Podcast appearances and mentions of stephen webster

A thousand facets sit with the incredible Alice Cicolini. They spoke about her childhood surrounded by art, her time as a curator and how jewelry found her. She has taken her travels as an inspiration for her work and she celebrates the makers behind it. About: Alice Cicolini is a designer and creative commissioner, curator of several international touring exhibitions on design and a published author, including a book on contemporary British dandyism, The New English Dandy, for Thames & Hudson. She is a Research Associate at Central St Martins, where she graduated in 2009 with a Masters in Jewellery Design. Formerly Director Arts & Culture for the British Council in India, she remains closely involved with Indian craft and design. Alice has exhibited at the V&A, Sotheby's and Homo Faber. She has collaborated with Carpenters Workshop Jewellery and CAST, as well as Peter Ting and heritage British pearl company Winterson. Alice was part of the British Fashion Council's celebrated Rock Vaults initiative, curated by Stephen Webster, from 2012-2015. Her work has been featured by Joanna Hardy (Masters of Modern Jewellery),  Carol Woolton (Drawing Jewels for Fashion), Olivier Dupon (The New Jewellers) and Melanie Grant (Coveted). A chapter of Kyle Roderick's book for Rizzoli (Bejewelled: The World of Ethical Jewelry) has been dedicated to Alice's appreciation for and dedication to the sustainability of artisanal skill. Alice Cicolini is available at Liberty, Twist, Dover Street Market, Auverture and a select list of inspirational independent stores across the US, Japan and Europe. You can follow Alice on Instagram @alicecicolini or her website https://www.alicecicolini.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textIn this episode, Stephen Webster discusses ASENSEI's cutting-edge approach to integrating AI, motion capture, and movement recognition into sports coaching. He reflects on his team's background in technology and martial arts, highlighting their experience in building entrepreneurial skills through sports. Webster dives into the challenges of coaching athletes remotely, detailing how ASENSEI's technology helps coaches bridge the gap by offering personalized, data-driven feedback without needing to be physically present. He also explores the potential for hyper-personalization in athlete training, technology innovations like ReadyFit, and the future of fitness equipment and digital coaching.Key Takeaways:- Background of ASENSEI: The ASENSEI team combines extensive experience in tech, AI, and martial arts to create innovative coaching solutions for athletes.- Coaching Challenges: Remote coaching is challenging without direct observation; ASENSEI aims to provide better access to coaching resources for both athletes and coaches.- Technological Innovations: ASENSEI's three core technologies—motion capture, movement recognition, and coaching tech—enable real-time performance tracking via smartphones.- Data-Driven Coaching: Their system turns complex data into simple coaching cues, enhancing athletes' understanding of their movements.- Expert Systems: Unlike traditional machine learning, ASENSEI integrates expert coaching knowledge into their platform for more accurate, sport-specific feedback.- Hyper-Personalization: Fitness programs are tailored based on individual needs, such as using biomechanics and HRV to customize workouts.- Future of Fitness Technology: The conversation touches on emerging products like ReadyFit for military fitness and the use of gamification to enhance athlete engagement.Learn how ASENSEI is revolutionizing sports training with AI and digital tools!Featured Innovations:- AlterMe.com: A mirror that offers interactive, real-time coaching feedback.- ReadyFit: Custom training programs for military fitness based on specific branch requirements.-Power Block - -Vertimax - VertijumpConnect with ASENSEI:  Website: ASENSEI.comFollow Steven: LinkedIn: https://www.linkedin.com/in/stevenwebsterYoutube Episode Link: https://youtu.be/wxQSm9ZbZZY Unlock Your Athletic Excellence: Need Guidance with Professional Coaching? – Apply for Training HEREStay In the Zone

One week after barely surviving a would be assassin's bullet, former President Donald Trump is the official Republican nominee and back on the campaign trail.The attempt on Trumps life immediately turned the spotlight on America's heated political rhetoric. WISH-TV Government Reporter talked to IU political science professor Stephen Webster, who studies political polarization, about why political rhetoric remains so angry and what can be done to turn down the temperature.Our panel breaks down an extraordinarily consequential week in politics and discusses the mounting campaign to push President Joe Biden off the ticketSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dr Stephen Webster is a philosopher of science and developed the internationally renowned Masters in Science Communication at Imperial College London. He stepped down from directing the Science Communication Unit in 2023 and now leads the Good Science Project at Imperial. We discuss what ‘good science' means and explore how sitting and thinking can be as important as laboratory benchwork. https://profiles.imperial.ac.uk/stephen.webster

STS Website: https://survivingthesurvivor.com/ STS Merch Store: https://www.bonfire.com/store/sts-store/ #STSNation, Welcome to another episode of Surviving The Survivor, the podcast that brings you the #BestGuests in all of True Crime… After 9+ years, Donna Adelson appeared in a Tallahassee courtroom to hear the charges levied against her, including murder, in the conspiracy to kill her ex son-in-law FSU Law Professor Dan Markel. The following day her son Charlie Adelson was sentenced to life in prison without parole. Now Charlie's jailhouse calls are out there making people wonder if Donna and Charlie could turn on Wendi? #BestGuests: The Toronto Star's Peter Edwards is the bestselling author of 15 non-fiction books and one young adult novel. Edwards is executive producer for the City TV series Bad Blood, based on his book Business or Blood; Mafia Boss Vito Rizzuto's Last War, co-authored by Italian journalist Antonio Nicaso. Edwards is the first ever beat reporter on organized crime for the Toronto Star. He has been awarded an eagle feather from the Union of Ontario Indians and a gold medal from the Centre for Human Rights. Stephen Webster is one half of Webster and Baptiste Attorneys at Law. Stephen was Dan Markel's post divorce attorney. #JusticeForDanMarkel #TrueCrime #FSU #TrueCrimeCommunity #Podcast #Podcasting #Florida #CharlieAdelson #WendiAdelson #TrueCrime #DonnaAdelson

Jail calls between Charlie Adelson and his mother, Donna Adelson, uncover their shock over testimony from his sister, Wendi Adelson, at his trial for the murder of Wendi's husband, Dan Markel. Wendi revealed she drove by Markel's house after he was gunned down in his driveway and left to die. The Law&Crime Network's Angenette Levy talks with Stephen Webster, who represented Markel in his divorce proceedings with Wendi, about the bombshell jail calls and why he think's Wendi's arrest will likely be next.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stephen Webster is one of the architects behind first response mechanisms such as the United Nations Disaster Assessment and Coordination (UNDAC) team and the IFRCs Field Assessment and Coordination Team (FACT).In this conversation with Lars Peter Nissen he shares his experience from close to 40 years of disaster management and comes to the conclusion that in the end mercy triumphs!

The Royal Society is the oldest scientific academy in the world. Since being established in 1660, it has painstakingly archived thousands of papers, letters, manuscripts and illustrations from some of science's most enquiring minds. In this episode, Victoria Gill takes a trip to the society to pore over some of the most intriguing artefacts within its vaults. While there, she finds out more about the formation of the Royal Society and how science has been shaped over the centuries. Along the way, she considers the role of women in science, and asks whether their contributions have been historically overlooked. She is joined by the Royal Society's Louisiane Ferlier and Keith Moore, along with Prof Uta Frith, a Royal Society Fellow and psychologist, and Dr Stephen Webster, a senior lecturer in science communication at Imperial College London. As part of its Science in the Making project, the Royal Society is currently digitising all of its collections, for everyone to browse through and enjoy. You can find out more on the Royal Society website. Presenter: Victoria Gill Producers: Harrison Lewis, Hannah Fisher Content Producer: Alice Lipscombe-Southwell

Jewellery designer Stephen Webster shares his story, from apprenticing aged 15 at Hatton Garden to working on his latest collection, Sworn Enemies. Plus, he reflects on why we are experiencing an exciting jewellery renaissance. Tune in for more. This episode is sponsored by Naturalmat. naturalmat.co.uk

In our last episode, Stephen Webster and I "gripped it and ripped it". This time, we really "hit the sweet spot". But enough tortured sports analogies... In our continued conversation today, Stephen and I begin by discussing all the new powerful AI tools that have been all the rage since late 2022. In particular, the ability of AI to serve as your "smart new hire" as you work to both generate new ideas and great expressions of your business. From there, we talk about the importance of exploring with curiosity while also carefully managing your attention, how setting boundaries can serve to actually bring people closer to you, and the necessity of grounding all of this in "value". As you might remember, Stephen helps growth-minded business leaders ignite next-level growth through performance coaching, business systems, and technology. He is the CEO of Wellfleet Enterprises, a graduate of the Zero to Dangerous peak performance training program, as well as a mentor and advisor to individuals and organizations. He works with clients to find their purpose and develop a holistic model of success for their lives – career, personal relationships, health & finances. To learn more about Stephen: https://www.wellfleetenterprises.com https://www.linkedin.com/in/swebman/ To learn more about the podcast, please visit:https://boxer.agency/conversations-with-coaches/

Stephen Webster started his career at Pepsi Co before moving into the coaching space. In this episode of The Remarkable Coach Podcast, Micheal and Stephen talk about Bruce Lee, finding your purpose, starting two masterminds, the difference between selling benefits vs features, and more.   About Stephen:Stephen Webster, CEO of Wellfleet Enterprises, helps business leaders ignite next-level growth through performance coaching, business systems, and technology. He believes that gratitude and happiness are critical to success and is driven to help his clients live their best lives. Where to find Stephen:https://www.wellfleetenterprises.com https://www.linkedin.com/in/swebman/   Other Links:Zero To Dangerous — Apply Now Book Links:Steven Kotler (Author) Be Water, My Friend – Bruce Lee and Shannon Lee My Plan For Living To 156 – Dan Sullivan

What you'll learn in this episode: How Beth became a self-taught expert and collector of antique jewelry The definition of antique jewelry, and how it's different from vintage jewelry What separates an enthusiast from a collector, and why collectors have different goals for their collections How to enjoy Georgian jewelry while keeping it safe The meaning behind popular Victorian jewelry motifs About Beth Bernstein Beth Bernstein is a jewelry historian, jewelry expert and collector of period and modern jewels—a purveyor of all things sparkly. She has a romance going on with the legend, language and sentiment behind the pieces. Her love for the story has inspired Beth to pen four books, with a fifth one in the works, and to spend the past twenty years as an editor and writer on the subject of jewels-old and new. She is a die-hard jewelry fan, so much so that she has designed her own collection throughout the 90s and continues to create bespoke jewels and work with private clients to procure antique and vintage jewelry She owns a comprehensive consulting agency Plan B which provides a roster of services in multiple facets of the jewelry industry. These include building, launching and evolving designer brands and retail brick & mortar/online shops and curating designer shows and private collections. Additional Resources: Website Instagram Facebook Twitter Pintrest Photos Available on TheJewelryJourney.com Transcript: Diving into centuries of antique jewelry can be intimidating for even the biggest jewelry lover, but Beth Bernstein is proof that anyone can find their niche in jewelry history. A collector of sentimental jewelry across several periods, Beth is a jewelry consultant and author of “The Modern Guide to Antique Jewelry.” She joined the Jewelry Journey Podcast to talk about how antique jewelry periods are defined; what make a collector a collector; and how to keep antique jewelry in good condition without putting it away forever in a safe. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today my guest is jewelry author, journalist, historian and consultant Beth Bernstein. She is the author of several books including “If These Jewels Could Talk,” “My Charmed Life,” “Jewelry's Shining Stars” and the recent and very readable “The Modern Guide to Antique Jewelry.” We will hear more about her jewelry journey today. Beth, welcome. Beth: Hi. So nice to be here. Sharon: It's great to have you. Beth, can you tell us a little bit about your jewelry journey? Did you like jewelry when you were young? Beth: Oh, yes. My favorite thing was to wear a tiara. Most young girls, I would say, think they're princesses, but I have a cute little story to tell. I had my appendix out when I was six, which is really young to have your appendix out. For some reason, they made me a Frankenstein scar. I hated the scar. Back then, they kept you in the hospital for two weeks. It really was the most horrible scar, so my mom wanted to make me feel like I was beautiful. Back then, Bloomingdale's in New York was the store you went to. So, we go to Bloomingdale's—I always had dime-store tiaras, the plastic rhinestone tiaras—and in the window I see this tiara-like headband dripping with Swarovski crystals. Later I found out my mom described it as the most ostentatious headpiece or even worse than that. Anyway, we go in. I'm l like, “I want that. I want that.” So, we go into the store, and she pulls over the salesperson. I didn't know this at that time, but I heard the story later on. She said, “Bring her out a lot of jewels. I'll make up a story about this one, but bring her out something for her age, like a little tiara-like headband thing.” She said to me, “I have to tell you something the salesgirl just told me. The tiara you love is reserved for a duchess from a faraway land.” I went, “Oh, my god, I have such good taste,” and she said, “You have royal taste, right?” From then on, I believed I had royal taste, and I got a pretty seed pearl headband, quite advanced for my age. I've loved jewelry ever since I was young. My mom wasn't a big jewelry fan, but my grandmother was. My grandparents didn't have a lot of money, but she saved, and she'd go to secondhand stores. I think they were like pawn shops. She'd find these gorgeous Art Deco jewelry there, and she'd get them for a great price. She had some faux and real. I would go over to her house, and she'd let me stay up way past when my mother would let me stay up, and we would watch a Late Movie. Most people don't remember the Late Movie, but it had movies like To Catch a Thief and Breakfast at Tiffany's, and even melodramas like Madame X and Back Street. I would watch all these wonderful movies, Marlene Dietrich movies, and I loved the jewelry. So, we'd dress up in jewelry while we were watching the movies. She'd pour ginger ale in champagne glasses, and we'd drink like we were drinking champagne. The next day we'd go out and buy the jewelry at Woolworths, the five and dime, like we saw in the movies, but for 10 cents. It was all plastic and rhinestone jewelry. It was a lot of fun. So, yeah, I've always loved jewelry. Sharon: Would you say that's why you started liking jewelry? Because of the tiara and dressing up with your grandmother? Beth: Yeah, and the movies. I was always very into movies, which is why I wrote “If These Jewels Could Talk.” It connects the celebrities in the movies to the back stories. I'm as much of a jewelry geek as I am a movie geek. I think it was the fun and the glamor of it as a kid. I'll be very honest; it was at a time when I was probably eleven and my parents started talking about divorce. They got divorced when I was 13. So, it was a time in my life when I needed something to escape from all of that. It was a good escape to get into the glamor of those old movies and the jewelry. When I was six, having my appendix out and having that horrible scar, putting that thing on my head actually did make me feel pretty and like a duchess from a faraway land. I did start believing I had royal taste. Sharon: That's funny. I've heard several people say they liked tiaras when they were younger. I'm not sure I knew what a tiara was then. As you got older, did your education bring you to jewelry? Beth: Not really, because I was an English major and a psychology minor. Basically, I was writing poetry and short stories, wanting to be the great American novelist and poetess. I was doing really well in school. I was going to Boston University. I had some poetry and short stories published, and I was editor of the literary journal. My father owned textile mills in Italy and my mother, when she went back to work after my parents got divorced, became a senior vice president of a huge sportswear company. There were fashion and textiles in my blood. So, I was going to school, and my father said, “I'm not going to support you while you're a starving writer trying to write poetry or a novel. Write about what you know. Write about fashion.” I said, “Absolutely not,” even though I love fashion. But then I did start writing about fashion. My first story was actually for McCall's magazine about rust-proofing your car, because I was a non-fiction assistant editor. I got turned down from Condé Nast and Hearst because I didn't type enough words a minute. I was typing on a regular typewriter, and I was just under. But McCall's didn't give you a typing test, so that was my first job. After McCall's magazine, I started working as a freelancer. I wrote about fashion. I also styled fashion shoots, but my favorite thing to style was jewelry and, for some reason, shoes. When I went to the big houses in New York, like Carolina Herrera and Oscar de la Renta and Donna Karan, I loved to see what jewelry they were going to sell with their collections. Eventually, I continued to write about fashion for a bunch of magazines. Then, all of a sudden, I came up with an idea for a jewelry collection. Prior to that, I also became a wardrobe stylist for TV. I styled for MTV, Showtime, Comedy Central, all the cable channels. While I was doing that, because of all my contacts in jewelry through styling and by writing about jewelry and fashion, I had a sort of a collection. So, I knew who to go to to put the collection together. I went to this one company where I was very good friends with the owner, and he said, “Oh yeah, it's a great idea. I think it would sell great at Henri Bendel.” This was when Henri Bendel was really cool. So, I thought it would be a collection for Bendel. He helped me put it together, because I didn't know about castings and all that kind of thing. It sold at Bendel. Then a friend of mine, who was an actor and a comedian while I was in wardrobe styling, said, “Why don't you start your own jewelry company? You have really great ideas,” and I said, “You know what? O.K.” That was how my life went. I was like, “O.K., I'll go from fashion into wardrobe styling then to jewelry,” because I really did love jewelry. Sharon: You were designing it, too. Wow! Beth: Yes, now I'm designing it. I started a small collection, and it sold to over 250 stores. However, I was selling to Barneys New York, Beverly Hills and Chicago and Barneys Japan, but that was Barneys first Chapter 11. They owed me a ton of money, and I didn't know how I was going to produce for the other stores. So, long story short, they owed me a ton of money, but they kept us all in the stores and paid us up front to keep going, but we never got the money they owed us. I was really stretched to the limit because I literally wasn't making any other money. So, I started writing about jewelry because I knew more about it. Now, I knew about casting and setting and how to do waxes and all that. I wasn't doing it, but I knew all about that, so I started writing about jewelry for magazines I had worked with and other people in fashion had recommended. I was also very good at revamping magazines, making them more modern and into the future. So, I started writing while I was also designing jewelry. That's how it all happened. With Barneys, I got 30 cents on the dollar. Six years later, which is when I finally closed my business—back then, they rarely liked independent designers. There was only so much money to be made. I made so many mistakes with reps. A jewelry designer who was very smart said to me, “The worst thing that could happen to you is not having your own name on a collection,” and I said, “No, the worst thing that could happen is not having a volume, because I've been writing all my life.” He said, “So, you have the answer. Go design for these big designers. Get paid well and keep your bylines. Keep writing.” That's exactly what I did. Then I decided it was the smaller designers that needed my help. So, I started my own company to help small, independent designers with marketing, merchandising design and writing their press kits, as I was still writing for magazines. I'm answering you before you're even asking me a question. Sharon: No, this is free form. Go ahead. Beth: Basically, while I was doing all these different things, I started to collect antique jewelry. I had this feeling for antique jewelry. I love the idea of old mine cuts and the old rose cut diamonds. I didn't like a lot of bling or sparkle. I love the meaning behind Victorian jewelry. As I was collecting from the dealers, I was learning little by little. There were a lot of jewelers in New York back then. Eventually, I picked out a ring in the case at an amazing Madison Avenue shop, and she said, “It's one of my favorite rings in the case.” She and I had just met, and she's since passed away. I usually dedicate my books to my mom or my grandmother or both. My mom passed away young, and my grandmother lived until 97. They were the real inspirations in my life, but I dedicated “The Modern Guide to Antique Jewelry” to Hazel Halperin because she taught me so much of what I know. When I picked out the ring, she said, “It's a favorite in my case. I do layaways, so you can pay it off.” I'm like, “Great.” Then she said, “Do you want to come work for me?” and I said, “You don't know me. How do you know you can even trust me?” She said, “I know I can trust you. Every ring you picked out in the case is my best ring. It's like you have an eye for this.” She gave me books to bring home every weekend to read. I went to work for her on weekends. I was working seven days a week doing writing for magazines, still some consulting work, some custom work, and working for her, learning about antique jewelry on weekends. That really helped me learn how to collect antique jewelry. Through her, I was able to go to the big antique shows and meet other dealers, whom I still know to this day. A lot of them are still alive and are quoted in the book, because I've been dealing with them for 25 years. That's how that came about. Sharon: Did learning how to collect antique jewelry help you learn how to collect in general, or was it only antique? Beth: Only antique. Because I designed modern jewelry, I knew what I liked about modern jewelry. With antique, she taught me things to look for, like if something was repurposed, if something was put together, like if the shank was added later than the actual front of the ring. She taught me a lot of different aspects about antique jewelry. She taught me about the time periods and how to identify them. She taught me so much, and the books she had me bring home to read taught me a lot, too. She was a wonderful teacher. She'd always throw in a little story about my life as it was at that time, and how dating would relate to some jewelry stories. She was funny and I just loved her. She really helped. Sharon: Was she your inspiration? She was an inspiration for the antique jewelry book, but was she an inspiration for your other jewelry books, like “My Charmed Life”? Beth: Well, “My Charmed Life” isn't a jewelry book. It's a memoir. It's called “My Charmed Life.” Penguin published it in 2012. I'll tell you about why it's called “My Charmed Life.” It's “My Charmed Life” and the subtitle is “Rocky Romances, Precious Family Connections and Searching For a Band of Gold.” I was writing a memoir. It was a bit different because I also wrote first-person essays for women's magazines on dating, relationships and family. They always had to have some humor, so I knew that anything heartfelt also had to have a bit of humor. If it's grief, it has to have humor. So, I learned the combination of doing that, and I love writing those kinds of things. So, I was working on a memoir, and I kept hearing the word, “Platform. You need a platform.” I thought, “I have a platform in jewelry, but that's not going to work with this memoir, so I need to change it up a bit.” So, I connected different pieces. Every chapter starts with a piece of jewelry. There's love beads. There's solitary rings. There's the Claddagh ring from when I was going out with the Irish guy. There were a lot of different chapters. It was all metaphor for what I was talking about, and that was chapters from a young age up to age 50. It wasn't really about the pieces of jewelry; it was about what was going in my life and the jewelry related to that. People call it a jewelry book, but it wasn't. When you start reading it, you'll realize that it's really a book about life. It's universal. It's about parents divorcing, parents dying young, family relationships, relationships with nieces and nephews, being single when your younger brothers have kids, and all these different things women can relate to. What links do you like more than jewelry? It's the mosaic ashtray you make for mom in day camp that she still kept, or when she got divorced, how she traded in her Jackie O. pearls for love beads, which were my love beads. She was wearing my love beads because she was a young mom who got divorced. It was the 70s and she wanted to be cool. So, it was all about that. That was the first book. The second book was about emerging modern jewelers who I got to know from consulting and writing about them. I wrote about 38 designers who I thought really had it. These days, the market is saturated with modern designers. Stephen Webster was an amazing designer. I thought, “Who can write the forward for this book?” I went to Stephen because we were friends, and they knew he'd do a great job because he was once an emerging designer himself. He was funny, and he had all that heartfelt humor. He was a bench jeweler. He wrote a great forward. He said, “You're going to have to really fix this up,” and all I had to do was fix one word that I didn't think was right because it was very British, and I didn't think everyone would understand. Stephen had to fix one word. It was such a great book. The next book was “If These Jewels Could Talk: The Legends Behind Celebrity Gems.” That was about the stories behind celebrity jewelry and celebrity jewelry houses, like Van Cleef & Arpels, who made the jewelry for celebrities and films, and how the jewelry helped character development. I was very into the films, as I said. One of my friends said, “You wanted to write that book 20 years ago.” I said, “Yeah, I did,” because of my geekiness about film and because I could remember every line in certain films I loved. I learned more about who owned the jewelry as I was writing the book. Back then, a lot of the big stars like Marlene Dietrich and Grace Kelly—when she was Grace Kelly and before she was princess of Monaco—wore their own jewelry. Joan Crawford wore all of her own jewelry in films. Elizabeth Taylor wore her own jewelry in certain films. When it came to awards shows, when they were televised, they wore their own jewelry. It was really interesting. I loved writing that book as well. And then here we are with “The Modern Guide to Antique Jewelry.” I'm not only writing a book about antique jewelry, but I think—once again, I'm going on without you asking me a question. We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

Stephen helps growth-minded business leaders ignite next-level growth through performance coaching, business systems, and technology. He is the CEO of Wellfleet Enterprises, a recent graduate of the Zero to Dangerous Peak performance training program, as well as a mentor and advisor to individuals and organizations. He works with clients to find their purpose and develop a holistic model of success for their lives; career, personal relationships, health & finances. The title of this episode is an analogy from baseball that Stephen tossed into one of his excellent explanations of his coaching methodology, but I think it speaks directly to twin aspects of good coaching...so I figured it would make for a great episode title. :)   To learn more about Stephen: https://www.wellfleetenterprises.com   To learn more about the podcast, please visit: https://boxer.agency/conversations-with-coaches/

Carol discusses the future of diamonds with two experts in the field: Stephen Lussier, the De Beers group's executive vice president for brands and consumer markets, and with Stephen Webster, jeweller to the stars. This episode is brought to you by @fuligemstones For more information, please see: www.carolwoolton.com Follow Carol Woolton: @carolwoolton Produced by Natasha Cowan @tashonfash Music & editing by Tim Thornton @timwthornton Creative direction by Scott Bentley @bentleycreative Illustrations Jordi Labanda @jordilabanda Read Carol Woolton in Vogue magazine – vogue.co.uk/fashion/jewellery and carolwoolton.com See acast.com/privacy for privacy and opt-out information.

Music is the most amazing thing on the face of the Earth. Truly. I think it, through the sense of hearing, outweighs every other experience by every other sense. Sorry for you "smell of bacon", "sight of mountains", "taste of ice cream" and "feel of sex".Welcome to FNBB 69 (insert giggle here), we are talking about the significance of music and how it creates the soundtrack of our lives. Don't tell me you don't remember all the little details of life unless it has a tune imprinted on it. There are so many.But the enjoyment of music doesn't only have to live in the past - we all need to expand our musical tastes with new types of music to continue to imprint future memories. Enjoy all the music. Let it move you like nothing else can, because it will.And the song I was thinking about when we recorded was "Just Once" James Ingram/Quincy Jones from The Last American Virgin. There were lots of cryfests to this song for me. And check out Suzanne and Stephen Webster who have a new streaming radio show, "Radio Fortitude" on @electromagnetic_radio (em-radio.com) every first and third Sunday from noon-2 Eastern. They are talking about life on board the boat they live on "Fortitude" and playing their favorite music. Alrighty y'all RATE or REVIEW is you're digging the blog and FNBB podcast. And have a great week!Peace.LLM

We talk to stylist Stephen Webster about his styling process and also talks about the debate surrounding stylists asking clients to come to the shop hair already washed.

#35 In today's episode of Digitally Transformed, host Melissa and guest Stephen Webster discuss how COVID-19 impacted the workplace, resulting in what's been called the great recognition, or the great reshuffling of employees. They talk about startling statistics, why employees are unhappy, and ways that employers can not only support their employees during this time but create a desirable workplace.

Your job is not a financial guarantee. Even if you're good at what you do, the company you work for could end your paychecks tomorrow. That's why building valuable relationships around your passions is important. Relationships build trust. And when people trust you, they'll pay for your expertise. You don't have to "chase the money" when helping others solve problems. When business consultant Stephen Webster interacts with others, he's always trying to provide value. And by providing value, he's found that he has far more opportunities to make a difference -- and money. Don't let your business success revolve around a win-or-lose mindset. Listen now to discover how to increase your value! Show Highlights Include: The “autopilot” way to find creative solutions to your business problems (2:37) How to pivot your conversations to generate more positivity (3:41) Why building relationships around your passions leads to wealth and happiness (5:39) How “value creation” raises your income without making changes to your contracts (9:20) The obvious —and overlooked— question that quickly improves your relationships (13:02) The pending “return to the office” stand-off that gives you an opportunity to find new business talent (18:33) You can find Stephen Webster's consulting company at www.WellfleetEnterprises.com Stephen is on LinkedIn at https://www.linkedin.com/in/swebman/ And you can reach Steven directly at stephen@wellfleetenterprises.com

We talk (again!) today with the spiritual father and inspiration of Flying Colors: Matt Childers. Matt is the reason this podcast exists and remains a constant encouragement to me personally. We talk today about basic human decency, mourning the death of the influence of Ravi Zacharias, the Rise and Fall of Mars Hill podcast, and a way forward for the church."Flying Colors" created by Stephen Webster, Ryan Neff and Aaron JentgenWritten and directed by Stephen WebsterExecutive Producer - Matt ChildersSound Editing & Production - Brandon WestArtwork - Michael OverbeckIntro music: "Balconies" by Paper RouteOutro music: "Communication" by Ace MerinoSupport the show (https://www.buymeacoffee.com/SGRWebster)

#26 In a time like now, "The Great Resignation," it is more important than ever to learn how to retain employees and maintain relationships with them. In today's episode, guest Stephen Webster, Senior Advisor at Infused Innovations, walks us through some of the most important mindset hacks and tools that can empower your team and increase your organization's success with retaining employees and your relationships with them. This is part two of a two-part episode. Enjoy!

#25 In a time like now, "The Great Resignation," it is more important than ever to learn how to retain employees and maintain relationships with them. In today's episode, guest Stephen Webster, Senior Advisor at Infused Innovations, walks us through some of the most important mindset hacks and tools that can empower your team and increase your organization's success with retaining employees and your relationships with them. This is part one of a two-part episode. Enjoy!

After an 11-month hiatus, we talk with Kayla Smith about her work with students, the arts, and the ongoing search for justice in America. "Flying Colors" created by Stephen Webster, Ryan Neff and Aaron JentgenWritten and directed by Stephen WebsterExecutive Producer - Matt ChildersSound Editing & Production - Brandon WestArtwork - Michael OverbeckIntro Music - "Balconies" by Paper RouteOutro Music - "This is America" by Childish Gambino

Jewellery is one of the oldest decorative arts, originally answering our need for adornment in the form of shells, feathers, bones and pebbles. This rich cultural history dates back beyond recorded history. Their rarity and beauty meant they were used as decoration as well as amulets, to ward off evil. Gradually jewellery became attached to status, but stones were still considered to bring good health, wisdom and love, while superstitions and curses associated with others linger to this day. Dr Jeffrey Post, mineralogist and Curator of Gems and Minerals at the Smithsonian National Museum of Natural History (home to the infamous Hope Diamond) and British jewellery designer Stephen Webster, the original rock'n'roll jeweller, discuss stones with supernatural powers. For more information, please see: www.carolwoolton.com Follow Carol Woolton: @carolwoolton Produced by Natasha Cowan @tashonfash Music and editing by Tim Thornton @timwthornton Creative direction by Scott Bentley @bentleycreative Illustrations Jordi Labanda @jordilabanda Read Carol Woolton in Vogue magazine – vogue.co.uk/fashion/jewellery See acast.com/privacy for privacy and opt-out information.

On Today's podcast, we have three guests... Jeff Wilhelm, CEO of Infused Innovations, Phil Magnuszewski, COO of Infused Innovations, and Stephen Webster, Executive Advisor at Infused Innovations. Today, we discuss some of the reasons why digital transformation can sometimes fail, how to have a successful transformation, and why having a partner to guide you is crucial.

Episode 39: Live with Arman Suciyan On the Living Tradition of Master Artisanship in Jewelry. Jeweler Arman Suciyan began his training under two jewelry masters in the Grand Bazaar in Istanbul, part of a 555 year history in Turkey and tradition that encompasses diverse trades including miniature wax carving , sadekar (goldsmith) , kalemkar (engraver), cameo, lapidary, bejeweling, antique granulation, Turkish style (alaturka mıhlama) diamond setting (rose cut diamond setting) and alafranga stone (European style) setting. We will discuss Arman’s role as a product of this unique aspect of Turkish cultural heritage, as well as his time training in jewelry design in England, his work with Stephen Webster and his own sculptural works, which have been described as art by experts including Melanie Grant in her recent book Coveted: Art and Innovation in High Jewelry. Arman shows us around his workshop and much more! We take viewer questions throughout. Interested listeners can also view additional imagery at the Beekman New York instagram @beekmannewyork as well as to view the full interview at the Beekman New York Fine Jewelry Podcast on YouTube. Each episode of the series features a conversation between Dr. Sharon Novak, certified gemologist and co-founder of Beekman New York, and an industry expert within the luxury space, highlighting their shared joy and appreciation of fine jewelry. Topics include mixing period jewelry with modern pieces, heritage and craftsmanship of luxury jewelry houses worldwide, certfied natural and phenomenal gems and collecting vintage jewelry.

For designer Stephen Webster, a normal routine is the absence of routine. He’s perpetually jet-setting across the globe to visit clients and make personal appearances, but when COVID hit, Stephen found himself grounded at home in England. We caught up with Stephen, remotely, to hear about some of his adventures in quarantine, and we also reflected on some of his past experiences, his drive to give back and his dedication to creating a sustainable brand.

In this episode of Plastics Revolution, host Tammy Ven Dange chats with Stephen Webster of Integrated Recycling, an Australian manufacturer of recycled plastic products. In this show, we learn about the origins of the company and how it’s progressed from making posts from the recycled plastic film that was used to cover grapevines to a much greater variety of products now.  This includes their Duratrack railway sleepers and their “in-development” urban noise barriers – both that have the potential to use a huge amount of recycled plastic. We hope you enjoy this episode of Plastics Revolution with Stephen Webster of Integrated Recycling. You can read the summary and see all of the links from this episode on Tammy’s blog. Credits Hosted by Tammy Ven Dange Produced by Jonny Puskas Theme Music by Joseph McDade All Rights Reserved 2020

**This episode was recorded before the brutal, unjust killing of George Floyd, and subsequent global Black Lives Matter protests. There is no room for racism of any kind in my world, your world and our world. I hope this finally brings change to an issue that will be silenced no more.**I’M BAAAAAACK!! Did you miss me?!I can’t believe I’m onto the second season! And what a season it’s going to be!As a close family friend, Stephen and I have known each other for a while, but I had never sat down with him to really delve into his life story and how he came to bI’M BAAAAAACK!! Did you miss me?!I can’t believe I’m onto the second season! And what a season it’s going to be!As a close family friend, Stephen and I have known each other for a while, but I had never sat down with him to really delve into his life story and how he came to be a jewellery designer to the stars.From his humble beginnings in Kent, to art school and apprenticeships, his time living in Canada was a very touching story and tribute to the effects of depression and it’s link to eating disorders – in men.More recently, his venture into restaurants as well as living with a very foodie wife, Stephen speaks eloquently about the food he loves and the places he eats in.We bond over our absolute love for a packet of Monster Munch, the best crisp in the world, which is why I have such respect for him!!I was also given an education into his jewellery world, how he creates his eye catching pieces, and how he created his synonymous range, Crystal Haze.This episode is sponsored by Squirrel Sisters – who are on a mission to help you treat your health. They have a range of healthy snacks, bars and nibbles that can be found in stores across the nation including Waitrose, Holland and Barrett, Selfridges and online on Amazon.All their products are 100% natural, vegan, gluten-free and made with the highest quality ingredients, and most importantly - do not have any added sugars! It’s a win win for all! Follow them @squirrelsistersSTILL not had enough of me?! Head on over to the Crazy Sexy Food YouTube channel to check out all the offerings over there! The food show episodes, Crazy Sexy Quickies cooking demos, food walks and so much more!Social Media:@stephenwebsterjewellery@crazysexyfood@hannahharleyMusic by @casnova____Music by @casnova____

Episode 10: Jeweller Stephen Webster talks about his design inspiration, sketches and sourcing of stones for collections including Thorn, Jules Verne, Lady Stardust and Crystal Haze (of which this is the 25th year of the collection). Stephen prepares a special margarita for Cinco de Mayo and talks about his pioneering role in fair trade gold, designing for celebrities including Elizabeth Taylor and Elton John, receiving the MBE, jewelry options for Mother's Day, his signature approach to sourcing and working with unusual gems. Interested listeners can also view the view on the Beekman New York Fine Jewelry Conversations page on YouTube, Vimeo and IGTV. Each episode of the series features a conversation between Dr. Sharon Novak, certified gemologist and co-founder of Beekman New York, and an industry expert within the luxury space, highlighting their shared joy and appreciation of fine jewelry. Topics include mixing period jewelry with modern pieces, heritage and craftsmanship of luxury jewelry houses worldwide, certfied natural and phenomenal gems and collecting vintage jewelry.

British-born Stephen Webster MBE blends a love of traditional craftsmanship with a passion for music, fashion and art to produce jewellery that has to be picked up, worn, held to the light and loved by many jewellery lovers. All Stephen Webster jewellery collections are contemporary with a chic glam-rock twist. His enthusiasm and unmistakable creativity have helped him to win ‘British Luxury Jeweller of the Year', ‘Diamond Jeweller of the Year', ‘Jewellery Designer of the Year', ‘UK Jewellery Brand of the Year', COUTURE Award again and again! So what is it that so many love about his brand? For me it's the bold and instant iconic style! The bright, colourful and exotic gems are just one of the many elements why we want more of Stephen Webster jewellery in our lives!How did your jewellery journey and Stephen Webster brand start?Where do you go for inspiration when starting a new collection?What do you think will be the impact of coronavirus on the jewellery world?⁠ How is the crystal haze effect achieved?

Stephen Webster preaches a message on the Holy Spirit.

Stephen Webster met with famous astrologer Shelley von Strunckel for our latest podcast. They looked to the stars and discussed Stephen's astrological chart, the power of gem stones and the 13th astrological sign: Ophiuchus.

Stephen Webster shares a special message on Malachi.

We have a special message from Stephen Webster.

What do Stephen Webster and the leading London restauranteur and chef Mark Hix have in common? In this latest episode of Gold Digging, it turns out, plenty. As well as a love of contemporary art, fish, fowl and feasts are all subjects up for discussion.

How Do You Keep The Celebs Happy? The iconic London jeweler shares his insider celeb stories including one with a legend from Hollywood's Golden Age...and his winding path to success to be the toast of Hollywood.

Jeweller Stephen Webster describes his extraordinary journey from the east end of London to designing for Elizabeth Taylor. He reveals why he's racked up a million air miles, and showcases a personalised cutlery set that means so much to him. 

Arman Suciyan is a jewelry designer and maker who lives in Istanbul, Turkey. He studied at the Kent Institute of Art in the U.K. and studied under the famous designer Stephen Webster. Since 2011 he has crafted his own designs and created a unique line of men’s belt buckles, rings, cuff links and more inspired by classic cars. His passion and inspiration comes from his childhood passion for 50s and 60s American cars including Chevrolet, Ford, Plymouth, Chryslers, Cadillac, and Buick. By taking design cues from these iconic brands Arman has created artistic yet useful tributes to automobiles that any enthusiast will immediately recognize.

Libby Purves meets jewellery designer Stephen Webster; historian Kenneth O. Morgan; conservation biologist Dr Amy Dickman and musician Jyotsna Srikanth. Dr Amy Dickman is a conservation biologist with a particular interest in the maintenance of threatened wildlife populations on human-dominated land and how to resolve human-wildlife conflict. She is director of Ruaha Carnivore Project (RCP), a community-based lion conservation initiative in Tanzania. A former finalist at the Tusk Conservation Awards, she has just launched Pride, an alliance of lion conservationists at Houston Zoo. Stephen Webster MBE is a jewellery designer. He studied at Medway College of Design in Rochester, Kent, before serving his apprenticeship at Hatton Garden and establishing his business in 1989. His inspirations range from pop culture to Jules Verne's Twenty Thousand Leagues Under the Sea and his clients include Madonna, Ozzy Osborne and Christina Aguilera. He tells his story in Gold Struck - A Life Shaped by Jewellery, published by Salma Books. Kenneth O. Morgan is a historian, author and a member of the House of Lords. An academic for more than 40 years, he held positions at a number of universities including Swansea and Oxford before retiring as vice-chancellor at the University of Wales in 1995. In his book, Kenneth O. Morgan: My Histories, he looks back at his life to consider how a working historian went about his task at a time of sweeping historical change. Kenneth O. Morgan: My Histories is published by University of Wales Press. Jyotsna Srikanth is a violinist from the Carnatic classical tradition. Before becoming a full-time musician she was a pathologist. She is passionate about bringing the music of Southern India to a wider audience and enjoys collaborating with musicians from a range of musical genres such as jazz, classical and world music including beatboxer Shlomo and flamenco guitarist Eduardo Niebla. Producer: Paula McGinley.

Guests this week are Stephen Webster, clarinet player and Linda Marley, pianist, who are both members of the Kingston & District Chamber Music Society. They talk about their music and an upcoming concert on 2nd April in Sunbury.