Podcast appearances and mentions of Norman McLaren

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday night for more Grip Casino, Lorenzo Abattoir, Sunroof, Unexplained Sounds Group's ‘10th Annual Report – Anniversary Edition‘, and Xerxes The Dark, plus new 43V3RCH3M1CAL5, Alexandre David, Miguel A. Garcia / Coeval's ‘Laliguras‘, and National Film Board of Canada's animation founder and pioneering electronic music composer Norman McLaren.

Episode 120 Crosscurrents in Early Electronic Music of Canada, Part 1 Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 10:36 00:00 1.    Hugh LeCaine, “Dripsody: An Etude For Variable Speed Recorder” (1955) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). One of the earliest pieces of tape music by the inventor and composer Hugh Le Caine. Also, one of the most available works from the early years when it was used to demonstrate simple techniques of tape composition. It is probably the most-played work of electronic music other than “Poeme Electronique” by Varese. Every sound in this work is based on a recording of of a single drop of water falling into a bucket, which then underwent various speed adjustments and edits to create this composition. I chose a recording from a CD compilation spanning the first 45 years of electroacoustic music in Canada. The original version of Dripsody was monophonic. Le Caine produced this stereophonic version in 1967 for Folkways records. 2:12 10:36 2.    Maurice Blackburn / Norman McLaren, “Blinkity Blank” (1955) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). Another early work of tape music from Canada, produced around the same time as “Dripsody.” As a member of the National Film Board of Canada, Blackburn created this soundtrack with Norman McLaren by hand drawing on the optical soundtrack of a short film. 5:07 12:36 3.    Hugh LeCaine, “Ninety-Nine Generators” (1956) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). The title refers to the 99 tones of the touch sensitive organ. Each note had a separate generator and they could all sounds at the same time. 1:42 17:34 4.    Hugh LeCaine, “Arcane Presents Lulu” (1956) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). Le Caine composed this using his Special Purpose Tape Recorder using individual tape playback heads for six tapes, activated by keys. 1:50 19:14 5.    Hugh LeCaine, “This Thing Called Key” (1956) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). Le Caine composed this using his Special Purpose Tape Recorder using individual tape playback heads for six tapes, activated by keys. 1:53 21:04 6.    Hugh LeCaine, “Invocation” (1957) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). Le Caine composed this using his Special Purpose Tape Recorder using individual tape playback heads for six tapes, activated by keys. 2:21 22:56 7.    Anhalt, “Electronic Composition No. 2” (1959) from Electronic Composition No. 2 ("Sine Nomine II") (1985 Radio Canada International). 8:47 25:18 8.    Hugh LeCaine, “Nocturne” (1957) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). This piece was played on a conductive keyboard using printed circuit keys (designed by Rene Farley) and tape delay. Notes are sounded by the pressing of a finger on the conductive surface of the keys. 3:08 34:04 9.    Norma Beecroft, “From Dreams of Brass” (1964) from Music And Musicians Of Canada Centennial Edition Vol. II / Musique Et Musiciens Du Canada Edition Du Centenaire Vol. II (1967 CBC Radio Canada). Norma Beecroft is a Canadian composer, producer, broadcaster, and arts administrator. Among the pioneering academic electronic music composers, she worked independently in the Electronic Music Studio of the University of Toronto. As a professional composer, she was one of the first non-students to be able to experiment in the new facility. There she focused on multitrack recording and looping as an extension of existing instrumental or vocal sounds. This particular work contrasts tape sounds with sung and spoken word sounds. 15:59 37:12 10.Paul Pedersen, “Themes From The Old Testament” (1966) consisting of 1) Saul And David; 2) David And Bathsheba; 3) Lot's Wife; 4) Parable Of Trees” (1966) from Paul Pedersen – Portrait Musical – Portrait No.1 (1976 CAPAC). Excerpts of a larger work. Produced in the Electronic Music Studios of McGill University and the University of Toronto. Paul Pedersen is a Canadian composer, arts administrator, and music educator. He was head of the McGill University Electronic Music Studios from 1971-1974. Concordia University in Montreal created 'The Paul Award in Electroacoustics' to celebrate Paul Pedersen's contribution to the development of electroacoustics in Canada. 5:47 53:10 11.Anhalt, “Cento” (1967) from Istvan Anhalt (1972 Radio Canada International).  “CENTO was composed in 1966 under a grant from the Centennial Commission, and its premiere performance took place in 1967, Canada's Centennial Year. The composer describes his work thus: ‘It is a work for a twelve-part mixed choir and two channels of tape-recorded sounds. Most of the sounds on the tape are also vocal, and it was my intention to blend, as much as possible, the live and the recorded voices. The effect I was seeking is that of a single choir performing in an acoustical space the character of which is partly real, partly unreal. "Much of the electronic equipment in both works was invented and built by Dr. Hugh Le Caine at the National Research Council of Canada.” 11:23 59:02 12.Norma Beecroft, “Two Went to Sleep” from Norma Beecroft – CAPAC Musical Portraits (circa 1976 CAPAC). Excerpt from a larger work, released on the Musical Portraits series of extended play 7-inch discs. This piece was written for soprano, flute, percussion, and tape with words by poet Leonard Cohen. It is a great example of the kind of work that combined instruments with tape. 2:49 1:10:24 13.Hugh LeCaine, “Music for Expo” (1967) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). Produced using Le Caine's Serial Sound Structure Generator, a device intended to provide controls for making twelve tone serial music. Tones and other parameters were created using rotary dials on the control panel. Created for Expo '67 World Exposition in Montreal. 2:34 1:13:12 14.Peter Huse, “Space Play” (1969) from Carrefour (Musique Electro-Acoustique = Electroacoustic Music). Fraser was a west coast person and composed this work while at Simon Fraser University. He was assistant director of the World Soundscape Project. 3:46 1:15:46 15.Hugh LeCaine, “Mobile” (1970) from Carrefour (Musique Electro-Acoustique = Electroacoustic Music). One of the first pieces of music to be composed on the NRC Computer Music System.   1:19:28 16.Micheline Coulombe Saint-Marcoux, “Trakadie (3 Excerpts), For Percussion And Tape” (1970) from Micheline Coulombe Saint-Marcoux: Musical Portrait (1976 CAPAC). This series of composer's Musical Portraits was initiated and sponsored by the Composers, Authors and Publishers Association of Canada. Micheline Coulombe Saint-Marcoux was a Canadian composer and music educator who played an important role in the contemporary classical music scene of Canada and France from the late 1960s through the mid-1980s. Primarily a composer of contemporary classical music, she experimented with electroacoustic music from time to time with some amazingly original and fresh results. From 1968 to 1971 she studied musique concrete with Pierre Schafer in Paris, and from this period comes this work. 4:17 1:21:20 17.Michel Longtin, “La Mort Du Pierrot” (1971) from Carrefour (Musique Electro-Acoustique = Electroacoustic Music). Produced in the electronic music studio of McGill University. 5:21 1:25:34 18.David Paul, “Eruption” (1971) from Carrefour (Musique Electro-Acoustique = Electroacoustic Music). Produced at the University of Toronto, using Le Caine's equipment, this work explores sound densities and glissandi. 6:07 1:30:56 19.Paul Pedersen, “For Margaret, Motherhood And Mendelssohn” (1971) from Carrefour (Musique, Électro-Acoustique = Electroacoustic Music). Composed at McGill University where Pedersen was director of the electronic music studio. The electroacoustic work uses fragments of speeches such as prime minister Pierre Trudeau's and the electronic sounds were composed using Le Caine's Polyphonic Synthesizer. 4:21 1:37:02 20.Hugh LeCaine, “Paulution” (1972) from Pioneer In Electronic Music Instrument Design: Compositions And Demonstrations 1948-1972 (1985 JWD Music). Uses Le Caine's Polyphonic Synthesizer, a new device created by the scientist around this time. Much of this was created in real-time with little tape manipulation. 4:09 1:41:18 21.Micheline Coulombe Saint-Marcoux, “Zones” (1972) from Carrefour (Musique, Électro-Acoustique = Electroacoustic Music). Musique électroacoustique réalisée au Sonic Research Studio, Université Simon Fraser, Vancouver. An exploration of different instrumental timbres using electroacoustic music. 9:02 1:45:22   Opening background music: Hugh Le Caine, Rhapsody in Blue, performed on the Electronic Sackbut (1953) from Compositions Demonstrations 1946-1974 (1999 Electronic Music Foundation)00:58; Hugh Le Caine, Safari: Eine Kleine Klangfarbenmelodie (1964) from Compositions Demonstrations 1946-1974 (1999 Electronic Music Foundation). Played on the Sonde, a Le Caine instrument that could generate 200 sine tones separated by intervals of 5 Hertz, as a demonstration of textures and densities. 3:10 (then repeated). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

This one is a doozy. Tackling a giant of Canadian cinema, Andrew Hunter Scholey and James Thornton sit down to discuss Norman McLaren. Possibly the most influential filmmaker in Canadian history, there is a lot to unpack. To discuss Norman one has to discuss the history of the National Film Board of Canada and it's impact on Canadian film. His pioneering animation techniques and the state of animation in North America in the 1930's to the 1960s. And that's just to start. Oh, and they eventually get around to discussing his 1952 Academy Award winning film "Neighbours".

Luis Ricardo Bras fue un animador rosarino que nació en 1923, estudió Bellas Artes y se interesó en la animación a fines de la década del 50 en el Cine Club Rosario cuando vio las animaciones del animador canadiense Norman McLaren. Autodidacta, autogestivo y artesanal, Bras hizo una serie de películas de animación muy valiosas, y creó el primer curso de dibujos animados de la ciudad. Fue el primero en el mundo de la animación en Rosario y en sistematizar una forma de enseñar la animación. Fue profesor en la Facultad de Bellas Artes (UNR) y en la Escuela Provincial de Cine. La ciudad todavía guarda huellas de la mano de Bras, que desde principios de los 60 con el nacimiento de la televisión creó personajes y animó más de 300 publicidades para marcas rosarinas. El 29 de octubre se cumplen 100 años de su nacimiento, y hoy sus discípulos y divulgadores, reciben este reconocimiento de la república de falso vivo.

How climate change is threatening the accessibility of home insurance; Yogi Berra's granddaughter on the new documentary It Ain't Over; Pomegranate delivers a time traveling lesbian love story as a chamber opera; Robert LePage and Guillaume Côté merge dance and technology to celebrate NFB great Norman McLaren; and more.

Allusions d'optique, c'est une émission dédiée aux films atypiques, méconnus ou qu'on veut vous faire re-découvrir. Pour l'émission d'avril, nous avons décidé de vous parler de la blague au cinéma. Accompagnés de Shrek, de La Soupe au Choux et de Mel Brooks, on a parlé voix déformées, visages qui se tordent; entre blagues qui vieillissent, et l'éternel de la peau de la glissade sur une peau de banane. Avec une fiction sonore d'Ipek, et une interview de Thibaut Bruttin autour de son livre La Soupe aux choux de Jean Girault! Les films chroniques sont On-Gaku: notre son de Kenji Iwaisawa, Shrek Retold (film collectif), Neighbours de Norman McLaren et Evil Dead 3 de Sam Raimi. Soutenez-nous sur PayPal !

This week, Eric, and Josh are joined by Lee, to chat about his new movie - Enter The Drag-Dragon! They also discuss: dog walking, the Norman McLaren short film Neighbours, Cooley High, spotting old movie posters in movies and tv shows, video store movie posters, expensive VHS movies, The Bad News Bears, the lack of city specific film critics, the Get Carter remake, and more! Plus, they mention the movies screening from Friday January 20 - Thursday January 26: Broker, You People, Bones And All, Get Carter, and The Room!

Happy Holidays CNIC listeners! Sylvie and Chris TOTALLY ON PURPOSE planned a Christmas special that just happened to coincide with our recurring dive into the National Film Board of Canada's archives. This in no way was slapped together at the last minute after looking at a calendar... We picked two charming Holiday themed shorts produced by the NFB featuring some familiar directors and even more familiar literary inspirations. Somehow we get on the topic of Pajama Sam and Free Palestine during our conversation (as we are want to do). Wishing you all the best this holiday season and a happy new year. Films covered are Christmas Cracker (1963) directed by Norman McLaren, Grant Munro, Jeff Hale and Gerald Potterton (https://www.nfb.ca/film/christmas_cracker/) and The Energy Carol (1975) directed by Les Drew (https://www.nfb.ca/film/energy_carol/). If you liked what you heard please consider giving us a like, share, follow, and rating to help us reach a wider audience. Follow us on Twitter at https://twitter.com/CartoonNightPod?s=20 Theme song by https://soundcloud.com/hvsyn

Entrevue avec Aref Salem, chef de l'opposition officielle à L'Hôtel de Ville de Montréal, conseiller de la Ville du district de Norman-McLaren, dans l'arrondissement Saint-Laurent :  rapport de l'ombudsman de la Ville de Montréal. Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

L'inflation nous affecte énormément, s'attriste la cofondatrice des Filles Fatoush Entrevue avec Adelle Tarzibachi, cofondatrice des Filles Fatoush: comment bien cuisiner en période de forte inflation? Chronique culturelle d'Anaïs Guertin-Lacroix: Mick Jagger atteint de la COVID, un concert des Rolling Stones repoté. Post Malone fait une révélation sur la création de ses chansons. Armes à feu: des célébrités d'Hollywood veulent que les films montrent l'exemple. Rencontre de l'heure avec Richard Martineau: nos animateurs reviennent sur la polémique concernant les sportifs professionnels mettant tous leurs principes de côté en échange d'un gros chèque et acceptent de jouer dans des pays comme l'Arabie saoudite. L'industrie du cinéma devrait-elle s'attaquer aux armes à feu? Entrevue avec Julie Dufour, mairesse de Saguenay: un important glissement de terrain est survenu à Saguenay. Pouvions-nous prévoir cet événement? Chronique de Geneviève Pettersen, animatrice à QUB radio de 13h à 15h30: gaspillage alimentaire: en période d'inflation, il est normal de pointer du doigt certaines pratiques provoquant de grands gaspillages. Chronique de Joseph Facal, chroniqueur au Journal de Montréal & au Journal de Québec: Liz Cheney: la solitude du courage. Segment d'actualité avec Alexandre Moranville-Ouellet: Ottawa va assouplir les mesures sanitaires aux voyageurs. Une maison emportée par un glissement de terrain à Saguenay. La pollution de l'air réduit l'espérance de vie mondiale de 2 ans. Un projet de loi pour forcer les entreprises à signaler les cyberattaques. La Rencontre Foisy-Robitaille, chronique politique provinciale et fédérale avec Antoine Robitaille, animateur de l'émission Là-Haut sur la colline à QUB radio, et Philippe-Vincent Foisy, animateur de l'émission matinale de QUB radio : fin des mesures pour les voyageurs, mise à jour sur les complots liés à la covid, le malheur sans fin pour le PQ et sondage : Legault à la baisse. Loïc Tassé, politologue et chroniqueur au Journal de Montréal, on peut lire sa chronique tous les lundi dans les pages du Journal de Montréal et du Journal de Québec :  Donald Trump dénonce la Commission du 6 janvier, la Grande-Bretagne expulse des immigrants illégaux au Rwanda, le gouvernement chinois utilise les codes santé de la COVID pour stopper des manifestations, une journée supplémentaire de congé par semaine pour les fonctionnaires du Sri Lanka - Pour pouvoir cultiver leur potager et drame en Belgique : le pays fait face à une grave pénurie de bouteilles pour la bière. Entrevue avec Aref Salem, chef de l'opposition officielle à L'Hôtel de Ville de Montréal, conseiller de la Ville du district de Norman-McLaren, dans l'arrondissement Saint-Laurent :  rapport de l'ombudsman de la Ville de Montréal. Chronique Sports avec Mathieu Boulay, journaliste au Journal de Montréal : ça brasse déjà pour les Alouettes de Montréal et un viol collectif camouflé : des développements pour Hockey Canada.  Une production QUB Radio. Juin 2022. Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Rene Pardo is an inventor, creator and entrepreneur. A visionary driven by innovating world firsts to impact and help people, his entire life he has been supporting advanced R&D and building tech companies around exceptional, bright people. He is most recognized for co-inventing and developing the world's first electronic spreadsheet (1969), as well as Forward Referencing, the cornerstone functionality of modern spreadsheets and reactive programming. The spreadsheet was licensed to and used by the budgeting department of AT&T and every telephone company in North America throughout the early 1970's, including Bell Canada, as well as by General Motors in Warren, Michigan. A pioneer in Human-Computer interactions and interfaces, he is also recognized for his advancements and major contributions to education and multimedia. Norman McLaren (National Film Board in Montreal, Quebec) and Ken Knowlton (Bell Labs in Murray Hill, New Jersey) became Pardo's role models. Inspired by the environment of the NFB and Bell Labs which offered complete creative freedom to outstanding individuals, Rene continues to strive to replicate in business settings the same environments fostering creativity and innovation. Attached Things/Links Mentioned: The Internet Startups Entrepreneurship Systems in Business Destiny Rhythm of Life Lessons from Others (Rene's mother, Norman McLaren, and more) How to Stay Young Forever The Difficulty of Patent Lawsuits Rene's Journey in Business Lanpar Brainwave Technologies Design Technology Web3 NFTs Creativity + Innovation Rene's Website Rene's LinkedIn Brainwave Website Origins of Lanpar 4 My Treasures #DreamBIG #ImproveYourselfImpactLives To see what we are up to and what is going on around the Dream BIG & Co community you can follow us on the following platforms: Website Instagram Twitter Facebook Vimeo Snapchat Tik Tok LinkedIn Medium Our Spotify Playlist Our Amazon Alexa Skill - Dream BIG Daily Our Amazon Alexa Skill - Dream BIG Quotes

On this weeks episode, Chris and Sylvie begin a side series exploring the vast archives of animation that is the National Film Board of Canada. While discussing the importance of the NFB and it's impact on the discussion and production of animation in Canada, we also chat about two films produced through the organization, while flying off on weird tangents about "yeeting," French Painters, Canadian geography, war propaganda, and so much more. Films covered are Norman McLaren's Neighbours (1952) and Anita Lebeau's Big Drive (2011). If you liked what you heard please consider giving us a like, share, follow, and rating to help us reach a wider audience. Follow us on Twitter at https://twitter.com/CartoonNightPod?s=20

In the landscape of Canadian dance few names are as instantly recognizable as Guillaume Côté. Whether embodying the eternal Romeo, or conjuring Norman McLaren in his work Frame by Frame, Guillaume has captured our collective imagination and brought us with him through countless journeys as both a dancer and choreographer. But where does he return to after the curtain falls? Where, or what, or who is home? We traveled to Le Festival des Arts de Saint-Sauveur for the world premiere of Guillaume's new full-length work + (dix), in which he beautifully explores and expands on these questions. We take you backstage and on stage; and then sit down for an intimate chat with Guillaume on this new work, his life, and so much more.

This week we explore the animated films of Norman McLaren who counted Pablo Picasso amongst his greatest fans. Everything stops for tea as we reflect on Scotland’s favourite beverage. Finally, we celebrate the 70th birthday of Dennis the Menace and reminisce about the era of the weekly comic.

In this episode, we explore the idea of "visual music" with artist Jean Detheux, who has a unique approach to marrying audio and visual material in his films. Differing from the likes of Oskar Fischinger and Norman McLaren, Detheux rejects the idea of animation in a traditional sense, making the whole cinema screen into his canvas on which living paintings emerge before your eyes. Regularly collaborating with musicians for live performances, he aims to create a dialogue between music and image and a whole world into which the audience can enter. Check out over 300 films and "sketches" as well as documentation of live performances on his Vimeo page at https://vimeo.com/jeandetheux

Diplômé de l'École nationale de théâtre, Etienne Boucher se lance rapidement dans un rythme effréné de créations dès sa sortie de l'institution en 1999. S'intéressant au théâtre, mais s'immisçant au côté de la danse, de la comédie musicale, de l'opéra et du cirque, sachant interagir avec les univers dramatiques et chorégraphiques rencontrés, réinventant constamment sa syntaxe lumineuse, le concepteur crée, dès ses tous débuts, des propositions remarquées. L'unicité de son travail n'échappe pas à la vigilance de ses pairs et de la critique, voire à celle des jeunes qui, à deux reprises, lui décernent le prix du public étudiant du Théâtre Denise-Pelletier pour les éclairages (L'homme de la Mancha), 2004-2005; Britannicus, 2005-2006). De même, il récolte une ribambelle de nominations à la soirée des Masques. Et en 2007 il accomplit un doublé, l'Académie québécoise du théâtre lui décerne le Masque de la conception des éclairages pour Du vent entre les dents mis en scène de Martin Faucher (Théâtre d'Aujourd'hui, 2007) ainsi que pour la Dame aux Camélias, mise en scène de Robert Bellefeuille (TNM, 2006). Une importante collaboration s’amorce en 2003 avec le metteur en scène Robert Lepage où émerge des projets de théâtre, d’opéra et de ballet. Tous des projets qui l’amèneront à travailler à l’international. Dès le début il met en lumière La Celestina qui sera présenté en tournée en Espagne. The Rake’s Progress sera sa première incursion à l’opéra. Production qui fera le tour du monde en passant par le Covent Garden de Londres et la Scala de Milan.Son plus important projet sera sans contesté la conception des éclairages de la tétralogie de Wagner Der Ring des Nibelungen au Metropolitan Opera de New York. Un gigantesque projet qui s’étalonne sur presque 6 ans de travail. En 2011 avec la présentation du premier épisode de la Tétralogie de Wagner L’Or du Rhin et Totem (Cirque du Soleil) observés par le magazine LDI, on lui décerne le Redden Awards for Excellence in Lighting. Le metteur en scène de Québec lui confiera la conception des éclairages de Frame by Frame avec The National Ballet of Canada soit une première aventure dans le domaine du ballet pour les deux complices. Le ballet sur l’artiste visuel Norman McLaren lui méritera le Dora Mavor Moore Awards 2019 pour sa conception lumineuse.Crédit photo: Alexandre BoucherSoutenez ce podcast http://supporter.acast.com/lueur. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Je vous propose d'explorer quelques expérimentations musicales sur navigateur et d'en tirer des réflexions à utiliser pour vos projets de jeux vidéo ou d'interfaces web, dans l'idée aussi de les rendre plus accessibles à toutes sortes de publics... Pensez à une approche musicale très relaxante non répétitive plutôt que de créer une boucle de musique répétitive qui au bout de plusieurs heures de jeux peut lasser… Exemple : dans le cadre d'un jeu vidéo sportif, au bout d'un moment, les commentaires sportifs pourraient devenir redondants. Pourquoi ne pas envisager une composition musicale générée de façon procédurale en fonction de paramètres visuels à l'écran : le temps de match restant, la position du ballon ou du palet, la position des joueurs et des joueuses, etc. Norman McLaren - 1971 - Synchromie https://www.onf.ca/film/synchromie/ http://seaquence.org/ - Création de planctons sonores - Site non accessible aux personnes ayant un handicap visuel qui souhaiterait créer de la musique. Young-Hae Chang Heavy Industries https://yhchang.com/ The tumbler - http://andrew-hoyer.com/experiments/tumbler/ Piano collaboratif https://www.multiplayerpiano.com/ https://plink.in/ => Dès que la vidéo «Plink accessible» sortira, le lien sera ici… :) http://b-ma.fr/ - L'expérimentation step3 est interactive. https://superlooper.universlabs.co.uk/

Roger Beebe's Website During this conversation, we discuss Beebe's films "Amazonia," "Strip Mall Trilogy," and "Lineage (for Norman McLaren)." Roger Beebe is a filmmaker whose work since 2006 consists primarily of multiple projector performances that explore the world of found images and the "found" landscapes of late capitalism. He has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues. Beebe is also a film programmer: he ran Flicker, a festival of small-gauge film in Chapel Hill, NC, from 1997-2000 and was the founder and Artistic Director of FLEX, the Florida Experimental Film Festival from 2004-2014. He is currently a Professor in the Department of Art at the Ohio State University where he helped launch the new Moving-Image Production major in Autumn 2017.

Filmmaker Mark Cousins (Women Make Film, The Story Of Film) joins Sam and Jesse for a physically distanced chat about Bill Clinton's speech at the funeral of Martin McGuinness (8:15), the Sagrada Familia basilica in Barcelona (15:22), and Norman McLaren's short film Neighbours (22:05). Then, Mark shares where film lovers could start with their journeys into the works of certain directors (29:39), and plays "Has Jesse Seen This?" (39:35) Then Jesse tells a bedtime story (44:29). For more, follow us on Instagram (@thepodcasternack) and Twitter (@_podcasternack), or e-mail us at thepodcasternack@gmail.com.

In questa puntata: un dramma argentino basato sul rapporto speciale e molto intimo di due sorelle che si ritrovano con la madre nella casa di famiglia, con relazioni e tensioni che ricominciano, colpi di scena e cambiamenti. Poi, focus su due dei cortometraggi più famosi di Norman McLaren, grande animatore (e sperimentatore, e i loro messaggi civili: con due vicini che perdono il controllo per la contesa di un fiore e una sorta di balletto tra un uomo e una sedia che non vuole farsi utilizzare.

Several years ago, on New Year’s Eve, a tall, purple-robed praying mantis appeared to multidisciplinary artist Stuart Evan Davis as he meditated while running a fever. “Remember who you work for,” the entity said after beaming a zettabyte of information into Stuart’s febrile mind. Though it lasted less than a minute, the encounter sparked a series of life-changing -- and hair-raising -- events worthy of a Philip K. Dick novel. JF and Phil talk to Stuart Davis to get his thoughts on nonhuman intelligences, the artistic cosmos, a movie trilogy the Mantis commissioned, and Stuart’s brilliant audio documentary, [Man Meets Mantis](https://www.youtube.com/watch?v=Zi8W0qCUH0)_. Header image by OLJA, Wikimedia Commons Stuart Davis Official Website (http://www.stuartdavis.com/) Stuart Davis, [Man Meets Mantis](https://www.youtube.com/watch?v=Zi8W0qCUH0)_ Stuart Davis, “Something from Nothing (https://www.consciouslife.com/something-from-nothing-6-month-course/)” course Jasmine Karimova (https://www.jasminekarimova.com/), singer-songwriter Ramsey Dukes, [The Good, The Bad, and the Funny](https://www.goodreads.com/book/show/2064416.TheGoodtheBadtheFunny)_ John Mack (http://johnemackinstitute.org/), psychiatrist and abduction phenomenon researcher Jacques Vallee (http://www.jacquesvallee.net/research.html), ufologist John Keel (https://www.goodreads.com/author/show/18452.John_A_Keel), paranormal researcher Weird Studies episode 2, “Garmonbozia (https://www.weirdstudies.com/2)” Norman McLaren, Spheres (https://www.nfb.ca/film/spheres/) Remedios Varo (https://www.artsy.net/article/artsy-editorial-surrealists-paintings-inspire-witches-academics-alike), artist Leonora Carrington (https://www.artsy.net/artist/leonora-carrington), artist JF Martel, Reclaiming Art in the Age of Artifice (http://www.reclaimingart.com/) Special Guest: Stuart Evan Davis.

Con Cinefilia ninja les queremos proponer un ejercicio: escuchar a dos personas hablando de cine, y tener a mano los links necesarios para seguir investigando si les pica el bichito del interés. El invitado del quinto episodio es Axel Kuschevatzky y con él hablamos de todo esto: De proyecciones en super 8 (http://bit.ly/2A8X2lI), de ir al cine Los Ángeles (http://bit.ly/2A90o8r) y sus caretas, de Los aristogatos (http://bit.ly/2Cqhksz), de Robín Hood (http://bit.ly/2QMtCnJ), del Pumper (http://bit.ly/2SerS3x) que estaba enfrente, de ver películas de Hitchcock (http://bit.ly/2EvP36f) de manera fragmentada, de las películas de Larry Parks (http://bit.ly/2PWeSh2), de Solo los ángeles tienen alas (http://bit.ly/2PQQdKI) de Howard Hawks, de King Kong (http://bit.ly/2LdLkul), de Sombrero de copa (http://bit.ly/2PQR3qQ), de El mago de Oz (http://bit.ly/2SeP0Pg) en super 8, de Un americano en París (http://bit.ly/2GyscZu), de 2001: odisea del espacio (http://bit.ly/2LsMCBJ), de La guerra de las galaxias (http://bit.ly/2PQUzBp) en cine, de haber ido de bebé a ver Mimi metalúrgico (https://imdb.to/2rNFyH9) de Lina Wertmüller, de los cines Lavalle y Corrientes (http://bit.ly/2LvcXPA), del cine Real (http://bit.ly/2LvcXPA), de las diferencias entre las salas, del ritual de ir al cine, de que te pongan el himno las fechas patrias, de los carteles publicitarios que colgaban sobre el telón, de las Variedades Lowe (http://bit.ly/2QFyXgJ), de las funciones de Cinemateca en Hebraica, del Cosmos 70 (http://bit.ly/2L4gl44) y sus marionetas checas, de una maratón de Buster Keaton (http://bit.ly/2UZWSWH) y Harrold Lloyd (http://bit.ly/2SdduZf), del cineclub infantil de Mario Grasso (http://bit.ly/2BwT2eH), de Vecinos de Norman McLaren (http://bit.ly/2EHbIMY), de descubrir que los actores estaban en muchas películas, de los tres chiflados en El mundo está loco, loco, loco (http://bit.ly/2LujKJE), de Laurel y Hardy (http://bit.ly/2PSqpxE), de Más corazón que odio (http://bit.ly/2BvoDNS) de John Ford, de El ciudadano (http://bit.ly/2PSqz8e) de Orson Welles, de El cine según Hitchcock (http://bit.ly/2CpPexA) y de la evolución de Truffaut (http://bit.ly/2rMdWlo) a lo largo del libro, de los libros de Peter Bogdanovich (http://bit.ly/2RerQes), de la teoría del autor (http://bit.ly/2AbPUFd) como error del sistema de crítica, de la escuela de Cahiers du Cin

100. I have thought about what I would do with my 100th since the time I started DrumGAB. It's the episode that I have looked forward to the most. I always knew it was going to be long, quirky, wandering, nostalgic, and challenging and not just for me to make, but for you to listen to as well.   I see it as a symbol of devotion and commitment to something. Not to say that this thing is important in any way at all, but it was tough to make and it meant something to me to assemble something purely from my own personal warm fuzzy places. And I don't consider myself a content creator, but rather a content assembler. In fact, I am really trying to get out of the way more and more often as time goes on. I am less concerned with creating a character; I am the character. I am also less interested in forcing the conversation to suit my prep. I dunno, this is all just shit that you learn when you do something that you know nothing about and decide that you will give it a try. Nearly two years later and I have assumed the role and position and that is a weird realization to me still. Little transformations and adjustments have been happening on a subconscious level. It is all slow and consistent, so you never notice the spikes of progress and change. You just realize one day that you do it now, and you are comfortable doing it.   So what is DrumGAB to me? Is it anything similar to what it means to you? I do receive a lot of detailed feedback from listeners and it is usually a few months after someone discovers the show. The things that are said to me is just fucking awesome. It really is. I don't take this shit lightly because I have now developed a show that I felt didn't exist in the drum industry and threw myself directly into it without noticing, and for reasons beyond my control people feel it's their show too.   And that is what I want!    I have ALWAYS been the odd duck who would show other people and friends things I have made or something that I really like and most of the time it isn't accepted. I used to be really self-conscious about shit that I liked or how I wanted to go about making something. Acceptance is a big issue with me that I struggle with, but at the same time I have always been an anti-pop weirdo who can't seem to fit into an easy place, so I really work against myself in that way. But here we are with DrumGAB, and I have always just made what seemed like the right thing to make at the time and it seems like there are a group of individuals who are kinda like me too. I found a lot of my people through this show. So connectivity is maybe the biggest components to the success of this show.    But back to the 100th. This episode features fifteen interviews (technically speaking) from both good friends of mine or fans of the show. In a couple of cases, I think it was just something seen as an opportunity to be on the podcast, which is fine too. We also have six original compositions from my friend Matt Davis who accepted the challenge to create the music to some drum tracks that I sent him. We have numerous studio recordings featuring my beautiful Sugar Percussion drum set played by yours truly and tracked by the talented recording engineer and drummer Michael Marucchi. We have VIKING!!! Fucking Viking man. He made this so special both with his VO impersonations and the interview that we had that was based on some fan-generated points on what annoys a drummer. It was absolutely wonderful to have him involved with the project, as he is a dear friend of mine. There are four different flashback chunks of some of the funniest moments in the show's history. I recorded three separate narrations to guide you along this incredibly long episode and also to offer some perspectives on my experience with creating DrumGAB. Fuck what else is there.....? Oh right, there are tons of audio snippets that I yanked off the internet. All of it is stuff that I have loved for years, whether it be Monty Python, Beavis and Butthead, Norman McLaren, The Big Snit, or the Twilight Zone, it's all in there. I use these clips to bookend the interviews and sporadically throughout the actual interviews.   There is a lot of stuff....thirty mp3 sessions were created and then all assembled into one session to create 100. A LOT of time and effort went into making this thing. I am not sure if I have ever put something together of this scale ever before and I am so happy with the results. It is a winding road of many different perspectives, stories, messages, music, culture, and it all stems from the keen interests that I have and how I used DrumGAB to explore and share them with you. Thank you all again for taking time from your life to get inside of mine a bit.   Here are the running order and times for 100   Viking Intro (0:00 - 2:13) Old Jingle (2:13 - 3:23) Narration One (3:23 - 22:02) New Jingle (22:02 - 23:02) Flashback One (23:02 - 35:02) Hunter Krasa (35:02 - 50:00) Adam MacEachran (50:00 - 1hr32:40) Viking 1 (1hr32:40 - 1hr40:17) Steve Nadler (1hr40:17 - 2hr21:50) Flashback 2 (2hr21:50 - 2hr30:48) Viking 2 (2hr30:48 - 2hr46:01) Kevin Nordeste (2hr46:01 - 3hr21:09) Brandon Green (3hr21:09 - 4hr20:57) Charlelie Fusillier (4hr20:57 - 4hr52:53) Viking 3 (4hr52:53 - 5hr04:06) Narration 2 (5hr04:06 - 5hr12:25) The Big Snit (5hr12:25 - 5hr22:16) Anthony Lafrate (5hr22:16 - 5hr42:32) Ryan Claxton (5hr42:32 - 6hr06:17) Alex Kaufman (6hr06:17 - 7hr03:24) Flashback 3 (7hr03:24 - 7hr12:59) Viking 4 (7hr12:59 - 7hr26:07) Joe Mintz (7hr26:07 - 7hr49:24) Boyd Little (7hr49:24 - 8hr05:16) TJ Hartmann (8hr05:16 - 8hr59:09) Flashback 4 (8hr59:09 - 9hr12:23) Travis McGowan (9hr12:23 - 9hr49:58) Rob Maybee & the flower shop family (9hr49:58 - 9hr53:47) Vinny Werneck (9hr49:58 - 10hr42:55) Viking 5 (10hr42:55 - 10hr57:16) Narration 3 (10hr57:16 - 11hr10:07) Vikings’ Outro (11hr10:07 - 11hr11:42)   I hope you enjoy this piece and thank you again for listening to DrumGAB, it was my pleasure creating it.

Le clip Out of body experiences de Head on television : https://www.youtube.com/watch?time_continue=47&v=ej8UB7ZdFIA Le film Pas de deux de Norman McLaren : https://www.youtube.com/watch?v=WopqmACy5XI Le film Slap de Nick Rowland : https://www.shortoftheweek.com/2016/06/11/slap/ La bande-annonce d'Une nouvelle amie de François Ozon : https://www.youtube.com/watch?v=lxNUmOe-dhY Aline Crétinoir

Vingt-cinq ans après les saisons originales de Twin Peaks, le “film de David Lynch” est devenu un genre en soi. Alors comment sortir de l’écueil de l’autocitation avec cette troisième saison ? Pour comprendre d’où vient Twin Peaks, retour dans cet épisode spécial sur la carrière et la filmographie de David Lynch, plus complexe que la caricature qu’il a lui même bâti au cours des ans. Animé par Thomas Rozec, Julien Dupuy, Yannick Dahan, Rafik Djoumi et Stéphane Moïssakis. RÉFÉRENCES CITÉES DANS L’ÉMISSIONEraserhead, Labyrinth Man (David Lynch, 1977), Elephant Man (David Lynch, 1980), Dune (David Lynch, 1984), Blue Velvet (David Lynch, 1986), Sailor et Lula (1990), Twin Peaks (David Lynch, 1990), Twin Peaks : Fire Walk with Me (David Lynch, 1992), Lost Highway (David Lynch, 1997), Une histoire vraie (David Lynch, 1999), Mulholland Drive (David Lynch, 2001), Inland Empire (David Lynch, 2006), Norman McLaren, Kenneth Anger, L’église de Satan (Anton LaVey), El Topo (Alejandro Jodorowsky, 1970), La Montagne sacrée (Alejandro Jodorowsky, 1973), La Nuit des morts-vivants (Georges Romero, 1968), John Waters, Freaks (Tod Browning, 1932), Hollywood Babylone (Kenneth Anger, 1959 - 1975), Crimes dans l’extase (Jesùs Franco, 1971), Kill, Baby, Kill (Mario Bava, 1966), eXistenZ (David Cronenberg, 1999), Mars Attacks! (Tim Burton, 1996), Twixt (Francis Ford Coppola, 2012), The Art Life (David Lynch, 2016) , Georges Lucas in Love (Joe Nussbaum, 1999), Do the Right Thing (Spike Lee, 1989). RECOMMANDATIONS ET COUPS DE COEURRETROUVEZ LES RECOMMANDATIONS FAITES EN FIN D'ÉMISSION sur la page Soundcloud officielle des recommandations de NoCiné >> @nocine-reco

Filmmakers Devan Scott and Corbin Saleken join William and Alexander to chat about animated shorts from the National Film Board of Canada (NFB). We have a quartet of opinions weighing in on films by Cordell Barker, Claude Jutra, Norman McLaren, Evelyn Lambart and Chris Landreth. The films are available at www.nfb.ca to watch for free.Download this episode here. (40 MB) Look for Corbin Saleken's movie Patterson's Wager on the iTunes Store or at a film festival near you. Here are the IMDb links to the movies discussed in this episode: A Chairy Tale, The Cat Came Back, Begone Dull Care and Ryan.

Cine canadiense: Vecinos, de Norman McLaren.

Animation Director Steve Woods discusses the use of Pixilation in a variety of productions including NEIGHBORS by Norman McLaren, MUTO by BLU, ADMIT ONE by Steve Woods, among others.

Playing With the Past is an annual (we hope) event at the Edinburgh Film Festival where contemporary bands are invited to write new soundtracks for old films.  Last year was the first of these, when the superb British Sea Power wrote a brilliant score for Man of Aran, a (slightly fake) documentary about the lives of the inhabitants of a remote island off the West Coast of Ireland (extract here). This was such a success that the band have been performing it all over the place ever since.  This year David Drummond, who put the event together, decided to invite three different bands to work with roughly half an hour or so of footage each, and he started off by inviting eagleowl, who suggested a number of other bands, from which David chose FOUND and Meursault. We decided not to include more than a few excerpts of the music in this because the bands were a little uncomfortable about listening to too much of their stuff in the absence of the film to which it belongs.  So a big thank you to Tommy, Bart and Neil for coming in to talk about their music, and to David and Theresa from the Filmhouse who came by to chip in at the beginning, before having to rush off.  It may not be the catchiest of podcasts in a musical sense this week, but I think this is easily one of the best podcasts we've done - one of the most interesting, certainly. Also, although I haven't tracked down all these films on the internet, I have got some bits and pieces for you to give you an idea of what was going on.  Confusingly, they all have the original scores on these clips, but erm... well, hopefully you'll find them instructive. The Films: 1. eagleowl: Granton Trawler 2. eagleowl: Begone Dull Care 3. Meursault: Stan & Ollie 4. Meursault: Night Mail (Part 1, Part 2 & Part 3) 5. FOUND: Camera Makes Whoopee (Sorry, couldn't find this one anywhere - here's a Google search though if you want to have a go yourself. And a bit more about Norman McLaren, here.) Toadcast #84 - The Playing With the Pastcast 01. British Sea Power - Oh Larsen B (06.17) 02. eagleowl - Granton Trawler (Excerpt) (17.16) 03. eagleowl - Begone Dull Care (Excerpt) (24.46) 04. Six Organs of Admittance - Eighth Cognition/All You've Left (27.34) 05. Meursault - Night Mail (Excerpt) (35.46) 06. Meursault - Stan & Ollie (Excerpt) (43.24) 07. The Books - All Our Base are Belong to Them (46.25) 08. FOUND - Camera Makes Whoopee (Excerpt 2) (56.43) 09. Marvin Gaye - T Plays it Cool (68.39) 10. FOUND - Camera Makes Whoopee (Excerpt 1) (72.56)

Beginning in 1976, the OIAF has celebrated those who have contributed to the world of animation. There was no better choice in '76 than animation legend Norman McLaren. These selected drawings were originally printed in the Ottawa 76 program book.