Artalogue

Behind every great art collection lies a vision, whether it's personal passion or investment strategy. But for many would-be collectors, the first step is the hardest... How do you navigate galleries, auctions, and art fairs without feeling completely out of your depth?Meet Megan Paterson, founder of Aurelia Art Consulting, who's built her career on making the seemingly impenetrable art world accessible to all. After spending 14 years working at a gallery, Paterson noticed countless eager but intimidated people wanting to purchase art. This observation sparked her to found Aurelia, an art consulting practice that endeavours to break down barriers and empower buyers, regardless of where they are in their collecting journey.Paterson's approach is refreshingly straightforward. She advises new collectors to trust their instincts while offering insider knowledge on avoiding common pitfalls. "Not everything holds value," she cautions, having witnessed the disappointment of collectors who discover their purchases aren't worth what they paid.Beyond professional insights, Paterson shares her personal journey of overcoming shyness to become a successful networker and entrepreneur. Her candid admission of battling imposter syndrome offers encouragement to anyone hesitant to pursue their passion. Whether you're considering your first art purchase or contemplating an art-related business, her parting advice resonates: "Just close your eyes and take the leap." Follow Megan Paterson on Instagram and TikTok, or visit her website at to discover how art consultation might transform your relationship with collecting. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Casey Koyczan is a multi-media artist pushing boundaries by merging ancient Dene traditions with cutting-edge digital technologies. Through his diverse practice spanning installation, virtual reality, augmented reality, 3D animation, and music production, Koyczan creates immersive experiences that transport viewers into thought-provoking realms where culture, art and technology converge.At the heart of Koyczan's work lies the concept of Indigenous Futurity – envisioning Indigenous cultures, stories, and practices thriving in future contexts. Koyczan explores the powerful imagery he includes in his work that suggest cultural continuity while embracing technological possibilities. His internationally recognised Walk in a Circle series, which earned him a place on the prestigious Sobey Art Award longlist, further demonstrates his innovative approach. These meticulously crafted 3D animations give Indigenous art materials human characteristics, transforming them into spirits or creatures that forge deeper connections between viewers and traditional materials. From the playful fluffiness of tufting to the more mysterious interpretations of antler, Koyczan's work spans an impressive range.Having exhibited worldwide – from the Venice Biennale to galleries across Finland, Colombia, Chile, Mexico, the Netherlands, the UK, and beyond – Koyczan continues to push boundaries while maintaining his commitment to inspiring youth from Northwest Territories and across Canada. His advice to emerging artists reflects his own path: "Try things out, take risks, and just give it a shot". Discover how Casey Koyczan's multifaceted creative practice bridges worlds, honours heritage, and imagines new possibilities at the intersection of Indigenous knowledge and technological innovation. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

What does it mean to commit to performance so fully that it transforms how you move through the world? Winnipeg artist Shawna Dempsey reveals in this week's episode how performance art can be a radical tool for change. Dempsey recalls the inspiration behind some of her and collaborator Lori Millan's iconic works like Lesbian National Parks and Services, where she and Millan became uniformed officials "protecting the lesbian wilds" while educating the public about the inherent queerness of nature. Their performances blended humour, authority, and subversion to create transformative encounters decades before mainstream acceptance of LGBTQ+ identities. Learn about a time in the not-so distant-past where donning a ranger uniform emblazoned with the word "lesbian" forced constant coming out in 1990s Canada – a time when queer people had few legal protections and homophobia was abound. Dempsey and Millan are still creating work, like Thunderhead,  Canada's new LGBTQ2+ monument commemorating victims of The Purge. The financial realities of life as a non-commercial artist pose a counterpoint to creative freedom, and Dempsey explores how she walks this tightrope. Despite international recognition and exhibiting at prestigious institutions like MoMA and the Winnipeg Art Gallery, Dempsey remembers that sometimes the most they earned in a year was under $19,000 each while touring five months of the year. "Supporting oneself as an artist in Canada is very challenging, especially if you don't make anything saleable," she explains, detailing how they survived through teaching, writing, and "pretty much anything for $50."As co-executive director of Mentoring Artists for Women's Art (MAWA), Dempsey confronts the persistent inequality in visual arts, where women artists in Canada still earn only 70 cents for every dollar male artists make.  Aspiring artists will find wisdom in Dempsey's journey – from playing pretend as the famous artist "Miss Shawna from New York" as a child to creating groundbreaking feminist work that's changed lives. Her advice to artists? "Do it. What a wonderful way to live, because you get to go into the studio and think: what do I want to say today?"  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Julius Manapul transforms the pain of displacement into powerful art that challenges colonial structures and celebrates queer identity. As a Filipinx immigrant who arrived in Canada in the 90s, Manapul found themselves caught between languages and cultures—a displacement that led them to embrace visual communication as a universal language transcending verbal barriers.Manapul's multimedia practice spans sculpture, installation, performance, and experimental film, but perhaps most striking is their transformation of pornographic imagery into intricate butterfly patterns. These works initially attract viewers with their beauty before challenging them with the revelation of their source material. "It's fascinating how the work never changed," Manapul observes. "It's people's perspective that changed." This moment of realisation become a thread Manapul continually explores in their art and teaching practice as an Assistant Professor at OCAD University. Their most recent exhibition "Sila/Siya/Ako" (they, them, me in Tagalog) examines the connections between religion, colonisation in the Philippines and the racism experienced within queer spaces. Manapul juxtaposes Catholic symbolism with gay club music, highlighting how both institutions—ostensibly places of belonging—often alienate those who don't conform to dominant ideals. The exhibition's mannequins, adorned with replicas of King Philip's armour crafted from gay porn images and whitewashing products, confront viewers with the ongoing effects of colonisation in contemporary Filipino culture.Manapul shares career triumphs and how they overcame barriers coming up in Toronto's art scene. When traditional gallery spaces initially rejected Manapul's work, they strategically self-funded exhibitions and submitted to international calls—finding recognition in Europe before gaining traction in Canada. This resourcefulness reflects their powerful advice to emerging artists: "If there's no space for you at the table, make that space." Now an Assistant Professor at OCAD University, Manapul creates the representation they lacked growing up, proving that persistence and connection are essential tools for artistic success.Want to explore more transformative art that challenges cultural boundaries? Subscribe to our podcast and join the conversation about how art creates belonging for those who exist between worlds. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Currently based in Guelph, Ontario, Emily Laurent Henderson is a Kalaaleq (Greenlandic Inuk) and Settler curator and writer. A 2020 University of British Columbia graduate in Anthropology, Emily's work and writing centres Inuit and Indigenous self-determination in the arts. Her writing has appeared in titles such as the Inuit Art Quarterly, Azure, Studio Magazine, and more. Her debut collection of poetry, "Hold Steady my Vision", was published in 2024 by Publication Studio Guelph.When Emily Henderson got her first museum job—working in a gift shop—she thought it was the first step towards her dream of being a museum curator. And she was right - only her dream was so much closer to being realised than she expected. She thought it might take decades, but six years later, she's an Associate Curator of Indigenous Art at the McMichael Canadian Art Collection with a once in a lifetime exhibition opening tomorrow."I applied for jobs I was in no way qualified for," Emily laughs, revealing her unconventional early career strategy. Her fearless approach opened doors at the Inuit Art Quarterly, Indigenous Curatorial Collective, and Art Gallery of Ontario before landing at the McMichael, where she's currently preparing to open "Worlds on Paper," an exhibition featuring 215 drawings by 40 Kinngait (formerly Cape Dorset) artists. The groundbreaking show explores how Inuit artists documented their rapidly changing world between 1959-1990—a period of profound transition as communities were moved from semi-nomadic existence to permanent settlements. What makes this exhibition possible is the recent digitisation of all 90,000 drawings, creating unprecedented access to works that were often filtered out by Southern tastes and editorial committees. Henderson shares how Indigenous sovereignty in the arts (giving Indigenous people control over their own representation) is the "crux" of everything she does. She elaborates on what Indigenous sovereignty can look like in institutions that were built to further colonize.For aspiring curators, Emily offers practical wisdom: apply widely regardless of qualifications, seek publishing opportunities, and embrace mentorship. Her journey proves there's no single path to curatorial work—just the courage to start somewhere and grow through continuous learning. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Mariana Muñoz-Gomez wears many hats. Gomez is a Winnipeg-based artist, writer, zine maker and curator who intricately weaves personal narratives with collective histories in their lens-based practice. In today's episode, Gomez shares what it is like to work for yourself as an artist interested in exploring many directions. Gomez' exploration of identity, colonialism, and capitalist structures is not just academic; it's a deeply personal reflection on individual and collective histories that have impacted many people around the world. Gomez' work urges us to reflect on their own connections to place and history. By employing a variety of media—ranging from photography to zines—Gomez examines how art can aid memory and resistance, offering new perspectives on our shared experiences.During our discussion, Gomez shares the motivations behind their work and how they harness the power of art to question societal norms through a relational lens. The episode shines a spotlight on the role of the curator, where Gomez emphasizes the importance of representation and care for the artists involved, particularly BIPOC voices. Alongside this, Gomez reveals the discipline and organisation required to be a freelancer, sharing how the least glamorous parts of being an artist are almost as important as the art itself. They also offer fascinating insights into their recent curatorial projects and the journey of creating Carnation Zine, a zine uplifting marginalised artists. Listeners will gain a deeper understanding of how art can provoke thought and inspire action within communities while navigating the complexities of a creative career. Don't miss this opportunity to engage with Gomez' journey as they pave the way for meaningful dialogues in contemporary art. Subscribe now and be part of the conversation!  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

In today's episode of the Artalogue, Madison chats with Yayoi Shionoiri, VP of External Affairs and General Counsel at Powerhouse Arts. Coming to her legal practice with a unique blend of art history knowledge and legal expertise, Shionoiri has spent over two decades championing artists and navigating intricate legal challenges in contemporary art and estate management. From her beginnings in corporate law to her influential roles at institutions like the Guggenheim Museum and Artsy, Shionoiri‘s career journey has much to learn from for aspiring lawyers and artists alike!We discuss how her undergraduate research into the conceptual art and subsequent trial of Genpei Akasegawa prompted her to learn more about and eventually help artists navigate the limits of artistic and free expression. Shionoiri also shares her personal journey from corporate law to the niche field of art law, highlighting the challenges and opportunities that come with pursuing a unique career path. Her experiences in the vibrant art scenes of Tokyo and New York provide a comparative outlook on how cultural nuances shape artistic innovation and the laws around it. Aspiring art lawyers will find her advice invaluable—emphasizing the importance of mastering legal fundamentals while balancing a deep understanding of the art world. Shionoiri‘s interest in the intersection of copyright, AI, and creativity in today's digital age raises crucial questions about the future of art and law. Join us for a thought-provoking conversation that promises to inspire artists, lawyers, and art enthusiasts alike.Follow Yayoi on Instagram!  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

For artist Ophelia Arc, early memories are not just echoes of the past but a rich source of inspiration for her artistic practice. In today's episode, Arc takes us through her evolving artistic practice where memories blend seamlessly with Arc's interest in theory. Arc showcases how her experiences at the Rhode Island School of Design, particularly through niche courses and critique, have fuelled her understanding of art in a broader and interdisciplinary context.Transitioning from academia to the commercial art world is an adventure filled with unpredictable encounters and collaborations. She shares her insights on making these transitions smoother, emphasizing the powerful relationships with curators and collectors that have shaped her path. We explore the enduring value of keeping a sketchbook and active drawing practice, not just as a tool for artistic growth but as an archive of personal evolution. Arc's work can be found on Instagram and her website, offering a window into her vibrant world. Ophelia Arc's latest group show, "Tomorrow is Already Behind Us", opens on Friday, January 17 2025 at the New York Lyles and King gallery.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Today on the Artalogue, I chat with Chloe Chafe, a dynamic creative director from Winnipeg, who takes us through their unconventional journey through the art world. Raised around artists and spurred by inspiring teachers, Chloe found their true calling in high school. With an eye for innovation, Chloe co-founded Synonym Art Consultation, a venture that reshapes the way Winnipeg has thought about public art by bringing creativity to unexpected corners like local restaurants and businesses. This path wasn't easy—Chloe shares the balancing act of managing a service industry job, art school, and a budding business until Synonym Art Consultation blossomed into a full-time passion.Chloe's story isn't just about art; it's about fostering community and trust within it. From navigating the nitty-gritty of public art project management to reinventing art experiences with technology like augmented reality, Chloe's insights are as colourful and complex as the murals they have facilitated. We explore the Wall-to-Wall Graffiti Art Festival,  Mentorship Programs, grant writing and accessible education. Moreover, Chloe discusses the importance of core values like respect and accountability in building spaces where artists can create bold and meaningful pieces. Tune in for an inspiring conversation that underscores the transformative power of art in public spaces and the relationships that sustain it. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Today on the Artalogue, we're exploring the fascinating world of ancient Roman art with Jacqueline Giz, a passionate PhD student from the University of Michigan. Jacqueline shares her unique journey from aspiring lawyer to art historian, initially sparked by her parents' love for art and Roman history. Discover how her childhood curiosity evolved into a professional pursuit, focusing on the the lesser studied art and artefacts of the ancient  Mediterranean. We chat candidly about picking a university that's right for you, with Giz elaborating on her choice to study at the University of Michigan, partially influenced by the Kelsey Museum's exceptional collection.Giz also discusses transformative power of museums in making history accessible and engaging. Museums, she explains, are not just repositories of the past but vibrant spaces that can offer profound experiences to diverse audiences. We chat about the challenges of curating archaeological objects and the importance of providing meaningful context that resonates with contemporary viewers. From crafting impactful curatorial labels to engaging visitors outside traditional methods, Giz shares her insights and experiences in bridging the gap between ancient artifacts and modern audiences.With Gladiator 2 being on everyone's mind, we elaborate on the often-misunderstood Roman Empire and its portrayal in popular media. While movies like the second Gladiator film can ignite interest, they also risk distorting historical narratives. Speaking about the academic side of the art world, Giz offers her perspective on overcoming imposter syndrome, encouraging listeners to embrace their achievements amidst the academic pressure. Her reflections provide both a window into the ancient world and an inspiring message of self-belief. Join us for a captivating episode that blends art, history, and personal growth, offering a fresh perspective on the ancient Mediterranean and its relevance today. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Step into the captivating world of tattooing with our esteemed guest, Paul Booth, a legendary tattoo artist celebrated for his dark and provocative style. Paul tells us about his career journey from admiring the tattoos of a classmate to opening a 3 story tattoo shop and gallery in Manhattan. Paul opens up about his unique style evolution, rooted in the bold use of black and gray shading. Explore the profound journey of tattoos as keepsakes that memorialize pivotal life moments and personal histories. Paul shares heartwarming anecdotes about tattoos that symbolize cherished relationships and personal milestones, such as his face tattoo designed by his mentor. Booth's  artistic expression transcends the skin by embracing music, clay, and even the digital domain of AI design. Amidst tales of artistic triumphs and challenges, Paul reflects on the division many see between tattooing and fine art.  His invaluable advice for aspiring artists underscores the importance of genuine artistry over ego, inspiring them to dedicate themselves to their craft. Join us for an inspiring conversation that highlights the enduring power of creativity and the limitless potential of art as a transformative force. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

When I asked Bill Powers, owner of Half Gallery (who also happens to be an avid tennis player) what similarities could be drawn between the art world and the game, he replied "I guess sometimes people may pay more attention to their outfits than their backhand." Throughout our conversation, Bill Powers, the owner of Half Gallery, serves some keen insight from his many years in the Art World. Starting as a culture journalist  writing for magazines and esteemed publications like the New York Times, Powers pivoted to becoming a gallerist when the moment arose. "Why not me?", he thought. He now contributes to Muse, Purple and Autre magazines. He now has two books available through Junior Publishing, Glissando and Early 21st Century Art.  Alongside discussions about his career and gallery, we discuss the changing Art World and what the future holds. We chat about the shifting nature and relevancy of art criticism and the growing influence of market dynamics on artistic expression. From the recent spectacle of Maurizio Cattelan's "Comedian" at the recent Sotheby's auction to the disruptive force of NFTs, we try to untangle and understand how commercial success is reshaping taste and connoisseurship. Bill reflects on the delicate balance of business with creativity. His story is a compelling glimpse into the ways in which different aspects of the Art World converge. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Join us as we welcome Joel Nichols, a brilliant Rhodes Scholar whose journey as an artist has taken an exciting turn. I chatted with Joel right before he was leaving Winnipeg for Oxford to further his studies. Through our conversation, Joel reveals how his initial pursuit of science and medicine was put aside after a chance drawing class at university. His interest in science has serendipitously intertwined with his artistic endeavours, particularly in the chemistry-rich world of ceramics. His practice spans multiple mediums, including drawing, painting, and printmaking, creating an interdisciplinary dialogue that speaks to themes of identity, queer theory, and bodily autonomy. Joel channels his heritage and diverse background into his work, making it relatable and accessible to a variety of audiences. In the second half of our discussion, Joel reflects on his transformative experiences at the University of Manitoba's School of Art and his incredible residency at the Banff Center. With breathtaking studio views and the camaraderie of a diverse group of artists, Joel's time in Banff proved to be a period of profound growth and connection. He shares the challenges and triumphs of creating large ceramic vessels using the Korean Onggi technique and how these experiences shaped him both personally and artistically. We also talk candidly about stepping into the commercial side of art production and the challenges that can present an artist. Tune in to hear about Joel's journey and what fuels the artist's innovative practice right before he heads off to Oxford to pursue an MFA as a prestigious Rhodes Scholar.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Hangama Amiri, an acclaimed Afghan-Canadian textile artist, joins us to share her remarkable journey from painting to textiles, drawing deeply from her Afghan heritage and personal history. In our conversation, Amiri explains how she transforms fabrics to tell a story with her art and how powerful the medium is to express authenticity and connection.We also shine a light on the resilience of Afghan women through salon culture, a fascinating aspect of Amiri's experiences during her visits to Afghanistan that have become prominent in her work. These salons are more than spaces for beauty—they are bastions of resistance and entrepreneurship in male-dominated settings. Amiri reflects on the art world's often narrow views on textiles and shares insights inspired by her academic journey, challenging the notion that textile art is merely craft. Her experiences at NSCAD and Yale underscore the importance of diversity and representation in fostering artistic growth and confidence.In our final segment, Amiri reflects on her transition to an independent artistic practice and the freedom it offered to develop her unique voice. Aspiring artists will find her advice invaluable: understanding your relationship with your materials and staying true to your intuition as key to authentic expression. ---Hangama Amiri holds an MFA from Yale University, where she graduated in 2020 from the Painting and Printmaking Department. She received her BFA from NSCAD University in Halifax, Nova Scotia, and is a Canadian Fulbright and Post-Graduate Fellow at Yale University School of Art and Sciences (2015-2016). She is also a Kaiserring Stapendiatin of 2023 by Monchehaus Museum in Goslar, Germany. Her recent exhibitions include A Quiet Resistance (2023) at Monchehaus Museum, Goslar, Germany; A Homage to Home (2023) at The Aldrich Contemporary Art Museum, Ridgefield, CT; Sharjah Biennial 15: Thinking Historically in the Present (2023), Sharjah, UAE; Reminiscences (2022) at Union Pacific in London; Henna Night/ Shabe Kheena (2022) at David B. Smith Gallery, Denver, CO; Mirrors and Faces (2021) at Cooper Cole Gallery, Toronto; Wandering Amidst the Colors (2021) at Albertz Benda, New York, NY; Spectators of a New Dawn (2021), Towards Gallery, Toronto; and Bazaar: A Recollection of Home (2020) at T293 Gallery, Rome, Italy.Follow Hangama on InstagramCover photo taken by Denis Gutiérrez-Ogrinc. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Canadian artist Corri-Lynn Tetz takes us on an intimate journey through the world of figurative painting, sharing how her grandmother's artistry ignited her passion for painting. From studying at Red Deer College, Emily Carr University, and Concordia University, Corri opens up about navigating the challenges of art school as a figurative painter and the tension woven into her work. She reveals how persistence and a commitment to her artistic vision have been essential, even when her chosen path felt like a "dirty secret." Talking on the heels of her first European solo show in London, Tetz's story is one of resilience and unwavering dedication to her craft.In our discussion, we discuss transforming found images into paintings that challenge the male gaze, with Corri sharing her unique perspective on using more explicit images that emphasize humanity instead of objectification. We touch on her experiences at recent exhibitions like "Tender Buttons" in London and discuss the demanding yet exhilarating task of balancing creative pressures during busy periods. Corri-Lynn reflects on her career's winding roads, offering invaluable advice for budding artists on embracing the uncertainty and financial realities of the artistic journey. Stay tuned for insights and inspiration from an artist dedicated to lifelong exploration and innovation. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

In today's episode, join us for an eye-opening chat with Cameron Fraser-Monroe, a trailblazing Canadian dancer and choreographer from the Tla'amin First Nation. From his early start in Ukrainian dance to his prestigious training at the Royal Winnipeg Ballet School, Fraser-Monroe's journey is nothing short of fascinating. We discuss his inspirations in dance and why he chose to prioritize dance over a potential career in mechanical engineering, getting candid about physical and time constraints in dance careers. Fraser-Monroe has performed with many companies including Dancers of Damelahamid, the Royal Winnipeg Ballet, and Atlantic Ballet Theatre of Canada from Mexico to New Zealand. As a choreographer Fraser-Monroe has received commissions from the National Ballet of Canada, Royal Winnipeg Ballet, Whim W'Him Seattle, Ballet Kelowna, the Winnipeg Summer Dance Collective, Artist's Climate Collective, Transformation Cabaret at the Cultch, and both PULSE and Indigenous Day Live! on APTN. For the past five years Fraser-Monroe has served as Artistic Director of the Winnipeg Summer Dance Collective, making dance more accessible in downtown Winnipeg. In 2023/24, he is the Choreographer in Residence at the Royal Winnipeg Ballet, their first in 20 years.Learn more about ballet production with us as Fraser-Monroe takes us through the creation of one of his more recent works, "T'əl: The Wild Man of the Woods”performed by the Royal Winnipeg Ballet. Discover the intricate process from commission to premiere, involving rich imagery, extensive physical research, and the innovative inclusion of a narrator to tell the story in both Ayajuthem and English. Fraser-Monroe tells us more about how this unique choice underscores the importance of authentic oral history within Indigenous storytelling as well as engaging audiences on a deeper level.Looking ahead, Cameron shares his vision for the future of ballet in Canada, emphasizing the need for greater diversity and originality. He passionately discusses his upcoming projects, including a fundraiser in the Tla'aman Nation and his upcoming artistic endeavours. Cameron's commitment to meaningful community engagement and his advice for aspiring dancers—to seek inspiration beyond dance—highlight his dedication to creating a more inclusive, innovative and exciting ballet scene. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Guinevere Turner is a writer, director and actor who has been working in film and TV since her 1994 debut film Go Fish, which she wrote, produced and starred in. She teamed up with director Mary Harron to write the films American Psycho, The Notorious Bettie Page and Charlie Says. She was a writer and story editor on Showtime's The L Word, and she played a recurring character on that show. She has written and directed seven short films, two of which premiered at the Sun, dance Film Festival. She can be seen in film roles that include The Watermelon Woman, Chasing Amy, American Psycho and The L Word. Guinevere has taught screenwriting at Sarah Lawrence College, Columbia University, University of Georgia, UCLA, NYU and Syracuse University. She published an essay in The New Yorker in April of 2019, and has expanded on that essay in a memoir which was published by Random House in Summer of 2023. On today's episode of the Artalogue, we look at the art of writing and film as art forms with one of Madison's favourite contemporary writers, Guinevere Turner. In this episode, we discuss Turner's groundbreaking first feature length film Go Fish as it turns 30 years old, other notable screenplays like American Psycho, and get candid about working as an out gay woman in Hollywood.Madison and Guinevere Turner also discuss the enduring appeal of American Psycho, its satirical take on toxic masculinity, and Christian Bale's unforgettable performance. We dive into the film's past and present reception , the misconceptions about its message and the fans it has garnered over the years. Plus, discover the little-known secrets behind the iconic business card scene that still captivates fans today. Guinevere sheds valuable advice on writing everything from screenplays to memoirs and discusses her process, both collaborative and solitary. We discuss Turner's phenomenal new memoir, When the World Didn't End, which details her childhood growing up in a cult and how she wrote it.  Guinevere reflects on her early days of diary writing within the Lyman family cult and how those formative experiences shaped her into the artist she is today. Guinevere sheds light on the less glamourous side of the film industry, from the complexities of collaborative writing to the near constant battle for funding. She shares personal insights into the cathartic power of storytelling. Guinevere also offers a heartfelt reflection on her various career milestones, from acting in Preaching to the Perverted to her work on The L Word and Charlie Says. This episode is a celebration of creativity, resilience, and the joy of reading and writing.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Robin Venter is a queer, non-binary, oil painter residing in Long Beach, California. Venter earned a BFA in drawing and painting from the Laguna College of Art and Design (LCAD), which provided atelier-based training the artist utilizes in their current work. The artist's current body of work explores the relationship between queerness and the representational figurative tradition. Examples of past queer lives and experiences are brought into Venter's work through nods to art history and mythologies, connecting the past and present to affirm that there have always been examples of those who defy the societal structures of gender and sexuality.In this episode, we explore Robin's thesis work at Laguna, which challenges heteronormative art traditions typified by the reclining nude. We delve into how art school sharpened their technical background and boosted their confidence, providing inspiration for exploring gender and art history.  Learn how masterpieces like the Venus of Urbino and the Birth of Venus influenced Venter's work while defying gender expectations with body hair and gender ambiguity. We also touch on the influence of ancient Greek erotic pottery and the incorporation of queer aesthetics inspired by artists such as John Singer Sargent. Venter's journey from elementary school art classes to current successes and future aspirations offers invaluable insights and advice for aspiring painters, underscoring the importance of honesty and self-kindness in the creative process. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Laura Lewis is a queer visual artist originally from Kjipuktuk (Halifax, Nova Scotia) currently based in Treaty 1 Territory (Winnipeg, Manitoba, Canada). Her conceptual figurative painting practice explores philosophical questions concerning psychosexuality, the multiplicities of self, and nuances of the human condition.Lewis graduated in 2018 with a combined degree from NSCAD and the School of Art, University of Manitoba BFA Honours program. She is the founder and facilitator of Critical Painting Perspectives, presented by Mentoring Artists for Women's Art. She has participated in artist residencies at the Banff Centre for the Arts and Creativity, and in Civita Castellana, Italy. We uncover how her disciplined athletic background continues to fuel the intensity and dedication in her art, while she challenges historical narratives by spotlighting contemporary perspectives from marginalized communities. Scaling artistic heights, Laura reveals the trials and triumphs of creating immersive, large-format paintings, including a poignant nude self-portrait exploring themes of vulnerability, queerness, and identity. We dive into her Critical Painting Perspectives workshops, designed to foster rich discussions among women and gender minorities about contemporary painting. Celebrating the milestones of her career, we highlight her features in Border Crossings and her upcoming exhibitions at Modern Fuel and Gallery 1CO3. Finally, Laura offers invaluable advice for aspiring artists on the importance of passion, community engagement, and the dynamic efforts required to sustain an art career. Don't miss out on this enlightening conversation with a truly inspiring artist.Laura's Instagram Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Welcome to Season 2 of the Artalogue! Our first 4 episodes this June will be focusing on Queer creatives in the arts. Fashion can be a powerful tool for expressing queer identities and challenging societal norms. Eleanor Medhurst is a dress historian who specialises in lesbian fashion history and is here to chat all things lesbian fashion in art and culture! We chat about the significance of clothing to the lesbian identity as seen in historical works of lesbian art.  Eleanor uncovers the historical significance of symbols like violets and lavender, tracing their roots to the poetry of Sappho and their resurgence in early 20th-century Paris. In fashion as well as art history, these symbols have long communicated lesbian identities and solidarity among women. Eleanor shares insights from her upcoming book, "Unsuitable: A History of Lesbian Fashion" set to release on June 1st, 2024. She reveals intriguing findings about trans lesbians in interwar Berlin and the vibrant cultural scene supported by archival lesbian magazines from the 1920s and 30s. Eleanor also offers valuable advice for budding historians, emphasising the importance of passion, peer connections, and leveraging social media for academic networking. Don't miss this fascinating blend of art, fashion, and history through a queer lens. Happy Pride!!!Read more on the Dressing Dykes Blog Order Eleanor's Book "Unsuitable: A History of Lesbian Fashion" Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

"I think of humor as being a sleight of hand, like a magic trick. I think of it as being a way of talking about the thing you really want to talk about by not talking about it at all. I'm very interested in the way that people use humour and the way that humour is often used as a vehicle for telling the truth." - Roxana Halls On today's episode, I chat with award-winning British painter Roxana Halls. Roxana's art explores how laughter can be an antidote to the opprobrium women face everyday, making it an excellent topic for International Women's Day. The invaluable advice Roxana offers throughout the show underscores the importance of valuing your unique voice and starting with whatever you have, no matter how humble. Halls details her journey as a young artist who struggled to make ends meet after leaving home and pursuing her passion.  As a self-taught artist, Roxanna opens up about the difficult decisions she's made, like choosing art supplies over basic necessities, and how she crafted her own artistic education against all odds. Her determination and resilience are inspiring and a testament to the power of passion. Roxana's Instagram Roxana's Website  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

MadameFraankie's work is centred around recontextualizing the day to day documentation of black life. She is drawn to highlighting the various ways Black people hold space and occupy their time. Within her work she attempts to capture micro-communal moments, gestures of love, and curiosity. MadameFraankie's work draws comparison of these documented themes against the social and ethical norms within American Culture as a means to reshape black narration and photographic storytelling.She attributes the  reshaping of her understanding of community and artistry to the arts and music scene in Memphis, specifically working with Tone Memphis . Having recently exhibited with the space during Miami Art Week 2023,  MadameFraankie is excited for her work to take on a larger scale in both size and subject matter during her residency with Crosstown Arts. She explains how aspects of her identity like being both Black and Southern impacts how she thinks about and creates art. We learn about her upbringing in the military and how moving around the world produced a longing for aspects of identity and a sense of home that she now conjures in her photographs. Living in Memphis, MadameFraankie turns her camera towards the mundane aspects of Black life, championing the joy and tenderness in her community.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Ashley Brooke (b.2003), A.K.A SpookyRatt, is an emerging mixed media artist based in Fort Worth, Texas, whose goal is to connect others through their work, whether it's through a photo or splattered on a canvas. Spookyratt is known for their chaotic/abstract work, their spine chilling monsters and their stimulating grungy photographs, which leave viewers feeling a mix of uncanny emotions that they can't quite describe. In episode 9, we discuss authenticity, believing in yourself and creating work that stands for itself. As a young artist, Brooke is beginning to navigate an art world that has changed rapidly within their own lifetime. In addition to creating works of art, the artist creates stop motion videos showcasing a grungy and surreal process. SpookyRatt's websiteSpookyRatt's Instagram  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Tammy Salzl, a Canadian multimedia marvel with a flair for storytelling, joins us for episode 8 of the Artalogue! Tammy tracks her journey from reading her brother's comic book stash as a child to her latest solo show at the Vernon Public Art Gallery.  Salzl walks us through her evolution from drawing to her current award-winning, multimedia approach. Through installation, film, painting and sculpting, Salzl's latest body of work burrows inside of you like a beautiful parasite. Salzl's work teeters between beautiful and beastly, often prompting the viewer to draw their own line between these supposed polarities. Her art, steeped in folklore and camp aesthetics, serves as a mirror reflecting the human condition and the rawness of life. Beale quizzes Salzl on the origins of the  her favourite work by the artist, “The Compromise” (2011), a piece inspired by environmental impacts on male fertility and the choices we are faced with in an imagined future dystopia.  We explore how folklore and myths often expose our deepest fears and desires, and how Salzl translates this into her work. Follow Tammy on InstagramTammy's Website  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Bev Pike is a Winnipeg artist known for gigantic immersive paintings of architectural utopias. She bases her current series on eccentric three hundred year-old subterranean grottos in England. Pike shows her work in major public art galleries across Canada, most recently at the Dunlop Art Gallery (Regina), Museum London (London), and St. Mary's University Art Gallery (Halifax). She is the recipient of many major grants from the Canada Council, Manitoba Arts Council and Winnipeg Arts Council. Pike also creates humorous, provocative and feminist Agony Aunt columns in artist books that are in international special collections such as the Victoria & Albert Museum, Tate Modern, University of Bristol and others in England, Canada, Iceland and the USA. She has been a guest speaker from coast to coast and in England. Finally, as a long-time community activist, Pike writes evidence-based satire for the Winnipeg Free Press, CBC, MSN, etc.In this episode, Bev Pike tells us more about the importance of taking up space.  From the scale of her paintings to her satirical writing, Pike's strong convictions as a Feminist means she's not afraid to make herself, or her work, stand out. Additionally, Pike gives some valuable advice for artists regarding grant writing in Canada. View more of Bev's work.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Let's talk about debt, baby! What does it mean to take on thousands of dollars in debt as an artist? This week's conversation with performance artist Caitlin Mary Margarett Sørensdatter explores how the Midwest's transformed prairie landscapes serves as a canvas for CMM's work, spotlighting the cultural and ecological shifts that urge us to rethink our relationship with a changing world. Our conversation takes a turn to the all-too-familiar struggle with student debt, a reality that many in the creative fields take on to pursue our dreams. Caitlin opens up about her experiences navigating student finance as a teenager at the University of Northern Iowa, where the pursuit of an arts degree came with a heavy price tag. We delve into how that debt is affecting her today as well as  Caitlin's honest account of the systemic barriers to low income students within the American education system. The episode reaches its crescendo as we dissect the artistic growth within the demanding environment of an MFA program, and whether going to university is necessary to become an artist. Follow Caitlin on Instagram: @caitlin_mary_margarettCheck out Caitlin's website: https://www.caitlinmarymargarett.com/ Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Step into the visual world of Laila Annmarie Stevens, a Black queer photographer based in Brooklyn whose lens captures tender portraits  of the people around her.  We unpack how growing up in Queens and internet culture shaped the intimate narratives she now crafts with her camera, from the early days of experimenting with a flip phone to her current photography practice encompassing both digital and analog approaches.  With major publications showcasing her work and a recently expanded  "Clayton Sisterhood Project" that aims to uplift Black women's stories, Stevens is just getting started. Follow Laila on Instagram: @lailaannmarieCheck out Laila's website: https://www.lailaannmarie.com/ Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

 Kyle Scheurman paints more than just landscapes; his art illustrates the urgency of our changing climate and the need for its conservation. Madison's conversation with the artist and dedicated activist focuses on the precarious situation of British Columbia's old growth forests—a tale of both beauty and betrayal.Kyle's narrative-driven, highly saturated paintings challenge us to see beyond his style and to grapple with the environmental reality they reveal upon closer inspection. Delving into the complex legacy of Canadian landscape painting, we draw connections between the celebrated works of the Group of Seven and Emily Carr, and the contemporary role of art and art history in environmental discourse.  We discuss the how the government is addressing the situation, the tireless efforts of forest protectors, and the stark realities of ongoing deforestation in Canada. How can art address these problems, and can art be a solution to them? Kyle shares his journey as an artist who not only pictures the natural world but fights for its future.Kyle's InstagramKyle's WebsiteView Kyle's available work through Bau-Xi Gallery  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Ever wondered how an artist's cognitive makeup shapes their creative journey? Get ready for a captivating exploration into the world of Kara Theart, a rising Birmingham artist whose large-scale ink pen drawings blur the lines between human forms and landscapes. Theart explores how neurodivergence has not only influenced her artwork, but also added a unique vibrancy to her artistic expression. A recurring theme in her work is her personal relationship with the female form, a subject she speaks on with raw authenticity. We also delve into the story behind her viral sculpture, "My Dear Buck," and how the attention it has garnered has impacted her personally and professionally. Enter Kara's world as she navigates a new benchmarks of success  for a young, emerging artist. Cara's journey is filled with passion, perseverance, and the occasional hardship. Her love for creating is contagious, and her words of advice are a must-hear for young artists navigating a changing art world with new demands for a digital presence. She encourages emerging creatives to channel their emotions into their work, and to diversify their artistic mediums. As a bonus, Cara tells us more about with the details of her upcoming exhibition at Wavelength Space in Chattanooga. Be sure to follow her on Instagram (@karathe.art) to keep up with her latest work.  Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Ever wondered about the dark past of Nazi art looting and its devastating impact on Jewish families? Our conversation with Beatrice Levine, the brilliant mind behind Culture Quota, will take you on a fascinating exploration of World War II art looting and the critical role of provenance in identifying such pieces. From her humble beginnings in an auction house to her current position at the Spencer Museum, Beatrice shares her engaging journey through the art world, emphasizing the importance of grabbing every opportunity to gain a comprehensive understanding of the industry.As Beatrice guides us through her intriguing transition into working with luxury goods and interior design, we uncover the personal and functional aspects of these domains. The conversation then shifts to the haunting history of art theft during the Second World War, discussing how the resource-starved Germany targeted Jewish families, robbing them of their priceless art collections. Despite the importance of provenance in tracing back these stolen art pieces, countless artworks still remain unclaimed with slow progress in returning them to rightful owners.The closing segments of our discussion hone in on Beatrice's research aspirations in Nazi-era research and provenance studies. Emphasizing the need to fill gaps in academic discourse, Beatrice also expresses her drive to make art history more accessible by teaching, writing a book, and engaging in speaking events. We explore the delicate balance between pursuing multiple passions and the importance of deriving happiness from what you do. As we celebrate Beatrice's content creation on Culture Quota, we also urge her to consider starting a podcast, tapping into her ability to effortlessly shift between solemn and light-hearted topics. Tune in for an insightful journey through history, art, and personal growth. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Join us on a fascinating journey into the world of art history and pop culture with our esteemed guest, Beatrice Levine. A renowned art historian and the creative genius behind the popular Instagram and TikTok account, Culture Quota, Beatrice provides an enthralling glimpse into her unique academic journey. From her initial love for art history sparked by a trip to Rome, to her groundbreaking undergraduate thesis on the interconnection of memes and art, and her profound current research on Nazi-era art looting, she unfolds a tale that is as inspiring as it is illuminating.Ever wondered about the impact of social media on art? As we journey further, we examine this intriguing subject, discussing how platforms like Instagram and Tumblr have demolished barriers to the art world. With Beatrice, we explore the role of these platforms in democratizing art, sparking discussions that were once confined to stuffy academia, and their potential pitfalls, including the risk of echo chambers. This segment promises to leave you with a new understanding of how social media has revolutionized the art world.Lastly, we venture into the captivating realm of contemporary art. Sharing our own experiences, we highlight the need for a novel approach to understand and appreciate this art form. And for some light-hearted fun, we reimagine the Vanderpump Rules cast as famous artists. We also share our candid thoughts on a controversial cast member's questionable music career. Tune in for this engaging exploration of the complexities of contemporary art and the role of context in its appreciation. It promises to be as entertaining as it is enlightening! Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast