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“The original papers that were written about the analyst's unconscious being attuned to the patient's unconscious by Hyman and Racker, in both cases they talk about this phenomenon. But both of them utter a caution, which is that one always has to take into account one's own ‘mishegas'. Essentially, what they're saying is, the unconscious is pretty individualistic and we have our own things, and we have to consider that possibly it's our own difficulties, our own unconscious, that is playing a bigger role in our countertransference reaction to the patient's unconscious.” Episode Description: We begin by discussing the meaning of the many italics throughout the book and my sense of their being an expression of Fred's wish to be carefully understood. This is part of our conversation where we examine how internal reactions are used to comprehend another person's mind. There are a number of themes to this work, and to Fred's contributions over the years, which focus on helping individuals understand the way their mind works, as distinct from the particular contents of their mind. One of the gifts of psychoanalysis is to facilitate patient's discovery of the freedom to think which allows for a post-termination capacity for self-analysis. We discuss how self-criticism can serve as an unconscious lifeline, the importance of attending to the need for silence as distinct from what is not being said and the seductiveness of gossip, to name but a few of the topics in the book that we cover. Fred closes by describing "The wonderful thing about being a psychoanalyst is there are always things to learn and ways to grow." Our Guest: Fred Busch, Ph.D. is a Training and Supervising Analyst at the Boston Psychoanalytic Society and Institute. He has published eight books, and over 80 articles on psychoanalytic technique, along with many book reviews and chapters in books. His work has been translated into many languages, and he has been invited to present over 180 papers and clinical workshops nationally and internationally. His last six books are: Creating a Psychoanalytic Mind (2014); The Analyst's Reveries: Explorations in Bion's Enigmatic Concept (2019); Dear Candidate: Analyst From Around the World Offer Personal Reflections on Psychoanalytic Training, Education, and the Profession (2020); A Fresh Look at Psychoanalytic Technique (2021), Psychoanalysis at the Crossroads: An International Perspective (2023).The Ego and Id: 100 years later (2023), How Does Analysis Cure? (2024). Recommended Readings: Busch, F. (2014). Creating a Psychoanalytic Mind: A Psychoanalytic Method and Theory. London: Routledge. Busch, F. (2019). The Analyst's Reveries: Explorations in Bion's Enigmatic Concept. London: Routledge. Busch, F. (2021). A Fresh Look at Psychoanalytic Technique: Selected papers on Psychoanalysis. Routledge: London. Busch, F. (2023) The Significance of the Ego in “The Ego and the Id” and its Unfulfilled Promise. International Journal of Psychoanalysis 104:1077-1090. Busch, F. (2000). What is a deep interpretation? J. Amer. Psychoanal.Assn., 48:238-254. Busch, F. (2005). Conflict Theory/Trauma Theory. Psychoanal.Q., 74: 27-46. Busch, F. (2006). A shadow concept. Int.J.Psychoanal.,87: 1471-1485. Also appearing as Un oncerto ombra, Psycoanalisi, 11:5-26. Busch, F. (2015). Our Vital Profession*. Int. J. Psycho-Anal., 96(3):553-568. Reprinted in Busch, F. (2015). La nostra professione vitale. Rivista Psicoanal., 61(2):435-456; Busch, F. (2015). Nuestra profesión vital*. Int. J. Psycho-Anal. Es., 1(3):605-627; Busch, F. (2015). Nuestra profesión vital1. Rev. Psicoanál. Asoc. Psico. Madrid, 75:131-153.
The epizootic of 1872 was a massive outbreak of a flulike illness primarily among horses in North America, Central America, and some islands in the Caribbean. Research: "WHEN A FLU REINED IN NEW YORK." States News Service, 28 Apr. 2020. Gale General OneFile, link.gale.com/apps/doc/A622209555/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=2bf7de71. Accessed 3 Feb. 2025. Andrews, Thomas G. “Influenza’s Progress: The Great Epizootic Flu of 1872-73 in the North American West.” Utah Historical Quarterly. Vol. 89. No. 1. Andrews, Thomas G. “The Great Horse Flu of 1872-1873.” The Bill Lane Center for the American West. Stanford University. https://west.stanford.edu/events/great-horse-flu-1872-1873 Andrews, Thomas. “The Great Horse Flu of 1872-1873.” Bill Lane Center for the American West Stanford Department of History. 5/4/2023. https://west.stanford.edu/events/great-horse-flu-1872-1873 Bierer, Bert W. “History of Animal Plagues of North America.” USDA. 1939. https://archive.org/details/CAT75660671/page/22/mode/1up Department of Health, the City of New York. “Report on the Epizootic Influenza Among Horses in 1872-73.” https://archive.org/details/reportdepartmen05unkngoog/page/n259/mode/1up Durkin, Kevin. “The Great Epizootic of 1872.” Reprinted from SustainLife: uarterly Journal of the Ploughshare Institute for Sustainable Culture. Fall 2012. https://www.heritagebarns.com/the-great-epizootic-of-1872 Freeberg, Ernest. “The Horse Flu Epidemic That Brought 19th-Century America to a Stop.” Smithsonian. 12/4/2020. https://www.smithsonianmag.com/history/how-horse-flu-epidemic-brought-19th-century-america-stop-180976453/ Judson, A B. “History and Course of the Epizoötic among Horses upon the North American Continent in 1872-73.” Public health papers and reports vol. 1 (1873): 88-109. Judson, A.B. “Report on the Origin and Progress of the Epizootic among Horses in 1872, With a Table of Mortality in New York (Illustrated with Maps). The Veterinarian : a monthly journal of veterinary science. Volume 47 (Vol. 20 of Fourth Series), January - December 1874. https://archive.org/details/s2023id1378227/page/492/mode/1up Kelly, John. "Why the long face? Because in 1872, nearly every horse in Washington got very ill." Washingtonpost.com, 5 Nov. 2016. Gale OneFile: Business, link.gale.com/apps/doc/A468927553/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=26db57c2. Accessed 3 Feb. 2025. Kheraj, Sean. “The Great Epizootic of 1872-73.” NiCHE. https://niche-canada.org/2018/05/03/the-great-epizootic-of-1872-73/ Kheraj, Sean. “The Great Epizootic of 1872–73: Networks of Animal Disease in North American Urban Environments.” Environmental History, July 2018, Vol. 23, No. 3 (July 2018). Via JSTOR. https://www.jstor.org/stable/10.2307/48554105 Law, James. “Influenza in Horses.” Report of the Commissioner of Agriculture, 1872. 1874. https://archive.org/details/reportofcommissi1872unit/page/203/mode/1up Lazarus, Oliver. “The Great Epizootic of 1872: Pandemics, Animals, and Modernity in 19th-Century New York City.” The Gotham Center for New York City History. 2/25/2021. https://www.gothamcenter.org/blog/the-great-epizootic-of-1872 Liautard, A.F. “Report on the Epizootic, as it Appeared in New York.” Report of the Department of Health, the City of New York. https://archive.org/details/reportdepartmen05unkngoog/page/n295/mode/1up McCloskey, Patrick J. “The Great Boston Fire & Epizootic of 1872.” Dakota Digital Review. 12/3/2020. https://dda.ndus.edu/ddreview/the-great-boston-fire-epizootic-of-1872/ McClure, James P. “The Epizootic of 1872: Horses and Disease in a Nation in Motion.” New York History , JANUARY 1998, Vol. 79, No. 1 (JANUARY 1998). Via JSTOR. https://www.jstor.org/stable/23182287 McShane, Clay. “Gelded Age Boston.” The New England Quarterly , Jun., 2001, Vol. 74, No. 2 (Jun., 2001). Via JSTOR. https://www.jstor.org/stable/3185479 Morens and Taubenberger (2010) An avian outbreak associated with panzootic equine influenza in 1872: an early example of highly pathogenic avian influenza? Influenza and Other Respiratory Viruses 4(6), 373–377. Powell, James. “The Great Epizootic.” The Historical Society of Ottawa. https://www.historicalsocietyottawa.ca/publications/ottawa-stories/momentous-events-in-the-city-s-life/the-great-epizootic Sack, Alexandra, et al. "Equine Influenza Virus--A Neglected, Reemergent Disease Threat." Emerging Infectious Diseases, vol. 25, no. 6, June 2019, pp. 1185+. Gale In Context: Opposing Viewpoints, dx.doi.org/10.3201/eid2506.161846. Accessed 3 Feb. 2025. Stolte, Daniel. “UA Study on Flu Evolution May Change Textbooks, History Books.” University of Arizona. https://news.arizona.edu/news/ua-study-on-flu-evolution-may-change-textbooks-history-books See omnystudio.com/listener for privacy information.
The Misters are covering some of the new films coming soon. They look at Mickey 17, Bridget Jone, Captain Americaand The Monkey. The Monkey looks insane.Mister Smith looks at the casts and tries to work out the best investments while Mr Birch dusts off the old Investing bell and rants about Jim Broadbent.
Reprinted books; Nostradamus; Revelation; Wanting an edge; Fake Christs; Censorship; Workers of iniquity; Pharaoh's hardened heart; Gender assignment; Grooming; Society born in Family; Guarding your generations; Public school; Paying forward violence; "Doctrines" taught by Jesus; Pure Religion; "Whole truth" or lie; Covetousness; Hitting girls; Mountains of Samaria; Altars of clay and stone; Judging others; Bringing questions to the Tree of Life; Spiritual depth; Emotion vs spirit; The Great Reset; GMOs; The will of God; Egyptian income tax; Brickmaking; Burdening Israel; "Community"; Depending on each other; Networking contacts; "Love"?; Confirming truth; Sabbath; Delusion; Doubling Hebrew letters; Creation of physical world; Two trees; Spiritual direction; Surrendering your will for His; Meditation; Dopamine; Signs of obedience; Charity vs force; Waiting upon the Lord; Recognizing God's will; Q: Is "Die Hard" a Christmas movie?; Humor of Christ; Discernment of charity; Strengthening the poor; What did Jesus do?; Servants and sons; Be willing to serve.
In Episode Seventeen, DDSWTNP briefly discuss new Nobel Laureate Han Kang before digging into “A History of the Writer Alone in a Room,” DeLillo's acceptance speech for an award he did win, the 1999 Jerusalem Prize. In this unpublished, hard-to-find text, DeLillo tells the humbling story of the novelist at frustratingly slow work, “shaped by the vast social reality that rumbles all around him,” in a narrative that conjures scenes that resonate with Libra, Mao II, and other of DeLillo's portraits of the artist (while also raising the question of whether DeLillo has a cat). Novelists Thomas Mann, Philip Roth, and William Gaddis make their way into our analysis of this miniature fiction, and we consider as well the meaning of the Jerusalem Prize, the “nonchalant terror” of everyday life, and the young woman writer the essay at its end envisions taking up this legacy of lonely work. Texts mentioned or cited in this episode: Don DeLillo, “A History of the Writer Alone in a Room,” 1999 Jerusalem Prize For the Freedom of the Individual in Society acceptance address. Jerusalem: Jerusalem International Book Fair, 1999. Reprinted in German translation (“Der Narr in seinem Zimmer”) in Die Zeit (March 29, 2001). See also: https://collections.library.yale.edu/catalog?op=AND&sort=score+desc%2C+pub_date_si+desc%2C+title_si+asc&search_field=advanced&all_fields_advanced=&child_oids_ssim=17371596&commit=SEARCH ---. “On William Gaddis.” Conjunctions (Issue 41, Fall 2003). https://web.archive.org/web/20031123133017/http://www.conjunctions.com/archives/c41-dd.htm[Incorrectly placed in Bookforum in the episode.] ---. “The Artist Naked in a Cage.” The New Yorker, May 26, 1997. “Don DeLillo: The Word, the Image, the Gun.” Dir. Kim Evans. BBC Documentary, September 27, 1991. https://www.imdb.com/title/tt4029096/ and https://www.youtube.com/watch?v=0DTePKA1wgc&t=63s William Gaddis, The Recognitions. Harcourt Brace & Co., 1955.
rWotD Episode 2682: The Pocket Guide to British Birds Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Friday, 6 September 2024 is The Pocket Guide to British Birds.The Pocket Guide to British Birds is a guide written by British naturalist and expert on wild flowers Richard Sidney Richmond Fitter, and illustrated by Richard Richardson, which was first published by Collins in 1952. Reprinted in 1953 and 1954, a second more revised 287-page editions was published by Collins in 1966, and in 1968.This guidebook is organized differently from most, by habitat (land or water) and size, instead of by genus and species as in the Roger Tory Peterson and other guides. It also provides Fitter's unique "key" system for identifying unfamiliar birds, first by plumage (color), then "structural features" (shape), behavior and finally habitat (cf. the order of the species described.) Despite Fitter's helpful advice how to identify a bird, the unfamiliar organization of his book limited its initial appeal; but this was more than compensated by the number and quality of Richardson's drawings, of which bird artist Peter Scott wrote in his foreword: "nothing of the kind has been so well done in Britain before ... a new bird painter of great skill."This recording reflects the Wikipedia text as of 00:56 UTC on Friday, 6 September 2024.For the full current version of the article, see The Pocket Guide to British Birds on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Salli.
Author : Garth Nix Narrator : Bria Strothers Host : Katherine Inskip Audio Producer : Jeremy Carter Copyright (c) 2014 by Garth Nix. First published in Kaleidoscope (Twelfth Planet Press, 2014). Reprinted with permission of the Author. All rights reserved. Episode image by Manny Moreno from Pixabay Happy Go Lucky by Garth Nix Jean was […] Source
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Environmentalism in the United States Is Unusually Partisan, published by Jeffrey Heninger on May 13, 2024 on LessWrong. This is the first in a sequence of four posts taken from my recent report: Why Did Environmentalism Become Partisan? Introduction In the United States, environmentalism is extremely partisan. It might feel like this was inevitable. Caring about the environment, and supporting government action to protect the environment, might seem like they are inherently left-leaning. Partisanship has increased for many issues, so it might not be surprising that environmentalism became partisan too. Looking at the public opinion polls more closely makes it more surprising. Environmentalism in the United States is unusually partisan, compared to other issues, compared to other countries, and compared to the United States itself at other times. The partisanship of environmentalism was not inevitable. Compared to Other Issues Environmentalism is one of the, if not the, most partisan issues in the US. The most recent data demonstrating this comes from a Gallup poll from 2023.[1] Of the 24 issues surveyed, "Protecting the Environment Has Priority Over Energy Development" was tied for the largest partisan gap with "Government Should Ensure That Everyone Has Healthcare." Of the top 5 most partisan issues, 3 were related to environmentalism. The amount this gap has widened since 2003 is also above average for these environmental issues. Figure 1: The percentages of Republicans and Democrats who agree with each statement shown, 2003-2023. Reprinted from Gallup (2023). Pew also has some recent relevant data.[2] They ask whether 21 particular policies "should be a top priority for the president and Congress to address this year." The largest partisan gap is for "protecting the environment" (47 p.p.), followed by "dealing with global climate change" (46 p.p.). These are ten percentage points higher than the next most partisan priority. These issues are less specific than the ones Gallup asked about, and so might not reveal as much of the underlying partisanship. For example, most Democrats and most Republicans agree that strengthening the economy is important, but they might disagree about how this should be done. Figure 2: The percentages of Republicans and Democrats who believe that each issue should be a top priority. Reprinted from Pew (2023). Guber's analysis of Gallup polls from 1990, 2000, & 2010 also shows that environmentalism is unusually partisan.[3] Concern about "the quality of the environment" has a similar partisan gap as concern about "illegal immigration," and larger than concern about any other political issue. If we hone in on concern about "global warming" within overall environmental concern, the partisan gap doubles, making it a clear outlier. Figure 3: Difference between the mean response on a four point scale for party identifiers on concern for various national problems in 2010. "I'm going to read you a list of problems facing the country. For each one, please tell me if you personally worry about this problem a great deal, a fair amount, only a little, or not at all." Reprinted from Guber (2013). The partisanship of environmentalism cannot be explained entirely by the processes that made other issues partisan. It is more partisan than those other issues. At least this extra partisan gap wants an explanation. Compared to Other Countries The United States is more partisan than any other country on environmentalism, by a wide margin. The best data comes from a Pew survey of "17 advanced economies" in 2021.[4] It found that 7 of them had no significant partisan gap, and that the US had a partisan gap that was almost twice as large as any other country. Figure 4: Percentages of people with different ideologies who would be willing to make a lot of or som...
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Life is driven by flavor. The seductress that is flavor often leads us down the rabbit hole of food studies. If you run a restaurant or you're in the food business, you know that flavor is power and it needs to hit in the first few bites. But what exactly is flavor? And how do we create it in our own heads? We've been following the interests of Arielle Johnson for years. Her new book is Flavorama: A Guide to Unlocking the Art and Science of Flavor. Evan Kleiman: When I hear the term "flavor scientist," my mind goes to the industrialized food world. I think of someone working for a big company, like Kraft or Kellogg, who's trying to create the next viral snack or food trend. But that is not what you do. How does your work differ from that of most other flavor scientists? Arielle Johnson: Most food scientists and most flavor scientists are employed by large food companies, largely because that is who hires people like that and pays for the field to exist. I'm at a little bit of a right angle to what they do. [What I do] intersects in the chemistry and in the sensory science but I'm much more interested in understanding flavor as an everyday experience, as an expression of biology, culture and ecology, and as something to use in the kitchen. So I do apply it but in a different way than it is typically applied. Are you often contacted by chefs who are trying to create something or push something further, and they need science to help them take a leap? Often, they don't necessarily know what science they need but they know that I am good at solving problems using science. Often, a chef has been working in one direction or another, maybe trying to do a fermentation project or get a flavored ice to behave a certain way. When I can, which is a lot of the time, actually, I like to step in and try to cherry pick what area — is it biology? is it chemistry? is it molecules reacting? is it volatility or something like that? — and set them on the right path to get what they want. That must be eminently satisfying. Incredibly. That's my favorite thing. What intrigues me about flavor is how personal it can be. I sat across from noted restaurant critic Jonathan Gold each week for a couple of decades, listening to him describe flavor. I would always ask myself, is that how I perceive what he's talking about? Often, in my own mind, it was no, I'm perceiving it differently but how interesting it is, what he's perceiving. Could you speak a little bit about that, the personal nature of flavor? One of the things I find most exciting and attractive about flavor is that it sits at this intersection of the extremely concrete — it's based on molecules, which we can measure, real matter — and the personal. Flavor doesn't happen until you put something in your mouth and the signals get sent to your brain and then from there, all bets are off. But one important piece to the connection between flavor and the personal, is that flavor is not just taste, it is also smell. Smell is a huge, essential part of flavor. Smell, more than any of our other senses, is deeply tied in a physical, neurological way to our emotions and memories. Once we gather smell molecules and build a smell signal and pass it to the rest of the brain, the first place that it goes is the limbic system in places like the amygdala, places where we keep our most emotional, personal memories and associations. So with smell, and therefore with flavor, we'll often have our personal history, our emotional reaction to it, come up before we can even recognize or articulate what it is that we are smelling and tasting. Chefs and restaurants around the globe enlist the help of flavor scientist Arielle Johnson to give them a leg up on deliciousness. Photo by Nicholas Coleman. It's so interesting to me that these days, on social media in particular, where people are constantly giving their takes on whatever they're eating or the latest restaurant thing, it's always within these parameters of better or worse. Yet I think very few of us have spent the time to actually parse what it is we like and why. I think that's true. I think science really has nothing to say about questions of aesthetics and taste — taste in the philosophical sense, not the physiological sense. What is the ultimate? What is the best? These are subjective questions. Science can enhance that understanding but can't really tell us what it is. Let's get into the science. What is flavor? Flavor is a composite sense, combining mostly taste and smell, as well as some information from all the other senses but taste and smell are the two big ones. Taste, meaning sweet, sour, salty, bitter, and umami, is something a lot of people know about but let's focus on smell. In the book, you say, "Right now, as you read this, you have brain cells dangling out of the bottom of your skull, exposed to the air inside your nose at all times, and we all walk around like this is totally normal." I know that is how it works. I know it's a real thing. And still, every time I think about it, it blows my mind that that is how smell works. We have neurons that are attached on one end to a structure called the olfactory bulb in our brain and then those neurons, those brain cells, pass through small holes in the base of our skull and just kind of hang out, waiting to grab on to smell molecules on the inside of our nasal cavity. Amazing. You compare smell to a QR code. What do you mean by that? It's probably best understood by comparing it to taste. With taste, we have very distinct matches between specific molecules, specific receptors, and specific perceptions. When you taste something sour, acid molecules will go onto your tongue. They will interact with the sour receptor, which pretty much only interacts with them and with nothing else, and the signal that gets sent to your brain is like pressing a key on a piano. So sour, loud, and clear. Very simple, very one-directional. With smell, we don't have a finite set of smells the way we do with taste. We have the five basic tastes. With smell, we have about 400 different types of receptors and the way that we collect smell information is rather than having these one-to-one pairings, like acid to sour receptor and sugar to sweet receptor, all volatile smell molecules can interact with several of these 400 receptors. And any receptor might grab on to a few or dozens of molecules in a different way. You have some rules for flavor that you list in the book. I think the one that is the most useful for home cooks is the fact that flavor follows predictable patterns, and that if people understand the patterns, they can unlock the ability to improvise. Is it possible to train your palate to become attuned to that? Absolutely. A lot of people when I'm talking to them and they hear that I study flavor, they're like, "Oh, I have such a bad palate. I could never do that." The fact is that most humans are very, very good at distinguishing differences between flavors, we're just very bad at naming them. Fortunately, we can learn how to do that with practice. Most of us are just out of practice. I've actually, in my academic career back in the day, trained a few dozen people to become very precise analytical tasters. What we do in the lab, you can essentially replicate on a simpler level at home. It's really just a process of smelling and tasting things very carefully, paying attention, trying to name any associations that you have, and then basically doing this over and over again. Most people are bad at it at first and it feels very out of our comfort zones and uncomfortable, but eventually, you will get very good at it. Let's get into specific ingredients. What is meat? Meat, from the perception of a flavor scientist, is a mostly flavorless but texturally interesting sponge of proteins soaked full of water with a relatively tiny amount of flavor-active molecules in it. Those flavor molecules are like precursors and they create a meaty flavor once that meat is cooked. Yeah, so if you smell ground beef or taste beef tartare from a restaurant or a supplier that is reputable enough to give you raw meat, you'll notice it doesn't taste beefy like beef stew, necessarily, or like cooked meat. That beefy flavor really doesn't exist until you start heating up the meat and the different ions and enzymes and things like that interact with things like cell membrane lipids and free amino acids, stuff that's floating around. Once all these components meet and get shaken up in the heat, they'll make these very beefy flavored molecules. That is the flavor of meat that we know and love. Objectively, do vegetables have more flavor than meat from a molecular standpoint? Yes. In terms of raw product, vegetables have a lot more flavors than raw meat. Definitely. Okay, spice. We're here in LA. You had a burrito for breakfast. Why do different versions of chilies hit differently? In terms of spiciness, chilies have a very, very spicy molecule in them called capsaicin. The range of spicy in chilies is pretty much a one-to-one correspondence with the concentration of this molecule capsaicin that they make. The weird and fun thing about spicy is that it feels like a taste but it is not actually a taste because we do not sense it with our taste buds. We sense it with a pain receptor. Technically, spicy is a part of touch. Wow, I love that. For some unknown reason, I have about two pounds of cocoa nibs in my pantry. Nice problem to have. You gave me the gift, in your book, of cocoa nib lemon butter. How do we make it and what do we do with it? Cocoa nib lemon butter is a compound butter. It's a recipe I wrote to highlight and showcase how good fat is as a carrier of aromas. Specifically, any compound butter is really about taking some kind of flavorful solid ingredient, folding it together with butter, and letting it hang out for a little while. With cocoa and lemon butter, you get these deep, roasted fruity notes from the cocoa nibs, some bitterness and also this very light, sprightly, heady citrus flavor from lemon zest. The nice thing about compound butter is that it's easy to make. And by giving these aromatic, flavorful ingredients a chance to hang out with the butter for a little while, you'll get something that is infused with the character of the flavors but also has these intense pops of it. It's a dynamic eating experience that I really like. It's really interesting. The reason I have so many cocoa nibs is that I really love making biscotti with cocoa nibs. I think I'm going to make that butter and then use the butter in the recipe. That sounds delicious. That's exactly the kind of thinking I hope people take away from reading about flavor. Basically, any time you're cooking and bringing ingredients together, you have an opportunity to bring them together in a more flavorful, more delicious way. Any time you're adding fat to a recipe, whether it's butter or oil or anything like that, if you combine it with the flavorful ingredients early on, you'll get a much more intense, round, well-infused flavor. Making this compound butter and then using the butter to make the biscotti, I think you'll probably get quite a different taste experience. Cacao Nib–Lemon Butter Makes about 1 cup This is a salty-sweet dessert on some rich brioche or challah. It's also great on squashes, summer or winter. Ingredients 2 sticks (about 225 g) softened, best-quality unsalted butter (grass-fed and cultured, if you can find it!) 2 tablespoons (20 g) lightly toasted, crushed cocoa nibs a scant ½ teaspoon (2.5 g) fine sea salt 3 g lemon zest (just short of 1 medium lemon, zested) Instructions In a medium to large bowl, combine all the ingredients. Mix together well, then pile on a piece of plastic wrap and roll into a log. Chill, well wrapped, in the fridge until use. Consume within 3 weeks. Reprinted from Flavorama by arrangement with Harvest, an imprint of HarperCollins Publishers. Copyright © 2024, Arielle Johnson. Tell me about your Peanut Russian. The Peanut Russian is my take on a White Russian, which is coffee liqueur and half-and-half. Watch The Big Lebowski. I don't know if people still drink them regularly. I like them a lot. It's this idea of an alcoholic beverage that's got this deep coffee, bitter brown goodness and a lot of creaminess. But in this case, instead of a dairy product, you use peanut milk, which is like making soy milk but with peanuts instead of soy beans. It's extracting all the flavor of the peanut into this creamy "milk" and then using a coffee-infused rum in the place of a Kahlúa to make a really creamy, nutty, also vegan cocktail experience. It sounds so good to me. Why are you a fond evangelist, someone who goes so far as to cook giant trays of chicken that you're then going to dispose of because you have stabbed it so many times to let the juices flow out and caramelize on the pan? The fond is, as you say, when you're cooking a piece of meat and the juices leak out, they make this brown layer that sticks to the pan. This, to me, is the perfect concentrated essence of meatiness. Whenever I brown a piece of meat or I'm trying to make gravy or roasting a piece of meat, I always, always, always deglaze the pan and find a way to incorporate the fond, the brown meaty parts into either the meat itself or into a sauce. During previous Thanksgivings, when we've grilled our turkey and we're not roasting it in a pan, so we did not have a fond, I did not want terrible gravy (I think fond is essential for good gravy) so we roasted sheet pans of chicken drumsticks that I stabbed all over while they were cooking, which you're not supposed to do. You're not supposed to stick your knife too many times into a piece of meat to check because it'll let the juices run out. In this case, I wanted the juices to run out because I wanted them to collect on the pan and make an extra, extra large fond to use wherever I wanted. In this case, [it was] for delicious gravy. In my defense, I didn't actually throw the drumsticks away. I did use them to make a light stock. But in this case, you're really taking that flavorless sponge and separating it from the meat juice, which you get to experience as its own concentrated essence. Does texture have anything to do with flavor or is it just a bonus? No, texture is a huge part of flavor. The texture of salt grains, for example, can have a really significant impact on how salty you perceive a salt to be. Things like astringency in red wine. If you drink a young red wine and it makes the inside of your mouth feel like sandpaper, you'll have a bit of a different flavor experience overall than if you were just drinking it without tannin. Is that because the tannins are actually having a physical effect on the surface of your tongue? Not on the surface of your tongue. Your entire mouth is lubricated with saliva. (Sorry for saying "lubricated" and "saliva." I know those are gross words.) What makes saliva a good lubricant, in this case, is because it has different types of proteins, sometimes what are called glycoproteins, floating around in it. Tannins, which are groupings of polyphenols that make red wine red and other fruits and flowers the colors that they are, react with the proteins and pull them out of solutions. It'll actually make your saliva a much less efficient lubricant. Astringency is the unmediated feeling of your tongue touching the inside of your mouth. I love that. It's such a nerd fest. Do you think that one reason why a lot of good restaurant food happens is because chefs take advantage of opportunities to create layered flavor, they take the time to do that, whereas at home, we just want to feed ourselves? Absolutely. In a restaurant, since you are doing all of your prep in advance and then executing many dishes over the course of a night, the structure is really set up that allows you to pre-make or pre-prep a lot of different components then bring them together on the final plate. I'd say yeah, the biggest difference between really complex-tasting restaurant food and home cooking is this singular focus on making each component as flavorful as possible, often regardless of how inefficient and time-consuming that is. This is where all of the infusions, extractions, dehydrated situations come into play. Fermentation, things like that, if you want to start your prep months before you're going to eat a dish. Like at Noma. Exactly. We have to talk about pie because we're kind of pie-obsessed. And specifically apple pie. We have a big contest coming up in a few weeks and there are two apple categories this year. How is the flavor of an apple transformed by heat? When you heat up smell molecules, since those molecules are volatile, they are able to basically spend time as a gas and float through the air. Once you heat them up, they will start to essentially boil off and dissipate. This is how a reed diffuser or one of those candle rings that you put essential oils into works. You heat up small molecules and they'll go up into the air more. They won't all do it at the same rate and to the same degree. When you cook apples, or heat up pieces of fruit but specifically apples, you'll tend to boil off some of the lighter, tutti fruity and green top notes. What you're left with are a lot of what a perfumer might call the base notes, the physically and chemically heavier smell molecules that, in the case of apples, have this really decadent, plush, rose petal, cooked fruit, caramel, tobacco character. That's one of my favorite flavors. My favorite apple molecule is called beta-Damascenone. It is a norisoprenoid. It's one of these apple base notes. Do you have any advice on how to enhance the flavor of an apple pie? Yes. One is to enhance the flavor of the apples themselves by trying to induce chemical reactions that will create more flavors than the apples already have. So if you were to roast or caramelize the apples a little bit, or if not all of the apples, some of the apples beforehand, you'll be introducing more flavor molecules into the pie, literally. If you include any fats or butter in the cream, in the filling itself, let the apples and the spices mingle together with any fat for maybe a day in the fridge before you put them all together and you'll get a much more permeated, infused flavor expression of all of those things. If you wanted to go crazy, you could enhance the apple flavor of the apple filling by using a bit of apple molasses, which is really just reduced apple juice or apple cider. If you juice some of the apples and simmer [the juice] very gently until you make a syrup, you'll get a super concentrated essence of apple that you can then really beef up the apple pie with. As water reduces, flavor gets a boost, giving apple pie a concentrated taste when the fruit bakes. Illustration by Arielle Johnson. That's what I do. Great minds think alike, I guess. There are a couple apple farms that make an exceptional cider extract — boiled cider. It's so delicious. I think that's a great example of how thinking about the science of flavor doesn't have to feel like an organic chemistry class. It can be a little enhancement to your existing culinary intuition. I'm glad you already figured that one out. If you can exhort us to take on board one technique at home to create more flavor, what would it be? I think one of the easiest ways to embrace this is to embrace the Maillard reaction. The Maillard reaction is a reaction between amino acids to the building blocks of proteins and sugars. Chemistry aside, it is the source of all of the browned, toasted, roasted flavors in things like chocolate, coffee, roasted meat, chicken skin, toast, brown butter. It's a reaction that has many different faces. Chocolate doesn't taste the same as coffee although they're both sort of brown-tasting. The easiest way to use this to add extra layers of flavor to whatever you're cooking is to heat up any ingredients that you have, whether that's butter or a piece of meat, so that these things have a chance to react with each other and to, as much as possible, do things like dab the outside of meat before you sear it so that there isn't as much water. [That way], the water doesn't absorb all of the heat, the heat can go into the meat and then create this delicious browning reaction. A lot of the precursors, the building blocks for this stuff, are just hanging out in the ingredients that we're using all of the time. All you have to do is be a little bit clever about how you're applying heat to them and you'll reap all of these flavor rewards. "Flavorama: A Guide to Unlocking the Art and Science of Flavor" explores the building blocks of yumminess. Photo courtesy of Harvest.
For this thirteenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] that was held at the 7L library in Paris, CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited novelist and essayist Rachel Cusk, along with model and friend of the House Naomi Campbell.Moderated by author and critic Erica Wagner, this encounter dedicated to the work of Rachel Cusk considers motherhood, how to explore personal stories through literature and the rework of the literary form it requires: “I think I always felt that my duty was to reality and how the novel could show that and contain it.”Extract from A Life's Work, Copyright © 2001, 2008, Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.Excerpt from A Life's Work: on Becoming a Mother by Rachel Cusk. Copyright © 2001 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.Saving Agnes by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.Saving Agnes by Rachel Cusk. Copyright © 1993 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.© Whitbread PLC.© Costa Book AwardsThe Country Life by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.The Country Life by Rachel Cusk. Copyright © 1997 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.In the Fold © Rachel Cusk, 2005.Arlington Park © Rachel Cusk, 2006.Arlington Park by Rachel Cusk. Copyright © 2006 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Outline Copyright © 2014 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.Outline by Rachel Cusk. Copyright © 2014 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Transit by Rachel Cusk © Rachel Cusk, 2018. Reprinted by permission of Faber and Faber Ltd.Transit by Rachel Cusk. Copyright © 2016 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Kudos by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.Kudos by Rachel Cusk. Copyright © 2018 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Extract from Second Place by Rachel Cusk © Rachel Cusk, 2021 Reprinted by permission of Faber and Faber Ltd.Excerpt from Second Place by Rachel Cusk. Copyright © 2021 by Rachel Cusk. Reprinted/Used by permission of Farrar, Straus and Giroux. All Rights Reserved.Extract from Second Place Copyright © 2021 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.© Association Prix Femina.Rachel Cusk, Aftermath: On Marriage and Separation, © Faber & Faber, 2019.Extract from Aftermath: on marriage and separation by Rachel Cusk. Copyright © 2012 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Parade © Rachel Cusk, 2024.Parade by Rachel Cusk. Copyright © 2024 by Rachel Cusk. Forthcoming from Faber & Faber Ltd. and Farrar, Straus and Giroux in June 2024. All Rights Reserved.From The New York Times Magazine. © 2016, The New York Times Company. All rights reserved. Used under licenseMrs Dalloway © Virginia Woolf, 1925Elena Ferrante, The Lost Daughter, Translated by Ann Goldstein, © Europa, 2008. First published 2006 by Edizioni e/o as La figlia oscura La figlia oscura by Elena Ferrante © 2006 by Edizioni E/O.
For this thirteenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] that was held at the 7L library in Paris, CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited novelist and essayist Rachel Cusk, along with model and friend of the House Naomi Campbell.Moderated by author and critic Erica Wagner, this encounter dedicated to the work of Rachel Cusk considers motherhood, how to explore personal stories through literature and the rework of the literary form it requires: “I think I always felt that my duty was to reality and how the novel could show that and contain it.”Extract from A Life's Work, Copyright © 2001, 2008, Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.Excerpt from A Life's Work: on Becoming a Mother by Rachel Cusk. Copyright © 2001 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.Saving Agnes by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.Saving Agnes by Rachel Cusk. Copyright © 1993 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.© Whitbread PLC.© Costa Book AwardsThe Country Life by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.The Country Life by Rachel Cusk. Copyright © 1997 by Rachel Cusk. Reprinted by permission of Picador. All Rights Reserved.In the Fold © Rachel Cusk, 2005.Arlington Park © Rachel Cusk, 2006.Arlington Park by Rachel Cusk. Copyright © 2006 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Outline Copyright © 2014 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.Outline by Rachel Cusk. Copyright © 2014 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Transit by Rachel Cusk © Rachel Cusk, 2018. Reprinted by permission of Faber and Faber Ltd.Transit by Rachel Cusk. Copyright © 2016 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Kudos by Rachel Cusk © Rachel Cusk, 2019. Reprinted by permission of Faber and Faber Ltd.Kudos by Rachel Cusk. Copyright © 2018 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Extract from Second Place by Rachel Cusk © Rachel Cusk, 2021 Reprinted by permission of Faber and Faber Ltd.Excerpt from Second Place by Rachel Cusk. Copyright © 2021 by Rachel Cusk. Reprinted/Used by permission of Farrar, Straus and Giroux. All Rights Reserved.Extract from Second Place Copyright © 2021 Rachel Cusk, used by permission of The Wylie Agency (UK) Limited.© Association Prix Femina.Rachel Cusk, Aftermath: On Marriage and Separation, © Faber & Faber, 2019.Extract from Aftermath: on marriage and separation by Rachel Cusk. Copyright © 2012 by Rachel Cusk. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.Parade © Rachel Cusk, 2024.Parade by Rachel Cusk. Copyright © 2024 by Rachel Cusk. Forthcoming from Faber & Faber Ltd. and Farrar, Straus and Giroux in June 2024. All Rights Reserved.From The New York Times Magazine. © 2016, The New York Times Company. All rights reserved. Used under licenseMrs Dalloway © Virginia Woolf, 1925Elena Ferrante, The Lost Daughter, Translated by Ann Goldstein, © Europa, 2008. First published 2006 by Edizioni e/o as La figlia oscura La figlia oscura by Elena Ferrante © 2006 by Edizioni E/O.
Special six year anniversary episode in collaboration with Worlds of IF Magazine bringing you works from the pages of Worlds of IF Magazine #177https://worldsofifmagazine.com/ -Story and poetry featured in this episode:Contact by Akua Lezli Hope - https://akualezlihope.com/ -music by Fall Precauxions - https://fallprecauxions.bandcamp.com/ -read by the author -The Pain Peddlers by Robert Silverberg - http://www.robert-silverberg.com/ -music by Phog Masheeen - https://phogmasheeen.com/ -read by Jean-Paul Garnier -(C) 1963, 1991 by Agberg, Ltd. Reprinted by permission of the author and Agberg, Ltd. -Time Junkies by Pedro Iniguez - https://pedroiniguezauthor.com/music by Fall Precauxions - https://fallprecauxions.bandcamp.com/ -read by the author -theme music by Dain Luscombe -Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.https://www.spacecowboybooks.com
A huge thanks to Seth White for the awesome music!Thanks to Palmtoptiger17 for the beautiful logo: https://www.instagram.com/palmtoptiger17/Facebook Page: https://www.facebook.com/thewayfourth/?modal=admin_todo_tourYouTube: https://www.youtube.com/channel/UCTd3KlRte86eG9U40ncZ4XA?view_as=subscriberInstagram: https://www.instagram.com/theway4th/ Kingdom Outpost: https://kingdomoutpost.org/My Reading List Goodreads: https://www.goodreads.com/author/show/21940220.J_G_ElliotChristian Peace and Nonviolence: https://www.goodreads.com/book/show/11451761-christian-peace-and-nonviolence?from_search=true&from_srp=true&qid=lpCu4Cfk0v&rank=8Read with permission by the copyright holder: Copyright © 1941 by the Christian Century. Reprinted by permission of the Christian Century. www.christiancentury.org Thanks to our monthly supporters Laverne Miller Jesse Killion ★ Support this podcast on Patreon ★
On the Shelf for December 2023 The Lesbian Historic Motif Podcast - Episode 274 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Recent and upcoming publications covered on the blogde Nicolay, Nicolas. 1567. Quatre premiers livres des navigations. Translated by T. Washinton (1585) as The Navigations, Peregrinations, and Voyages, Made into Turkie. Collected in: Osborne, Thomas. 1745. Collection of Voyages and Travels…, vol. 1. London: Thomas Osborne of Gray's-Inn. Ogier Ghiselin de Busbecq. 1581. Itinera Constantinopolitanum et Amasianum (Journey to Constantinople and Amasya. Translated into English 1694 as: Four Epistles of A.G. Busbequius, Concerning His Embassy Into Turkey. Being Remarks Upon the Religion, Customs Riches, Strength and Government of that People. As Also a Description of Their Chief Cities, and Places of Trade and Commerce. Reprinted in 1744 as: Travels into Turkey: Containing the Most Accurate Account of the Turks, and Neighbouring Nations, Their Manners, Customs, Religion, Superstition, Policy, Riches, Coins, &c. Bon, Ottaviano. 1587. Descrizione del serraglio del Gransignore. Translated by Robert Withers (1625) as The Grand Signiors Serraglio, published in: Hakluytus Posthumus, or Purchas his Pilgrimes edited by Samuel Purchas. Glover, Thomas. 1610. The Muftie, Cadileschiers, Divans: Manners and attire of the Turkes. The Sultan described, and his Customes and Court. Included in George Sandys A Relation of a Journey begun Anno Dom. 1610 published in: Hakluytus Posthumus, or Purchas his Pilgrimes edited by Samuel Purchas (1625). Tavernier, Jean-Baptiste. 1675. Nouvelle Relation De l'intéreur Du Sérail Du Grand Seigneur Contenant Plusieurs Singularitex Qui Jusqu'icy N'ont Point esté mises En Lumiere. Translated into English by J. Phillips as: A New Relation Of The Inner-Part of The Grand Seignor's Seraglio, Containing Several Remarkable Particulars, Never Before Expos'd To Public View bound with A Short Description of all the Kingdoms Which Encompas the Euxine and Caspian Seas, Delivered by the author after Twenty Years Travel Together with a Preface Containing Several Remarkable Observations concerning divers of the forementioned countries. 1677. R. L. and Moses Pitt. Montague, Mary Wortley. 1763. Letters of the Right Honourable Lady M—y W—y M——e: Written during her Travels in Europe, Asia, and Africa. T. Becket and P.A. DeHondt, in the Strand. Walsh, William. 1691. A Dialogue Concerning Women, being a Defence of the Sex. London, Printed for R. Bentley in Russel-street in Covent-Garden, and I. Tonson at the Judge's-Head in Chancery-Lane. Anonymous. 1749. Satan's Harvest Home: or the Present State of Whorecraft, Adultery, Fornication, Procuring, Pimping, Sodomy, And the Game of Flatts, (Illustrated by an Authentick and Entertaining Story) And other Satanic Works, daily propagated in this good Protestant Kingdom. London. Book ShoppingSeed, David (ed). 1995. Anticipations: Essays on Early Science Fiction and its Precursors. Syracuse University Press. ISBN 0-8156-2640-1 Recent Lesbian/Sapphic Historical FictionSay Their Names by Karen Badger Rest in Paper by Jay Mulling Shoot the Moon by Isa Arsén Two Wings to Hide My Face by Penny Mickelbury Whiskey War (Speakeasy #2) by Stacy Lynn Miller The Apple Diary by Gerri Hill Virgin Flight by E.V. Bancroft In the Shadow of Victory (Shadow Series #4) by J.E. Leak Other Titles of InterestBone Rites by Natalie Bayley Vyking Queen: A 3rd Gender Romance by Elora Roze A Season of Monstrous Conceptions by Lina Rather What I've been consumingMenewood by Nichola Griffith Nettle and Bone by T. Kingfisher Call for submissions for the 2024 LHMP audio short story series. See here for details. A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)
If cats have nine lives, Beep the Meep must be part cat. The titular character of The Star Beast comic strip and 60th anniversary special has already had at least two lives in Doctor Who: First as a featured player in the comic strip of Doctor Who Magazine, where he (it?) encountered the Fourth Doctor twice — in Beep's 1980 debut and the 1996 sequel. Then Beep made the jump to audio in The Ratings War for Big Finish, meeting the Sixth Doctor where we finally got to hear the creature's catchphrase, “Meep Meep!” Now Beep is graduating to the TV series, and in celebration of that we've put the Randomizer on standby and have steered the podcast to Beep the Meep's first adventure, The Star Beast — the original, you might say. Follow along with us as we go back to 1980 Blackcastle, where a cute alien was on the run, lead was plentiful on rooftops, and the Fourth Doctor picked up a new companion named Sharon… Subscribe to our newsletter at pulltoopen.net for extended notes on The Star Beast. Please consider becoming a patron of Pull To Open on Patreon. Use our special link to save 30% off your first month of any Zencastr paid plan: https://zen.ai/VQLNX7mi_ybWBP5VHbJw9w Please review Pull To Open on Apple Podcasts. Follow us on: TikTok! @pulltoopen Instagram: @pulltoopen63 X: @pulltoopen63 Threads: @pulltoopen63 Bluesky: @pulltoopen Please subscribe to our YouTube Channel. Play Pull To Open Bingo! Story Essentials: Writer: Pat Mills, John Wagner Artist: Dave Gibbons First appeared: Doctor Who Weekly No. 19-26, 1980 Reprinted as Doctor Who from Marvel Comics, Nos. 1 and 2 Pull To Open: The Star Beast Comic Strip Season 4 Episode 46 Hosts: Pete Pachal and Chris Taylor Music: Martin West/Thinking Fish
In 1916, Mourning Dove gave an interview that described the book she had written as soon to be published, but it turned out to still be years away. Part two covers the years it took to get that book published, and her life after it. Research: American Folklore Society. “Mourning Dove (Hum-ishu-ma / Christine Quintasket).” https://notablefolkloristsofcolor.org/portfolio/mourning-dove-hum-ishu-ma-christine-quintasket/ Arnold, Laurie. “More than Mourning Dove: Christine Quintasket—Activist, Leader, Public Intellectual.” Montana The Magazine of Western History, Spring 2017, Vol. 67, No. 1. Via JSTOR. https://www.jstor.org/stable/26322854 Brown, Alanna Kathleen. “Mourning Dove's Voice in ‘Cogewea.'” Wicazo Sa Review , Autumn, 1988, Vol. 4, No. 2 (Autumn, 1988). https://www.jstor.org/stable/1409273 Brown, Alanna Kathleen. “The Evolution of Mourning Dove's Coyote Stories.” Studies in American Indian Literatures , Summer/Fall 1992, Series 2, Vol. 4. Via JSTOR. http://www.jstor.com/stable/20736610 Brown, Alanna Kathleen. “The Evolution of Mourning Dove's Coyote Stories.” Studies in American Indian Literatures , Summer/Fall 1992, Series 2, Vol. 4. Via JSTOR. http://www.jstor.com/stable/20736610 Brown, Anna Kathleen. “Reviewed Work(s): Coyote Stories by Mourning Dove and Jay Miller; Mourning Dove: A Salishan Autobiography by Jay Miller.” Studies in American Indian Literatures, Series 2, Vol. 3, No. 2. Via JSTOR. https://www.jstor.org/stable/20736517 Center for the Study of the Pacific Northwest. “Texts by and about Natives: Commentary. 9. Christine Quintasket (Mourning Dove or Humishuma).” University of Washington. https://www.washington.edu/uwired/outreach/cspn/Website/Classroom%20Materials/Reading%20the%20Region/Texts%20by%20and%20about%20Natives/Commentary/9.html Johnson-Roehr, S.N. “Christine Quintasket.” JSTOR Daily. 10/10/2022. https://daily.jstor.org/christine-quintasket/ Karell, Linda K. “'This Story I Am Telling You Is True': Collaboration and Literary Authority in Mourning Dove's ‘Cogewea.'” American Indian Quarterly , Autumn, 1995, Vol. 19, No. 4. https://www.jstor.org/stable/1185559 Kennedy, Kara and Sarah Werner. “Cogewea's Blog: An Analysis of One of North America's First Novels Written by a Female Indigenous Author.” 7/31/2010. https://cogewea.wordpress.com/ Lamont, Victoria. “Native American Oral Practice and the Popular Novel; Or, Why Mourning Dove Wrote a Western.” Source: Western American Literature , Winter 2005, Vol. 39, No. 4. Via JSTOR. https://www.jstor.org/stable/43022337 Miller, Jay. “Mourning Dove: Editing in All Directions to "Get Real".” Studies in American Indian Literatures , Summer 1995, Series 2, Vol. 7, No. 2. Via JSTOR. https://www.jstor.org/stable/20736849 Montana Outdoor Hall of Fame. “Michael Pablo 1844-1914, Charles A. Allard 1852-1896.” https://mtoutdoorhalloffame.org/wp-content/uploads/2019/11/Charles-Allard.pdf Mourning Dove. “Coyote Stories.” Edited and illustrated by Hester Dean Guie, with notes by L.V. McWhorter (Old Wolf) and a foreword by Chief Standing Bear.” University of Nebraska Press. 1934 (Reprinted 1990). Mourning Dove. “Mourning Dove: A Salishan Autobiography.” Edited by Jay Miller. University of Nebraska Press. 1990. Nisbet, Jack and Claire. “Mourning Dove (Christine Quintasket) (ca. 1884-1936).” HistoryLink.org. 8/7/2010. https://www.historylink.org/File/9512 Spokane Spokesman-Review. “Colville Indian Girl Blazes Trail to New Conception of Redmen in Her Novel, ‘Cogewea,' Soon to be Published.” 4/9/1916. https://www.newspapers.com/image/566560963/ Strong, Robert. “5 – The Uncooperative Primary Source: Literary Recovery versus Historical Fact in the Strange Production of Cogewea”. Keshen, Jeff, and Sylvie Perrier. Building New Bridges - Bâtir de nouveaux ponts: Sources, Methods and Interdisciplinarity - Sources, méthodes et interdisciplinarité. Ottawa: Les Presses de l'Université d'Ottawa | University of Ottawa Press, 2005. (pp. 63-72) Web. http://books.openedition.org/uop/1064. The Hill County Sunday Journal. “Kinnikinnick; What Was It? It Answered For Tobacco But Some Claim It Wasn't. “ 9/25/1928. https://www.newspapers.com/image/958129012 S. President. “Executive orders relating to Indian reservations : from May 14, 1855 to July 1, 1912.” Washington. 2012. https://archive.org/details/cu31924097621753/page/n206/mode/1up See omnystudio.com/listener for privacy information.
Decision Space is the podcast about decisions in board games. Join our active and welcoming Discord community, Join the crew today! (Decision Space Patreon), or Leave us a review wherever you found this podcast! Episode 145 - Something Old, Something New, & Something Never Getting Reprinted This week, Jake and Brendan talk about some recent plays in a mini-review format. Our gift to you, dear listener is covering something new (2024 release!), something Old (1997), and something out of print and (probably) never getting reprinted (???). Brendan also reveals a new segment that you are probably really going to like. And hey wait, what's that music in the background? Pre-Planners Heat and Ticket to Ride Timestamps Intro - 0:00 Main Discussion - 3:15 Nokosu Dice - 4:18 Glory To Rome - 15:50 Zoo Vadis - 26:58 Hansa Teutonica (The East Expansion Board) - 37:23 Tigris and Euphrates - 42:20 Abluxxen/Linko/Scout - 46:39 MLEM: Space Agency - 51:05 Music and Sound Credits Thank you to Hembree for our intro and outro music from their song Reach Out. You can listen to the full song on YouTube here: https://www.youtube.com/watch?v=gQuuRPfOyMw&list=TLGGFNH7VEDPgwgyNTA4MjAyMQ&t=3s You can find more information about Hembree at https://www.hembreemusic.com/. Thank you to Flash Floods for use of their song Palm of Your Hand as a sting from their album Halfway to Anywhere: https://open.spotify.com/album/2fE6LrqzNDKPYWyS5evh3K?si=CCjdAGmeSnOOEui6aV3_nA Rules Overview Music: Way Home by Tokyo Music Walker https://soundcloud.com/user-356546060 Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/tokyo-music-walker-way... Music promoted by Audio Library https://youtu.be/pJThZlOuDtI Contact We can be reached individually on Twitter at @jakefryd and @burnsidebh. You can also follow Decision Space on Instagram @DecisionSpacePod and talk to us there! If you prefer email, then hit us up at decisionspa@gmail.com. This information is all available along with episodes at our new website decisionspacepodcast.com. Byeee!
Mourning Dove was an activist, ethnographer and novelist, and one of the first, if not the first, Indigenous women in the U.S. to publish a novel. Part one covers the Confederated Tribes of the Colville Reservation and her early career. Research: American Folklore Society. “Mourning Dove (Hum-ishu-ma / Christine Quintasket).” https://notablefolkloristsofcolor.org/portfolio/mourning-dove-hum-ishu-ma-christine-quintasket/ Arnold, Laurie. “More than Mourning Dove: Christine Quintasket—Activist, Leader, Public Intellectual.” Montana The Magazine of Western History, Spring 2017, Vol. 67, No. 1. Via JSTOR. https://www.jstor.org/stable/26322854 Brown, Alanna Kathleen. “Mourning Dove's Voice in ‘Cogewea.'” Wicazo Sa Review , Autumn, 1988, Vol. 4, No. 2 (Autumn, 1988). https://www.jstor.org/stable/1409273 Brown, Alanna Kathleen. “The Evolution of Mourning Dove's Coyote Stories.” Studies in American Indian Literatures , Summer/Fall 1992, Series 2, Vol. 4. Via JSTOR. http://www.jstor.com/stable/20736610 Brown, Alanna Kathleen. “The Evolution of Mourning Dove's Coyote Stories.” Studies in American Indian Literatures , Summer/Fall 1992, Series 2, Vol. 4. Via JSTOR. http://www.jstor.com/stable/20736610 Brown, Anna Kathleen. “Reviewed Work(s): Coyote Stories by Mourning Dove and Jay Miller; Mourning Dove: A Salishan Autobiography by Jay Miller.” Studies in American Indian Literatures, Series 2, Vol. 3, No. 2. Via JSTOR. https://www.jstor.org/stable/20736517 Center for the Study of the Pacific Northwest. “Texts by and about Natives: Commentary. 9. Christine Quintasket (Mourning Dove or Humishuma).” University of Washington. https://www.washington.edu/uwired/outreach/cspn/Website/Classroom%20Materials/Reading%20the%20Region/Texts%20by%20and%20about%20Natives/Commentary/9.html Johnson-Roehr, S.N. “Christine Quintasket.” JSTOR Daily. 10/10/2022. https://daily.jstor.org/christine-quintasket/ Karell, Linda K. “'This Story I Am Telling You Is True': Collaboration and Literary Authority in Mourning Dove's ‘Cogewea.'” American Indian Quarterly , Autumn, 1995, Vol. 19, No. 4. https://www.jstor.org/stable/1185559 Kennedy, Kara and Sarah Werner. “Cogewea's Blog: An Analysis of One of North America's First Novels Written by a Female Indigenous Author.” 7/31/2010. https://cogewea.wordpress.com/ Lamont, Victoria. “Native American Oral Practice and the Popular Novel; Or, Why Mourning Dove Wrote a Western.” Source: Western American Literature , Winter 2005, Vol. 39, No. 4. Via JSTOR. https://www.jstor.org/stable/43022337 Miller, Jay. “Mourning Dove: Editing in All Directions to "Get Real".” Studies in American Indian Literatures , Summer 1995, Series 2, Vol. 7, No. 2. Via JSTOR. https://www.jstor.org/stable/20736849 Montana Outdoor Hall of Fame. “Michael Pablo 1844-1914, Charles A. Allard 1852-1896.” https://mtoutdoorhalloffame.org/wp-content/uploads/2019/11/Charles-Allard.pdf Mourning Dove. “Coyote Stories.” Edited and illustrated by Hester Dean Guie, with notes by L.V. McWhorter (Old Wolf) and a foreword by Chief Standing Bear.” University of Nebraska Press. 1934 (Reprinted 1990). Mourning Dove. “Mourning Dove: A Salishan Autobiography.” Edited by Jay Miller. University of Nebraska Press. 1990. Nisbet, Jack and Claire. “Mourning Dove (Christine Quintasket) (ca. 1884-1936).” HistoryLink.org. 8/7/2010. https://www.historylink.org/File/9512 Spokane Spokesman-Review. “Colville Indian Girl Blazes Trail to New Conception of Redmen in Her Novel, ‘Cogewea,' Soon to be Published.” 4/9/1916. https://www.newspapers.com/image/566560963/ Strong, Robert. “5 – The Uncooperative Primary Source: Literary Recovery versus Historical Fact in the Strange Production of Cogewea”. Keshen, Jeff, and Sylvie Perrier. Building New Bridges - Bâtir de nouveaux ponts: Sources, Methods and Interdisciplinarity - Sources, méthodes et interdisciplinarité. Ottawa: Les Presses de l'Université d'Ottawa | University of Ottawa Press, 2005. (pp. 63-72) Web. http://books.openedition.org/uop/1064. The Hill County Sunday Journal. “Kinnikinnick; What Was It? It Answered For Tobacco But Some Claim It Wasn't. “ 9/25/1928. https://www.newspapers.com/image/958129012 S. President. “Executive orders relating to Indian reservations : from May 14, 1855 to July 1, 1912.” Washington. 2012. https://archive.org/details/cu31924097621753/page/n206/mode/1up See omnystudio.com/listener for privacy information.
READ TRANSCRIPTIn this episode, poet, writer and doctor Gita Ralleigh talks to us about the poem that has been a friend to her: 'The Daughter' by Carmen Giménez.We're so grateful to Gita for sharing such an intimate, beautiful conversation with us, and to Carmen Giménez and The University of Arizona Press for allowing us to bring the poem to you in this way.Gita Ralleigh is a poet, writer and doctor born to Indian immigrant parents in London. She teaches creative writing to science undergraduates at Imperial College and has an MA in Creative Writing and an MSc in Medical Humanities. Her poetry books are A Terrible Thing (Bad Betty Press, 2020) and Siren (Broken Sleep Books, 2022). Her debut children's novel The Destiny Of Minou Moonshine was published by Zephyr/Head of Zeus in July 2023. You can find her on Twitter as @storyvilled and on Instagram as @gita_ralleigh'The Daughter' can be found in Carmen Giménez' collection Milk and Filth, published by University of Arizona Press, 2013. You can find out more about Carmen Giménez and her work at www.carmengimenez.net.We are thrilled to announce our first anthology will be pubished by Quercus Editions on 9th May 2024! Poems as Friends: The Poetry Exchange 10th Anniversary Anthology will bring together a beautiful selection of poems that readers have shared with us at The Poetry Exchange over the last 10 years. The poems will be presented alongside readers' stories of connection, revealing how the poems have acted as friends to them and have played a part in their lives. You can find out more about our our anthology and pre-order your copy here.We are so grateful to all our listeners, followers and contributors for being part of The Poetry Exchange so far, and for celebrating and sharing poems as friends with us in so many beautiful ways.*********The Daughterby Carmen GiménezWe said she was a negative image of me because of her lightness.She's light and also passage, the glory in my cortex.Daughter, where did you get all that goddess?Her eyes are Neruda's two dark pools at twilight.Sometimes she's a stranger in my home because I hadn't imagined her.Who will her daughter be?She and I are the gradual ebb of my mother's darkness.I unfurl the ribbon of her life, and it's a smooth long hallway, doors flung open.Her surface is a deflection is why.Harm on her, harm on us all.Inside her, my grit and timbre, my reckless.'The Daughter' from Milk & Filth. Copyright © 2013 by Carmen Gimenez Smith. Reprinted by permission of University of Arizona Press. Hosted on Acast. See acast.com/privacy for more information.
Joy in Giving The Joy in Being Christ's Church, Sixth in Series Sermon by the Rev. Dr. Agnes W. Norfleet Response: Lord, Cleanse the Depths Text: Rosamond E. Herklots, 1969, 1983, alt. Music: Supplement to Kentucky Harmony, 1820; harm. Margaret W. Mealy, 1985. Text: ©1969, 1983 Rosamond E. Herklots (admin. Oxford University Press). Music Harm: ©1985 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: Laudate Dominum Text: Psalm 117. Music: W.A. Mozart (1756-1791); arr. Alice Parker, 1973. Music: ©1973 Lawson-Gould Music Publishers, Inc. (a div. of Alfred Music Publishing). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: Come, Let Us Sing to the Lord Text: Psalm 95. Music: René Clausen, 1999. Music: ©1999 Fostco Music Press. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: Fugue on the name ALAIN Music: Maurice Duruflé, 1942. Music: ©1943 Editions Durand, Paris, France, (a div. of Universal Publishing Group). All rights reserved.
I'm A Loser, Baby, So Why Don't You Resurrect Me? In this episode, we discuss the difference between our ideas of Jesus as a “winner” who gives us big wins in life versus Jesus, who wins by losing to sin, death, and the devil. We read Gerhard Forde's article “Loser Takes All” and consider how we bend Jesus to our ideas of satisfaction, safety, and success. SHOW NOTES: LOSER TAKES ALL: The Victory of Christ by Gerhard O. Forde (Lutheran Standard September 2, 1975: 3-5. Reprinted in 2004 A More Radical Gospel, 98-101.) https://amzn.to/45FErte Alternate take: https://steadfastlutherans.org/2018/07/reviewing-forde-fordes-1975-loser-takes-all-the-victory-of-christ/x2 SUPPORT: Support the Podcast Network http://www.1517.org/donate-podcasts 1517 Podcasts http://www.1517.org/podcasts The 1517 Podcast Network on Apple Podcasts https://podcasts.apple.com/us/channel/1517-podcast-network/id6442751370 1517 on Youtube https://www.youtube.com/channel/UChDdMiZJv8oYMJQQx2vHSzg What's New from 1517: 2023 HWSS Conference Livestream Signup http://1517.org/livestream Free 2023 Advent Resources https://learn.1517.org/advent-resources-2023 2024(May 3-4) NWA Tickets are Now Available! https://1517.regfox.com/2024-nwa Join the 1517 Academy https://academy.1517.org/ All Charges Dropped, Vol. 2 https://shop.1517.org/products/all-charges-dropped-devotional-narratives-from-earthly-courtrooms-to-the-throne-of-grace-volume-2 More from the hosts: Donovan Riley https://www.1517.org/contributors/donavon-riley Christopher Gillespie https://www.1517.org/contributors/christopher-gillespie MORE LINKS: Tin Foil Haloes https://t.me/bannedpastors Warrior Priest Gym & Podcast https://thewarriorpriestpodcast.wordpress.com St John's Lutheran Church (Webster, MN) - FB Live Bible Study Group https://www.facebook.com/groups/356667039608511 Gillespie's Sermons and Catechesis: http://youtube.com/stjohnrandomlake Gillespie Coffee https://gillespie.coffee Gillespie Media https://gillespie.media CONTACT and FOLLOW: Email mailto:BannedBooks@1517.org Facebook https://www.facebook.com/BannedBooksPod/ Twitter https://twitter.com/bannedbooks1517 SUBSCRIBE: YouTube https://www.youtube.com/channel/UCsvLQ5rlaInxLO9luAauF4A Rumble https://rumble.com/c/c-1223313 Odysee https://odysee.com/@bannedbooks:5 Apple Podcasts https://podcasts.apple.com/us/podcast/banned-books/id1370993639 Spotify https://open.spotify.com/show/2ahA20sZMpBxg9vgiRVQba Stitcher https://www.stitcher.com/s?fid=214298 Overcast https://overcast.fm/itunes1370993639/banned-books Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9iYW5uZWRib29rcy5saWJzeW4uY29tL3Jzcw TuneIn Radio https://tunein.com/podcasts/Religion--Spirituality-Podcasts/Banned-Books-p1216972/ iHeartRadio https://www.iheart.com/podcast/263-banned-books-29825974/
The Joy in Humility The Joy in Being Christ's Church, Third in Series Sermon by the Rev. Dr. Agnes W. Norfleet ____________________________________________ Introit: Bwana Asifiwe Text: Joachim Neander (1650-1680). Music: Traditional Swahili song of praise; arr. Mark Burrows. Music: ©2012 Choristers Guild. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Prelude: Le Banquet Céleste Music: Olivier Messiaen, 1928. Music: ©1960 Alphonse Leduc & Co., Editions Musicales, (a div. of Wise Music Classical). All rights reserved. Hymn: Here in This Place Text and Music: Marty Haugen, 1979. Text and Music: ©1982 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211.All rights reserved. Response: Lord, Cleanse the Depths Text: Rosamond E. Herklots, 1969, 1983, alt. Music: Supplement to Kentucky Harmony, 1820; harm. Margaret W. Mealy, 1985. Text: ©1969, 1983 Rosamond E. Herklots (admin. Oxford University Press). Music Harm: ©1985 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: I Come with Joy Text: Brian Wren, 1968; rev. 1993. Music: American folk melody; arr. Austin C. Lovelace, 1977. Text: ©1971, rev. 1995 Hope Publishing Company. Music Arr: ©1977 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: Salmo 150 Text: Psalm 150. Music: Ernani Aguiar, 1993. Music: ©1993 Earthsongs Choral Music. All rights reserved. Communion Music: All Who Are Thirsty Text: Michael Perry, 1993. Music: Mutya Lopez Solis; arr. Geoff Weaver, 1983. Music: ©1983 Melchizedek M. Solis and Mutya Solis (admin. Jubilate Hymns, Ltd.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Communion Music: O Sing to the Lord Text: Anonymous; trans. Gerhard Cartford, 1993. Music: Brazilian folksong; arr. Christopher Norton, 1993. Text: Portuguese copyright control. Music: ©1993 Christopher Norton (admin. HarperCollins Religious, United Kingdom). All rights reserved.
A Work of the Wind Sermon by the Rev. Eustacia Moffett Marshall Response: Lord, Cleanse the Depths Text: Rosamond E. Herklots, 1969, 1983, alt. Music: Supplement to Kentucky Harmony, 1820; harm. Margaret W. Mealy, 1985. Text: ©1969, 1983 Rosamond E. Herklots (admin. Oxford University Press). Music Harm: ©1985 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: From Life to Life Text: Delores Dufner, OSB, 1990. Music: Petr Eben, 1999. Text and Music: ©1999 Laurendale Associates. All rights reserved. Hymn: Let Us Build a House Text and Music: Marty Haugen, 1994. Text and Music: ©1994 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: My Soul Thirsteth for God Text and Music: Max Janowski (1912-1991). Text and Music: ©1957 Max Janowski. All rights reserved. Hymn: The Church Cannot Be Bound Text: Adam L. Tice, 2005. Music: African American spiritual; Jubilee Songs, 1884; adapt. Harry T. Burleigh, 1940. Text: ©2005 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude: Philadelphia Flourish Music: Jeffrey Brillhart, 2017. Music: ©2017 E. C. Schirmer Music Company, Inc. (a div. of ECS Publishing Group). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
Jew-ish cookbook author Jake Cohen is back with a new cookbook, I Could Nosh: Classic Jew-ish Recipes Revamped for Everyday. Cohen joins us to discuss how to make modern Jewish cuisine accessible for everyday cooking, and take calls from our listeners. Recipe: Apples & Honey Snacking Cake The "Apples And Honey Snacking Cake," from Jake Cohen's cookbook "I Could Nosh." (Courtesy HarperCollins) Makes 1 (9-inch) square cake Prep Time: 20 minutes, plus cooling time Cook Time: 45 minutes Like every schmuck in the Northeast, I go apple picking in the fall with my family. And while it's mainly for the photo ops, we do always end up leaving with a bushel of apples that I have to bake my way through. This is the cake I revisit every fall on repeat, doubling as the perfect dessert to serve for Rosh Hashanah. The batter itself blends olive oil and applesauce to create the best crumb, while remaining moist for days, making it a great bake-ahead option. Kissed with honey and packed with chunks of apples, it's just as delightful for a sweet breakfast as it is for a late-night snack eaten hunched over the sink. 1 cup olive oil 1 cup (200g) granulated sugar ¾ cup unsweetened applesauce ½ cup honey 1 teaspoon vanilla extract 2 large eggs, at room temperature 2 ¼ cups (304g) all-purpose flour 1 teaspoon ground cinnamon 1 teaspoon ground nutmeg 1 teaspoon kosher salt ½ teaspoon baking soda ½ teaspoon baking powder 2 Honeycrisp apples, cored and chopped Confectioners' sugar, for dusting Preheat the oven to 350°F. Line a 9-inch square cake pan with parchment paper, leaving overhang on all sides. In a large bowl, whisk together the olive oil, granulated sugar, applesauce, honey, vanilla, and eggs until smooth. Add the flour, cinnamon, nutmeg, salt, baking soda, and baking powder. Gently stir together the dry ingredients piled above the wet ingredients a few times before folding together into a smooth batter. Fold in the apples until incorporated, then pour the batter into the prepared cake pan. Bake the cake, rotating the pan halfway through the cooking time, for 45 to 50 minutes, until golden brown and it reaches an internal temperature of 190°F. Let cool completely in the pan, then transfer to a cutting board. Dust with confectioners' sugar, then slice and serve. Store leftovers in an airtight container at room temperature for up to 5 days. From I COULD NOSH by Jake Cohen. Copyright © 2023 by Jake Cohen. Reprinted by permission of Harvest, an imprint of HarperCollins Publishers.
This week on The Literary Life podcast, we wrap up our discussion of The Man Who Was Thursday by G. K. Chesterton. After sharing their commonplace quotes, Angelina, Cindy and Thomas dive right in to the last section and share their various thoughts on finishing this book. Angelina and Thomas talk about some of Chesterton's thoughts on Impressionism in the arts. Cindy and Thomas make some connections with the old rhyme about “Monday's Child.” They talk about more of the allegorical elements that are clearly spelled out by Chesterton, as well as many other relations they make to other stories, including the one great story. Be sure to join us next week when we have a special episode about why translation matters with Dr. Anne Phillips! Angelina is teaching a class on How to Read Beowulf August 28-September 1, 2023. Get in on this mini-class at House of Humane Letters. Thomas is also teaching a webinar along with Michael Williams on the modern poets W. H. Auden and T. S. Eliot on September 28th. You can now register at House of Humane Letters. Commonplace Quotes: Almost everywhere and almost invariably the man who has sought a cryptogram in a great masterpiece has been highly exhilarated, logically justified, morally excited, and entirely wrong. But it is all detail; and detail by itself means madness. The very definition of a lunatic is a man who has taken details out of their real atmosphere. The truth is, I fear, that madness has a great advantage over sanity. Sanity is always careless. Madness is always careful. G. K. Chesterton, from The Soul of Wit Looking for an author's life in his books is vulgar anyhow, and can be most misleading. L. P. Hartley, from A Perfect Woman Perhaps it is not worthwhile to try to kill heresies which so rapidly kill themselves, and the cult of suicide committed suicide some time ago. But it should not wish it supposed as some think I have supposed, that in resisting the heresy of pessimism, I have implied the equally morbid and diseased insanity of optimism. I was not then considering whether anything is really evil but whether is really evil, and in relation to the latter nightmare, it does still seem to me relevant to say that nightmares are not true and that in them even the faces of friends may appear as the faces of fiends. I tried to turn this notion of resistance to a nightmare into a topsy-turvy tale about a man who fancied himself alone among enemies and found that each of the enemies was, in fact, on his own side and in his own solitude. G. K. Chesterton, on The Man Who Was Thursday The End of the World by Dana Gioia “We're going,” they said, “to the end of the world.” So they stopped the car where the river curled, And we scrambled down beneath the bridge On the gravel track of a narrow ridge. We tramped for miles on a wooded walk Where dog-hobble grew on its twisted stalk. Then we stopped to rest on the pine-needle floor While two ospreys watched from an oak by the shore. We came to a bend, where the river grew wide And green mountains rose on the opposite side. My guides moved back. I stood alone, As the current streaked over smooth flat stone. Shelf by stone shelf the river fell. The white water goosetailed with eddying swell. Faster and louder the current dropped Till it reached a cliff, and the trail stopped. I stood at the edge where the mist ascended, My journey done where the world ended. I looked downstream. There was nothing but sky, The sound of the water, and the water's reply. “The End of the World” from Interrogations at Noon. Copyright © 2001 by Dana Gioia. Reprinted for educational purposes only. Books Mentioned: W. Summerset Maugham The Go-Between by L. P. Hartley That Hideous Strength by C. S. Lewis Twelfth Night by William Shakespeare The Human Beast by Emile Zola Theodore Dreiser Jack London On the Place of Gilbert Chesterton in English Letters by Hilaire Belloc Napoleon of Notting Hill by G. K. Chesterton Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB
"Till death do us part." Those words haunt you. The enemy was supposed to be outside of your home and family. Easy to see. Protection just a prayer or a locked door away. But the one stealing from and killing and destroying you is the one you lie beside at night. The one you promised your forever to.And he's counting on it. You need to listen if: You're overcome with desperation to leave and consumed by guilt to stay Your husband is the greatest source of pain and harm in your life You are responsible for everything, and you are constantly sacrificing your physical health, life dreams, and sanity to make your marriage work (to no avail) You've begun to wonder just how much of his behavior is intentional and whether he truly wants to destroy you, piece by piece Access the transcript, read the show notes, and/or ask Natalie a question here**Friedman's Fables by Edwin H. Friedman 1990. Copyright Guilford Press. Reprinted with permission of The Guilford PressIf you are a Christian woman who thinks you may be in an emotionally destructive marriage, learn more at https://flyingfreenow.comI'll send you (free!) the first chapter of my book, Is It Me? Making Sense of Your Confusing Marriage, which has an assessment to help you figure out if your relationship is abusive or not. All you have to do is hop on my mailing list. You can also find out about our online education and support program for women of faith at https://joinflyingfree.comAnd finally, if you are a divorced Christian woman who wants to take back her life and get healthy, lose weight, have amazing relationships, get things done, build a business or career, and even find a good man (if you want one) - check out Flying Higher.
In this episode, the storyteller, Kathy Shimpock, will read the literary fairy tale, "The Maiden in the Castle of Rosy Clouds." It's a story written by the Swedish author Harald Ostenson in the early 20th century. We'll identify the differences between traditional folktales and literary tales. Finally, we'll discuss how older characters are depicted in stories and discover how a hero's journey can become an example of positive aging.Story: Ostenson, Harald, "The Maiden in the Castle of Rosy Clouds"( in Jungfrun i Rosiga Molnens Borg, 1911). Great Swedish Fairy Tales, ed. by Elsa Olenius, trans. by Holger Lundbergh (New York: Delacorte Press, 1974). Reprinted in Swedish Folk Talesr (Edinburgh, UK: Floris Book), 2004: 192-198. (Story derivation discovered after recording.)Cover Image: compiled from Pixabay imagesMusic: The Snow Queen Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/. Sound effects from my finch "Tweedles."Copyright 2023 Kathy Shimpock Support the showFor more crone tales, visit the "Wise Crone Cottage in the Woods" (http://www.wisecronecottage.com).
Beat the Kayfabe Effect at our Patreon: https://patreon.com/cartoonistkayfabe Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our newsletter! News, appearances, special offers, and more - signup here for free: https://cartoonistkayfabe.substack.com/ --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent
10:00 a.m. service Holy Interruptions By the Rev. Dr. Agnes W. Norfleet _________________________________ Response: Christ our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. Anthem: Lord of Life Text: Horace T. Allen, Jr., 1980. Music: Jane Marshall, 1980. Text and Music: ©1980 The Geneva Press. All rights reserved. Hymn: Help Us Accept Each Other Text: Fred Kaan, 1974. Music: Doreen Potter, 1974. Text and Music: ©1975 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE # A-716211. All rights reserved. Hymn: As Those of Old Their Firstfruits Brought Text: Frank von Christierson, 1960, alt. Music: English folk melody; arr. Ralph Vaughan Williams, 1906. Text: ©1961, ren. 1989 The Hymn Society (admin. Hope Publishing Company). Reprinted and streamed with permission under ONE LICENSE # A-716211. All rights reserved.
10:00 a.m. Worship Service God's Answer to Our Branding Problem By the Rev. Dr. Agnes W. Norfleet _________________________________ Hymn: O God, We Bear the Imprint of Your Face Text: Shirley Erena Murray, 1987. Music: Margaret R. Tucker, 1998. Text: ©1987 Hope Publishing Company. Music: ©1998 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: The Altar of God Text: Psalm 43:4, 5. Music: Marianne Eloise Bahmann, 1961. Music: ©1962 Carl Fischer, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
10:00 a.m. Worship Service Pentecost's Affirmation By the Rev. Leigh DeVries _______________________________________ Hymn: Come, Holy Spirit, Dwell Among Us Text: Janie Alford, 1979.Music: Thomas John Williams, 1890. Text: ©1979 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Response: Christ our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: Spirit Truth, Pure Light of Love Text: Carol McClure, 2010. Music: Robert J. Powell, 2010. Music: ©2010 St. James Press. Reprinted and streamed with permission by St. James Music Press, license #7158. All rights reserved. Hymn: Will You Come and Follow Me Text: John L. Bell and Graham Maule, 1987. Music: Scottish melody; arr. John L. Bell, 1987. Text and Music Arr: ©1987 WGRG, Iona Community (admin. GIA Publications, Inc.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: The Whisper of a Distant Wind Text: David Bjorlin, 2022. Music: Edward Landin Senn, 2022. Music: ©2022 Edward Landin Senn. All rights reserved. Hymn: Here in This Place Text and Music: Marty Haugen, 1979. Text and Music: ©1982 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
10:00 a.m. Worship Service Leaning Forward By the Rev. Dr. Agnes W. Norfleet ____________________________________ Prelude: Elegy and Festive Bells Music: John Rutter, 2019. Music: ©2019 Collegium Music Publications (lic. to Oxford University Press, London). All rights reserved. Response: Christ our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: O Day of Days Text: ©1987 Jaroslav J. Vajda (used with permission). Music: Emily Maxson Porter, 1999. Music: ©1999 Selah Publishing Co., Inc. All rights reserved. Hymn: Come! Live in the Light! Text and Music: David Haas, 1988.Text and Music: ©1988 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: I, the Lord of Sea and Sky Text: Daniel L. Schutte, 1981, alt. Music: Daniel L. Schutte, 1981; harm. Alfred V. Fedak, 2011. Text and Music: ©1981, 2000 OCP. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude: Toccata in Seven Music: John Rutter, 1975.Music: ©1975 Oxford University Press, London. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
10:00 a.m. Worship Service Searching for the Unknown God By the Rev. Rebecca Kirkpatrick _____________________________________________ Hymn: Praise the Lord! God's Glories Show Text: Henry Francis Lyte, 1834; rev. 1836, alt. Music: Robert Williams, 1817; harm. David Evans, 1927. Music Harm: ©1927 Oxford University Press. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Response: Christ our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: Beautiful Savior Text: trans. Joseph Augustus Seiss (1823-1904). Music: F. Melius Christiansen, 1919. Music: ©1919 Augsburg Publishing House, ren. ©1955 Augsburg Fortress. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: Sing of God Made Manifest Text: Carl P. Daw, Jr., 1990. Music: Jakob Hintze, 1678; arr. J.S. Bach (1685-1750). Text: ©1990 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: Amazing Grace Text: Matthew 6:33 Music: Karen Lafferty, 1972; arr. Douglas E. Wagner, 2002. Music: ©1972, rev. 2002 Maranatha! Music (admin. The Copyright Company, Nashville, TN) All rights reserved. Hymn: Lift High the Cross Text: George William Kitchin, 1887; rev. Michael Robert Newbolt, 1916, alt. Music: Sydney Hugo Nicholson, 1916; desc. Richard Proulx, 1985. Text and Music: ©1974 Hope Publishing Company. Music Desc: ©1985 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
10:00 a.m. Worship Service Easter Power By the Rev. Dr. Agnes W. Norfleet __________________________________ Response: Christ Our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: Christ Hath a Garden Text: Robert Bridges (1844-1930). Music: Gerald Near, 1973. Music: ©1973 Belwin-Mills Publishing Corp. All rights reserved. Hymn: When Hands Reach Out and Fingers Trace Text: Carolyn Winfrey Gillette, 2001. Music: English folk melody; harm. John Weaver, 1988.Text: ©2001 Carolyn Winfrey Gillette. Music Harm: ©1990 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: Seek Ye First Text: Matthew 6:33 Music: Karen Lafferty, 1972; arr. Douglas E. Wagner, 2002. Music: ©1972, rev. 2002 Maranatha! Music (admin. The Copyright Company, Nashville, TN) All rights reserved. Hymn: Lift High the Cross Text: George William Kitchin, 1887; rev. Michael Robert Newbolt, 1916, alt. Music: Sydney Hu-go Nicholson, 1916; desc. Richard Proulx, 1985. Text and Music: ©1974 Hope Publishing Com-pany. Music Desc: ©1985 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
Mary Dyer endured religious persecution and personal tragedy. Then, she was banished from Massachusetts Bay Colony for her religious activities. Research: Bremer, Francis J. "Dissenting Puritans: Anne Hutchinson and Mary Dyer." Historical Journal of Massachusetts, vol. 46, no. 1, winter 2018, pp. 22+. Gale In Context: U.S. History, link.gale.com/apps/doc/A530009148/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=fe325ce2. Accessed 4 Apr. 2023. Burns, Jesse. “The Antinomian Disputations.” Lutheran Reformation.org. 10/23/2017. https://lutheranreformation.org/history/the-antinomian-disputations/ Burrough, Edward and Royster, Paul , editor, "A Declaration of the Sad and Great Persecution and Martyrdom of the People of God, called Quakers, in New-England, for the Worshipping of God (1661)" (1661). Electronic Texts in American Studies. 23. https://digitalcommons.unl.edu/etas/23 Canavan, Michael J. “Where Were The Quakers Hanged in Boston? A Paper Read Before the Bostonian Society, May 17, 1910.” Boston. Reprinted from the Proceedings. 1911. https://babel.hathitrust.org/cgi/pt?id=hvd.32044086361060 "Dyer, Mary." Colonial America Reference Library, edited by Peggy Saari and Julie L. Carnagie, vol. 3: Biographies: Volume 1, UXL, 2000, pp. 88-93. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3425300060/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=d1836273. Accessed 4 Apr. 2023. Gill, Catie. "Dyer [née Barrett], Mary (d. 1660), Quaker martyr in America." Oxford Dictionary of National Biography. Oxford University Press. Date of access 7 Apr. 2023, https://proxy.bostonathenaeum.org:2261/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-69098 Myles, Anne G. “From Monster to Martyr: Re-Presenting Mary Dyer.” Early American Literature , 2001, Vol. 36, No. 1 (2001). Via JSTOR. https://www.jstor.org/stable/25057215 Pestana, Carla Gardina. “The Quaker Executions as Myth and History.” The Journal of American History , Sep., 1993, Vol. 80, No. 2 (Sep., 1993), pp.441-469. Via JSTOR. https://www.jstor.org/stable/2079866 Sconyers, Jake. Twitter conversation 4/8/2023. https://twitter.com/HUBhistory/status/1644847372285931532 Winsser, Johan. “Mary Dyer and the ‘Monster' Story.” Quaker History , Spring 1990, Vol. 79, No. 1 (Spring 1990). Via JSTOR. https://www.jstor.org/stable/41947156 Winsser, Johan. “Quieting Mary Dyer: Edward Burrough and Dyer's Letter to the Massachusetts General Court, 26 October 1659.” Quaker History , Spring 2016, Vol. 105, No. 1 (Spring 2016). Via JSTOR. https://www.jstor.org/stable/24896279 See omnystudio.com/listener for privacy information.
10:00 a.m. Worship Service Behind Locked Doors By the Rev. Brian K. Ballard ___________________________________ Hymn: Christ Has Risen While Earth Slumbers Text: John L. Bell and Graham Maule, 1988. Music: Welsh melody; arr. Alfred V. Fedak, 2011. Text: ©1988 WGRG, Iona Community (admin. GIA Publications, Inc.) Music Arr: ©2011 Alfred V. Fedak. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Sung Response: Christ Our Companion Text: Susan Palo Cherwien, 1996. Music: Gaelic melody; arr. Beverly A. Howard, 2012. Text: ©1996 Susan Palo Cherwien (admin. Augsburg Fortress). Music Arr: ©2012 Beverly A. Howard. Reprinted and streamed with permission under ONE LICENSE #A-716211. Hymn: We Walk by Faith and Not by Sight Text: Henry Alford, 1844, alt. Music: Samuel McFarland, c. 1814; harm: Richard Proulx, 1986. Music Harm: ©1986 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem: See the Land Text and Music: Alice Jordan, 1984. Text and Music: ©1984 Sacred Music Press (a div. of The Lorenz Corportation; admin. by Music Services). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn: Christ is Alive! Text: Brian Wren, 1968; rev. 1995. Music: Musica Sacra, c. 1778. Text: ©1975, rev. 1995 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved.
The Entrepreneurial Insights podcast kicked off season 4 with a live taping of a presentation on “Going to Market”. The podcast features Kiamesha Wilson (Kaye's Pints & Scoops), Randy Stepherson (Superlo Foods - Stepherson's) and Art Seessel, formerly of Seessel's Supermarket. These veteran entrepreneurs shared some excellent insight on the ins and outs of "going to market" with products successfully. We hope that you enjoy the show. Links to items mentioned in the interview: Kaye's Pints and Scoops Superlo / Stepherson's Grocery Stores Junior Achievement of Memphis and the Mid-South Youth Villages Recipe for Seessel's Chocolate Butter Pie, Reprinted from The Daily Memphian, January 22, 2023 Ingredients 1 cup granulated sugar 2 teaspoons cornstarch 1 teaspoon fine salt (see notes) 1 tablespoon nonfat dry milk powder 6 squares Ghirardelli 100% cacao unsweetened chocolate bar (see notes) 1 stick unsalted butter 2 teaspoons vanilla extract ½ cup Eagle Brand sweetened condensed milk 2 tablespoons hot water 2 large eggs Pie crust pastry, store-bought, or use pie crust recipe that follows Directions Blend the sugar, cornstarch, salt and dry milk powder; set aside. Break chocolate bar in pieces as marked, put in bowl with butter and melt in microwave on butter or chocolate setting if your microwave has them. Otherwise, use power setting 2 or 3 and microwave two to four minutes until melted. Stir well. Blend vanilla, sweetened condensed milk and hot water. Microwave to 160 degrees (use an instant-read thermometer), about 30-60 seconds. Mix eggs, but don't whip. Add sweetened condensed milk mixture to eggs. Add chocolate; blend, then add to dry ingredients and mix on low speed until fully blended. Place pie crust in a 9-inch pan and pour in mix. Bake at 360 degrees for 30-45 minutes, depending on your oven. The pie will start to form a thin chocolate film on top. Check doneness by inserting a toothpick in center of pie. If it pulls out clean, the pie is baked. If it's wet, bake a little longer. Notes: The recipe is accurate as printed, but here are two tips. Jennifer Biggs uses about half the amount of salt, and Art Seessel thinks that five squares of chocolate is sufficient. These are taste preferences and won't affect the integrity of the pie. Makes one 9-inch pie. Seessel's Pie Dough Ingredients 1 ¼ cup all-purpose flour 11 tablespoons unsalted butter ½ teaspoon baking powder ½ teaspoon salt 3 tablespoons powdered sugar 1 teaspoon nonfat dry milk powder ½ teaspoon vanilla extract 1 medium whole egg Directions Mix flour and butter together until it forms pea-size balls. Mix baking powder, salt, powdered sugar and milk powder. Mix vanilla and eggs, then add everything together and mix only until dough comes together in one mass and sides of bowl are clean. Roll out pie dough into a circle (about 1/8” thick), fold dough in half, place onto half of the pie pan, fold the other half over the rest of pie pan, carefully pat the dough into the bottom and around the edges, then crimp into any form you desire. Dough should set in pan one hour before filling and is best used fresh. Note: If you refrigerate the dough (it will hold two to three days) or freeze it, store it in a Ziploc freezer bag and bring it to room temperature before using. Makes one pie crust.
The French word for “roller coaster” is “montagnes russes” or “Russian mountains.” Since the origin of roller coasters, inventors have been improving the early designs that came from Russia to create astonishing amusement park thrill rides. Research: “Coaster History” by Gil Chandler, from Roller Coasters. Text copyright © 1995 by Capstone Press. Reprinted by permission of Capstone Press. Photograph copyright © 1987 by Tom Maglione. Reprinted by permission of Tom Maglione. https://www.doe.mass.edu/mcas/pdf/2010/177365.pdf National Roller Coaster Museum and Archives. “History of the Roller Coaster.” 2013. https://rollercoastermuseum.org//wp-content/uploads/2017/11/History_Timeline.pdf American Experience. “A Century of Screams: The History of the Roller Coaster.” https://www.pbs.org/wgbh/americanexperience/features/coney-century-screams/ Pescovitz, David. "roller coaster". Encyclopedia Britannica, 28 Feb. 2023, https://www.britannica.com/topic/roller-coaster. Accessed 8 March 2023. Levine, Arthur. “Ups and downs: The history of roller coasters.” USA Today. 7/28/2017. https://www.usatoday.com/story/travel/experience/america/theme-parks/2017/07/28/history-roller-coasters/518356001/ Lallensack, Rachel. “14 Fun Facts About Roller Coasters.” Smithsonian. 8/16/2019. https://www.smithsonianmag.com/innovation/14-fun-facts-about-roller-coasters-180972920/ Meares, Joel. “Catherine the Great Put Rollers on the World's First Coaster.” Wired. 12/27/2011. https://www.wired.com/2011/12/pl-prototyperollercoaster/ Liebrenz-Himes, Marilyn. “The American Amusement Park: Its Inspiration and Evolution.” Vol. 11 (2003): The Romance of Marketing History. https://ojs.library.carleton.ca/index.php/pcharm/article/view/1684 Pursell, Carroll. “Fun Factories: Inventing American Amusement Parks.” Icon , 2013, Vol. 19, Special Issue Playing with Technology: Sports and Leisure (2013). Via JSTOR. https://www.jstor.org/stable/23788121 Mohun, Arwen P. “Amusement Parks for the World: The Export of American Technology and Know-How, 1900-1939.” , 2013, Vol. 19, Special Issue Playing with Technology: Sports and Leisure (2013). Via JSTOR. https://www.jstor.org/stable/23788122 Haynes, Christine. “The Battle of the Mountains.” Historical Reflections / Réflexions Historiques, Winter 2018, Vol. 44, No. 3 (Winter 2018). Via JSTOR. https://www.jstor.org/stable/10.2307/48581519 Yoon, Richard. “The rise and fall and rise of the amusement park.” International Theme & Amusement Park Journal Vol. 2. No. 4. (2021). Mental Floss. “The Roller Coaster's Thrilling History.” 12/16/2022. https://www.youtube.com/watch?v=BHUAlzwG0r4 Canfield, Victor. “Roller Coaster History Deduced from U.S. Patents.” 1/26/2012. http://www.personal.psu.edu/users/v/a/vac3/history.html Princeton Graphic Arts Collection. “First Roller Coaster.” https://graphicarts.princeton.edu/2018/05/18/first-roller-coaster/ King, John Glen. “A Letter to the Bishop of Durham, containing some Observations on the Climate of Russia, and the Northern Countries, with a View of the Flying Mountains at Zarsko Sello, near St. Petersburg.” 1780. https://books.google.com/books?id=SB2OxgEACAAJ Louis Post Dispatch. St. Louis, Missouri · Saturday, September 29, 1883 https://www.newspapers.com/image/137793104 “Roller Coasting.” Chicago Tribune. Chicago, Illinois · Sunday, September 30, 1883 https://www.newspapers.com/image/349812486 See omnystudio.com/listener for privacy information.
02-26-2023 AM - -The 144,000- - Revelation 7--46C -God Is Our Refuge and Our Strength--Trinity Psalter Hymnal 46C-TEXT- Psalm 46- The Psalter, 1912-MUSIC- Martin Luther, 1529-Public Domain--265 -In Christ Alone- -Trinity Psalter Hymnal 265-TEXT- Keith Getty and Stuart Townend-MUSIC- Keith Getty and Stuart Townend- Arr. Ruth Coleman-Text and tune - Thankyou Music -PRS--admin. worldwide at CapitolCMGPublishing.com--excluding Europe, which is admin. by Integritymusic.com--All rights reserved. Used by permission. CCLI. License No. 1415911--257 -Children of the Heavenly Father--Trinity Psalter Hymnal 257-TEXT- Carolina V. Sandell Berg, ca. 1855- Tr. Ernst W. Olson, 1925-MUSIC- Traditional Swedish melody- Arr. Marc Hedlin, 1976-Text - 1925 Board of Publications, Lutheran Church in America, renewed 1963--Reprinted by permission of Augsburg Fortress-All rights reserved. Used by permission. --468 -Jerusalem the Golden- -Trinity Psalter Hymnal 468-TEXT- Bernard of Cluny, 12th cent. Tr. John Mason Neale, 1851-MUSIC- Alexander Ewing, 1853-Public Domain--150C -Sing Hallelujah- Praise the Lord---Trinity Psalter Hymnal 150C-TEXT- Psalm 150- OPC-URCNA 2016-MUSIC- Geistliche Kirchenges-nge. Cologne, 1623 PD--Words 2018 Trinity Psalter Hymnal Joint Venture-All rights reserved. Used by permission.--Zion United Reformed Church has CCLI license for all songs sung or performed by their congregation or choir. CCLI License No. 1415911. --Scripture quotations are from the ESV- Bible -The Holy Bible, English Standard Version--, copyright - 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. May not copy or download more than 500 consecuti
Join Patrick and Ryan in episode 14 of Trick Talkers - a podcast all about trick-takers, climbers, shedders and other card games! In this episode they share their thoughts on the trick-taking renaissance that seems to be taking over the gaming hobby right now, they discuss a blog post from Chris Wray in 2018 for games he would like to be reprinted and the status on them they would like, then talk about games they would like to see get reprinted, and finally answer some listener questions. Contact us: Email - tricktalkers@gmail.com Twitter - @tricktalkers Games/Topics discussed during the episode: (00:31) - Trick-taking Renaissance! (21:15) - Trick Taking BGG Guild and Opinionated Gamers (28:26) - Chris Wray's Reprint List (45:20) - Pups (45:20) - Dispatch Squad Mamorangers (50:45) - Scharfe Schoten (53:00) - Listener Question Links from the episode/Shameless plugs: Patreon - https://www.patreon.com/tricktalkers Cards Unbarred - https://www.youtube.com/@CardsUnbarred/videos Train Shuffling - youtube.com/c/TrainShuffling Portland Game Collective Discord - discord.gg/FfQdgrAjhm Pollia Design - polliadesign.com
This year, maybe one of your resolutions is to eat healthier or add more plant-based foods to your diet. Or maybe you're a vegetarian looking for some recipes to shake up your menu. Or maybe you're trying to move beyond high carb meals. Cook and food blogger Vasudha Viswanath has you covered in her new cookbook, The Vegetarian Reset. She joins to discuss and take listener calls. Saag Lasagna Recipe from The Vegetarian Reset Here I replace the traditional meat sauce with a glorious spinach gravy that I typically use for saag paneer, and use ricotta for simplicity instead of the béchamel. This is a rich, unique dish that will rightly take center stage at every dinner party. In the photo the recipe was doubled and baked in a 9-x-13in baking dish, which is great for a crowd. Ingredients 2–3 medium zucchini (1 lb/450g) 1½ tsp salt, divided, plus more forsprinkling zucchini 1 Tbsp ghee, or butter 1 tsp cumin seeds 1½ cups/240g diced onion 1 Indian green chile, jalapeño pepper, or Thai chile, chopped 1 Tbsp grated ginger 1 Tbsp minced garlic 1 cup/240ml water 1 lb/450g fresh spinach, if frozen thawed 1 tsp garam masala 15 oz/425g whole-milk ricotta ½ tsp cracked black pepper 2 oz/56g grated low-moisture mozzarella Directions Step 1. Slice the zucchini lengthwise into 1/16 in/1.5-mm-thick slices using a mandoline slicer or knife. (Be very careful while using a mandoline; always use cut-resistant gloves.) Place the zucchini in a colander over a bowl, sprinkle it lightly with salt, and set aside for 15–20 minutes to draw out the moisture as you make the saag. Step 2. Preheat the oven to 400°F/200°C. Heat the ghee in a medium saucepan over medium heat. When hot, add the cumin seeds and wait until they are aromatic, then add the onions. Increase the heat to medium-high, and cook, stirring occasionally, until golden brown and caramelized. Step 3. Lower the heat to medium, add the green chile, ginger, and garlic, and sauté for 30 seconds. Pour in the water and bring to a boil. Mix in the spinach gradually and cook until it just wilts. Add the garam masala and 1 teaspoon salt and mix well. Turn off the stove and use an immersion blender to blend the spinach mixture until smooth. Step 4. Mix the ricotta, remaining ½ teaspoon of salt, and the pepper well in a bowl and set aside. Pat the zucchini slices dry with paper towels. Step 5. To assemble, in an 8-x-8-x-1 1/2 in/20-x-20-x-4-cm baking pan or casserole dish, layer one-third of the spinach saag, one-third of the zucchini slices, and half the ricotta. Repeat. Top the last layer of ricotta with the remaining spinach saag and zucchini slices, and sprinkle mozzarella evenly on top. Step 6. Bake for 40–45 minutes, or until the cheese melts and turns golden brown in spots. Serve hot. Cooking Notes Freeze leftovers in an airtight container for up to 2 months. Defrost in the microwave. Reprinted with permission from THE VEGETARIAN RESET by Vasudha Viswanath, The Collective Book Studio, January 2023.
Why does it always feel like we're on the verge of something — great or terrible? And how do we resist the pull, the lull, and the stress of the void? Guests: Dr. Matt Connelly — historian at Columbia and author of the book The Declassification Engine Dr. Susan Hough — seismologist at the US Geological Survey Liz Neeley — science communicator and founder of Liminal Eva Hagberg — architectural historian and the author of When Eero Met His Match. → → → Further reading & resources here! ← ← ← ✨ BECOME A TIME TRAVELER ✨Poem Credits:Tracy K. Smith, "Sci-Fi" from Life on Mars. Copyright © 2011 by Tracy K. Smith. Reprinted by permission of Graywolf Press. www.graywolfpress.org. Audio provided by the Stanford News Service.“Storming Towards a Precipice” From After and Before the Lightning by Simon Ortiz. © 1994 Simon Ortiz. Reprinted by permission of the University of Arizona Press.“Future Memories” by Mario Melendez translated by Eloisa Amezcua, Poetry Magazine, 2017, Reprinted by permission of author.This episode of Flash Forward was written by me, Rose Eveleth, edited by Avery Trufelman, produced by Ozzy Llinas Goodman and sound designed by Ariana Martinez. Much of the music in this episode is by Ilan Blanck. The outro music is by Hussalonia. The episode art is by Mattie Lubchansky. The incredible beat that dropped at the end is by Lazerbeak. Special thanks to Julia Furlan, who hit the streets of New York City to ask people about aliens for us. Thanks also to everybody who sent in voice memos around that question we couldn't use them all and wow there were so many good ones. Thanks also to Ed Yong who read a passage from A hundred years hence : the expectations of an optimist; to Tracy K. Smith who read her poem Sci-Fi, and to Stanford University for letting us use that audio; to Jeffrey Nils Gardner who read Storming Toward a Precipice By Simon J. Ortiz; and to Elena Fernández Collins who called to the void for us and read Future Memories by Mario Melendez in both Spanish and English.
Today's six impossible episode subjects are all by listener request! Topics include the Iron Mountain baby, Leslie's Retreat, Lady Hao, Ella Williams, and more. And these are examples of how short tales can sometimes have intense details. Research: “Tale of The Iron Mountain Baby.” Reprinted from the St. Louis Iron Mountain & Southern Railway ALL ABOARD Vol.16. https://washington.mogenweb.org/imbaby.html Dotson, Avery M. Pennsboro News, Pennsboro, West Virginia, August 21, 1980. https://washington.mogenweb.org/imbaby.html Nickell, Frank. “Almost Yesterday: The Iron Mountain Baby.” KRCU. 4/6/2021. https://www.krcu.org/2021-04-06/almost-yesterday-the-iron-mountain-baby Max Hunter Folk Song Collection. “Iron Mountain Baby.” Cat. #1483 (MFH #296) - As sung by Laura Arthur, Springfield, Missouri on November 2, 1972. Missouri State. https://maxhunter.missouristate.edu/songinformation.aspx?ID=1483 Historic Ipswich. “Leslie's Retreat, or how the Revolutionary War almost began in Salem, February 26, 1775.” 2/13/2019. https://historicipswich.org/2019/02/13/leslies-retreat-or-how-the-revolutionary-war-almost-began-in-salem/ Endicott, Charles Moses. “Account of Leslie's retreat at the North Bridge in Salem, on Sunday Feb'y 26, 1775.” 1856. https://archive.org/details/accountofleslies00endi/ Hoffer, Peter Charles. "Prelude to Revolution: The Salem Gunpowder Raid of 1775." Historical Journal of Massachusetts, vol. 44, no. 2, summer 2016, pp. 176+. Gale Academic OneFile, link.gale.com/apps/doc/A514101835/AONE?u=mlin_oweb&sid=googleScholar&xid=2a54e380. Accessed 11 Nov. 2022. American History Central Staff. “Leslie's Retreat, the Salem Gunpowder Raid and Resistance.” American History Central. March 25, 2022. https://www.americanhistorycentral.com/entries/leslies-retreat-and-the-salem-gunpowder-raid-resistance/ Chaffin, Cortney E. “War and Sacrifice: The Tomb of Fu Hao.” Khan Academy. https://www.khanacademy.org/humanities/art-asia/imperial-china/shang-dynasty/a/war-and-sacrifice-the-tomb-of-fu-hao Su, Minjie. “Queen, Priestess, General: The Legendary Life of Fu Hao.” Medievalists.net. 12/2018. https://www.medievalists.net/2018/12/queen-priestess-general-the-legendary-life-of-fu-hao/ Michigan Shaolin Wugong Temple. “Fu Hao – Earliest Known Woman Warrior in the World.” http://shaolintemplemi.org/fu-hao-earliest-known-woman-warrior-in-the-world.html Elhassan, Khalid. “This Aristocratic Family Turned on its Abusive Patriarch.” History Collection. 11/14/2018. https://historycollection.com/this-aristocratic-family-turned-on-its-abusive-patriarch/ Britannica, The Editors of Encyclopaedia. "Beatrice Cenci". Encyclopedia Britannica, 7 Sep. 2022, https://www.britannica.com/biography/Beatrice-Cenci-Italian-noble. Accessed 14 November 2022. Barberini Gallery. “Portrait of Beatrice Cenci.” https://www.barberinicorsini.org/en/opera/portrait-of-beatrice-cenci/ Gustin, Melissa L. “‘Corps a corps': Martyrs, Models, and Myths in Harriet Hosmer's Beatrice Cenci.” Art History. Volume44, Issue4. September 2021. https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8365.12589 Nicholl, Charles. “Screaming in the Castle: The Case of Beatrice Cenci.” London Review of Books. 7/2/1998. Leavitt, Dylan Hayley. “The Portrait of Beatrice Cenci.” PBS. 8/8/2016. https://www.pbs.org/wgbh/roadshow/stories/articles/2016/8/8/reni-portrait-beatrice-cenci-story Hampton, Jada. “Ella Williams AKA Abomah the Giantess.” Uncle Junior Project. https://www.unclejrproject.com/ella-williams Devon and Exeter Daily Gazette. “Two Stars.” 14 May 1914. Page 4. https://www.newspapers.com/image/791454377/ Sumter Daily Item. “Giant Negress In Columbia.” 4/20/1915. https://www.newspapers.com/image/668656281/ "Zinaida Serebriakova." Encyclopedia of World Biography Online, Gale, 2021. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631011104/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=5ed92220. Accessed 14 Nov. 2022. Ermakova, Elizaveta. “Zinaida Serebriakova, First Famous Female Russian Artist.” Daily Art. 10/12/2021. https://www.dailyartmagazine.com/zinaida-serebriakova-russian-artist/ Weaver, Katheryn. “Zinaida Serebriakova: An Undersung Painter of the Revolutionary Era.” Museum Studies Abroad. 7/18/2017. https://museumstudiesabroad.org/zinaida-serebriakova/ See omnystudio.com/listener for privacy information.
Reprinted 150 times. Dozens of commentaries. Taken to heart by Ahkenazic Jewry
Yo! I am taking a much needed break from dropping new episodes, but I will be back with more dope guests in a couple of months. In the meantime, enjoy some of my favorite episodes from the RTWD fault. Catch yall in a bit! From Episode 5 - Raising Kings This week's guest is my mom, Stacia. Now, my mom used to say that we grew up together and I didn't know what she was talking about until I realized that she had me when she was 15. So, yeah we definitely grew up together. My mother is one of the kindest people I have ever met. So kind, in fact, she made friends with a stranger that accidentally called her phone. This is a legit story, she literally became friends with a random person that called the wrong number. My mom is the type of person that can make your day with her smile and warm presence. At the same time, she'll give you the honest truth that will set you straight. Her determination is unwavering and we talk about what it was like raising three black sons, the current state of America, and where we find hope moving forward. Sources for the episode: Arienne Thompson Plourde and Amelia Thompson are sisters from Memphis, Tennessee. Reprinted from Notre Dame Magazine (Winter 2016-17), a quarterly publication of the University of Notre Dame for its alumni and friends. American Police by Throughline Podcast School to Prison Pipeline - ACLU Ways to support the show:
An electrician found the badly beaten and defiled body of 48-year-old Martha Hansen behind the Elks Club on 3rd Avenue in downtown Anchorage. She was naked except for a white sock on her left foot. When police detectives arrived at the scene, they were determined to do everything they could to find the animal who had perpetrated this horrible crime. They put in hours of dogged perseverance and executed a forensic technique few investigators thought was possible. Sources: Man Charged in Woman's Death. 8-19-1996. The Daily Sitka Senitnel. Man Sentenced in Murder Case. 9-22-1997. The Daily Sitka Sentinel. D'Oro, Rachel. Bar Video Cameras Give Vital Clues in Homicide. 9-4-1996. The Daily Sitka Sentinel. Reprinted from the Anchorage Daily News. Toomey, Sheila. Anchorage police get palm print off body, a ‘rare' forensic feat. 10-22-1996. Fairbanks Daily News-Miner. Reprinted from the Anchorage Daily News. Ice Cold Rage. Fatal Frontier-Evil in Alaska. E03. 11-21-2021. _________________________________________________________________________________ Robin Barefield is the author of four Alaska wilderness mystery novels, Big Game, Murder Over Kodiak, The Fisherman's Daughter, Karluk Bones, and Massacre at Bear Creek Lodge. Sign up to subscribe to her free, monthly newsletter on true murder and mystery in Alaska. Subscribe to Robin's free, monthly Murder and Mystery Newsletter for more stories about true crime and mystery from Alaska. Join her on: Facebook Instagram Twitter LinkedIn Visit her website at http://robinbarefield.com Check out her books at Author Masterminds _________ If you would like to support Murder and Mystery in the Last Frontier? Become a patron and join The Last Frontier Club. Each month Robin will provide one or more of the following to club members. · An extra episode of Murder and Mystery in the Last Frontier available only for club members. · Behind the scenes glimpses of life and wildlife in the Kodiak wilderness. · Breaking news about ongoing murder cases and new crimes in Alaska · Merchandise or discounts on MMLF merchandise or handmade glass jewelry. Become a Patron! _______________________________________________________________________________________ Check out the store: Murder and Mystery in the Last Frontier merchandise.
Every baker aspires to receive a handshake from Paul Hollywood. "The Great British Baking Show" judge rarely dishes out a handshake to contestants, and only if whatever was baked was up to his standards. Hollywood's new cookbook, BAKE: My Best Ever Recipes for the Classics, includes both sweet and savory recipes, and he joins us to discuss the basics of baking, how to take your home baking to the next level, and his experience working on the popular television show. Victoria Sandwich If you're new to baking, this should be your very first cake. If you get it right, everything else will be easy. You can make a Victoria sandwich using the all-in-one method, where you mix everything together in a bowl at the same time, but I encourage you to cream the fats and sugar together before adding the eggs, flour and raising agent, as you'll learn a lot about baking this way. Baking is a science. That's why, if possible, I prefer to weigh the eggs first and then adjust the quantities of the other ingredients to get the perfect balance. I like to use half margarine for a lighter texture and half butter for a rich flavor. Traditionally, it's filled with just preserves, but if you're feeling indulgent, feel free to add whipped cream or buttercream.8–10 slices4 large eggs (in their shells)1 ¼ cups (about 240g) superfine sugar1 ¾ cups plus 3 tbsp (about 240g) all-purpose flour3 tsp baking powder1 stick (about 120g) unsalted butter, softened, plus extra to grease the pans1 stick (about 120g) margarine, softenedTo finish½ cup (125g) raspberry preserves (good-quality)A little superfine sugar, to sprinkle Heat your oven to 350°F. Grease two 8-inch (20cm) cake pans and line the bases with parchment paper. Weigh the eggs first (in their shells), then weigh the same quantity of sugar and flour. For the butter and the margarine, you need half the weight of the eggs.In a large bowl, cream the butter, margarine and sugar together using an electric whisk until pale in color and light and fluffy (1). Scrape down the sides of the bowl and beat again.Beat the eggs together in a pitcher, then gradually add to the mixture, beating well after each addition (2). Scrape down the sides of the bowl and mix again. Sift the flour and baking powder over the surface of the mixture and gently fold in, using a large metal spoon (3).Divide the mixture between the prepared cake pans. To ensure the cakes are exactly the same size you can weigh the cake mixture into each pan. Gently smooth the surface with the back of the spoon to level it (4).Bake in the center of the oven for 25 minutes until risen, golden brown and the cakes spring back in the center when lightly touched with a fingertip. They should be slightly shrunken away from the edges of the pan. Leave the cakes in the pans for 5 minutes, then remove to a wire rack. Leave to cool completely. When cold, sandwich the cakes together with the raspberry preserves and sprinkle the top with a little superfine sugar. Excerpted from BAKE by Paul Hollywood. Text © Paul Hollywood. Photos © Haarala Hamilton. Reprinted by permission of Bloomsbury USA. This episode is guest-hosted by Kerry Nolan.
won't you celebrate with me - by Lucille Clifton --- won't you celebrate with me what i have shaped into a kind of life? i had no model. born in babylon both nonwhite and woman what did i see to be except myself? i made it up here on this bridge between starshine and clay, my one hand holding tight my other hand; come celebrate with me that everyday something has tried to kill me and has failed. --- Lucille Clifton, “won't you celebrate with me” from Book of Light. Copyright © 1993 by Lucille Clifton. Reprinted by permission of Copper Canyon Press. Source: Book of Light (Copper Canyon Press, 1993) --- How to Support How to Survive --- Send in a voice message: https://anchor.fm/how-to-survive-the-end-of-the-world/message
When the Buddha explained the ten nonvirtuous actions to abandon, four are devoted to our speech. Our words are an incredibly powerful tool; they can build ourselves and others up. Or they can tear ourselves and others down. In a sentence they can destroy a relationship, friendship, or employment; such is the power of our speech. In fact, a mindfulness practice of purifying our speech is one that can change our lives completely. The Four Nonvirtous Action of Speech Lying Divisive speech Harsh speech Idle chatter 5 Factors of Right Speech: Is it true? Is it beneficial? Is it kind? Is it spoken with a mind of good will? Is is the right time? The karmic results of the 4 Nonvirtuous actions of speech which are similar to the cause, explained by Je Tsongkhapa: [as a result of lying] others would slander you a great deal, and they would deceive you; [as a result of divisive speech] your helpers would not get along and would misbehave; [as a result of offensive speech] you would hear unpleasant and quarrelsome speech; [183] [as a result of senseless speech] your words would not be respected or understandable, and your confidence would not be unshakable; Je Tspnkhaoa also explained that abandoning the four nonvirtues of speech is the karmic cause of trustworthy words., “The effect of trustworthy words is that through kind speech, purposeful behavior, and being one whose aims are the same as the disciples', you gather living beings and mature (teach and guide) them.” “The word is pure magic, and when you adopt the first agreement, magic just happens in your life. Your intentions and desires come easily because there is no resistance, there is no fear; there is only love. You are at peace, and you create a life of freedom and fulfillment in every way. Just this one agreement is enough to completely transform your life into your personal heaven. Always be aware of how you are using the word, and be impeccable with your word.” —Adapted from The Fifth Agreement: A Practical Guide to Self-Mastery. Copyright© 2010 by Miguel Angel Ruiz, M.D., Jose Luis Ruiz, and Janet Mills. Reprinted by Permission of Amber-Allen Publishing, Inc., San Rafael, California Seeing danger in what's not dangerous And not seeing danger in what is, Those who take up wrong views Go to a bad rebirth. (317) -Buddha, The Dhammapada References and Links Buddha.The Dhammapada. Translated by Gil Fronsdale. (Kindle). Shambala, Boston and London, 2011, pp. 78 (Link) Je Tsongkhapa. Great Treatise on the Stages of the Path to Enlightenment, by Je Tsongkhapa, Volume 1 (Kindle). Translated by the Lamrim Chenmo Translation Committee. Joshua Cutler, Editor-in-Chief, and Guy Newlan, Editor. Right Speech. Access to Insight (website). https://www.accesstoinsight.org/ptf/dhamma/sacca/sacca4/samma-vaca/index.html The Fifth Agreement: A Practical Guide to Self-Mastery. Copyright© 2010 by Miguel Angel Ruiz, M.D., Jose Luis Ruiz, and Janet Mills. Reprinted by Permission of Amber-Allen Publishing, Inc., San Rafael, California. https://www.thefouragreements.com/the-first-agreement-be-impeccable-with-your-word/
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