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11 episodes with Lawrence Brown
4 episodes with Lawrence Brown
2 episodes with Lawrence Brown
2 episodes with Lawrence Brown
3 episodes with Lawrence Brown
3 episodes with Lawrence Brown
2 episodes with Lawrence Brown
2 episodes with Lawrence Brown
2 episodes with Lawrence Brown
It's a well-known fact that Pat buys too much vinyl - just ask his long-suffering spouse. But at least some of it comes in handy 'round about podcast time. In this episode, our fearless two-some examine four vinyl finds, mostly by lesser known artists. Their work may not be as "collectible" as some, but that just means it's more reasonably priced. Lawrence Brown – INSPIRED ABANDON; Zoot Sims & Sweets Edison – JUST FRIENDS; Phineas Newborn Jr. – THE GREAT JAZZ PIANO; Lyle Mays – LYLE MAYS.
DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.
DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.
THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.
THELONIOS MONK TRIO “THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK”: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) DUKE ELLINGTON AND HIS ORCHESTRA “MASTERPIECES BY ELLINGTON” New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) MILES DAVIS QUINTET “THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE”: ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 (Repetición) at PuroJazz.
DUKE ELLINGTON AND HIS ORCHESTRA – LIVE “CRYSTAL BALLROOM” Fargo, North Dakota, November 7, 1940Ko-ko, Pussy willow, Harlem air-shaft, Rockin' in rhythmRex Stewart (cnt) Ray Nance (tp,vln,vcl) Wallace Jones (tp) Joe Nanton, Juan Tizol, Lawrence Brown (tb) Barney Bigard (cl,ts) Johnny Hodges (as) Otto Hardwick (as,cl) Ben Webster (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Fred Guy (g) Jimmy Blanton (b) Sonny Greer (d) Ivie Anderson, Herb Jeffries (vcl) JELLY ROLL MORTON – “PIANO SOLO” & “AND HIS SEVEN” New York, December 16, 1939The naked dance, Don't you leave me here, Mamie's blues, Michigan water bluesJelly Roll Morton (p) New York, January 4, 1940Good old New York, Sweet substitute, Panama Henry “Red” Allen (tp) Joe Britton (tb) Albert Nicholas (cl) Eddie Williams (as) Jelly Roll Morton (p,vcl) Wellman Braud (b) Zutty Singleton (d) SIDNEY BECHET “HAS YOUNG IDEAS” Paris, June 17, 1957The man I love, These foolish things, Jeepers creepers, I never knewSidney Bechet (sop) Martial Solal (p) Lloyd Thompson (b) Al Levitt (d) Paris, March 12, 1957All the things you are, It don't mean a thingSidney Bechet (sop) Martial Solal (p) Pierre Michelot (b) Kenny Clarke (d) Continue reading Puro Jazz 11 de marzo, 2025 at PuroJazz.
DUKE ELLINGTON AND HIS ORCHESTRA – LIVE “CRYSTAL BALLROOM” Fargo, North Dakota, November 7, 1940Ko-ko, Pussy willow, Harlem air-shaft, Rockin' in rhythmRex Stewart (cnt) Ray Nance (tp,vln,vcl) Wallace Jones (tp) Joe Nanton, Juan Tizol, Lawrence Brown (tb) Barney Bigard (cl,ts) Johnny Hodges (as) Otto Hardwick (as,cl) Ben Webster (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Fred Guy (g) Jimmy Blanton (b) Sonny Greer (d) Ivie Anderson, Herb Jeffries (vcl) JELLY ROLL MORTON – “PIANO SOLO” & “AND HIS SEVEN” New York, December 16, 1939The naked dance, Don't you leave me here, Mamie's blues, Michigan water bluesJelly Roll Morton (p) New York, January 4, 1940Good old New York, Sweet substitute, Panama Henry “Red” Allen (tp) Joe Britton (tb) Albert Nicholas (cl) Eddie Williams (as) Jelly Roll Morton (p,vcl) Wellman Braud (b) Zutty Singleton (d) SIDNEY BECHET “HAS YOUNG IDEAS” Paris, June 17, 1957The man I love, These foolish things, Jeepers creepers, I never knewSidney Bechet (sop) Martial Solal (p) Lloyd Thompson (b) Al Levitt (d) Paris, March 12, 1957All the things you are, It don't mean a thingSidney Bechet (sop) Martial Solal (p) Pierre Michelot (b) Kenny Clarke (d) Continue reading Puro Jazz 11 de marzo, 2025 at PuroJazz.
1 - On Candle Light Lane - Dusty Rhodes with Ted Fio Rito and his Edgewater Beach Hotel – 19292 - It's Raining Down in Sunshine Lane - Savannah Churchill and The Four Tunes - 19483 - Boulevard of Memories - Ray Dorey – 19474 - Moonlight Lane - Broadway Bellhops - 19285 - Paradise Lane - Buddy Raymond with Lester's Orchestra – 19436 - Number Ten Lullaby Lane - Tony Pastor and his Orchestra - 19417 - Blueberry Lane - The Moore Sisters with The Big Buckaroos – 19468 - Lonely Lane - Lew Sherwood with Eddy Duchin and his Orchestra - 19339 - Memory Lane - Irving Kaufman – 192410 - When You Were the Blossom of Buttercup Lane – Frank Luther with the Embassy Dance Orchestra - 193111 - Rose of Broken Heart Lane - Texas Jim Lewis and his Lone Star Cowboys – 194912 - Down De Lovers' Lane - Paul Robeson with Lawrence Brown piano - 193913 - Willow Road - Dick Haymes with Earle Hagen's Orchestra – 194614 - Down In Shady Lane - The Harlem Hamfats - 193715 - Five Eleven Happiness Lane - Frank Raye16 - Happy Go Lucky Lane - George Beaver with Sam Lanin's Dance Orchestra – 1928
Ella and Elysia chat about Cat Sebastian's second book in the turner series, The Lawrence Brown Affair.
Lawrence Brown created “Urban Cipher,” a Monopoly-like game, to illustrate the consequences of neighborhood redlining. We’ll join Baltimore city educators at a professional development session led by Brown and hear how redlining continues to affect families today. Also in this episode: Lumber prices fall while housing remains expensive, Toys R Us dips its toe into AI-generated advertising and a landscape designer tells us about his job before the arrival of drafting software.
Lawrence Brown created “Urban Cipher,” a Monopoly-like game, to illustrate the consequences of neighborhood redlining. We’ll join Baltimore city educators at a professional development session led by Brown and hear how redlining continues to affect families today. Also in this episode: Lumber prices fall while housing remains expensive, Toys R Us dips its toe into AI-generated advertising and a landscape designer tells us about his job before the arrival of drafting software.
THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.
THE COMPLETE BLUE NOTE RECORDINGS OF THELONIOUS MONK: New York, October 24, 1947Ruby my dear, Well you needn't, April in Paris, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) New York, November 21, 1947In walked Bud, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) MASTERPIECES BY ELLINGTON New York, December 18, 1950Mood indigo (yl vcl)Nelson Williams, Andrew “Fats” Ford Harold Baker, Ray Nance William Anderson (tp) Mercer Ellington (flugelhorn) Lawrence Brown, Quentin Jackson (tb) Tyree Glenn (tb,vib) Jimmy Hamilton (cl,ts) Johnny Hodges (as) Russell Procope (as,cl) Paul Gonsalves (ts) Duke Ellington Billy Strayhorn (p) Wendell Marshall (b) Sonny Greer (d) Yvonne Lanauze (vcl) THE COMPLETE COLUMBIA RECORDINGS: MILES DAVIS & JOHN COLTRANE ‘Round About Midnight, New York, October 26, 1955 Ah-leu-chaMiles Davis (tp) John Coltrane (ts) Cannonball Adderley (sa) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Milestones, New York, February 4, 1958 MilestonesMiles Davis (tp) Cannonball Adderley (as) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) Kind of Blue – New York, March 2, 1959 Blue in greenMiles Davis (tp) John Coltrane (ts) Bill Evans (p) Paul Chambers (b) Jimmy Cobb (d) Continue reading Puro Jazz 03 de junio, 2024 at PuroJazz.
In this enlightening episode of The Ignorance Project, we delve into the inspiring journey of a remarkable individual who defied odds and stereotypes to pursue a career in medicine. Join us as we sit down with Dr. Lawrence Brown, a distinguished Black surgeon, to explore his path to success, the challenges he faced along the way, and the invaluable lessons he learned. Dr. Brown shares candidly about his personal experiences navigating the medical field, from his early aspirations to his triumphs and setbacks. Through his story, we discover the importance of resilience, determination, and unwavering passion in achieving one's dreams. Moreover, Dr. Brown offers invaluable advice and insights for aspiring medical professionals, particularly those from underrepresented backgrounds. From practical tips for excelling in academia to strategies for overcoming systemic barriers, his guidance serves as a beacon of hope and encouragement for anyone aspiring to enter the field of medicine. Tune in to this episode of The Ignorance Project and be inspired to pursue your passions fearlessly, knowing that anything is possible with dedication and determination.
[SAVE YOUR SPOT!] https://experience.owningitandlivingit.com/ | Ready to elevate your real estate journey? Join me at the Owning It and Living It Experience from November 1st to 3rd at the Intercontinental Hotel in Buckhead, where you not only have the chance to win a fully renovated house but also immerse yourself in a unique event that blends black and brown culture with invaluable real estate insights—secure your ticket at https://experience.owningitandlivingit.com/ before prices go up. I can't wait to see you there! Today, join me for a heartfelt conversation with my husband, Lawrence Brown as we reflect on nearly 16 years of marriage, business partnership, and family dynamics. Through our journey, we highlight the importance of communication, collaboration, and respect in both personal and professional relationships. Together, we share valuable insights on supporting each other through individual struggles - not only nurturing friendship but also navigating the challenges of working together as spouses. Discover how our experiences can guide you in building a successful marriage and business partnership while prioritizing the strength of your connection and shared goals. Tune in to this episode and learn how to build wealth (in love and life), with your partner. KEY POINTS: - On embracing marriage, business, and family - The importance of navigating dynamics as husband and wife - The pivotal role of communication and collaboration in a business partnership - The utmost value of respect in working together - On dealing with individual needs and shared responsibilities as a couple - The importance of sharing personal struggles and offering support to your partner - On building business with your spouse - Factors to consider to have a successful marriage QUOTES: “At the end of the day, there's an end goal. How can I support her? How can I be a truth teller without being prideful; or in my stubbornness of feeling I have to control the narrative, or vice versa, for her to be able to communicate? I think that's what we've been able to do for the past couple of years. That's been some of our huge growth points.” —- Lawrence Brown “Success may look different from your spouse in how you see it [and] how she sees it.” — Lawrence Brown “One advice I would give to someone who is thinking about potentially doing business with a significant other is to nourish your relationship, your friendship, above anything. Your friendship with one another is going to carry you, sustain you, and help you to keep going during a really hard time.” — Erika Brown RESOURCES: [SAVE YOUR SPOT!] Ready to elevate your real estate journey? Join me at the Owning It and Living It Experience from November 1st to 3rd at the Intercontinental Hotel in Buckhead, where you not only have the chance to win a fully renovated house but also immerse yourself in a unique event that blends black and brown culture with invaluable real estate insights—secure your ticket at https://experience.owningitandlivingit.com/ before prices go up. I can't wait to see you there! Erika Brown IG: @erikabrowninvestor LinkedIn: @erika brown Wealth Within Reach is produced by EPYC Media Network
Hodges' studio groups - mostly featuring Ellingtonians - recorded during his period away from the band. Harold "Shorty" Baker, Clark Terry (trumpet), Lawrence Brown (trombone), Jimmy Hamilton (clarinet and tenor sax), Arthur "Babe" Clarke (tenor sax), Harry Carney (baritone sax), Billy Strayhorn, Call Cobbs, Leroy Lovett (piano), Lloyd Trottman, Jimmy Woode (bass), Louis Bellson, Joe Marshall, Sonny Greer (drums) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
JELLY ROLL MORTON – MORTON'S SEVEN & SIX New York, January 4, 1940Sweet substitute (jrm vcl), Panama, If you knew (jrm vcl)Henry “Red” Allen (tp) Joe Britton (tb) Albert Nicholas (cl) Eddie Williams (as) Jelly Roll Morton (p,vcl) Wellman Braud (b) Zutty Singleton (d) New York, January 23, 1940Dirty, dirty, dirty (jrm vcl,*), Swinging the ElksJoe Britton out, rest same MUGGSY SPANIER AND HIS RAGTIME BAND Chicago, July 7, 1939Big butter and egg man (gb speech), Someday sweetheart, That da da strain (#) Muggsy Spanier (cnt) George Brunies (tb,speech,vcl) Rod Cless (cl) Ray McKinstry (ts) George Zack (p) Bob Casey (g) Pat Pattison (b) Marty Greenberg (d) New York, November 10, 1939Livery stable blues [Barnyard blues]Muggsy Spanier (cnt) George Brunies (tb,vcl) Rod Cless (cl) Bernie Billings (ts) Joe Bushkin (p) Bob Casey (b) Don Carter (d) DUKE ELLINGTON AND HIS ORCHESTRA New York, January 13, 1938Steppin' into swing society, Prologue to black and tan fantasy, The new black and tan fantasyRex Stewart (cnt) Cootie Williams, Arthur Whetsel (tp) Joe Nanton, Lawrence Brown (tb) Barney Bigard (cl,ts) Johnny Hodges (as,sop) Otto Hardwick (as,cl) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Fred Guy (g) Billy Taylor, Sr., Hayes Alvis (b) Sonny Greer (d,chimes) Ivie Anderson (vcl) New York, February 2, 1938Riding on a blue note, Lost in meditationJuan Tizol (tb) added SANDY WILLIAMS AND HIS OCTET New York, June 3, 1946Tea for me, Frost on the moon, Sam-Pan, Sandy's blues, Gee baby, ain't I good to you ? Continue reading Puro Jazz 12 marzo 2024 at PuroJazz.
JELLY ROLL MORTON – MORTON'S SEVEN & SIX New York, January 4, 1940Sweet substitute (jrm vcl), Panama, If you knew (jrm vcl)Henry “Red” Allen (tp) Joe Britton (tb) Albert Nicholas (cl) Eddie Williams (as) Jelly Roll Morton (p,vcl) Wellman Braud (b) Zutty Singleton (d) New York, January 23, 1940Dirty, dirty, dirty (jrm vcl,*), Swinging the ElksJoe Britton out, rest same MUGGSY SPANIER AND HIS RAGTIME BAND Chicago, July 7, 1939Big butter and egg man (gb speech), Someday sweetheart, That da da strain (#) Muggsy Spanier (cnt) George Brunies (tb,speech,vcl) Rod Cless (cl) Ray McKinstry (ts) George Zack (p) Bob Casey (g) Pat Pattison (b) Marty Greenberg (d) New York, November 10, 1939Livery stable blues [Barnyard blues]Muggsy Spanier (cnt) George Brunies (tb,vcl) Rod Cless (cl) Bernie Billings (ts) Joe Bushkin (p) Bob Casey (b) Don Carter (d) DUKE ELLINGTON AND HIS ORCHESTRA New York, January 13, 1938Steppin' into swing society, Prologue to black and tan fantasy, The new black and tan fantasyRex Stewart (cnt) Cootie Williams, Arthur Whetsel (tp) Joe Nanton, Lawrence Brown (tb) Barney Bigard (cl,ts) Johnny Hodges (as,sop) Otto Hardwick (as,cl) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Fred Guy (g) Billy Taylor, Sr., Hayes Alvis (b) Sonny Greer (d,chimes) Ivie Anderson (vcl) New York, February 2, 1938Riding on a blue note, Lost in meditationJuan Tizol (tb) added SANDY WILLIAMS AND HIS OCTET New York, June 3, 1946Tea for me, Frost on the moon, Sam-Pan, Sandy's blues, Gee baby, ain't I good to you ? Continue reading Puro Jazz 12 marzo 2024 at PuroJazz.
I'm not a financial advisor; Superpowers for Good should be considered investment advice. Seek appropriate counsel before making investment decisions.Watch the show on television by downloading the e360tv channel app to your streaming device–Roku, AppleTV or AmazonFireTV. You can also see it on YouTube.When you purchase an item, launch a crowdfunding campaign or invest after clicking a link here, we may earn a commission. It's an easy way to support our work.Devin: What do you see as your superpower?Jim: The thing that I think I'm particularly good at and that I think other folks that do work like mine maybe aren't as good at is that I can identify the difference between a good idea and a good idea that actually works.Living in Baltimore, one of the 19 US cities with over 100,000 in population and a Black majority, Jim Kucher, a professor at the University of Maryland, Baltimore, leads the social innovation certificate program. He sees the effects of historic and current systemic social injustices and how social enterprises are one way of addressing them.Jim, who will speak at SuperCrowdBaltimore, cites Lawrence Brown from Morgan State University as the expert on the social disparities between white and Black communities in their city. A map showing neighborhoods in the town by racial composition shows an L-shaped area through the heart of the city that is predominantly white. The east and west sides of the city are primarily Black. Brown calls the areas the “White L” and the “Black Butterfly.”“He has done a brilliant job of overlaying any number of social disparities, be they health, be they economic disparities, be they home ownership,” Jim says. “Every single one of them lays almost perfectly directly over those racial demographics.”Brown is working on documenting the history of redlining in Baltimore, which evidence now shows to have been the origin of the practice enforced by the Federal government preventing banks from lending in predominantly Black neighborhoods. A literal red line defined no-lending communities.Baltimore provides a textbook for defining social injustice. “Baltimore, because of that, is also a textbook for how this can be fixed,” Jim says.Jim has identified four reasons why Baltimore is a great place for social entrepreneurs.* Higher than average percentage of people with graduate degrees.* Baltimore has substantial wealth “despite what people may think from the outside.”* The city is the optimal size for effective networking–big enough to have all the resources and small enough to access them.* The city is home to a variety of social problems, giving innovators plenty to work on.Jim is excited to see people succeed and doesn't begrudge anyone accumulating wealth, but does argue that enough can be enough:I have a presentation that I've been using for years now around the basics of how to fix capitalism through social enterprise. There's a slide that I have in that presentation that talks about mega-yachts. I use a line that's intended as a bit of a joke but also very, very serious. Is there anybody on the planet that really needs a 160-foot mega yacht? I mean, I don't know about you, but I could probably learn to get by with 140 feet. You know, those last 20 feet are just kind of excessive.The program Jim directs at UMB is a graduate certificate in social entrepreneurship. It requires a bachelor's degree to start the program but is only 12 credits rather than the 36 typical of master's programs. You can complete the online program in one year. “One of the reasons we did it that way is because a lot of the folks that are doing good work in social change already have various advanced degrees–master's in social work, sometimes an MBA–but they need specific skills around what's unique about social enterprise,” Jim says. Throughout his career, Jim has leveraged and honed a superpower of opportunity discernment. He can distinguish between a good idea and one that will work as a business.Jim and the folks at UMB have partnered with The Super Crowd, Inc., a public benefit corporation, to host SuperCrowdBaltimore on March 21st at the B&O Rail Museum. The program features a deep roster of both prominent local community builders and crowdfunding experts from across the country. The event allows everyone to learn how to be a social entrepreneur or an investor who supports them. Register now with the discount code SuperCrowd to save 30 percent.AI Episode Summary1. Devin Thorpe introduces his guest, Jim Kucher, from the University of Maryland, Baltimore, highlighting Jim's expertise in social impact and entrepreneurship.2. Jim describes the graduate certificate in social entrepreneurship he directs at the university, explaining that it's a 12-credit, one-year, fully online program designed for individuals with advanced degrees who need specific skills unique to social enterprise.3. The graduate certificate covers innovation in social settings, product/service development considering community needs, and marketing strategies for different stakeholders, including constituents, funders, and product/service buyers.4. Jim emphasizes the importance of understanding how to finance social enterprises, teaching students to blend and time various financing strategies to create sustainable ventures.5. Devin and Jim discuss the SuperCrowdBaltimore event, where Jim's program will be formally introduced, and the benefits of social entrepreneurship in addressing issues with capitalism, such as income inequality and when profit is excessive.6. Jim credits a colleague, Lawrence Brown, for research on racial wealth gaps in Baltimore and explains the adverse effects of historical redlining practices on black communities.7. Acknowledging the social and economic disparities in Baltimore, Jim notes that the city presents an ideal environment for social innovation due to its educated population, quiet wealth, manageable size for building networks, and range of social problems to address.8. Jim's superpower is identifying the practicality of good ideas, knowing which ones can realistically work, and understanding when to walk away from unfeasible ones, using his experience with the impact of 9/11 on capital markets as an example.9. He advises aspiring entrepreneurs to do simple arithmetic, like profit and loss statements and balance sheets and cautions that pursuing entrepreneurship based solely on a passion for an art or craft might lead one away from the actual passion itself.10. Jim provides his email (jkucher@umaryland.edu) and directs the audience to the University of Maryland, Baltimore website for more information on the social entrepreneurship program, mentioning the SuperCrowdBaltimore event and other upcoming events for interested individuals.If you'd like more people to support diverse founders and social entrepreneurs, please share.How to Develop Opportunity Discernment As a SuperpowerThe power of opportunity discernment often manifests, Jim says, in what he chooses not to do rather than what to do.One of the best things about performing that analysis is that you don't get pulled into something that can cause you harm. We launched a technology company in the late 90s–I say we, my wife and I. The idea came out of my work in my MBA studies at the University of Baltimore. We licensed the federal technology. Everything was going quite well. We were getting some early investors. And then somebody flew a plane into the side of a building in lower Manhattan. As you may recall, when 9/11 happened, all the capital markets dried up. Happily, we had the good sense to realize that that was a fatal blow to the business. We got out with our skin mostly intact.The sort of mythical entrepreneur is this person that we think of with this incredible drive and this incredible push that can just sort of literally run through brick walls. I've tried to run through brick walls. The brick wall doesn't move. Your head hurts, but the brick wall doesn't move. Maybe you go around the brick wall; maybe you go over the brick wall; maybe you go under the brick wall. But maybe sometimes you say, “That wall is impenetrable. I'm going home.”Jim says we can all improve this skill with “simple arithmetic.” Balance sheets and income statements can be created in spreadsheets, allowing anyone to understand the viability of a company. In real estate, folks ask, “Does it pencil?” That's an excellent question for social enterprises, too.By following Jim's example and advice, you can develop your opportunity discernment. With practice, you can make it a superpower that enables you to do more good in the world.Remember, however, that research into success suggests that building on your own superpowers is more important than creating new ones or overcoming weaknesses. You do you!Guest ProfileJim Kucher (he/him):Associate Professor - Social Innovation, University of Maryland, BaltimoreAbout the University of Maryland, Baltimore: The Graduate School at The University of Maryland, Baltimore offers graduate education and training in biomedical, health, and human service sciences. Website: graduate.umaryland.edu/innovation/Biographical Information: Dr. J. Howard "Jim" Kucher is an Associate Professor of Social Innovation at the Graduate School of the University of Maryland, Baltimore. An award-winning teacher and internationally recognized thought leader in social entrepreneurship, he is the lead author of Social Entrepreneurship—A Practice-Based Approach to Social Innovation, recently published by Edward Elgar Publishers, a leading independent academic and professional publisher. In addition to his teaching duties, Kucher works as a consultant to leading and emerging social benefit initiatives to help them improve outcomes and increase sustainable revenues. He has successfully secured over $70m in working capital on behalf of mission-oriented enterprises and assisted over 100 area nonprofits and social enterprises in developing new models for meeting the needs of their constituents while increasing the sustainability of their organizations.Kucher earned a Doctorate in Public Administration with a concentration in Social Entrepreneurship, as well as an MBA with an Entrepreneurship specialization from The University of Baltimore. He holds a B.A. from Kean University and has also earned certification as a project management professional and a new product development professional. He has been recognized as a Baltimore Renaissance Seed Scholar, an Unsung Hero of Small Business, and a Fulbright Specialist Scholar in Social Entrepreneurship. His current research explores the field of Economic Theology and its practical application in faith-based social enterprise.X/Twitter Handle: @jimkucherLinkedin: linkedin.com/in/jimkucher/Upcoming SuperCrowd Event CalendarIf a location is not noted, the events below are virtual.* SuperCrowdBaltimore, March 21, 2024: This in-person event at the B&O Rail Museum features some of Baltimore's prominent citizens and community leaders. Save 30 percent with the discount code “SuperCrowd.”* Impact Cherub Club Meeting hosted by The Super Crowd, Inc., a public benefit corporation, on March 26, 2024, at 1:00 PM Eastern. Each month, the Club meets to review new offerings for investment consideration and to conduct due diligence on previously screened deals. Everyone is welcome to join the free events.* SuperCrowdHour, March 27, 2024 at 1:00 Eastern. Devin Thorpe will explain the three surprising reasons impact investors should seek to make money from impact investing.* Superpowers for Good - Kinect Capital Live Pitch, March 28 at 9 PM Eastern/6 PM Pacific: Four companies currently raising via crowdfunding will pitch their offerings live via the Superpowers for Good streaming television show on e360tv. Kinect Capital will host the pitch. Applications to pitch are open now through March 8! * SuperCrowd24, April 17-18: This two-day virtual event is our biggest event of the year. Don't miss it. Save 50 percent with the discount code “SuperCrowd.”* SuperCrowdChicago, June 12, 2024. Save the date! More information is coming soon!* Recently, we created an AI GPT to help you learn more about The Super Crowd, Inc., a public benefit corporation, and our upcoming events. Click here to try it.SuperCrowd Community Event Calendar* Successful Funding with Karl Dakin, Tuesdays at 10:00 AM ET * Digital Peacebuilding Expo, March 13, 12-5 PM, Washington, DC, hybrid* Crowdfunding Professional Association Webinar Series - March 13, 2:00 PM ET* AMIBA's “Community Investment Funds,” March 14, 2:00 PM ET* Investment Crowdfunding Demystified, Crowdfund Better, March 26 at 2:00 PM ET* Move Your Money Month, April 2024, American Independent Business AllianceIf you would like to submit an event for us to share with the 4,000+ members of the SuperCrowd, click here. Get full access to Superpowers for Good at www.superpowers4good.com/subscribe
The short time Johnny Hodges left Duke Ellington's band produced a bounty of recordings from his regular band and studio groups. Here is the regular group with Nelson Williams, Emmett Berry or Harold "Shorty" Baker on trumpets, Lawrence Brown (trombone), Al Sears, Rudy Williams, Flip Phillips or Ben Webster on tenor sax, Leroy Lovett or Teddy Brannon on piano, Lloyd Trottman on bass and either Sonny Greer, J.C. Heard or Joe Marshall on drums and the leader's matchless alto sax --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
By 1986, almost 40 percent of people diagnosed with AIDS in the United States were either Black or Latino. As the full contours of the crisis became apparent, a group of Black gay men began to organize in cities across the country, demanding attention and support for the people dying in their midst. This effort required them to confront big, important institutions in both the medical establishment and the government — and it meant they had to stare down racism in the broader LGBTQ+ community. But perhaps their most pressing and consequential challenge was the most difficult to name: the rejection of their own community.As men, women and children within the Black community began falling ill, essential institutions — the family, the church, civil rights groups — which had long stood powerfully against the most brutal injustices, remained silent or, worse, turned away. Why? What made so many shrink back at such a powerful moment of need? And what would it take to get them to step up?In this episode, we meet some of the people who pushed their families, ministers and politicians to reckon with the crisis in their midst. We hear the words of a writer and poet, still echoing powerfully through the decades, demanding that he and his dying friends be both seen and heard; and we spend time with a woman who picked up their call, ultimately founding one of the country's first AIDS ministries. And we meet a legendary figure, Dr. Beny Primm, who, in spite of some of his own biases and blindspots, transformed into one of the era's leading medical advocates for Black people with HIV and AIDs. Along the way, we learn how one community was able to change — and we ask, what might have been different if that change had come sooner?Voices in the episode:• George Bellinger grew up in Queens, New York. He's been involved in activism since he was a teenager. He was an original board member of Gay Men of African Descent and also worked at GMHC and other HIV and AIDS organizations. He says his work is to “champion those who don't always have a champion.”• Gil Gerald is a Black HIV and AIDS activist and writer, who co-founded the National Coalition of Black Lesbians and Gays.• Cathy Cohen is the author of “The Boundaries of Blackness: AIDS and the Breakdown of Black Politics,” which is considered a definitive history of the epidemic in Black communities.• Governor David Paterson is the former governor of New York State and a former state senator. He is the son of Basil Paterson, who served as state senator from Harlem in the late 1960s, secretary of New York State in the 1980s, and was a longtime member of Harlem's political establishment.• Pernessa Seele is an immunologist and interfaith public health activist. She founded the Harlem Week of Prayer to End Aids and the Balm in Gilead.• Maxine Frere is a retired nurse who spent the entirety of her 40-year career at Harlem Hospital. A lifelong Harlem resident, she's been a member of First AME Church: Bethel since she was a kid.• Dr. Beny Primm was a nationally recognized expert on drug addiction and substance abuse treatment. His work on addiction led him to becoming one of the world's foremost experts on HIV and AIDS.• Lawrence Brown was Dr. Beny Primm's protégé who worked as an internist at Harlem Hospital and at Dr. Primm's Addiction Recovery and Treatment Center in Brooklyn. Brown served on the National Black Commission on AIDS, American Society of Addiction Medicine and took over for Dr. Primm as Director of ARTC (now START) when he retired.• Jeanine Primm-Jones is the daughter of Dr. Beny Primm, a pioneer of addiction treatment and recovery. Primm is a clinical social worker, abuse recovery specialist and wellness coach, who worked with her father for decades before his death in 2015.• Phill Wilson is the founder of the Black AIDS Institute, AIDS policy director for the city of Los Angeles at the height of the epidemic and a celebrated AIDS activist in both the LGBTQ+ and Black communities since the early 1980s.Audio from the 1986 American Public Health Association annual conference comes from APHA.Dr. Beny Primm archival audio comes from History Makers.This episode contains a brief mention of suicide. If you or someone you know is struggling with suicidal thoughts, there's help available. The National Suicide Prevention Lifeline is open 24 hours a day by calling or texting 988. There's also a live chat option on their website.Blindspot is a co-production of The HISTORY® Channel and WNYC Studios, in collaboration with The Nation Magazine.A companion photography exhibit by Kia LaBeija featuring portraits from the series is on view through March 11 at The Greene Space at WNYC. The photography for Blindspot was supported by a grant from the Economic Hardship Reporting Project, a nonprofit organization that promotes coverage of social inequality and economic justice.
MUGGSY SPANIER - AND HIS RAGTIMERS - New York, April 22, 1944 Sweet Lorraine, Lady be good, September in the rain Muggsy Spanier (cnt) Ernie Caceres (bar) Pee Wee Russell (cl) Dick Cary (p) Eddie Condon (g) Sid Weiss (b) Joe Grauso (d) GARLAND WILSON - PIANO SOLO - New York, May 18, 1931 (Medley :) Dear old southland, Limehouse blues, St. James infirmary (gw vcl) Garland Wilson (p,vcl) - Paris, c. December 1933 Mood indigo Garland Wilson (p) EARL HINES AND THE DUKE'S MEN: SONNY GREER - New York, May 16, 1944 Kansas City caboose, Sleepy baboon Rex Stewart (cnt) Lawrence Brown (tb) Jimmy Hamilton (cl,ts) Harry Carney (bar) Marlowe Morris (p) Teddy Walters (g) Oscar Pettiford (b) Sonny Greer (d) Brick Fleagle (arr) EARL HINES - New York, April 26, 1944 Blues on my weary mind (br vcl), Design for jivin' (1) Ray Nance (tp,vln-1) Johnny Hodges (as) [as J. Harjes (as) on labels] Flip Phillips (ts) Earl Hines (p) Al Casey (g) Oscar Pettiford (b) Sidney Catlett (d) Betty Roche (vcl) CAT ANDERSON - New York, May 14, 1947 Cat's boogie Cat Anderson, Lee Brown, Don Devilla, Archie Johnson (tp) Joe Stroud (tp,vcl) Joe Britton, Floyd Brady, LeRoy Hardison, George Stevenson (tb) Curby Alexander, Vince Royal (as) John Hartzfield, Vincent McCleary (ts) Howard Austin (bar) Horatio Duran (p) Bob Paige (b) Bobby Donaldson (d) JO JONES SEXTET - VAMP 'TIL READY - New York, April 19, 1960 Vamp 'till ready, You're getting to be a habit with me(tf,tp & jj only), Should I ? (he,jf out), Thou swell (bg,jf out), Show time Harry "Sweets" Edison (tp) Bennie Green (tb) Jimmy Forrest (ts) Tommy Flanagan (p) Tommy Potter (b) Jo Jones (d)
White Lies es un trio inglés que ha ganado el corazón de quienes los han escuchado, econ esas melodías intensas que hablan del amor y del desamor, para quienes han visto sus videos y para los que han vibrado, cantado y brincado en sus presentaciones en vivo. Con motivo de su reciente visita a la CDMX, platicamos con Jack Lawrence-Brown, su baterista y hablamos de todo, desde que viene de una interesante familia musical, de su lindísimo ritual del abrazo antes de salir a los conciertos, de sus canciones favoritas de la banda, del aniversario 10 del disco Big TV, de sus conciertos en México y del por qué son tan especiales y de lo que harán para celebrarlo y hasta de otros tríos musicales como: Portishead, Depeche Mode, Beegess y Green Day. ¡No te la puedes perder! No dejes de darle amor a este podcast, compártelo para que podamos llegar a más gente y por favor siguennos en redes: Instagram: @lucilalocutora @thebasementconlucila X y Tik Tok: @lucilazetina --- Send in a voice message: https://podcasters.spotify.com/pod/show/lucila-zetina1/message
The melody had three daddies — in 1944 bandleaders Duke Ellington and Harry James collaborated with alto saxophonist Johnny Hodges to develop the tune — but it was those sassy lyrics that made the song: I never cared much for moonlit skies, I never winked back at fireflies, But now that the stars are in your eyes, I'm Beginning to See the Light!Those words came from the smart pen of the great Don George. In his book, The Poets of Tin Pan Alley, Philip Furia praised George's witty use of a list of “light” images and his ability to deal with a difficult song. “Ellington's tune was particularly hard to set,” Furia noted, “since each A section consists of the same, driving vamp-like phrase repeated three times over before the melody finally changes.” In his way, George heightens this musical insistence, using the same rhyme for the first three lines of each section, then “George ends by rekindling one of the oldest songwriting cliches, mixing his metaphors of light and heat:” But now that your lips are burning mine, I'm beginning to see the light.Beyond the LightWhile Don George surely is best known as one of Ellington's prime lyricists, his career spanned another 40 years following the Duke era and included such pop hits as "The Yellow Rose of Texas” for the iconic Mitch Miller.George also worked on special material for many performers, from Nat King Cole and Patti Page to The Pointer Sisters.His lyrics are a study guide for wordsmiths of all stripes. For instance, in David Jenness' and Don Velsey's discussion of composer Moose Charlap, they note that one of the cleverest apologies ever comes from a 1956 George lyric for a famous Charlap melody: The girl in my arms meant nothing to me, I Was Telling Her About You.On the ChartsBut let's get back to “Beginning to See the Light.” A year after its composition, the song spent several weeks on “Your Hit Parade” and charted three times in 1945, with co-writer Harry James' version leading the pack. Ellington vocalist Joya Sherrill, who was only 17, had just joined the band when they recorded the tune in an arrangement that featured co-author Johnny Hodges on sax and Lawrence Brown on trombone.Jazz instrumentals of song have been recorded by bassist Oscar Pettiford, pianist Art Tatum, drummer Chico Hamilton and vibist Red Norvo. Vocalists Ella Fitzgerald, Peggy Lee and Frank Sinatra all have made memorable renditions.More recently, Ann Hampton Callaway included it in her 1996 tribute to Fitzgerald, guitarist Martin Taylor and the David Grisman Quartet recorded it in 1999, and in 2004 — 60 years after the song's creation — it was revived by the late, great Al Jarreau.Our Take on the TuneOur latest Duke Ellington number, this is a sweet vehicle for sassy solos by everyone in the band. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
The great 1940-41 Ellington band with Ben Webster and Jimmy Blanton (and Cootie Williams, Rex Stewart, Ray Nance, Juan Tizol, Lawrence Brown, Tricky Sam Nanton, Barney Bigard, Johnny Hodges, Harry Carney and Sonny Greer) doing live and radio transcription versions of the great tunes they recorded for RCA Victor. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Discover the overlooked story of racial injustice and its deep-rooted connection to our physical spaces. Join us for an enlightening and thought-provoking conversation with Dr. Lawrence Brown, the esteemed author of "Black Butterfly: The Harmful Politics of Race and Space in America." In this powerful episode, we delve into the critical importance of spatial equity in the pursuit of racial equity. Dr. Brown sheds light on the devastating effects of destructive policies on Black neighborhoods, drawing attention to the painful history of redlining and its impact on communities. We explore the specific case of Baltimore, delving deep into its history and the challenges faced by its residents. We'll explore the historical context of redlining and its lasting effects, exposing the systemic barriers that have hindered spatial equity for generations. Dr. Brown offers compelling insights into the path forward. We dive into what needs to be done to achieve spatial equity, discussing actionable strategies and policy changes that can pave the way for a more equitable future. Prepare to have your perspectives challenged and your understanding expanded as we navigate the intersections of race, space, and the quest for justice. This episode is a call to action for all those committed to creating inclusive, thriving communities. Don't miss out on this eye-opening and empowering episode that uncovers the truth about our built environment and the critical steps we must take to ensure a more just and equitable future. Follow us on Instagram: @hnhn_podcast Subscribe to our Youtube: Healthy Neighborhoods, Healthy Nation Contact us: neighborhoods.podcast@gmail.com Episode Links: Dr. Brown's website: https://theblackbutterflyproject.com/Biography.html Buy Dr. Brown's book and support local and Black Owned Book Stores: https://theblackbutterflyproject.com/Book.html Black Butterfly Academy: https://black-butterfly-academy.teachable.com/p/home
This week we have some unique insight from within the inner sanctum at the WSL. Priority Judge Micky Plowman and Physio to the surfers Trevor Lawrence Brown join us to give their takes on the highs and lows of 2023's best comp. We even have Renato Hickel calling in to give us the reasoning behind the wildcard decisions for 2023 & 2024. So jump in to the Shedquarters with us and enjoy this one Flegends!
Trevor Lawrence Brown or TLB or Trevor Frothence Brown. Whatever you like to call him, Trev, the Owner and Founder of Down South Physio is fast building a name as THE go to for surfers all over WA looking to rebuild, reset or improve body health and overall well being. Since starting Physiotherapy, Trev has worked with Professional netball teams, Curtin University and more pre surfers than you can poke a stick at. Ankles, shoulders, backs and knees - whatever the ailment, seeing a physio will no doubt improve the situation and today, Trev gives us a rundown on what works best. Add to that some incredible stories of surf travel around the world and you have a tip top episode. Fit Body = Fit Mind. Jump in FLegends.
SUMMARY Bryan Bennett is the Chief Leadership Innovation Officer for the Elite Leadership Academy Company and an adjunct professor at Northwestern University. He is the author of the Path to Elite Level Leadership, a philosophy of leadership based on the way athletes train. Lawrence Brown and Bryan discussed the similarities between leadership and team sports, and Bryan shared his own origin story as a nerd before Nerds were cool. He believes that leadership should be approached in the same way that athletes approach their craft, with a continual focus on self-improvement.Bryan grew up with three brothers and had two parents who provided a great family environment. His mother was very educated and had graduated high school after two double promotions and was still valedictorian of the class. His father was more hands-on and they both worked hard to keep the family in private school. As a child, Bryan didn't participate in many extracurricular activities. However, this experience helped him to find himself and be brave enough to step out in front when he had to. Bryan was involved in nerdy activities like the science club, chess club, and National Honor Society.His father had an inspiring work ethic that he was exposed to from a young age. His mother also had a strong work ethic, and the family would often welcome any guests to join them for breakfast on Saturdays. Bennett went to Butler University for accounting and then worked for three years at Coopers and Lybrand in Cincinnati. He then moved back to Chicago to attend Northwestern's Kellogg Graduate School, majoring in marketing, finance, information systems, and management policy. Afterwards, he began working for Amoco in their financial analysis department. Bennett's journey demonstrates his strong work ethic and his drive to achieve success.Bryan is a leadership expert who found his footing in his career when he became a database marketing executive. His job involved using his quantitative skills to analyze data and his strategic skills to consult clients on the strategies they should employ. His role required him to lead teams and this experience helped him transition into a leadership expert. Bryan attributes his leadership skills to his upbringing and his parents who led in different ways.TIMESTAMPS 00:01:58 Exploring Family Dynamics and Extracurricular Activities and Influence on Future Leadership 00:04:27 From Database Marketing Executive to Leadership Expert00:07:50 Leadership Development and Career Advancement00:12:00 Leadership Fundamentals: Vision, Living, Reflection, and Coaching00:14:21 Conversation on Leadership and Followership00:17:53 Leadership Assessment, Data Analysis, and Decision-making 00:20:31 Leadership Coaching and Managing Across and Upwards00:23:45 Generational Leadership Perspectives with Bryan Bennett00:25:10 Benefits of Having a Mentor and Sustained Relationships00:28:27 Message to Millennials and Gen Z on Career Advancement and Finding an Advocate or SponsorMusic Credit: Music Credit: Music Credit: Maarten Schellekens - Riviera Follow us at: www.cascadingleadership.comlinkedin.com/in/drjimklinkedin.com/in/1lawrenceobrown
Three blues-based sessions by the great Kansas City vocalist accompanied by his swing era brethren - Emmett Berry, Pat Jenkins, Lawrence Brown, Vic Dickenson, Henderson Chambers, Rudy Powell, Ben Richardson, Sammy Price, Pete Johnson, Clarence Johnson, Freddie Green, Roy Gaines, Walter Page, Aaron Bell, Marlowe Morris, Jo Jones --- Support this podcast: https://anchor.fm/john-clark49/support
While Shelbie is away, Ethan will...host a special guest, Lawrence Brown.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The long series of recordings for Victor and Bluebird led by Lionel Hampton featured a wide array of black and white jazz musicians of the period - here we focus on those including members of the Duke Ellington band - Johnny Hodges, Harry Carney, Lawrence Brown, Rex Stewart, Cootie Williams, Sonny Greer and Billy Taylor along with Buster Bailey, Edgar Sampson, Jess Stacy, Allan Reuss, Cozy Cole and Clyde Hart . .all featuring the leader on vibes, piano, drums and vocals! --- Support this podcast: https://anchor.fm/john-clark49/support
El trombón, tipos, detalles, historia. Instrumento fundamental en el jazz de New Orleans, cuya importancia como solista fue creciendo en la historia. Hoy vemos el "tailgate trombone" de Kid Ory, a Miff Mole, a los representantes de Chicago Tommy Dorsey (que luego deriva en música sentimental de Swing) y sobre todo el gran Jack Teagarden o Big T.La sonoridad de Juan Tizol, Lawrence Brown y Joe "tricky Sam" Nanton en la orquesta de Duke.Y entrando en otras orquestas de Swing, finalizamos con Benny Morton. Hosted on Acast. See acast.com/privacy for more information.
DeRay, Myles, and Kaya cover the underreported news of the week— including an abortion pill network, higher mortality rate for Babies born to Black mothers who use fertility treatments die at far higher rates, fresh trial for Black Panther Mumia, and a thread of anti-Semitism from rapper Kanye West. DeRay interviews Dr. Lawrence T. Brown about his newest book The Black Butterfly: The Harmful Politics of Race and Space in America.News:Kaya https://www.washingtonpost.com/politics/2022/10/18/illegal-abortion-pill-network/De'Ara https://amp-theguardian-com.cdn.ampproject.org/v/s/amp.theguardian.com/us-news/2022/oct/26/ex-black-panther-mumia-abu-jamal-fresh-trial-amid-new-evidence?amp_js_v=0.1#webview=1&cap=swipeDeRay https://www.nbcnews.com/health/health-news/babies-black-mothers-die-higher-rates-white-mothers-rcna52722Myles https://www.cnn.com/2022/10/30/entertainment/kanye-west-remarks/index.html
How many pre-WW2 black British broadcasters can you name? We'll let's change that after this episode: summer special no.2 from The British Broadcasting Century... EARLY BLACK BRITISH BROADCASTERS - WITH STEPHEN BOURNE Author and social historian Stephen Bourne specialises in black heritage, and joins us to inform, educate and entertain us about people of colour on air between the wars. I first encountered Stephen's work when I spotted Evelyn Dove's scrapbook in the BBC100 ‘Objects of the BBC' season. Stephen owns her archive, and was keen to chat about some of the early black stars of British broadcasting. You'll hear about: Layton and Johnstone, Lawrence Brown, Paul Robeson, Marion Anderson, Evelyn Dove, The Kentucky Minstrels, Scott and Whaley (aka Pussyfoot and Cuthbert), Elisabeth Welch, Una Marson, Ken Snakehips Johnson, Adelaide Hall... and more. Separately, you'll also hear a song from singer Kathie Touin – a new exclusive version of one of the earliest songs about wireless: ‘There's a Wireless Station Down in My Heart'. Thanks Graham Brown and Kathie Touin for arranging, performing and sending! Details of her album below... SHOWNOTES: Stephen Bourne's books are available at stephenbourne.co.uk/books/ and include ‘Deep are the Roots: Trailblazers who Changed Black British Theatre', ‘Evelyn Dove: Britain's Black Cabaret Queen', ‘Black in the British Frame: The Black Experience in British Film and Television' and ‘Under Fire: Black Britain in Wartime 1939-45'. Do grab a book and read more on this – plenty more stories to discover. Kathie Touin's website has more on her albums and singles: www.kathietouin.com. Kathie's lockdown single was ‘This Time (Save the World?): https://www.youtube.com/watch?v=kToCUypZWic Thanks Kathie! See/hear a clip of Una Marson from West Indies Calling – well worth a watch: https://youtu.be/ViGwxJloI70 I told a tale of broadcasting history on the proper BBC this week: a Pause for Thought for Zoe Ball's Radio 2 Breakfast Show on 100 years since the first religious broadcast. Have a listen: https://www.bbc.co.uk/sounds/play/p0cr3ghj If you like the episode, share it! It all helps get this project out there. If you like the podcast enough to want to support it, help it continue, £5/mth on www.patreon.com/paulkerensa gets you extra behind-the-scenes videos, written updates, filmed walking tours of broadcasting heritage sites, readings from the first ever book on broadcasting... and anything else you'd like. You request, I'll see what I can do! Thanks for £supporting - it keeps me in books and web hosting. We're on www.facebook.com/bbcentury and www.twitter.com/bbcentury We're nothing to do with the BBC - just talking about how they used to be. One more author special next time: The BBC in WW2: Auntie's War with Edward Stourton. Then the timeline continues - Feb 1923 at the early Beeb...
Dr. Jarvis interviews several EMS industry leaders discussing why we should use Red Lights & Sirens as a clinical intervention and only as indicated. This podcast is part of the first-ever national EMS quality improvement effort led by NEMSQA (https://www.nemsqa.org/lights-and-siren) Join us for interviews with Drs. Doug Kupas, Lawrence Brown, Michael Redlenner, and Mike Taigman to hear about The Case Against Lights & Sirens. Did you know all of our podcasts are also available as in video versions? Check them out on the FlightbridgeED YouTube channel. See omnystudio.com/listener for privacy information.
Paul Howard - great band from Los Angeles in 1929 and 1930 - featuring the very young Lawrence Brown and Lionel Hampton as well as Reginald Forsythe, George Orendorf and Charlie Lawrence. --- Support this podcast: https://anchor.fm/john-clark49/support
1 - It Might as Well Be Spring - Dick Haymes with the Victor Young Orchestra - 19452 - In Texas for the Round-Up in the Spring - Texas Jim Robertson - 19413 - Spring Tonic - Neely Plumb and his Orchestra4 - It Seems to Be Spring - The Three Girlfriends with Waring's Pennsylvanians - 19305 - Spring Song - Benny Goodman and his Orchestra – 19396 - Melody in Spring - The Four Bright Sparks - 19347 - Spring Blossoms - Prince's Orchestra – 19158 - Spring Song - Paul Robeson with Lawrence Brown at the Piano - 19419 - Spring Rain - Wayne King and his Orchestra – 194610 - Hobo's Spring Song - Radio Mac (Harry McClintock) - 192911 - Spring Greetings - Lyons and Christie – 190712 - Spring Flowers - Women's Chorus from Samson and Delilah by Camille Saint-Saens - 191413 - Spring, Beautiful Spring - Vocalion Concert Orchestra – 192814 - Chimes of Spring (Spring Beautiful Spring) - Bob Haring and his Orchestra - 193015 - Spring Magic - Jimmy Saunders and the Stardreamers with Charlie Spivak and his Orchestra – 194616 - Spring Zephyrs - Vessella's Italian Band – 192017 – Little Miss Marker – Damon Runyon Theater – 1948 (Radio Drama)18 – The Green Hills of Earth – Dimension X – 1950 (Radio Drama)19 - Spring Fever - Rube Bloom – 192620 - Spring Blues - Yvonne Blanc - 1945
About this episode:In episode 5, we were pleased to welcome Lawrence to give a variety of insights from industry and innovation, covering topics from mentorship, shadowing, and high-performing teams. We loved his reflections on joining the dots in his career and beyond.About Lawrence:Lawrence is a qualified veterinary surgeon, business consultant, and innovation advisor, working with organisations to develop solutions and advance technologies for animal health and sustainable food production.Resources referenced by Lawrence:https://hbr.org/2017/03/bursting-the-ceo-bubbleWith thanks to our sponsors Boehringer Ingelheim:https://www.boehringer-ingelheim.co.uk/Resources from Boehringer Ingelheim:Jez Rose: https://tedxgreenville.com/portfolio/2016-jez-rose/Resources:http://www.vetled.co.ukIt's not too late to catch up on the Veterinary Human Factors Conference 2022:https://the-veterinary-human-factors-conference-2022.heysummit.com/Enjoyed this episode? Why not leave us a review.
In this episode, you will learn about Lawrence Brown and what shaped him as an immigrant youth. His experiences coming from the Bahamas to Florida and eventually settling in Illinois will set the stage for his career journey. Music Credit Intro/Outro: Adeline Yeo - Kite Fly High.
This episode picks up from where we ended the previous episode. We have navigated childhood, high school, and college. Now it's time for the real action. Time to make big money moves with a high-powered career in...screen printing? You need to listen to this and see where it goes (hint: it's not screen printing). Music Credit: Adeleine Yeo - Kite Fly High
On this special edition of "Listen in With KNN '' presented by FOX Sports Radio, host Kelsey Nicole Nelson welcomed special guests from the American 7s Football League, Sener Korkusuz, CEO of the A7FL, and Lawrence Brown newest owner of the league's new Washington, D.C. division. Brown is a former Air Force Academy football player and is excited to get fans in the DMV rallying behind the DC team. The A7FL begins its eighth season of action on March 27th with 36 teams. Register now!
LIONEL HAMPTON (I) Hot Mallets – New York: – April 14, 1937 Buzzin’ ’round with the bee (lh talk), Stompology Cootie Williams (tp) Lawrence Brown (tb) Mezz Mezzrow (cl) Johnny Hodges (as) Lionel Hampton (vib,vcl,talk) Jess Stacy (p) Allan Reuss (g) John Kirby (b) Cozy Cole (d) – April 26, 1937 On the sunny side […]
In this episode of the Free To Bmore Podcast we welcome scholar of historical trauma, Dr. Lawrence Brown, author of The Black Butterfly: The Harmful Politics of Race and Space In America. In his book, he lays bare the negative impact of politics in Baltimore and what he thinks should be done to make black neighborhoods matter.
DUKE ELLINGTON AND HIS FAMOUS ORCHESTRA THE BLANTON WEBSTER YEARS – Chicago, IL, March 6, 1940 & Hollywood, CA, May 4, 1940 (1) Jack the bear, Ko-ko, Morning glory, Cotton tail (1) Rex Stewart (cnt) Cootie Williams, Wallace Jones (tp) Joe Nanton, Juan Tizol, Lawrence Brown (tb) Barney Bigard (cl,ts) Johnny Hodges (as,sop) Otto Hardwick […]
Now, it's Midday on Transportation. Dr. Lawrence Brown of Morgan State University coined the phrase “The Black Butterfly and the White L” to describe the boundaries between Black and White neighborhoods in Baltimore, and the socio-economic disparities between them. A new reporton transit equity shows environmental and public health impacts within those boundaries as well. In short, a poorly designed and poorly functioning mass transit system creates problems that include, but also transcend, people having trouble getting to and from work and school. So, let's examinewhat those problems are, and how best to address them. Tom's next guests are co-authors of the study that examines transit equity and its correlation to public health in Baltimore. Dr. Megan Weil Latshaw is an associate scientist in the Department of Environmental Health and Engineering at the Johns Hopkins Bloomberg School of Public Health. Samuel Jordan is the co-founder and president of the Baltimore Transit Equity Coalition. They both join us on Zoom. We welcome questions ands comments from our listeners. See omnystudio.com/listener for privacy information.
1 - Big Joe Louis - Jack Sneed and His Sneezers - 19382 - King Joe (Joe Louis Blues) - Paul Robeson with Count Basie and his Orchestra - 19413 - Ol' Jo Louis (He's Still the King of Them All) - Cab Calloway and his Cab Drivers – 19494 - King Kamehameha - Clara Inter with Al Kealoha Perry and his Singing Surfriders - 19405 - King Kamehameha - The South Sea Islanders – 19326 - Amelia Erhart's Last Flight - Red River Dave – 19417 - Lucky Lindy - Nat Shilkret - 19278 - Lindbergh (El Pájaro de Amistad - The Bird of Friendship) - Banda Municipal de Mexico9 - Lucky Lindy - Jack Kaufman – 192710 - John Henry - J. E. Mainer's Mountaineers - 194611 - John Henry - Paul Robeson with Lawrence Brown on the piano12 - Balladen om Davy Crockett - "Frederik" og hans Orkester13 - Davy Crockett Mambo - Irving Fields Trio – 195414 - Abe Lincoln Had Just One Country - Tony Martin with Harry Sosnik and his Orchestra – 194115 - F.D.R. Jones - Ella Fitzgerald with Chick Webb and his Orchestra - 193816 - F.D.R. Jones - Ingelise Rune's Swingtrio of Denmark17 - His Spirit Lives On - Big Joe Williams – 194518 – The Scarlet Pimpernel – Lux Radio Theater (Radio Drama)29 - Lindbergh En Mexico (Un Vuelo Sin Escala - A Nonstop Flight) - Banda Municipal de Mexico
“Solitude” Duke Ellington And His Orchestra: Masterpieces by Ellington (Columbia/Legacy, 1951. Remasterizado en 2004) Duke Ellington, Billy Strayhorn, Cat Anderson, Shorty Baker, Mercer Ellington, Fats Ford, Ray Nance, Nelson Williams, Lawrence Brown, Tyree Glenn, Quentin Jackson, Jimmy Hamilton, Johnny Hodges, Russell Procope, Paul Gonsalves, Harry Carney, Wendell Marshall, Sonny Greer, Yvonne Lanauze. La composición es de Duke Ellington. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Julián Ruesga Bono seleccionó y comentó Masterpieces by Ellington en el especial Razones para el jazz: https://www.tomajazz.com/web/?p=41214
Tonight on Jazz After Dark: Louis Armstrong, Ben Webster & Johnny Hodges, John Coltrane with Johnny Hartman, Count Basie & Ella Fitzgerald, Art Pepper, Louis Prima, Duke Ellington and His Orchestra with Lawrence Brown, Frank Sinatra, Earl Fatha Hines, Tony Bennett, Paul Desmond, Dave Weckl
Tom's guest today is the data scientist, scholar, and author, Dr. Lawrence Brown. A former member of the Morgan State University faculty, he’s also been a visiting professor at the University of Wisconsin, Madison. He teaches in the Johns Hopkins Urban Health Institute’s Bunting Neighborhood Leadership Program, and he has spoken and written widely on racial equity and health issues. He's the founding director of a racial equity consulting and educational enterprise, The Black Butterfly Project. Dr. Brown has written a provocative book that challenges us to change the frame in which we understand racial equity, and what it will take for America to move toward a more just society. Brown chronicles how the long history of land dispossession, the migration of African Americans away from the Jim Crow South, the subsequent displacement from the Urban Centers in which they settled, and the destabilization of Black neighborhoods has led to a segregated economy, and on-going historical trauma that amounts to an American system of apartheid. Dr. Brown makes concrete proposals as to how to dismantle this apartheid and improve outcomes for Black Americans in housing, education, policing, and public health. The book is called The Black Butterfly: The Harmful Politics of Race and Space in America. Lawrence Brown joins us on our digital line from his home in Baltimore. See omnystudio.com/listener for privacy information.
WETF Show Carney-val . .Small group sessions in 1944 and 45 for Keynote and HRS featuring Harry Carney's fantastic baritone sax and bass clarinet . . Sandy Williams' Big Eight, Rex Stewart's Big Eight, Harry Carney's Big Eight and Jimmy Jones' Big Eight . . in addition to the leaders, hear Joe Thomas, Emmett Berry, Vernon Brown, Lawrence Brown, Otto Hardwick, Johnny Hodges, Tab Smith, Ted Nash, Johnny Guarnieri, Shelley Manne. Billy Taylor, Cozy Cole and Brick Fleagle --- Support this podcast: https://anchor.fm/john-clark49/support
Johnny Hodges - the sideman in the 1940's. Recordings featuring Hodges done for Keynote, Signature and HRS . .The Billy Taylor Big Eight, Sandy Williams Big Eight, Eddie Heywood Trio (with Shelley Manne) . . also featuring Harry Carney, Ted Nash, Rex Stewart, Joe Thomas, Emmett Berry, Lawrence Brown, Vernon Brown, Johnny Guarnieri, Cozy Cole . .great late period Swing --- Support this podcast: https://anchor.fm/john-clark49/support
In his book, "The Black Butterfly," former community-health professor Lawrence T. Brown cites a century of policies and budgets he says sapped resources from Baltimore’s African American neighborhoods, forcibly uprooted Black families and triggered generations of trauma. He calls it apartheid, and contends it was planned and deliberately maintained, "Once you understand that--that it was done intentionally, that it wasn’t random, that it isn’t just some order of natural order of things-- it can be undone intentionally.” He says undoing it will take deep changes like dismantling the Baltimore police department and ending toxic lead poisoning. You cannot make Black Lives Matter, he argues, unless Black neighborhoods do. This interview originally aired on February 15, 2021. You can hear more from Lawrence Brown on May 4th at a virtual event sponsored by the Baltimore Teachers Union and the Towson University Office of Inclusion & Institutional Equity. See omnystudio.com/listener for privacy information.
In the second episode of Deep River: The Legacy of the Spirituals, Jonathon Turner, the ASO's Gospel Meets Symphony Choirmaster, and Brenda Justice, Coordinator of Choral Programs, join co-hosts Christopher and Tom to discuss influential performers of the spirituals as they were first becoming known to the general public. Especially noteworthy is Harry T. Burleigh's influence on Dvořák, including his significant musical contribution to the New World Symphony. The episode opens with an excerpt from Didn't My Lord Deliver Daniel, arranged by Lawrence Brown, performed by Alvy Powell. At the conclusion, Roland Hayes is heard in a performance of Go Down, Moses from 1922, and Marian Anderson is heard in an excerpt from her historic performance at the Lincoln Memorial on Easter Sunday 1939. She performs Gospel Train, arranged by Harry T. Burleigh.
https://www.kelseevandervall.com/https://www.ragtimeband.org/Dennis Stone Videohttps://maestronet.com/forum/index.php?/topic/325362-black-violin-makers-past-and-present/https://www.nytimes.com/2020/12/26/arts/unemployed-performer-theatre-arts.html-Jelly Roll Morton- Chicago BreakdownAnthony Elliott, CelloPhillip Bush, Piano-Poulenc: Sonata for Cello and Piano (1948)-Rachmaninoff: Sonata for Cello and Piano in G minor, Op. 19-Sometimes I feel like a motherless child from Spirituals (Five Negro Folk Songs), arranged by Lawrence Brown
WETF Show In A Jam - Duke Ellington and his Orchestra recording for Capitol Transcriptions in 1946 and 1947 . . between the end of his recordings for Victor and the beginning of his Musicraft contract with repertoire from both . . featuring Ray Nance, Cat Anderson, Harold "Shorty" Baker, Taft Jordan, Joe Nanton (his final recordings), Lawrence Brown, Jimmy Hamilton, Russell Procope, Johnny Hodges, Al Sears, Harry Carney along with Duke, Oscar Pettiford and Sonny Greer --- Support this podcast: https://anchor.fm/john-clark49/support
The U.S. response to the COVID-19 pandemic highlights deep racial inequities in wages, health, and vaccination rates—but it's a century of racist public policy that laid the foundation for these disparities.Dr. Lawrence Brown, author of "The Black Butterfly," joins TRNN's Jaisal Noor to discuss the disproportionate harm caused by the coronavirus pandemic, and argues that radical action is needed to address the current crisis and damage exacerbated by economic recessions.Help us continue producing radically independent news and in-depth analysis by following us and making a small donation: Donate: https://therealnews.com/donate-ytSign up for our newsletter: https://therealnews.com/nl-ytLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
(WEAA) -- Dr. Lawrence Brown, director of The Black Butterfly Academy joins Dr. Kaye to discuss his book, “The Black Butterfly: The Harmful Politics of Race and Space in America”.
Clearing the FOG with co-hosts Margaret Flowers and Kevin Zeese
Baltimore Maryland is a majority-black but hyper-segregated city. Following the uprising in Baltimore in 2015 in response to the police murder of Freddie Gray, Dr. Lawrence Brown, a public health expert at Morgan University, a historically black university in Baltimore, found that historical context and data were missing from the conversation about what was happening. Thus, he wrote "The Black Butterfly: The Politics of Race and Space in America." In this book, Dr. Brown describes the history of and the players who created the urban apartheid and how Baltimore became a template for many cities across the country. His book, available through Johns Hopkins University, provides the data, language and solutions necessary for the struggle to dismantle systemic racism. For more information, visit PopularResistance.org.
Lawrence has always been interested in music, but he started seriously playing in high school. From there he went to university, and he's now a full-time musician. Find out how he did it. Check out some of Lawrence's music: The Vitruvian Project: https://music.apple.com/us/album/the-vitruvian-project/1434805065 EEP on Bandcamp: https://eepshoegaze.bandcamp.com/ Visit the home of working blind at http://catchthesewords.com Social links: Twitter: http://twitter.com/catchthesewords YouTube: http://youtube.com/c/catchthesewords Email me: holly@catchthesewords.com Support Working Blind by donating to their Tip Jar: https://tips.pinecast.com/jar/working-blind
Great concert recordings by Johnny Hodges with the Duke Ellington All Stars at the Sportpalast in March, 1961 . . The Duke was busy composing the music for Paris Blues so Hodges took this group on a short European tour. Ray Nance, Lawrence Brown, Johnny Hodges, Harry Carney, Al Williams, Aaron Bell and Sam Woodyard play Ellington standards and features for each member. --- Support this podcast: https://anchor.fm/john-clark49/support
Lawrence the Co-Founder & Managing Partner of AngelytiX Consultingtells you how to build multiple sources of revenue and customer acquisition channels. You can check him out at https://Angelytix.com/
Josue and Chase travel to Atlanta to highlight the great work being done by our friends at Be Compelled (BC), a nonprofit organization. We were joined by Chris Miller and Lawrence Brown, Co-Founders, Darren Dowdell, Coach at BC and current Winston-Salem State football player, as well as Demetris and Michael, two young men who participate in Be Compelled’s programs. We discuss what it’s like growing up in Atlanta, some of the challenges the kids face, how BC is serving the kids to meet the community’s needs, the role of godly mentors, and the impact that has been made by their organization so far. Be Compelled Mission: Empowering the next generation through eye opening and thought provoking experiences designed to serve the under resourced communities around metro Atlanta through strategic partnerships with organizations, coaches and world changers. Be Compelled Website Be Compelled IG Website: perspectivesworldwide.org IG: @PerspectivesWorldwide Josue IG: @ButtermanJosue Chase IG: @Whereischasebrown (Edited by Ryan Rasmussen)
Welcome to the Divinely You Podcast. This is the Body Builder Project Series that began as a Facebook live series that evolved to this podcast. Enjoy these peer interviews of everyday people who chose a Fitness and/or nutrition journey to build the body that serves them. In this episode Lawrence Brown shares his Progressive fitnessContinue reading "Body Builder Project: Lawrence"
Saturday 7/25/20 Lawrence Charles Brown II is the lead guitarist, song writer, & composer of the band Cat Company. Funk around & kick back with us as we share our ideas on why music is so powerful. Follow Lawrence on socials @Lawrbear Follow Cat Company: https://catcompany.bandcamp.com/ Enjoy the conversation and Don't forget to rate us on iTunes! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/onthelevelpod/message
Cuando el jazz alcanza por única vez a ser la música popular americana, Duke Ellington innova y la proyecta más hacia una forma de arte plena, y casi sin concesiones. Tocaba basicamente sus composiciones, pensadas para sus solistas, con melodías difíciles de tararear y con uso de disonancias. En los 30 entra el gran saxo alta Johnny Hodges, maestro del glissando y el feeling, que lo acompañara casi todo su carrera. Lawrence Brown (tb), Rex Stewart, Cootie Williams (tp), Barney Bigard (cl). Empiezan los temas exóticos, Caravan de Juan Tizol. En el 39 se agrega Jimmy Blanton, bajista extraordinario, que proyecta el bajo a un rol más central. Ben Webster en tenor y Harry Carney quien da al barítono su lugar en la orquesta. Black Brown and Beige, su pieza de larga duración ambiciosa.
Justice for George Floyd means prosecuting the officers responsible for his death and ending American apartheid, argues Dr. Lawrence Brown.
This focus is on two albums recorded by Big Joe Turner in the late 50's for Atlantic. Coming off his success as a senior rock and roll singer ("Shake Rattle and Roll was 1954), Turner returned to his KC roots to sing blues and standards with two all star groups including Coleman Hawkins, Lawrence Brown, Pete Brown, Pete Johnson, Freddie Green, Walter Page, Ernie Royal and Vic Dickenson. --- Support this podcast: https://anchor.fm/john-clark49/support
With more than 60,000 deaths nationwide from Coronavirus, more than 1,000 here in MD, the racial disparities in those who are infected, and those who die from COVID 19 continue to be staggering, and heartbreaking. Nationally, African Americans are dying at twice the rate of whites and Asians. Today on Midday, we examine what is happening in two MD African American communities that are Hotspots for Coronavirus: Prince George’s County and here in Baltimore, the Park Heights neighborhood in the northwest corner of the city. Representative Anthony Brown represents parts of Prince George’s County in Congress. Willie Flowers is the Executive Director of the Park Heights Community Health Alliance. Dr. Lawrence Brown studies racial disparities in health care at the Population Health Institute in Madison, Wisconsin.PR, your NPR news station
Today's guests on Borborygmi are Cat Auden and Lawrence Brown, two friends who met at Edinburgh University, from where they graduated as veterinary surgeons in 2010. Cat previously worked in small animal practice and is now Head of Collaborations for VetLED, a company that looks at enhancing team performance and improving patient safety in veterinary practices. Lawrence initially worked in mixed practice, but is best now described as an entrepreneur. He has multiple projects on the go, including consultancy for the Department for International Trade on animal sciences and aquaculture. Under the banner of VetLED, Lawrence and Cat have set up Vet Mentors, a series of interviews with veterinary professionals to provide inspiration and encouragement to others. You can find the Vet Mentors webpage here: https://www.vetled.co.uk/vet-mentors Borborygmi is a collaboration between the London Vet Show, Vet Times, Vets:Stay Go Diversify and Smashing The Ceiling. Thank you to everyone involved for your help and support, it has been much appreciated. Tickets for this year's London Vet Show are now on sale and if you'd like to attend, you can get a generous little discount from our friends at the Vet Show by using the link https://london.vetshow.com/borborygmi-booking with the code LVS20.See you there! Music: "Carefree" by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3476-carefree License: http://creativecommons.org/licenses/by/4.0/
Today’s guests on Borborygmi are Cat Auden and Lawrence Brown, two friends who met at Edinburgh University, from where they graduated as veterinary surgeons in 2010. Cat previously worked in small animal practice and is now Head of Collaborations for VetLED, a company that looks at enhancing team performance and improving patient safety in veterinary practices. Lawrence initially worked in mixed practice, but is best now described as an entrepreneur. He has multiple projects on the go, including consultancy for the Department for International Trade on animal sciences and aquaculture. Under the banner of VetLED, Lawrence and Cat have set up Vet Mentors, a series of interviews with veterinary professionals to provide inspiration and encouragement to others. You can find the Vet Mentors webpage here: https://www.vetled.co.uk/vet-mentors Borborygmi is a collaboration between the London Vet Show, Vet Times, Vets:Stay Go Diversify and Smashing The Ceiling. Thank you to everyone involved for your help and support, it has been much appreciated. Tickets for this year's London Vet Show are now on sale and if you'd like to attend, you can get a generous little discount from our friends at the Vet Show by using the link https://london.vetshow.com/borborygmi-booking with the code LVS20. See you there! Music: "Carefree" by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3476-carefree License: http://creativecommons.org/licenses/by/4.0/
In this episode, we feature key Ellington musicians playing in recordings made after Ellington. We have trombonist Lawrence Brown, Alto sax Johnny Hodges, and Tenor sax Ben Webster.
This gem from the thousands of recording that Ellington made is rather special. It was made during the time when the Ellington Orchestra was signed to Frank Sinatra's Reprise Records. All of the band's recordings during this period offered fresh new material and in this case and this album, music with a more exotic flavor. The title "Afro-Bossa" is a bit misleading as it is not strictly a bossa-nova recording but Ellington's concept of that unique Brazilian rhythm coupled with African influences and the multi-colors of the orchestra. All the major players are here in short solos, Paul Gonsalves, Ray Nance on trumpet and violin, Johnny Hodges on alto saxophone, Jimmy Hamilton on clarinet, Cootie Williams and powerhouse Cat Anderson on trumpets and Lawrence Brown on trombone and others. Some of the band members play percussion instruments on a few selections. All in all the 12 tunes are fresh and new and offer a great look at the immense creativity of Ellington and his compositional alter-ego Billy Strayhorn. Tonight "Afro-Bossa"...a true gem.
Lawrence Brown (1907-88) was a major voice in the Ellington orchestra. He played with Duke for 29 years, longer than any other trombonist in the orchestra. Continue reading →
Lawrence Brown (1907-88) was a major voice in the Ellington orchestra. He played with Duke for 29 years, longer than any other trombonist in the orchestra. Continue reading →
Dr. Lawrence Brown from Morgan State discusses the Black Butterfly and Apartheid in Baltimore. Music: Fists of Fury by Kamasi Washington W'ani Aba by M.anifest
Michael Braverman, the Commissioner of the Baltimore City Department of Housing ---- Community Development, joins Tom today.Any conversation about housing in our city is a conversation about two Baltimores. There’s the Baltimore of downtown and the Inner Harbor, with its strong history of public and private investment, and the stable, majority-white neighborhoods that stretch in a narrow line north from there.And then there’s what Morgan State University professor Lawrence Brown has dubbed Baltimore’s “black butterfly,” the city’s majority black neighborhoods that stretch out like two large wings on either side. Many of those neighborhoods continue to struggle with poverty, unemployment and a lack of affordable housing on the one hand, and a huge number of vacant buildings on the other.Late last month, Mayor Catherine Pugh unveiled a new Framework for Community Development: the start of what she calls ----a new era of neighborhood investment.---- Commissioner Braverman is tasked with executing these plans. He has worked with the city for 30 years, in both the Housing Department and the State’s Attorney’s office. This conversation was livestreamed on the WYPR Facebook page. Click here to see the video.
Atheist, ALIENS & GOD - Dr. Lawrence brown WATCH MY PREVIOUS VIDEO ▶ https://youtu.be/RspLPYKvpjE SUBSCRIBE HERE ▶ http://bit.ly/1CtXGai THANKS FOR WATCHING! LIKE & SUBSCRIBE FOR MORE VIDEOS! Help Support our Efforts make a small pledge https://www.patreon.com/thedeenshow --------------------------------------------------------- FIND ME ON: https://www.instagram.com/thedeenshowtv http://twitter.com/thedeenshow https://www.facebook.com/TheDeenShowTV https://www.snapchat.com/add/thedeenshow www.TheDeenshow.com
Atheist, ALIENS & GOD - Dr. Lawrence brown WATCH MY PREVIOUS VIDEO ▶ https://youtu.be/RspLPYKvpjE SUBSCRIBE HERE ▶ http://bit.ly/1CtXGai THANKS FOR WATCHING! LIKE & SUBSCRIBE FOR MORE VIDEOS! Help Support our Efforts make a small pledge https://www.patreon.com/thedeenshow --------------------------------------------------------- FIND ME ON: https://www.instagram.com/thedeenshowtv http://twitter.com/thedeenshow https://www.facebook.com/TheDeenShowTV https://www.snapchat.com/add/thedeenshow www.TheDeenshow.com
I am Refocused Podcast Show is brought to you by RefocusedMagazine.com live at Rockafellas Barber Shop every Thursday!Today's guests on I Am Refocused Podcast is Lawrence (Larry) Brown!BioLawrence (Larry) Brown, 66, a 13 year Texas resident and Vietnam Era Special Forces veteran, spent 30 years, after separation, in every aspect of retail automotive distribution, including sales, and manufacturing. A proud father of three, grandfather of two, Larry earned his MBA in 2010. He formed E-Motive Business Concepts, LLC in 2012, to demonstrate the competence and consulting proficiency of for-profit university Masters Graduates. As a 14 year old Christian, an officer of several fraternal organizations, associate producer of a feature film, evangelist, and weekly, radio broadcast co-host, Larry tutors, mentors, writes, and publically speaks of citizens’ responsibility, to raise awareness, and promote charitable activities for veterans and children, including those with special needs. Toastmasters maintains and hones his crucial communications skills. Hear this podcast on Googleplay, TuneinRadio, iTunes, Spreaker, Youtube, and iHeartradioPodcast weekly broadcast location:Rockafellas Barber Shop (Owner: Rico Rodriguez)1733 Babcock Rd. San Antonio, TX 78229Sponsors:I Am Refocused Podcast Sponsored by River City Donuts San Ant1723 Babock Rd. San Antonio, TX 78229I Am Refocused Podcast Sponsored by Bay Bay McClinton of All Sports Speed and Conditioninghttp://www.allsportsfitness.net/All Sports Speed and Conditioning is the top sports performance training gyms in San Antonio, and has produce many collegiate and professional athletes since opening. All Sports was founded in 1997 by Bremond “Bay Bay” McClinton. All Sports is based out of the beautiful city of San Antonio, TX. Having accomplished his own career in professional sports; starting a company like All Sports was a natural transition for him. Bay Bay is a native of San Antonio, TX. His 100 meter dash in High School at Roosevelt High in San Antonio was not broken until recently. In college Bay Bay played opposite the great future hall of famer, Darrell Green. He went on to sign a professional career with the Houston Oilers, Dallas Cowboys and played 7 years in the European Leagues before returning to his home town to finish his career “San Antonio Texans”. In 2006, his company, All Sports administered the strength and conditioning program for the East vs West Shriners’s college senior bowl. In 2008-09, All Sports administered the strength and conditioning program for the Division II college Senior Cactus Bowl All Star game in Kingsville. Today All Sports Speed and Conditioning continues to train athletes to elevate their athletic performance to the next level in all sports.
I am Refocused Podcast Show is brought to you by RefocusedMagazine.com live at Rockafellas Barber Shop every Thursday!Today's guests on I Am Refocused Podcast is Lawrence (Larry) Brown!BioLawrence (Larry) Brown, 66, a 13 year Texas resident and Vietnam Era Special Forces veteran, spent 30 years, after separation, in every aspect of retail automotive distribution, including sales, and manufacturing. A proud father of three, grandfather of two, Larry earned his MBA in 2010. He formed E-Motive Business Concepts, LLC in 2012, to demonstrate the competence and consulting proficiency of for-profit university Masters Graduates. As a 14 year old Christian, an officer of several fraternal organizations, associate producer of a feature film, evangelist, and weekly, radio broadcast co-host, Larry tutors, mentors, writes, and publically speaks of citizens’ responsibility, to raise awareness, and promote charitable activities for veterans and children, including those with special needs. Toastmasters maintains and hones his crucial communications skills. Hear this podcast on Googleplay, TuneinRadio, iTunes, Spreaker, Youtube, and iHeartradioPodcast weekly broadcast location:Rockafellas Barber Shop (Owner: Rico Rodriguez)1733 Babcock Rd. San Antonio, TX 78229Sponsors:I Am Refocused Podcast Sponsored by River City Donuts San Ant1723 Babock Rd. San Antonio, TX 78229I Am Refocused Podcast Sponsored by Bay Bay McClinton of All Sports Speed and Conditioninghttp://www.allsportsfitness.net/All Sports Speed and Conditioning is the top sports performance training gyms in San Antonio, and has produce many collegiate and professional athletes since opening. All Sports was founded in 1997 by Bremond “Bay Bay” McClinton. All Sports is based out of the beautiful city of San Antonio, TX. Having accomplished his own career in professional sports; starting a company like All Sports was a natural transition for him. Bay Bay is a native of San Antonio, TX. His 100 meter dash in High School at Roosevelt High in San Antonio was not broken until recently. In college Bay Bay played opposite the great future hall of famer, Darrell Green. He went on to sign a professional career with the Houston Oilers, Dallas Cowboys and played 7 years in the European Leagues before returning to his home town to finish his career “San Antonio Texans”. In 2006, his company, All Sports administered the strength and conditioning program for the East vs West Shriners’s college senior bowl. In 2008-09, All Sports administered the strength and conditioning program for the Division II college Senior Cactus Bowl All Star game in Kingsville. Today All Sports Speed and Conditioning continues to train athletes to elevate their athletic performance to the next level in all sports.
Jult 13, 2017 - Segment 1 - I had a fascinating conversation with Dr. Lawrence Brown, Professor of Public Health at Morgan State University and founder of BRACE: The Baltimore Redevelopment Action Coalition for Empowerment, about his scholarship on housing, lead poisoning and the racial dynamics of development.
Lawrence Brown of the Met Office tells Abka Fitz Henley that Hurricane Matthew continues to drift closer to Haiti
The Met Office's Lawrence Brown tell's Abka Fitz-Henley that the Hurricane WARNING for Jamaica has been downgraded to a Hurricane WATCH
11 January 2016 - Ever since the Black Lives Matter hashtag rose to prominence I have found myself on a steep learning curve. Our guest for this show is Dr. Lawrence Brown an Assistant Professor at Baltimore's Morgan State University School of Community Health and Policy. Dr. Brown is a rising national voice spreading the word that Jim Crow never died and the kind of hyper-segregation seen in Black communities, like that in Baltimore, has shocking and far reaching public health and societal consequences far more pervasive than are initially apparent. Dr. Brown clearly conveys the implications of policies, both historical and current, which have been imposed on Black communities. In doing my pre-show research I read many of Dr. Brown's articles but the one that really knocked me back is one I recommend that you read as well. Down to the Wire: Displacement and Disinvestment in Baltimore City encapsulates many of Dr. Brown's points and should be required reading for everyone seeking greater understanding of the underlying causes behind the current racial crisis. Really. Read it. This is what you will be talking about for a long time after you make the investment. We open the show with Will talking about polls in the Democratic race and I try to put the precipitous drop in the Chinese stock market (and ours) into perspective. Then Will goes on to talk about policing as it relates to terrorism and I get deeper into the way money flows through the US economy. It's good to be back! Carrots! - Arliss
On Friday, June 21, the Marc Steiner Show featured Lawrence Brown as he discussed his Indyreader essay entitled, "Avarice and Avatar in Charm City: Stepping Up the Fight Against Displacement and Dispossession." The discussion covered the historical antecedents of displacement and dispossession and turned to recent gentrification and displacement efforts in the Middle East and Greenmount West communities in Baltimore. The participants discussed strategies for confronting displacement and dispossession, including community organizing, anti-displacement as a fundamental principle, and changing the city charter from a strong mayor system to a council manager form of government to increase community voice and participation.
To celebrate the 114th Anniversary of Duke Ellington's birth, The Jazz Show presents one of his true musical masterpieces....The Far East Suite. The music was written by Ellington and his alter-ego Billy Strayhorn after two tours. The first was a tour of the Middle East (Lebanon, Syria, Jordan etc,) and India and Sri Lanka. There followed a second tour to the Far East: (Japan, South Korea, Hong Kong etc. Duke and Strayhorn wrote all the music after these tours and it culminated into a 9 part suite. It was recorded over a period 3 days in December,1966 and became one of Ellington's great recordings. The band was at it's peak and all of the great soloists and players were healthy and playing their best. Paul Gonsalves, Johnny Hodges, Jimmy Hamilton (on clarinet), Harry Carney, Lawrence Brown, Cootie Williams, Cat Anderson and all of the others. The new bassist was the young virtuoso, John Lamb and making his recording debut on this date was the incredible drummer Rufus "Speedy" Jones. There is some magnificent Ellington piano as a bonus as well. Happy Birthday Edward Kennedy Ellington, your music will live forever!
In this episode of Epilepsy.com's Hallway Conversations, Dr. Joseph Sirven, Professor of Neurology at Mayo Clinic Arizona and Editor-in-Chief of Epilepsy.com/Professionals, interviews Dr. Lawrence Brown, from the Child Neurology Foundation about Infantile Spasms Awareness Week. You can read a full transcript of the interview here.
This album is a bit of a misnomer as it was recorded in New York in the studio in March and April 1965, after the band had returned from a short(Ellington's first) to the West Indies. Duke and his alter-ego, Billy Strayhorn wrote some new material for the tour and it's heard here along with some standard Ellington fare. All of the compositions come from within Ellingtonia. The band is relaxed and happy and in creative form and all of the great soloists are playing at their best. They include Johnny Hodges on alto saxophone, Paul Gonsalves on tenor saxophone, Ray Nance on violin and trumpet, Cat Anderson and Cootie Williams on trumpets, Buster Cooper on trombone, Jimmy Hamilton on clarinet,Lawrence Brown on trombone and of course Ellington on piano, John Lamb on bass and Sam Woodyard on drums and others.This album may not rank with Ellington's masterpieces but it is very representative of how the band would sound on a regular gig on a good night. Duke Ellington forever!
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