Podcast appearances and mentions of Anna Banana

Tonie hated our interview with Western Standard founder Derek Fildebrandt, Anna Banana peels paint over Danielle Smith's trip to D.C., and KP's got "liberals, dippers, easterners, greenies, Jespo and Johnny" in his sights over "fake love for Canada". It's The Flamethrower presented by the DQs of Northwest Edmonton and Sherwood Park! FIRE UP YOUR FLAMETHROWER: talk@ryanjespersen.com When you visit the DQs in Palisades, Namao, Newcastle, Westmount, and Baseline Road, be sure to tell 'em Real Talk sent you! FOLLOW US ON TIKTOK, X, & INSTAGRAM: @realtalkrj & @ryanjespersen JOIN US ON FACEBOOK & LINKEDIN: @ryanjespersen REAL TALK MERCH: https://ryanjespersen.com/merch RECEIVE EXCLUSIVE PERKS - BECOME A REAL TALK PATRON: patreon.com/ryanjespersen THANK YOU FOR SUPPORTING OUR SPONSORS! https://ryanjespersen.com/sponsors The views and opinions expressed in this show are those of the host and guests and do not necessarily reflect the position of Relay Communications Group Inc. or any affiliates.

We've got today's top political stories teed up for Cheryl Oates and Erika Barootes, including Doug Ford's early election call, a lacklustre Liberal leadership race, Pierre Poilievre's "two genders" interview, and Danielle Smith's visit to D.C.  1:30 | But first...everybody's talking about what a great job our buddy Marty Jones did with Gene Principe during the January 23 Oilers broadcast! Jespo and Johnny recap our interview with the 99-year-old D-Day veteran in November. MARTY JONES on REAL TALK: https://rtrj.info/111124MartyJones JUNO BEACH CENTRE: https://www.junobeach.org/ 9:45 | Erika and Cheryl get into Trump's tariff threats, Canada's military spending, and Danielle Smith's D.C. appearances. Is "lame duck" fair to describe the federal government (24:00), and is Mark Carney the next P.M.? Is Doug Ford right to call an early election (33:45)? 41:45 | If 80% of Albertans oppose coal mining in the Eastern Slopes, how can the UCP possibly defend it?  58:45 | What did you think of that Pierre Poilievre "two genders" moment during a CP24 interview?  1:11:45 | We're a week away from the Real Talk Pond Hockey Classic! Ryan and Johnny share a few details about the big day. Spectators are welcome between 9:30am-3:30pm Saturday, February 1 at Larry Olexiuk Field in St. Albert!  1:16:00 | Ryan throws Johnny under the bus for a cold-hearted comment.  1:19:00 | Tonie hated our interview with Western Standard founder Derek Fildebrandt, Anna Banana peels paint over Danielle Smith's trip to D.C., and KP's got "liberals, dippers, easterners, greenies, Jespo and Johnny" in his sights over "fake love for Canada". It's The Flamethrower presented by the DQs of Northwest Edmonton and Sherwood Park!  FIRE UP YOUR FLAMETHROWER: talk@ryanjespersen.com  When you visit the DQs in Palisades, Namao, Newcastle, Westmount, and Baseline Road, be sure to tell 'em Real Talk sent you!  FOLLOW US ON TIKTOK, X, & INSTAGRAM: @realtalkrj & @ryanjespersen  JOIN US ON FACEBOOK & LINKEDIN: @ryanjespersen  REAL TALK MERCH: https://ryanjespersen.com/merch RECEIVE EXCLUSIVE PERKS - BECOME A REAL TALK PATRON: patreon.com/ryanjespersen THANK YOU FOR SUPPORTING OUR SPONSORS! https://ryanjespersen.com/sponsors The views and opinions expressed in this show are those of the host and guests and do not necessarily reflect the position of Relay Communications Group Inc. or any affiliates.

On episode 300 of the PC Update, Alexis used the bridge appropriately, not a soul buys this bridge as an ice cream spot. We were all as stunned as Anna Banana to find out that someone slept with an ex with no label... AND WITHOUT JASON PARKED OUTSIDE! It's probably not the best time for Willow to tell Michael she's prone to kissing others to comfort them... and during loud sounds, bright lights and when it rains. This episode covers GH episodes from September 2nd - 6th, 2024. *Music provided by Scott Holmes (song name - Electronic Vibes).

On episode 292 of the PC Update, it's hard to know if Cates is salivating at the chance to get at Sonny or play hero to a damsel that causes distress. Jordan is thinking one thing... if you don't stop I WILL KISS YOUR HUSBAND AGAIN! We all know that Anna Banana is heading to Valentin's for one thing... yet she keeps calling it a "satellite phone". This episode covers GH episodes from July 8th - 12th, 2024. *Music provided by Scott Holmes (song name - Electronic Vibes).

On episode 290 of the PC Update, Jason confused as to how being framed is a compliment to Anna Banana - "he knows I can handle it". Mac is back and getting scandalous. Even though Sam believed Jason shot Dante in cold blood for fun, she expected his loyalty and devotion always. This episode covers GH episodes from June 17th - 21st, 2024. *Music provided by Scott Holmes (song name - Electronic Vibes).

On episode 282 of the PC Update, Sonny threatened Jason because he didn't want to see his face, and as a show of strength, gave him the whole warehouse. Nina did the sex and nothing, meanwhile Carly has a concussion sleep over and has Cates wrapped around her finger. Uncertain if breakfast plans made Anna Banana a better spy. This episode covers GH episodes from April 8th - 12th, 2024. *Music provided by Scott Holmes (song name - Electronic Vibes).

In celebration of Saint Patrick's Day, Darren Maule has brought some Irish Casserole to studio. Thank you Anna Banana for this special surprise for the East Coast Breakfast team. Webpage

Anna and her animal friends attempt to bake a chocolate cake. But it doesn't exactly go to plan.

Housekeeping 120th was great (as far as you know) Casa de Johnson Jeremy's 50th Parking on a ski hill Thanks Evan 120th, like Mama Tried but in the summer… Oxymoron - “Finished Chopper” Anna Serena Let me tell you Anna is a real one. like most or all of our guests Anna is a deep and multi faceted individual and despite being from Florida she's still pretty cool. From promoting festivals to touring with musical artists to living the nomadic life that she does Anna is steeped in experience, joy and great stories.   https://www.instagram.com/dontstop/ https://www.dontstop800.com/   Racer, Builder, Owner, Promoter, Producer Will fight alligators Punch your way out Street team promotor Trailering vintage motorcycles with a Prius Vintage 1000 Off road touring Anti-Warped Tour Breaking the mold Women in motorcycles Weirdo vibe Movement for women in motorcycles Pulling people along, who do you know Having flat track together with other countries Banana origins Abba Zaba Experience curious - sign me up - let's go Not afraid of Pierogis anymore Don't Stop Festival Alignment of partners Bridge is up! Taking indoor flat track racing around the world Sidebar Taking motorcycle world to empower women everywhere Next Jersey to race with BTR Sturgis with Royal Enfield Sturgis BTR race Wildsville MX   Build Train Race Program https://buildtrainrace.com/ https://www.instagram.com/build.train.race/ https://www.youtube.com/@RoyalEnfieldNorthAmerica   Vintage 1000 https://speeddeluxe.com/vintage1000/ https://www.instagram.com/vintage1thousand/   American Historic Racing Motorcycle Association https://www.ahrma.org/ https://www.instagram.com/ahrmaofficial/   Chastin Brand https://www.instagram.com/chastinbrand/ https://chastinhandpainted.com/   Long's Motorcycle Shop https://www.instagram.com/longsmotorcycle/ https://www.longsmc.com/

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Qu'on le voit comme une film à messages ou une simple comédie écervelée, Mean Girls fait rire, fait réfléchir, et a marqué l'esprit de la plupart des gens qui l'ont écouté. C'est son ironie qui fait son efficacité, et malgré ce qu'on peut anticiper d'une comédie des années 2000, le film est loin de tourner les coins ronds au niveau créatif. On s'explique avec Jenn et Anna Banana. Bonne écoute! Time Stamps: Jeu des 3R: 1m36 Film: 21m15 Zone Spoiler: 39m06

While the Covid-19 pandemic has caused enormous devastation and disruption in health, social and economic terms, the remarkably quick development of Covid-19 vaccines is an enormous achievement. Yet despite frequent statements that “it's not over anywhere, until it's over everywhere”, the distribution of Covid-19 vaccines has been grossly inequitable – defying what the world needs epidemiologically and economically, as well as ethically. The panel of leading academic and activist experts reflect on one of the biggest immediate problems facing the world – looking back at how global Covid-19 vaccine inequality has emerged and exploring what needs to happen now and in the future to address the ongoing issue, and help prevent similar future problems. It will explore aspects including the roles and limitations of technology transfer, patent protection, vaccine nationalism, COVAX as a multilateral initiative. Speakers: Karrar Karrar is a Senior Advisor – Pharmaceutical Policy, Save the Children Lara Dovifat is Campaign Manager, Médecins Sans Frontières/Doctors Without Borders (MSF) Prof. Ken Shadlen is a Professor of Development Studies, LSE) Chair: Rory Horner Senior Lecturer, Global Development Institute, University of Manchester Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/global-covid-19-vaccine-inequality.pdf Intro music Anna Banana by Eaters

Yeling Tan discusses her book, Disaggregating China, Inc: State Strategies in the Liberal Economic Order. China's entry into the World Trade Organization in 2001 represented an historic opportunity to peacefully integrate a rising economic power into the international order based on market-liberal rules. Yet rising economic tensions between the US and China indicate that this integration process has run into trouble. To what extent has the liberal internationalist promise of the WTO been fulfilled? To answer this question, this podcast breaks open the black box of the massive Chinese state and unpacks the economic strategies that central economic agencies as well as subnational authorities adopted in response to WTO rules demanding far-reaching modifications to China's domestic institutions. Tan explains why, rather than imposing constraints, WTO entry provoked divergent policy responses from different actors within the Chinese state, in ways neither expected nor desired by the architects of the WTO. Yeling Tan is Assistant Professor of Political Science at The University of Oregon Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/disaggregating_china_inc_yeling_tan.pdf Intro music Anna Banana by Eaters

This podcast focuses on development politics at the United Nations, particularly the period of the so-called New International Economic Order (NIEO) in the 1970s. The NIEO was an effort by Third World countries to pursue a reform agenda that combined global redistribution from North to South with state-led developmentalism at the national level. By revisiting this fascinating and tumultuous period in the global political economy, Bair aims to re-centre the role of Southern states in debates about globalization, human rights and inequality. Jennifer Bair is Professor of Sociology and Department Chair at The University of Virginia Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/new_international_economic_order_right_to_development.pdf Intro music Anna Banana by Eaters.

We all knew that Darren Maule is a charmer but we never thought he does the most even when resources prove little. Since the entire Kelly-Maule have struggled with water for the past month, he tried to make a warm bath for his Anna Banana by going to the extreme. Take a listen and hear what it really means to care for your loved one.

To mark the launch of The Routledge Handbook of Global Development, we have recorded 3 podcasts with the core editorial team. In the final episode, core-editor Kearrin Sims sat down with Albert Salamanca and Pichamon Yeophantong, section editors for the book's section ‘Sustainabilty and Environment'. Kearrin Sims is a lecturer in Development Studies at James Cook University, Australia. Albert Salamanca is a senior research fellow at the Stockholm Environment Institute's Asia Centre, Thailand. Pichamon Yeophantong is a senior lecturer at the University of New South Wales, Canberra. Find out more about the book: http://blog.gdi.manchester.ac.uk/new-handbook-challenges-dominant-development-paradigms/ Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/routledge-handbook-global-development-e3.pdf Intro music Anna Banana by Eaters.

In this second podcast to mark the launch of The Routledge Handbook of Global Development, Professor Jonathan Rigg sits down with Dr Nicola Banks, the section editor of 'Game Changers of global development?', to find out what makes a 'game changer' and how development pedagogy can learn from them. Jonathan Rigg is Professor of Development Geography in the School of Geographical Sciences at the University of Bristol. Nicola Banks is Senior Lecturer in Global Urbanism and Urban Development at the Global Development Institute at the University of Manchester. Find out more about the book: http://blog.gdi.manchester.ac.uk/new-handbook-challenges-dominant-development-paradigms/ Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/routledge-handbook-global-development-e2.pdf Intro music Anna Banana by Eaters.

To mark the launch of The Routledge Handbook of Global Development, we have recorded 3 podcasts with the core editorial team. In this first episode, core-editor Kearrin Sims sat down with co-editors Susan Engel, Paul Hodge and Naohiro Nakamura, to discuss their motivations behind the book, what makes this volume so special, and how it deals with 'global' development. Kearrin Sims is a lecturer in Development Studies at James Cook University, Australia. Susan Engel is an associate professor in Politics and International Studies at the University of Wollongong, Australia. Paul Hodge is a senior lecturer in Geography and Environmental Studies at The University of Newcastle, Australia. Naohiro Nakamura is a senior lecturer in Geography at the University of the South Pacific, Fiji. Find out more about the book: http://blog.gdi.manchester.ac.uk/new-handbook-challenges-dominant-development-paradigms/ Read a transcript of the podcast: https://hummedia.manchester.ac.uk/institutes/gdi/research/transcripts/routledge-handbook-global-development-e1.pdf Intro music Anna Banana by Eaters.

Acompaña a Ricardo Cartas en una emisión más de la revista cultural De eso se trata, espacio de ciencia, de cultura, de gastronomía, de libros y más, de lunes a viernes de 08:30 a 10:00 horas. En Sónico, Anna Banana Song, interpreta algunas de sus canciones más representativas, como "Peregrinos" y "My friend", de las cuales la primera surgió como un poema. ¡Disfrútalas!

Anna Banana's extremely disturbing comments get revealed. Tara thinks she's doing God's work. Zoe Laverne and her cringy boyfriend get engaged.

Can you imagine taking leave and planning a special holiday with the love of your life, only for appliances and devices in your home to pack up? This is what happened to Darren and Anna during the holiday season after sending is daughter, Mouse, away to her mother. However, Darren says that that did not deter him and his Anna Banana from continuing with their honeymoon phase. He also says that he lerant an important lesson.

Darren's had an amazing experience with Lady Jane Weekend Kit and he wants you. In fact, he enjoyed it so much with his Anna Banana that he gave Lady Jane (an upmarket adult retail store concept that specializes in adult products and lingerie) his DKS stamp of approval. Listen to the podcast for the code

Riley Interviews Khaleel also known as "Countless." They discuss why he changed his content, his future plans, and if Anna Banana will add Riley back on snap. They finish talking about whether or not he would go back to before his fame.

Earlier this week, we mentioned that Darren had nominated Decorland's Shutters for the all-important DKS Stamp of Approval because he and Anna Banana are moving house. But he could not give the stamp without an installation and without checking it out at his new place first. SO Decorland sent some guys to install the shutters and Darren gave is feedback.

On this episode I talk about my time at The Children's Institute and how I made a friend and her name was Anna. I talk about how we would get into trouble and have fun. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/hearttransplant/support

In this 53rd show: A lifestyle Moving adventure Anna Banana Heaven's language

Vous pouvez télécharger l’émission ici! Exergue Dorothée Giroux dans 30 ans de radio citoyenne: CIBL FM par Chloé Sondervorst et Robert Blondin Chroniques Sylvain Aubé présente une chronique sur l’art sonore et les plateformes de diffusion en ligne.   Vous pouvez en apprendre davantage sur la plateforme numérique Isoloir grâce à leur site Internet. et retrouver... Read more »

In today’s episode I’m talking with a wonderful food blogger and photographer Anna Wierzbinska, also known as Anna Banana. Anna manages a successful food blog, she photographs for many restaurants and brands and manages her own Instagram account with 35k followers. I had such a lovely conversation with Anna, and we dive into so many interesting topics like working with local brands and restaurants, shifting mindset during crises, sponsored posts, building experience and professionalising business. Here’s further what we’ve discussed:- Anna tells us how she became a food blogger & photographer.- She shares her path in learning food photography & it’s business that includes names of some specific books (links below).- We talk about professionalising the food photography business. That includes being confident with the pricing, using terms & conditions etc.- We talk about the importance of building a network and connecting with colleagues in the industry.- We talk about how we both started to build a portfolio, gain experience and build a network of clients through work with restaurants.- Anna shares how important it is to have regular clients.- We talk about shifting mindset during the crises. Thinking of creative ways to potentially start relationships with businesses.- Anna shares about what it means working with small local brands.- Our thoughts on stock photography- Sponsored posts & interactions on Instagram on it. The importance of learning what your audience likes.Mentioned books: “Plate to Pixel” by Helene Dujardin, “Setting up a Successful Photography Business: How to Be a Professional Photographer” Lisa PritchardMentioned course: Food Blogger ProInstagram: @twolovesstudio, @thebiteshotFind Anna on instagram @anna_wierzbinska and blog annabanana.co ————————————Follow me on Instagram to keep up to date about the latest podcast episodes @kamilekave

HERE'S A LITTLE LIGHT AND LAUGHTER AND ANNA BANANA. STAY THE FUCK AT HOME!! --- Support this podcast: https://anchor.fm/helpyouhelpmepodcast/support

Recorded live in Epping, Sydney NSW 2121 on Thursday, 2 January 2020 at the early hours. Greetings from The Glocals in the new Decade. All the best from ours to yours! Welcome back Anna Banana with a new name! She finally got a Viet name after hanging out with the Viet for so long, and we both love it. On a serious note, I reckon a lot of us have been doing our reflections and thinking about how the last decade went. Personally, this podcast series has helped me put things into perspective a lot. At first, 10 years ago seemed like a long time ago and I thought what I did back then meant little to who I am now. But I was wrong. Me at 14 was the me that made a lot of touch choices. These choices have constantly helped me to become more me everyday. This little reflection has also helped me to never underestimate the power of youth, which lives in me and people so much younger or older than me. At 14, I couldn't imagine celebrating 2020 in Sydney with my mom and a newly found best friend. I could never imagine having a life like the one I am leading right now, and I am so thankful for all the things that I get to learn. Somewhat foreign concepts like veganism have come into my life and opened my eyes so much thanks to my beloved friends, and that is what Anna and I discussed in this convo. It is a really good one as we got to really sit down and understand each other's point of view and find balance in this somewhat taboo topic. Sending messages like veganism is good for the planet and us all can only work when they are delivered in a positive way, so please tune in to hear what we have to say from 2 sides of the table. All our love, Anna (Chui) and Lu --- Send in a voice message: https://anchor.fm/the-glocals/message Support this podcast: https://anchor.fm/the-glocals/support

Recorded live in Melbourne CBD, Australia on Friday 1 Nov 2019. Meet my Anna Banana, or as our mate Noah calls her, Annie Bananie, my newly found bestie with an age-old kind of friendship. We hit it off so well the first time we really talked that I thought it couldn't be real. But it is. I remember explaining my idea of The Glocals to her one day after uni and she just immediately picked it up and told me how meaningful this podcast can be to the world. I will never ever forget that moment cause I instantly knew that we are meant to be. We are both in our early 20s and figuring things out, and we don't know where we're heading. But we know that wherever we are, we have each other and our friendship is one to be cherished forever. Maybe that's why she just wanted to talk to me about friendship when we recorded this episode, and maybe she wanted to talk about it because friendship plays such a huge part in her life. We didn't have anything scripted and sometimes we didn't even know how to express ourselves, but we had such an awesome time reflecting on ourselves and laughing our butts off. I asked Anna if she'd like to add anything to the show notes and she just complimented on my writing. Honestly, I cannot express enough how grateful I am to have known this human. Shoutout to Pooja our queen for connecting us in the first place! One thing that I wanna point out is English serves as the second language for both of us, so the very fact that we could connect so well is a major testimonial for human connections regardless of all kinds of borders and differences. As we are approaching the end of this decade, it is so common to see long-distance friendships like what we are experiencing and about to experience in our own. I am so glad that we had this convo given that it has enabled us to understand each other's wishes for our own friendship and for friendships in our lives in general. Thanks to this random deep chat like all the others of ours, we have also been able to envision our future even though it's bittersweet to think about. Agreeing that maintaining this friendship, like any others, has got to be a 2-way street, Anna and I have felt more confident in being friends, making friends and keeping friends. As much as we would like to share with the world that it takes effort to be a good friend, we would also love to acknowledge that being a good friend requires as much as a short meaningful message or a quick check-in call. As we found each other, we'd also lost some friends and now we know that it's actually for our sake. We got to filter our circles and reflect on our life changes, and we have found more people like us. It is such an important and beautiful thing. We are grateful for each other and all of our amazing friends. We are so grateful to be able to share our lessons with you, and we know that more friendship lessons will come to us. But for now, we hope our convo can inspire you in some ways to be a better friend, making more meaningful friendships, and especially, making that one phone call or sending that one message you know you should have made or sent in a while. All our love, Anna and Lu P/S: Hey Anna my darling, I love this convo of ours so much and I am so glad we can listen to it again whenever we miss each other, so may we keep the sparks alive, always. --- Send in a voice message: https://anchor.fm/the-glocals/message Support this podcast: https://anchor.fm/the-glocals/support

THIS IS IS DELONGEST EPISODE YET! 50TH EPISODE!!! THANKS FOR FUCKING WITH ME DELONG WAY! ANNA BANANA IS BACK AND WERE NOT DISCUSSING THE TOPIC I BROUGHT. ALSO MY MOM'S REMEDIES WORK, IM JUST BEING A BRAT FOR THE INTERNET. --- Support this podcast: https://anchor.fm/helpyouhelpmepodcast/support

Our podcast today was recorded in front of a live audience on September 24, 2019 at The Wilma in Missoula, MT. 8 storytellers shared their true personal story on the theme “Leap of Faith”. Our first story comes to us from Karl Stein, who shares his tale of falling in love with the rhythm of the tracks, riding trains from Montana to California and back while trying to avoid the yard bulls. He calls his story “Vagabond”. Karl Stein started painting when he was ten years old after inheriting his grandfather’s oil paints. In 1969 a Grizzly football scholarship brought him to Montana where he set nine school records his first year, including the still standing single season interception record, earning him all American honors and induction into the Grizzly Hall of Fame as part of the championship 1969-18970 team. Known as “sky thief” he may be the only Griz player who was an art major, and performed with the University Modern Dance Company. Karl lives with his family next to tribal forest lands of the Confederated Salish and Kootenai Tribes, where he loves to paint, sculpt, play music, garden, eat toast and jam, run, follow black bears and ski out his back door. Our next story comes to us from Tomi Cook whose downward spiral into addiction is transcended when her drug dealer takes a leap of faith of his own and treats Tomi with compassion. This is Tomi’s story of healing and grace. She calls her story “One Leap At a Time”. A warning for our more sensitive listeners, Tomi shares openly and with frank language about suicide and drug use. If you or someone you know needs help with depression or suicidal thoughts, you can call the National Lifeline 1.800.273.TALK. If you or someone you know struggles with addiction, you can find help at addictionresource.com. Tomi Cook recently graduated from the clinical mental health master’s program at the University of Montana  and then landed her dream job at Open Aid Alliance. She’s a native New Yorker who spent the early parts of her life moving around the country, including several years in Japan before she found Montana, not by choice, but by luck. In our final story, Anna Haslund performs a daring horse rescue on a forest service road in Montana. Anna calls her story “Joe + Balthazar”. Note that Anna is deaf, and you may hear her voice in the background of the American Sign Language interpreter who is voicing Anna’ story. Anna Haslund loves to help the community with her kindness! She is the one who breaks the barrier and who can do the impossible. Watch out for her crazy skill with yassss kicks! Her nickname is Anna Banana!

Support Personality Bingo and become a patron at our Patreon. If a contribution of a couple of Euro wouldn’t make a massive difference to your life, just know it makes a gigantic one in ours!  As Blindboy says, “it’s a model based off soundness”, so if you CAN support, please do on behalf of someone who can’t!  --------------------------------------------------------------------------- Juliette Crosbie is a graduate of The Gaiety School of Acting . Juliette has just wrapped production on The Other Lamb, directed by international award winning director Malgorzata Zsumowska. She will appear at Farmleigh Estate on May 4th to present a scene, ‘A Paper Airplane’ from the Fighting Words Dublin Group. Stage Credits Include; National Tour with The Abbey Theatre in the one-woman play Me Sara (The Peacock Theatre, Mick Lally, Galway) Irish premiere of Geroid Humphreys Norah (The New Theatre, The Lyric, Watergate, Riverbank) Juliette received high praise for her performance in the titular role. The Shaughraun (Smock Alley), Half Light (Baboro Childrens Festival ’18, The Ark, Smock Alley, The New Theatre), True Pirates Never Die (Smock Alley), award winning Fierce Notions (Smock Alley), Measure for Measure (National Monuments), GIRLPLAY (Morrigu Productions.) Film Credits include international feature The Other Lamb, the award winning feature Writing Home, Daddy Issues (dir. Tony Kelly) and DIT short PITSTOP. She is a well known jazz singer in the Dublin scene, having performed and hosted The Dublin Burlesque festival, in ’16 and ’17, as well as being an accomplished musician, trained in several instruments. Juliette has also featured as the voice for ‘Anna Meyers’, the female heroine of the video game Murder in The Alps, which is now available on SmartPhone and Tablet for free. She has also voiced the character of Anna Banana on the Nickolodeon Childrens TV show Rainbow Rangers, which has just aired in the US.

BEST FRIENDS AF. --- Support this podcast: https://anchor.fm/helpyouhelpmepodcast/support

This episode is with my best friend, Anna Banana. We talk about our friendship and mental wellness and self care in our 30s vs our 20s. --- Support this podcast: https://anchor.fm/helpyouhelpmepodcast/support

Hi everyone, Here is another music medley from Confetti Park. And in this episode, you will hear lots of songs about fresh fruits and vegetables. In the radio version of this program, we listen to a story about our recently departed dear Mr. Okra. (You can listen to the story here: Mr. Okra Sells Fresh Fruits and Vegetables by Lashon Daley) Mr. Okra passed away this week, and he was one of the last of the New Orleans street vendors. Mr. Okra sold fresh fruits and vegetables from a brightly painted pickup truck that traveled slowly throughout New Orleans’ neighborhoods. His voice rang out over his loudspeaker affixed to the roof of the truck: “I have oranges! I have bananas!” When people heard him coming, they could step out their door and buy their fresh produce for the week. The Confetti Park Players are so fortunate and grateful to have had Mr. Okra sing with us on our first album. He recorded a special song with us. You can listen to the entire track. Now for the full playlist of this episode: First up is one of my favorite tunes, that first came out in 1984 and is surely as classic a Louisiana song as any. I tell you what, I defy anyone of any age, kids or adult, to listen to the song and not feel like a kid when the chorus comes on. This particular version features two patriarchs of Louisiana culture……Doug Kershaw and Fats Domino. This song is Don’t Mess with My Toot Toot. We will also here Satisfied ‘n Tickled Too, by Jeremy Lyons from his Silly Goose Music CD, which features more beautiful Americana classics created with children in mind. There is a beautiful Cajun lullaby called Raisins & Almonds sung by Nancy Tabb Marcantel, and Watermelon Time, by Ted Lindsay of Mooringsport, La., leading the Confetti Park Players in an homage to ripe summer fruit. Then we hear a trio of songs about bananas…… Oh Dego – Leroy Etienne of St. Martinville as featured on the National Park Service’s Songs Of The Lower Mississippi Delta. Anna Banana – Johnette Downing of New Orleans, pied piper of Louisiana Yes We Have No Bananas – the fabulous Louis Prima Kids, go check out Mr. Louis Prima on YouTube… he is a jazz trumpeter from New Orleans who had the energy of a kid, and a style like no one else. Well, we’ve talked about banana, watermelon and other fruits. And so now We play Mr. Okra, singing a song in his own voice. Mr. Okra…. we love you. We will miss your call. Thank you for sharing your voice with us, for sharing good food with us, and for making the world a better place. Don’t Mess with My Toot Toot – Doug Kershaw and Fats Domino Joke of the Day – Atoms Make Up Everything Satisfied ‘n Tickled Too – Jeremy Lyons Raisins & Almonds – Nancy Tabb Marcantel Apple On A Stick – The Confetti Park Players Watermelon Time – The Confetti Park Players Music Memory from Jimmy Caskey Oh Dego – New Orleans Jazz National Historic Park, Leroy Etienne Anna Banana – Johnette Downing Yes We Have No Bananas – Louis Prima Have You Seen The Okra Man – Mr. Okra and The Confetti Park Players Story time: Mr. Okra Sells Fresh Fruits and Vegetables by Lashon Daley Support for Confetti Park comes from the New Orleans Jazz & Heritage Foundation and Music Rising at Tulane University.

8:04    James and Anna Banana 9:13   The RedNeck Bikers 12:30  my ghetto carpet 14:34 Ass Sponge Butt cleaner 15:12  Living next to the…

As Tracy leaves town, Jason and Franco punch each other on an island, and the divorce heats up, everyone suddenly becomes preoccupied with Greek Mythology, and it becomes evident that Sonny doesn't know how to make Espresso.

On this special episode of the Young Readers edition of The Comics Alternative, Gwen and Andy take a look at the 2016 Eisner Award nominees and winners in each of the three young readers categories. The Two People with PhDs discuss not only the books and their creators, but also the categories themselves, the changes they've seen in those categories over the years, and changes they'd like to see in the future. Gwen and Andy know you'll find some great books here and hope you'll share your thoughts with them once you've read them. (You can find a complete list of all the Eisner Award winners here as well as the complete list of nominees here.) In the lists below, the winner of the category is in bold face type. Best Publication for Early Readers (up to age 8) • Anna Banana and the Chocolate Explosion, by Dominque Roques and Alexis Dormal (First Second) • Little Robot, by Ben Hatke (First Second) • The Only Child, by Guojing (Schwartz & Wade) • SheHeWe, by Lee Nordling and Meritxell Bosch (Lerner Graphic Universe) • Written and Drawn by Henrietta, by Liniers (Ricardo Siri Linders, an Argentine creator) (TOON Books) Best Publication for Kids (ages 9-12) • Baba Yaga's Assistant, by Marika McCoola and Emily Carroll (Candlewick) • Child Soldier: When Boys and Girls Are Used in War, by Jessica Dee Humphreys, Michel Chikwanine, and Claudia Devila (Kids Can Press) • Nathan Hale's Hazardous Tales: The Underground Abductor, by Nathan Hale (Abrams Amulet) • Over the Garden Wall, by Pat McHale, Amalia Levari, and Jim Campbell (BOOM! Studios/KaBOOM!) • Roller Girl, by Victoria Jamieson (Dial Books) • Sunny Side Up, by Jennifer Holm and Matthew Holm (Scholastic Graphix) Best Publication for Teens (ages 13-17) • Awkward, by Svetlana Chmakova (Yen Press) • Drowned City: Hurricane Katrina and New Orleans, by Don Brown (Houghton Mifflin Harcourt) • March: Book Two, by John Lewis, Andrew Aydin, and Nate Powell (Top Shelf/IDW) • Moose, by Max de Radiguès (Conundrum) • Oyster War, by Ben Towle (Oni) • SuperMutant Magic Academy, by Jillian Tamaki (Drawn & Quarterly)  

Join Anna B as she shares co creative thoughts, BEings and Inspired Action with a dash of humor and silliness! Let's Empower Ourselves so we can BE an example and Empower others!!! LIFE IS FUN!!! Anna is a mindset and marketing coach, entrepreneur, author and speaker. More on Anna Banana visit www.lifegetsbetterandbetter.com Join in on the conversation at 718-664-9124. LIKE us on Facebook because we LOVE you!!  

What are you appreciating? What are you celebrating? Jump on line and let's tell our stories of possibility! Reality! Raise your vibration, shift your frequency becuae we are all energy!! "Life is a journey, be happy where you are and watch where it takes you!" Espavo! facebook.com/universalenergyradio universalenergyradio.com More on Anna: lifegetsbetterandbettter.com

As our night at the Canal Cafe prepares to return next week, here's a couple of stories told at our monthly open mic night in Brixton. DISCOVER: how Anna Banana got her nickname LISTEN: why Brian's date didn't go as planned If you fancy dropping by, it's a fun evening and it's pay-what-you-can. Head to our website for more information: sparklondon.com. See acast.com/privacy for privacy and opt-out information.

In the upcoming months, performance will become a focal point for the Henry on many fronts. This ArtCast focuses on a first set of performance-oriented works and events, beginning with a discussion with Seattle designer Anna Banana on the New Look Fashion Show she hosted at the Henry on August 4th. Then, we speak with […]