Podcasts about Arioso

Obras de grandes compositores de la música clásica (Bach, Ravel, Fauré, Chopin, Mompou, Rachmaninov) en grabaciones de Trio da Paz ('Arioso'), Baden Powell ('Jesus alegria dos homens'), Bobby McFerrin ('Ave Maria'), Deodato ('Pavane for a dead princess'), Richard Galliano ('Pavane pour une infante défunte'), Airelle Besson, Edouard Ferlet & Stéphane Kerecki ('Pavane opus 50'), Belmondo ('Après un rêve'), Kenny Drew Jr. ('Waltz in A minor', 'Canción y danza VI'), Gilson Peranzzetta & Mauro Senise ('Confesiones íntimas III'), Charlie Haden Quartet West ('Moment musical opus 16 nº3') y Clay Giberson ('Solfeggio'). Escuchar audio

Johann Joachim Quantz (1697 -1763)Concerto per flauto in la minore, QV 5 2381.       Allegretto 2.       Arioso ma non troppo 08:113.       Allegro assai 14:24________Concerto per flauto in sol maggiore, QV 5 165 1.       Allegretto 20:342.       Arioso 26:453.       Presto 32:54 Mary Oleskiewicz, flautoConcerto Armonico BudapestMiklos Spanyi, conductor About Johann Joachim Quantz

Clásicos de la música erudita en grabaciones de Oscar Castro-Neves ('Air on a 6th string' de Bach), Baden Powell ('Aria' de Bach, 'Preludio' de Bach), Antonio Menezes & André Mehmari ('Arioso' de Bach, 'Adagio' de Bach), Edouard Ferlet, Stéphane Kerecki & Airelle Besson ('Es ist vollbrach' de Bach', 'Pavane pour une infante défunte' de Ravel, 'Pavana en F# menor' de Fauré), Michel Camilo & Tomatito ('Gnossienne nº1' de Satie), Kenny Drew Jr ('Canción y danza nº6' de Mompou), Groover Washington Jr. ('Je crois entendre encore' de Bizet) y Joshua Redman, McCoy Tyner, Antonio Hart, Christian McBride & Marvin Smith ('Preludio' de Chopin).Escuchar audio

One of the leading sopranos of her generation, Ekaterina Siurina enjoys an international career that takes her to the top opera houses in Europe and America. She made her professional debut as Gilda in Rigoletto, singing opposite the world-renowned baritone Dmitri Hvorostovsky. Commenting on her recent performance as Violetta in La bohème, Parterre Box called her singing “deeply touching, with arching beams of tone.” Siurina's thrilling renditions of famous arias on this recording bring new life to operatic favorites such as “Un bel di, vedremo” from Madama Butterfly, “In quelle trine morbide” from Manon Lescaut and “Tatiana's Letter Scene” from Eugene Onegin. One critic, describing Siurina's singing on her first album for Delos, Amour éternel, declared that she “impresses with an accomplished performance, by turns assertive, vulnerable, passionate, sensitive, and tormented,” Siurina is accompanied by “the singer's dream collaborator,” four-time GRAMMY® nominated conductor Constantine Orbelian, and the Kaunas City Symphony Orchestra. Orbelian and the Kaunas ensemble were recently presented the Golden Disc Award for high artistic level and intensive concert activity.TracksAntonín Dvořák Rusalka: “Mesicku na nebi hlubokén” (6:34)Giacomo Puccini Manon Lescaut: “In quelle trine morbide” (2:41) Suor Angelica: “Senza Mamma” (4:41) Madama Butterfly: “Un bel di, vedremo” (4:44) Madama Butterfly: “Tu? Tu? Piccolo iddio!” (2:36) Francesco Cilea Adriana Lecouvreur: “Io son l'umile ancella” (3:49)Arrigo Boito Mefistofele: “L'altra notte in fondo al mare” (5:00)Giuseppe Verdi Simon Boccanegra: “Come in quest'ora” (5:55)Pyotr Ilyich Tchaikovsky Iolanta: “Iolanta's Arioso” (2:53) Eugene Onegin: “Tatiana's Letter Scene” (13:57)

Stephen Main, piano, Dorothy Nemeth, violoncello, Piedmont Community Church, Piedmont, California.

Arioso Dawn [Re-mastered] by Fluctuate Music

10:00 a.m. Sunday Worship Service. Download the bulletin here: https://www.bmpc.org/sermons/worship-bulletins/1270-sunday-august-21-2022-10-00-a-m-bulletin/file Prelude: Praeludium and Arioso from “Sonata in Baroque Style” Music: ©1974 Fred Bock Music Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: O for a Thousand Tongues to Sing Text: Charles Wesley, 1739, alt.; Spanish trans. Federico J. Pagura. Korean trans. The United Methodist Korean Hymnal Committee, 2001. Music: Carl Gotthelf Gläser, 1828; arr. Lowell Mason, 1839. Spanish Trans. ©1989 The United Methodist Publishing House (admin. The Copyright Company). Korean Trans. ©2001 The United Methodist Publishing House (admin. The Copyright Company). All rights reserved. Response - Take, O Take Me As I Am Text and Music: ©1995 WGRG, Iona Community (admin. GIA Publications, Inc.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: O Heavenly Word Text: Seventh century Latin hymn. Music: Richard Shephard. ©2015 St. James Music Press. Reprinted and streamed with permission by St. James Music Press, license #7158. All rights reserved. Doxology - Praise God, from Whom All Blessings Flow Text: ©1989 Hope Publishing Company. Music Harm: ©1998 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude: Gigue from “Sonata in Baroque Style” Music: ©1974 Fred Bock Music Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.

Kenny Drew Junior Trio ('Canción y danza VI' de Mompou), Trio da Paz ('Arioso' de Bach), Groover Washington Jr ('Je crois entendre encore' de Bizet), Charlie Haden ('Moment musical opus 16 nº3 in B minor' de Rachmaninov), McCoy Tyner ('Preludio en mi menor opus 28 nº4' de Chopin), Bobby McFerrin & Chick Corea ('Song for Amadeus' a partir de sonata de Mozart), Bobby McFerrin & Yo-Yo Ma ('Andante' del Concierto en re menor para dos mandolinas de Vivaldi, 'Ave Maria' de Gounod y Bach, 'Air' de Bach), Angélique Kidjo ('Lonlon' a partir del bolero de Ravel), Youn Sun Nah ('Lento' a partir de preludio de Scriabin) y L.A. 4 ('Pavane opus 50' de Fauré). Escuchar audio

Arioso Dawn by Drum & Bass Mix Sessions

Heute dreht sich alles um die Waldelfen in unserem Team-Spotlight Zwei Trolle Eine Meinung der Neue Blood Bowl Podcast von Arioso und Docmaxx: https://anchor.fm/2t1m/episodes/Zwei-Trolle-eine-Meinung-01-e1htihf/a-a7rlcif

Episode #61: Mortality and Spirit Uploaded: April 23, 2022 Ludwig van Beethoven: Piano Sonata No. 30 in E Major, Op. 109 I. Vivace, ma non troppo; Adagio espressivo II. Prestissimo III. Andante con variazioni: Gesangvoll, mit innigster Empfindung Piano Sonata No. 31 in A-flat Major, Op. 110 I. Moderato cantabile II. Allegro molto III. Recitativo: Adagio, ma non troppo; Arioso dolente; Fuga: Allegro, ma non troppo; L'istesso tempo di Arioso; L'istesso tempo della Fuga Piano Sonata No. 32 in C Minor, Op. 111 I. Maestoso; Allegro con brio ed appassionato II. Arietta: Adagio molto semplice e cantabile Andrew Rangell, piano DORIAN RECORDINGS DOR-90158 Henryk Górecki: Totus Tuus, Op. 60 Arvo Pärt: Magnificat Frank Martin: Mass I. Kyrie II. Gloria III. Credo IV. Sanctus V. Agnus Dei Robert Shaw Festival Singers Robert Shaw, conductor TELARC CD-80406

New Unreleased Melodic House track by Phil Reynolds....

The human voice is the most beautiful instrument of all. We will find out in today's episode featuring the brilliant singer Maya Amir. https://aicf.org/artist/maya-amir/ Maya's album on Spotify: https://open.spotify.com/artist/1LVvM5W9d9fMPYGD2cvZoD?autoplay=true https://www.youtube.com/channel/UCWmJWvGzUx7k05kbgoCuX2A The score on the music stand for today is an early cantata by George Frideric Handel for voice, traverso or oboe and basso continuo. George Frideric Handel (1685–1759) wrote at least three versions of the cantata to the text Mi palpita il cor. These were composed during the first years after he had established himself in England some time between 1710 and 1713. The musical material of the different versions corresponds only in parts. The information found in sources appears to be rather complex. In the Händel Werke Verzeichnis(HWV) only four versions of the cantata are recorded (a-d) although at least six versions of the complete cantata as well as single arias exist. The various copies also show considerable differences and embellishments of which the origin is partly not known. The score: https://s9.imslp.org/files/imglnks/usimg/a/a6/IMSLP282369-PMLP458234-Mi_palpita_il_cor.pdf The text: Arioso e Recitativo: Mi palpita il cor, né intendo perché, agitata è l'alma mia, né so cos'è. Tormento e gelosia, sdegno, affanno e dolore da me che pretendete? Se mi volete amante, amante son; ma, oh Dio, non m'uccidete, che il cor fra tante pene più soffrire non può le sue catene. Arioso e Recitativo: I feel my heart beating for reasons I do not know, I feel my soul in turmoil but ask myself for what. Anguish and jealousy, fury, grief and pain, what is it you demand? If you want me to love, I will be loving: but, oh God, do not kill me, since my aching heart no longer can abide its chains. Aria: Ho tanti affanni in petto, che qual sia il più tiranno io dir no'l so. So ben che do ricetto a un aspro e crudo affanno e che morendo vo'. Aria: My worries are so plentiful that I can no longer discern, which of them are worst. I sense that in me dwells a cruel and bitter pain, and that I will die. Follow us on Instagram, Facebook and Telegram https://insightreadingenlightenment.carrd.co Email us if you would like to support us insightreading.enlightenment@gmail.com Darina and Sebastien #insightreadingenlightenment #soprano #opera #flute #cembalo #baroque #baroquemusic #podcast #earlymusicpodcast #händel #haendel #mayaamir #darinaablogina #sebastienmitra #darinaabloginapodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/insight-reading/message

Episode #37: When Lilacs Last in the Dooryard Bloom'd Uploaded: November 6, 2021 Claudio S. Grafulla: Freischütz Quickstep [3:07] Port Royal Galop [2:47] Nightingale Waltz [5:12] Un Ballo in Maschera Quickstep [4:13] Grafulla's Quickstep [3:07] Cavalry Quickstep [1:59] Storm Galop [2:27] Eastman Wind Ensemble Frederick Fennell, conductor MERCURY LIVING PRESENCE 432 591-2 Hector Berlioz: Symphonie funèbre et triomphale, Op. 15 I. Marche funèbre (Moderato un poco lento) [17:27] II. Oraison funèbre (Adagio non tanto – Andantino un poco lento e sostenuto) [8:15] III. Apothèose (Allegro non troppo e pomposo) [9:18] Dennis Wick, trombone John Alldis Choir London Symphony Orchestra Sir Colin Davis, conductor PHILIPS 416 283-2 Paul Hindemith: When Lilacs Last in the Dooryard Bloom'd. A Requiem for Those We Love I. Prelude [3:59] II. When lilacs last in the dooryard bloom'd [4:36] III. Arioso. In the Swamp [2:21] IV. March. Over the breast of spring [6:12] V. O western orb [2:06] VI. Arioso. Sing on, there in the swamp [1:50] VII. Song. O how shall I warble [3:32] VIII. Introduction and Fugue. Lo! body and soul [5:19] IX. Sing on! you gray-brown bird [10:00] X. Death Carol. Come, lovely and soothing Death [7:26] XI. To the tally of my soul [6:26] XII. Finale. Passing the visions [8:20] Jan DeGaetani, mezzo-soprano William Stone, baritone Atlanta Symphony Chorus and Orchestra Robert Shaw, conductor TELARC CD-80132

Oscar Castro-Neves ('Air on a G string' de Bach), Baden Powell ('Prelude' de Bach, 'Jesus alegría dos homens' de Bach), Pedro Aznar ('Pavana para una infanta difunta' de Ravel), L.A. Four ('Pavana en Fa sostenido menor opus 50' de Fauré), Michel Camilo & Tomatito ('Gnossienne nº1' de Satie), Kenny Drew Jr ('Canción y danza VI' de Mompou), Trio da Paz ('Arioso' de Bach), Yo-Yo Ma & Kathryn Stott ('Ave María' de Bach y Gounod, 'Ave María' de Schubert), Toninho Horta & Oscar Castro-Neves ('Ave María' de Schubert) y Vinicius de Moraes & Toquinho ('Como dizia o poeta' sobre el 'Adagio' de Albinoni). Escuchar audio

SHOW NOTES*2:05 – The director Heather Tan Yi Ling speaks about opera audiences in Asia; social media; and making the world a better place through art*4:56 – [musical excerpt: BETTER2MOROW, music video produced by Heather Tan Yi Ling]  the conductor Elias Miller on maintaining purpose and social relevance in his chosen profession*7:46 – [musical excerpt: Brahms Symphony No. 4 in E-minor; Elias Miller conducting the Apollo Ensemble of Boston] – adapting to the digital market and tackling climate change*12:53 – [musical excerpt: “Donde lieta usci al tuo grido d'amore,” from Puccini's La Bohème; Cinzia Zanovello, soprano] – keeping opera human and maintaining conviction as a singer*15:53 – [musical excerpt: Arioso of Iolanta from Tchaikovsky's eponymous opera; Cinzia Zanovello, soprano] – on the importance of pushing the art form beyond its privileged statusExcerpts provided courtesy of Heather Tan Yi Ling, Elias Miller and Cinzia ZanovelloIntro and outro composed by Miguel Kertsman

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. 高木正勝 - めぐり;2. 陈川 - 绿袖子;3. Serafin - 기억 속에서;4. FAURE – Sicilenne;5. Ennio Morricone - Love Theme;6. Bindu - It Was a Saturday Night;7. 高木正勝 - そらつつみ;8. 群星 - 梦里花落知多少(钢琴小提琴);9. 赖英里 - 訴說 Arioso;10. Terry Oldfield – Butterfly。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. 高木正勝 - めぐり;2. 陈川 - 绿袖子;3. Serafin - 기억 속에서;4. FAURE – Sicilenne;5. Ennio Morricone - Love Theme;6. Bindu - It Was a Saturday Night;7. 高木正勝 - そらつつみ;8. 群星 - 梦里花落知多少(钢琴小提琴);9. 赖英里 - 訴說 Arioso;10. Terry Oldfield – Butterfly。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. 高木正勝 - めぐり;2. 陈川 - 绿袖子;3. Serafin - 기억 속에서;4. FAURE – Sicilenne;5. Ennio Morricone - Love Theme;6. Bindu - It Was a Saturday Night;7. 高木正勝 - そらつつみ;8. 群星 - 梦里花落知多少(钢琴小提琴);9. 赖英里 - 訴說 Arioso;10. Terry Oldfield – Butterfly。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. 高木正勝 - めぐり;2. 陈川 - 绿袖子;3. Serafin - 기억 속에서;4. FAURE – Sicilenne;5. Ennio Morricone - Love Theme;6. Bindu - It Was a Saturday Night;7. 高木正勝 - そらつつみ;8. 群星 - 梦里花落知多少(钢琴小提琴);9. 赖英里 - 訴說 Arioso;10. Terry Oldfield – Butterfly。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1. 高木正勝 - めぐり;2. 陈川 - 绿袖子;3. Serafin - 기억 속에서;4. FAURE – Sicilenne;5. Ennio Morricone - Love Theme;6. Bindu - It Was a Saturday Night;7. 高木正勝 - そらつつみ;8. 群星 - 梦里花落知多少(钢琴小提琴);9. 赖英里 - 訴說 Arioso;10. Terry Oldfield – Butterfly。

a cura di Massimiliano SamsaJohann Sebastian Bach (1685 - 1750) - Weihnachtsoratorium, BWV 248Oratorio in sei parti, libretto di Christian Friedrich Henrici (Picander)Solisti:Dorothea Röschmann, SopranoAndreas Scholl, AltoWerner Güra, TenorKlaus Häger, BassRIAS KammerchorAkademie für Alte Musik BerlinRené Jacobs, DirectionLa Cantata della Pars IV è quella che più si distacca dalle altre: per le dimensioni ridotte, per la tonalità d'impianto (fa maggiore), per una particolare ricerca timbrica nella scelta dell'organico orchestrale. Dovendo celebrare la festa della circoncisione di Gesù, la Cantata è ovviamente incentrata sul tema del «nome di Gesù»: dopo il consueto e imponente Coro d'apertura, seguito dal racconto dell'Evangelista, è il basso che per primo invoca più volte il nome di Gesù con un Recitativo all'interno del quale Bach ha inserito una strofa di Corale affidata al soprano. La Cantata termina con due numeri che non si occupano più specificamente del tema: un'ardente Aria in re minore in stile fugato per tenore e due violini solisti e il luminoso Corale finale, caratterizzato dal timbro festoso dei due corni da caccia.Nella Cantata della Pars V Bach si è discostato dal testo evangelico previsto dalla liturgia per la domenica dopo Capodanno, narrante l'episodio della fuga in Egitto, per concentrarsi invece sull'imminente festività dell'Epifania offrendo così alla meditazione il tema di Cristo-Luce (simboleggiato dalla stella apparsa ai Magi) e della profezia della sua venuta. Il carattere della Cantata ripresenta i tratti più intimi e raccolti che avevano già contraddistinto la Pars II, anche e soprattutto per creare un necessario stacco prima della trionfale conclusione dell'Oratorio.Testo tratto da: https://www.flaminioonline.it/Guide/Bach/Bach-Weihnachts248.htmlUn buon ascolto e una buona notte da Massimiliano Samsa. Parte quarta:Fallt mit Danken, fallt mit LobenCantata in fa maggiore per soli coro e orchestraOccasione: festa della Circoncisione (Capodanno)36.Fallt mit Danken, fallt mit LobenCoro in fa maggiore per coro, 2 corni, 2 oboi, 2 violini, viola e organoUtilizza il Coro n. 1 della Cantata BWV 213.37.Und da acht Tage um warenRecitativo in do maggiore per tenore e organo38.Immanuel, o süsses Wort!Recitativo e arioso in re minore/fa maggiore per soprano, basso, 2 violini, viola e organo39.Flösst, mein Heiland, flösst dein NameAria in do maggiore per soprano, oboe e organoUtilizza l'Aria n. 5 della Cantata BWV 213.40.Wohlan! dein Name soll allein in meinem Herzen sein / Jesu, meine FreudeRecitativo e Arioso in re minore per soprano, basso, 2 violini, viola e organo41.Ich will nur dir zu Ehren lebenAria in re minore per tenore, 2 violini e organoUtilizza l'Aria n. 7 della Cantata BWV 213.42.Jesus richte mein BeginnenCorale in fa maggiore per coro, 2 corni, 2 oboi, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 1 gennaio 1735Parte quinta:Ehre sei dir, Gott! gesiugenCantata in la maggiore per soli e ortchestraOccasione: 1a domenica dopo Capodanno43.Ehre sei dir, Gott! gesiugenCoro in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo44.Da Jesus geboren war zu BethlehemRecitativo in fa diesis minore per tenore e organo45.Wo ist der neugeborne König der Jüden?Coro e recitativo in si minore per contralto, coro, 2 oboi d'amore, 2 violini, viola e organoUtilizza il Coro n. 114 della perduta Markuspassion BWV 24746.Dein Glanz all' Finsternis verzehrtCorale in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo47.Erleucht' auch meine finstre SinnenAria in fa diesis minore per basso, oboe d'amore e organoUtilizza l'Aria n. 3 della Cantata BWV 215.48.Da das der König Herodes hörteRecitativo in la maggiore per tenore e organo49.Warum wollt ihr erschrecken?Recitativo in do diesis minore per contralto, 2 violini, viola e organo50.Und liess versammeln alle HohenpriesterRecitativo in la maggiore per tenore e organo51.Ach! wann wird die Zeit erscheinen?Trio in si minore per soprano, contralto, tenore, violino e organo52.Mein Liebster herrschet schonRecitativo in fa diesis minore per contralto, 2 oboi d'amore e organo53.Zwar ist solche HerzensstubeCorale in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 2 gennaio 1735Parte sesta:Herr, wenn die stolzen Feinde schnaubenCantata in re maggiore per soli, coro e orchestraOccasione: festa dell'Epifania54.Herr, wenn die stolzen Feinde schnaubenCoro in re maggiore per coro, 2 oboi, 3 trombe, timpani, 2 violini, viola e organoUtilizza il Coro n. 1 della Cantata perduta Anh 1055.Da berief Herodes die Weisen heimlichRecitativo in la maggiore per tenore, basso e organo56.Du Falscher, suche nur den Herrn zu fällenRecitativo in si minore per soprano, 2 violini, viola e organo57.Nur ein Wink von seinen HändenAria in la maggiore per soprano, oboe d'amore, 2 violini, viola e organo58.Als sie nun den Konig gehöret hattenRecitativo in fa diesis minore per tenore e organo59.Ich steh' an diener Krippen hierCorale in sol maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo60.Und Gott befahl ihnen im TraumRecitativo in fa diesis minore per tenore e organo61.So geht! genug, mein Schatz geht nicht von hierRecitativo in fa diesis minore per tenore, 2 oboi d'amore e organo62.Nun mögt ihr stolzen Feinde schreckenAria in si minore per tenore, 2 oboi d'amore e organo63.Was will der Holle Schrecken nun / Was will uns Welt und Sünde tunRecitativo in si minore per coro e organo64.Nun seid ihr wohl gerochenCorale in re maggiore per coro, 2 oboi d'amore, 3 trombe, timpani, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 3 dicembre 1724

durée : 00:02:38 - Et les librairies musicales ? Petit tour chez Arioso - par : Suzanne Gervais - Discrètes, les librairies musicales sont de plus en plus rares. Alors que les nouvelles restrictions gouvernementales contraignent l'activité de ces librairies spécialisées à l'économie fragile, coup de projecteur sur une institution de la rue de Rome, à Paris : la petite librairie Arioso.

Wanted to slow things a little and put together a melodic podcast. It's been a bit since I put something new out, hope you enjoy these tunes and you're all safe and well.

“Unanxious Heroes for Uncertain Times: Esther,” the 5/24/2020 sermon by Pastor Matt Sturtevant and the fifth sermon in the Unanxious Heroes for Uncertain Times worship series. Scripture reference: Esther 4.3-17. Podcast includes entire worship service. Licensing: The following music is used in the service by permission under CCLI streaming license #20126570. “Arioso in A,” by Johann Sebastian Bach, © 1921 G Schirmer, Inc. (on transcription). Public Domain. “Spirit of God, Descend Upon My Heart,” music by Frederick C. Atkinson, arr. by Janet Vogt. © 2006 Lorenz Publishing Co. “As Far As Faith Will Take Me,” by Kyle Matthews & Scott Krippayne. © 1997 Universal Music—Brentwood Benson Publishing (Admin. by Brentwood-Benson Music Publishing, Inc.) Universal Music—Brentwood Benson Songs  (Admin. by Brentwood-Benson Music Publishing, Inc.) “Joyful, Joyful, We Adore Thee,” Edward Broughton, Ludwig van Beethoven. © 1993 The Lorenz Corporation.

In dec 1932 schreven diverse componisten een ‘Hommage a Bach’. De composities zaten als ‘cadeautje’ bij een muziektijdschrift. De klinkende bijdrage van Arthur Honegger bezit voor mij een urgentie, zeker in het ‘winterse landschap’ van de Arioso. Arthur Honegger Prelude, arioso et fugue sur le nom de BACH Bournemouth Sinfonietta olv Tamas Vasary Chandos CHAN 8993 8’23’’

Have you wondered how, exactly, you should get going with the Arioso part of First Steps in Music? You’ll get a TON to think about in this extra long episode with Dr. Feierabend! Also, at the end of the episode, Missy lists the names of each member of the FAME Diversity, Equity, and Inclusion Committee. […] The post Arioso: Just do it! | S2E03 appeared first on Feierabend Association for Music Education | A tuneful, beatful, artful learning community.

Uppläsning: Erik Lindegren (ur Sveriges Radios arkiv) Önskad av: Sven- Erik Forsén, Spånga MUSIK Johann Friedrich Fasch: Largo ur Blockflöjtskonsert F-dur EXEKUTÖR Michael Schneider, blockflöjt och dirigent, Capella Academica, Frankfurt

Bach - Arioso by Shrine of the Most Blessed Sacrament - OLAMShrine

New Music – Arioso Für Elise!  I have just released “Opus 4” in my series of “Bluesy Bach” recordings. With this recording I  expanded the title from “Bluesy Bach” to “Bluesy Bach and Friends”.... [[ This is a content summary only. Visit my website for full links, other content, and more! ]]

Kulturredaktionens Anneli Dufva om en av den svenska lyrikens mest älskade dikter, en poesins megahit. Lyssna på alla avsnitt i Sveriges Radio Play. Författaren Erik Lindegren föddes 1910 i Luleå och dog 1968 i Stockholm. Han var verksam som kritiker och översättare och blev 1962 invald i Svenska akademien. Som poet hade han debuterat 1935 med Posthum ungdom, men han fick sitt riktiga genombrott med den formmässigt avancerade mannen utan väg 1942. Den gav han ut på eget förlag, efter att ha blivit refuserad. Dikten Arioso fanns med i Lindegrens nästa diktsamling, Sviter från 1947, och är egentligen inte alls typisk för Erik Lindegren. Den är en av den svenska lyrikens mest älskade dikter, en poesins megahit. "Någonstans inom oss är vi alltid tillsammans, någonstans inom oss kan vår kärlek aldrig fly, någonstans, o, någonstans har alla tågen gått och alla klockor stannat " lyder diktens första och mycket välkända rader. Anneli Dufva har bland annat hittat en inspelning där Erik Lindegren själv läser Arioso i radioarkivet och funderat kring frågan om en dikt som är SÅ populär också kan vara bra?

Kulturredaktionens Anneli Dufva om "en av den svenska lyrikens mest älskade dikter, en poesins megahit". Författaren Erik Lindegren föddes 1910 i Luleå och dog 1968 i Stockholm. Han var verksam som kritiker och översättare och blev 1962 invald i Svenska akademien. Som poet hade han debuterat 1935 med Posthum ungdom, men han fick sitt riktiga genombrott med den formmässigt avancerade mannen utan väg 1942. Den gav han ut på eget förlag, efter att ha blivit refuserad. Dikten Arioso fanns med i Lindegrens nästa diktsamling, Sviter från 1947, och är egentligen inte alls typisk för Erik Lindegren. Den är en av den svenska lyrikens mest älskade dikter, en poesins megahit.   "Någonstans inom oss är vi alltid tillsammans, någonstans inom oss kan vår kärlek aldrig fly, någonstans, o, någonstans har alla tågen gått och alla klockor stannat " lyder diktens första och mycket välkända rader. Anneli Dufva har bland annat hittat en inspelning där Erik Lindegren själv läser Arioso i radioarkivet och funderat kring frågan om en dikt som är SÅ populär också kan vara bra?

durée : 01:59:38 - Hélène Carpentier ; Daniel Ciobanu ; le Trio Fauve - par : Gaëlle Le Gallic - en direct et en public du Studio 106 de la Maison de la Radio Trio Fauve : Jean-Etienne Sotty, accordéon Apolline Kirklar, violon Annabelle Gouache, violoncelle avec Angèle Chemin, chant PROGRAMME Philippe Hersant : Apparitions Franz Schubert / Bernard Cavanna : 3 Lieder Edvard Grieg / Trio Fauve : Peer Gynt (extraits) Kurt Weill / Trio Fauve : Youkali (Marie-Galante) ************************* Daniel Ciobanu, piano PROGRAMME Modeste Moussorgski : Tableaux d'une exposition Johann Strauss fils / Alfred Grünfeld : Die Fledermaus ************************* Hélène Carpentier, soprano (Premier Prix Voix Nouvelles 2018) Marie-Dominique Loyer, piano PROGRAMME Claude Debussy : Fêtes galantes Gaetano Donizetti : Cavatine de Norina (Don Pasquale) Franz Lehar : Vilya-Lied (La Veuve joyeuse) Piotr Ilitch Tchaïkovski : Arioso de Iolanta (Iolanta) - réalisé par : Céline Parfenoff

Some things are best left unsaid. Naturally, we decided to say them. Join the Judge and Crow as they reveal some of their deepest, darkest gaming confessions. Other topics include: Big Dead by Daylight announcements, Luminous Productions, Deadpool 2 Trailer Crew: JudgeRuled, Crow Intro: “Drive (feat. Rookie)” by Olmos (https://youtu.be/MzdNi8sZLGo) Outro: “Future Vision (Futurecop! Remix)” by Waveshaper (https://youtu.be/1g3fxAssE9M) Other media included in this episode: "Arioso from Cantata BWV 156 1st Adagio" by J.S. Bach (https://youtu.be/xueopsTHesw) Thanks for tuning in! Feel free to reach out to us at contact@podgehodge.net, or tweet us at @realpodgehodge!

00:00 Dawin vs Binayz - Bikini Body (Vincent & Diaz Mash-Up) 02:29 Enur vs Deville - Calabria (Vincent & Diaz Reboot) 04:24 Quest Pistols Show vs DJ Savin - Любимка (DJ Bendi & DJ ModerNator Deep-Up) 08:01 DJ DimixeR vs Sasha Semenov & Syntheticsax - Lamantine (DADDY DJ Mashup) 10:31 Nirvana & Shade K - Smells like Teen Spirit (Oleg Black & Alex Bonya Mashup) 11:54 Apashe feat. Splitbreed vs. KEEM & Burlyaev - Day Dream (ROVSKY Mash Up) 14:09 Lazy Bear - Terminator (Fara & Ruin Boot-up) 17:14 DJ Tokuc & Tommy Gunz Vs Kolya Funk & Eddie G - Saxophone (Myers & Kaminsky Mashup) 20:01 Bon Jovi Vs Vincent & Diaz - Its My Life ( Myers & VeX Mashup) 22:20 Artik & Asti & DJ Savin - Номер 1 (Andrey Vertuga mash-up) 25:24 Доминик Джокер x Vincent & Diaz vs. Kolya Funk & Eddie G - Такая Одна (DJ CukyFix MashUp) 28:31 Zara Larsson x Lucas & Steve - Lush Life (Sergey White Mash - Up) 30:54 Jah Khalib - Если че, я Баха (Dj Lebedeff Edit) 33:34 Jean Beatz vs. Pietra Bros - Cocaine (Viktor Alekseenko & Kaminsky Mash Up) 35:24 T-Fest & Скриптонит vs. Kolya Funk & Eddie G - Ламбада (Sergey Kutsuev Mash Ver.2) 39:40 DJ Mos & DJ Andys - Buka Buka (feat. Shantel) (Alex Feat X Dava Mash-up) 42:04 Kush Kush vs Dirty Rush & Gregor-Es - Fight Back (Vincent & Diaz Mash-Up) 44:09 L.B. ONE feat. Laenz vs. Arioso & Sebastian Knight - Across The Water (Sergey Kutsuev Mash) 46:00 Корж & Eugene Star & DJ Цветкоff - Выгоняем алкоголь (Nikka mash-up) 47:55 King - Love & Pride (Viduta Bootleg) 50:40 Мот, L'One, Тимати & Dj Legran & Dj Alex Rosco - В чем сила брат (Andrey Vertuga mash-up) 53:39 Zhu vs. Jonas - Faded (Balu Mash Up) 56:17 ATB, Dash Berlin, A-One, Ruslan Rost - 9 PM (Sergey Kutsuev Work Mash) 58:02 Mozgi - Ипо Ипо (Dj Igor Dunaev Mashup Mix) 60:33 Mc Doni x Johnny Good - Султан Muchacho (Alex Feat X Dava Mash-up) 64:38 MiyaGi & Эндшпиль vs. Rich-Max & Dmitry Bacardi - Best Days (Sergey Kutsuev Mash) 67:11 Anne Marie x Rocwell S vs. Vincent & Diaz - Ciao Adios (DJ CukyFix MashUp) 69:06 Время и Стекло - На Стиле (DJ JURBAS MASH UP) 71:43 Jax Jones Feat. Raye x Mikis vs. More & Avoyan - You Don't Know Me (DJ FIOLET & Dj Kuznetsoff Mash Up) 74:01 Jah Khalib vs. Kolya Funk & Eddie G - ПОРваНО Платье (Sergey Kutsuev Mash Ver.2) 76:38 PZF x Грибы x Fatman Scoop x Dua Lipa - Копы OMG (Fatan & Forlen PartyBreak)

00:00 Dawin vs Binayz - Bikini Body (Vincent & Diaz Mash-Up) 02:29 Enur vs Deville - Calabria (Vincent & Diaz Reboot) 04:24 Quest Pistols Show vs DJ Savin - Любимка (DJ Bendi & DJ ModerNator Deep-Up) 08:01 DJ DimixeR vs Sasha Semenov & Syntheticsax - Lamantine (DADDY DJ Mashup) 10:31 Nirvana & Shade K - Smells like Teen Spirit (Oleg Black & Alex Bonya Mashup) 11:54 Apashe feat. Splitbreed vs. KEEM & Burlyaev - Day Dream (ROVSKY Mash Up) 14:09 Lazy Bear - Terminator (Fara & Ruin Boot-up) 17:14 DJ Tokuc & Tommy Gunz Vs Kolya Funk & Eddie G - Saxophone (Myers & Kaminsky Mashup) 20:01 Bon Jovi Vs Vincent & Diaz - Its My Life ( Myers & VeX Mashup) 22:20 Artik & Asti & DJ Savin - Номер 1 (Andrey Vertuga mash-up) 25:24 Доминик Джокер x Vincent & Diaz vs. Kolya Funk & Eddie G - Такая Одна (DJ CukyFix MashUp) 28:31 Zara Larsson x Lucas & Steve - Lush Life (Sergey White Mash - Up) 30:54 Jah Khalib - Если че, я Баха (Dj Lebedeff Edit) 33:34 Jean Beatz vs. Pietra Bros - Cocaine (Viktor Alekseenko & Kaminsky Mash Up) 35:24 T-Fest & Скриптонит vs. Kolya Funk & Eddie G - Ламбада (Sergey Kutsuev Mash Ver.2) 39:40 DJ Mos & DJ Andys - Buka Buka (feat. Shantel) (Alex Feat X Dava Mash-up) 42:04 Kush Kush vs Dirty Rush & Gregor-Es - Fight Back (Vincent & Diaz Mash-Up) 44:09 L.B. ONE feat. Laenz vs. Arioso & Sebastian Knight - Across The Water (Sergey Kutsuev Mash) 46:00 Корж & Eugene Star & DJ Цветкоff - Выгоняем алкоголь (Nikka mash-up) 47:55 King - Love & Pride (Viduta Bootleg) 50:40 Мот, L'One, Тимати & Dj Legran & Dj Alex Rosco - В чем сила брат (Andrey Vertuga mash-up) 53:39 Zhu vs. Jonas - Faded (Balu Mash Up) 56:17 ATB, Dash Berlin, A-One, Ruslan Rost - 9 PM (Sergey Kutsuev Work Mash) 58:02 Mozgi - Ипо Ипо (Dj Igor Dunaev Mashup Mix) 60:33 Mc Doni x Johnny Good - Султан Muchacho (Alex Feat X Dava Mash-up) 64:38 MiyaGi & Эндшпиль vs. Rich-Max & Dmitry Bacardi - Best Days (Sergey Kutsuev Mash) 67:11 Anne Marie x Rocwell S vs. Vincent & Diaz - Ciao Adios (DJ CukyFix MashUp) 69:06 Время и Стекло - На Стиле (DJ JURBAS MASH UP) 71:43 Jax Jones Feat. Raye x Mikis vs. More & Avoyan - You Don't Know Me (DJ FIOLET & Dj Kuznetsoff Mash Up) 74:01 Jah Khalib vs. Kolya Funk & Eddie G - ПОРваНО Платье (Sergey Kutsuev Mash Ver.2) 76:38 PZF x Грибы x Fatman Scoop x Dua Lipa - Копы OMG (Fatan & Forlen PartyBreak)

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There is a restaurant in the barren New Mexican desert where one man is cooking his way through the light and darkness of life. We sit down for an intimate meal with Chef Julian Sibony at his home and restaurant, Arioso.

Episode 5 of the 2015 Summer Season.               Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * The main mountain theme is Mort D'Eurydice, by Pierre Favre as played by the European Chamber Ensemble. * There's a second string-y snippet of another by them called, Sito. * We learn about beavers to Stereo Music for Acoustic Guitar, Buchla Music Box 100 (etc.)...Pt. 2 from Keith Fullerton Whitman's old Multiples album. * The soft men are embodied by 3-Sized PF by Takahiro Kido from his Fairy Tale album. * I roll out some more Miguel Atwood-Ferguson with Arioso from Red Hot & Bach to track the tall tales of the west.  

Recorded by Marina in 2011 (Composer: J.S. Bach)

Recorded by Marina in 2011 (Composer: J.S. Bach)

I år - ja för nästan precis en månad sedan - skulle författaren Erik Lindegren ha fyllt 100 år. Detta uppmärksammades bland annat i P2 här förleden med ett program om honom och om hans förhållande till musik. Och med anledning av 100-årsdagen återutsänder vi här en Klassiker om en av hans mest älskade dikter. Han föddes 1910 i Luleå och dog 1968 i Stockholm. Han var verksam som kritiker och översättare och blev 1962 invald i Svenska akademien. Som poet hade han debuterat 1935 med Posthum ungdom, men han fick sitt riktiga genombrott med den formmässigt avancerade mannen utan väg 1942. Den gav han ut på eget förlag, efter att ha blivit refuserad. Dikten Arioso fanns med i Lindegrens nästa diktsamling, Sviter från 1947, och är egentligen inte alls typisk för Erik Lindegren. Den är en av den svenska lyrikens mest älskade dikter, en poesiens megahit. "Någonstans inom oss är vi alltid tillsammans, någonstans inom oss kan vår kärlek aldrig fly, någonstans, o, någonstans har alla tågen gått och alla klockor stannat " lyder diktens första och mycket välkända rader. Anneli Dufva har bland annat hittat en inspelning där Erik Lindegren själv läser Arioso i radioarkivet och funderat kring frågan om en dikt som är SÅ populär också kan vara bra?

Beautiful music by Johann Sebastian Bach, played by Cynthia VanLandingham