at your books. I noticed there were books about Babetto and I was surprised. None of it looked at the jewelry; they looked at the furniture and the drawings and things like that. What made you decide to do a second book on Babetto? Dirk: The first book—I think it was the year 2009, 2010. Pinakothek der Moderne is a big museum, and every year during Schmuck, they have a big exhibition on the roof of the rotunda. Every year they show a different artist. They showed Thomas Gentille, for example, Anton Frühauf, Hermann Jünger, Peter Skubic. 15 years ago, they showed Giampaolo Babetto. We did a small but very special book on Giampaolo Babetto on the occasion of the exhibition. That was 2008, 2009. Last year, Giampaolo asked, “Can you come to Italy? Can we meet? I'm planning a new book.” He planned a complete oeuvre catalogue of all his work in jewelry, in metalware, in architectural design, in religious pieces. So, we did an oeuvre catalogue. All his work from the beginning until 2022 is published in the book. Those are two different approaches. One was very personal for the exhibition, and this last was the catalogue about his work. It's a total Babetto. Sharon: That's interesting. There didn't seem to be that much jewelry in the Babetto books. It was more his other designs, his other things. Dirk: One half of the book is jewelry. The other half is his metalworks, his furniture designs and the other things. Sharon: For those who don't know what Schmuck is, do you want to describe it? Dirk: It's an annual event in Munich on the occasion of the International Art and Crafts Fair. It's an international trade fair for crafts and design. In 1959, it was founded by Herbert Hoffmann. It was a competition where contemporary jewelry was presented in a small part of the fair. That was the beginning over 60 years ago. It was a very small event, but every year it became bigger. Now it's still the Herbert Hoffmann Award, the Herbert Hoffmann Exhibition, but throughout the whole city, there are about 50, 60 galleries showing jewelry in contemporary galleries. They rent a space, they show jewelry, and they come from all over the world. It's a huge event which lasts five days. You can see a lot of jewelry. You have gallery exhibitions. You have some museums that show jewelry. The Mesa is a big exhibition. The whole world of contemporary art jewelry, of studio jewelry, is in Munich. Sharon: I've only been a couple of times, but I didn't know Herbert Hoffmann was so integral in it. I know they have a prize. Dirk: Yeah, the award. You can go online. You can look up the Herbert Hoffmann Award and see the prize winners from 1959. You read these names, and it's really the top of the top of international jewelry artists. It's very interesting to read the award winners of the Herbert Hoffmann Prize. Sharon: Wow! I didn't know it was so old, either. These people, the authors who want to write a book or a museum, do they have the person in mind who's going to put the book together? Do they have the illustrator? Do they have the photographer in mind, or do they let you decide? Dirk: It's important if you write a book to have photographs available. Every artist has an archive of photographs, and every artist's archive is different. Some have a very accurate archive with good photographs, and they know exactly what goes into the books. Some other artists have only images or older slides. Here we can be of help. We can make sense of old photographs. Usually, an artist has photographs for the book and they know which pieces should go into the book, but often I sit together with artists and we go through the materials, through the pieces. For an artist, it's often difficult to make a decision, to take this piece or that piece. Then we sit together and say, “It's that piece and not that.” Photography is very important. An artist can have a designer, or we have the designer and we do image editing for the images. We do printing, and then we include the book in our book program, into our publishing list. Then we send the book worldwide on our list. This is the way. Sharon: What country are most of your sales in? I don't know if it's Germany or Switzerland or Austria. Dirk: We are selling one-third of our books in German-speaking countries, in Germany, Switzerland and Austria. They still have a strong market for art books and for jewelry books. Two-thirds we sell outside the German-speaking countries. England is a very important market. Scandinavia buys our books, and, of course, the American market is important for us. We sell books in China. We have one representative and he's Chinese. There are big distributors in China, so we are sending books to the distributors, and they are selling the books to the individual bookstores and individual customers in the country. Japan is very difficult to sell books. South Korea is an important market for us. We sell some books in Australia as well, but I can say Germany, England, America and China. These are very important markets for us. Sharon: If somebody doesn't speak the language—I'm thinking of myself—do you just look at the pictures? What do you do? Dirk: There's a society of booksellers here in Germany. They made a test with people. They asked a thousand people, “What are you doing when you buy a book with images such as an art book? What are you doing with the book? Do you read it? Do you look at images?” They found out that only 10% of the book buyers are reading a book. 90% are looking at the images and reading here and there a little bit, but almost nobody is reading a book from the beginning to the end. Sharon: I don't feel so bad because I look at the pictures. What languages have you thought about? Have you thought about French? Are there other languages you've thought about putting your books in? Dirk: I think English and German are the most important. In France, it's difficult to sell books because the market is very small. When we have a French artist, of course we publish the book in French, but if the artist is not French, we don't publish a book in the French language. It's a small market. The book trade market is quite difficult, so the artist should be French-speaking, and then you publish it in French. I would like to publish a book in the Chinese language, in Mandarin, because we didn't do this yet. We have a book about New Zealand artists coming in two years, and it would be wonderful to have at least one essay in Māori, in the native language of New Zealand. That would really be a task for me to do, but it would appreciate the First Nations people of the country. Sharon: Any other plans besides other languages? What are your plans besides the books in production? What else would you like to do? Dirk: Generally, for me it's important that every half-year we have a catalogue. All our new books are featured in a catalogue which we send out every half-year. So, for me, the most important challenge is to have a good program to find newer catalogues which I present to people every half-year. This is the most important. And to find a place for our special books, because it's not easy to find places. It's a niche program to find readers, to find people who buy the books and to find new people who did not know anything about artistic jewelry or studio jewelry. So, to find new people to bring a fascination for art into the world and to find new friends, new people who really love our work. That's the most important thing for me. Sharon: I hope that you do. Thank you so much for being with us today. I really appreciate it. Dirk: Thank you very much, Sharon. Thank you. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.
Curators Osei Bonsu, Jess Baxter, and Genevieve Barton cross the diverse landscapes, borders, and generations of contemporary African photography, exposing how the past, present, and future can co-exist on camera. Plus, contemporary artist Ndidi Dike revisits the ‘living archive' of colonialism in Nigeria, from Independence House in Lagos, to London. Since the invention of photography in the 19th century, Africa's cultures and traditions have often been seen through Western lenses. By 1914, European powers had colonised 90% of the African continent, often using the media to construct Africa and Black diasporas, in opposition to whiteness. But photography - and photographic traditions of preservation - has long been used by artists on the continent, whether in the pioneering work of studio photographers like James Barnor in pre-independence Ghana, as a means of anti-colonial resistance and political protest in the 1950s, or powerful shots of modern Nigerian Monarchs. Tate Modern's A World in Common platforms how artists are reclaim Africa's histories and reimagining its contemporary place in the world. Curator Osei Bonsu connects show how masks, removed from their ritual context for display in European museums, can also address contemporary questions of restitution, highlighting Edson Chagas' passport-style photographs connecting Portugal and Angola. Jess Baxter and Genevieve Barton look at how globalisation, inequality, migration, and urbanisation, are differently experienced across the continent, and how their ‘hopeful' exhibition focusses as much on climate activism as climate change. Moving beyond Afrofuturism and pan-Africanism towards ideas around ecology and global solidarity, we see how artists exercise agency in ever changing cities, and through boundary-pushing practices of ‘expanded photography'. Plus, moving from the diaspora London to practice in Lagos, multimedia artist Ndidi Dike explains what discarded files and archive documents from Nigeria can reveal about the post-colonial government. A World in Common: Contemporary African Photography runs at Tate Modern in London until 14 January 2024. For more, you can read my article. Part of EMPIRE LINES Photography Season, exposing different perspectives on the past. Listen to the other episodes on Carrie Mae Weems, Nil Yalter's Exile is a Hard Job, plus Gregor Sailor's series, The Polar Silk Road. WITH: Osei Bonsu, British-Ghanaian curator and writer, and a curator of International Art at Tate Modern. He is the curator of A World in Common, with co-curators Jess Baxter and Genevieve Barton. Ndidi Dike, Nigeria-based visual artist working in sculpture and mixed-media painting. ART: ‘A History of a City In a Box, Ndidi Dike (2019) (EMPIRE LINES x Tate Modern)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Tansy Curtin, Curator of International Art pre 1980, for an exclusive teacher tour of Frida & Diego: Love and Revolution. For more information visit agsa.sa.gov.au Image: Frida Kahlo, born Mexico City 1907, died Mexico City 1954, Diego on my Mind, 1943, oil on Masonite, 76 x 61 cm; The Jacques and Natasha Gelman Collection of Mexican Modernism, © Banco de México Rivera Kahlo Museums Trust/ARS. Copyright Agency, 2022.
The Australian-exclusive exhibition, Frida & Diego: Love & Revolution will open at the Art Gallery of South Australia on 24 June 2023. Featuring iconic works by two of the most influential and loved artists of the twentieth century – Frida Kahlo and Diego Rivera – this exhibition will be the most comprehensive display of Mexican Modernism ever seen in Australia. In this segment we hear from Tansy Curtin, AGSA's Curator of International Art, Pre-1980 and curator of Frida & Diego: Love & Revolution. She has previously held positions including Curatorial Manager at Bendigo Art Gallery and positions at Adelaide Central Gallery, Flinders University Museum of Art and the Samstag Museum of Art.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Tansy Curtin, Curator of International Art, pre-1980, introduces Frida & Diego: Love & Revolution. For more information visit agsa.sa.gov.au Image: Tansy Curtin, Art Gallery of South Australia; photo Saul Steed
Tate Modern curator Nabila Abdel Nabi plants European abstract art in transnational networks of spirituality and theosophy, through Hilma af Klint's 1908 series or cycle, The Evolution, Paintings for the Temple. Abstract artists Hilma af Klint and Piet Mondrian never met. But in their respective environments of Sweden and the Netherlands, both invented new languages of visual art as rooted in nature at the turn of the 20th century. Departing from traditional landscapes - with a touch of Vincent Van Gogh - they embarked on radical and ethereal painting series, connecting humans as a part of. not separate to, ecology. Nabila Abdel Nabi, a curator of Tate Modern's new exhibition, Forms of Life, explores how showing these artists in conversation defies their typical depiction as solitary artists who worked alone. We see Klint and Mondrian as active participants in global communities, with works that speak to scientific debates around Charles Darwin's theory of evolution, and the spiritual and philosophical movement, theosophy. Rethinking ‘control' and ‘rationality' - as stereotypes of abstract art, and concepts used to exclude women artists from history - Abdel Nabi underlines af Klint and Mondrian's intuitive practices, and how both used abstraction not to defy nature, but to think through it. Hilma af Klint & Piet Mondrian: Forms of Life runs at the Tate Modern in London until 3 September 2023. For more on theosophy, hear Jessica Albrecht's EMPIRE LINES on the 'White Buddhist' Statue of Theosophist Henry Steel Olcott, Colombo (c. 1970s): https://pod.link/1533637675/episode/2cf022e2ac70910d0741747e59f2f6f2 For more on Surrealism Beyond Borders at Tate Modern, listen to Carine Harmand, Keith Shiri, and Richard Gray on EMPIRE LINES: https://pod.link/1533637675/episode/bc78f4df16a50055611d88aa812c7bfb WITH: Nabila Abdel Nabi, Curator of International Art at Tate Modern, and a curator of Hilma af Klint & Piet Mondrian: Forms of Life. ART: ‘The Evolution, Paintings for the Temple, Hilma af Klint (1908)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
Mystic. Painter. Feminist. Fantasist. Forgotten pioneer. Who exactly was Hilma af Klint? In this very special live episode of The Last Bohemians, as part of Tate Lates, host Kate Hutchinson talks to actor, model and activist Lily Cole and Amrita Dhallu, Assistant Curator of International Art at Tate Modern, to discuss the life (1862-1944) and work of the once forgotten Swedish pioneer of abstract art. Cole stars as one of De Fem ('The Five'), af Klint's Stockholm-based spiritual group who communed with spirits during séances in the late-1800s, in Lasse Hallström's brand new biopic of the artist. Dhallu is part of the team who put together Tate Modern's latest exhibition, boldly pairing Klint's extraordinary paintings with those of Piet Mondrian and asking us to consider the role that the natural world played in their work. Together, they consider how great women artists throughout history have been criminally overlooked, the legacy of af Klint's work today and why the af Klint renaissance is in full-swing. Hilma is streaming now on Viaplay; Hilma af Klint & Piet Mondrian: Forms of Life runs at Tate Modern, London, until 3 September This episode was produced by Sarah Myles and hosted by Kate Hutchinson. The Last Bohemians theme music is by Emmy The Great.
Timothy Gordon has a unique dream gig as an internationally recognized appraisal authority. He has been evaluating works of fine art, valuables and collections for over 25 years, having personally appraised millions of items of celebrities, high-profile collections, notable museums, and national parks. He has been a featured appraiser on the PBS production of Antiques Roadshow in Collectibles, Decorative Arts and Tribal Art. The Emmy Award nominated program has nearly 8 million viewers per episode. Tim's career is one-of-a-kind and he loves what he does, so he makes a perfect Bucket List Careers guest! Listen in to this week's episode of BLC to hear about his fascinating career path and some of the items he'll never forget!
Timothy Gordon has a unique dream gig as an internationally recognized appraisal authority. He has been evaluating works of fine art, valuables and collections for over 25 years, having personally appraised millions of items of celebrities, high-profile collections, notable museums, and national parks. He has been a featured appraiser on the PBS production of Antiques Roadshow in Collectibles, Decorative Arts and Tribal Art. The Emmy Award nominated program has nearly 8 million viewers per episode. Tim's career is one-of-a-kind and he loves what he does, so he makes a perfect Bucket List Careers guest! Listen in to this week's episode of BLC to hear about his fascinating career path and some of the items he'll never forget!
Born in 1967 to the late, great bassist Jamil Nasser, Muneer 's exposure to the jazz idiom was early and powerful. In 1976, "My dad took me to see Dizzy Gillespie at the Village Gate and Dizzy blew the place apart. I had to get a trumpet and weeks later I did." In 1979, he went to the International Art of Jazz Workshop for college students. Dave Burns, a trumpeter in Gillespie's Big Band, had reservations about his age. Muneer's talent, however, overshadowed this concern. "Mr. Burns acceptance fortified my confidence and I began studying with him." Muneer also received private instruction from George Coleman, Jimmy Owens, Oliver Beener, and Webster Young. These workshops and lessons taught him the basics of jazz improvisation, which were tested at serious jam sessions conducted by Eddie Henderson, Ted Curson, Tommy Turrentine, Barry Harris, C Sharpe, and Gil Coggins. "If you couldn't play, they would bench you with quickness and give you a homework assignment." As a youngster, Muneer saw many masters in concert such as George Coleman, Randy Weston, Lou Donaldson, Woody Shaw, Roy Eldridge, and Phineas Newborn.Support the show
Stranger writer Jas Keimig shares her favoritesIt's going to warm up a little bit this weekend, they tell us, but it's still great weather for going indoors to check out some art. KUOW's Kim Malcolm got these recommendations for things to do from Jas Keimig, who writes about arts and culture for The Stranger.
Art lovers will get the chance to get up close to some of the world's greatest artists at a new exhibition opening shortly in Tamaki Makaurau, Auckland. Light from Tate: 1700s to Now is a multi-sensory blockbuster exhibition from Britain's premier art gallery that'll be on display at Auckland Art Gallery. It features nearly 100 works by celebrated artists working across different media - including paintings, photography, sculpture, drawing, and moving image. It features iconic artists - Sophie Matthiesson, Auckland Art Gallery's Senior Curator, International Art - joins Suzie to talk about them.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Assistant Director Lisa Slade and Curator of International Art, pre-1980 Tansy Curtin as they present the Art Gallery's 2023 program. For more information visit agsa.sa.gov.au
State of the Arts Episode 111 just released! Pop International Art Gallery was founded by artist, curator and entrepreneur Jeff Jaffe. Originally from South Africa, he made waves in his native land as he courageously stood up against the grotesque injustice of the Apartheid. Eventually ending up in art school in the United States, he married here, started a family and began his journey in the museum industry. In 1997 he opened this extraordinary gallery where I conducted this priceless in-person interview. The cutting-edge, ground-breaking gallery specializes in pop, urban and photographic pop art. This downtown Manhattan gem has evolved into a bustling enterprise. A remarkable hub for major events, year-round art sales and captivating news stories. This fetching artists' Mecca, situated near the Bowery, is a magical venue for world famous art collectors, rising aspiring artists, enthusiastic hobbyists and renowned art legends. A well-known Andy Warhol piece can be sold next to a work by an unknown up and coming artist. I am humbled with a grateful heart for the privilege of interviewing this brilliant, kind-hearted, brave and creative guest on State of the Arts!
Calling all art lovers. Works by Banksy and Charles Frederick Goldie will be up for sale tonight at the International Art Centre. The three Banksy limited edition prints could bring up to $325,000 while the three works by Charles Frederick Goldie could sell for up to $2.2million. International Art Center Director Richard Thomson joined Mike Hosking. LISTEN ABOVE See omnystudio.com/listener for privacy information.
This week Ed and I are celebrating our hundredth episode together since starting as Lock Down Culture in April 2020. We're also celebrating Cezanne, one of the world's most popular but enigmatic artists. A new show The EY Exhibition: Cezanne at Tate Modern has opened with 22 works never seen in the UK before, including some dazzling still lives that he's loved for the world over. We talk to Natalia Sidlina, who's worked at Tate Modern as Curator of International Art since 2016, and Assistant Curator Michael Raymond. Natalia and Michael throw light on Cezanne's early life in Paris, why he hid Paul, his beloved son and his mother, Marie-Hortense, from his father and why he gained such a reputation for being a taciturn loner. Unpicking the myths that have grown up around him, they explain why his work is of such enduring importance and revered and sought after by major artists from Gauguin and Monet to Matisse and Picasso. It's a wonderful exhibition and Natalia and Michael persuade us why this is an unmissable chance to see so many of his best-loved paintings together, from his landscapes of Mont-San-Victoire and iconic apples to his bathers, that proved to have such an influence of generations of artists to come.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Tansy Curtin, Curator of International Art pre-1980, as she discusses portraits by Ambrosius Benson and Francis Coates in on the latest display Facing the Collection in Gallery 7. For more information visit agsa.sa.gov.au
This weekend (September 8-11) marks the first year of a brand new annual art event in Reno, and the first of its kind on the west coast. The Reno Tahoe International Art Show will take place from September 8-11 at the Reno Sparks Convention Center, plus feature additional events at the Nevada Museum of Art and Cargo Concert Hall at Whitney Peak. This art fair will feature works from virtually every arts organization in Reno, 80+ live music acts, a short film program in collaboration with the Cordillera International Film Festival, major sculptures direct from Burning Man and around the world, an awards ceremony to honor some of the most accomplished artists in the region, and much more. This week on the podcast, RTIA co-founder Briana Dolan joins Conor to discuss what went into creating the event, Reno as an under the radar arts city (Reno.... who knew?), the experience of collaborating with the various arts organizations, why music is an important element of the show, the importance of creating memorable spaces and experiences for visitors, and much more! You can learn more and buy tickets at http://www.rtiashow.com Thank you so much for listening! Renoites is a self-funded and LISTENER-funded podcast. If you enjoy the show, please consider signing up to become a supporting patron for as little as $3/month. I call that the "tip jar" level because it's basically like putting a couple dollars in the tip jar for me each month. I hope you'll do that as a way to say thanks for the work we do bringing this program to you each week! You can learn more at http://www.patreon.com/renoites If you have guest suggestions, feedback, or episode ideas, feel free to send me an email at conor@renoites.com and/or follow me on Instagram @Renoites.
Guests: Jaime Chapman | Pineapple Pedicabs - PineapplePedicabs.com Kai Plaskal | Truckee Meadows Bike Alliance - BikeWashoe.org Briana Dolan | Reno Fine Arts Collective - RTIAshow.com Show Notes: Join Deb as she explores Reno's burgeoning bicycle culture with Kai Plaskal of the Truckee Meadows Bike Alliance and guest co-host, Jaime Chapman of Pineapple Pedicabs. They also discuss the beautiful art that can be seen at the upcoming Reno Tahoe International Art Show with Reno Fine Arts Collective COO, Briana Dolan! Recorded Live from Angel Fenix Productions Studios at Musician Rehearsal Center: AngelFenix.com | MusicianRehearsalCenter.com Show Sponsors: Surratt Law: Family Matters - SurrattLaw.com Wild River Grille - WildRiverGrille.com Crystal Basin Cellars - CrystalBasin.com Resource Links: AboutTownDeb.com AboutTownDeb.wine AngelFenix.com ***License to use music contained in this program was issued by ASCAP (License #: 400009234) and BMI (License #: 60993608) for use by Fenix Media, Sparks, NV.
A West Central Tribune Minute feature story: "Glitch Art is Dead," an international art exhibit on display at the K.K. Berge Gallery in Granite Falls, is showcasing the very modern art of glitch art. Glitch art sees the beauty in the everyday glitches of today's technology. The exhibit is being held in conjunction with the Prairie Fyre music and art mini festival in Wood Lake.
We're celebrating fifty episodes of EMPIRE LINES, with three specials recorded offline and in the museum space – this time in the Tate Modern, in London, for their latest exhibition Surrealism Beyond Borders. Returning to EMPIRE LINES, Richard Gray joins curator Carine Harmand to explore the works of Mozambican artist, Malangatana Ngwenya. Plus, curator Keith Shiri unveils Malangatana's restored mural at the all-new Africa Centre in London. White gnashing teeth, wide eyes, and clawed hands of humans and animals dominate Malangatana's Untitled (1967). Otherwise titled How Long Will This Go On?, the overwhelming oil work is a horrifying visualisation of the violence endured by his native Mozambique, as it struggled for independence from Portugal's Estado Novo until 1975. A prominent political figure, Malangatana joined the Mozambique liberation movement FRELIMO in 1964, and was imprisoned by the Portuguese secret police. Neither a propagandist nor a 'pamphleteer', his works nevertheless embody his own politics and biography, from his artist's block after prison, to his efforts to memorialise the 'Mozambican personality'. Practicing in both colonial and post-colonial Mozambique, he straddled empire lines across Africa, contesting the notion of Europeanisation as civilisation. Set against the exhibition and sounds of Mozambique musicians, curator Carine Harmand and Richard Gray reveal the two way flows between European modernism and Africanist art, and how the artist appropriated and benefitted from surrealism's international network. Plus, film curator Keith Shiri shares his experiences with the artist at the recent reopening of the Africa Centre. Surrealism Beyond Borders runs at the Tate Modern in London until 29 August 2022. The Africa Centre in London reopened on 9 June 2022. Part of EMPIRE LINES at 50, featuring three exhibitions ahead of their final weekend. See the episode notes for links to the last tickets, and the other episodes on Althea McNish and Ingrid Pollard. PRESENTERS: Carine Harmand, Assistant Curator of International Art at Tate Modern, and of Surrealism Beyond Borders. Richard Gray, postgraduate research student at SOAS University of London. He was the co-curator of Our Sophisticated Weapon: Posters of the Mozambican Revolution at the Brunei Gallery, and formerly a 'cooperante internacionalista' (internationalist co-worker), contracted as a teacher by the Mozambican government in the late 1970s. Keith Shiri, film curator, founder, and director of Africa at the Pictures, the London African Film Festival, and the Africa Media Centre at the University of Westminster. He is the curator of the Icons of the Africa Centre Series at The Africa Centre, and is a BFI London Film Festival Programme Advisor. ART: Untitled, Malangatana Ngwenya (1967). IMAGE: 'Untitled'. SOUNDS: Adlina Tatana // Alda Ngwenya, Vasco Sambo. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
Thank you for listening to this track produced by the Art Gallery of South Australia. In celebration of South Australia's History Festival and its 2022 theme ‘Reimagine', Tansy Curtin, Curator of International Art pre-1980, speaks on some of the benefactors and collectors who have helped shape AGSA's collection since 1882. For more information visit agsa.sa.gov.au Image: Tansy Curtin, Art Gallery of South Australia; photo Saul Steed
Fascination with the private lives of reigning monarch has fueled speculation, rumour and debate for centuries. Surrounded by a plethora of courtiers, chroniclers and political schemers, the lives of royal... LEARN MORE The post Dr Ted Gott, Senior Curator International Art talks about Queer Royalty appeared first on Sunday Arts Magazine.
Courtney talks with photographer, writer, and performer William Yang, whose body of documentary and portraiture photography work since 1970 has engaged with the Sydney gay scene, the impact of HIV/ AIDS and his sense of identity as a Chinese-Australian. Yang discusses his two works in QUEER titled William in Scholar's Costume, from the Old New Borrowed Blue series (2008) and Battling Time (2010). Courtney also chats with Dr Ted Gott, Senior Curator of International Art, NGV about queer royalty and representations of celebration and memory throughout the exhibition.
Korea24 – 2022.02.22. (Tuesday) News Briefing: President Moon Jae-in says Ukraine's sovereignty and territorial integrity must be respected, asserting that the world must seek a peaceful resolution to the urgently developing situation through dialogue. (Eunice KIM) In-Depth News Analysis: On Monday evening, the four major presidential candidates held their first of three TV debates hosted by the National Election Commission(NEC). In the two-hour event, the candidates clashed over economic policies in the pandemic era and the future direction of the economic policies of a new government. Economics Professor Yang Jun-suk from the Catholic University of Korea and International Macroeconomics Professor Kim Sung-hyun from Sungkyunkwan University joins us to give their thoughts on the debate. Korea Trending with Jung Ye-won: 1. Medical research is showing that receiving a second COVID-19 vaccine booster shot may not be necessary for most people. ("부스터샷 접종자, 몇 년간 추가 접종 필요 없어") 2. The Korea Forest Service (KFS) has been looking at bringing forward the date of South Korea’s Arbor Day, but is facing difficulties due to opposition from the public. (올해도 식목일은 4월 5일…산림청 "3월로 옮기기 어려울 듯") 3. New data has shown that the domestic film market fell behind the international market in South Korea for the first time in 11 years. (한국 영화 11년 만에 외화에 밀려…지난해 점유율 30%) Touch Base In Seoul: Last December, Dr. Sook-Kyung Lee was appointed the Artistic Director of the 14th Gwangju Biennale, which will open next year, becoming the first Korean to lead the event in 15 years. Dr. Lee is currently the senior curator of International Art at the Tate Modern in London and is a highly respected figure in the industry with over 20 years of experience. She joins us on the line to tell us about her story, and her plans for Gwangju. Morning Edition Preview with Richard Larkin: - Tomorrow’s Korea Times features a report by Park Han-sol about veteran Korean singer Na Hoon-a and his new album to celebrate the 55th anniversary of his musical debut. - In tomorrow’s Korea Herald, Park Ga-young writes about the Sejong Center for the Performing Arts and their plan to revitalize its cultural complex.
Thank you for listening to this talk produced by the Art Gallery of South Australia. Join us as Tansy Curtin, Curator of International Art pre-1980, will discuss the recent acquisition The city, view of the Town Hall, a delightful Parisian street scene by French painter Raoul Dufy in Gallery 15. For more information visit agsa.sa.gov.au Image: Raoul Dufy, born Le Harvre 1877, died Forcalquier 1953, ‘The city, view of the Town Hall', 1904, Paris, oil on canvas, Gift of Mary Choate in memory of L.F. (Frank) Choate through the Art Gallery of South Australia Foundation 2021.
Today I want to thank a teacher and artist who taught me to see the world differently. I want to also thank an artist who taught me to relax and have fun while making art. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Episode 37: Sixtine Crutchfield – Fame Fine Art & International Art Management Sixtine Crutchfield is a formidable force in the art world. She shares with us her passion in the sometimes difficult world of the international art market. One of her most recent accomplishments was designing and implementing the Geneva School of Business – Fine … Continue reading Episode 37: Sixtine Crutchfield – Fame Fine Art & International Art Management →
Like insurance and trade finance, international art is a large and valuable market bedevilled by extended chains of intermediaries, excessive levels of fraud and hefty transaction costs. And, like those other markets, art is ripe for transformation by the application of digital technology and techniques to the identification of assets and counterparties and the delivery of objects against payment. Future of Finance co-founder Dominic Hobson spoke to Angus Scott, CEO of ArtClear, a company whose founders are applying their experience of safekeeping and settlement in the securities markets to an industry where trust and automation are in short supply. Hosted on Acast. See acast.com/privacy for more information.
On this month's episode of A Change of Perspective our host, Lizzie Lovejoy, talks to international curator and creative producer Beatriz Lobo about their past work, the power of listening to indigenous peoples, the struggles of being a working class creative and how they are finding the North East of England. (Spoiler, the North is fantastic.)
This week, Kate guides us through the history and national anthem of Burkina Faso while eating a delicious new dish called "Fat Rice". Originally called Upper Volta, this former French colony now hosts the Panafrican Film and Television Festival of Ouagadougou and the International Art and Craft Fair.Neolithic Era: Began roughly 12,000 years ago and continued until roughly 3500 BCEFat Rice recipe: https://foreignfork.com/fat-rice/Anthem versions assessed:1: https://www.youtube.com/watch?v=yhvq4Zgq93w2: https://www.youtube.com/watch?v=m18zRyrxl0Q3: https://www.youtube.com/watch?v=uugHnnu3LwIBonus Upper Volta Anthem: https://www.youtube.com/watch?v=YHa6xLPMItwMain sources used:http://www.historyworld.net/wrldhis/plaintexthistories.asp?historyid=ac21https://www.bbc.com/news/world-africa-13072774https://www.britannica.com/place/Burkina-Faso#ref282544https://thewalrus.ca/thomas-sankara-tried-to-liberate-his-country-from-the-west-then-he-was-murdered/
Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Tansy Curtin, Curator of International Art pre-1980, discusses the work of Mary Beale and introduces two recent acquisitions, The Penitent Magdalene and Head of a Boy, on display in Gallery 13. For more information please visit agsa.sa.gov.au Image: Mary Beale, Britain, 1633 - 1699, Mary Wither of Andwell, early 1670s, Hampshire, oil on canvas, 73.0 x 60.0 cm; Gift of Helen and John Bowden in memory of Mary Overton 2003, Art Gallery of South Australia, Adelaide.
Nous parlons avec Ted Gott, Senior Curator of International Art pour la NGV - National Gallery of Victoria. On fait le point sur l'exposition des Winter Masterpieces - French Impressionism du Museum of Fine Arts de Boston. L’exposition aura lieu du 4 juin au 3 octobre prochain. https://www.ngv.vic.gov.au/exhibition/french-impressionism/
In this episode of Crossroads, Dr. Jones interviews Dr. Cooler about the repatriation of a thousand year old statue of the Buddha to Myanmar after being stolen in the mid 80s and then recovered later by Dr. Cooler. Come join us for the twists and turns as the Buddha travels from Myanmar, Bangkok, San Francisco, New York, Dekalb, France, and finally, back to Myanmar.
Ana is an International renowned Creative/Art Director. After years in the creative industry, working for Google Singapore, Sid Lee Toronto, Grey Madrid she is now with TBWA/Media Arts Lab. Ana is a graduate from the University of Madrid and Central Saint Martin’s, London. Ana believes she is a lifelong student of creative arts and spends her time creating and developing new concepts and ideas for advertising campaigns in Asia Pacific markets. She is truly passionate about film, photography and technology and her idea of creativity is what makes her so unique.Ana’s best skills are precision and happiness. She focuses on film/photo direction, production and innovation. Ana spends her days at the agency (now at home) and is constantly engaged in personal creative projects and is currently working on her new photography book on Colonial Singapore.All the art enthusiasts out there, you cannot afford to miss this extremely enriching episode of Ana Menchen!Apple Podcasts: https://buff.ly/2Vf8vv8⠀Spotify: https://buff.ly/2Vf8uHA⠀Google Podcasts:https://buff.ly/2Vds6LX⠀....-Original music credit: Rish Sharma.His music is available on Spotify, Apple Music, YouTube and other streaming platforms. -Audio post production at HNM Studios New Delhi India.-October2019 voicesandmore Pte Ltd All rights reserved See acast.com/privacy for privacy and opt-out information.
From Stay-At-Home Mom to International Art Instructor: An Entrepreneur's Approach to Parenting & Education Here is my interview with Angela Fehr to discuss her entrepreneurial journey and approach to parenting and education Angela is a successful course creator, international Instructor, and watercolor expert She is on her way to meet the $1 million mark in revenue as a result of her popular online courses that have changed thousands of students' lives Angela also has a unique perspective on education and homeschooled her three kids for quite a few years In this interview with Angela, we discussed ➡️ Angela's entrepreneurial journey to becoming an international art instructor ➡️ Her perspective on education ➡️ Her experience as a homeschooling mom and lessons learned AND SO MUCH MORE ---- You can watch our interview on my YouTube channel via this link. ---- Give this episode a listen and give your biggest takeaway by sharing this on Twitter, Instagram, or LinkedIn. Make sure to tag me @AiAddysonZhang and use my hashtag, #ClassroomWithoutWalls --- Do you know that this podcast is also a weekly live streaming show? Every Friday, at 9am PST | noon EST, my guest and I go live on LinkedIn, Facebook, Twitter, YouTube, and Twitch to deliver valuable content to you. I highly encourage you to join us live and ask your questions. You will get immediate answers! You can follow my other social media channels: LinkedIn | Instagram | Facebook ---
Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Rebecca Evans, Curator of Decorative Arts & Design, and Tansy Curtin, Curator of International Art pre 1980, discuss Modern British art including the work of the Bloomsbury group and Omega Workshops in Gallery 13 of the Melrose Wing of European Art. For more information please visit agsa.sa.gov.au image: Roger Fry, Britain, 1866 - 1934, Still life: jug and eggs, 1911, London, oil on wood panel, 30.5 x 35.3 cm, 36.0 x 41.0 x 2.3 cm (frame); South Australian Government Grant 1984, Art Gallery of South Australia, Adelaide.
We discuss: How they started Acme Art Studio, The importance of trust and respect in a group studio, How No Boundaries Artist Residency started, Bald Head Island, Grants vs patrons, The importance of relationships, The need for more professional practises course in art school People + Places mentioned: Máximo Laura - https://maximolaura.com/ Dick Roberts - https://www.dickrobertsartist.com Gayle Tustin - https://www.instagram.com/gayle_tustin Sammie Nicely - https://piedmontcraftsmen.org/craft-artists/find-an-exhibiting-artist/sammie-nicely/ Manna - https://www.mannaavenue.com/ Little Pond Caterers - https://www.littlepondcaterers.com/ Rx Restaurant and Bar - https://www.rxwilmington.com/ Paint a Future - https://www.paintafuture.org/ Leon Patchett - https://www.leonpatchett.com/ Ganul Nuhoglu - http://gonulnuhoglu.com/ https://www.facebook.com/acmeartstudios/ http://noboundariesartcolony.org/ http://pamtoll.com/life.html Hosted by Matthew Dols http://www.matthewdols.com
We discuss: How they started Acme Art Studio, The importance of trust and respect in a group studio, How No Boundaries Artist Residency started, Bald Head Island, Grants vs patrons, The importance of relationships, The need for more professional practises course in art school People + Places mentioned: Máximo Laura - https://maximolaura.com/ Dick Roberts - https://www.dickrobertsartist.com Gayle Tustin - https://www.instagram.com/gayle_tustin Sammie Nicely - https://piedmontcraftsmen.org/craft-artists/find-an-exhibiting-artist/sammie-nicely/ Manna - https://www.mannaavenue.com/ Little Pond Caterers - https://www.littlepondcaterers.com/ Rx Restaurant and Bar - https://www.rxwilmington.com/ Paint a Future - https://www.paintafuture.org/ Leon Patchett - https://www.leonpatchett.com/ Ganul Nuhoglu - http://gonulnuhoglu.com/ https://www.facebook.com/acmeartstudios/ http://noboundariesartcolony.org/ http://pamtoll.com/life.html Hosted by Matthew Dols http://www.matthewdols.com
DEFINING MOMENTS LECTURE SERIES CONTINUES: Listen to Dr Ted Gott discussing the landmark 1994 exhibition ‘Don’t Leave Me This Way: Art in the Age of AIDS’ at the National Gallery of Australia, which presented over 200 works on the subject of HIV/AIDS by more than 100 Australian and international artists. Part of ACCA's lecture series 'Defining Moments: Australian Exhibition Histories 1968–1999'. ABOUT THE SPEAKER: Dr Ted Gott is Senior Curator of International Art, National Gallery of Victoria. He has curated and co-curated twenty-five exhibitions, including ‘Napoleon: Revolution to Empire’ (2012), ‘Gustave Moreau and the Eternal Feminine’ (2010), ‘Salvador Dalí: LiquidDesire’ (2009), ‘Modern Britain 1900–1960’ (2007), ‘Kiss of the Beast: From Paris Salon to King Kong’ (2005) and ‘The Impressionists: Masterpieces from the Musée d’Orsay’ (2004). In his former role as Curator of European Art at the National Gallery of Australia, Gott curated ‘Don’t Leave Me This Way: Art in the Age of AIDS' (1994), among other key exhibitions of international art. He has published widely on Australian, British and French art. THANK YOU TO OUR PARTNERS: ACCA's lecture series 'Defining Moments: Australian Exhibition Histories 1968–1999' is presented in association with Abercrombie & Kent and Research Partner, Centre of Visual Art (CoVA) at The University of Melbourne and supported by Art Guide Australia, The Saturday Paper, Triple R, The Melbourne Gin Company, Capi and the City of Melbourne. Production by Gatherer Media: www.gatherer.media Further information: https://acca.melbourne/program/defining-moments-dont-leave-me-this-way https://acca.melbourne/series/defining-moments
Thank you for listening to this recording, produced by the Art Gallery of South Australia. Join us as Tansy Curtin, Curator of International Art pre 1980, introduces a number of early Australian Modernists who had international careers in Gallery 3 of the Elder Wing of Australian Art. For further information visit www.agsa.sa.gov.au image: Ethel Carrick Fox, Australia, 1872 - 1952, Sur la plage, c.1910, France, oil on wood panel, 26.5 x 35.0 cm; Gift of Aldridge Family Endowment, Frank Choate, Susan Cocks, Dr Michael Drew, Emeritus Professor Anne Edwards AO, Dr Michael Hayes, Lipman Karas, Edward Mansfield, Jacqui McGill, Jane McGregor, David Urry, Peter and Pamela McKee, Dr Joe Verco AM, Dick Whitington QC, Peter Wilson and Zena Winser through the Art Gallery of South Australia Foundation Collectors Club 2018, Art Gallery of South Australia, Adelaide.
We had such a great conversation with Nneka that we wanted to share the entire conversation with our listeners in a bonus episode. So here is the complete, raw, and unedited version of our interview. We hope you enjoy it! Nneka Osueke is a visual artist, mental health advocate, an author who glides across various mediums, most notably painting and sculpture, to depict themes of African history, spirituality, Black empowerment, and the human mind. A first-generation Nigerian born and raised in Dallas, Texas, she received her Bachelor's in Fashion Merchandising from Sam Houston State University in 2013. Shortly after, Nneka moved to Los Angeles, CA to begin her career in design, but surprisingly, found herself pursuing a Master's in Clinical Psychology and her artistry full-time. Thus, she discovered the golden bridge between her purpose and her passion--merging art, African psychology, and mental health advocacy together. Osueke has exhibited her work in Miami, Italy, Jamaica, Dallas, and Los Angeles, CA, and has presented on/participated in discussions about African Spirituality and the connections between mental health and creative expression. She currently lives and works in Ratchaburi, Thailand, where she implemented the newest chapter of her youth creative expression program, The Prodigy Vanguard. She is also the founder and host of Paint-In-Place, a weekly, virtual paint and sip class created in light of the recent pandemic, and is set to release her first book later this month entitled Blooming Abroad: The Black Girl's Journal-Guide-Memoir for Traveling and Living in Foreign Lands. With her sights set on opening an art gallery, creating a full-15 course International Art program in Thailand, and exhibiting new artwork both in Thailand and in the States, Nneka is intentional about using all of her gifts and strives to inspire others to do the same. Follow Nneka at https://www.nnekaosueke.com/ IG: @nneka.osueke Her new book now available to pre-order: Blooming Abroad: The Black Girl's Journal-Guide-Memoir for Traveling and Living In Foreign Lands Follow us on IG @brokegiftedandblack Email us hey.brokegiftedandblackpodcast@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/broke-gifted-and-black/support
Questa Volta parliamo della vita da Lontano con Filippo Tattoni Marcozzi @filippotm Come trovare un lavoro, come vivere, dove andare, cosa fare , cosa controllare ,prima di partire, tutto quello che che volete sapere sulla vita da expats. Come trovare un lavoro, come vivere, dove andare , cosa fare , cosa controllare ,prima di partire, tutto quello che che volete sapere sulla vita da expats. #vita #UVDL #unavitadalontano #tutti #epic #tell #stories #expats #see #whatsyourstory #every #thursday #everyday #let #everyone #storytelling #writer #writing #feel #expatlife Support this podcast at — https://redcircle.com/una-vita-da-lontano/donations
Thank you for listening to this recording, produced by the Art Gallery of South Australia. Join us as Tansy Curtin, Curator of International Art pre 1980, introduces John Peter Russell’s Fishing Boats, Goulpar, 1900 in the Melrose Wing of European Art. For further information visit www.agsa.sa.gov.au image: Saul Steed
A pair of would-be zombie hunters have been arrested attempting to enter Sweden. A man in Brazil has just learned he has three kidneys. And, in a story fit for an Indiana Jones film, international teams of customs and law enforcement officers have made some of the largest art thief busts in modern history. Join Ben Bowlin for more Strange News Daily, and share your stories on Twitter: #strangedaily. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
In the midst of the coronavirus pandemic, Thomas Werner, renowned international fashion photographer, author, professor, and consultant calmly and dutifully made it to the Fashioncast studio and delivered one of the most compelling and entertaining podcasts to date. In this amazing episode, Werner weaves a dramatic and authentic narrative to his rise in the world-of-fashion and gives new meaning to the word perseverance! He’s been through lean times, had great success and is clearly comfortable with his current myriad of fashion endeavors. In fact, his curriculum vitae is 24 pages! Knowing that fact alone is worth the listen. Werner’s depth and breadth of experience in fashion photography is so voluminous he wrote the definitive book on the subject, The Fashion Image, which has received rave reviews and been sold widely on an international basis (Christine and Michael were sure to receive a signed copy!). But, authorship is just the tip of the iceberg for Werner. Listen as he effortlessly details the important artistic role photography plays in the fashion industry and describes the future of photographic technologies such as Instagram and video, and how varying countries embrace or suppress image technology. Werner also discusses The Thomas Werner Projects, one of the most innovative and internationally collaborative art and education sharing programs on the planet! The Projects story is fascinating and centers around Russia and China and demonstrates the power of intellect, political determinism, and the art-of-fashion to assist in the education of creatives eager to simply participate and learn about artistic expression. Lastly, while Werner’s photos capture the essence of fashion through images, he’s also a pragmatist. His grasp of the interdependence between fashion and photography is only surpassed by his knowledge about the business of fashion. In one of the largest and most competitive businesses in the world, artists, especially photographers, need to know their niche and deserve to earn a living. Fashioncast was honored to host one of the most notable fashion photographers in the industry, and more importantly, an all-around great human being. Enjoy! His book on Amazon: The Fashion Image: Planning and Producing Fashion Thomas Werner on Instagram (@thomaswernerprojects) Facebook: @ThomasWernerProjects Thomas Werner Projects www.thomaswernerprojects.com
In the midst of the coronavirus pandemic, Thomas Werner, renowned international fashion photographer, author, professor, and consultant calmly and dutifully made it to the Fashioncast studio and delivered one of the most compelling and entertaining podcasts to date. In this amazing episode, Werner weaves a dramatic and authentic narrative to his rise in the world-of-fashion and gives new meaning to the word perseverance! He’s been through lean times, had great success and is clearly comfortable with his current myriad of fashion endeavors. In fact, his curriculum vitae is 24 pages! Knowing that fact alone is worth the listen. Werner’s depth and breadth of experience in fashion photography is so voluminous he wrote the definitive book on the subject, The Fashion Image, which has received rave reviews and been sold widely on an international basis (Christine and Michael were sure to receive a signed copy!). But, authorship is just the tip of the iceberg for Werner. Listen as he effortlessly details the important artistic role photography plays in the fashion industry and describes the future of photographic technologies such as Instagram and video, and how varying countries embrace or suppress image technology. Werner also discusses The Thomas Werner Projects, one of the most innovative and internationally collaborative art and education sharing programs on the planet! The Projects story is fascinating and centers around Russia and China and demonstrates the power of intellect, political determinism, and the art-of-fashion to assist in the education of creatives eager to simply participate and learn about artistic expression. Lastly, while Werner’s photos capture the essence of fashion through images, he’s also a pragmatist. His grasp of the interdependence between fashion and photography is only surpassed by his knowledge about the business of fashion. In one of the largest and most competitive businesses in the world, artists, especially photographers, need to know their niche and deserve to earn a living. Fashioncast was honored to host one of the most notable fashion photographers in the industry, and more importantly, an all-around great human being. Enjoy! His book on Amazon: The Fashion Image: Planning and Producing Fashion Thomas Werner on Instagram (@thomaswernerprojects) Facebook: @ThomasWernerProjects Thomas Werner Projects www.thomaswernerprojects.com
Ron Hall is an International Art Dealer, Philanthropist, NYT Best Selling Author of “Same Kind of Different as Me", Movie Producer, and Actor. Ron currently leads an incredible foundation with his wife, Beth, serving the homeless across the United States and right here in Dallas-Fort Worth.Ron’s journey is an amazing one; he will share how and why he met Denver, a homeless man on the streets of Fort Worth, TX. He will also share the incredible journey of Faith he experienced during each step of the way as life brought him joy, pain, and opportunity. On Episode 2, we share stories to warm your heart and show how gifts can come to us in the most unexpected ways.To learn more about Ron or his foundation, please visit:https://www.samekindofdifferentasmefoundation.org/
A panel discusses the legal issues associated with international public and private art exhibitions. The panel addresses art loan and exhibition agreements, commercial and government indemnity insurance, import, export, temporary admission and VAT considerations, and governing law and forum selection clauses. Moderator: Diana Wierbicki, Chair of the Art Law Committee Speakers: Rudy Capildeo, Charles Russell Speechlys LLP Derek Gillman, Distinguished Teaching Professor; Senior Adviser to the President for University Collections at Drexel University Wetphal Jonathan Halpern, Chair of the European Affairs Committee Megan Noh, Pryor Cashman LLP Nicholas O'Donnell, Sullivan & Worcester Eleni Polycarpou, Withersworldwide Anne Rappa, Senior Vice President at Huntington T. Block Sponsoring Association Committee: Art Law Committee | Diana Wierbicki, Chair Co-Sponsoring Organization: Institute of Art & Law
Spencer Delisle has an incredibly broad and diverse background. He’s the Managing Director at TLEX Institute Canada, Vice President International Association for Human Values Canada, International Art of Living Teacher and Executive Coach. Spencer Delisle is an international teacher with the Art of Living Foundation trained personally by its founder, 5 time Nobel peace prize nominee and global meditation master H. H. Sri Sri Ravi Shankar in India, the US, and Canada. For the past 15 years he has been practicing these techniques and for the past 11 years he has taught Sri Sri Yoga, Sahaj Samadhi Meditation, The Art of Silence Retreat and Sudarshan Kriya, a powerful breathing technique that eliminates stress and trauma so one can come back to the happiness, joy, and peace that is oneself. Belén Montefalcone is a trained teacher for The Art of Living Foundation (AOLF) & The International Association for Human Values (IAHV). She studied Philosophy & Oriental Studies, and has been practicing Yoga & Meditation for the past 19 years. Belén is a successful entrepreneur, having started an Adventure Tourism company in Europe and a Yoga Studio in Argentina. Her passion for nature and adventure led her to become a certified Ski Instructor, Mountaineer Guide & Rescue Scuba Diver. Six years ago, she decided to dedicate herself fully to teaching highly effective, educational and self-development programs with AOLF & IAHV. These programs provide individuals with tools to manage stress and negative emotions in a healthy manner, and equip participants with a tool kit for sustainable happiness, peace and health. In this episode: Learning about the Art of Living Foundation How the Art of Living Foundation changed the trajectory of their lives The power in surrendering into the moment Techniques that help you get clear visions How to integrate more mindfulness into your day Impact of connection, serving society and our community The power of taking care of ourselves first Actionable tips for creating more happiness in your life CONNECT WITH SPENCER AND BELEN Art of Living Courses with Belén and Spencer in Toronto https://www.instagram.com/belen.montefalcone/ https://www.instagram.com/spencerdelisle/ www.artofliving.org CONNECT WITH ME https://www.instagram.com/simona.nicole/ https://www.instagram.com/happinesshappenspodcast/ https://www.facebook.com/simona.nicolee/ https://twitter.com/simona_cos www.simonanicole.com
Thank you for listening to this recording, produced by the Art Gallery of South Australia. In this live recording, Maria Zagala, Associate Curator of Prints, Drawings & Photographs and Acting Curator of International Art pre 1980, will explore Anne Ferran’s Scenes from the Death of Nature I and II 1986, in the context of the Radical Classical in Gallery 12. Recorded live on Tuesday 30 July, 2019 For further information visit www.agsa.sa.gov.au image: Nat Rogers
حضور سنت و هویت، به عنوان بخشی از اصالت و فرهنگ یک سرزمین، از چالشهای مهم هنری جهان امروز محسوب میشود و استفاده از روشها و تکنیکهای سنتی یا ملی در خلق آثار هنری معاصر بیش از پیش مورد توجه قرار گرفته است. در نوزدهمین اپیزود پادکست «ایرانشهر» دکتر احمد محیط طباطبایی، مدرس و پژوهشگر در حوزههای باستانشناسی، منابع طبیعی، تاریخ و تاریخ هنر، به موضوعاتی چون شکلگیری هویت و فرهنگ تاریخی ایران، استمرار و نو گشتن آن در هنرِ ادوار مختلف و تاثیر آن بر شیوه نگریستن هنرمند میپردازد؛ همچنین نقش چشمگیر هنر در انتقال فرهنگ در مواجهه و تعامل با سایر جوامع جهان را بررسی میکند.
The Tate Curator of International Art discusses the life and times of the modernist pioneer Natalia Goncharova, who changed the landscape of avant-garde art in early 20th-century Russia.
Las Textilianas somos muy afortunadas porque ademas de ser nuestras madrinas del podcast, hoy tenemos a dos mujeres decididas, fuertes con muchas inquietudes y sobre todo con mucho talento y profesionalidad. Son de esas mujeres que nos gustaría ver por un agujerito en su día a día, simplemente para aprender de ellas y ver como se desenvuelven frente a los retos que les van surgiendo. Estas mujeres son Charo Alvarez y Rocio Sanchez de Bilbao International Art & Fashion - BIAAF.
Las Textilianas somos muy afortunadas porque ademas de ser nuestras madrinas del podcast, hoy tenemos a dos mujeres decididas, fuertes con muchas inquietudes y sobre todo con mucho talento y profesionalidad. Son de esas mujeres que nos gustaría ver por un agujerito en su día a día, simplemente para aprender de ellas y ver como se desenvuelven frente a los retos que les van surgiendo. Estas mujeres son Charo Alvarez y Rocio Sanchez de Bilbao International Art & Fashion - BIAAF.
In this Art Dirt podcast, Brandon Zech and Christina Rees talk about why Texas' art scenes are underestimated outside of Texas, and how we might fix that.
Art house cinemas and the film industry. The post VR Island – Towards an international Art house strategy #Venezia76 appeared first on Fred Industry Channel » FRED Industry Podcast. VR Island – Towards an international Art house strategy #Venezia76 was first posted on September 23, 2019 at 10:12 am.©2015 "Fred Industry Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm
Celebrity clients, international exhibitions, his art on everything from helicopters to luggage, you name it, Britto has done it. Join us for a sneak peek into the life of one of the arts most accomplished figures.
Kim Martindale, producer of such art shows as the LA Art Show and the Objects of Art and Antique Native American Show in Santa Fe sits down with our host Mark Sublette to discuss his life and career dedicated to the arts. Kim has been collecting Native American Art his entire life and gradually moved from the dealer's world to that of major art show promoter. The LA Art Show is one of the largest art fairs in the world.
Every three years, the Church of Jesus Christ of Latter-day Saints holds an art competition spanning the globe and featuring works from members of the Church on a central theme. This year, we were please to be invited to an early viewing of the show and provide our reaction to the show and a number of works that stood out. In this special podcast episode, we dive into the show and the works, and as always would love to hear your thoughts on what stood out to you.
Hiba is high school student and her first ever calligraphic work will be displayed in International Islamic art & calligraphy exhibition. Listen how she is feeling about her entry in Two day event that will portrait work of many international artists and how she balanced between studies and passionate hobby. - Hiba is high school student and her first ever calligraphic work will be displayed in International Islamic art & calligraphy exhibition. Listen how she is feeling about her entry in Two day event that will portrait work of many international artists and how she balanced between studies and passionate hobby.
Curator Art Gallery NSW - Peter Raissis Sofitel Sydney Wentworth - Blair Weir
My cousin Pete is on the show!! Pedro Alonzo is an internationally recognized art curator who works with the biggest names in contemporary art. Shepard Fairey, Banksy, Yoshitomo Nara, KAWS, Takashi Murakami are just a few of the folks he's worked with, but most recently, like- a week ago, Pete teamed up with artist JR and erected a border wall installation in Tecate, Mexico, which I bet you've come across if you read the news at all. It's an amazing piece that couldn't be more relevant in today's political climate. I was so happy to catch up with my favorite cousin- I loved our chat, and I bet you will too. Thanks for listening! See acast.com/privacy for privacy and opt-out information.
"People really want to deal with the present, but it's just extremely difficult to get a grasp of where we are now," says Gregor Muir, Tate's Director of Collection, International Art. Grappling with issues of how to think internationally during a period of increasing nationalism, Muir talks about how (and where) he is looking to discover great art. This broad-ranging conversation covers topics ranging from the technological revolution to Muir's own experiences moving between commercial galleries and museums; from changes in film and video art practice to the shifting dynamic between private and public art worlds. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-14-transcript-gregor-muir/
"People really want to deal with the present, but it's just extremely difficult to get a grasp of where we are now," says Gregor Muir, Tate's Director of Collection, International Art. Grappling with issues of how to think internationally during a period of increasing nationalism, Muir talks about how (and where) he is looking to discover great art. This broad-ranging conversation covers topics ranging from the technological revolution to Muir's own experiences moving between commercial galleries and museums; from changes in film and video art practice to the shifting dynamic between private and public art worlds. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm. For a full transcript, click here: http://www.artagencypartners.com/episode-14-transcript-gregor-muir/
For 25 years, Layla Fanucci, taught music at St. Helena Catholic School in California. But her life turned around when she bought paint and an art board at a Ben Franklin arts and crafts store. Today, Layla, who never took an art class, has had her cityscapes shown at galleries and museums in Paris, Morocco, San Francisco, and New York City. “It all happened by accident,” she said in a May, 2009 interview on Conversations with Allan Wolper. “I wanted a piece of art that was big and bold, had a lot of color and made a kind of strong statement. I went to Ben Franklin, got an art board, threw paint on it, had it framed, put it on the wall and that was my first painting.” She called her six foot high, five foot wide work “Explosion,” and sold it to a local Episcopalian priest for $800. He got quite a bargain. Her huge, sprawling art canvases now go for up to $150,000. Of note, Layla and her husband, Robert, make award winning wines under the Charter Oak label. They use a technique taught
In this episode, Sergio Gomez talks with Elias Martin, Director of Floating World Gallery about the world of collecting, the art market and the future of international art fairs. As a dealer, curator to private clients, collector, and educator with 16 years of professional experience, Elias has helped build important private collections and has placed works at notable public institutions. He is passionate about educating both his clients and the public on the fine art of woodblock prints in the Ukiyo-e, Shin Hanga, and Sosaku Hanga traditions, as well as on contemporary Japanese sculpture and painting. He has a special place in his heart for Sosaku Hanga and has personally amassed one of the world's foremost collections.
1-54 Forum London 6 - 9 October 2016 Malick Sidibé: The People's Photographer, a Malian Legend Kerryn Greenberg (Curator, International Art at Tate Modern) discussing the artist's work and legacy with André Magnin (Director of MAGNIN-A and author of the first monograph of Malick Sidibé). Part of this conversation is in French with English interpretation. 'Malick Sidibé: The Eye of Modern Mali' continues at Somerset House until 15 January 2017. www.1-54.com
In this episode, Mormon Artist podcast host Katherine Morris McKell discusses the 10th International Art Competition—sponsored by the LDS Church History Museum—with Laura Allred Hurtado, Glen Nelson, and Rita Wright. Laura Allred Hurtado was the curator and jury foreman for the competition, while Rita Wright and Glen Nelson were among the jurors. The 10th International Art Competition exhibition ran September 2015–August 2016, and the digital gallery is available online. Note: Podcast music and sound by Saint Roxcy (saintroxcy.bandcamp.com). Copyright © Saint Roxcy 2016. All rights reserved.
Dr. Julia Tatiana Bailey is an art historian specializing in visual politics in the Cold War and art as propaganda, diplomacy and resistance. She recently completed a PhD focusing on official and unofficial Soviet-American cultural exchange and works as Assistant Curator of International Art at Tate Modern in London. Julia blogs on Cold War art […]
Entrevista con la directora de Bilbao International Art and Fashion, Charo Alvarez, uno de los mayores certámenes internacionales de jóvenes diseñadores, con la presentación de una jornada sobre emprendimiento e innovación para diseñadores emergentes.
Entrevista con la directora de Bilbao International Art and Fashion, Charo Alvarez, uno de los mayores certámenes internacionales de jóvenes diseñadores, con la presentación de una jornada sobre emprendimiento e innovación para diseñadores emergentes.
Nicole Berry talks about behind the scenes of an international art fair. Nicole is Deputy Director for Expo Chicago. She has been actively involved in the international art world for over a decade. She is an art historian, art writer, curator and former art adviser. First gaining experience in the Contemporary Department at Sotheby's in London, she subsequently worked in New York City at a number of secondary market galleries. In addition to her gallery work, Berry created her own company, Accessible Art, in 2006. Incorporating advising and organized tours through the often intimidating gallery and museum scene, the main focus of Accessible Art was a monthly newsletter she wrote that reviewed exhibitions and provided information about global art events. She has also written articles for BBC Travel. Berry has curated numerous exhibitions as a freelancer as well as in her gallery positions. She has been a member of panels at various art fairs and has given lectures throughout New York on topics ranging from how to begin a collection to navigating fine art museums.
On this week's podcast Thomas Caldwell read a poem on Tom Cruise and reviewed Mission Impossible: Rogue Nation, Actor David Wenham came in to talk about the Melbourne International Film Festival and the new Paul Cox film "Force of Destiny", on this week's "Weird Science" Dr. Jen phones in to talk about dinosaurs and Laurie Benson the Curator of International Art at NGV came in to speak about "Masterpieces from the Hermitage: The Legacy of Catherine the Great"
A video presentation of the audio interview including visuals of all the various works discussed. Click Here to view.
Rita R. Wright, Curator of Art and Artifacts at the Church History Museum walks us through the new exhibit featuring nearly 200 different works in a variety of genres. Her enthusiasm for art and the gospel is infectious and you'll be glad for a guide who helps you see more deeply into these amazing paintings, sculptures, and yes, even a flannel board story.In this audio interview you'll hear what kind of support the Church gives to the arts, how learning to understand art an be helpful in understanding the scriptures, and I think you'll especially enjoy hearing Rita Wright get on her soapbox for a moment on the power of art and how it blesses our spirits.Click here to see a video version of this edition with photos of the exhibits. And be sure to click here to visit the exhibit page itself and cast your vote for the Visitors Choice award.That's this week on The Cricket and Seagull.
The International Art of Bowling (IAB) was established in August 2010 by “Bowling Artists” Ron Hoppe, Jason Belmonte, and Diandra Asbaty. It’s a one-of-a-kind bowling experience focusing on an artistic representation of fundamentals, lane play, equipment, and versatility. Ron Hoppe is one of the founding fathers of IBPSIA, was its […]
Talk by Sophie Matthiesson, Curator, International Art, NGV
Use the player above, or click here to listen. Until this spring, we knew almost nothing about the palatial white facade going up on at 1025 Market Street. We heard rumors of saffron-robed monks shuffling in and out – and about a live stream flowing through the building. This March, the International Art Museum of [...]
With Darren Clarke winning The Open Championship Sunday, the last six champions of golf's Major tournaments have been international players. The 2011 FIFA Women's World Cup also wrapped up Sunday as Japan defeated the United States on a final series of penalty kicks. Zach Messitte, Suzette Grillot, and Joshua Landis talk about soccer, tennis, and golf's growing international appeal, and how technology allows athletic competition to transcend geographic and political borders. And the director of the Fred Jones Jr. Museum of Art Ghislain d’Humières joins the panel for a conversation on the globalization and internationalization of art, and how commodification affects what kind of art is created.
At the International Art and Antiques Fair in Dublin, dealers talk about the business: Stupid mistakes they made, clever deals they pulled and whether or not you can persuade anyone to buy anything. This is amusing, from the inside out (The Curious Ear)
This week the girls and a special guest from That Show With Those guys checked out the International Art Expo Las Vegas at Mandalay Bay. We exposed ourselves to art in more ways than one.
Tony Bond, Head of International Art at the Art Gallery of NSW, discusses the epic exhibition, Anslem Keifer: APERIATUR TERRA. Tony & I wander through the 5 spaces within the AGNSW housing the exhibition, talking about the great German artist, the themes he explores, the construction of the works themselves, and the challenging logistical issues surrounding the presentation of Keifer's huge but delicate works. A remarkable insight into this artist. From the AGNSW site: "Anselm Kiefer is regarded as one of the most important and influential artists working today. This exhibition reveals some of the themes that Anselm Kiefer is currently exploring in his studio in France. One of these themes appears as a room dedicated to Palm Sunday, with painting and sculpture, using mixed media such as date palms, thorns, clay and red oxide." To view the works go to: http://www.artgallery.nsw.gov.au/exhibitions/current/kiefer
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