Podcasts about wales press

In this episode, we dive into Romani representation in Robert Eggers' Nosferatu with Madeline Potter, Romani scholar of 19th century Gothic literature! We also get into vampire lore, Romani folklore, mulo, strigoi, and Romani tropes in Gothic literature and media. Madeline Potter is a research and teaching fellow at the University of Edinburgh, in the literature of the long 19th century (Romanticism to Victorianism). At Edinburgh, she teaches on a range of courses, including one on vampire literature in the long 19th century, which she has designed. Her work primarily looks at Gothic literature and theology: her first academic book is called Theological Monsters: Religion and Irish Gothic and will be published by University of Wales Press. Her first trade book is called The Roma: A Travelling History and will be launched later this year, published by The Bodley Head in the UK and Harper Collins in the USA. Follow her work on madeline-potter.com and on X and Instagram .This episode's Romani crush in Katarina Taikon.  Our festival, Welcome to Romanistan, is taking place March 28-30, 2025 in New Orleans! Please visit https://www.romanistanpodcast.com/romanistan-festival-neworleans for tickets, and spread the word! Thank you for listening to Romanistan podcast.You can find us on Instagram, TikTok, and Facebook @romanistanpodcast, and on Twitter @romanistanpod. To support us, Join our Patreon for extra content or donate to Ko-fi.com/romanistan, and please rate, review, and subscribe. It helps us so much. Follow Jez on Instagram @jezmina.vonthiele & Paulina @romaniholistic. You can get our book Secrets of Romani Fortune Telling, online or wherever books are sold. Visit romanistanpodcast.com for events, educational resources, merch, and more. Please support our book tour fundraiser if you can. Email us at romanistanpodcast@gmail.com for inquiries. Romanistan is hosted by Jezmina Von Thiele and Paulina StevensConceived of by Paulina StevensEdited by Viktor PachasWith Music by Viktor PachasAnd Artwork by Elijah Vardo  

Welcome to the broadcast! Step back with me into Ordinary Time as we celebrate Twelfth Night... Welsh style! Plus let's pay a visit to Pentre Ifan, said to be the entrance to Annwn...

Tenemos el gusto de inaugurar una nueva sección en Hablemos, escritoras, "Insólitas" que será dirigida por la investigadora española Teresa López-Pellisa, especialista en "narrativa no mimética": la que no es realista, la que va desde la insólita, la ciencia ficción, la fantasía, la inusual que "inventa otras realidades y propone un mundo otro". Es profesora en el Departamento de Filología, Comunicación y Documentación y directora del Laboratorio de Estudios del Futuro de la Universidad de Alcalá y miembro del proyecto de investigación GECULTEC. Dos de sus muchos libros críticos y antologías son: Fantastic Short Stories by Women Authors from Spain and Latin America (University of Wales Press, 2020) e Historia de la ciencia ficción latinoamericana II (Iberoamericana Vervuert, 2021). Nuestro primer episodio con ella nos lleva a aprender de su carrera, de cómo llega a esta literatura y de las diferencias que ella ve entre estos géneros, de cómo ha crecido en España y en Latinoamérica, así como una larga lista de escritoras que escriben estos géneros y que ya están en nuestra enciclopedia. Nos habla de los proceso de evolución de la ciencia ficción y cómo las escritoras que vienen del mundo hispanohablante son de las mejores voces de estos géneros.

Our F/Favorite Tropes Part 13: Mothers, Sisters, Daughter – Pseudo-familial Relationships The Lesbian Historic Motif Podcast - Episode 289 with Heather Rose Jones In this episode we talk about: Relationships using the imagery of sisters and mother/daughter Age-gap relationships ReferencesBabayan, Kathryn. “'In Spirit We Ate Each Other's Sorrow' Female Companionship in Seventeenth-Century Safavi Iran” in Babayan, Kathryn and Afsaneh Najmabadi (eds.). 2008. Islamicate Sexualities: Translations Across Temporal Geographies of Desire. Cambridge: Harvard University Press. ISBN 978-0-674-03204-0 Boswell, John. 1994. Same-Sex Unions in Premodern Europe. Villard Books, New York. ISBN 0-679-43228-0 Hansen, Karen V. 1995. "No Kisses is Like Youres" in Gender and History vol 7, no 2: 153-182. Lasser, Carol. 1988. "'Let Us Be Sisters Forever': The Sororal Model of Nineteenth-Century Female Friendship" in Signs vol. 14, no. 1 158-181. Levin, Richard A. 1997. “What? How? Female-Female Desire in Sidney's New Arcadia” in Criticism 39:4 : 463-49. Matter, E. Ann. 1989. “My Sister, My Spouse: Woman-Identified Women in Medieval Christianity” in Weaving the Visions: New Patterns in Feminist Spirituality, eds. Judith Plaskow & Carol P. Christ. Harper & Row, San Francisco. Merrill, Lisa. 2000. When Romeo was a Woman: Charlotte Cushman and her Circle of Female Spectators. The University of Michigan Press, Ann Arbor. ISBN 978-0-472-08749-5 Morgan, Mihangel. 2016. “From Huw Arwystli to Siôn Eirian: Representative Examples of Cadi/Queer Life from Medieval to Twentieth-century Welsh Literature” in Queer Wales: The History, Culture and Politics of Queer Life in Wales. Huw Osborne (ed). University of Wales Press, Cardiff. ISBN 978-1-7831-6863-7 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Smith-Rosenberg, Carroll. 1975. “The Female World of Love and Ritual: Relations between Women in Nineteenth-Century America” in Signs vol. 1, no. 1 1-29. Vanita, Ruth. 1996. Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination. Columbia University Press, New York. ISBN 0-231-10551-7 Vicinus, Martha. 2004. Intimate Friends: Women Who Loved Women, 1778-1928. University of Chicago Press, Chicago. ISBN 0-226-85564-3 Wiethaus, Ulrike. 1993. “In Search of Medieval Women's Friendships: Hildegard of Bingen's Letters to her Female Contemporaries” in Wiethaus, Ulrike (ed) Maps of Flesh and Light: The Religious Experience of Medieval Women Mystics. Syracuse University Press, Syracuse. ISBN 0-8156-2560-X A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

In this episode, the Seven Ages team discusses the continuing mystery surrounding the Roman Dodecahedron and the controversy of the "Wood Age". The team then welcomes Dr. Louise Steel from the University of Wales to discuss the ancient history and intriguing archaeology of Gaza.  Dr. Louise Steel is a Professor of Near Eastern Archaeology at the University of Wales. In the 1990s she directed excavations at the Late Bronze Age site of Al Moghraqa in Gaza. She has also worked extensively in Cyprus. Her recent research focuses on New Materialities, exploring people's relationship with matter and how this has been entangled in their daily lived experiences. She is a series editor of Materialities in Anthropology and Archaeology, University of Wales Press. Louise is Associate Director of the UNESCO-MOST BRIDGES UK hub, which explores transdisciplinary approaches to sustainability science, and works with Coastal TALES which examines how cultural heritage can help foster resilience to climate change in coastal areas. Instagram  Facebook  Seven Ages Official Site  Patreon  Seven Ages YouTube  Guest Links: Dr. Louis Steel Presentation 

Wir springen in dieser Folge ans Ende des 18. Jahrhunderts. Im Zuge der Revolutionskriege wird von Frankreich der Plan einer Invasion Großbritanniens ausgeheckt. Ausgangsort soll Irland sein, doch nichts läuft so wie geplant. Schlussendlich wird es vor allem eine Schusterin aus Wales werden, deren Andenken heute noch an diese letzte Invasion Großbritanniens erinnert. //Literatur Rose, Richard (2003). "The French at Fishguard: Fact, Fiction and Folklore". Transactions of the Hon. Society of Cymmrodorion. Ahlstrom, John D. „Captain and Chef de Brigade William Tate: South Carolina Adventurer“. The South Carolina Historical Magazine 88, Nr. 4 (1987): 183–91. Come, Donald R. „French Threat to British Shores, 1793-1798“. Military Affairs 16, Nr. 4 (1952): 174–88. https://doi.org/10.2307/1982368. Davies, Hywel M. "Terror, treason and tourism: the French in Pembrokeshire 1797" in Footsteps of „Liberty and Revolt“: Essays on Wales and the French Revolution. eds: Mary-Ann Constantine und Dafydd Johnston. University of Wales Press, 2013. Singer, Rita. ‘”[A] very improbable and imaginative fiction”: Fictionalising the French Invasion of Fishguard.' Literature & History, forthcoming. DOI: https://hcommons.org/deposits/item/hc:63597 //Erwähnte Folgen GAG433: Der Schinderhannes https://gadg.fm/433 GAG397: Hy Brasil https://gadg.fm/397 GAG272: Am Ende der Welt – Napoleons letzte Jahre im Exil https://gadg.fm/272 Das Episodenbild zeigt einen Ausschnitt einer Darstellung der Landung der Franzosen in Wales, aus einem zeitgenössischen Reiseführer. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

Melvyn Bragg and guests discuss Emile Zola's greatest literary success, his thirteenth novel in a series exploring the extended Rougon-Macquart family. The relative here is Etienne Lantier, already known to Zola's readers as one of the blighted branch of the family tree and his story is set in Northern France. It opens with Etienne trudging towards a coalmine at night seeking work, and soon he is caught up in a bleak world in which starving families struggle and then strike, as they try to hold on to the last scraps of their humanity and the hope of change. With Susan Harrow Ashley Watkins Chair of French at the University of Bristol Kate Griffiths Professor in French and Translation at Cardiff University And Edmund Birch Lecturer in French Literature and Director of Studies at Churchill College & Selwyn College, University of Cambridge Producer: Simon Tillotson Reading list: David Baguley, Naturalist Fiction: The Entropic Vision (Cambridge University Press, 1990) William Burgwinkle, Nicholas Hammond and Emma Wilson (eds.), The Cambridge History of French Literature (Cambridge University Press, 2011), particularly ‘Naturalism' by Nicholas White Kate Griffiths, Emile Zola and the Artistry of Adaptation (Legenda, 2009) Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio, and Print (University of Wales Press, 2013) Anna Gural-Migdal and Robert Singer (eds.), Zola and Film: Essays in the Art of Adaptation (McFarland & Co., 2005) Susan Harrow, Zola, The Body Modern: Pressures and Prospects of Representation (Legenda, 2010) F. W. J. Hemmings, The Life and Times of Emile Zola (first published 1977; Bloomsbury, 2013) William Dean Howells, Emile Zola (The Floating Press, 2018) Lida Maxwell, Public Trials: Burke, Zola, Arendt, and the Politics of Lost Causes (Oxford University Press, 2014) Brian Nelson, Emile Zola: A Very Short Introduction (Oxford University Press, 2020) Brian Nelson (ed.), The Cambridge Companion to Emile Zola (Cambridge University Press, 2007) Sandy Petrey, Realism and Revolution: Balzac, Stendhal, Zola, and the Performances of History (Cornell University Press, 1988) Arthur Rose, ‘Coal politics: receiving Emile Zola's Germinal' (Modern & contemporary France, 2021, Vol.29, 2) Philip D. Walker, Emile Zola (Routledge, 1969) Emile Zola (trans. Peter Collier), Germinal (Oxford University Press, 1993) Emile Zola (trans. Roger Pearson), Germinal (Penguin Classics, 2004)

Melvyn Bragg and guests discuss Emile Zola's greatest literary success, his thirteenth novel in a series exploring the extended Rougon-Macquart family. The relative here is Etienne Lantier, already known to Zola's readers as one of the blighted branch of the family tree and his story is set in Northern France. It opens with Etienne trudging towards a coalmine at night seeking work, and soon he is caught up in a bleak world in which starving families struggle and then strike, as they try to hold on to the last scraps of their humanity and the hope of change. With Susan Harrow Ashley Watkins Chair of French at the University of Bristol Kate Griffiths Professor in French and Translation at Cardiff University And Edmund Birch Lecturer in French Literature and Director of Studies at Churchill College & Selwyn College, University of Cambridge Producer: Simon Tillotson Reading list: David Baguley, Naturalist Fiction: The Entropic Vision (Cambridge University Press, 1990) William Burgwinkle, Nicholas Hammond and Emma Wilson (eds.), The Cambridge History of French Literature (Cambridge University Press, 2011), particularly ‘Naturalism' by Nicholas White Kate Griffiths, Emile Zola and the Artistry of Adaptation (Legenda, 2009) Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio, and Print (University of Wales Press, 2013) Anna Gural-Migdal and Robert Singer (eds.), Zola and Film: Essays in the Art of Adaptation (McFarland & Co., 2005) Susan Harrow, Zola, The Body Modern: Pressures and Prospects of Representation (Legenda, 2010) F. W. J. Hemmings, The Life and Times of Emile Zola (first published 1977; Bloomsbury, 2013) William Dean Howells, Emile Zola (The Floating Press, 2018) Lida Maxwell, Public Trials: Burke, Zola, Arendt, and the Politics of Lost Causes (Oxford University Press, 2014) Brian Nelson, Emile Zola: A Very Short Introduction (Oxford University Press, 2020) Brian Nelson (ed.), The Cambridge Companion to Emile Zola (Cambridge University Press, 2007) Sandy Petrey, Realism and Revolution: Balzac, Stendhal, Zola, and the Performances of History (Cornell University Press, 1988) Arthur Rose, ‘Coal politics: receiving Emile Zola's Germinal' (Modern & contemporary France, 2021, Vol.29, 2) Philip D. Walker, Emile Zola (Routledge, 1969) Emile Zola (trans. Peter Collier), Germinal (Oxford University Press, 1993) Emile Zola (trans. Roger Pearson), Germinal (Penguin Classics, 2004)

The Rebecca Riots took place in Wales in the 1830s and 1840s. While these events are often described as a protest against heavy road tolls, that was only a small part of the story.  Research: Age of Revolution. “Rebecca and her daughters.” https://ageofrevolution.org/200-object/rebecca-and-her-daughters/ Age of Revolution. “Tollhouse designed by Thomas Telford.” https://ageofrevolution.org/200-object/tollhouse-designed-by-thomas-telford/ Britannica, The Editors of Encyclopaedia. "Rebecca Riots". Encyclopedia Britannica, 4 Oct. 2010, https://www.britannica.com/event/Rebecca-Riots. Accessed 26 October 2023. Evans, Henry Tobit. “Rebecca and her daughters, being a history of the agrarian disturbances in Wales known as The Rebecca Riots. Edited by G.T. Evans.” Cardiff Educational Pub. Co. 1910. Evans, Neil. “The Rebecca Riots.” Wales History. https://www.bbc.co.uk/wales/history/sites/themes/society/politics_rebecca_riots.shtml Jones, David J. V. “Rebecca's children : a study of rural society, crime, and protest.” Oxford : Clarendon Press ; New York : Oxford University Press. 1989. Jones, Rhian E. “Petticoat Heroes: Gender, Culture and Popular Protest in the Rebecca Riots.” University of Wales Press. 2015. Loveluck-Edwards, Graham. “19th Century Welsh insurrection | The Merthyr Rising | The Rebecca Riots | The Chartists Revolt.” Via YouTube. 6/17/2023. https://www.youtube.com/watch?v=fZRrPJ3eDKE Rees, Lowri Anne. “Paternalism and rural protest: the Rebecca riots and the landed interest of south-west Wales.” The Agricultural History Review , 2011, Vol. 59, No. 1 (2011). http://www.jstor.com/stable/41330097 Rees, Lowri Anne. “The woman who dared to stand up to the Rebecca rioters.” Wales Online. 3/1/2017. https://www.walesonline.co.uk/lifestyle/nostalgia/woman-who-dared-stand-up-12596830 Seal, Graham. “Tradition and Agrarian Protest in Nineteenth-Century England and Wales.” Folklore , 1988, Vol. 99, No. 2 (1988). Via JSTOR. https://www.jstor.org/stable/1260453 The National Archives. “Rebecca riots.” https://www.nationalarchives.gov.uk/education/resources/rebecca-riots/ Turner, Chris. “Revisiting Rebecca Riots.” Canolfan Garth Olwg. Via YouTube. 3/4/2022. https://www.youtube.com/watch?v=O0VemuEEyvI See omnystudio.com/listener for privacy information.

https://www.paypal.me/Truelifepodcast?locale.x=en_USWelcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged. https://www.paypal.me/Truelifepodcast?locale.x=en_US

Spurs Chat: Discussing all Things Tottenham Hotspur: Hosted by Chris Cowlin: The Daily Tottenham/Spurs Podcast Hosted on Acast. See acast.com/privacy for more information.

In this episode I'm joined by my Dracula Vibes panel, Drs Madeline Potter, Theadora Jean and Daniel Kasper!We discuss how Joseph Sheridan Le Fanu's novella Carmilla influenced Dracula, and the legacy Le Fanu's work has today. We consider the queer elements of the work, as well as the way Anglo-Irish identity features in Le Fanu's writing. We think about the way frame narrative benefits Gothic literature overall, and also how a Le Fanu renaissance could be occurring in academia and beyond, to raise the profile of these Gothic works. Bios: Dr Madeline Potter is an early career teaching & research fellow in the long 19th century at the University of Edinburgh. She works on 19th century gothic literature and theology, with a focus on monstrosity.. Her academic monograph, Theological Monsters: Religion and Irish Gothic, is forthcoming with University of Wales Press. She is also writing a trade book, The Roma: A Travelling History, to be published by The Bodley Head in the UK and Harper Collins in the USA. Dr Theadora Jean is a Gothic scholar and writer. She recently completed her creative-critical doctorate at Royal Holloway, and her research specialisms include the 19th century, Dracula adaptation, Romanticism, anti-racism, and interdisciplinarity. Her creative work is published under the name T.S.J. Harling. Dr Daniel Kasper is an Instructor of English at the University of Texas Arlington, studying the Gothic, Dracula, Shirley Jackson, Victorians, and feminism. His work appears in the journal Women's Studies, the collection Shirley Jackson: A Companion, and is forthcoming in an edited collection on Gothic Nostalgia, talking about Mary Poppins Returns. Check out the panel's Le Fanu suggestions: CarmillaIn a Glass DarklyUncle SilasGreen TeaSchalken the PainterMadam Crowl's Ghost Episode Credits: Episode Writer, Editor and Producer: Emma CatanMusic: Burning Steaks (by Stationary Sign) - obtained via EpidemicSound Check us out at the following social media pages and websites! Facebook: https://www.facebook.com/victorianlegaciespodcastTwitter: @victorianlegac1Instagram: @victorianlegaciespodcastBluesky: https://bsky.app/profile/victorianlegacies.bsky.socialWebsite: https://emmacatan.wordpress.com/victorian-legacies-podcast/Email: victorianlegacies@gmail.com

https://paypal.me/Truelifepodcast?country.x=US&locale.x=en_USWelcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged. https://paypal.me/Truelifepodcast?country.x=US&locale.x=en_US

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 1939, a number of German Jewish refugee children, brought over on the Kindertransport, found themselves in Abergele, North Wales. Their temporary new home? Gwrych Castle, where a Hachshara was being set up: a residential 'training centre' aimed at preparing the Jewish children for life on a kibbutz in Israel, where they hoped to be reunited with their families. In Escape to Gwrych Castle: A Jewish Refugee Story (U of Wales Press, 2023), Andrew Hesketh explores the lesser-told history of the children who lived in this North Wales castle, bringing together their personal memories and experiences to create a unique picture of their experiences. He also explores the history of the building itself, from its origins in the 19th century up to its use in I'm A Celebrity, Get Me Out Of Here! In 2020. Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Romantic Medicine and the Gothic Imagination: Morbid Anatomies (U Wales Press, 2022) demonstrates a little-studied crossover between the Gothic imagination and the medical imagination in the Romantic period. Unafraid to explore the gore and uncertainty typical of medical experimentation, Laura R. Kremmel argues, Gothic novels, short stories, poetry, drama, and chapbooks expanded the possibilities of medical theories by showing what they might look like in a speculative space without limits. In comparing the Gothic's collection of unsavory tropes to morbid anatomy's collection of diseased organs, Kremmel shows that the Gothic's prioritization of fear and gore gives it access to non-normative bodies, shifting medical and narrative agency to bodies considered powerless. Each chapter pairs a familiar gothic trope with a critical medical debate; the result is to give silenced bodies power over their own narratives. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Welcome to The Codex Chronicles… A professor's Tale of Manuscripts.https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. Medieval manuscripts are perceived differently by the human senses compared to common text today, offering a unique and multisensory experience: 1. Visual Aesthetics: Medieval manuscripts, often handwritten and lavishly decorated, showcase intricate calligraphy, elaborate illustrations, and vibrant colors. The visual aesthetics of these manuscripts evoke a sense of artistry and craftsmanship that is distinct from modern printed text. 2. Tactile Sensation: The parchment or vellum used for medieval manuscripts provides a tactile experience as one feels the texture of the material beneath their fingers. This physical interaction with the medium adds a sensory dimension to reading and handling these historical texts. 3. Aged Scent: Over time, medieval manuscripts develop a distinct aroma, carrying the scent of antiquity. This aged smell can evoke a feeling of connection to the past and contribute to the overall sensory experience. 4. Historical Connection: Reading medieval manuscripts allows individuals to connect with the past in a way that digital or modern printed texts cannot replicate. The physicality of holding an ancient document establishes a direct link to the historical era in which it was created. 5. Auditory Silence: Unlike the electronic devices that accompany much of modern reading, medieval manuscripts invite a quieter environment for exploration. The absence of electronic buzz allows readers to immerse themselves in the silence of the written word. 6. Cultural Imagination: The experience of reading medieval manuscripts transports readers into a different cultural mindset, understanding the context in which these texts were written, interpreted, and appreciated. 7. Spiritual and Mystical Essence: For manuscripts related to religion and mysticism, the act of reading becomes a spiritual journey, as the physicality of the text and the esoteric content converge to create a unique spiritual experience.In summary, medieval manuscripts offer a multisensory encounter that goes beyond the mere act of reading. The visual aesthetics, tactile sensation, historical connection, and spiritual essence create a captivating journey that connects readers to both the words on the page and the distant world from which they emerged.

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Witchcraft and Adolescence in American Popular Culture: Teen Witches (University of Wales Press, 2022) by Miranda Corcoran is a study in teenage witches in twentieth-century American popular culture. The teenage witch emerged in American fiction in the late twentieth century, quickly becoming a cultural touchstone. Witchcraft and Adolescence in American Popular Culture reveals how novels, films, television, and comics about witchy women register shifting attitudes toward adolescent femininity. Drawing on Deleuzian, Foucauldian, and new materialist theories, Miranda Corcoran charts a new feminist history from 1940s bobbysoxer to today, untangling strands of embodiments, agency, and violence. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Kant denied biology the status of a proper science, yet his account of the organism profoundly influenced a range of intellectual disciplines.  Andrew Jones's How Kant Matters for Biology: A Philosophical History (University of Wales Press, 2023) examines Kant's influence on biology in the British Isles by proposing that his influence owes to misunderstandings of his philosophy. Andrew Jones exposes the incompatibility between transcendental realism and scientific naturalism and charts how Kant, nevertheless, influenced various aspects of the scientific method. With this context in mind, Jones examines the extent to which core concepts in contemporary philosophy—natural law, the unity of science, and our understanding of organisms— are compatible with scientific naturalism and proposes new avenues for developing Kant-inspired approaches within contemporary philosophy of science. Özlem Yılmaz is a philosopher of science, with a focus on issues related to plant biology. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week marks the final Faculty Spotlight of the semester where we honor a SLC faculty member's latest work. This week Gillian Adler joins us, "author of two books, as well as essays published in the Journal of Medieval Religious Culture, Arthuriana, Medieval Feminist Forum, Carte Italiane, and Comitatus: A Journal of Medieval and Renaissance Studies. Her recent co-authored book, ‘Alle Thyng Hath Tyme': Time and Medieval Life (Reaktion Books, 2023), recreates medieval people's experience of time: as continuous and discontinuous, linear and cyclical, embracing Creation and Judgment, shrinking to “atoms” or “droplets,” and extending to the silent spaces of eternity. Her first book, Chaucer and the Ethics of Time (Cardiff: University of Wales Press, 2022), examines Chaucer's philosophical ideas of time and strategies of narrative time" (https://www.sarahlawrence.edu/faculty/adler-gillian.html). Topics include: How writing the book affected Gillian's perception of time. The writing process. Two authors writing in the same voice. What's the medieval equivalent of a Faculty Spotlight? Medieval women being "reborn" later in their lives. Questions from Demi and Aiden. And much more! The Sarah Lawrence Student Life Preservation Project is accepting contributions at https://slcstudentlifeproject.omeka.net/ Follow The SLC Library on Facebook, Instagram, and YouTube @SLCLibrary. Visit the Library's website at www.sarahlawrence.edu/library.

https://davidsalomonblog.wordpress.comhttps://cnu.edu/people/davidsalomon/Dr. David A. Salomon holds a PhD in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017.His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible, and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. A native of Bronx, NY, he and his wife Kelly and daughter Phoebe now reside in Newport News, VA.

In Welsh history, the period that lies between the medieval era of resistance to English occupation, and the rapid industrialisation of the 18th and 19th centuries, is often forgotten. Yet, there was much more going on in Wales in the early modern period than might initially meet the eye. Speaking with Elinor Evans, Lloyd Bowen describes the ambiguities in Welsh identity and nationhood that arose in the decades following the Acts of Union in the early 16th century, including the impact of the Reformation on the Welsh language, and Wales's changing relationship with the monarchy. (Ad) Lloyd Bowen is the author of Early Modern Wales c.1536–c.1689: Ambiguous Nationhood (University of Wales Press, 2022). Buy it now from Amazon:https://www.amazon.co.uk/Early-Modern-Wales-c-1536-1689-Nationhood/dp/178683958X/ref=sr_1_1?qid=1669716512&refinements=p_27%3ALloyd+Bowen&s=books&sr=1-1&tag=bbchistory045-21&ascsubtag=historyextra-social-histboty Hosted on Acast. See acast.com/privacy for more information.

What comes to mind when we think of swans? Likely their beauty in domestic settings, their preserved status, their association with royalty, and possibly even the phrase ‘swan song'. Dr. Natalie Goodison's Introducing the Medieval Swan (University of Wales Press, 2022) explores the emergence of each of these ideas, starting with an examination of the medieval swan in natural history, exploring classical writings and their medieval interpretations and demonstrating how the idea of a swan's song developed. Dr. Goodison then proceeds to consider literary motifs of swan-to-human transformation, particularly the legend of the Knight of the Swan. Although this legend is known today only through Wagner's opera, it was a best-seller in the Middle Ages, and courts throughout Europe strove to be associated as ancestors of this Swan Knight. Consequently, the swan was projected as an icon of courtly and eventual royal status. The book's third chapter looks at the swan as icon of the Lancasters, particularly important during the reign of Richard II and the War of the Roses, and the final chapter examines the swan as an important item of feasting, focusing on cookery and husbandry to argue that over time the right to keep swans became an increasingly restricted right controlled by the English crown. Each of the swan's medieval associations are explored as they developed over time to the modern day. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What comes to mind when we think of swans? Likely their beauty in domestic settings, their preserved status, their association with royalty, and possibly even the phrase ‘swan song'. Dr. Natalie Goodison's Introducing the Medieval Swan (University of Wales Press, 2022) explores the emergence of each of these ideas, starting with an examination of the medieval swan in natural history, exploring classical writings and their medieval interpretations and demonstrating how the idea of a swan's song developed. Dr. Goodison then proceeds to consider literary motifs of swan-to-human transformation, particularly the legend of the Knight of the Swan. Although this legend is known today only through Wagner's opera, it was a best-seller in the Middle Ages, and courts throughout Europe strove to be associated as ancestors of this Swan Knight. Consequently, the swan was projected as an icon of courtly and eventual royal status. The book's third chapter looks at the swan as icon of the Lancasters, particularly important during the reign of Richard II and the War of the Roses, and the final chapter examines the swan as an important item of feasting, focusing on cookery and husbandry to argue that over time the right to keep swans became an increasingly restricted right controlled by the English crown. Each of the swan's medieval associations are explored as they developed over time to the modern day. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dr. David A. Salomon holds a Ph.D. in English literature from the University of Connecticut and an MA from the City University of New York. A specialist in the literature, religion, and culture of the Middle Ages and Renaissance England, he most recently spent thirteen years as a professor of English at the Sage Colleges in Troy and Albany, NY. During his time there, he also served as chair of the Department of English and Modern Languages, director of general education, director of the study abroad, chair of the Faculty Development Committee, faculty advisor for the student newspaper, and was the founding director of the Kathleen Donnelly Center for Undergraduate Research. He joined CNU as the inaugural Director of Undergraduate Research and Creative Activity in September 2017. His book on the medieval glossed Bible was published by the University of Wales Press in 2013. In 2015, he co-edited and co-authored a monograph, Redefining the Paradigm, which discussed new models for faculty evaluation to improve student learning. His new book, The Seven Deadly Sins: How Sin Influenced the West from the Middle Ages to the Modern Era, was published by Praeger in April 2019. He has published essays on everything from medieval mysticism to anger in the Bible and has given presentations on teaching and faculty evaluation models at conferences, such as the Teaching Professor and the annual AACU Conference. A native of Bronx, NY, he and his wife Kelly and daughter Phoebe now reside in Newport News, VA.