Podcasts about Overheard

Welcome back to Private Parts: This week Liv is joined by The Girls Overheard all the way from Glasgow to chat about their hilarious podcast, friendship and the crazy confessions they receive! It's a girls group chat like no other, and nothing is off limits!

Welcome back to Private Parts: This week Liv is joined by The Girls Overheard all the way from Glasgow to chat about their hilarious podcast, friendship and the crazy confessions they receive! It's a girls group chat like no other, and nothing is off limits!

Spokes the after show is back. We break down the 4 questions from last week, we give our opinions, and even get answers from the chat. After we do that, we have another round of "Overheard at the Hub" from episode 2. and FInally we play disney bingo. You can play along with either of these games. Please tell us how you did!

Rosso dropped by for Quick Draw and it was pure chaos from the start. Between chatting about his new book What a Ripper, debating whether the Opera House is a “sexy building,” and reminiscing about prank-calling radio stations with star codes, the nostalgia was flowing. He claimed he hates radio games but got fiercely competitive anyway, going head-to-head with Joel. From Stack Hats to Slovenia to yelling “wank” for the win, it was one of the funniest Quick Draw battles we’ve had in ages.See omnystudio.com/listener for privacy information.

So, imagine sitting in a bathroom stall at work and overhearing two of your coworkers completely trashing you… and it's not just petty stuff, it's about your job, your boss, and your character. That's Amber's situation with Group Therapy!

On today's episode, we hear about: -          A man who overheard his mom gossiping about his wife -          A young man wondering if he should start dating his ex . . . again -          A woman unsure when to disclose her checkered past to her boyfriend Next Steps:

From 2007- Acclaimed actor Alan Alda talks about his memoir "Things I Overheard While Talking to Myself."

(Animated Stories Podcast Video Podcadt link

Wild boars' insides are turning blue. Rover is upset by something he overheard an old woman telling her friend at the airport. Charlie would lie to get a pass to cut the line at the amusement park. Charlie is sick of Krystle and Skinny's love. How to tell if your partner is cheating. Millionaire trophy hunter gored to death by a buffalo in Africa. See omnystudio.com/listener for privacy information.

Wild boars' insides are turning blue. Rover is upset by something he overheard an old woman telling her friend at the airport. Charlie would lie to get a pass to cut the line at the amusement park. Charlie is sick of Krystle and Skinny's love. How to tell if your partner is cheating. Millionaire trophy hunter gored to death by a buffalo in Africa. 

Overheard... “When we have a get together, you should drink because others don't know what to do with you when you're not drinking and it's not fair on them.”OK - I've got some thoughts on this... listen in.Sober Summer - 90 days of 1:1 coachingJOIN MY EMAIL CLUB HEREBook a space in my Zoom Diary to discuss 1:1 coaching hereBuy the best-selling book Drink Less; Live Better here or order from anywhere you usually buy your books.Subscribe to my 5 day Drink Less Experiment hereGet my Habit Tracker hereDid you know I've HIDDEN a podcast episode? It's your secret weapon at 5pm if you are feeling cravings for alcohol. You can download it hereYou can work with me 1:1 over 90 days to change your relationship with alcohol?All details HEREBTW - If you didn't already know, I'm Sarah - Drink Less; Live Better founder, best-selling author, expert speaker, life coach and, as you already know, podcast host!We don't have to hit rock bottom, we're allowed to want something different and we can CHOOSE to improve our lives from this point onwards. I work in the magic space where doubt, hope and action meet... oh.... and PS I believe in you!Let's get connected; on Facebookon instaCheck out Drink Less; Live Better for blog posts and moreSubscribe to this podcast so you don't miss an episode - also please do leave a like or review and share the love! Thank youFound the podcast useful? I'd love to have a coffee with you - you can buy it here THANK YOU!

Overheard inside a church building near you: "The Holy Spirit convicts us of sin." "Sin separates us from God." "Sin will hinder our fellowship with God." What if none of these things are accurate? Would it positively change how you see God in your daily life? What if the blood of Jesus was stronger than sin ... stronger than your fleshly works ... would it bring an indescribable peace that surpasses your understanding? Sometimes it's difficult to get the right answers without asking the right questions. Here is one example: Why would God repeatedly convict you or remind you—as a believer in Christ—of something that He declared He would no longer remember inside of a new and better covenant? This would only result in the same sin consciousness that the Jewish people were delivered from within a sacrificial system that brought a constant reminder of sins. Religious legalists will indirectly declare the work of the cross as insufficient and are forced into the dubious position of trusting in themselves. God's Spirit is there to convict/remind you of His righteousness and bears witness that sins were removed and taken away, once for all. His desire is to cleanse our conscience from dead works to experience an inheritance of eternal redemption ... through a new and living way. --Available on Amazon - "Clash of The Covenants: Escaping Religious Bondage Through the Grace Guarantee" https://www.amazon.com/dp/B0713ZSKY7

“The Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief.” As Jews around the world mark Tisha B'Av, we're joined by Columbia University professor and award-winning poet Owen Lewis, whose new collection, “A Prayer of Six Wings,” offers a powerful reflection on grief in the aftermath of October 7th. In this conversation, Lewis explores the healing power of poetry in the face of trauma, what it means to be a Jewish professor in today's campus climate, and how poetry can foster empathy, encourage dialogue, and resist the pull of division. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.   Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  An Orange Tie and A Grieving Crowd: Comedian Yohay Sponder on Jewish Resilience From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview:   Owen Lewis:   Overheard in a New York Restaurant.   I can't talk about Israel tonight.    I know.    I can't not talk about Israel tonight.    I know.    Can we talk about . . .   Here? Sure. Let's try to talk about here.   Manya Brachear Pashman:   On Saturday night, Jews around the world will commemorate Tisha B'av. Known as the saddest day on the Jewish calendar, the culmination of a three week period of mourning to commemorate several tragedies throughout early Jewish history.  As a list of tragedies throughout modern Jewish history has continued to grow, many people spend this day fasting, listening to the book of Lamentations in synagogue, or visiting the graves of loved ones. Some might spend the day reading poetry.  Owen Lewis is a Professor of Psychiatry in the Department of Medical Humanities and Ethics at Columbia University. But he's also the award-winning author of four poetry collections which have won accolades, including the EE Cummings Prize and the Rumi Prize for Poetry.  His most recent collection, A Prayer of Six Wings documents in verse his grief since the October 7 terror attacks. Owen is with us now to talk about the role of poetry in times of violence and war, what it's been like to be a Jewish professor on the Columbia campus, and a Jewish father with children and grandchildren in Israel. And also, how to keep writing amid a climate of rising antisemitism. Owen, welcome to People of the Pod. Owen Lewis:   Thank you so much, Manya. Manya Brachear Pashman:   So you opened with that short poem titled overheard in a New York restaurant. I asked you to read that because I wanted to ask whether it reflected how you felt about poetry after October 7.  Did you find yourself in a place where you couldn't write about Israel, but yet you couldn't not write about Israel? Owen Lewis:   Among the many difficult things of that First Year, not only the war, not only the flagrant attacks on the posters of the hostages one block from where I live, 79th and Broadway, every day, taken down every day, put back up again, defaced. It was as if the war were being fought right here on 79th and Broadway.  Another aspect that made this all so painful was watching the artistic and literary world turn against Israel. This past spring, 2000 writers and artists signed a petition, it was published, there was an oped about it in The Times, boycotting Israeli cultural institutions.  And I thought: artists don't have a right to shut their ears. We all need to listen to each other's grief, and if we poets and artists can't listen to one another, what do we expect of statesmen? Statesmen, yeah, they can create a ceasefire. That's not the same as creating peace. And peace can only come when we really listen to each other. To feel ostracized by the poetry community and the intellectual community was very painful. Fortunately, last summer, as well as this past summer, I was a fellow at the Yetzirah conference. Yetzirah is an organization of Jewish American poets, although we're starting to branch out. And this kind of in-gathering of like-minded people gave me so much strength.  So this dilemma, I can't talk about it, because we just can't take the trauma. We can't take hearing one more thing about it, but not talk about it…it's a compulsion to talk about it, and that's a way to process trauma. And that was the same with this poetry, this particular book.  I feel in many ways, it just kind of blew through me, and it was at the same time it blew through me, created this container in which I could express myself, and it actually held me together for that year. I mean, still, in many ways, the writing does that, but not as immediately and acutely as I felt that year.  Manya Brachear Pashman:   This book has been praised as not being for the ideological but for the intellectually and emotionally engaged. So it's not it's not something that ideologically minded readers will necessarily be able to connect to, or is it actually quite the opposite?  Owen Lewis:  Well, it's very much written from the gut, from the experience, from in a sense, being on the ground, both in Israel and here in New York and on campus, and trying to keep a presence in the world of poetry and writers. So what comes from emotion should speak to emotion. There are a few wisps of political statements, but it's not essentially a politically motivated piece of writing.  I feel that I have no problem keeping my sympathies with Israel and with Jews. I can still be critical of aspects of the government, and my sympathies can also be with the thousands of Palestinians, killed, hurt, displaced. I don't see a contradiction. I don't have to take sides.  But the first poem is called My Partisan Grief, and it begins on October 7. I was originally going to call the bookMy Partisan Grief, because I felt that American, Jewish, and Israeli grief was being silenced, was being marginalized. And I wanted to say, this is our grief. Listen to it. You must listen to this. It doesn't privilege this grief over another grief. Grief is grief. But I wanted ultimately to move past that title into something broader, more encompassing, more humanitarian. Manya Brachear Pashman:  And did that decision come as the death toll in Gaza rose and this war kept going and going and the hostages remained in captivity, did that kind of sway your thinking in terms of how to approach the book and frame it?  Owen Lewis:  Yes, but even more than those kind of headlines, which can be impersonal, the poetry of some remarkable Palestinian poets move me into a broader look. Abu Toha was first one who comes to mind Fady Joudah, who's also a physician, by the way. I mean his poetry, I mean many others, but it's gorgeous, moving poetry.  Some of it is a diatribe, and you know, some of it is ideological, and people can do that with poetry, but when poetry really drills down into human experience, that's what I find so compelling and moving. And that's what I think can move the peace process. I know it sounds quite idealistic, but I really think poetry has a role in the peace process here. Manya Brachear Pashman:  I want to I want to unpack that a little bit later. But first, I want to go back to the protests that were roiling Columbia's campus over the past year and a half, two years. What was it like to be, one, writing this book, but also, teaching on campus as a Jewish professor?  Owen Lewis:  Most of my teaching takes place up at the Medical Center at 168th Street. And there I have to say, I didn't feel battered in any way by what was happening. I had a very shocking experience. I had a meeting that I needed to attend on, or that had been scheduled, I hadn't been quite paying attention. I mean, I knew about the encampments, but I hadn't seen them, and I come face to face with a blocked campus. I couldn't get on the campus. And what I'm staring at are signs to the effect, send the Jews back to Poland. I'm thinking, Where am I? What is this? I mean, protest, sure. I mean we expect undergraduates, we expect humans, to protest when things really aren't fair. But what did this have to do…why invoke the Holocaust and re-invoke it, as if to imply the Jews should be punished? All Jews.  And what it fails to account for are the diversity of Jewish opinion. And you know, for some Jews, it's a black or white matter, but for most thinking Jews that I know, we all struggle very much with a loyalty to Israel, to the Jewish people, to the homeland and larger humanitarian values. So that was quite a shock. And I wrote a piece called “The Scars of Encampment,” in which I say, I can't unsee that. " And I go to campus, and, okay, it's a little bit more security to get onto campus. It's a beautiful campus. It's like an oasis there, but at the same time, I'm seeing what was as if it still is. And in a way, that's the nature of trauma that things from the past just roil and are present with almost as much emotion as when first encountered. Manya Brachear Pashman:  So did you need to tune out those voices, or did that fuel your work? Owen Lewis:  No, that fueled my work. I mean, if anything, it made me feel much more, a sense of mission with this book. And a commitment, despite criticism that I may receive, and no position I take is that outlandish, except to sympathize with the murdered on October 7th, to sympathize with their families, to resonate with what it must be like to have family members as hostages in brutal, brutal conditions. Not knowing whether they're dead or alive. So I really felt that the Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief. Manya Brachear Pashman:  Owen, if you wouldn't mind reading another poem from the collection. Of course, many of us remember the news out of Israel on Thanksgiving Day 2023, right after October 7th. And this poem is titled, “Waiting for the Next Release, Reported by the New York Times, November 23 2023”. Owen Lewis:  Waiting For the Next Release, Reported N.Y. Times, Nov. 23, 2023    Maybe tomorrow, if distrust  doesn't flare like a missile,  some families will be reunited.    How awful this lottery of choice; Solomon would not deliberate. Poster faces always before my eyes,   Among them, Emma & Yuli Cunio.  Twins age 3, Raz Katz-Asher, age 4, Ariel Bibas, another four year old.    What do their four year old minds make  of captivity? What will they say? What would my Noa say?    What will the other Noas say?  Remembering Noa Argamani, age 26,  thrown across the motorcycle    to laughter and Hamas joy.   I have almost forgotten this American day,  Thanks- giving,   With its cornucopian harvests,  I am thinking of the cornucopian  jails of human bounty.    (What matter now who is to blame?) Manya Brachear Pashman:  Really beautiful, and it really captures all of our emotions that day. You have children and grandchildren in Israel, as I mentioned and as you mentioned in that poem, your granddaughter, Noa. So your grief and your fear, it's not only a collective grief and fear that we all share, but also very personal, which you weave throughout the collection.  In another poem, “In a Van to JFK”, you talk about just wanting to spend one more hour with your family before they fly off to Israel. And it's very moving.  But in addition to many of the poems, like the one you just read, they are based on and somewhat named for newspaper headlines, you said that kind of establishes a timeline. But are there other reasons why you transformed those headlines into verse? Owen Lewis:  Yes, William Carlos Williams in his poem Asphodel, says, and I'm going to paraphrase it badly. You won't get news from poems yet, men die every day for wanting what is found there. And I think it's a very interesting juxtaposition of journalism and poetry. And I mean, I'm not writing news, I'm writing where my reflections, where my heart, goes in response to the news, and trying to bring another element to the news that, you know, we were confronted.  I mean, in any time of high stress, you swear off – I'm not watching any more TV. I'm not even gonna look at the newspaper. And then, of course, you do. I can't talk about Israel today. I can't not talk about it. I can't read the paper. I can't not read the paper. It's kind of that back and forth. But what is driving that? And so I'm trying to get at that next dimension of what's resonating behind each one of these headlines, or resonating for me. I mean, I'm not claiming this is an interpretation of news. It's my reaction, but people do react, and there's that other dimension to headlines. Manya Brachear Pashman:  That seems like it might be therapeutic, no? Owen Lewis:  Oh, totally, totally. You know, I'm very fortunate that having started a career in medicine, in psychiatry, and particularly in child and adolescent psychiatry. I always had one foot in the door academically. I spent, you know, my life as, I still teach, but I'm very fortunate to have, maybe 10+ years ago, been introduced to a basically a woman who created the field of Narrative Medicine, Rita Sharon. And now at Columbia in the medical school, we have a free-standing Department of Medical Humanities and Ethics, of which she's chairman.  So I've had the fortune of bringing psychiatry and medicine and writing together in a very integrated way. And yes, writing is therapeutic, especially, I could say in medicine, which has given itself over to electronic medical record keeping, but our whole society is moving towards the electronic. And what happens when you sit and write, and what happens when you then sit and read, you reflect. Your mind engages in a different way that is a bit slower than the fast pace of electronic communications and instant communications and instant thinking. And now with AI, instant analysis of any situation you want to feed data from.  So that's sorely lacking in the human experience. And the act of writing, the act of reading has huge therapeutic values, huge salutary benefits for humans in general, but particularly in times of stress. In a lot of work on Post Traumatic Stress Disorder, finding an outlet, an artistic outlet, it doesn't have to be writing, but that's often a way of transcending the trauma.  And medicine is filled with trauma. People trying to come to terms with acute illnesses, chronic illnesses. Doctors and caregivers trying to come to terms with what they can and can't do. And you know, we're coming up against limitations. But how do you make peace with those limitations? And it's not that it's a magical panacea, but it's a process of engagement, not only with the subject, but with yourself in relation to the subject. Manya Brachear Pashman:  I mean, I imagine dialogue is really the healthiest way of conversation and speaking through and interacting with a topic. And so I would imagine poetry, or, as you said, any art form, responding to news reports, it makes that a two way conversation when you're able to process and it's not just the headlines shouting at you, you're actually interacting and processing it by writing and reaction, or painting and reaction, whatever you choose to do. Owen Lewis:  Exactly. Manya Brachear Pashman:  You have said that poetry can serve a purpose during times of war. Is this one of the purposes to to be therapeutic or are you talking more in terms of what statesmen could learn from it?  Owen Lewis:  Well, yes, of course, what statesmen could learn from it, but it's human nature to want to take sides. I mean, that's kind of just what we do. But I think we can always do better than that. So I'm really talking about the people. I mean, there are also many Jews who are so angry at Israel that they can't listen to the story of Jewish grief. They should be reading mine and others poetries from this era. I wish the Palestinian poets were. I wish the Palestinian people. I mean, of course, in their current situation, they don't have time when you're starving, when you're looking for your next glass of fresh water. You don't have time for anything beyond survival.  But once we get beyond that, how long are these positions going to be hardened. I mean, I think when the people of all sides of the dilemma really listen to the others, I mean, they're, I mean, if, unless as Hamas has expressed, you know, wants to push Israel into the sea, if Israel is going to coexist with the Palestinian people, whether they're in a nation or not in a nation, each has to listen to the other.  And it's, you know, it's not one side is right, one side is wrong. It's far too complex a history to reduce it to that kind of simplicity. And I think poetry, everyone's poetry, gets at the complexity of experience, which includes wanting to take sides and questioning your wanting to take sides and moving towards something more humanitarian.  Manya Brachear Pashman:  You said earlier, you recommend Abu Toha, Fady Joudah, two Palestinian poets who have written some beautiful verse about– tragically beautiful verse–about what's happening. But there have been some really deep rifts in the literary world over this war. I mean, as you mentioned before, there was a letter written by authors and entertainers who pledged to boycott Israeli cultural institutions. Some authors have refused to sell rights to their books to publishers in Israel. So why not reciprocate? And I know the answer. I think you've already addressed it pretty well. What's wrong with that approach? Owen Lewis:  In any conflict, there are at least three sides to the conflict. I mean, claims to nationhood, claims to who shoved first, who. I mean, you don't entangle things by aggressively reacting. I mean, if we learned anything from Mahatma Gandhi, it's what happens when we don't retaliate, right? And what happens when we go the extra mile to create bridges and connections.  There are a host of people in Israel who continue to help Palestinians get to medical facilities, driving them back and forth, working for peace. I mean, there's a Palestinian on the Supreme Court of Israel, and well, he should be there. You know, that's the part of Israel that I am deeply proud of. So why not retaliate? I think it entrenches positions and never moves anything forward. Manya Brachear Pashman:  So have you gotten any negative feedback from your writing colleagues? Owen Lewis:  Some cold shoulders, yes. I mean not nothing overtly. I haven't been slammed in a review yet. Maybe that's coming. But when I publish pieces, I tend not to look at them. I had an oped in the LA Times. I've had some other pieces, you know, that precipitates blogs, and I started to read them.  And the first blog that came off of the the LA Times oped was, God, is he an opportunist, just taking advantage of having a daughter in Israel? And trying to make a name for himself or something. And I said, You know what, you can't put yourself out and take a position without getting some kind of flack. So occasionally, those things filter back, it's par for the course. Manya Brachear Pashman:  Right, not really worth reading some of those. You included Midrash in this book. You also spelled God in the traditional sense in the poems. Why did you choose to do that? Owen Lewis:  Well, I felt it honors a tradition of Jewish writing. It mean we have yud, hey, vav, hey, you know, which in English comes down as Yahweh, but it's unpronounceable. The name of God is unpronounceable. And, you know, yud, hey, vav, hey is just a representation. It isn't God's name. And there's a tradition that the name of God, when it's written down, can't be destroyed. And it's a way of honoring that tradition. Millennium of Jewish writers, you know, it's similar to say Elokim, instead of Elohim when the text is written. To sort of substitute. We know what we're talking about, but really to honor tradition, to pay respect and sort of to stay in the mind frame that, if there is a God, he, she, they, are unknowable. And somehow it creates, for me, a little bit of that mystery by leaving a letter out. It's like, G, O, D, seems more knowable than G-d. It's leaving that white space right for something bigger, grander, and mysterious, for the presence of that  right in the word itself. Manya Brachear Pashman:  And what about including Midrash? Owen Lewis: That's a very interesting question. You know Midrash for me, when you steep yourself in traditional Midrash, there's stories that exemplify principles and they fill in gaps. I mean, some of the most important. I mean, we have this notion of Abraham breaking the idols of his father before he left. No. That's Midrash, thats not in the Torah. And yet, nine out of ten Jews will say that's in the Torah, right? So, it kind of expands our understanding of the traditional text. But it also very much allows a writer to creatively engage with the text and expand it. It's like a commentary, but it's a commentary in story, and it's a commentary in terms that evoke human responses, not necessarily intellectual responses. So frankly, I think it's every Jews' responsibility to write Midrash. That reinvigorates the stories, the texts, and the meanings, and then we write midrashes upon midrashes. And you know, we get a whole community buzzing about a single story. Manya Brachear Pashman:  Which is very much what you've done with this collection, you know, writing poetry in response to news stories and engaging it in that way. It's very Jewish response, I would argue.  Do you observe Tisha B'av? Owen Lewis:  You know what I do. You're gonna laugh. My grandmother always warned us, don't go in the water on Tisha B'av, the sea will swallow you up. So I'm a big swimmer. I love swimming. I don't swim on Tisha B'av, because I hear my grandmother's voice, I'm going to be swallowed up. Manya Brachear Pashman:  If you could please wrap up this conversation by sharing a poem of your choice from your latest collection. Owen Lewis:  A poem I love to read again starts with a headline.   2000 Pound Bombs Drop, Reported N.Y. Times, Dec,, 22 2023.   In Khan Younis, the call to prayer  is the call of a dazed Palestinian child crying baba, standing at the brim of a cavernous pit of rubble   biting his knuckles–baba, baba . . .  It's so close to the abba of the dazed  Israeli children of Be'eri, Kfar Azza. There is no comfort. From his uncles   he's heard the calls for revenge– for his home and school, for his bed  of nighttime stories, for his nana's  whisper-song of G-d's many names.   His Allah, his neighbor's Adonai,  cry the same tears for death  and shun more blood. No miracle these waters turning red. Who called forth    the fleets of avenging angels? By viral post: Jewish Plagues on Gaza! A firstborn lost,  then a second, a third. What other plagues  pass over? Hail from the tepid sky?   From on high it falls and keeps falling.  Though we've “seen terrible things,” will you tell us, Adonai, Allah, tell us– do You remember the forgotten promise?   From the pile once home of rubble stone, a father's hand reaching out, baba, abba crushed by the load. We know the silence  of the lost child . . . G-d “has injured us   but will bind up our wounds . . .” Mothers  Look for us, called by the name yamma, calling  the name imma. Our father of mercy, not the god of sacrifice. Our many crying heads explode. Manya Brachear Pashman:   Owen Lewis, thank you so much for talking to us about how this book came about and for sharing some of these verses. Owen Lewis:   Thank you so much. Manya Brachear Pashman: If you missed last week's episode, be sure to listen to my conversation with Israeli comedian Yohay Sponder on the sidelines of AJC Global Forum 2025. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas terror attacks, and what he says to those who try to silence him.

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This week we're chatting about our obsession with ChatGPT and our listeners tell us the wildest things they've used AI for. We're also chatting about the Andy Byron Coldplay scandal and throwing it back to 2023 where we discover that we have worse memories than we thought!! UNLOCK OUR EXTRA JUICY BONUS EPISODE ON SPOTIFY: https://creators.spotify.com/pod/show/girlsoverheard/subscribeJoin the group chat and 07428957885 and send us your stories, dilemmas and anything you want us to chat about! Check out our *NEW* weekly vlog on YouTube!https://www.youtube.com/@GirlsOverheardVlogsUNLOCK OUR EXTRA JUICY BONUS EPISODE ON SPOTIFY: https://creators.spotify.com/pod/show/girlsoverheard/subscribeJoin the group chats on Patreon and unlock a full extra episode every Wednesday! https://www.patreon.com/c/GirlsOverheardGirls Overheard Insta: https://www.instagram.com/girlsoverheardGirls Overheard TikTok: https://www.tiktok.com/@girlsoverheard Ash: https://www.instagram.com/mamareid/Eilidh: https://www.instagram.com/eilidhwells/Lauren: https://www.instagram.com/lauren.fairbairn/FAQHow do I send a message in to you guys?The best way is to WhatsApp or message us on 07428957885! You can send us a text, a voice note or even any TikToks you want us to chat about! And don't worry, we will always keep you anonymous!How many episodes do you release every week?We put out our main episode on a Monday and our bonus episode, Confession Sessions goes out every Wednesday! This one has even more stories and juicier gossip so it's available for our Patreon Rat Pack. Join us over there and you'll get access to our forums, first access to live show tix and more! When is your next live show? We haven't announced any live shows for 2025 but any new dates will always be announced on Confession Sessions first so make sure you're on there!Where can I find you on socials?We're on Instagram and TikTok as @girlsoverheard so come join us! Email: girlsoverheardpodcast@gmail.com

Relationship Stories - OP, a devoted single father from Scotland, raised his daughter alone after her mother left. But everything changed when he overheard his daughter mockingly confess to manipulating his love for personal gain.Become a supporter of this podcast: https://www.spreaker.com/podcast/lost-genre-reddit-stories--5779056/support.

On this episode of Overheard at Fitler, legendary concert promoter and genre originator Larry Magid steps back in time with Citizen Co-creator Larry Platt to relive iconic shows — Magid built music institution the Electric Factory and was behind Live Aid — and meet the artists — David Bowie, Janis Joplin, Mick Jagger — that made Philly music history. Join us for a fascinating and entertaining walk down a rock-fueled memory lane.

A bedridden woman overhears a chilling phone call and desperately tries to stop a murder before it's too late. A true classic starring Agnes Moorehead in the premiere episode of Suspense! | #RetroRadio EP0468Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Lovers And Killers” (August 05, 1976) ***WD00:45:33.706 = Sleep No More, “Conqueror's Isle” (November 21, 1956) ***WD01:14:07.974 = BBC Spine Chillers, “The Blue Room” (1984)01:26:36.956 = Stay Tuned For Fear, “The Bogey Man Will Get You” (October 01, 1945)01:41:09.374 = Strange Wills, “Madman's Diary” (August 17, 1946)02:10:54.660 = Strange, “Phantom Wagoneer” (March 21, 1955) ***WD02:24:29.921 = Suspense, “Sorry, Wrong Number” (August 21, 1943)02:51:48.563 = Tales of the Frightened, “Shakespeare's Hometown” (December 17, 1957)02:56:06.679 = Tales of Tomorrow, “The Other Now” (January 22, 1953)03:26:00.988 = The Saint, “Monkey” (December 10, 1950) ***WD03:55:33.909 = Theater 1030, “Two Little Punctures” (1968-1971) ***WD04:22:34.658 = 2000 Plus, “Rocket And Skull” (October 10, 1951) ***WD04:50:42.654 = The Unexpected, “Cargo Unknown” (1948) ***WD05:05:22.311 = Unsolved Mysteries, “The Witch Doctor' (1930s) ***WD05:20:18.561 = Mercury Theater, “Dracula” (July 11, 1938) ***WD06:16:04.005 = Dark Venture, “Eclipse” (August 07, 1945)06:45:50.012 = The Weird Circle, “Mark of Plague” (1944)07:13:26.045 = The Whistler, “Murder In Mind” (February 13, 1944) ***WD07:39:47.861 = Witch's Tale, “Priest of Sekhet” (February 27, 1933) ***WD (LQ)08:05:14.743 = X Minus One, “The Sense of Wonder” (April 24, 1956)08:33:05.838 = ABC Mystery Time, “Sherlock Speckled Band” (May 01, 1951)09:00:56.934 = Strange Adventure, “The Jade God” (1945) ***WD09:04:17.271 = Appointment With Fear, “The Speaking Clock” (April 13, 1944)09:31:40.783 = Beyond The Green Door, “Philip Baine In The Yukon” (1966) ***WD09:35:21.173 = The Black Book, “Vagabond Murder” (March 02, 1952) ***WD09:49:51.036 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =#TrueCrime #Paranormal #ScienceFiction #OldTimeRadio #OTR #OTRHorror #ClassicRadioShows #HorrorRadioShows #VintageRadioDramas #SuspenseRadioClassics #1940sRadioHorror #OldRadioMysteryShows #CreepyOldRadioShows #TrueCrimeRadio #SupernaturalRadioPlays #GoldenAgeRadio #EerieRadioMysteries #MacabreOldTimeRadio #NostalgicThrillers #ClassicCrimePodcast #RetroHorrorPodcast #WeirdDarkness #WeirdDarknessPodcast #RetroRadio #ClassicRadioCUSTOM WEBPAGE: https://weirddarkness.com/WDRR0468

In today's Reddit stories, OP overheard his girlfriend talking to her friend and saying that OP was a "dare date".0:00 Intro0:19 Story 13:52 Story 1 Comments6:59 Story 1 Update13:03 Story 2#redditupdate #redditrelationship #redditstoriesreddit Hosted on Acast. See acast.com/privacy for more information.

What is your representative in Congress up to? One of Congress' most bipartisan problem-solvers is Rep. Chrissy Houlahan, who joins Citizen co-founder Larry Platt on the latest episode of Overheard at Fitler. The four-term Chester County incumbent gets into her iconoclastic background, her record of service, her efforts to resist autocracy while still getting stuff done, and just how the country can get back to at least arguing over the same set of underlying facts. 

Thursday 7/3/25

Wednesday 7/2/25

Wednesday 7/2/25

06-30-25 - Overheard Conversation About How Bad Things Are Brings Up Brazen Bull Torture Times BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

06-30-25 - Overheard Conversation About How Bad Things Are Brings Up Brazen Bull Torture Times BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rob reads Chapter 25 of Harry Potter and the Half Blood Prince: The Seer Overheard.

Enjoy the show! You can listen LIVE weekdays 6am-10 Central HERE or on the APP

By Jorie Graham

What if summer wasn't something that just happened to you, but something you created on purpose? In this episode, I sit down with Cowgirls Over Coffee's own Lana Wilkes for a real-deal conversation about what it actually takes to create a summer that feels restorative, anchored, and worth remembering. NOT another one that races by in a blur of chaos, laundry, and vague "maybe we'll do that someday" plans.Overheard in this Episode: Why "maybe" is killing your summer.How to set anchor experiences that actually happen.The difference between chasing easy and creating ease.Why your routines should change with the season.The myth of the "perfect summer" and the real work of experiencing it.We're not campaigning for a Pinterest-perfect summer schedule, but challenging you to claim your time, set anchor experiences, and take the administrative burden of daily life off the plate, so you can actually enjoy the season you're in. Whether you're road-tripping to Alaska with five kids or just trying to get to the dang lake more than twice this summer, this episode will give you the perspective shift (and tactical insight) to make it happen.I also mention that you can use my Reset Ritual to help set the tone for summer. This is the exact framework I use anytime I need to reset. It's genuinely not just for seasons of productivity or burnout, but for setting yourself up for presence at any time! Use it to set the tone this summer: download it here for FREE.Let's Keep the Conversation GoingTell us what you're planning on purpose this summer. Screenshot this episode, tag @cowgirlsovercoffee because we want to hear the real version: what works, what doesn't, and what you're learning along the way.

Join us for part two of the fascinating conversation between Ambassador David Cohen, now back from Canada, and Citizen co-founder Larry Platt. They talk about real diplomacy on the world stage and why diversity is so important for our city, state and nation. 

Book 6, Chapter 25: The Seer Overheard

Prison Escape. Morons in the News. Flying Car.   Cheers. Overheard  Dangerous Video Game Conversation. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Escaped Kangaroo.   From the Vault. Crazy AirBNB Listing.

Just what does an ambassador do, anyway? Back from Canada, join legendary civic force David Cohen and Citizen co-founder Larry Platt for a candid conversation about the embattled art of diplomacy, the power of diversity, and the state of our city. The first of a monthly live podcast recording series.

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Join Association Chat's KiKi L'Italien for a candid conversation exploring how associations can overcome the current challenges of keeping members engaged in our digital-first world. Mats Persson from Umbraco and Jake Toohey from Adage will discuss practical approaches to personalization that go far beyond the basics. Learn more about Umbraco: https://umbraco.com/ More about Adage: https://adagetech.com/  ❤️ FOLLOW Association Chat! ❤️ Subscribe to our YouTube Channel: https://www.youtube.com/@AssociationChat Visit our Website: https://associationchat.com/ Sign Up for Our Newsletter (SMS Opt-In available): https://mailchi.mp/91755d927784/070x0wvkl2 Follow us on LinkedIn: https://www.linkedin.com/company/associationchat Join our Facebook Group: https://www.facebook.com/groups/associationchat2 Join our Book Club: https://bookclubs.com/join-a-book-club/club/association-chat-book-club Subscribe to Association Chat Magazine: https://bit.ly/assnchatmagsublist Fill out the Sponsorship Interest Form: https://docs.google.com/forms/d/e/1FAIpQLSe49ISnb9WCXDX6ls5FTRri0TseEi91nL8mtwHp4tQjITrUtA/viewform?usp=sf_link Share your insights with Overheard in Associations: https://docs.google.com/forms/d/e/1FAIpQLSecySUh-faxwCEwuNytXpum2xzw3uB7hS32P6pNLuvi_sOKDg/viewform?usp=sf_link 

When did you overhear something interesting, strange or juicy??See omnystudio.com/listener for privacy information.

Association Chat Podcast host KiKi L'Italien goes one-on-one with Devon Montgomery Pasha, an expert on events and programming who wants to revolutionize how associations capture audience hearts and minds. As Chief Experience Officer at DMP Creative, her SPARK method has rescued countless events from the curse of mediocrity. In an era where member attention is your scarcest resource, the difference between forgettable conferences and transformative experiences often comes down to who's holding the microphone. Devon reveals how professional hosting delivers measurable ROI through increased member retention, elevated sponsorship value, and content that actually drives behavior change. ❤️ FOLLOW Association Chat! ❤️ Subscribe to our YouTube Channel: https://www.youtube.com/@AssociationChat Visit our Website: https://associationchat.com/ Sign Up for Our Newsletter (SMS Opt-In available): https://mailchi.mp/91755d927784/070x0wvkl2 Follow us on LinkedIn: https://www.linkedin.com/company/associationchat Join our Facebook Group: https://www.facebook.com/groups/associationchat2 Join our Book Club: https://bookclubs.com/join-a-book-club/club/association-chat-book-club Subscribe to Association Chat Magazine: https://bit.ly/assnchatmagsublist Fill out the Sponsorship Interest Form: https://docs.google.com/forms/d/e/1FAIpQLSe49ISnb9WCXDX6ls5FTRri0TseEi91nL8mtwHp4tQjITrUtA/viewform?usp=sf_link Share your insights with Overheard in Associations: https://docs.google.com/forms/d/e/1FAIpQLSecySUh-faxwCEwuNytXpum2xzw3uB7hS32P6pNLuvi_sOKDg/viewform?usp=sf_link 

Relationship Reddit Stories, OP's overhears her sister talking badly about OP's miscarriage and leaves her Dad's birthday party early.0:00 Intro0:18 Story 15:20 Story 1 Comments8:25 Story 1 Update 113:07 Story 216:00 Story 2 Update 118:50 Story 2 Update 2#redditupdate #redditrelationship #redditstoriesreddit Become a member at https://plus.acast.com/s/mark-narrations-the-wafflecast-reddit-stories. Hosted on Acast. See acast.com/privacy for more information.

Lawrence Wright joins Overheard once more to discuss his latest novel, The Human Scale, as well as his knack for timely storytelling, and how he hopes fiction can inspire change.

See omnystudio.com/listener for privacy information.

As associations and nonprofits face explosive rates of cyberattacks, one thing is clear: human error is almost always the root cause.

In a time when leadership feels more stressful than ever, what if the secret to thriving was as simple as joy? In this episode of Association Chat, host KiKi L'Italien sits down with The Party Scientist himself, Jacques W. Martique, to explore how science-backed joy can transform the way we lead and build community. Jacques has rocked festival stages, corporate offices, and global events with his high-energy approach to human connection, helping people tap into their body's natural feel-good chemicals—without needing a drink in hand. His insights are especially relevant in today's politically charged DC environment, where association and nonprofit leaders are looking for ways to create unity and resilience. From his days as a festival medic saving lives to pioneering the sober partying movement, Jacques has developed powerful tools to help leaders cultivate joy, strengthen teams, and boost engagement. ❤️ FOLLOW Association Chat! ❤️ Subscribe to our YouTube Channel: https://www.youtube.com/@AssociationChat Visit our Website: https://associationchat.com/ Sign Up for Our Newsletter (SMS Opt-In available): https://mailchi.mp/91755d927784/070x0wvkl2 Follow us on LinkedIn: https://www.linkedin.com/company/associationchat Join our Facebook Group: https://www.facebook.com/groups/associationchat2 Join our Book Club: https://bookclubs.com/join-a-book-club/club/association-chat-book-club Subscribe to Association Chat Magazine: https://bit.ly/assnchatmagsublist Fill out the Sponsorship Interest Form: https://docs.google.com/forms/d/e/1FAIpQLSe49ISnb9WCXDX6ls5FTRri0TseEi91nL8mtwHp4tQjITrUtA/viewform?usp=sf_link Share your insights with Overheard in Associations: https://docs.google.com/forms/d/e/1FAIpQLSecySUh-faxwCEwuNytXpum2xzw3uB7hS32P6pNLuvi_sOKDg/viewform?usp=sf_link 

With political tensions high, associations and nonprofits face tough choices about where and how they host events.  Enter SocialOffset, a groundbreaking initiative co-founded by Dr. Elena Gerstmann that empowers conference attendees to offset the economic impact of destination boycotts—without sacrificing meaningful participation. In this episode of Association Chat, host KiKi L'Italien sits down with Dr. Gerstmann, Executive Director of INFORMS, to explore how SocialOffset is changing the conversation around ethical event planning. With a distinguished career in association management—spanning ASME, IEEE, and now INFORMS—Dr. Gerstmann brings unparalleled insight into the intersection of social responsibility, association leadership, and strategic decision-making. ❤️ FOLLOW Association Chat! ❤️ Subscribe to our YouTube Channel: https://www.youtube.com/@AssociationChat Visit our Website: https://associationchat.com/ Sign Up for Our Newsletter (SMS Opt-In available): https://mailchi.mp/91755d927784/070x0wvkl2 Follow us on LinkedIn: https://www.linkedin.com/company/associationchat Join our Facebook Group: https://www.facebook.com/groups/associationchat2 Join our Book Club: https://bookclubs.com/join-a-book-club/club/association-chat-book-club Subscribe to Association Chat Magazine: https://bit.ly/assnchatmagsublist Fill out the Sponsorship Interest Form: https://docs.google.com/forms/d/e/1FAIpQLSe49ISnb9WCXDX6ls5FTRri0TseEi91nL8mtwHp4tQjITrUtA/viewform?usp=sf_link Share your insights with Overheard in Associations: https://docs.google.com/forms/d/e/1FAIpQLSecySUh-faxwCEwuNytXpum2xzw3uB7hS32P6pNLuvi_sOKDg/viewform?usp=sf_link 

Week 4 of OVERHEARD- exploring the conversations of Jesus. Today we look at Jesus' conversation with a the mother of James and John, Mrs. Zebedee. DOWNLOAD the Prodigal Church app for more! FIND US ONLINE: prodigalchurchfresno.com If you're new, we would love to meet you! Fill the online connect card on our website and we will reach out to you. prodigalchurchfresno.com/connect INSTAGRAM: @prodigalchurchfresno FACEBOOK: www.facebook.com/prodigalchurchfresno If you would like to Give to Prodigal Church, you can do so through our website, or through this link. Thank you so much for your generosity to Prodigal Church! prodigal.givingfire.com

Week 3 of OVERHEARD- exploring the conversations of Jesus. Today we look at Jesus' conversation with a Samaritan woman, whom tradition calls "Photini." DOWNLOAD the Prodigal Church app for more! FIND US ONLINE: prodigalchurchfresno.com If you're new, we would love to meet you! Fill the online connect card on our website and we will reach out to you. prodigalchurchfresno.com/connect INSTAGRAM: @prodigalchurchfresno FACEBOOK: www.facebook.com/prodigalchurchfresno If you would like to Give to Prodigal Church, you can do so through our website, or through this link. Thank you so much for your generosity to Prodigal Church! prodigal.givingfire.com

Holmberg's Morning Sickness - Friday February 28, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Holmberg's Morning Sickness - Friday February 28, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jordan Peterson sits down with author, podcaster, and notorious troll, Michael Malice. They discuss the motivations behind deep and totalitarian evil, how the margins of society operate within the anarchist framework, and the effect of counterproductive moralizing on psychological and political behavior. Michael Malice is the author of “Dear Reader: The Unauthorized Autobiography of Kim Jong Il” and “The New Right: A Journey to the Fringe of American Politics, The White Pill,” and  organizer of “The Anarchist Handbook.” He is also the subject of the graphic novel “Ego & Hubris,” written by the late Harvey Pekar of American Splendor fame. He is the host of the podcast, “YOUR WELCOME.” Malice has co-authored books with several prominent personalities, including “Made in America” (the New York Times best-selling autobiography of UFC Hall of Famer Matt Hughes), “Concierge Confidential” (one of NPR's top 5 celebrity books of the year) and “Black Man, White House” (comedian D. L. Hughley's satirical look at the Obama years, also a New York Times bestseller). He is also the founding editor of “Overheard in New York.” This episode was filmed on January 6th, 2024.  | Links | For Michael Malice: On X https://x.com/michaelmalice?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor On Instagram https://www.instagram.com/michaelmalice/?hl=en On YouTube https://www.youtube.com/channel/UC5tj5QCpJKIl-KIa4Gib5Xw “The White Pill: A Tale of Good and Evil” (book) https://a.co/d/7OwgieQ 

This week, Vanessa and special guest Jolie Doggett explore the theme of Jealousy in Chapter 25 of Harry Potter and the Half Blood Prince! They discuss Romilda Vane, the Prince's gender, and Trelawney's many admirers! Throughout the episode we consider the question: how can jealousy be useful information?Thank you to Chris for this week's voicemail! Next week we're reading Chapter 26, The Cave, through the theme of Fear with Casper ter Kuile.--It's two sickles to join S.P.E.W., and only five dollars to join our Patreon for extra content every week! Please consider helping us fill our Gringotts vault so we can continue to make this show. Hosted on Acast. See acast.com/privacy for more information.