Podcasts about homo faber

In Max Frischs Leben vermischte sich Privates mit Öffentlichem, Künstlerisches mit Politischem. Und dies weit mehr als bisher angenommen. Dies weist der Literaturwissenschafter Julian Schütt in der ersten umfassenden Max Frisch-Biografie nach. Er ist zu Gast bei Felix Münger. Nach dem ersten Band der Biografie über die Jahre von 1911 bis 1954 widmet sich der aktuell erscheinende zweite Teil der Zeit bis zu Frischs Tod 1991. Auf der Grundlage von bislang unveröffentlichten Briefwechseln und Notizbüchern zeigt Julian Schütt etwa die enorme Bedeutung auf, die Frischs zahlreiche Frauenbeziehungen für die Entwicklung des Autors hatten. Auch schildert der Biograf, wie sehr Hauptwerke wie «Homo Faber» oder «Andorra» eng verbunden sind mit Frischs persönlicher Entwicklung. Buchhinweis: Julian Schütt: Max Frisch. Biographie einer Instanz, Suhrkamp 2025.

A thousand facets sit with the incredible Alice Cicolini. They spoke about her childhood surrounded by art, her time as a curator and how jewelry found her. She has taken her travels as an inspiration for her work and she celebrates the makers behind it. About: Alice Cicolini is a designer and creative commissioner, curator of several international touring exhibitions on design and a published author, including a book on contemporary British dandyism, The New English Dandy, for Thames & Hudson. She is a Research Associate at Central St Martins, where she graduated in 2009 with a Masters in Jewellery Design. Formerly Director Arts & Culture for the British Council in India, she remains closely involved with Indian craft and design. Alice has exhibited at the V&A, Sotheby's and Homo Faber. She has collaborated with Carpenters Workshop Jewellery and CAST, as well as Peter Ting and heritage British pearl company Winterson. Alice was part of the British Fashion Council's celebrated Rock Vaults initiative, curated by Stephen Webster, from 2012-2015. Her work has been featured by Joanna Hardy (Masters of Modern Jewellery),  Carol Woolton (Drawing Jewels for Fashion), Olivier Dupon (The New Jewellers) and Melanie Grant (Coveted). A chapter of Kyle Roderick's book for Rizzoli (Bejewelled: The World of Ethical Jewelry) has been dedicated to Alice's appreciation for and dedication to the sustainability of artisanal skill. Alice Cicolini is available at Liberty, Twist, Dover Street Market, Auverture and a select list of inspirational independent stores across the US, Japan and Europe. You can follow Alice on Instagram @alicecicolini or her website https://www.alicecicolini.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

Erinnern Sie bitte mal kurz an Ihre Schulzeit, auch wenn diese schon etwas zurückliegt. Denken Sie an den Deutschunterricht. Goethes Werther, Max Frisch und Homo Faber, Hermann Hesses "Narziß und Goldmund". Große Literatur, bestimmt, aber naja: Männer, die über Männer schrieben. Da half es sehr, wenn man die Freude am Lesen schon vorher für sich entdeckt hatte, denn diese kleinen, eng bedruckten Reclam-Hefte machten nicht unbedingt Lust auf mehr, um es mal so zu formulieren. Wie mag es sich wohl für eine zeitgenössische Autorin anfühlen, wenn ein eigenes Buch plötzlich zur Pflichtlektüre für’s Abitur wird! "Heimsuchung" ist so ein Werk, geschrieben von Jenny Erpenbeck, die weltweit als Deutschlands erfolgreichste Schriftstellerin gilt. Zur Welt kam sie 1967 in Ost-Berlin als Spross einer Familie, die zur geistigen Elite der DDR gezählt wurde und wird. Jenny Erpenbeck machte eine Lehre als Buchbinderin und studierte anschließend Theaterwissenschaft und Musiktheaterregie. Seit sie Bücher schreibt, finden diese regelmäßig Beachtung und: werden mit den wichtigsten nationalen und internationalen Literaturpreisen ausgezeichnet, zuletzt das Buch "Kairos", für das sie 2024 als erste Deutsche den International Booker Prize erhielt. Playlist: Remy Shand - Take a Message Lucio Dalla - Ulisse coperto die Sale Swingle Singers - Partita No Janis Joplin - Mercedes Benz Hermann Prey singt Franz Schubert - Du bist die Ruh Nina Hagen - Naturträne Rufus Wainwright - Early Morning Madness Elisabeth Schwarzkopf singt aus "Der Rosenkavalier": Arie der Marschallin - Die Zeit, die ist ein sonderbar Ding | Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Erinnern Sie bitte mal kurz an Ihre Schulzeit, auch wenn diese schon etwas zurückliegt. Denken Sie an den Deutschunterricht. Goethes Werther, Max Frisch und Homo Faber, Hermann Hesses "Narziß und Goldmund". Große Literatur, bestimmt, aber naja: Männer, die über Männer schrieben. Da half es sehr, wenn man die Freude am Lesen schon vorher für sich entdeckt hatte, denn diese kleinen, eng bedruckten Reclam-Hefte machten nicht unbedingt Lust auf mehr, um es mal so zu formulieren. Wie mag es sich wohl für eine zeitgenössische Autorin anfühlen, wenn ein eigenes Buch plötzlich zur Pflichtlektüre für’s Abitur wird! "Heimsuchung" ist so ein Werk, geschrieben von Jenny Erpenbeck, die weltweit als Deutschlands erfolgreichste Schriftstellerin gilt. Zur Welt kam sie 1967 in Ost-Berlin als Spross einer Familie, die zur geistigen Elite der DDR gezählt wurde und wird. Jenny Erpenbeck machte eine Lehre als Buchbinderin und studierte anschließend Theaterwissenschaft und Musiktheaterregie. Seit sie Bücher schreibt, finden diese regelmäßig Beachtung und: werden mit den wichtigsten nationalen und internationalen Literaturpreisen ausgezeichnet, zuletzt das Buch "Kairos", für das sie 2024 als erste Deutsche den International Booker Prize erhielt. Playlist: Remy Shand - Take a Message Lucio Dalla - Ulisse coperto die Sale Swingle Singers - Partita No Janis Joplin - Mercedes Benz Hermann Prey singt Franz Schubert - Du bist die Ruh Nina Hagen - Naturträne Rufus Wainwright - Early Morning Madness Elisabeth Schwarzkopf singt aus "Der Rosenkavalier": Arie der Marschallin - Die Zeit, die ist ein sonderbar Ding | Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Erinnern Sie bitte mal kurz an Ihre Schulzeit, auch wenn diese schon etwas zurückliegt. Denken Sie an den Deutschunterricht. Goethes Werther, Max Frisch und Homo Faber, Hermann Hesses "Narziß und Goldmund". Große Literatur, bestimmt, aber naja: Männer, die über Männer schrieben. Da half es sehr, wenn man die Freude am Lesen schon vorher für sich entdeckt hatte, denn diese kleinen, eng bedruckten Reclam-Hefte machten nicht unbedingt Lust auf mehr, um es mal so zu formulieren. Wie mag es sich wohl für eine zeitgenössische Autorin anfühlen, wenn ein eigenes Buch plötzlich zur Pflichtlektüre für’s Abitur wird! "Heimsuchung" ist so ein Werk, geschrieben von Jenny Erpenbeck, die weltweit als Deutschlands erfolgreichste Schriftstellerin gilt. Zur Welt kam sie 1967 in Ost-Berlin als Spross einer Familie, die zur geistigen Elite der DDR gezählt wurde und wird. Jenny Erpenbeck machte eine Lehre als Buchbinderin und studierte anschließend Theaterwissenschaft und Musiktheaterregie. Seit sie Bücher schreibt, finden diese regelmäßig Beachtung und: werden mit den wichtigsten nationalen und internationalen Literaturpreisen ausgezeichnet, zuletzt das Buch "Kairos", für das sie 2024 als erste Deutsche den International Booker Prize erhielt. Playlist: Remy Shand - Take a Message Lucio Dalla - Ulisse coperto die Sale Swingle Singers - Partita No Janis Joplin - Mercedes Benz Hermann Prey singt Franz Schubert - Du bist die Ruh Nina Hagen - Naturträne Rufus Wainwright - Early Morning Madness Elisabeth Schwarzkopf singt aus "Der Rosenkavalier": Arie der Marschallin - Die Zeit, die ist ein sonderbar Ding | Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

W tym odcinku podcastu opowiem Wam o Wenecji - mieście na wodzie. Opowiem o weneckim Biennale, ale też o festiwalu filmowym, Homo Faber i karnawale.  O tym dlaczego to miasto jest tak wyjątkowe, o acqua alta, o weneckich malarzach, o gondolierach i Casanowie. Polecam wyjątkowe hotele, miejsca, gdzie warto zjeść oraz te które warto odwiedzić. Z tego odcinka dowiecie się co ma wspólnego Peggy Guggenheim z Titaniciem, dlaczego domy na Burano mienią się feerią barw, gdzie wymyślono lustro weneckie oraz o pożyczce bez której nie byłoby Bellini. Opowiadam o moich ukochanych miejscach jak Lido i Zattere, a na końcu dzielę się wrażeniami z tegorocznego Biennale. Będzie to opowieść pełna sztuki, architektury, ciekawostek i barwnych historii o minionych wiekach.TRAVELICIOUSZobacz więcej inspiracji podróżniczych na moim blogu travelicious.plZobacz mój album SZTUKA PODRÓZYProfil na Instagramie

Weltberühmt ist Volker Schlöndorff als Oscarpreisträger und prägender Regisseur des neuen deutschen Kinos: Die Blechtrommel, Mord und Totschlag, Die verlorene Ehre der Katharina Blum, Homo Faber. Die Musik hat für ihn dabei immer eine große Rolle gespielt, ob Hans Werner Henze oder die Rolling Stones. Doch erst jetzt schreibt er an einem Film über einen Musiker. Eine Produktion von BR-Klassik aus der Reihe "Meine Musik"

Si hubo un momento en que peligrara la obra de la redención no fue durante las tentaciones del desierto, ni ante los ataques del sanedrín, sino en Getsemaní. Ahí aparece Jesús en su agonía, es decir, en su lucha para ajustarse a la voluntad del Padre. Se abandona, dándonos ejemplo de resolver los más graves problemas con la oración. Ha de ser nuestro modo habitual buscando el encuentro con la Humanidad de Cristo.

Sasha Sykes (b.1976) is an Irish artist with a research-based practice in rural Ireland, at the foothills of the Wicklow mountains. Her artworks and furniture pieces are hand made using acrylics and resins to explore, manipulate, and challenge the material language of the natural world through the embedding of plants, flowers, algae and fungi she collects from the landscape. Her architectural background infuses her work with a sense of rigor, and informs her strong approach to form and composition, exploring notions of history and usefulness in a 21st century context. The artist has worked all over the world including London (1999-2003) and New York (2003-2006) and has now settled in her native County Carlow where she lives with her husband and three children and works in a strawbale studio next door. Known for her use of hand-cast resins, embedding found objects and collected organic materials, Sykes tells stories of our landscape and social history. Her work is found in numerous private and public collections such as the National Museum of Ireland, The Office of Public Works, The Department of Foreign Affairs and The Department of Culture & Heritage, as well as prestigious hotels and corporate headquarters: from Carton House to the Bank of America. The New York Times stated that Sykes' art is ‘for people who live in the city but dream of the country'. Noted honors include Gyre, which had critical success at the PAD fair in London, and being invited to exhibit in the ‘Best of Europe' at the Michelangelo Foundation for Creativity's 2018 ‘Homo Faber' show in Venice, and receiving an inaugural Fellowship from the foundation in 2023. Blooom! Screen, 2014, Resin, acrylic & garden flora, 63 x 79 inches Verdiculture Cocktail Tables, 2023, Resin, Acrylic & plant material 21 x 16 inches and 18 x 18 inches Blue Hydrangea Console, 2023,, Resin, Blue Hydrangeas,, 34 x 10 x 33 inches

Meditaciones preparadas (aunque no exclusivamente) para hacer un retiro espiritual y mejorar en su vida cristiana, de oración y de trato con Dios. A cargo del Padre Ricardo Sada Fernández de México.

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

Pflüger, Andreas www.deutschlandfunkkultur.de, Lesart

En Granada descubrió y se enamoró de esta profesión. Además, hace dos años ganó el Premio del emprendimiento artesano que otorga la Región de Murcia. Ginés Martínez ha elaborado diferentes instrumentos como violines, laudes, guitarras murcianas del folklore, pero se ha especializado en guitarras exclusivas y personalizadas y ofrece a sus clientes un modelo único, auténticas obras de arte.

Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message

:) Müde aber zufrieden: Kennst Du Walter Faber?

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

Igranje inštrumenta ali obdelovanje lesa je lahko enako izpopolnjujoče. Predano delo umetnikov in rokodelcev je navdihnilo transdisciplinarno opero Karmine Šilec Homo faber. Delo se osredotoča na intimno povezavo med roko in glavo, na subtilno razmerje, ki je lastno tako umetnikom kot rokodelcem. V oddaji tudi o Argonavtih, premieri predstave v Slovenskem mladinskem gledališču, ki govori o življenju in izzivih kvirovske družine. Opero bodo izvedli v Minoritski cerkvi v Mariboru. Napovedali bomo razstavo kiparke in slikarke Anje Kranjc – Medprostori bivanja v likovnem salonu v Kočevju.

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

Pflüger, Andreaswww.deutschlandfunkkultur.de, Lesart

ABOUT TASHA GOLDEN, PhD:Tasha's Profile: linkedin.com/in/tashagoldenWebsites:tashagolden.com (Other)facebook/ellerymusic (Other)ellerymusic.com (Other)Twitter:goldenthisBIO:Tasha Golden, PhD is Director of Research at the International Arts+Mind Lab at Johns Hopkins University, and a national leader and consultant in arts + public health. Holding a PhD in Public Health Sciences, Tasha Golden has published extensively on the impacts of the arts, music, aesthetics, and social norms on health and well-being. She has served as an advisor on several nati      onal and international health initiatives, is adjunct faculty for the University of Florida's Center for Arts in Medicine, and recently led the pilot evaluation of CultureRx in Massachusetts: the first arts-on-prescription in the U.S.Golden is also a career artist and entrepreneur. As singer-songwriter for the critically acclaimed band Ellery, she toured full-time in the US and abroad, and her songs appear in feature films and TV dramas (ABC, SHOWTIME, FOX, NETFLIX, etc). She is a published poet (Humanist Press) and founder of Project Uncaged: an arts-based health intervention for incarcerated teen women that amplifies their voices in justice reform.Tasha's diverse background drives her success as an international speaker and thought leader. She gives talks and facilitates workshops for artists, businesses, researchers, practitioners, and more—helping them enhance and reimagine their work. As a consultant, she helps leaders and organizations draw on the science of arts and health to further their goals. This is one of those conversations that literally just scratches the surface of what is possible when considering how the arts influences our lives. It is an important conversation about why  we need to put art back into our daily routines as a prescription to wellbeing. SHOW INTRO: Welcome to episode 61 of the NXTLVL Experience Design podcast. These dynamic dialogues based on our acronym DATA - design, architecture, technology, and the arts crosses over disciplines but maintains a common thread of people who are passionate about the world we live in and human's influence on it, the ways we craft the built environment to maximize human experience, increasing our understanding of human behavior and searching for the New Possible.As usual, thanks go to VMSD magazine and Smartwork Media.VMSD is the publisher of VMSD magazine and brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing the discourse forward on what makes retailing relevant.You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.orgIn a minute, we'll dig into my discussion with Tasha Golden - Director of Research at the International Arts+Mind Lab at Johns Hopkins University.But first a few thoughts to set up our talk…****************Art and making is part of our human experience – it is part of who we are as a species.I have had this feeling for a number of years, and probably expressed it on this podcast a number of times, that art and making are intrinsic to all of us. There's something unique about the making of things that humans do that is different than other living creatures on the planet. Sure, some of the animals in our world make things too. Birds make nests and the great apes do as well, for some apes, new ones every night as I understand it. But the defining feature between humans and the other creatures making things on the planet is that we make things that can make other things.We are Homo Sapiens – “Man The Thinker” but we are also “Homo Faber” or Man The Maker. I think we're equally “Homo Ludens” – “Man The Player.”I'm sure that there's some deep connection between the idea of the making of things and play that are also deeply connected in defining who we are and how we come to understand ourselves and navigate the world. When I am deeply connected to the making of things, specifically when listening to music and painting, I am very aware of the fact that I am in a Flow state that feels like being deeply involved in play. Time disappears, dissipates… its otherworldly. I think that making, whether objects, stories, music or other manifestations of our creative minds is part of who we all are. But I also think we have pushed it aside getting up in our rational heads believing that we could think our way through our lives rather than feeling, or maybe even creating our way through them.Sir Ken Robinson had said something like ‘we are all born creative, and we have it educated out of us.' That's a tragedy with huge implications to our world when I think we really need super creative solutions to life's pressing challenges.It seems to me that creativity was a necessary skill to be developed as part of our evolutionary history. Being creative, a good problem solver, was an insurance policy for survival. This is also true of our ability to engage in empathic relationships in collaborative communities. When working together, we were much better able to survive. Millenia ago, being cast out of the group and having to go at on your own in the wild might have significantly reduced your chances of survival.And so, making and creating close knit social communities and problem solving have been with us from time immemorial.But beyond making tools, creating shelters and being creative in these ways so as to survive in an unpredictable and sometime brutal world, the arts, at least we call them now evolved as a way for us to express ourselves, our ideological orientations, our understanding of the world.In some ways they were an attempt to understand and answer some of the existential questions of what it meant to be human and how we fit into the cosmological scheme of things. The arts in its many forms; sculpture, dance, song, music, and later literature, brought communities together in shared understanding of the meaning of being individuals as well as members of a larger whole. The arts were a vehicle for the expression of ideas, the asking of questions and searching for answers. In many ways the arts helped to express the ineffable. The arts aligned with our penchant for using narratives to navigate through the world. Stories put things into place, they described the why and how of things. Cognitive scientist Roger Schank has said “Humans are not ideally set up to understand logic; they're ideally set up to understand stories.”      And many of the stories we tell are in the form of the arts. From the paintings on the walls of caves in Lascaux France 1700 years ago, to the contemporary dance of Martha Graham, to best-selling books (you pick the author) or immersive digital experiences of media artists like Refik Anadol, the arts have been, and continue to be, part of our lives. Without the arts, life would be bereft of meaning.I have often heard people say I can't draw or I've got no rhythm and can't dance or I can't hold a tune. These self-judgmental comments go completely contrary to what we know from science about the value of engaging in art or even doing simple things like humming your favorite tune and the positive effects it has on your mind-body state.I find myself humming or singing to myself all the time – Christmas carols in the summer, old 70's rock classics any day, doesn't matter. Humming, an ancient artform, plays a key role in activating the parasympathetic nervous system – also known as your ‘rest and digest state'. Because your vagus nerve, one of your neural superhighways connecting your brain to major organs in the rest of your body, runs through your larynx and pharynx in your throat, the vibrations that humming stimulates your vagus nerve and creates what's known as “vagal tone.”Humming can also improve heart rate variability which is an important metric that shows how well you can recover from experiences of stress. So, when you hum you induce something called “parasympathetic dominance” which means that you move from a fight or flight state into one of increased relaxation. The idea here is that bringing the arts into our lives even in the simplest of ways like humming, reconnects us to ourselves and helps support mind body health, an overall sense of well-being. More and more research is pointing to the fact that engaging in the arts and having a sense of well-being can be directly connected. In fact the whole emerging field in cognitive science called neuroaesthetics is geared towards the understanding of how the arts, in all of their incarnations, influences how we feel - not just when listening to a piece of music or staring at a painting on a wall in a museum - but how the    overall built environment potentially influences our emotional state which may have a direct effect on our body systems potentially leading to disease. So, there is a significant problem at hand when arts funding is slashed from school curricula thinking that it is less important than getting our school aged children ready to compete on the world stage by simply focusing on STEM based curricula only. Fully integrating the arts into the school, and even our workdays, increases learning and company performance. As a personal example, I know I've described this in a number of the podcast episodes, and at the risk of being repetitive I'll do so       now……during the pandemic between 2020 and 2022 and I poured myself into painting, writing and doing this podcast all of which would qualify as the arts. I firmly believe that if it weren't for me finding a Flow state, a pseudo meditative experience, through painting and listening to music while doing it , that my experience of the pandemic may have been drastically different. I think that in many ways, it might have actually been quite negative and that I might have been a very difficult person to live with. Instead, art gave me a sense of agency to be able to navigate the ambiguity of an uncertain future. Engaging in the arts, if even on a small plain of my physical world in the form of a 36 by 48-inch canvas, gave me a certain sense of control. I shifted the negative energy of anxiety and fear of the unknown into creativity in the form of a pandemic production of 25 canvases. I was directly exposed to the value and impact of how the arts could be harnessed to create a profound sense of well-being.And this brings me to my guest Tasha Golden.    Tasha Golden, PhD is Director of Research at the International Arts+Mind Lab at Johns Hopkins University, and a national leader and consultant in arts + public health. Holding a PhD in Public Health Sciences, Tasha Golden has published extensively on the impacts of the arts, music, aesthetics, and social norms on health and well-being. She has served as an advisor on several nati      onal and international health initiatives, is adjunct faculty for the University of Florida's Center for Arts in Medicine, and recently led the pilot evaluation of CultureRx in Massachusetts: the first arts-on-prescription in the U.S.Golden is also a career artist and entrepreneur. As singer-songwriter for the critically acclaimed band Ellery, she toured full-time in the US and abroad, and her songs appear in feature films and TV dramas (ABC, SHOWTIME, FOX, NETFLIX, etc). She is a published poet (Humanist Press) and founder of Project Uncaged: an arts-based health intervention for incarcerated teen women that amplifies their voices in justice reform.Tasha's diverse background drives her success as an international speaker and thought leader. She gives talks and facilitates workshops for artists, businesses, researchers, practitioners, and more—helping them enhance and reimagine their work. As a consultant, she helps leaders and organizations draw on the science of arts and health to further their goals. This is one of those conversations that literally just scratches the surface of what is possible when considering how the arts influences our lives. It is an important conversation about why  we need to put art back into our daily routines as a prescription to wellbeing. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com. ************************************************************************************************************************************The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

In Volker Schlöndorffs Literaturverfilmung HOMO FABER (BRD/FR/GR 1990/91) schreibt Sam Shepard in der Rolle des Ingenieurs und Ich-Erzählers Walter Faber auf einer Reiseschreibmaschine. Diese Schreibmaschine, eine Olivetti Lettera 22, ist aktuell in der Ausstellung Volker Schlöndorff. Von Wiesbaden in die Welt (bis 18. Juni 2023) im Wiesbadener Bellevue-Saal zu sehen. Hans-Peter Reichmann, Senior Curator am DFF und Kurator der Wiesbadener Ausstellung, spricht über das Originalrequisit und seine Rolle im Film sowie über die Freundschaft zwischen Volker Schlöndorff und dem Schweizer Schriftsteller Max Frisch, der die Romanvorlage für den Film schrieb. HOMO FABER in der Sammlung Volker Schlöndorff: https://schloendorff.deutsches-filminstitut.de/filme/homo-faber/

Ciao a tutti, Nicola è tornato ai microfoni con nuovi consigli di lettura per voi. Oggi vi presento l'opera di un autore svizzero: Homo Faber di Max Frisch, edito da Feltrinelli nel 2005 in una bellissima edizione per la collana “Vintage”.Il suo autore è Max Frisch, zurighese nato nel 1911 e morto nel 1991. Nella sua lunga carriera è stato insignito di numerosi e prestigiosi premi letterari. Le sue opere trattano volentieri i temi, e anche le problematiche, dell'identità, della responsabilità e della morale.Eccovi le ormai note buone ragioni per leggerlo. Se vi interessa l'arte questo libro soddisferà il vostro desiderio, offrendovi un importante riflessione sull'arte e il suo valore. Inoltre, se doveste essere un po' dei ficcanaso questo libro vi permetterà di assistere alla complicata e turbolenta vicenda famigliare del protagonista. Infine, il libro è particolarmente breve e scorrevole, con un formato compatto che vi permetterà di portarlo con voi e leggerlo ovunque vogliate.Come in fondo ci ricorda il sottotitolo si tratta di un resoconto (quasi degli appunti sparsi o delle pagine strappate di un diario) di un periodo della vita dell'ingegnere Walter Faber, che girando il mondo per lavoro ha modo di ricongiungersi con una figlia della quale ignorava l'esistenza e con la madre di ella. Ambientato tra Stati Uniti, Venezuela, Italia e Grecia, questo resoconto mostra la vita del razionalissimo ingegnere andare in frantumi, sconvolta dagli eventi di cui resta in balìa. Le visite nei musei, un amore incestuoso, ricongiungimenti difficili, e soprattutto la perdita dei propri cari portano l'irrazionalità nella vita di Faber. Ma è soprattutto la comparsa della morte a fargli capire che la sua vita è sbagliata. È da questa comparsa che l'ingegnere comprende il suo amore per la vita, iniziando così un percorso nuovo, diverso.Homo Faber si presenta come un piccolo museo della vita di Walter Faber, passando attraverso le varie stanze, segnate dal cambiamento dei luoghi, possiamo assistere ai dipinti che Faber stesso ci mostra, a testimonianza delle sue avventure. Il discorso sul museo è particolarmente importante in quanto durante la tappa italiana del suo viaggio, Faber (con suo grande dispiacere) avrà modo di visitarne parecchi, su insistenza della sua compagna di viaggio Sabeth, grande appassionata di storia dell'arte. Per il razionale ingegnere i musei sono infatti dei luoghi morti, a lui interessano i viadotti, le autostrade, il Campari. Alla vista dei dipinti e delle sculture mal cela la sua frustrazione nel dover ascoltare le spiegazioni pompose delle guide turistiche e dei libri di storia dell'arte. Non tollera che qualcuno gli dica come lui debba sentirsi di fronte all'opera. Tanto più che l'opera è muta, morta. Eppure, scorgendo il riflesso di Sabeth sul vetro delle teche, e facendo dei giochi di luci e ombre su dei bassorilievi, ecco che anche Faber si apre alle gioie dell'arte. Finalmente, a modo suo, diventa partecipe dell'entusiasmo della sua compagna di viaggio, riuscendo a scorgere, là dove c'era la morte, la vita. La proposta di Faber per l'arte è quella di viverla a modo proprio, senza le parole degli esperti e delle guide. Questo proposta andrebbe applicata anche alla vita. Messo duramente a confronto con la morte, questa volta quella vera, Walter Faber riflette sul suo vissuto, ma anche sul suo futuro, e quando è ormai completamente circondato dalla morte, decide nonostante tutto di affidarsi alla vita. Non saranno altri a dettare come lui debba vivere o morire, ma vivrà e morirà secondo i propri termini.

See pictures and read more on materiallyspeaking.comPiero Dri is the fourth and youngest remer in Venice, making oars and oarlocks - or in Italian ‘forcolai'. Since he learnt to row aged 4, rowing has been his passion.I came to Venice with sound specialist Mike Axinn for a special Venice series of Materially Speaking, during the Homo Faber celebration of artisans, in April 2022. We met three young artisans who are now bringing a fresh energy to the community with a particular eye on repair, re-use and sustainability.Venice is an extraordinary Island city with a rich history, magnificent art and great beauty. However there are no cars and a frail infrastructure. And of course there are the tourists. So we were keen to discover what these artisans bring to Venice and why they like to call it home.Piero's vibrant personality has earned him the name of the ‘mad forcolai maker' and so his workshop is called ‘Il Forcolaio Matto.' As we arrive, Piero is opening up his shop - hooking flower boxes onto his window cill, and leaning a red and white striped oar against the wall.He tells us how it was growing up in Venice, and how he escaped to the lagoon when he needed some peace, and to be with nature. He tells us of his studies as an astronomer and how he then changed direction and became an artisan.Piero's workshops have painted and varnished oars suspended from the ceiling. He speaks about the different woods he uses and the boat community in Venice.In one window is a display of decorative forcolai, which hold their own as art objects in a variety of gorgeous woods. He speaks of a competition where he created a forcolai to express the natural beauty of the lagoon (see green and yellow forcolai below).ilforcolaiomatto.itinstagram.com/ilforcolaiomatto

See pictures and read more on materiallyspeaking.comIn the Spring of 2022, sound specialist Mike Axinn and I went to Venice during Homo Faber, an event created by the Michelangelo Foundation to celebrate master craftsmanship.We wanted to discover more about the community of younger artisans in Venice - what brought them there, and why they liked it.First we met Piero Dri, a remer who makes oars and oarlocks, or as the Italians call them, ‘forcolai'. Since he learnt to row aged 4, rowing has been his passion.Release date: 16 November 2022Then we chatted with Austrian-born shoemaker Gabriele Gmeiner who makes high quality shoes to measure in her workshop at Campiello del Sol. She speaks of her craft, her journey from Austria, and why she chose Venice.Release date: 30 November 2022Finally we had an illuminating talk with furniture restorer Alvise Boccanegra, who painstakingly repaired a crucifix which was found floating in the church of San Moisè after the floods of November 2019.Release date: 14 December 2022All three young artisans bring a fresh energy to the community and discuss the materials they choose with a keen eye on sustainability, re-use and repair.

"Amédée Ozenfant wrote of the art in the Les Eyzies caves, 'Ah, those hands! Those silhouettes of hands, spread out and stencilled on an ochre ground! Go and see them. I promise you the most intense emotion you have ever experienced.' He credited the Paleolithic artists with inspiring modern art, and to a certain degree, they did. Jackson Pollock honoured them by leaving handprints along the top edge of at least two of his paintings. Pablo Picasso reportedly visited the famous Altamira cave before fleeing Spain in 1934, and emerged saying: 'Beyond Altamira, all is decadence.'" -Barbara Ehrenreich "Should we not say that we make a house by the art of building, and by the art of painting we make another house, a sort of man-made dream produced for those who are awake?" -Plato, Sophist "The aim of an artist is not to solve a problem irrefutably, but to make people love life in all its countless, inexhaustible manifestations." -Leo Tolstoy, Virgo "I am a great believer in the creativity of the selective, perceptive act. I once read an article in the International Herald Tribune about a man named Jean-Claude Andrault who had an exhibit, in a small Paris museum, of various pieces of wood he had found over a many-decade span, which resembled all sorts of objects: “landscapes, writhing polyps, an erupting volcano, abstract visions and so on", to quote Michael Gibson, the author of the article. In fact, let me continue quoting Gibson's opinions: 'He [Andrault] wanted to know if I thought these objects were art I said I did not — because they do not voice any human intention. These objects are a case of nature imitating art...But a work of art in its proper dimension is more than order, pattern, suggestion It conveys an intention and thus reveals itself to be a product and an expression of culture taken as the web of all human purposefulness.' Gibson clearly likes Andrault's stuff — he just doesn't consider it art. I find this absurd. In a sense I agree that art has to 'voice a human intention', but the act of selection by Andrault is a deep human intention, just as deep as a photographer's selection of a scene or an event to capture. In fact, Gibson overlooks one further level of human intention: the very idea of collecting pieces of wood and exhibiting them is an excellent example of original human intention. Indeed, it's the invention of a whole new art form!” -Douglas Hofstadter, Le Ton beau de Marot “The very first artistic act executed by man was one of adornment and, above all, the adornment of his own body. In adornment, that primordial art, we find the seeds of all subsequent art. And that first artistic act simply consisted of the union of two works of nature that nature itself had not united. Man placed a feather upon his head, or strung together tiger's teeth to hang about his neck, or clasped a bracelet of colorful stones around his wrist; and behold, the first babblings of that complex and divine discourse on art.” -José Ortega y Gasset, Meditations on the Frame (1990) Sources/place for discussion: https://old.reddit.com/r/DilettanteryPodcast/comments/y3ixbp/33_the_origin_of_art_or_homo_aestheticus_part_2_a/?

durée : 00:16:00 - Les Nuits de France Culture - L'émission "Etranger mon ami" présentait en 1961 le roman "Homo faber" de l'écrivain et dramaturge suisse Max Frisch. Bernard Dort, au micro de Dominique Arban, analysait ce livre qui deviendra un best-seller et sera adapté au cinéma par Volker Schlöndorff en 1991. Publié en 1957, Homo faber est l'un des romans les plus célèbres de l'écrivain suisse de langue allemande, Max Frisch. Traduit en plusieurs langues, devenu un best-seller, il a été adapté au cinéma en 1991 par Volker Schlöndorff, puis en 2014 par Richard Dindo. En 1961, alors que parait en France la traduction de Philippe Pilliod, Dominique Arban invite Bernard Dort à présenter ce roman dans l'émission Étranger mon ami. Homo faber raconte comment le personnage principal, Walter Faber, un ingénieur, rencontre tour à tour la mort, l'amour, puis la mort à nouveau dans un périple qui l'emmène d'Europe vers la Grèce. L'objet de son amour est en réalité sa fille, il sera mis en échec de plusieurs manières, guidé par une fatalité intérieure. Bernard Dort : "Homo faber" est l'histoire d'un homme qui est confronté avec son passé et plus qu'avec son passé : avec le passé mythique du monde. Lui qui voulait faire des rapports, lui qui voulait tout calculer, tout prévoir. Brusquement ce qui lui arrive c'est non seulement le hasard, mais c'est un hasard presque ancestral". Il dit "je ne crois pas à la fatalité, les mathématiques me suffisent". Il dit "C'est un pur hasard qui a décidé de ma rencontre avec ma fille, cela aurait pu se passer tout autrement". Par Dominique Arban Etranger mon ami - Max Frisch (1ère diffusion le 04/12/1961) Edition web : Documentation sonore de Radio France Archive Ina Radio France Retrouver l'ensemble des archives de la Nuit : Max Frisch, écrivain des identités incertaines

Bienvenue à Venise. Je suis Raphaëlle Le Baud et aujourd'hui je vous propose une émission spéciale de votre podcast pour vous faire visiter les yeux fermés l'édition 2022 de l'exposition Homo Faber, organisée par la Michelangelo Foundation. Cette exposition a lieu tous les deux ans et souhaite réunir les œuvres des plus grands artisans d'art d'Europe mais aussi, cette année du Japon. 15 salles ont été confiées à 22 curators de renommée internationale pour mettre en scène les métiers d'art à la lumière de leur propre vision artistique, de leur propre relation à la matière et au savoir-faire. Homo Faber est une exposition spectaculaire. Des centaines de milliers de visiteurs ont pu découvrir des centaines d'objets réalisés par des centaines d'artisans d'exception du monde entier. J'aimerais vous parler aussi de la partie invisible du travail de la Michelangelo Foundation pour créer un réseau international d'acteurs des métiers d'art. Leur permettre de réfléchir et d'agir ensemble. C'est dans ce cadre que notre association The Craft Project est partenaire de la fondation. Je dois vous dire aussi que la MichelAngelo Foundation est mécène de notre association. Nous sommes en train de construire à leur côté un programme d'apprentissage pour financer la formation d'artisans d'art dans les ateliers. Un pilote est en cours au chantier Borg à Marseille. Mais ça c'est une histoire que je vous raconterai plus tard. Pour lors, je vous emmène à Venise.

Willkommen beim superkrassen Sex-Special von THWS! Moment. Was? Ist abgesagt? Okay, dann halt nicht. Auf jeden Fall haben wir jetzt eure Aufmerksamkeit. Also, neue Woche, neue Folge - und mein lieber Herr Gesangsverein: Themen, Themen und noch mehr Themen! Der Heizungsmann war bei Donnie, was allein eine ganze Folge füllen könnte. Aber es geht noch weiter. Erinnerung an die Schulzeit und poetische Ergüsse Donnies wechseln sich hier munter ab, garniert von einer Prise Weltliteratur. Was will das TWHS-Herz also mehr? Bock auf Merch? Hier geht's zu Donnies Supergeek-Shop: https://supergeek.de/de/donnieosullivan/ Feedback oder Fragen an Donnie? Schick eine Mail an donnie@poolartists.de!

Kai prieš 10 metų tapytojas Rimantas Olšauskas dukrai, menininkei Marijai Olšauskaitei pasiūlė surengti bendrą parodą, jai tai neatrodė gera idėja. Bet Marija persigalvojo. Jos iniciatyva Palangoje, A. Mončio muziejuje atidaroma pirmoji tėvo ir dukros ekspozicija „Laimingas atsitiktinumas“.Tekstilės menininkė Monika Žaltauskaitė-Grašienė savo kūrybą pristato jungtinėje lietuvių ir japonų parodoje „Tarp dviejų: į(si)žiūrėjimai“. Apie tekstilės ir humanizmo ryšius su ja kalbasi Kotryna Lingienė.Pasaulyje: „MAGNUM photos“ fotografų bendruomenė švenčia 75-tą jubiliejų. Apie tai Rūta Dambravaitė kalbasi su menotyrininku Tomu Pabedinsku.Klaipėdos universiteto inicijuota patyriminė ekskursija „Migrantas“ atskleidžia XX a. Klaipėdos krašto istoriją ir karo paveiktų žmonių likimus. Apie sumanymą pasakoja dr. Raimonda Nabažaitė.Vertėjos Tomos Gudelytės komentaras apie moteris, fotografuojančias karą ir jo paveiktus žmones.Apie 3 geriausias 2021 m. verstines knygas pasakoja vertėjas Paulius Garbačiauskas.Venecijos paroda „Homo Faber“ vienoje iš erdvių „Blossoming Beauty“ pristato 10 geriausių Europos gėlių dizainerių. Vienas jų – dekoratorius Mantas Petruškevičius ir specialiai šiai parodai jo kurta vaza ir gėlių kompozicija. „Meno bendruomenė mane laiko kičiniu dekoratoriumi, bet ta pati meno bendruomenė nori matyti mane ir Venecijoje”, – sako M. Petruškevičius, kuriam patinka daryti dideles auditorijas žavinčias instaliacijas viešose erdvėse ir privačiose šventėse. Gėlės šį sezoną pabrango 4 kartus, o mes kalbamės apie pasirodymą Venecijoje ir dekoratoriaus darbą prasidedant vestuvių sezonui.Ved. Juta Liutkevičiūtė

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Max Frisch, in full Max Rudolf Frisch, (born May 15, 1911, Zürich, Switzerland—died April 4, 1991, Zürich), was a Swiss dramatist and novelist, noted for his depictions of the moral dilemmas of 20th-century life. In 1933 Frisch withdrew from the University of Zürich, where he had studied German literature, and became a newspaper correspondent. After touring southern and eastern Europe from 1934 to 1936, he returned to Zürich, where he studied architecture. Frisch worked as an architect after service in the Swiss army during World War II. He abandoned architecture in 1955 to devote himself full-time to writing.Frisch's play Santa Cruz (1947) established the central theme found throughout his subsequent works: the predicament of the complicated, skeptical individual in modern society. One of Frisch's earliest dramas was the morality play Nun singen sie wieder (1946; Now They Sing Again), in which Surrealistic tableaux reveal the effects caused by hostages being assassinated by German Nazis. His other historical melodramas included Die chinesische Mauer (1947; The Chinese Wall) and the bleak Als der Krieg zu Ende war (1949; When the War Was Over). Reality and dream are used to depict the terrorist fantasies of a responsible government prosecutor in Graf Öderland (1951; Count Oederland), while Don Juan oder die Liebe zur Geometrie(1953; Don Juan, or The Love of Geometry) is a reinterpretation of the legend of the famous lover of that name. In his powerful parable play Biedermann und die Brandstifter (1958; The Firebugs, also published as The Fire Raisers), arsonists insinuate themselves into the house of the weak-willed, complacent Biedermann, who allows them to destroy his home and his world rather than confront them. Frisch's later plays included Andorra (1961), with its theme of collective guilt, and Biografie(published 1967; Biography), which deals with social relationships and their limitations.Frisch's early novels Stiller (1954; I'm Not Stiller), Homo Faber (1957), and Mein Name sei Gantenbein (1964; A Wilderness of Mirrors) portray aspects of modern intellectual life and examine the theme of identity. His autobiographical works included two noteworthy diaries, Tagebuch 1946–1949 (1950; Sketchbook 1946–1949) and Tagebuch 1966–1971 (1972; Sketchbook 1966–1971). His later novels included Montauk: Eine Erzählung (1975), Der Mensch erscheint im Holozän (1979; Man in the Holocene), and Blaubart (1982; Bluebeard).From https://www.britannica.com/biography/Max-Frisch. For more information about Max Frisch:Previously on The Quarantine Tapes:Etgar Keret about Frisch, at 16:15: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-075-etgar-keret“Max Frisch, The Art of Fiction No. 113”: https://www.theparisreview.org/interviews/2367/the-art-of-fiction-no-113-max-frischHomo Faber: https://www.barnesandnoble.com/w/homo-faber-max-frisch/1100623656Photo by Comet Photo AG/ETH-Bibliothek: ​​http://doi.org/10.3932/ethz-a-000654914

Issu d'une famille de viticulteurs, le quadra Jean-Pierre Cottet-Dubreuil a développé très tôt le goût des beaux objets et de façon singulière : les couverts en argent que sa mère sortait lors de grandes occasions, une sorte de Madeleine de Proust dont il a fait un métier : Jean-Pierre Cottet-Dubreuil est aujourd'hui un des derniers orfèvres installé dans le Marais. Il a repris l'orfèvrerie Richard Orfèvre il y a une dizaine d'années après l'obtention de deux CAP (bijoutier et orfèvrerie).Dans cet épisode, Jean-Pierre Cottet-Dubreuil raconte qu'il se passionnait, enfant, à ranger les couverts par modèles, poinçons, formes … et lorsqu'il visitait Paris, il passait son temps à parcourir les boutiques liées à l'art de la table et notamment Christofle où il débutera quelques années plus tard, avant de rejoindre la maison Richard.Il défend avec force et attachement l'artisanat car pour lui, le luxe, c'est de détenir un objet d'artisan qu'on utiliserait au quotidien comme les objets d'orfèvre... Au cours de cet épisode, sont cités les marques et les designers suivants :Cristofle, Puiforcat, Odiot, La maison Nicolas Marischael.Le groupe Richemont, quelques-unes de ses marques, et sa Fondation Michelangelo et le guide d'artisans Homo Faber.La Fondation Bettencourt Schueller.Les designers Studio 5.5 (voir épisode numéro 14), et la créatrice Ruth Gurvich.

ABOUT DR. CHARLES LIMB:USSF Health: https://www.ucsfhealth.org/providers/dr-charles-limbhttps://ohns.ucsf.edu/charles-limb https://profiles.ucsf.edu/charles.limbWikipedia: https://en.wikipedia.org/wiki/Charles_LimbTED Profile: https://en.wikipedia.org/wiki/Charles_LimbTED Talk: https://www.ted.com/talks/charles_limb_your_brain_on_improvKennedy Center:https://www.kennedy-center.org/artists/l/la-ln/charles-limb/https://www.kennedy-center.org/video/center/discussionspoken-word/2017/jazz-creativity-and-the-brainsound-health-music-and-the-mind/https://www.kennedy-center.org/video/digital-stage/discussionspoken-word/2019/music-and-the-voice-brain-mechanisms-of-vocal-mastery-and-creativity--sound-health/https://www.kennedy-center.org/video/center/discussionspoken-word/2019/sound-health-inside-esperanza-spaldings-brain--the-kennedy-center/https://www.kennedy-center.org/video/center/classical-music/2018/music-and-the-mind-with-piano-prodigy-matthew-whitaker/The Art of The Spark: Musical Creativity Explored with Dr. Charles Limb: https://www.youtube.com/watch?v=PQmGOVr8aJ0Articles: https://www.artsandmindlab.org/charles-limb-md-mapping-the-creative-minds-of-musicians/On Creativity: mihaly csikszentmihalyihttps://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi DR.CHARLES LIMB Bio:Dr. Charles Limb is the Francis A. Sooy Professor of Otolaryngology-Head and Neck Surgery and the Chief of the Division of Otology, Neurotology and Skull Base Surgery at UC San Francisco. He is the Director of the Douglas Grant Cochlear Implant Center at UCSF and holds a joint appointment in the Department of Neurosurgery. Dr. Limb received his undergraduate degree at Harvard University, medical training at Yale University School of Medicine, and surgical residency and fellowship training at Johns Hopkins Hospital. He completed a postdoctoral fellowship in functional neuroimaging at the National Institutes of Health. He was a faculty member at the Johns Hopkins University School of Medicine, Peabody Conservatory of Music and the School of Education between 1996 and 2015. Dr. Limb joined the UCSF Department of Otolaryngology-Head and Neck Surgery in 2015.Dr. Limb is the 2021-22 President of the American Auditory Society and the Co-Director of the Sound Health Network sponsored by the National Endowment for the Arts, NIH and the John F. Kennedy Center for the Performing Arts. He is the PI of an NEA Research Lab and Co-PI of an NIH R61/R33 grant. He is the past Editor-in-Chief of Trends in Amplification (now Trends in Hearing), and an Editorial Board member of Otology and Neurotology. Dr. Limb was selected as the 2022 NIH Clinical Center Distinguished Clinical Research Scholar and Educator in Residence. He was also named in 2022 as one of the Kennedy Center's Next 50, a group of fifty national cultural leaders who are “moving us toward a more inspired, inclusive, and compassionate world”.His current areas of research focus on the study of the neural basis of musical creativity and the study of music perception in deaf individuals with cochlear implants. His work has received international attention and has been featured by National Public Radio, TED, 60 Minutes, National Geographic, the New York Times, PBS, CNN, Scientific American, the British Broadcasting Company, the Smithsonian Institute, the Library of Congress, the National Endowment for the Arts, the Sundance Film Festival, Canadian Broadcasting Company, the Kennedy Center, Baltimore Symphony Orchestra, the Discovery Channel, CBS Sunday Morning, and the American Museum of Natural History.SHOW INTRODUCTION:A number of years ago I attended a series of lectures at the Kennedy Center in Washington DC that focus on music and the brain and as I sat and watched and listened to these presentations, I was absolutely amazed with the interrelationship between brain activity, spontaneous creativity, music, language meaning and all these things that we share as human beings.For years I've been fascinated with the creative process. It seems natural I suppose given that I'm an architect, an artist, an author and occasionally I might even consider myself a novice musician because I can bang out five chords of a James Taylor song on my guitar. I do however have the extraordinarily good fortune of living with three musicianS. MY sons who are jazz musician,  a pianist and a drummer, and a wife who is also a pianist and composer/songwriter and have been surrounded by music and love it for years.In fact, when I paint, and I happen to be focusing on a series of portraits of famous jazz musicians and other musical artists, I only listen to their music as I'm creating. Somehow I think I'm channeling John Coltrane or Miles Davis or Keith Richards or Janis Joplin or Prince.But it helps, it really does. It gets me into a flow state and the world outside me just disappears.  For a long time now I have held that creativity is part of who we are. We are equally Homo Faber man the maker as we are Homo Sapiens man the wise.I deeply believe that the creative process is something that is intrinsic to building community and connections with other people for years. We have danced around fires and stamped out meaning with our feet and sang songs and beat on drums and created extraordinary symphonies or rock concerts and in doing so we come together and better understand ourselves our community culture and, in some strange cosmological sense, our relation to the larger whole of humanity.It seems to me that vocal utterances (not speech as we now know it) or producing melodic or rhythmic sounds, beating on drums etc., predated organized or syntactic speech. Since adapting to changing circumstances in the environment around you required some degree of creativity, it seems that there would be a natural connection between the development of creative thinking processes as a matter of survival and what we now know as music as a way to exchange these ideas. Music and music with language, lyrics, are extremely powerful mechanisms to evoke and share emotion and communicate with each other. Building strong social groups and the use of communication tools like language and certainly music has been part of our evolutionary process. Our brains have evolved into these immensely complex systems of functional areas that provide us with the magic of music and art and creative invention. We humans have survived at the top of the food chain not because we have bigger brains than other creatures on the planet, but as I understand it, because our brains are wired differently. And how all of this relates to creativity is particularly interesting. When you see jazz improvisation happening, what has always amazed me is the speed with which the brain is making decisions and the amount of information it is processing:…what note to hit next? – how does it related to the last? – where is the improv going? - is there a structure of any kind? – how the brain makes those decisions and then send signals to motor areas and then electrical impulses to muscle groups that produce fine motor movements in hands and /or other body parts to create sounds… this is all happening with electricity and chemicals moving between cells…this is a bit overwhelming to figure out! It's like the brain is out ahead of the body in its thinking…When I sat in the audience of those early Kennedy Center music and the brain sessions, there was one that was particularly interesting to me. Dr. Charles Limb had intriguing conversations with musicians including Jason Moran - the Artistic Director for Jazz at the Kennedy Center - and he described some of the work he was doing with trying to understand the neural correlates of creativity.How was he doing that? Well, he was taking some of the best jazz musicians on the planet and putting them into fMRI machines and observing their brain activity while they were in moments of spontaneous creation - jazz improvisation. And what he's begun to discover is something pretty remarkable.Certain areas of the brain are deactivated in these moments of spontaneous improvised creation while others are lit up.From Dr. Limb studies, it seems that conscious self-monitoring, a function of the Prefrontal Cortex, is deactivated opening a gateway for spontaneous creation unencumbered by self-monitoring or concerns about inappropriate or maladaptive performances and areas that are connected to autobiographical narratives are more active.“In jazz music, improvisation is considered to be a highly individual expression of an artist's own musical viewpoint. The association of the MPFC activity with the production of auto biographical narrative is germane in this context, and as such, one could argue that the improvisation is a way of expressing one's own musical voice or story.”Dr. Limb's own story is nothing less than remarkable. From his early years as a young musician, to his study of medicine, he has become one of the preeminent scientists looking into music, the brain and the neural correlates of creativity.His list of professional accomplishments and appointments to various medical institutions is extensive and include:Being the Francis A. Sooy Professor of Otolaryngology-Head and Neck Surgery and the Chief of the Division of Otology, Neurotology and Skull Base Surgery at UC San Francisco. The Director of the Douglas Grant Cochlear Implant Center at UCSF and he holds a joint appointment in the Department of Neurosurgery. Dr. Limb received his undergraduate degree at Harvard University, medical training at Yale University School of Medicine, and surgical residency and fellowship training at Johns Hopkins Hospital. He was a faculty member at the Johns Hopkins University School of Medicine, Peabody Conservatory of Music and the School of Education between 1996 and 2015. Dr. Limb is the 2021-22 President of the American Auditory Society and the Co-Director of the Sound Health Network sponsored by the National Endowment for the Arts, NIH and the John F. Kennedy Center for the Performing Arts. He was also named in 2022 as one of the Kennedy Center's Next 50, a group of fifty national cultural leaders who are “moving us toward a more inspired, inclusive, and compassionate world”.His current areas of research focus on the study of the neural basis of musical creativity and the study of music perception in deaf individuals with cochlear implants. His work has received international attention and has been featured by TED, 60 Minutes, National Geographic, the. New York Times, PBS, CNN, Scientific American, the Smithsonian Institute, the National Endowment for the Arts, the Sundance Film Festival, the Kennedy Center, Baltimore Symphony Orchestra, the Discovery Channel, CBS Sunday Morning, and more.It is my distinct honor to be able to talk with Dr. Limb about music, creativity and the brain.  ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com. 

Heute begrüßt Philipp eine echte Regielegende: Volker Schlöndorff, der mit Literaturverfilmungen wie „Die Blechtrommel“ Filmgeschichte geschrieben hat. Mit ihm spricht Philipp über seine neue Dokumentation „Der Waldmacher“, die ab dem 7. April im Kino zu sehen sein wird, über Diskussionen mit Quentin Tarantino, was Kino für ihn bedeutet und warum es nie zu einer Fortsetzung von „Die Blechtrommel“ gekommen ist. „Shortcuts“, der Interview-Podcast der Kino - und Streamingzeitschrift CINEMA mit Chefredakteur Philipp Schulze. Fragen, Anregungen, Lob und Kritik gerne an: podcast@cinema.de

Ahead of this year's Homo Faber exhibition in Venice, Suzy speaks to Hanneli Rupert, organiser of the event and board member of the Michelangelo Foundation, and Alberto Cavalli, the foundation's executive director. Together they discuss this year's international show, championing artisanal talent. Homo Faber takes place from 10 April until 1 May 2022. https://www.homofaber.com Produced by Natasha Cowan @tashonfash Edited by Tim Thornton @timwthornton Music by @joergzuber Graphics by Paul Wallis To find Suzy's articles visit https://suzymenkes.com ...find Suzy on Instagram @suzymenkes and Twitter @thesuzymenkes See acast.com/privacy for privacy and opt-out information.

Plan akcji ewakuacji dzieci i bliskich strażaków z Równego i okolic opracowali i zrealizowali: SNEP, PCPM, OSP GRS w Poznaniu, OSP Rusocice, OSP Smolec, OSP Przyszowice, OSP Kęty, K9 Team SGPR Poznań, OSP Jerzmanowice, Fundacja Strażacy Wielkopolska, kierowcy Jacek, Konrad, Norbert i Kisiel - Transwit Witold Cygan, Homo Faber i Karolina Wierzbińska, dr Paweł Szczuciński, Stratpoints, Nowa Europa Wschodnia, Przemysław Henzel i wielu innych. Nie sposób wymienić tu wszystkich, którym należą się podziękowania za pomoc. 

Plan akcji ewakuacji dzieci i bliskich strażaków z Równego i okolic opracowali i zrealizowali: SNEP, PCPM, OSP GRS w Poznaniu, OSP Rusocice, OSP Smolec, OSP Przyszowice, OSP Kęty, K9 Team SGPR Poznań, OSP Jerzmanowice, Fundacja Strażacy Wielkopolska, kierowcy Jacek, Konrad, Norbert i Kisiel - Transwit Witold Cygan, Homo Faber i Karolina Wierzbińska, dr Paweł Szczuciński, Stratpoints, Nowa Europa Wschodnia, Przemysław Henzel i wielu innych. Nie sposób wymienić tu wszystkich, którym należą się podziękowania za pomoc. 

Nach Albert Camus' "Der Fremde" widmen wir uns (mit krankheitsbedingter Verspätung) einem weiteren Werk der Weltliteratur und besprechen Max Frischs "Homo Faber" ausführlich in dieser Podcast Episode.

Wir waren mal wieder gemeinsam im Wald - vielleicht findest Du ja diese Sendung in einem Moment, in dem Du auch, also beim Anhören, spazieren gehen kannst? Wie auch immer - ich wünsche Dir eine tolle Zeit und freue mich, dass Du wieder dabei bist!

Técnica e trabalho é o antídoto contra: aborrecimento, vício e necessidade.

durée : 00:16:00 - Les Nuits de France Culture - L'émission "Etranger mon ami" présentait en 1961 le roman "Homo faber" de l'écrivain et dramaturge suisse Max Frisch. Bernard Dort au micro de Dominique Arban analysait ce livre qui deviendra un best-seller et sera adapté au cinéma par Volker Schlöndorff en 1991. - invités : Bernard Dort Universitaire, théoricien et traducteur de théâtre (1929-1994)

W sierpniu we wsiach położonych niedaleko granicy z Białorusią na Podlasiu pojawiły się plakaty ze zdaniem „pomaganie jest legalne”. Wolontariuszki i wolontariusze Grupy Granica chodzili od drzwi do drzwi i rozmawiali z mieszkańcami o uchodźcach, o tym jak i dlaczego im pomagać, o tym co może im grozić ze strony polskich służb. W ciągu kolejnych miesięcy polskie państwo urządziło na granicy spektakl przemocy i pogardy wobec życia osób uciekających przed prześladowaniami i wojną. Mieszkańcy pogranicza oraz wolontariuszki i wolontariusze z całego kraju zorganizowali siatkę pomocową, aby wesprzeć uchodźców i spróbować uratować ich przed przemocą polskich i białoruskich służb oraz trudnymi warunkami w przygranicznych lasach. W poniedziałek 22 listopada rozmawialiśmy z Anną Dąbrowską o różnych formach pomocy i solidarności z uchodźcami, od interwencji ratunkowych po działania edukacyjne. Anna jest prezeską stowarzyszenia Homo Faber, które prowadzi działania ratunkowe na lubelskim odcinku granicy z Białorusią. Koordynuje też działania edukacyjne Grupy Granica prowadzone na pograniczu. Rozmowę prowadził Jakub Bieniasz, współpracownik Salam Lab, który również jest zaangażowany w działania solidarnościowe z uchodźcami na polsko-białoruskiej granicy. *** Rozmowę możesz obejrzeć w serwisie Youtube oraz odsłuchać w formie podcastu na naszych kanałach w aplikacjach Anchor, Spotify oraz ApplePodcasts. Subskrybuj nasze kanały, aby być zawsze na bieżąco! YT: https://www.youtube.com/c/salamlab SPOTIFY: http://spoti.fi/3ciPE9y APPLE: http://apple.co/3l0iX4B ANCHOR: https://anchor.fm/salamlab Jeśli chcesz wspierać nas i przyczyniać się do tego, aby spotkań takich jak to było więcej, wesprzyj nas w serwisie Patronite! Możesz to zrobić tutaj: https://patronite.pl/SalamLab

Co by powiedziała dziewięcioletniej sobie Beata Sadowska? Beata Sadowska jest dziennikarką i prezenterką telewizyjną. Jest również współtwórczynią inspirującej platformy do rozwoju osobistego Mentalist.pl. Koniecznie tam zajrzyjcie! Możecie tam znaleźć również moje wykłady czy zapisać się do mnie na warsztaty. Z tego podcastu dowiecie się: - czy ma sposób, aby poradzić sobie z emocjami, które towarzyszą jej podczas śledzenia losów ludzi przetrzymywanych w lesie na granicy polsko-białoruskiej - czy brakuje jej życia przed wyprowadzką? - jak oducza się perfekcjonizmu - jak radzi sobie z ryzykownym zawodem męża? Poznacie również Kosia, syna Beaty. I pamiętajcie. Jeśli Was również porusza sytuacja ludzi na granicy możecie pomóc np. przelewając pieniądze na Fundację Ocalenie, Grupę Granica czy Homo Faber.

C'est au cœur de leur terre natale à Tréguier dans les Côtes d'Armor, que les sœurs Audrey et Delphine Le Poupon ont choisi de jeter l'ancre. L'union fait la force car suite à un changement de cap les créatrices se sont associées afin de se consacrer au travail de la nacre pour leur propre marque YS PARIS dans leur atelier boutique. Ayant obtenu le titre de maître d'art et référencées dans le guide HOMO FABER, elles innovent en valorisant de manière éco responsable la coquille de l'ormeau de Bretagne, ce coquillage à la chair prisée, dont elles sont les seules à utiliser la nacre de manière exclusive en France. Le SF de nacrier par ailleurs détenu dans l'hexagone par une poignée d'irréductibles passionnés appartient au domaine de la tabletterie. Découvrez au fil de cet échange les 4 points cardinaux de l'aventure entrepreneuriale de Audrey et Delphine : la reconversion professionnelle, le parcours initiatique, le choix de modèle d'entreprise et les axes de développement. Très belle écoute ! Si vous voulez décrypter l'artisanat d'art avec nous, inscrivez-vous à notre newsletter et rejoignez-nous sur les réseaux sociaux @artisansdavenir (Instagram, Facebook, Linkedin) Si vous voulez connaître les bénéfices de devenir membre de notre association Artisans d'Avenir, c'est par ici !

Bienvenue dans notre sixième shot de philo. En moins de 5 minutes, nous allons te donner les clés d'une notion essentielle au programme : la technique. La technique est-elle bénéfique pour l'Homme ? Est-elle un moyen ou une fin ? → Si la technique est ce qui nous permet de satisfaire nos désirs... Bergson : théorie de l'homo faber → ...cependant, la technique peut aussi échapper à l'homme et ce faisant lui nuire... Goethe : la métaphore de l'apprenti sorcier → ...dès lors, la technique peut aussi être considérée comme un mode de pensée. Heidegger : la technique peut devenir un état d'esprit dangereux

Su Nature sono state pubblicate due ricerche, di cui alcuni giornali hanno parlato di recente: quella degli "embrioni sintetici" e quella dell'"utero artificiale". Come sostiene la Dignitas Personae: «le scienze mediche hanno sviluppato in modo considerevole le loro conoscenze sulla vita umana negli stadi iniziali della sua esistenza.

Su Nature sono state pubblicate due ricerche, di cui alcuni giornali hanno parlato di recente: quella degli "embrioni sintetici" e quella dell'"utero artificiale". Come sostiene la Dignitas Personae: «le scienze mediche hanno sviluppato in modo considerevole le loro conoscenze sulla vita umana negli stadi iniziali della sua esistenza.

durée : 00:01:53 - Les 80" de... - par : Nicolas Demorand - Avant son éviction de Danone, nous avions reçu plusieurs fois Emmanuel Faber dans le 7/9, la dernière en date pour nous expliquer le changement de statut de Danone dont il avait fait une entreprise à mission.

Levi e le mani: l'organo “nobile” con cui scrive, lavora, gioca a scacchi e crea sculture.

Der Roman des Schweizer Schriftstellers Max Frisch wurde nach seiner Veröffentlichung im Oktober 1957 zum Bestseller und ist eines seiner bekanntesten Prosawerke.

Konflikte gehören zum Leben. Ohne Streit geht es nicht. Trotzdem haben viele Angst davor, sich in die Haare zu kriegen. Dabei ist ein guter Streit Gold wert. Ich-Botschaften und bloß nicht laut werde – alles Bullshit! Die Psychologie kennt mittlerweile viel bessere Ansätze für eine gesunde Streitkultur. 8 Tipps & Strategien für gutes Streiten + eine Geheimwaffe haben wir für euch im Köcher. Außerdem dürfen wir empfehlen: 2 Bücher und zwar „Homo Faber“ von Max Frisch und „Sofies Welt“ von Jostein Gaarder. Dann noch den Filme „VICE“ und Leons Besuch bei Inas Nacht in der ARD. Den könnt ihr hier sehen: https://daserste.ndr.de/inas_nacht/Inas-Nacht-mit-Uschi-Glas-und-Leon-Windscheid,inasnacht6558.html Wenn es um Deine finanzielle Zukunft geht, ist die Allianz für Dich da. Starte mit der neuen Allianz Lebensversicherung in die Zukunft! Mehr Infos bei deiner Beratung oder auf https://www.allianz.de/deinezukunft. Jetzt 25% Rabatt sichern bei Blinkist unter: https://www.blinkist.de/fuehlen

Paolo Galluzzi"Festival Filosofia"http://festivalfilosofia.it/Festival FilosofiaVenerdì 18 settembre 2020, ore 10:00, CarpiLa lezione dei classiciPaolo GalluzziGalileo e la nascita della meccanica razionaleCosa accade con Galileo Galilei e l'avvento di una scienza fisica pienamente conforme alle leggi di natura e distanziata dall'idea antica, artigianale e pratica, della meccanica?Paolo Galluzzi è stato professore di Storia della scienza presso l'Università di Firenze ed è Direttore dell'Istituto e Museo Nazionale di Storia della scienza di Firenze. Ha fatto parte del Consiglio Nazionale dei Beni culturali e ambientali ed è Chairman del Comitato scientifico internazionale della Fondazione Nobel per la realizzazione del Museo Nobel. È Presidente della Commissione per l'Edizione nazionale dei manoscritti e dei disegni di Leonardo da Vinci e ha diretto la Storia della Scienza Einaudi. Si è occupato di scienziati e ingegneri del Rinascimento e dello sviluppo della scuola galileiana. Ha, infine, realizzato numerosi progetti di ricerca e di divulgazione utilizzando le nuove tecnologie informatiche e telematiche. Si ricordano i due CD-ROM (in italiano e in inglese) che contengono la presentazione virtuale delle mostre Gli ingegneri del Rinascimento e Homo Faber, nonché l'ideazione e il concepimento del Sistema Informativo e del web site dell'Istituto e Museo di Storia della Scienza. A quest'ultimo è stato conferito il Premio Denis Diderot del Conseil International du Cinema, de la Television et de la Communication Audiovisuelle quale miglior sito web 1999. Ha infine concepito e diretto Galileothek@, un gigantesco progetto di archivio digitale integrato di tutte le risorse documentarie relative a Galileo. Tra le sue pubblicazioni: Leonardo e i proporzionanti (Firenze 1989); Gli ingegneri del Rinascimento (Firenze 1996); Mechanical Marvels (Firenze 1997); Beautiful Minds. I Nobel italiani (con L. Manetti, Firenze 2004); Tra Atomi e Indivisibili. La materia ambigua di Galileo (Firenze 2011); Libertà di filosofare in Naturalibus. I mondi paralleli di Cesi e Galileo (Roma 2014).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

HOMO FABER X HOMO DIVINUS by Antonio Carlos Costa

Quando o exercício da atividade profissional não está à altura da dignidade humana? Quando fazemos tanto o que é intrinsicamente indigno, quanto o que pode ser considerado digno, porém, transformado em ponto de coesão da vida, propósito da existência, objeto de adoração. É o caso do excelente profissional que, por ter feito do seu trabalho o fundamento da sua auto-estima, sacrificou família, saúde, amizades e a comunhão com Deus.

La caratteristica principale dell'uomo è la dinamicità. L'uomo si qualifica per ciò che fa e per ciò che ha, mai per ciò che è (come accade invece per la donna). Ma questo non è un ostacolo, anzi è un'opportunità.

David y Octavio hablan de Marx, no desde el ángulo de su utopía política, sino desde su mirada del ser humano como creador por excelencia y co-autor del mundo social donde encuentra sentido y valor a su individualidad.

“When Theology meets Technology” BBE hosts two inspiring conversations about the essence of technology, the condition of human beings and the need of ethics to guide their interaction towards inclusive progress for humanity on a planet made of limited resources. By the way, did you know that the first bank in the world was created by a franciscan named Barnabas of Terni? We learnt from our first guest Father Paolo Benanti, professor of ethics at Pontifical Gregorian University and author of “Homo Faber”. Our second guest, Clara Durodie, shared some extracts of her recent book “Decoding AI in Financial Services” and added her theology-led expectation about top management formal education in banking.

Wenn das Leben dich einfach nur ärgern will und du so bei dir denkst, ich will nicht mehr. Wenn dich deine Zuversicht verlässt und alles ausweglos scheint. Die Katze heult, weils das falsche Essen ist. Die Sitzfläche deiner Couch ist gebrochen. Aber du hast Fischstäbchen im Ofen. Die kleinen Dinge halten die Welt am Kacken!

In der zweiten Folge des BücherRausch-Podcasts stellt Euch Lena Schulz "Homo faber" von Max Frisch vor. Viele kennen den Roman vielleicht aus der Schule und verbinden gar nichts Gutes damit. Aber Lena findet: Der Roman hat es verdient, gelesen zu werden. Vielleicht macht Euch Ihre Empfehlung Lust, dem Buch eine zweite Chance zu geben – oder es endlich mal zu lesen. Schließlich ist der Bericht des Ingenieurs Walter Faber ein Klassiker deutschsprachiger Literatur und ein Buch, das immer noch aktuell ist.

Was macht einen echten Klassiker aus? Dass sowohl Eltern als auch ihre Kinder das Buch aus der Schule kennen? „Homo Faber“ von Max Frisch ist so ein Buch, aber als Klassiker ist es wohl eher zu bezeichnen, weil seine Themen immer noch aktuell sind.| der Hörverlag, 29 Euro.| Rezension von Leonie Berger.

Alberto Cavalli è ricercatore, giornalista, direttore della "Fondazione Cologni dei Mestieri d’Arte" e della "Michelangelo Foundation for Creativity and Craftsmanship" di Ginevra. Al Politecnico di Milano è titolare di un corso dal titolo misterioso e affascinante: La Bellezza Italiana. Nei sui corsi Alberto fa sperimentare il valore della bellezza - tra arte contemporanea e antica - e invita i futuri designer a cantare gli inni di Sant'Ambrogio. Con lui parliamo del legame profondo tra design e artigianato, ma anche di bellezza come sinonimo di libertà.

Wie verändert sich auf Basis von großen Datenmengen Ihr Beschaffungsmanagement? Kennen Sie den Lieferanten Ihres Lieferanten und die Risiken, die Ihre Lieferstruktur beinhaltet? Sind Sie wirklich in der Lage, die interessanten Lieferanten für einen neuen Artikel zu identifizieren? Dieses und viele weitere Themen bespreche ich im Rahmen von Einkauf 4.0 mit Prof. Dr. Christian Heinrich, Gründer der scoutbee GmbH. Viel Vergnügen! Literaturempfehlung: Gärtner, C.; Heinrich C.: Fallstudien zur Digitalen Transformation: Case Studies für die Lehre und praktische Anwendung. 2017Frisch, M.: Homo Faber. 1957Webempfehlung: GründerszeneLinkedIn Weitere Informationen und Hintergründe zu den Folgen finden Sie auf unserer Webseite Unsere Bitte: Wenn Ihnen diese Folge gefällt, dann freuen wir uns über eine 5-Sterne-Bewertung, damit auch andere auf diesen Podcast aufmerksam werden und wir das Angebot weiter verbessern können. Zeitaufwand: 1-2 Minuten. Link zur Seite hier. In diesem Sinne: keep connected. Herzlichst Ihr Axel Winkelmann

In che senso l'uomo è per natura tecnico? Capacità di produrre e di manipolare il mondo ne costituiscono l'essenza. Umberto Galimberti Homo faber festivalfilosofia 2017 | arti Domenica 17 Settembre 2017 Carpi

"Rückkehr nach Montauk" basiert auf einem Drehbuch von Regisseur Volker Schlöndorff und dem irischen Schriftsteller Colm Tóibín. Die Geschichte ist angelehnt an den Roman "Montauk" von Max Frisch, von dem Schlöndorff 1991 schon dessen Roman "Homo Faber" verfilmt hat. Das Drama erzählt von einem älteren Schriftsteller (dargestellt von Stellan Skarsgård), der nach Jahren seine frühere Geliebte (Nina Hoss) in New York wiedertrifft. Beide beschließen daraufhin, das Wochenende gemeinsam im titelgebenden Küstenort Montauk, auf Long Island, zu verbringen, wo sie einst glücklich waren.

Max Frischs Roman "Homo faber" aus dem Jahr 1957 gilt als Beschreibung des Menschen im technischen Zeitalter, der glaubt, das Leben nach den Gesetzen von Logik und Wissenschaft organisieren zu können. Der moderne Mensch, so Frisch, lebt an sich selbst vorbei und ergibt sich der Machbarkeitseuphorie der Technik. Welche Perspektiven eröffnet uns der "Homo faber" für das 21. Jahrhundert - und was würde sein Autor zu Internet, e-Mail und Facebook sagen? (Produktion 2011)