Podcast appearances and mentions of paris blues

Pacific St Blues & Americana - since 1991Spotlight on Fats DominoIf you like music and enjoy trivia, play What's the Common Thread, The Music Trivia GameThe Mardi Gras Indians23. Charlie Patton / Shake It, Break It24. Howlin' Wolf / Back Door Man 25. Dixie Cups / Iko Iko26. Wild Magnolias / Oldtime Indian27. Wild Tchqupitoulas (Neville Brothers) / Meet de Boys on the Battlefront The Musical Families of New Orleans28. Branford Marsalis / B's Paris Blues 29. Jon Baptiste / Symphony No 5 Stomp30. Walter Wolfman Washington / Funkyard31. Trombone Shorty / Hey Trouy, You're Mama's Calling You Support our Show and get the word out by wearin' our gear Fats Domino: A Foundation of Ska and Reggae Inspiration32. Fats Domino / Be My Guest (1959, Tommy Boyce: Monkees) 33. Chris Kenner / Sick and Tired34. Millie Small / My Boy Lollipop Those Fats Dominos Influenced35. John Lennon / Ain't That a Shame 36. Paul McCartney w/ Allen Toussaint / I Want to Walk You Home 37. Connie Bailey Rae / One Night of Sin 38. Tom Petty & the Heartbreakers / I'm Walking39. Bonnie Raitt & Jon Cleary / I'm in Love Again/ All By Myself40. Johnny Winter / Sick & Tired 41. Elton John / Blueberry Hill

The couples paired up in Martin Ritt's 1961 musical drama Paris Blues were more than just smart casting.  Real life married paramours Paul Newman and Joanne Woodward play Ram and Lillian, a jazz musician and the woman he falls in love with him.  And Sidney Poitier and Diahann Carroll, real life lovers at the time, play Eddie and Connie.  Carroll and Poitier had carried on an extramarital affair on their previous film Porgy and Bess and continued during the making of Paris Blues.  Both eventually stayed married and ended the affair after Paris Blues was completed.  Dan and Vicky discuss the jazz heavy film along with lots of recently seen including Moana 2, The Coffee Table, Twisters, Blink Twice, They/Them, Kyle Mooney's Y2K and NBC series St. Denis.  Our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

Join hosts Jason Christian, Anthony Ballas, and Tim Jones as they discuss the celebrated socially conscious Hollywood director, Martin Ritt (1914–1990). Ritt is known for a number of critically aclaimed movies, among them Paris Blues (1961), Hud (1963), and The Spy Who Came In from the Cold (1965). In this episode, we focus on four of Ritt's explicitly pro-worker films: The Molly Maguires (1970), Sounder (1972), The Front (1976), and Norma Rae (1979). Ritt was never brought before HUAC, but he nevertheless blacklisted after his name was mentioned in the right-wing anticommunist newsletter Counterattack, along with 150 of other Hollywood workers. These experiences were satirized in The Front, the first film that confronts the blacklist era directly.  Sally Field, the star of Norma Rae, once wrote of Ritt that "he felt it was important to stand for something, to have a moral point of view—especially if you work in the arts." That committment to justice is present all through Ritt's work. He boldly tackled labor issues and racism in a number of films, going as far as critiquing the all-white suburbian "utopias" in the overlooked gem No Down Payment (1957).  As always, please suscribe to the podcast, and don't forget to leave us a review! Drop us a line at coldwarcinemapod@gmail.com Happy listening!

Kate Molleson explores the life and work of the amazing Bud PowellThis week Kate Molleson explores the life and work of a jazz giant in his centenary year: the amazing Bud Powell, in the company of Powell's biographer Peter Pullman. Focusing on Bud Powell as a performer, prioritising his own compositions but also appreciating the art of improvisation as spontaneous composition.Bud Powell was born in 1924 and grew up in Harlem, against the backdrop of the Harlem Renaissance. He was a gifted pianist from a young age and became a pioneer of bebop. But he was a troubled soul and the great paradox of Bud Powell is how there could be such joy and expression in his music while his life was so painful.Music Featured: Bouncing with Bud (from The Amazing Bud Powell) Oblivion (from The Genius of Bud Powell) Strictly Confidential (from Jazz Giant) Floogie Boo (from Cootie Williams and his Orchestra 1941-1944) Do Some War Work, Baby (from Cootie Williams and his Orchestra 1941-1944) Off Minor (from Bud Powell Trio) Dexter Rides Again (from Dexter Rides Again) Mad Bebop (from JJ Johnson's Jazz Quintet) Buzzy (from Charlie Parker, the Complete Savoy and Dial Master Takes) Bud's Bubble (from Bud Powell Trio) I Should Care (from Bud Powell Trio) Tempus Fugit (from Jazz Giant) Celia (from Jazz Giant) Un Poco Loco (from the Amazing Bud Powell) Over the Rainbow (from the Amazing Bud Powell) A Night in Tunisia (from the Amazing Bud Powell) Dance of the Infidels (from the Amazing Bud Powell) So Sorry Please (from Jazz Giant) Glass Enclosure (from the Amazing Bud Powell, vol 2) Lullaby of Birdland (from Inner Fires) Sure Thing (from Inner Fires) Parisian Thoroughfare (from the Genius of Bud Powell) Polka Dots and Moonbeams (from the Amazing Bud Powell, vol 2) Hallelujah (from Hot House: The Complete Jazz at Massey Hall Recordings) Hot House (from Hot House: The Complete Jazz at Massey Hall Recordings) Willow Grove (from Piano Interpretations by Bud Powell) Nice Work If You Can Get It (from Bud Powell Trio) Elegy (from Blues in the Closet) Blues for Bessie (from Strictly Powell) Ornithology (from the Amazing Bud Powell) Bud on Bach (from the Amazing Bud Powell, vol 3) Buster Rides Again (from the Amazing Bud Powell, vol 4) John's Abbey (from the Amazing Bud Powell, vol 4) Cleopatra's Dream (from The Scene Changes) Getting There (from The Scene Changes) Buttercup (from Bud Powell's Moods) Round Midnight (from Bud Powell: Live at the Blue Note Café Paris 1961) How High the Moon / Ornithology (from Live in Lausanne 1962) Broadway (from Our Man in Paris) I'll Remember April (from Mingus at Antibes) I Can't Get Started (from Bud Powell in Paris) Blues for Bouffemont (from Blues for Bouffemont) All God's Chillun Got Rhythm (from Jazz Giant) Hallucinations (from The Return of Bud Powell) If I Loved You (from The Return of Bud Powell) Thelonius (from A Portrait of Thelonius) Like Someone in Love (from Ups and Downs) Bouncing with Bud (Keith Jarrett/Gary Peacock/Jack DeJohnette, from After the Fall) Dusk in Sandi (Chick Corea, from Remembering Bud Powell) Wail (from the Amazing Bud Powell)Presented by Kate Molleson Produced by Martin Williams for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Bud Powell (1924-1966) https://www.bbc.co.uk/programmes/m0024m2z And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Mathieu Bitton, a Grammy Award-winning photographer, sits with Paris Chong to discuss his recent travels and work, including his upcoming book, "Paris Blues." He has been to various locations, including Paris, London, and several African countries, often accompanying Dave Chappelle on his shows and safaris. Bitton's photography captures personal moments and experiences, aiming to evoke emotions and memories. Bitton's "Paris Blues" book is a deeply personal project, featuring photographs and stories from his childhood and career. He shares insights into his creative process, including the challenges of writing the foreword and editing the vast collection of photos. The book also includes contributions from notable figures like Naomi Campbell, who wrote the foreword, and David Ritz, who provided feedback on the writing. Throughout the conversation, Bitton expresses his gratitude for the opportunities he's had to work with talented artists like Dave Chappelle and Lenny Kravitz. He emphasizes the importance of mutual respect and trust in his collaborations. Bitton also discusses his passion for producing vinyl editions of albums, which has led to Grammy nominations and awards. He reflects on his journey as a photographer, highlighting the importance of hard work, dedication, and seizing opportunities. Show Notes: http://www.theparischongshow.com/episodes/mathieu-bitton-paris-blues-to-winning-grammys-and-working-with-the-people-you-want Chapters: (00:00:00) Intro (00:00:45) Tell Us Where You've Been (00:02:46) Paris Blues (00:05:58) Did You Use AI? (00:11:51) The Forward (00:16:59) The Grammys (00:25:40) How To Get A Steady Job (00:27:45) Two Biggest Prince Fans (00:28:41) Paris to Malibu (00:33:01) New Work (00:37:16) Upcoming Shows (00:43:04) Where To See Mathieu Bitton CandyTman (00:47:42) Outro

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Patrial Transcript: Recovering from the dissolution of her marriage as well as a second suicide attempt, Hazel was determined to move on with her life in Paris. The French film industry was interested in Hazel. Now that she felt she had earned more maturity and life experience, she was comfortable actually acting in a role. So she went on set for Le Desordre et la Nuit (Disorder of the Night) where she played a supporting role as a dancer. It was the first time she was playing someone other than herself on screen. Her son shared that after the first day of filming, Hazel came home and announced, “Your Mother does not speak french!” According to Skipper, he knew there was trouble whenever she began a sentence with “your mother.” It turned out that her accent needed work, not necessarily her language skills so the studio got her a french dialect coach.  That same day, they got the news that Harry Cohn, the president of Columbia Pictures had died. She explained to the cast and crew the whole story of Cohn and his promise that she would never make another movie until the day he died. And now, years after his promise, he died and she was on a set filming. It would become one of her favorite stories to tell, no longer would Cohn threaten her career on the big screen. Hazel went on to film a couple of other french films. Very nearly including Paris Blues  with Sidney Poitier & Paul Newman but ultimately the part went to another. She was still synonymous with being a musician even on the big screen. Hazel said, “Once you played the priest, you can never play the gangster…Everybody just wants me to come on and sing. And I can do so much more than that.”  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Singles Going Around- Columnated Ruins DominoBlue Cheer- "Summertime Blues"Cream- "I'm So Glad"Jimi Hendrix Experience- "Manic Depression"Pink Floyd- "Lucifer Sam"The Beach Boys- "Good Vibrations" (Early Take)Captain Beefheart & His Magic Band- "Zig Zag Wanderer"The Flying Burrito Bros- "Christine's Tune"The Monkees- "Do I Have To Do This All Over Again"Cream- "N.S.U."The Doors- "Paris Blues"* All selections taken from the original vinyl releases.

Live from Shakespeare and Company in Paris, Greg cracks on Christmas Carols, The Clash and Christine McVie.

Welcome to It's A Wonderful Podcast!! A romantic, jazz filled journey through Paris with the return of It's A Wonderful Podcast favourite Sidney Poitier on this week's new main show as Morgan and Jeannine talk PARIS BLUES (1961) starring Poitier alongside Paul Newman with Diahann Carroll and Joanne Woodward as the two tourists they fall in love with. A thoughtful look at the sacrifices made in life and the journey's each person chooses to go on with intelligent conversations surrounding the differences in race attitudes in the USA and France at the time as well as the dedication to an artistic passion! It's certainly a little bit of a welcome different vibe to what we usually see of Sidney on this show too! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

https://notesonfilm1.com/2022/07/26/cinema-rediscovered-2022-bristol-watershed-2022-final-round-up/ We discuss the last two days of the program and then take a step back to discuss the event as a whole. We praise the variety of programming, the extraordinarily efficient organisation and the very welcoming community feel to the whole event. I'm very jealous we don't have anything like this in Birmingham, and it really is made possible by the contributions of so many committed individuals. So many thanks to all of them for making this such a special event. We highlight the workshops and talks (the one on film criticism led by MUBI; the 40th anniversary discussion of Twentieth Century Flicks, Mark Fuller's Sunday Cinema Walk)and then evaluate the many different strands that constituted a superb programme. We discuss Fury, Paris Blues, Chess of the Wind , Baby Face; Spencer Tracy and Barbara Stanwyck, Josephine Baker and Sidney Poitier; ...and much else

The 60s in America are remembered as a time of cultural upheaval and revolution, but did Hollywood keep in step with contemporary conversations? Our expert and guide on this episode of Hollywood by the Decade is Dr. Philana Payton, a scholar-activist with research interests in Black film and television history and popular culture, as well as gender and queer studies, and who is currently a professor of film and media studies at the University of California, Irvine. She's selected two films from the period to launch our discussion: PARIS BLUES (1961) and GUESS WHO'S COMING TO DINNER (1967).Find Dr. Philana Payton:twitter.com/philanapaytonhttps://www.blackstarfest.org/seen/read/issue003/the-voice-i-sing-is-an-echo-the-power-of-black-collectivity/Find Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

In this episode we cover the 34th Academy Awards, which honored the films of 1961. The nominees were: Fanny, The Guns of Navarone, The Hustler, Judgement at Nuremberg, and West Side Story. We also briefly discuss Breakfast at Tiffany's, A Raisin in the Sun, Paris Blues, and 101 Dalmatians. Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate: 10:50 - Fanny18:00 - The Guns of Navarone22:55 - The Hustler31:40 - Judgement at Nuremberg48:45 - West Side Story1:01:30 - Should something else have been nominated?1:08:00 - Did the Oscars get it wrong?1:12:30 - Conclusions1:15:55 - Next Time

This week, I was so pleased to welcome to the podcast a fellow writer and a tennis fan - yes, I had to get that in there - Isaac Butler. Co-author of "The World Only Spins Forward: The Ascent of Angels in America," which NPR.Org named one of the best books of 2018, Isaac Butler's writing has appeared in "New York Magazine," "Slate," "The Guardian," "American Theatre," and other publications. For "Slate," he created and hosted "Lend Me Your Ears," a podcast about Shakespeare and politics and he currently co-hosts "Working," a pod dedicated to the creative process. Additionally, a director whose work has been seen on stages across the country, he is the co-creator of "Real Enemies," a multimedia exploration of conspiracy theories in the American psyche, which was not only named one of the best live events of 2015 by "The New York Times" but has also been adapted into a feature-length film. An MFA graduate in creative nonfiction from the University of Minnesota who teaches theater history and performance at the New School and elsewhere, most recently, he became the author of the richly detailed, utterly fascinating book "The Method: How the Twentieth Century Learned to Act," which is what we're here to talk about today. Joining me to share stories involving the history of The Method as well as its many practitioners, we discuss some of the eye-opening and enlightening discoveries that Isaac made as he wrote his terrific new book. Following that, we take a deeper look at the Method performances of everyone from John Garfield to Jessica Lange that are on display in the films "Four Daughters," "Wild River," "Paris Blues," and "Frances" (1982).Originally Posted on Patreon (4/18/22) here: https://www.patreon.com/posts/65296760Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

This week, I was so pleased to welcome to the podcast a fellow writer and a tennis fan - yes, I had to get that in there - Isaac Butler. Co-author of "The World Only Spins Forward: The Ascent of Angels in America," which NPR.Org named one of the best books of 2018, Isaac Butler's writing has appeared in "New York Magazine," "Slate," "The Guardian," "American Theatre," and other publications. For "Slate," he created and hosted "Lend Me Your Ears," a podcast about Shakespeare and politics and he currently co-hosts "Working," a pod dedicated to the creative process. Additionally, a director whose work has been seen on stages across the country, he is the co-creator of "Real Enemies," a multimedia exploration of conspiracy theories in the American psyche, which was not only named one of the best live events of 2015 by "The New York Times" but has also been adapted into a feature-length film. An MFA graduate in creative nonfiction from the University of Minnesota who teaches theater history and performance at the New School and elsewhere, most recently, he became the author of the richly detailed, utterly fascinating book "The Method: How the Twentieth Century Learned to Act," which is what we're here to talk about today. Joining me to share stories involving the history of The Method as well as its many practitioners, we discuss some of the eye-opening and enlightening discoveries that Isaac made as he wrote his terrific new book. Following that, we take a deeper look at the Method performances of everyone from John Garfield to Jessica Lange that are on display in the films "Four Daughters," "Wild River," "Paris Blues," and "Frances" (1982).Originally Posted on Patreon (4/18/22) here: https://www.patreon.com/posts/65296760Logo: Kate Gabrielle (KateGabrielle.com)Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Bee-bop-ski-dooooooooo! Join Mike and Glen this week as they take a romantic little walk down 1960s Paris, a city they can't seem to escape, as they discuss "Paris Blues" starring Paul Newman, Sidney Poitier, Joanne Woodward, and Diahann Carroll, with a lovely little cameo by Louis Armstrong! Find out more at https://keystone-film-review.pinecast.co

This week we review 2 films with Sidney Poitier, Paris Blues and Mandela and de Klerk. We also discuss more new food items, Facebook follies, news, and more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/chris-h79/message Support this podcast: https://anchor.fm/chris-h79/support

"Everything is peaches." Paris Blues (1961) directed by Martin Ritt and starring Paul Newman, Sidney Poitier, Joanne Woodward, Diahann Carroll and Louis Armstrong. Next Time: Grand Hotel (1932)

Vincent and Len share their thoughts on the legacy and the films of Sidney Poitier, who passed away at the age of 94 on Jan 6th 2022. The Men of Micheaux talk about his iconic roles in films such as In The Heat of The Night, A Raisin in The Sun, his less popular yet no less poignant work in Paris Blues, Brother John and A Warm December, his comedic turns with Bill Cosby and Harry Belafonte, and evenhis 'efforts' in career missteps like The Long Ship and Ghost Dad. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for PARIS BLUES, a real gem co-starring Sydney Poitier and Diahann Carroll, and his fourth film with Joanne Woodward.

Yé Moun La! Welcome to a miniseries of episodes dedicated to the Conch Shell International Film Festival which will be held online May 21 - 23. In this episode, Nadhege Ptah tells us about her film "Paris Blues in Harlem", her Caribbean identity, and her first memory of a Caribbean film. *** Buy your festival pass conchshelliff.com Newsletter karukerament.com

Niki Rubin is a New Jersey based actress, singer and recording artist. Rubin is a featured lead singer with the Double G Posse band which plays at Harlem's Paris Blues as well as the ABC Lounge in the East Village. Rubin has also been professionally acting for over 15 years.  She earned three awards for her acting work including "Best Supporting Actress" from The Action on Film for her portrayal of a crossbow assassin.  She has appeared on Catwoman: The Diamond Exchange (as Catwoman); Methodic and Bikini Bloodbath Christmas. In this podcast, in addition to discussing her energy and dream work, we discuss her three releases:  Rainbows Came, Inhale/Exhale, and her single Plead for Love.  All of her music is available on Spotify, iTunes, and most streaming platforms.   For more information on Niki, please see: IG:  https://www.instagram.com/nikirubin/?hl=en Facebook:  https://www.facebook.com/Niki-Rubins-Music-1897211843720437/?ref=py_c This podcast is available on your favorite podcast platform, or here: https://endoftheroad.libsyn.com/episode-163-niki-rubin-eclectic-soul-jazz-energy-love-musictransforming-energy-to-lovecollective-dreams Have a great weekend!

The acclaimed Hollywood screenwriter Walter Bernstein died recently at the age of 101. His films included "Fail-Safe," "Paris Blues," "The Molly Maguires," "Semi-Tough," and lastly, to cite a 1976 classic starring Woody Allen that was based on Bernstein's own experiences as a blacklisted writer in Fifties Hollywood, "The Front." On this edition of ST, we listen back to our 1997 conversation with Walter Bernstein. At that time, he'd just put out a book called "Inside Out: A Memoir of the Blacklist."

We've hit the streets of Paris with Diahann Carroll (Rest in Peace)! Correction:It's D.W. Griffith not whatever I said --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Great concert recordings by Johnny Hodges with the Duke Ellington All Stars at the Sportpalast in March, 1961 . . The Duke was busy composing the music for Paris Blues so Hodges took this group on a short European tour. Ray Nance, Lawrence Brown, Johnny Hodges, Harry Carney, Al Williams, Aaron Bell and Sam Woodyard play Ellington standards and features for each member. --- Support this podcast: https://anchor.fm/john-clark49/support

Christina Kallas is a transnational New York-based feature writer and director. She is best known for the critically acclaimed ensemble dramas The Rainbow Experiment and 42 Seconds of Happiness, and for the John Hurt-starring, Golden Berlin Bear-nominated political thriller The Commissioner. Released worldwide by Gravitas Ventures, The Rainbow Experiment debuted at the Slamdance Film Festival and Moscow International Film Festival 2018. In 2016, Kallas scored on the film festival circuit with her award-winning feature 42 Seconds of Happiness. Both of the movies were screened at the Women's International Film & Arts Festival.Christina and I spoke about the distribution of her two above-noted films on Amazon Prime and Showtime and how the landscape for film distribution has changed and continues to change.We also discussed her current project Paris in Harlem inspired by her dear friend Sam Hargress Jr, owner of the legendary Paris Blues jazz dive in Harlem where Kallas currently lives.  Sam Hargress Jr. passed away due to COVID 19- on April 10, 2020 in NewYork City. 

This week Sydney deals with some mic issues. First up is La La Land (2016), starring Ryan Gosling and Emma Stone. Both Sydney and Jake ask the question, "Why La La Land?" and discuss Damian Chazelle, jazz and what makes a movie a successful musical. Next, is Paris Blues (1961), a jazz drama/musical staring Paul Newman, Sydney Poitier, Joanne Woodward and Diahann Carroll. A movie that surprises Jake with its themes, dialogue and acting.  Possible spoiler warnings for: Whiplash (2014), The Long Goodbye (1973), The Town (2010)

I am so delighted to be able to talk to the lovely Yuriko Byers, the wife of the late great arranger, composer, trombonist and musician Billy Byers. In a career that spanned over a 100 movies, dozens of Broadway shows and arrangements for hundreds of TV shows, Byers is regarded as one of the greatest arrangers in music history. He's worked with the biggest names in music such as Quincy Jones, Frank Sinatra, Tony Bennett, Sarah Vaughan, Diana Ross, Count Basie, and really, too many to count. Perhaps even more impressive, is the legacy he's left outside of the entertainment industry, with a stellar reputation as a good person, a wonderful loving family and many friends. ----- 1:14 How much work did Billy Byers approximately ghostwrite? 2:50 Did Billy have to give up the piano in his youth because of early onset arthritis? 3:25 Writing in pen because it was easier on his arthritis 3:55 The Byers family 4:08 When did you meet Billy? 4:28 Are you a musician yourself? Is that how you met Billy? 5:20 Was Billy a down to earth type of person? 5:50 Who were Billy's musical heroes and inspirations growing up? 6:46 Did he have a mentor or was he self taught? 7:45 Was it true that Billy's father didn't want him to do music? 8:12 Was the trombone his main instrument? 8:23 What was his history like before you were married? 9:57 Did you meet Billy in Vegas? 11:18 What were you studying in college? 11:36 Did you get married after that? 11:52 How many years were you married to Billy? 12:10 34 years of marriage 12:27 What was your family plan once you got married? 13:24 Why was it rough in New York at the time? 14:19 Was that the 70s or lates 60s? 15:26 Did he practice at home a lot? 15:44 Did he ever express any regret that he had arthritis? 16:32 Did he have perfect pitch? 16:47 In what way was perfect pitch not a blessing for him? 17:08 Writing music on a plane with no instruments 17:19 Was he a fast writer or did he take his time with it? 18:00 Did he have a schedule for writing, in the morning or night? 18:54 Was he a mentor to younger musicians? 19:19 On teaching Paul Newman to play the trombone for Paris Blues 20:07 Talking about Billy's contributions to the movie The Sting 21:10 Johnny Mandel's friendship with Billy 22:57 Who were Billy's best friends in music? 25:20 Was he friends with Nelson Riddle? 25:36 On always being busy but still having time for family 26:20 Did he experience racism for being a white musician in jazz? 28:59 Dizzy Gillespie not caring about race 29:48 On recording two albums with Frank Zappa 30:43 Talking about Billy's work in Broadway 33:32 Being a music director for big television specials 34:36 Going from Broadway to a Classical Orchestra 35:44 Did he go to all these award nomination ceremonies? 37:21 Talking about Joseph Curiale 38:28 Did Joseph Curiale meet Billy? 38:48 Talking about Sammy Nestico's relationship with Billy 40:19 What did Count Basie think of Billy? 41:05 Working with Frank Sinatra? 42:07 What did Quincy Jones think of Billy? 42:29 On Quincy and Billy's close friendship 42:45 Did Billy have an album or show that he did that he really found special 43:38 What were Billy's favorite things to do in music? 45:51 How did he approach music with his kids? 47:42 On their successful family unit 48:38 What would be some good albums to check out to hear Billy at his best? 50:31 Did he have music that he personally enjoyed listening to? 52:12 Talking about Robert Farnon 52:33 Talking about Yuriko's Yoga teaching career 55:04 More on the great example of the Byers family 57:17 Wrapping Up

We've hit the streets of Paris!Correction:It's D.W. Griffith not whatever I said.

The Finleys get into a movie that pairs Newman, Poitier, Woodward, and Carroll, with Louis Armstrong that they had weirdly never heard of before this!

Reminders Post Paris Blues Burger Records (2019) DIGITAL SINGLE OUT NOW http://burgerrecords.11spot.com

The Radio Boys (C.Truth, Kev Lawrence) chatted with filmmaker, actor, writer Nadhege Ptah (@Nadhege). We discuss her latest film "Paris Blues in Harlem" how it came about, taking it around the world via film festivals, and what she wants to do beyond the film itself. We also go in depth on the topics of legacy, generational differences, gentrification, community, entrepreneurship, business education, preparing youth to carry on family business, spirituality, real estate, and more.. For additional content go to: www.thermalsoundwaves.com Tweet: @thermalsoundwav IG: @thermalsoundwaves Facebook: @thermalsoundwaves --- Support this podcast: https://anchor.fm/thermal-soundwaves/support

Nel 1981 Lacy incide col suo sestetto l'album Songs, con testi e con la partecipazione del poeta Brion Gysin, un artista la cui vicenda risaliva al surrealismo e si era poi intrecciata con quella della beat generation: è un altra testimonianza dell'interese di Lacy per il nesso musica/parole e per la poesia, e anche del suo rapporto personale, fin dagli anni cinquanta, con molti poeti. Un poeta su cui Lacy, assieme ad Irene Aebi, lavora intensamente, mettendone in musica molte poesie, è per esempio Robert Creeley. Fra tanti duo nei quali Lacy - molto stimolato da questa dimensione ridotta - si produce, è decisamente speciale quello con una vecchia conoscenza come Gil Evans, al piano e piano elettrico, che si concretizza in un album inciso a Parigi nel 1987, Paris Blues.

Nel 1981 Lacy incide col suo sestetto l'album Songs, con testi e con la partecipazione del poeta Brion Gysin, un artista la cui vicenda risaliva al surrealismo e si era poi intrecciata con quella della beat generation: è un altra testimonianza dell'interese di Lacy per il nesso musica/parole e per la poesia, e anche del suo rapporto personale, fin dagli anni cinquanta, con molti poeti. Un poeta su cui Lacy, assieme ad Irene Aebi, lavora intensamente, mettendone in musica molte poesie, è per esempio Robert Creeley. Fra tanti duo nei quali Lacy - molto stimolato da questa dimensione ridotta - si produce, è decisamente speciale quello con una vecchia conoscenza come Gil Evans, al piano e piano elettrico, che si concretizza in un album inciso a Parigi nel 1987, Paris Blues.

Nel 1981 Lacy incide col suo sestetto l'album Songs, con testi e con la partecipazione del poeta Brion Gysin, un artista la cui vicenda risaliva al surrealismo e si era poi intrecciata con quella della beat generation: è un altra testimonianza dell'interese di Lacy per il nesso musica/parole e per la poesia, e anche del suo rapporto personale, fin dagli anni cinquanta, con molti poeti. Un poeta su cui Lacy, assieme ad Irene Aebi, lavora intensamente, mettendone in musica molte poesie, è per esempio Robert Creeley. Fra tanti duo nei quali Lacy - molto stimolato da questa dimensione ridotta - si produce, è decisamente speciale quello con una vecchia conoscenza come Gil Evans, al piano e piano elettrico, che si concretizza in un album inciso a Parigi nel 1987, Paris Blues.

Listen to Nadhege Ptah, actress and director talks about her new movie Paris Blues in Harlem and more with host Danny Tisdale, on The Danny Tisdale Show.Nadhege Ptah, Ms. Ptah is a New York-based actress, writer, and director who has been screening her wonderful short film ‘Paris Blues in Harlem,' DoDo TiTi (2016) and Harlem Love (2017).SUBSCRIBE to our YouTube channel for more videos: www.youtube.com/harlemworldmagazine.comwww.facebook.com/harlemworldmagazine.comwww.harlemworldmagazine.comSupport the show (https://www.patreon.com/theharlemworldmagazinepodcast)

Pur conoscendosi fin dagli anni venti, Louis Armstrong e Duke Ellington ebbero in realtà fino agli anni sessanta solo marginali occasioni di avere a che fare musicalmente l'uno con l'altro. La prima occasione di un qualche rilievo fu nel '60 a Parigi, quando si trovarono a lavorare per il film Paris Blues, della cui colonna sonora era stato incaricato Ellington, che la realizzò assieme a Billy Strayhorn: Armstrong nella pellicola aveva anche un ruolo come attore, e suonò in un paio di brani della colonna sonora, in nessuno dei quali Ellington intervenne però come pianista. Ma l'anno successivo Armstrong e Ellington incisero insieme a New York, e dal materiale vennero ricavati due album, il primo dei quali uscì col titolo Together For The First time, in cui Armstrong interpretava brani di Ellington, con il Duca al piano, mentre gli altri musicisti erano del gruppo di Armstrong. Ora la collana Jazz Images (ce ne siamo occupati due settimane fa a proposito della ristampa di due album di Oscar Peterson) offre Paris Blues come bonus della ristampa in Cd (ma l'album è disponibile anche in Lp) di Together For The First Time: il titolo della ristampa è The Great Summit. La stessa collana propone anche la ristampa di Festival Session, un album in cui, nel '59, Ellington in studio fissa materiale che aveva presentato ai festival di Newport e al Playboy Festival di quell'anno.

This week, we continue our ongoing obsession with everything Paul Newman ever did and watch his 1961 excuse for a vacation movie: Paris Blues with special guest Allison Dore! We go over why Ram Bowen (Paul Newman) is terrible and why Sidney Poitier decidedly isn't, parse out Gypsy the Cokehead guitar player and marvel at Louis Armstrong being Louis Armstrong.

Vince selects a romantic drama set in 1961 Paris, France starring Sidney Poitier and Diahann Carroll alongside Paul Newman and Joanne Woodward and defends it as a quintessential Black film. Guess who disagrees? --- Send in a voice message: https://anchor.fm/black-tribbles/message

Vince selects a romantic drama set in 1961 Paris, France starring Sidney Poitier and Diahann Carroll alongside Paul Newman and Joanne Woodward and defends it as a quintessential Black film. Guess who disagrees? Learn more about your ad choices. Visit megaphone.fm/adchoices

Sidney and Paul (Poitier and Newman) return! Paris Blues is about jazz, obviously. While certain beloved members of the M’Night Crew are missing, the mood somehow remains positive. Having trouble making new friends? You should probably nap more. This episode was not sponsored by, and will never be heard by, the city of Atlanta. Well, a vacation certainly goes awfully fast, doesn't it, when you're having a good time.

Mark Thompson discusses recent events in politics in the all new revived House of Comments podcast. This week he is joined by Labour activist and councillor Grace Fletcher-Hackwood to discuss the case of Paris Brown the 17 year old who was forced to stand down from her position as youth advisor to a PCC due to her social media activities, Labour's position on public finances and looking forward to the local elections in a couple of weeks time they consider whether there is likely to be a UKIP surge.

En MÚSICA Y CINE, junto a DAVID LÍNDEZ especial sobre la película PARÍS BLUES (UN DIA VOLVERÉ), un film de 1961 protagonizado por PAUL NEWMAN, JOANNE WOODWARD Y SIDNEY POITIER. Esta gran película con BSO del gran compositor y músico DUKE ELLINGTON y la maravillosa aparición como actor de LOUIS AMSTRONG interpretando algunos maravillosos temas de la película. Escucharás la BSO de la película y muchas anécdotas más.

En MÚSICA Y CINE, junto a DAVID LÍNDEZ especial sobre la película PARÍS BLUES (UN DIA VOLVERÉ), un film de 1961 protagonizado por PAUL NEWMAN, JOANNE WOODWARD Y SIDNEY POITIER. Esta gran película con BSO del gran compositor y músico DUKE ELLINGTON y la maravillosa aparición como actor de LOUIS AMSTRONG interpretando algunos maravillosos temas de la película. Escucharás la BSO de la película y muchas anécdotas más.

Especial,MÚSICA Y CINE, junto a DAVID LÍNDEZ en un especial sobre la película PARÍS BLUES (UN DIA VOLVERÉ), un film de 1961 protagonizado por PAUL NEWMAN, JOANNE WOODWARD Y SIDNEY POITIER. Esta gran película con BSO del gran compositor y músico DUKE ELLINGTON y la maravillosa aparición como actor de LOUIS AMSTRONG interpretando algunos maravillosos temas de la película. Escucharás la BSO de la película y muchas anécdotas más.

I årets sidste almindelige episode skal der gøres rent bord, så vi skal lige have de sidste vigtig titler med. En af filmhistoriens største legender har lavet endnu en film, den kan vi ikke undvære! Så kører vi med Cruise control, vi flyver med tank, tager en togtur og så danser vi lidt. Sidst, men ikke mindst, har vi muligvis både årets bedste og årets dårligste film i samme udsendelse, så kryb sammen foran pejsen, det her show bliver et monster.... Følgende titler omtales: 0:06:31 Paris Blues 0:12:33 Under Siege 2: Dark Territory Bluray 0:23:05 Man sku være noget ved musikken 0:32:03 The A-Team Bluray 0:47:53 The Sorcerer's Apprentice Bluray 1:02:06 The Last Airbender 1:12:43 Moulin Rouge Bluray 1:22:35 I'm Still Here 1:41:01 I Knew it was You 1:48:01 Knight and Day Bluray 2:05:41 The Expendables Bluray