Podcast appearances and mentions of Jacob Kirkegaard

Episode 177 Chapter 36, Modern Turntablism. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 36, Modern Turntablism from my book Electronic and Experimental music.   Playlist: TURNTABLISM   Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Ottorino Respighi, “The Pines of Rome” (1924) recorded by The Milan Symphony Orchestra conducted by Cav. Lorenzo Molajoli in November 1928. Recorded bird sounds is heard at about 36 seconds into this section. This is a 78 RPM recording from 1928 that used a turntable to play the sounds during the performance. 01:44 01:36 2.     Paul Hindemith, “Trickaufnahmen” (1930). Recording made available by Mark Katz, author of Capturing Sound: How Technology has Changed Music (2004). 00:58 03:16 3.     John Cage, “Imaginary Landscape No. 1” (1939) from The 25-Year Retrospective Concert Of The Music Of John Cage (private, 1959). 08:37 04:12 4.     Milan Knížák, “Composition No. 1' (1979) from Broken Music. Selection and assemblage of materials made by Walter Marchetti at Harpo's Bazaar, Via San Felice 22, Bologna. 03:26 12:46 5.     Grandmaster Flash And The Furious Five, “The Wheels Of Steel” (1981) from The Wheels of Steel. Medley Compiled by Sylvia Robinson; Produced by, Joey Robinson, Jr., Sylvia Robinson. 07:04 16:10 6.     Christian Marclay, “Smoker,” (1981) from the album Records. Christian Marclay, turntables and processing. Recorded on a cassette deck at home. 03:40 23:12 7.     DJ Shadow ... And The Groove Robbers, “Hindsight,” (1993) from In/Flux/ Hindsight. 06:55 26:56 8.     Afrika Bambaataa, “Looking For The Perfect Beat” (1985) from Looking For The Perfect Beat 1980-1985. 03:51 33:56 9.     Gen Ken Montgomery, “Droneskipclickloop” (excerpt, 1998) from Pondfloorsample. Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. 07:19 37:48 10.   Crawling with Tarts, “Trecher Track”(1999) from Turntable Solos. By Michael Gendreau and Suzanne Dycus-Gendreau. 04:11 45:08 11.   Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. 04:31 49:18 12.   Yasunao Tone, “Part 1” (excerpt 1999) from Solo for Wounded CD. All sounds used were from scratched CD's. 03:54 53:50 13.   Philip Jeck, “Untitled 2,” (2002) from Soaked. Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. 04:30 57:42 14.   Maria Chavez, “Jebus” (2004) from Tour Sampler, recorded in Houston, Texas. Turntables and electronics by Maria Chavez. 04:59 01:02:12 15.   Marina Rosenfeld, “Three” (2005) from Joy of Fear. Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” 05:47 01:07:12 16.   Luc Ferrari and Otomo Yoshihide, Slow Landing” (2008) from ‎Les Archives Sauvées Des Eaux. Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. 10:40 01:12:58   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday night for new music by Stylianos Ou, Bartosz Dziadosz, Gaudenz Badrutt, Cyrnai, Psyclon Nine, Jacob Kirkegaard, Alfredo Costa Monteiro, Jeugdbrand, plus Adi Newton, Wahn, and Montreal's Richard Be?gin from the ‘Neuromancers. Music Inspired by William Gibson's Universe‘ collection.

Hoy vamos a explorar el sonido y su relación profunda con los lugares. La experimentación contemporánea radica muchas veces en las propuestas revolucionarias de las vanguardias históricas cuando el entusiasmo por un nuevo mundo se apoderó de artistas que desarrollaron ideas y propuestas destinadas a tener un impacto enorme en el futuro. Hoy escucharemos un fragmento de la “Sinfonía de las sirenas de fábrica de Arseny Avraamov” reconstruida por Miguel Molina y Leopoldo amigo. Haremos una inmersión en la amplia colección de grabaciones de naturaleza del gran naturalista y fonografo Bernie Krauss y finalizaremos con una obra del artista sonoro Jacob KirkegaardEscuchar audio

Mario Draghi recently released a report on Europe's competitiveness that has sparked debate across the continent. The report, which shows Europe lagging behind the US and China in a number of areas, has many asking if the continent's leaders will heed his call to action. Jacob Kirkegaard, a nonresident senior fellow with the Peterson Institute for International Economics and senior fellow at Bruegel, joins Thanos Davelis to break down why this report has sparked a debate across the EU, and look at what steps Europe needs to take to meet the challenges before it.You can read the articles we discuss on our podcast here:Mario Draghi outlines his plan to make Europe more competitiveDraghi is trying to save Europe from itselfDraghi's competitiveness report: Can Europe heed the call to action?Greece to buy US dronesMigration undermining EU's cohesion

Pumpende Melkmaschinen, klickende Fangautomaten, rauschende Fließbänder. Jacob Kirkegaard zeichnet ein Klangporträt der Agrarindustrie. Von Jacob Kirkegaard www.deutschlandfunkkultur.de, Klangkunst

Episode 15 of the Global Credit Union Podcast examines the global food security crisis caused by COVID-19, Russia's invasion of Ukraine and climate change and looks at whether credit unions can provide more solutions to help local food producers. Jacob Kirkegaard, nonresident senior fellow with the Peterson Institute for International Economics (PIIE) and resident senior fellow with the German Marshall Fund of the United States, joins the program to discuss the current issues with the globalization of our food supply. Arthur Faviero, structural operations and sustainable finance specialist with Sicredi, the largest credit union system in Brazil, also joins the program to talk about the innovative agribusiness solutions they have created and whether they can serve as a model for credit unions worldwide. If you're interested in learning more about Sicredi's innovative agribusiness solutions, you can email Arthur at arthur_flores@sicredi.com.br. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/woccu/support

Jacob Kirkegaard joins us for a highly interesting discussion on birth, death and what goes on in between. Jacob's recordings of the death process "Opus Mors," is a new level for sound capture and we get into the thought and process behind this work. We also talk about his recordings in Chernobyl, waste management facilities, glaciers, geysers and much more. We can't thank Jacob enough for taking time out of his trip to have this conversation.

Blame it on Omicron, Vladimir Putin and Europe's biggest war in decades, but the global economy is in a weaker position this year than anyone expected. So what exactly is the impact the pandemic and Ukraine crisis are having on businesses and consumers in Germany and the United States? And are key economic players doing enough to keep it from getting worse?On the day Putin invaded Ukraine, hosts Soraya Sarhaddi Nelson and Rachel Tausendfreund talked with Jacob Kirkegaard, Senior Fellow in the Brussels office of the German Marshall Fund of the United States and Sebastian Dullien, an international economics professor who is director of the Macroeconomic Policy Institute of the Hans-Boeckler Foundation in Duesseldorf.This show was produced by Dina Elsayed and Abigail Megginson. 

In 2014, Russia annexed Crimea illegally and threatened to invade eastern Ukraine. Sanctions imposed by the European Union, Canada, the United States and Western allies prevented Russia from further action. After Russia's invasion of the Ukraine, claiming two territories as independent states in violation of international law, Europe and the United States have once again imposed economic sanctions. These sanctions target financial institutions, the Nord Stream 2 pipeline, and wealthy oligarchs. We discuss the history of economic sanctions and their efficacy with Jacob Kirkegaard, Senior Fellow at the Peterson Institute For International Economics and German Marshall Fund.

In 2014, Russia annexed Crimea illegally and threatened to invade eastern Ukraine. Sanctions imposed by the European Union, Canada, the United States and Western allies prevented Russia from further action. After Russia's invasion of the Ukraine, claiming two territories as independent states in violation of international law, Europe and the United States have once again imposed economic sanctions. These sanctions target financial institutions, the Nord Stream 2 pipeline, and wealthy oligarchs. We discuss the history of economic sanctions and their efficacy with Jacob Kirkegaard, Senior Fellow at the Peterson Institute For International Economics and German Marshall Fund.

Good evening and welcome to the 12th episode of Anechoic Chamber; free-form audio and insights from the margins of arts and culture. Our guest for this edition is Danish multi media artist, nomad and researcher Jacob Kirkegaard. Given his extensive amount of travel and the wide scope of his chosen subject matter, Kirkegaard's work can be difficult to summarize in a brief statement, hence the necessity for the lengthier introduction that this show will provide. Nevertheless, Kirkegaard is notable for his use of location recordings, later combined with a variety of visual imagery, to present intimate experiences of globally diverse locations and to perhaps interrogate just how familiar, or just how exotic, these locations may be to us. In addition, with ambitious works such as Labytinthitis, Kirkegaard has extended this sense of reality's ambiguous nature to the human body, using the rarely explored realm of otoacoustic emissions from the inner ear to show how even fundamental assumptions regarding sensory perception can occasionally be challenged. In the process of doing so, Kirkegaard somehow manages to be an artist who (in the words of Julie Martin from his 2014 Earside Out exhibition catalog), “transcends politics….there is no lecture from the artist, no finger pointing at us humans who are complicit in many […] world-wide phenomena.” Featured audio (all provided by the artist): Excerpts from "Rewind" installation as found in Sweden, Cuba, New York City, Istanbul / artist's contribution to "freq_out" group sound exhibition / location recordings from Chernobyl / "A Town in Russia" / "Opus Mors" excerpts (ambient recordings of hospital morgue and corpse decomposition at body farm) / "Membrane" recordings of U.S.-Mexico border wall / "singing sands" recordings from Oman / "Labyrinthitis" piece based on otoacoustic emissions artist links: www.fonik.dk | www.topos.media Anechoic Chamber links: tbwb@protonmail.com for PayPal donations www.thomasbeywilliambailey.com for host activities

Episode 19   Maximum Turntablism, Part 2   Modern Experimental Turntablism and CD Glitch Music   Playlist: Pierre Henry, Concerto Des Ambiguïtés parts 1,2,3,and 5(1950) from Symphonie Pour Un Homme Seul / Concerto Des Ambiguïtés (1972, Philips). Premiered on August 7, 1950. Christian Marclay, “Smoker,” (1981) from the album Records (1997). Christian Marclay, turntables and processing. Recorded on a cassette deck at home. DJ Shadow ... And The Groove Robbers, “Hindsight,” from In/Flux/ Hindsight (1993) Institut Fuer Feinmotorik, “A1” from Wenig Information: Kein Titel (1998). Recorded live between April and June 1998 in Cloister Bad Säckingen, Germany. For turntables, mixer, compressor, various processed records, paper, cardboard, scotch tape, household rubber, wire, various other odds and ends. Peter Cusack & Nicolas Collins, “Hazlitt” from ‎ A Host, Of Golden Daffodils (1999). Recorded live in concert at STEIM (Amsterdam, The Netherlands) June 1996 and at Museum für Gegenwart, Hamburger Bahnhof, (Berlin, Germany), November 1996. Electronic processes, CD, radio sources, trombone-propelled electronics, Nicolas Collins; guitar, bouzouki, whistling, electronics, sampler triggers, Peter Cusack. Gen Ken Montgomery, “Droneskipclickloop”(excerpt, 1998) from Pondfloorsample (2002). Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. Crawling with Tarts, “Trecher Track” from Turntable Solos (1999). By Michael Gendreau and Suzanne Dycus-Gendreau. Yasunao Tone, “Part 1”(excerpt 1999) from Solo for Wounded CD (1999). All sounds used were from scratched CD's. Philip Jeck, “Untitled 2,” from Soaked (2002). Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. Maria Chavez, “Jebus” from Tour Sampler (2004), recorded in Houston, Texas. Turntables and electronics by Maria Chavez. Marina Rosenfeld, “Three” from Joy of Fear (2005). Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” Luc Ferrari and Otomo Yoshihide, Slow Landing” from ‎Les Archives Sauvées Des Eaux (2008). Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of modern experimental turntablism: Tsunoda Tsuguto, “Air Pocket” (1997) from Turntable Solos (1999). Merzbow, “Batztoutai—The Nightengale's Song” (1985) from Turntable Solos (1999). The incidental music heard while I'm speaking is from a damaged and skipping CD that I have of Sun Ra. The track is “Sound Spectra/ Spec Sket” from the album Other Planes of There (1964). For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020). Notes for this episode can be found on my blog: Noise and Notations.

Halloween season creeps on and we discuss a very fitting album for the autumn atmosphere — “The Curse of the Scarecrow” by Megaptera. Farm machinery creaks in the distance while the scarecrow’s spell takes hold. The darkening weather is welcome and this haunting death ambient industrial album will perfectly compliment your October nights.Recent listening:Hive Mind "Elysian Alarms"Megaptera "Disease"Polar Moldmentous "Meat Chamber After All"Polar Moldmentous "Desperate in Nirvana"Jacob Kirkegaard "Opus Mors"Haus Arafna "Asche"Aaron Dilloway / Robert Turman / John Wiese "Electronic Extension"OVMN "Throbbing Pulse"Atrax Morgue's Morder MachineMy Name is Nobody: Stephen Petrus (Murderous Vision) Coffee table:John Duncan & Jonathan Canady "Show Your Love"Kato David Hopkins "Rumors of Noizu and the road to 2nd Damascus"

Sweden, a nation of 10 million, has one of the highest death rates per capita in the world, far above its Scandinavian neighbours. A decision was taken early on in the coronavirus pandemic not to put Sweden into lockdown. Lena Einhorn, a Swedish virologist explains why she was opposed to that decision. The state health authority were pursuing a strategy they thought would benefit both the economy and public health, but Jacob Kirkegaard of the Peterson Institute for International Economics says that strategy didn’t do either. That said, Swedish companies, particularly those with domestic focus, have done better than expected, as Esbjörn Lundevall from the Nordic SEB bank explains. (Picture: The Swedish flag flying in Stockholm. Picture credit: Getty Images?)

It’s estimated that the coronavirus pandemic will leave a quarter of a billion people out of work this year. Many of the jobs lost may never come back. Elisabeth Reynolds at the Massachusetts Institute of Technology says governments must take more radical action. And with its generous benefits system and flexible jobs market, what can Denmark teach us about navigating the post-Covid jobs landscape? We ask Jacob Kirkegaard, senior fellow at the Peterson Institute. Photo: A man stands in front of the closed offices of the New York State Department of Labour (Credit: Getty Images).

Den døde menneskekrop er et naturfænomen, vi har vænnet os til at se på med kulturelle briller. Men hvad sker der, når man anskuer livets endeligt fra skalpellens, fluens eller kontaktmikrofonens perspektiv? Og skal døden høres, ikke ses, hvis vi for alvor skal forstå dødens natur? Lydkunstneren Jacob Kirkegaard har optaget lyden af både retsmedicinske obduktioner og lig i naturlig forrådnelse – processer, som retsmedicineren Peter Mygind Leth og flueforskeren Thomas Pape kender fra deres videnskabelige praksis.

Jacob Kirkegaard, Peterson Institute for International Economics Senior Fellow, lays out the possible outcomes for another U.K. general election. Esther Reichelt, Commerzbank AG FX Strategist, forecasts that unconventional monetary policy measures will drive the euro-dollar. John Authers, Bloomberg Opinion Columnist, says Brexit is unsolvable without a solution between Ireland and the U.K. And Ted Alden, CFR Senior Fellow & Author, "Failure to Adjust: How Americans Got Left Behind in the Global Economy," says we're in a more dangerous phase of the trade war now.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Jacob Kirkegaard, Peterson Institute for International Economics Senior Fellow, lays out the possible outcomes for another U.K. general election. Esther Reichelt, Commerzbank AG FX Strategist, forecasts that unconventional monetary policy measures will drive the euro-dollar. John Authers, Bloomberg Opinion Columnist, says Brexit is unsolvable without a solution between Ireland and the U.K. And Ted Alden, CFR Senior Fellow & Author, "Failure to Adjust: How Americans Got Left Behind in the Global Economy," says we're in a more dangerous phase of the trade war now. 

Episode 427: August 4, 2019 playlist: L'Epee, "Last Picture Show" (Diabolique) 2019 A Records Telefon Tel Aviv, "standing at the bottom of the ocean;" (Dreams Are Not Enough) 2019 Ghostly Dean Hurley, "Far Boundaries" (Anthology Resource Vol. II: Philosophy of Beyond) 2019 Sacred Bones Francois J. Bonnet and Stephen O'Malley, "Premiere Noire" (Cylene) 2019 Editions Mego Ty Segall, "Taste" (First Taste) 2019 Drag City The Silence, "Freedom" (Metaphysical Feedback) 2019 Drag City Ali Berger, "Sump Pump" (Sump Pump) 2019 Spectral Sound Low, "Fly (King Britt's Fhloston Paradigm Remix)" (Fly) 2019 Sub Pop We Like We and Jacob Kirkegaard, "Clotho" (Time Is Local) 2019 Sonic Pieces Monocube and Troum, "Circularis et Perpetua" (Contemplator Caeli) 2019 Transgredient Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Jacob Kirkegaard, Peterson Institute Senior Fellow, thinks Europe will have a pragmatic new leadership team if Ursula von der Leyen is approved for Commission president. Bloomberg's Taylor Riggs reacts to Citigroup's second-quarter results. Ken Leon, CFRA Director, Equity Research previews this week's bank earnings and is enthused about U.S. banks' new ability to return cash. Duncan Fox, Bloomberg Intelligence Senior Industry Analyst, sees AB InBev's Asian IPO Suspension as a signal that there is little room for consolidation in the region. Bloomberg Opinion Columnist Alex Webb and Greg Boutle of BNP Paribas discuss Alan Turing's legacy in artificial intelligence and mathematics as the U.K. announces him as the face of the new 50-pound note.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Jacob Kirkegaard, Peterson Institute Senior Fellow, thinks Europe will have a pragmatic new leadership team if Ursula von der Leyen is approved for Commission president. Bloomberg's Taylor Riggs reacts to Citigroup's second-quarter results. Ken Leon, CFRA Director, Equity Research previews this week's bank earnings and is enthused about U.S. banks' new ability to return cash. Duncan Fox, Bloomberg Intelligence Senior Industry Analyst, sees AB InBev's Asian IPO Suspension as a signal that there is little room for consolidation in the region. Bloomberg Opinion Columnist Alex Webb and Greg Boutle of BNP Paribas discuss Alan Turing's legacy in artificial intelligence and mathematics as the U.K. announces him as the face of the new 50-pound note. 

Regular Expert Series contributor, Jacob Kirkegaard returns for his assessment of a vital week in Brexit negotiation. Jacob has reinforced my thinking that the prevailing situation for the UK is migrating from a slow moving train wreck to something more urgent. This interview was conducted the morning of October 17th, the day of the EU leaders meeting in Brussels, the day we were meant to get confirmation of a final deal. This is clearly not the case. Jacob walks through scenarios for the next few months which he believes ends with financial market pressures leading to the UK capitulating, the government of Mrs. May eventually falling and the Conservative Party in tatters. He advocates a Norway style deal, something I disagree with, as the chance of a no deal Brexit are rising exponentially. The outlook for the pound is a dire one, especially with the growing inevitability of an early election and a win for Jeremy Corbyn.

The Expert Series welcomed back Jacob Kirkegaard of the Peterson Institute for a discussion on the Italian budget proposal and recent developments in Italy’s coalition government. In the half hour discussion, Jacob reviews the outlook for the Italian budget deficit and the likely response from the EU Commission and the ECB, the rise of the Five Star Movement within the coalition and finally the outlook for an early election.

For a discussion on the latest developments of Brexit, the Expert Series welcomed back Jacob Kirkegaard, Senior Fellow at the Peterson Institute. Jacob and Paul discuss three possible Brexit scenario’s, none of which are good for Mrs. May and the Conservative Party. The first is a Norway-style half in / half out arrangement, the second scenario is the muddle through option, and the third is the nuclear option of a hard Brexit.

In what turned out to be a very timely call, the View from the Peak Expert Series hosted Jacob Kirkegaard, Senior Fellow at the Peterson Institute, for a discussion on the latest developments in the political landscapes of Italy and Spain. Jacob shares a positive outlook for Spain but is very bearish on the prospects of Italy. As Paul put it: “Jacob, we’ve been talking for nearly three years now on developments across Italy and beyond, and I have never heard you sound more bearish…”

Secret Singing of Ice, Nuclear Power and an Icelandic Volcano! The conversation that started the Transit Radio Lounge. Jacob Kirkegaard and Jodi Rose talking beside a lake in Copenhagen about the secret singing of the world, and Jacob’s recordings of nuclear power stations, ice, and an Icelandic volcano. LISTEN TO MORE SECRET SOUNDS ----more---- ELDFALL This album consists of recordings of subtle volcanic vibrations in the earth around the area of Krisuvik, Geysir and Myvatn in IcelandThese very condensed and rhythmical trembling sounds from inside of the earth were captured using accelerometers. The accelerometers were placed below the surface of the earth at various places around the geysers. Here they picked up sonic characteristics of volcanic activity right below the surface of the earth. CD. Released on TOUCH, London 2005 SPHERICS Installation (2007) 45-minute composition from field recordings, looped; 16 piezo speakers. Created for LetThere Be Light at Luleå Konsthal, Luleå, SwedenVLF signals from the Aurora Borealis captured using electromagnetic receivers during two trips to Iceland in 2004 & 2005 were played on 16 speakers hanging from the ceiling in a darkened room. IMAGE: Drawing "Sono Infinitum 1" by J Kirkegaard GEFJUN Gefjun is created from sounds of volcanic vibrations recorded in subterranean earth layers in Iceland. The aim was to create a sonic landscape that aims to trigger the perception, sensual memory and imagination of its visitors. In 2004, Jacob Kirkegaard recorded the sounds of Icelandic geysers with the use of accelerometers and acoustic microphones Some sounds are subtle, others rich and low, while some last long, others only a moment. When integrating them into the basement of the Cologne FilmHaus, Kirkegaard chose to take advantage of the two-level architecture of the space: The acoustical recordings from above the Icelandic earth are placed at the upper basement level and the 'below earth surface recordings' are placed on the lower basement level. The audience is invited into an imaginary geyser. Moving about both vertically and horizontally, as if diving through the different layers of earth and water, one can experience the sonic interactions and confrontations existing there. 16-channel installation commissioned by Iceland Images Festival, Cologne Germany. 2005

Kan København koges ned til én enkelt ikonografisk lyd eller er det snarere et kludetæppe af lyde, der tilsammen udgør Københavns lydlige landskab? Emil Riscaldini tager en snak med lydforsker og konsulent Jacob Kreutzfeldt om sammenhængen mellem steder og lyde, og med lyddesigner og tonemester Peter Albrechtsen om lydværket 'Den Usynlige By' - en kollaboration mellem Peter Albrechtsen og kunstner og komponist Jacob Kirkegaard. //Emil Riscaldini //Foto: Jacob Kirkegaard //Jingle: All The Colours Of The Dark //Lyd fra Københavns Havn: Peter Albrechtsen og Jacob Kirkegaard VINK LYD er en podcast, der finder lydene fra det skæve og underfundige København og broderer et lydtæppe af mangfoldige københavnske stemmer, fortællinger og kulturfænomener. Hver søndag udgiver vi en ny podcast. Du kan høre vores podcast her på siden, men du kan også finde vores podcasts på iTunes ved at søge på VINK LYD.

Mød to af pionererne inden for den danske lydkunstscene i denne podcast live-special. Gry Bagøien og Jacob Kirkegaard eksperimenterede med reallydoptagelser og -kompositioner længe før lydkunst var noget man kunne finde på de danske museer og gallerier. Lyt med og hør om de to kunstneres tidlige eksperimenter med lyd i bandet Æter - om dengang man optagede på spolebånd og flobbydisks og hvor PC'en blev transporteret i et køleskab. Dette afsnit af LYDKUNST er optaget live d. 19. november på Skuespilhusets Lille Scene som en en del af Podcast Festival. Med os på scenen havde vi Gry Bagøien og Jacob Kirkegaard. De er begge er markante kunstnere på lydkunstscenen i dag, men som der måske ikke er mange der ved, kender de to også hinanden fra gamle dage, hvor de sammen havde bandet Æter. Gry Bagøien og Jacob Kirkegaard mødtes i 1994. I hinanden fandt de en lydoptagende og -optaget ligesindet. De to fulgtes ud i 90’ernes København og optog lyden af bremsende S-tog og dyttende taxaer. De skabte kompositioner af maskin- og radiostøj, feedback, lakplader i hak, elektriske tandbørster og skrottet legetøj. Sammen turnerede de Europa tyndt i et gammelt folkevognsrugbrød, og selveste Kronprinsen mødte op til en af deres koncerter. På scenen i Skuespilhuset fortalte de anekdoter fra en helt særlig tid. En tid hvor der var plads til eksperimenter, længe før man overhovedet talte om lydkunst, og før et enkelt klik var nok til, at finde nogle at dele sine særegne interesser med. Lyt med og hør om hvordan de fælles eksperimenter har lagt grundstenen i deres begges nutidige karriere. Og om den teknologiske udvikling, som uundgåeligt har præget deres kunstneriske praksis. God fornøjelse! Læs mere om Æter her: http://fonik.dk/collaborations/aeter.html

Jacob Kirkegaard har optaget lyde på de mest fascinerende lokationer, man kan forestille sig. En forladt svømmehal i Tjernobyl, en øde ørken i Oman, en 'selvmordsskov' i Japan. En varm eftermiddag snakkede vi med Jacob Kirkegaard i parken udenfor Musikhuset og ARoS i Aarhus, om blandt andet hvad man tillægger lyde, når man hører dem, og om hvad vi lytter til som mennesker.Til interviewet har Jacob suppleret os med optagelser fra Etiopien, Tjernobyl og Japan. Lydene er integreret på sådan en måde, så de smelter sammen med den naturlige ambiens, der fandtes på dagen, hvor vi foretog interviewet. Luk øjnene og lyt.Mange tak til Jacob Kirkegaard for at medvirke.

Jacob Kirkegaard har optaget lyde på de mest fascinerende lokationer, man kan forestille sig. En forladt svømmehal i Tjernobyl, en øde ørken i Oman, en 'selvmordsskov' i Japan. En varm eftermiddag snakkede vi med Jacob Kirkegaard i parken udenfor Musikhuset og ARoS i Aarhus, om blandt andet hvad man tillægger lyde, når man hører dem, og om hvad vi lytter til som mennesker.Til interviewet har Jacob suppleret os med optagelser fra Etiopien, Tjernobyl og Japan. Lydene er integreret på sådan en måde, så de smelter sammen med den naturlige ambiens, der fandtes på dagen, hvor vi foretog interviewet. Luk øjnene og lyt.Mange tak til Jacob Kirkegaard for at medvirke.

This hour the symphonic textures of our everyday lives. Soundtracks of Our Lives By Tim Hinman for Third Ear (2013) Crossing the planet in search of something that can make some sense of sound, Tim Hinman talks to film sound designer Peter Albrechtsen in Copenhagen and deconstructs the sound of cinema. Jacob Kirkegaard, sound artist from Denmark travels to Ethiopia in search of sounds that may not be what they seem. British sound recordist and composer Chris Watson is at the South Pole and the North Pole, stopping over in Denmark for a walk in the park. Musician and singer Kirstine Stubbe Teglbjærg gets lost in childhood sounds of the Swedish forest, and music producer Steve Albini shows us around his studio in Chicago, USA. Check out more from Tim on the podcast Sound Matters . This episode of Re:sound was produced by Dennis Funk. See acast.com/privacy for privacy and opt-out information.

7 pladespillere, en kuffert fyldt med triangler og udstrakt strygermusik fra Jeanne d'Arcs levetid – Lydhør På En Søndag har haft besøg af Niels Lyhne Løkkegaard og Jacob Kirkegaard. Lyt med når værterne Frederik Heidemann og William Kudahl beretter fra en eftermiddag i Øst for Paradis i Aarhus.

The Lake møder Peter Albrechtsen og Jacob Kirkegaard til en snak om bylyd, auditiv dokumentation og sanselighed. Få dage inden premieren på værket 'Den Usynlige By' gennemgår kunstnerne hvad publikum kan forvente i Imperial til CPH:DOX.

Welcome back as we creep steadily towards episode 100 here at The Undergang Armchair. There is no hiding that this is a tough moment in time, so we figured it was time to release a positive and forward thinking talk with the exceptional artist Jacob Kirkegaard. He came by last year to talk about his work and a great many other subjects, and we were blown away by his way of thinking about the world and his work. He was refreshing and open, and has such a special attitude about the role his work has. We also have two short clips of his sound works in this episode. He has a lot on his plate, We don't think we know any artist who has more shows and projects coming up, so if you are interested then be sure to check out his site for upcoming stuff. He's appearing all over the world. Enjoy! www.undergang.net

Welcome back as we creep steadily towards episode 100 here at The Undergang Armchair. There is no hiding that this is a tough moment in time, so we figured it was time to release a positive and forward thinking talk with the exceptional artist Jacob Kirkegaard. He came by last year to talk about his work and a great many other subjects, and we were blown away by his way of thinking about the world and his work. He was refreshing and open, and has such a special attitude about the role his work has. We also have two short clips of his sound works in this episode. He has a lot on his plate, We don't think we know any artist who has more shows and projects coming up, so if you are interested then be sure to check out his site for upcoming stuff. He's appearing all over the world. Enjoy! www.undergang.net

Støj… larm… lyd… kunst… lydkunst..? Hvilke overvejelser og refleksioner ligger bag, når lydværker skal agere udenfor museum eller galleri? - Og kan man undgå, at lydkunsten blot drukner i, eller bidrager til byrummets pulserende hverdagsstøj? I slutningen af oktober 2016 inviterede Foreningen Ofelia Plads og Dansk Komponist Forening til paneldebat i Skuespilhusets foyer - om lydkunst i det offentlige rum. Den debat har vi hos LYDKUNST ladet os inspirere af, og her i episode #23, som ikke kun handler om lyd, men også lidt om lys, kan du høre om lydkunstens potentialer og udfordringer i det offentlige rum. I dette afsnit at LYDKUNST kan du møde lydkunstner Marie Koldkjær Højlund, som var del af panelet under den omtalte debat. Her kan du høre hende og lydkunstner Morten Riis fortælle om deres værk OFFSTAGE. Et værk, som de lavede i samarbejde med Jonas R. Kirkegaard, og som kunne opleves på Ofelia Plads i perioden 21/9 - 31/10, 2016. De skriver om værket: ”Ved at skabe dette OFFSTAGE rum på pladsen, giver vi folk mulighed for at trække sig tilbage fra det store offentlige rum og genfinde den menneskelige skala i et mellemrum, hvor små og overhørte dramaer pludselig kan udforskes.” Mød også lyskunstner Viera Collaro, som sammen med lydkunstner Jacob Kirkegaard har skabt det permanente, interaktive og konstant foranderlige fællesværk KLANG FARVE, der har samspillet imellem lyd og lys som grundessens. KLANG FARVE kan man opleve i indgangsparti og foyer til Musikkens Hus - som huser KODA, DJBFA, Dansk komponist forening & DPA, og som er at finde i Nordhavn, hvor værket ifølge kunstnernes egne ord “indbyder forbigående til at standse op i få sekunder, se sig selv i spejlet og dermed blive opmærksom på farve og lyd i forhold til krop og rum.” KLANG FARVE er et permanent værk. OFFSTAGE var tidsbegrænset. Begge værker har og havde som grundpræmis, at have det offentlige rum som mod- og medspiller. Lyt med og hør kunstnerne fortælle om lydkunstens potentialer og udfordringer i det offentlige rum. God fornøjelse! FAKTA: Læs mere om KLANG FARVE her: Viera Collaros hjemmeside: http://vieracollaro.com/work/klang-farve Jakob Kirkegaards hjemmeside: http://fonik.dk/works/klangfarve.html Læs mere om OFFSTAGE og paneldebatten om lydkunst i det offentlige rum her: http://kunsten.nu/journal/paneldebat-lydkunst-offentlige-rum/ Marie Koldkjær Højlund og Morten Riis arbejder pt. sammen om The Overheard. Et stort kulturhovedstadsprojekt med seks lydskulpturer og en interaktiv hjemmeside, hvor man selv kan komponere sit eget soundscape ud af omgivelsernes lyde. The Overheard: https://goo.gl/0lQUS9   Aarhus2017: http://www.aarhus2017.dk/da/program/the-overheard/  Podcasten er blevet til i samarbejde med kunsten.nu og med støtte fra Statens Kunstfond, Dansk Komponistforening og KODA's kulturelle midler.

What’s the sound of snow falling? The question might sound like a riddle or the start of some joke but for composer and sound designer Yann Coppier snow and ice are rich materials for making sounds and art. In this episode of our Sound Matters podcast series, host Tim Hinman focuses his ears on the specialist field of sound art – meeting and speaking with Coppier about his time recording in Greenland and how he makes those sounds part of his art, and Jacob Kirkegaard whose interest in the sounds of Chernobyl, the inner ear and Ethiopia informs his own artistic practice. http://studio-ovale.com http://fonik.dk

Peterson Institute's Jacob Kirkegaard discusses the Eurozone and questions the way out to restore and increase nomincal GDP growth while in the common currency. He speaks with Tom Keene and Michael McKee on Bloomberg Surveillance Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

'At the Museum with Jacob Kirkegaard' meets the internationally acclaimed sound artist setting up his current solo exhibition 'Earside Out' at the Museum of Contemporary Art in Roskilde, Denmark as he talks about his work, listening experiences, taking photos, the power of sound, and what it's like having a retrospective at the age of 39.

The 59th of a weekly series of radio programmes created by :zoviet*france: for Basic.fm. First broadcast 24 August 2013. Our thanks go out to the artists and sound recordists included here for their fine work. track list 01 John Cohen - This Place 2 02 Ben Ponton - Afga 1 03 [bird song – unknown sound recordist] - casp1 04 [bird song – unknown sound recordist] - grwa1 05 [bird song – unknown sound recordist] - rwbl10 06 [unknown artist] - Practising Scales (Violin) 07 Sufjan Stevens - A Short Reprise for Mary Todd, Who Went Insane, but for Very  Good Reasons 08 Port-Royal - Flares Part I 09 Illusion of Safety - Fin de Siècle, Part Three 10 D_Rradio - Midnight on a Moonless Night 11 [unknown sound recordist] - Common Frog 12 Gescom - R M I Corporate ID 2 13 Jacob Kirkegaard - is.storm.1min 14 Steve Roden - Trainslation 15 Ben Ponton - Lorenspiel [Beta 2.0] 16 Steve Legget - Harp 17 John Cohen - Promises

Peterson Institute for International Economics research fellow Jacob Kirkegaard says Eurobonds are a long way off, discusses liquidity in the European banking system and the increasingly important role of the ECB in the eurozone debt crisis.

Peterson Institute for International Economics research fellow Jacob Kirkegaard explains why buying time with another bailout for Greece is the best way forward.

Peterson Institute for International Economics research fellow Jacob Kirkegaard explains why buying time with another bailout for Greece is the best way forward.

Danish Sound artist Jacob Kierkegaard "Investigates sonic membranes and discrete interference occurring in different environments. The first half of his set included a mix of sounds taken from scientific microphones embedded in the bubbling landscape of Iceland, with accompanying visuals. But it was the second half of his set where everything got real interesting. Jacob had traveled to Chernobyl, which is apparently quite the post modern tourist destination, and taken recordings in three separate rooms of the ambient sound for a span of 12 minutes, after which he played the recording of the room back to the room, recording it again and again, until the room ended up singing to itself with ambient noise. Mixing the various frequencies while a video of each space played behind him, Jacob showed why he is one of the most interesting acts in the white noise art scene, taking things up a notch by squeezing technological fuzz and hum from organic sources, and extrapolating them into a coherent, harmonic orchestral explosion.