Podcasts about jaquette

Dans les vitrines des magasins, dans les publicités des magazines ou dans les catalogues de vente par correspondance, elles étaient partout, et elles étaient souvent, tout ce que l'on pouvait connaître d'un jeu avant de l'avoir acheté. De quoi parle-t-on? Des jaquettes !qui ornent les boîtes de jeux ! Elles sont réussies, ratées, optent pour une représentation très fidèle ou plus figurative mais servent toutes le même but : convaincre le joueur que ses prochaines heures de jeu sont ici et nulle part ailleurs ! Nous allons aborder ce sujet de façon détournée en vous montrant une petite sélection de nos jaquettes favorites, vous n'allez pas regretter le voyage.

Le colonel est impatient de retourner en l'an 1972. Burnemauve lui informe qu'il suffit seulement, comme en 1784, de réunir les éléments nécessaires au bon fonctionnement du biglotron. Le problème : les agents du SDUC sont encore habillés à la mode de l'Ancien Régime. Il faut pourtant passer inaperçu dans les rues de 1888.*** Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisation : Jean Wilfrid Garrett - Avec : Pierre Dac, José Artur, Alain Rolland, Claude Dasset, Jacques Hilling, Philippe Clay et Maurice Biraud - Première diffusion : 21/01/1972 sur France Inter - Un podcast INA.

Climate change is REALLY SCARY, right, but that doesn't mean you have to wibble helplessly in the corner. While the go-to currency of most climate awareness campaigns is 'hope' – does fear get a bad press? It turns out fear is a great motivator of climate action too, as long as we learn how to use its power for good, not the dark side. After all, if you think climate change isn't a bit alarming, you're not paying attention. Joining me on this episode is Professor Sarah Jaquette Ray. Sarah's written and thought loads about how fear, and its twin emotion of disgust, are used by bad people to divide us and scapegoat on climate change and the environment. But she's also thought loads about how to hack your fear: dosing yourself up just enough to make good things happen, without giving in to the terror entirely. Sarah is also the host of the fab Climate Magic podcast. Let me know your thoughts on the show - hello@yourbrainonclimate.com. Please rate, review and subscribe, and share the show on socials. And do consider chucking this humble indie podcaster a few quid at www.patreon.com/yourbrainonclimate. Owl noises = references: 11:57. The 2003 film, the Fog of War. 18.26. Christiana Figueres: stubborn optimism. 21.49: Greta: cathedral thinking. 22.44: Hannah Proctor's book, Burnout. 26.55: Check out my episode about Risk, with Adam Corner... 35.01: ... and my chat about Disgust, with Yoel Inbar. 36.48: Mary Douglas's book Purity and Danger. 40.20: Don't Mess With Texas! 48.31: Tending and befriending. 50.03: Joanna Macy's three narratives / stories of now. 58.58: Thích Nhất Hạnh's ideas about nutriments.The show is hosted and produced by me, Dave Powell. You can follow the show on instagram @yourbrainonclimate, and I occasionally put up a Substack. YBOC theme music and iterations thereof, by me. Thanks as always to Ruth Everett for the voices. Show logo by Arthur Stovell at https://mondial-studio.com/.   

Dans cet épisode bonus, on plonge dans Iron Lung, adaptation du jeu vidéo indépendant de David Szymanski, réalisée et financée par le youtubeur Markiplier. Mélange improbable entre film adapté de jeu-vidéo, film de youtubeur et film d'horreur lovecraftien, le film a roulé sur le box-office mondial, et nous avons pu aller le découvrir en avant-première. Merci à MK2, Mensch Agency et Kaer Communication. Jaquette du podcast (audio et youtube) par Damien, merci à lui. Allez voir son super boulot sur instagram : @d1m_3n0 Musique de cet épisode composée par EROINA : https://www.eroinamusic.com/https://www.youtube.com/@Eroinamusic Suivez-nous sur Bluesky et Instagram : @jumpscarecastContact : jumpscarecast@gmail.com L'ancienne musique de Jumpscare: https://cedriccremet.bandcamp.com/album/jumpscare-original-podcast-soundtrackTout l'argent revient au compositeur, n'hésitez pas, et envoyez lui du love ! Discord de Jumpscare : https://discord.gg/ew9CfgYCz8 https://jumpscare.lepodcast.fr/

This episode turns climate anxiety from paralyzing doom into doable, feel-good action by blending nervous-system care, compassionate mindset shifts, and practical, community-centered steps.

Était-on, au milieu des années 80, au cœur d'une époque bénie de la musique comme beaucoup le crient haut et fort aujourd'hui ? Je ne sais pas vous mais moi, il suffit de me souvenir de tous ceux qui étaient présents lors du Live Aid en juillet 1985 pour me convaincre qu'il n'y a jamais eu autant d'immenses stars actives et au sommet de leur gloire. Et que dire si on y ajoute le nom d'absents de l'événement comme Michael Jackson, Prince, Rod Stewart, Eurythmics, Tears for Fears, Frankie Goes to Hollywood, Culture Club, Bruce Springsteen, Depeche Mode, ok j'arrête, on comprend que jamais plus on ne revivra une époque pareille. Et donc, on remarque d'autant plus l'omniprésence de celui qui est en cette année 85, le N°1 toutes catégories : Phil Collins. Vrai, le triomphe de ses deux albums solos parus au début de la décennie fût totalement inattendu. Tout d'abord parce que sa musique n'est pas formatée au départ pour un succès commercial, et puis aussi parce que jusque-là, il y avait une malédiction qui prétendait qu'aucun membre d'un groupe au top, ne peut réussir une carrière solo. Mais cet immense succès ne rompt pas le lien entre Collins et son groupe Genesis qui continuent leur carrière en parallèle avec de plus en plus de retours. En 1984, après les fabuleux Mama et That's All avec Genesis, c'est la sortie de la chanson d'un film qui vaut à Collins son premier numéro 1 américain et un oscar, immédiatement suivi par un improbable et phénoménal duo avec le chanteur d'Earth Wind & Fire.Qui aurait prédit cinq ans plus tôt, avec son physique passe-partout, sa barbe de pirate et son front dégarni sous des cheveux longs en broussaille, que Collins deviendrait une des plus grandes stars de la planète ? Le départ du spectaculaire et intello Peter Gabriel de Genesis devait sonner la fin d'une magnifique aventure mais la voix de Phil s'était élevée de derrière sa batterie. On l'avait jusque-là entendu dans les chœurs et sur deux petites chansons de Genesis, le voilà à présent sur le devant de la scène. Ce n'est plus la même musique, ce n'est plus le même show, et pourtant, malgré des déçus parmi les fidèles de la première heure, les fans se multiplient à une allure ahurissante. Et c'est la Belgique qui est une fois de plus en tête du mouvement. Après avoir été le premier pays étranger à accueillir Genesis et leur faire la fête, en 1971, voici que six ans plus tard, elle leur offre leur premier album N°1. Et encore, c'est un double et un live, mais porté par une voix admirable, présente et chantante, mariant les pirouettes de Peter Gabriel avec une musicalité qu'on ne soupçonnait pas. Alors voilà qu'en pleine période new wave, hip hop et funk, un artiste qui devrait appartenir au passé, à ces années 70 désormais tellement lointaines, publie début 1985, un troisième album solo qui restera dans de nombreux pays dont les Etats-Unis, la Grande-Bretagne et l'Allemagne, un des disques les plus vendus de leur histoire. Il s'appelle No Jacket required et il incarne tellement ce qu'était le son, et la vie, dans les années 80.

En 1984, le Townhouse, studio londonien créé par Richard Branson, le patron de Virgin, a transformé le quartier de Shepherd's Bush en endroit branché tant on croise tous ceux qui hantent le Top 40. Pas étonnant que parmi les Simple Minds, Elton John ou Bryan Ferry, Phil Collins y ait pris ses quartiers pour enregistrer ce qui sera déjà son troisième album solo. Le téléphone sonne. Qui le demande ? Bob Geldof. Le chanteur des Boomtown Rats, un groupe new wave de la première heure mais dont l'heure de gloire semble déjà passée. Que lui veut-il ? Encore un qui veut se faire produire par Phil Collins ? Passe-le moi !Vous l'avez compris, les deux hommes ne se connaissent pas et pourtant, Geldof va direct au but : Tu as vu les infos à la BBC ?Non, là, je suis dans les bois. Une expression de Quincy Jones pour dire que quand on est en studio, on est hors du monde. Et là, Geldof de lui raconter le reportage qu'il a vu la veille à la BBC avec ces gens qui meurent de faim en Ethiopie et ce médecin obligé de décider qui va vivre ou pas, car ils n'a pas reçu assez de nourriture des associations.J'ai décidé avec ma femme, une animatrice télé très populaire, de faire quelque chose. On ne peut pas attendre. J'ai besoin d'un batteur très connu alors j'ai pensé immédiatement à toi.Pour faire quoi ?Quelques jours plus tard, le 25 novembre, Phil se retrouve un dimanche au Sarm Studios, qu'il ne connaît que trop bien, y ayant enregistré trois albums avec Genesis du temps de Peter Gabriel. Un autre studio de Richard Branson mais racheté par Trevor Horn, le leader des Buggles, il est devenu le repère de la scène pop des années 80. On le devine, entouré des jeunes Spandau Ballet, Culture Club et autres Bananarama, Phil Collins a l'impression d'être dans les pages d'un magazine teenager comme le Smash Hits. D'autant plus qu'il les voit défiler, chanter toute la journée en attendant que ce soit son tour de jouer. Et quand vient le moment, ils sont tous là à le regarder, derrière sa batterie, quand Midge Ure d'Ultravox, le producteur, lui dit, tu commences ici et tu fais ce que tu veux ! Ah bon ? Top, vas-y !Et Phil, le casque sur les oreilles, improvise sa piste de batterie. Il n'en mène pas large, évidemment. Mais quand le morceau s'arrête, il entend Midge crier un grand Impeccable ! Tout le monde l'applaudit. T'es sûr ? J'ai envie de la refaire. Non, pas besoin, il est tard. Et voilà, one take comme Frank Sinatra. Phil Collins fait alors la connaissance de Bono et parle un peu avec Sting à qui il propose de venir faire les chœurs sur son prochain album No jacket Required. Ainsi Sting lui proposera-t-il de faire un duo au Live Aid qui deviendra mythique : Genesis et The Police, deux univers si lointains et pourtant. La boucle est bouclée, Phil Collins est vraiment l'incarnation de ces années de renouvellement que furent les années 80, il est, comme dans le clip de cette chanson, le roi du monde. Avec humour, bien sûr, regardez-le jusqu'à la fin.

When you tell stories, do you ever think, "That's all well and good for life coaches with personal stories. But I'm a technical person who wants to help people discover new ways of thinking about their actions. Talking about finance seems to call for discussions of numbers, trends and charts with percentages in three colors. Jacquette Timmons brings a different perspective. She's a financial behaviorist, someone who helps people deal with issues related to money, income and investments. Money reflects what's going on in people's personal lives. If you want to understand money conflicts, you need to understand family dynamics and individual emotions.  To illustrate, Jaccquette uses stories about what happens when ordinary people encounter massive shifts in money. She talks about how she realized that money reflects what's going on in our lives -- and how changes in money also change our lives. What makes this especially interesting is that Jacquette is an Educator archetype. (If you want to learn more about the archetypes, click here.) Her message is, "If you apply what I teach you, you will reach your goals." Her stories are told to educate readers by making a point, not to help us get to know Jacquette as "the person behind the web." On this episode, you will hear: -- Jacquette's origin story: what made her motivated to be a financial behaviorist -- sample stories of how family background creates a ceiling on your business earnings (and the dynamics of money management in a marriage) -- why you need to acknowledge your relationship with money (and how it mirrors several relationships you have in your life) -- how Jaquette uses stories to make her clients realize they're not alone (so they're more comfortable sharing their challenges) -- how Jacquette uses stories from her own experience to help her explain complex concepts to clients Learn more about Jacquette at her website: JacquetteTimmons.com  Get a free exercise to understand your own relationship with money: jacquettetimmons.com/wheel You can also find her. on Instagram and LinkedIn. Learn more about me on my website.  My new book on solopreneur branding will show you how to use the archetype framework for your own marketing. You'll see why marketers are successful with different kinds of stories, depending on how they choose to position themselves. Free with Kindle Unlimited. 

Franchement, combien sommes-nous à avoir tourné les singles et les deux albums de Phil Collins au début des années 80 ? Des disques étonnants, bien loin de la musique de Genesis, c'est vrai, il y avait des tubes qui ont plu à tous les publics. Mais quand même, les albums avaient aussi leur quota de chansons plus ambitieuses, avec de solides trouvailles sonores. Déjà leur titre : Face Value et Hello I must be going, une référence à Groucho Marx, fallait oser !Alors pourquoi change-t-il de braquet avec celui-ci, qui paraît fin janvier 1985, No jacket Required ? Parce que justement, je suis tout sauf guindé, répond Collins. Bien sûr, le titre ne lui est pas tombé tout chaud, c'est le cas de le dire, car ce soir où Phil est en vacances dans les Caraïbes, il se présente dans un restaurant avec sa femme mais le maître d'hôtel l'arrête en lui demandant d'enfiler une veste.Mais je n'ai pas de veste, mon ami, nous sommes dans un pays chaud et je suis en vacances !Un client dans la file devant lui, se retourne alors pour lui faire comprendre que la veste est obligatoire : Jacket Required ! Phil Collins se fait donc refuser l'entrée. C'est pas tous les jours. Enfin, pas tous les jours, … Ce soir de la tournée où Phil accompagne Robert Plant l'ex-chanteur de Led Zeppelin dont il vient de produire les deux albums, les deux copains descendus à l'hôtel Ambassador de Chicago descendent, justement, boire un verre au bar de l'hôtel. Là pour le coup, il fait froid, Phil porte un magnifique blouson de cuir, Robert une veste à carreaux WillyWear, genre amerloque, aux couleurs bien criardes. Mais voilà que le barman fait remarquer à Monsieur Collins qu'il doit passer une veste pour pouvoir se faire servir. Mais je porte une veste, mon gars !Euh non, une vraie veste, Monsieur, pas en cuir.Allons bon, Robert est habillé comme un clown de chez Barnum et on ne lui dit rien. Moi je porte un truc de créateur, digne de la fashion week, et je fais tache. Ce n'est pas possible, ce Jacket required va tourner à la malédiction !Évidemment, le succès prodigieux de ce disque conduisant Collins sur les plateaux des plus grands talks shows, il raconte ses anecdotes de jaquette, ce qui, bien sûr, ne manque d'être vu par les grands patrons des établissements cités. Ainsi Phil Collins reçoit-il chez lui, à Londres, une lettre à entête de l'Ambassador East qui lui demande, je cite, de cesser de parler de leur stupide code vestimentaire. Nous invitons à venir chez nous, quand vous voulez, vêtu comme vous voulez et autant que vous voulez, mais de grâce, cessez de parler de nous. Et à ce pli est joint un colis contenant une veste maculée d'éclaboussures de toutes les couleurs. Voilà des gens qui ne se prennent pas au sérieux, une autre époque, les années 80 avec ce code No Jacket Required.

Janvier 1985, on commence cette année particulière mondialement dominée par des Simple Minds et U2, avec un troisième album solo, déjà, de Phil Collins. Et si les deux premiers, qui se sont vendus par paquets de millions, étaient particuliers, à l'image de son groupe Genesis, il n'en va pas de même de celui-ci qui est, vraiment, un pur produit pop des années 80. Et ce n'est pas un hasard car après deux disques hantés par son divorce, la séparation avec ses enfants et la paradoxale solitude d'une star du rock, Phil est pris cette fois par l'envie de produire un disque sympa, positif, et donc, années 80 obligent, dansant. Et même s'il ne peut s'empêcher de composer l'une ou l'autre chanson romantique, tout est fait pour vous emmener sur la piste le samedi soir. C'est d'ailleurs la raison pour laquelle son visage apparaît cette fois coloré de rouge, comme pris dans un projecteur de boîte de nuit, le front perlant de sueur après une bonne séance d'immersion sur la piste. C'est vrai que teenager, le jeune Anglais était un fan de la Motown, ce label noir américain qui produisait des titres dansant et sympas. Il ne manque pas d'y faire référence sur l'un ou l'autre titre de ses deux premiers disques. Et ça tranchait vachement avec les autres, c'est vrai, on a été étonné d'entendre ces cuivres clinquer sur des rythmes ronds. Ça sonne, hein ? Pas étonnant, ce sont les Phenix Horns, la section qui joue pour Earth Wind & Fire, le plus grand groupe funk de l'époque. Et qui sait à peine qui est Genesis. Ainsi, alors que Phil Collins est à New York et que justement, EWF est de passage à Madison Square Garden, il se pointe à leur hôtel avant le concert. Et le gars à qui il demande dans le hall si les Phenix Horns sont là, se trouve être le frère de Maurice White, le leader de Earth Wind & Fire. Et ce type qui ignore qui est Phil Collins, In the Air Tonight n'est pas encore sorti, le prend pour un dealer, alors il donne l'interdiction d'embarquer quiconque n'est pas du groupe. Mais allez savoir comment Collins passe entre les mailles du filet, il monte dans la limousine sous l'insistance des cuivres mais, une fois arrivé à Madsion Square Garden, est refoulé par la sécu et se retrouve bien seul. Imaginez le chanteur de Genesis interdit d'entrer dans une salle qu'il remplit habituellement. Heureusement que des régisseurs le reconnaissent et l'invitent dans leur cantine. Hé les mecs, j'le crois pas, vous avez viré Phil Collins des coulisses ! Qui ? Le chanteur de Genesis. Merde ! C'est ce soir que les gars des Phenix vont parler de Collins à Philip Bailey, la seconde voix d'Earth Wind & Fire, et de la qualité de son travail en studio. Le succès américain des deux premiers albums de Collins fera le reste quand, Earth Wind & Fire battant de l'aile, Bailey voudra voler des siennes, comme Michael Jackson. Une chanson pliée en un jour et demi, et hop ! Ça se passait comme ça avec Phil dans les années 80.

Cela fait déjà 40 ans que paraissait No Jacquet Required, l'album solo de Phil Collins le plus vendu de sa carrière, témoin du triomphe d'un artiste qui ne vivait que pour le travail et la création. C'est d'ailleurs ce que lui ont reproché plusieurs femmes de sa vie : Phil a tout le temps besoin de nouveaux projets et Phil ne sait pas dire non. Ainsi quand la nouvelle tournée de Genesis se termine en 1984, il devrait déjà s'estimer très heureux de se dire et maintenant je me lance sur mon nouvel album solo. Mais non, il doit bientôt produire celui de son ami Eric Clapton mais aussi de Philip Bailey, le chanteur du groupe Earth Wind & Fire. Voilà qui peut sembler bizarre car l'Américain et le Britannique qu'un océan et un genre musical séparent ne se sont jamais rencontrés. Mais le lien est la section de cuivres d'Earth Wind & Fire qui depuis le fameux premier album de Collins, travaillent avec lui et a donc ont parlé à Bailey de ses qualités de producteur. Et puis l'exemple actuel de Michael Jackson devenue star du public blanc est à suivre, alors pourquoi ne pas demander à Collins de produire son disque ? Le pari va être, vous le savez, tenu, une réussite totale qui prend le relais cette année-là de l'immense Against all odds. Si vous ajoutez à cela que depuis le début de la décennie, Phil a déjà sorti deux albums solos et trois avec Genesis et en a produit deux pour Robert Plant, l'ex-chanteur de Led Zeppelin, oui, dans le métier et pour le public, Collins est partout. Alors on ne s'étonne pas que chez Warner, un gars dise à Eric Clapton qu'il devrait ajouter une patte Phil Collins à son prochain disque, car oui, le précédent n'a pas marché. Les temps sont durs, il est vrai pour les stars des années 60 et 70 qui souffrent du nouveau son des années 80.Ah ben, c'est mon voisin, répond Clapton. C'est vrai. C'est ainsi qu'il a joué de la guitare sur un titre de Phil Collins, enregistré chez lui d'ailleurs, quand il était au plus bas, dans sa maison vidée par le divorce. Et Collins d'accepter, bien sûr, Eric Clapton a beau être devenu le gars avec qui il va boire des coups au pub, il reste pour lui le guitariste qui a illuminé ses années de jeunesse avec les Yardbirds et Cream. Pour lui, la fameuse photo du tag Clapton is God sur une palissade de Londres en 1966, c'était pas du pipeau.Le résultat est un album tellement dans l'air du temps que même la firme de disques n'y croit pas, et pourtant, il marque une résurrection pour Clapton et ce faisant, au milieu des années 80, un passeport pour les décennies à suivre, un vaccin contre l'oubli du public. Alors question : cette agitation est-elle nécessaire pour que Collins donne le meilleur de lui-même pour son prochain album solo, No Jacquet Required. Il y a fort à parier que oui, tant il est vrai que plus on travaille, plus on sait travailler. Cette chanson, l'un des quatre immenses tubes de ce disque qui s'est vendu à 25 millions d'exemplaires, en est la preuve …

Était-on, au milieu des années 80, au cœur d'une époque bénie de la musique comme beaucoup le crient haut et fort aujourd'hui ? Je ne sais pas vous mais moi, il suffit de me souvenir de tous ceux qui étaient présents lors du Live Aid en juillet 1985 pour me convaincre qu'il n'y a jamais eu autant d'immenses stars actives et au sommet de leur gloire. Et que dire si on y ajoute le nom d'absents de l'événement comme Michael Jackson, Prince, Rod Stewart, Eurythmics, Tears for Fears, Frankie Goes to Hollywood, Culture Club, Bruce Springsteen, Depeche Mode, ok j'arrête, on comprend que jamais plus on ne revivra une époque pareille. Et donc, on remarque d'autant plus l'omniprésence de celui qui est en cette année 85, le N°1 toutes catégories : Phil Collins. Vrai, le triomphe de ses deux albums solos parus au début de la décennie fût totalement inattendu. Tout d'abord parce que sa musique n'est pas formatée au départ pour un succès commercial, et puis aussi parce que jusque-là, il y avait une malédiction qui prétendait qu'aucun membre d'un groupe au top, ne peut réussir une carrière solo. Mais cet immense succès ne rompt pas le lien entre Collins et son groupe Genesis qui continuent leur carrière en parallèle avec de plus en plus de retours. En 1984, après les fabuleux Mama et That's All avec Genesis, c'est la sortie de la chanson d'un film qui vaut à Collins son premier numéro 1 américain et un oscar, immédiatement suivi par un improbable et phénoménal duo avec le chanteur d'Earth Wind & Fire. Qui aurait prédit cinq ans plus tôt, avec son physique passe-partout, sa barbe de pirate et son front dégarni sous des cheveux longs en broussaille, que Collins deviendrait une des plus grandes stars de la planète ? Le départ du spectaculaire et intello Peter Gabriel de Genesis devait sonner la fin d'une magnifique aventure mais la voix de Phil s'était élevée de derrière sa batterie. On l'avait jusque-là entendu dans les chœurs et sur deux petites chansons de Genesis, le voilà à présent sur le devant de la scène. Ce n'est plus la même musique, ce n'est plus le même show, et pourtant, malgré des déçus parmi les fidèles de la première heure, les fans se multiplient à une allure ahurissante.Et c'est la Belgique qui est une fois de plus en tête du mouvement. Après avoir été le premier pays étranger à accueillir Genesis et leur faire la fête, en 1971, voici que six ans plus tard, elle leur offre leur premier album N°1. Et encore, c'est un double et un live, mais porté par une voix admirable, présente et chantante, mariant les pirouettes de Peter Gabriel avec une musicalité qu'on ne soupçonnait pas. Alors voilà qu'en pleine période new wave, hip hop et funk, un artiste qui devrait appartenir au passé, à ces années 70 désormais tellement lointaines, publie début 1985, un troisième album solo qui restera dans de nombreux pays dont les Etats-Unis, la Grande-Bretagne et l'Allemagne, un des disques les plus vendus de leur histoire. Il s'appelle No Jacket required et il incarne tellement ce qu'était le son, et la vie, dans les années 80.

Aujourd'hui dans la gang : Comment rendre la marche à la mode? ÇA ou ÇA de résolutions Le retour de STAT Le Défi de 7h30 Avez-vous déjà sauté dans le vide ? Stéphanie nous présente les types de parents qui vont chercher leurs enfants à l'école Débat sur les vêtements mous à l'épicerie Demi Moore remporte son premier Golden Globe

How might organizations support  financially stressed employees and why does it matter? For three decades Jaquette Timmons has explored the intersection of money, business, and life.  During my conversation with Jaquette we discussed the often-overlooked issue of financial stress and its impact on both personal well-being and workplace engagement. Tune in for a powerful conversation about the relationship between your personal finances, employee engagement, and what organizations can do to bring about change. Resources:Learn more at jacquettetimmons.comConnect with Jaquette on LinkedInPwc Wellness SurveyConnect with me:InstagramLinkedInRestart Consulting

Tous les jours de la semaine, Europe 1 décrypte trois articles de la presse du jour.

Tous les jours de la semaine, Europe 1 décrypte trois articles de la presse du jour.

Chronique de Patrick Delisle-Crevier, journaliste culturel au 7 jours : fin de l'émission La Tour. Le retour de La Petite Vie et nostalgie.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Sarah Jaquette Ray, author of the new book “A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet” and a professor of environmental studies at Cal Poly Humboldt, discusses the importance of leveraging negative emotions for political change, the ties between the climate crisis and our own inner suffering, and how thinking differently about the world can lead to more positive feedback cycles.Episode sponsored by Grand Seiko.

L'intro de Sans Détour

In a new bonus episode, Chelsea and Donny discuss the best Halloween episode that wasn't a Halloween episode, "And Then There Was Shawn," the Scream-inspired episode of Boy Meets World. The duo also discuss Cory being the worst part of his own show, Linda Cardellini, dramatic friends, and Trina McGee (Angela)'s appearance on "Pod Meets World." Also, Mrs. Jaquette is back!To hear (or watch) this recap in its unedited, unhinged entirety, head to our Patreon at https://www.patreon.com/iamthecuteoneFollow Us on Social Media!Chelsea: @ohnochelsDonny: @realdonnywoodSupport the show

As a follow up to their conversation with young climate and emotions researcher Isabel Coppola, Thomas and Panu spoke with Environmental Studies Professor Sarah Jaquette Ray, well-known for her writings on climate anxiety and social justice perspectives within the climate and environmental movements. Panu and Sarah collaborated on the Existential Toolkit for Climate Justice Educators Project. Sarah reflected on her own climate emotions journey and what she sees as her sacred role as a teacher and university professor, and the intensity of people reaching out to her about climate change. She noted her experience 7-10 years ago of being enlightened about issues of complicity and despair about climate change among students, and her effort to “go back to the drawing board and reinvent myself as a professor to meet the moment that students were asking for.” This included questioning the impulse among students that “burnout is actually the badge of how much I care” and breaking down traditional barriers in the academy between academic content and emotional support and self care provided by the counseling center. Panu was reminded of a concept he has been using in Finnish, “arkipäivän tilastoimaton hyvyys”, translated as “unaccounted everyday goodness” and referencing California writer Mike Davis, the speakers played with the concepts of “unmobilized love” and “immobilized love.” Sarah looked ahead to the Conference she is helping to organize in April 2023 at University California Riverside Environment, Justice, and the Politics of Emotion: A Virtual and In-Person Symposium along with our previous podcast guest Jade Sasser and other climate and emotions experts. Thomas noted the recent death of scholar Phillip Cushman whose works like the  paper “Why the Self is Empty” and book Constructing the Self, Constructing America are influential in critical psychology and ecopsychology. Join us for an enlightening dialog among leading climate thinkers.

Ce matin, 2 juin; Suggestion vino de Phil Lapeyrie, top 3 des potins avec Marie-Ève, un À-côté émotif pour Jean-Michel qui discute de son coming-out et discussions sur les chauffeurs désignés, sur la monarchie et... la vessie rapide !

Victoria Bourgin, born in Ukraine, strongly believes in the power of dreams and in bright colors! After her studies in Sweden, she came to Paris where she worked for 10 years at the most prestigious French fashion houses in Paris including St Laurent and Balmain, and just a month ago she finally realized her childhood dream - creating her own Brand LA JAQUETTE.LA JAQUETTE is a story about the jackets where French know-how, beautiful natural fabrics, fair prices, and a wide choice of colors give life to the perfect combination. 100% made in Paris the jackets can be found at our website www.lajaquette.comInstagram @lajaquette_officialSupport the show (https://www.patreon.com/join/Laviecreative)

Sarah Jaquette Ray (pictured) teaches at America's Humboldt State University and has written the wonderful book: "A Field Guide to Climate Anxiety: how to keep your cool on a warming planet". Sarah was Climate Conversation's first international guest and so the interview was, for me, something of an experiement; an exepriement that worked quite well, despite a few hiccoughs, problems we overcome thanks to Sarah's generousity, kindness and patience. However, we were not wrestling with just the technology between Sarah and I, for also standinfg between us and an even better interview, was my Aphasia, the result of a brain injury received in a road collision nearly 25 years ago. Despite my personal limatations, Sarah sailed through the interview teling me about some of the articles published under her name: one in the Los AngelesTimes entitled "Is climate anxiety bad for the planet?"; another in a different publication that discusses "The New Faces of Climate Justice"; and then aother story in the Scientific American headed: "Climate Anxiety Is an Overwhelmingly White Phenomenon". Climate Conversations encourages listeners to enjoy "Music for a Warming World".

If you are feeling up,  down or somewhere in between, hopefully by the time you finish this episode you will feel encouraged in the great work you are doing.  Dr. Krista Hiser is teaches  at Kapiʻolani Community College and is currently serving as the Director of the Center for Sustainability Across the Curriculum in Hawaii. Her research uses focus groups, interviews, and reflective writing to learn more about student and faculty perspectives on climate change and sustainability. To share the findings she and her colleague Matthew K. Lynch co-wrote the paper, Worry and Hope: What College Students Know, Think, Feel, and Do about Climate Change. It appears in the Journal for Community Engagement and Scholarship.  This study is being replicated at universities in the USA and reveals how students are feeling about climate change and where they are learning about it. With this data, Kr. Hiser leads workshops to help faculty expand their teaching strategies in order to help students manage complex emotions related to our climate predicament.  Dr. Hiser has published on community engagement, service-learning, organizational change, post-apocalyptic and cli-fi literature. She is also the author of Field Notes: Teaching Climate Change in Higher Education, a blog available through Medium.com The Art House Sarah Jaquette Ray is a professor of environmental studies, a writer, and a mom. She doesn’t necessarily see herself as an artist. In taking on climate change though, she recognizes the essential role of the arts. On Earth Day 2020, in the midst of an urgent Coronavirus pandemic, she published a book that is helping people navigate their strong feelings about climate change.   A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet, provides practical insights and proven techniques for keeping focused on pursuing solutions for a complicated and challenging topic. With warmth, humor, and expertise, Sarah Jaquette Ray will help you better know how to stay engaged without becoming overwhelmed.  Host Peterson Toscano says, “Reading Sarah’s book, I saw how the concepts she covers are not just helpful for students in high school and college. They also are questions and issues artists who are engaged in climate work consider all time. For storytellers, Sarah suggests we adjust the lens of how we look at climate stories. Telling the stories that will have the most impact takes real work.” You can hear standalone versions of The Art House at Artists and Climate Change Good News Report Dr. Anthony Leiserowitz from Yale Climate Connections shares some good news in addressing a long history of injustice. He chats with Cate Mingoya of Groundwork USA, a network of environmental justice organizations. In order to fight inequality in their neighborhoods, some city residents are using maps to reveal what they have known for a long time. They show how racist housing policies of the past have left residents more vulnerable to the impacts of climate change today.   Mingoya says the maps show how the impacts of redlining persist, and provide an important tool for local residents, “to sit down with their local government, with elected officials, with leaders in their community and say, ‘You need to explain why this is still the case and you need to explain what you’re going to do to make things look a little bit different.’” If you have good news to share, leave a voice mail at 518.595.9414. (+1 if calling from outside the USA.)  Dig Deeper      Kent University Anthropology and Conversation Blog Post: “We must be kind to ourselves and respond rather than react to climate change” – Responding mindfully to eco-anxiety   CCR Episode 23 Mental Health and Climate Change with Dr. Natasha DeJarnett and Dr. Lise Van Susteren Resilience Hub found at CCL Community provides opportunities for building personal and chapter resilience that supports purposeful action on climate.                                                                We always welcome your thoughts, questions, suggestions, and recommendations for the show. Leave a voice mail at 518.595.9414. (+1 if calling from outside the USA.) You can email your answers to radio @ citizensclimate.org   You can hear Citizens’ Climate Radio on iTunes, Spotify, Stitcher Radio, SoundCloud, Podbean, Northern Spirit Radio, Google Play, PlayerFM, and TuneIn Radio. Also, feel free to connect with other listeners, suggest program ideas, and respond to programs in the Citizens’ Climate Radio Facebook group or on Twitter at @CitizensCRadio.

Dr. Krista Hiser is teaches at Kapiʻolani Community College and is currently serving as the Director of the Center for Sustainability Across the Curriculum in Hawaii. Her research uses focus groups, interviews, and reflective writing to learn more about student and faculty perspectives on climate change and sustainability. To share the findings she and her colleague Matthew K. Lynch co-wrote the paper, Worry and Hope: What College Students Know, Think, Feel, and Do about Climate Change. It appears in the Journal for Community Engagement and Scholarship. This study is being replicated at universities in the USA and reveals how students are feeling about climate change and where they are learning about it. With this data, Kr. Hiser leads workshops to help faculty expand their teaching strategies in order to help students manage complex emotions related to our climate predicament. Dr. Hiser has published on community engagement, service-learning, organizational change, post-apocalyptic and cli-fi literature. She is also the author of Field Notes: Teaching Climate Change in Higher Education, a blog available through Medium.com The Art House Sarah Jaquette Ray is a professor of environmental studies, a writer, and a mom. She doesn’t necessarily see herself as an artist. In taking on climate change though, she recognizes the essential role of the arts. On Earth Day 2020, in the midst of an urgent Coronavirus pandemic, she published a book that is helping people navigate their strong feelings about climate change. A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet, provides practical insights and proven techniques for keeping focused on pursuing solutions for a complicated and challenging topic. With warmth, humor, and expertise, Sarah Jaquette Ray will help you better know how to stay engaged without becoming overwhelmed. Dr. Anthony Leiserowitz from Yale Climate Connections shares some good news in addressing a long history of injustice. He chats with Cate Mingoya of Groundwork USA, a network of environmental justice organizations. In order to fight inequality in their neighborhoods, some city residents are using maps to reveal what they have known for a long time. They show how racist housing policies of the past have left residents more vulnerable to the impacts of climate change today.

With the start of a new semester for most of us, it felt like the perfect time to release a great conversation on climate change pedagogy (this episode’s Root Word!) with Sarah Jaquette Ray and Stephen Siperstein. Sarah is professor and head of the Environmental Studies BA program at Humboldt State University, and Stephen lives at the Environmental Immersion Program at Choate Rosemary Hall in Connecticut where he teaches courses in environmental humanities and interdisciplinary environmental research methods, and directs the school’s Writing Center.UC-CSU NXTerra: https://www.nxterra.orfaleacenter.ucsb.edu/Find Sarah on Twitter @sjaquetteray or her website: www.sarahjaquetteray.comFind Stephen on Twitter @ssiperstein or email: ssiperstein@choate.eduIf you have an idea for an episode, please reach out to us:Email: ASLE.EcoCast@gmail.comTwitter: @ASLE_EcoCastJemma: @GeowritesBrandon: @BeGalmIf you’re enjoying the show, please consider subscribing, sharing, and writing reviews on your favorite podcast platform(s)!Episode recorded November 21, 2020.CC BY-NC-ND 4.0Recorded August 22, 2020

Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature. Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla & Co. Read “The Creator” and other stories translated by Elisabeth Jaquette at thecommononline.org/tag/elisabeth-jaquette. Find out more about Elisabeth Jaquette at elisabethjaquette.com. Read her introduction to Words Without Borders' Arabic young adult literature feature here. Learn more about the American Literary Translators Association: ALTA's Crowdcast page: online programming from the ALTA43 conference, some free ALTA's Emerging Translator Mentorship Program The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature. Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla & Co. Read “The Creator” and other stories translated by Elisabeth Jaquette at thecommononline.org/tag/elisabeth-jaquette. Find out more about Elisabeth Jaquette at elisabethjaquette.com. Read her introduction to Words Without Borders’ Arabic young adult literature feature here. Learn more about the American Literary Translators Association: ALTA's Crowdcast page: online programming from the ALTA43 conference, some free ALTA's Emerging Translator Mentorship Program The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature. Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla & Co. Read “The Creator” and other stories translated by Elisabeth Jaquette at thecommononline.org/tag/elisabeth-jaquette. Find out more about Elisabeth Jaquette at elisabethjaquette.com. Read her introduction to Words Without Borders’ Arabic young adult literature feature here. Learn more about the American Literary Translators Association: ALTA's Crowdcast page: online programming from the ALTA43 conference, some free ALTA's Emerging Translator Mentorship Program The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode has another call-in from a Tony G Show expert, Golf expert Jared Reinhardt to discuss The Masters in November form. Also, a discussion between Will and Tony G about the Russell Westbrook situation out of Houston where the former MVP wants out after a restructuring of the front office and coaching staff. Of course, another edition of Tony G Picks of the Week.Key:4:06- Russell Westbrook & Houston Rockets21:05- Golf Expert Jared Reinhardt31:05- Tony G Picks of the Week

We recall Ghostbusters (1984), a film about hungry ghosts and horny people. We find out too much about other lists Jaquette has completed, discover the true meaning of poltergeist, and eventually get to Rumpelstiltskin. — About the podcast: Totes Recall is hosted by Molly Chase, Beth K. Gibbs, Dan Jaquette and Dan Linden. Produced by […] The post Ghostbusters | Totes Recall: Episode 85 appeared first on NoisePicnic Podcast Network.

Huge thanks to Tiffany Tsao (https://tiffanytsao.com) and Elisabeth Jaquette (http://www.elisabethjaquette.com) ᛫Books mentioned: Elizabeth’s translation of The Frightened Ones by Dima Wannous ᛫Tiffany’s translation of Paper Boats by Dee Lestari ᛫The Wandering by by Intan Paramaditha ᛫More links to check out: ᛫Intersastra: https://www.intersastra.com/blog/unrepressed ᛫Borderless book club: https://www.peirenepress.com/borderless-book-club/ ᛫ ᛫ Follow us on twitter: twitter.com/vintagebooks ᛫ Sign up to our bookish newsletter to hear all about our new releases, see exclusive extracts and win prizes: po.st/vintagenewsletter ᛫ Music is Orbiting A Distant Planet by Quantum Jazz http://po.st/OrbitingADistant See acast.com/privacy for privacy and opt-out information.

We recall The Graduate (1967) in honor of the month of June. We can’t remember Benjamin doing much, and turns out we were spot on. Plus, Jaquette reveals his secret mission. — About the podcast: Totes Recall is hosted by Molly Chase, Beth K. Gibbs, Dan Jaquette and Dan Linden. Produced by Beth K. Gibbs. New episodes […] The post The Graduate | Totes Recall: Episode 81 appeared first on NoisePicnic Podcast Network.

Podcasting is a ministry that's filled with ups and downs.  There's a learning curve, for sure, but there's also an opportunity to learn and grow as a person and as believer. Some people believe in waiting to start any new project until every detail is perfect. However, that's not necessarily how God operated in the lives of many in the Bible. In today's episode, JaQuette shares:thanks to everyone who has made this podcasting journey possible,3 lessons she's learned as a person and a podcaster since taking the plunge into podcasting,3 lessons she's learned from guests throughout the past year,and encouragement for those wanting to take their thoughts captive everyday.Scripture ReferencesPhilippians 4:13 - I can do all things through Christ who strengthens me.Romans 8:28 - And we know that for those who love God all things work together for good, for those who are called according to his purpose.SpecialsFor the month of May, take $10 off all order over $50 from the Keeping It Centered shop by using the code KIC10 at checkout. Grab a gift card for mom and an "i believe" t-shirt and/or faith-based mug for your favorite beverage here. ResourcesAlisha Robertson, founder of Living Over ExistingThe Weekly Check-in journal - a quarterly faith-based journal for Christian women (details and waitlist here)Keeping It Centered S3E2 - Doing Marriage God's Way with Chris & Jamie BaileyKeeping It Centered S1E5 - Choosing Faith Over Fear with Ronika MiddletonKeeping It Centered S1E7 - Keeping Our Mind on God When It's Hardest with Rashawnda DunbarKeeping It Centered S3E4 - God Cares About Your Health with Cara PriceKeeping It Centered S2E1 - The Christian's Role in Bridging the Racial Divide with Pastor Malcolm Walls Let's connect and share the love!Be sure to share and subscribe to the Keeping It Centered Podcast. Listen each week on Apple Podcasts, Google Podcasts, Spotify, and many other podcast platforms. Help us spread the word about the podcast by rating and/or writing a review. We also encourage you to follow the podcast on Instagram and sign up for the bi-weekly Centered Notes newsletter for devotions and practical tips on how to live a biblically-aligned life as a wife, mom, and difference maker.

Entrevue avec Raymond Morel, directeur général de la Buanderie centrale de Montréal inc. : La Buanderie centrale de Montréal (BCM) lance une nouvelle jaquette d’hôpital qui respecte la dignité des patients.

Jaquette explores the link between not finishing and fear. And why learning to finish is a skill.

Dans ce cinquième épisode, rencontre avec Leslie Plée ! Bonne écoute, et bienvenue sous la jaquette

We recall 10 Things I Hate About You (1999), a movie based off of the writings of William Shakespeare. EVER HEARD OF HIM? Linden and Beth make their predictions based off of how movies work, Molly has seen the movie, and Jaquette thinks this is She’s All That. — About the podcast: Totes Recall is hosted by […] The post 10 Things I Hate About You | Totes Recall: Episode 69 appeared first on NoisePicnic Podcast Network.

Un ami chanteur, également critique ciné et musique.Enregistré le Lundi 5 Octobre 2015 à Paris.Les films de Walt Disney, Le Retour du Jedi, Blue Velvet, les vidéo-clubs, les films d'horreur dans les vidéos club, les magazines Vidéo 7 et Vidéo Jaquette, le gore et l'épouvante, le genre du slasheur, la jaquette d'Evil Dead, celle des Griffes de la Nuit, celle de Zombie, la diffusion de Zombies sur Canal+, Martin de Romero, John Carpenter, Wes Craven, George Romero, Tobe Hooper ou la génération des cinéastes d'horreur des années 70, la politique des auteurs intuitive, les journaux Mad Movies et l'Ecran Fantastique, Thriller de John Landis et son passage à l'émission Les Champs-Élysées, un palier supplémentaire dans l'art du clip, Bad taste de Peter Jackson, de la comédie dans les films d'horreur, Brain Dead, la surenchère dans les films gore, l'humour d'Evil Dead, Réanimator de Stuart Gordon, Cannibal Holocauste de Ruggiero Deodato, les Mondo Carne, les réalisateurs d'horreur italiens, Anthropophagous de Joe D'Amato et sa femme Laura gemser, l'attirance pour le morbide, Street Trash, Elmer le Remue-Méninges, Evil Dead 2, Predator, l'été 86 puis le désintérêt pour le film d'horreur, Hellraiser, Faux-Semblants de Cronenberg, Robocop de Verhoeven, la disparition des films d'horreur pure, Blue Velvet de David Lynch, le côté "menstruations féminines" de The Descent, Jeeper Creepers, Freddy sort de la nuit de Wes Craven, Scream 4 son dernier film, la mort de Wes Craven, les réalisateurs qui vont le suivre, les chroniqueurs de Mad Movies, James Cameron, la défense des blockbusters dans Mad Movies, les numéros spéciaux de Mad Movies, les Cahiers du Cinéma, Paul Verhoeven en couverture, les bonnes plumes des Cahiers du Cinéma, les Cahiers du Cinéma et le cinéma de genre, Olivier Assayas et Clint Eastwood, les Inrockuptibles, Lana Del Rey en couverture des Inrcks, Positif, Michel Simon et son côté universitaire, Délivrance de John Boorman, la politique des auteurs, le dernier Godard, Film Socialisme, Mad Max, le retour de George Miller, ses film "pour enfants", les films d'action aujourd'hui, le problème du dernier film de George Miller, le mixage du podcast, les plus gros films d'action de tous les temps, John Woo, Die Hard, Alien 2, Terminator 2, Matrix 2, The Blade de Tsui Hark, Croix de Fer et La Horde Sauvage de Peckinpah, le final de Scarface, Police Story avec Jacky Chan, Bruce Lee, le final de Bonnie and Clyde d'Arthur Penn, Full Metal Jacket, Les Sentiers de la Gloire et d'autres films de Kubrick, dont Barry Lindon et 2001 l'Odyssée de l'Espace, Zulawski dont entre autres L'Amour Braque et Possession, le thème du double dans son cinéma, sa richesse et la constance de la photo malgré des chefs opérateurs différents, le mauvais festival de Cannes 2015, Weerasethakul, Maiwen, le réalisateur Audiard est-il bon où doit-il être expulsé aux États-Unis, son utilisation ambiguë des personnages, Dheepan et son utilisation problématique de la banlieue, Tarantino et ses mélanges, son amour pour ses personnages, Christophe Waltz en nazi, ses dialogues filmés comme des scènes d'action comme dans Inglorious Bastard, les accidents filmés par Cronenberg dans Crash, la première scène de dialogue dans Reservoir Dog, la bande annonce de The Hateful Eight, la fin de Django, ceux qui se réclameraient de son cinéma, Ti West, le générique de House of The Devil, le réalisateur du remake de Cannibal Holocaust Eli Roth, Hostel, le genre du Torture Porn, le viol au cinéma, Un justicier dans la Ville de Michael Winner, le mauvais Joseph Guzman et son Nude nuns with a gun, la scène de viol dans Cannibal Holocaust, la scène de sexe entre documentaristes dans le village des indigènes et la critique de la société du spectacle, Gaspard Noé le petit malin qui veut choquer le bourgeois et qui n'est sexuellement pas très mature, la photo dans ses films et ses artifices de mise en scène.

Dans ce quatrième épisode, Marion Montaigne nous explique le travail de recherche en amont d'une BD. Bonne écoute, et bienvenue sous la jaquette

Dans ce troisième épisode, entrez dans l'univers de Marion Montaigne. Bonne écoute, et bienvenue sous la jaquette

Dans ce deuxième épisode, entrez dans l'univers de Kek. Bonne écoute, et bienvenue sous la jaquette

Dans ce premier épisode , découvrez le processus de création de Davy Mourier. Retrouvez les éléments évoqués durant ce podcast à ce lien :http://aliceyajac.com/sous-la-jaquette-1-depression-avec-davy-mourier/ Bonne écoute, et bienvenue sous la jaquette

This week we’re touching on a few productivity tips! Specifically, JaQuette of The Writers Lounge wants to know, “How do you stay consistent when issues arise in your personal life?” In this episode I’m sharing a few of the things that I’ve personally done when it seems like life keeps throwing you a curveball! Check out the show notes for this episode at https://www.livingoverexisting.com/episodes/personal-issues Enjoyed this episode? Make sure you rate and leave a review on Apple Podcast!

Every time a bell rings, we recall It’s a Wonderful Life (1946). Jaquette tries to guess what the movie is about, we bet we might cry, and we all attempt James Stewart impressions at one point. Plus, Zuzu’s petals! — About the podcast: Totes Recall is hosted by Molly Chase, Beth Gibbs, Dan Jaquette and Dan Linden. Produced […] The post It’s a Wonderful Life | Totes Recall: Episode 62 appeared first on NoisePicnic Podcast Network.

We recall The Karate Kid (1984). Linden tries to summarize the movie having never seen it, Molly and Beth have differing opinions of Ralph Macchio, and Jaquette reveals his love of trees. Plus, we try to keep those teens cool. — About the podcast: Totes Recall is hosted by Molly Chase, Beth Gibbs, Dan Jaquette […] The post The Karate Kid | Totes Recall: Episode 61 appeared first on NoisePicnic Podcast Network.

Welcome back to our new series entitled Looking to Next Year.  Today, we want to look at a well-known college recruitment practice and its ramifications.  That practice is the visiting of high schools by college admissions staff.  Maybe our discussion today won’t come as a surprise to you; but, whether it does or doesn’t, it’s a sad commentary on the U.S. in 2018.    1. A New Study Just a few episodes ago, we quoted from an article in Inside Higher Ed by Scott Jaschik, and today we find ourselves doing that again.  This article is forebodingly titled “Where Colleges Recruit . . . and Where They Don’t."  Here is the story: [F]or many colleges, reaching out to students in person at high school events is a key part of the recruitment process. And even for the [elite colleges], this is an important part of outreach and regularly results in applications from those who might not have otherwise applied. But where do the [colleges] go to recruit? A new study being presented at the annual meeting of the American Educational Research Association suggests that these visits favor those who attend high schools where family income is high. And these high schools are likely to be whiter than the population as a whole. Two of the researchers--Ozan Jaquette, an assistant professor of education at the University of California, Los Angeles, and Karina Salazar, a doctoral candidate at the Center for the Study of Higher Education at the University of Arizona--published a summary of their findings in The New York Times. (quoted from the article) So, let’s look at that opinion piece in The Times by Mr. Jaquette and Ms. Salazar.  They wrote about their findings, based on data from college visits--not any other kinds of student recruitment--made in 2017 by 150 colleges.  Here are some of those findings in their own words: The clearest finding from our study is that public high schools in more affluent neighborhoods receive more visits than those in less affluent areas. Only about a third of households across the country earn more than $100,000 annually, but nearly half of high schools receiving visits by private colleges and universities were in neighborhoods where average incomes were higher. Connecticut College visited neighborhoods with an average median household income of $121,578. Private colleges also disproportionately visited private high schools over public high schools. Andy Strickler, dean of admissions at Connecticut College, said the school targets high schools that have historically provided students, or other schools that have a similar profile. He said there was a good reason Connecticut College doesn’t always visit other areas: “There’s a trend for these students to stay closer to home for college.” (quoted from the opinion piece) I get that colleges understandably visit high schools that have sent students in the past or schools with demographic characteristics like those high schools.  I get that colleges need to recruit as cost-effectively as possible.  I get that kids in high schools in less affluent neighborhoods probably do “stay closer to home for college,” for better or worse.  But I still am a bit disappointed by all of it.  Nonetheless, let’s not single out Connecticut College.  There is a chart in the opinion piece that shows that plenty of other colleges do exactly the same thing--that is, visit high schools in neighborhoods with higher median incomes than high schools they don’t visit.  And, what’s worse, lots of those colleges are public universities.  Let’s look back at what Mr. Jaquette and Ms. Salazar write about that: While public research universities visited rich and poor neighborhoods nearly equally when recruiting in their home states, they visited the same affluent high schools targeted by private colleges when recruiting elsewhere. Most public colleges also visited far more high schools out of state than in-state. The median income of areas where the University of Pittsburgh recruited out of state, for example, was $114,000, compared with $63,000 for areas that were not visited. . . . The attention public universities lavish on wealthy out-of-state schools is a response to state policy. Over the past decade, many states have cut funding for higher education, forcing public universities to become more dependent on tuition revenue. Research shows that public universities responded by enrolling more out-of-state students, who often pay two to three times more than state residents. And of course, only well-off students can afford that. . . . In their out-of-state visits, our data also suggest, public universities were more likely to visit predominantly white public high schools than nonwhite schools with similar levels of academic achievement. For example, [in the Boston metropolitan area], the University of Colorado Boulder visited Dover-Sherborn Regional High School, which is 88 percent white and has about 154 students with proficient math scores, according to the federal Department of Education. But it did not visit Brockton High School, where just 21 percent of students are white but about 622 students have proficient math scores. “In order to be good stewards of our funding, we consistently recruit at schools that have historically given us applications,” said Colleen Newman, admissions director at Boulder. “Given our limited funding, we are unable to expand our traditional recruitment efforts to all regions and all high schools that have academically talented students.” (quoted from the opinion piece) Well, as loyal listeners know, I love recommending Boulder.  I think it is friendly to students from the East Coast and a great all-around university.  But I have to admit that I am not crazy about this recruitment strategy, though I understand the reasoning, of course.  Here are some more things I did not know, however.  I guess that I might have figured this out if I had thought about it, but I just never did.  I am wondering how much you have thought about this, parents.  Listen up: Colleges don’t treat recruitment lightly. It’s big business for colleges and the firms they hire. Most colleges identify prospects by purchasing lists of students and their backgrounds from the testing agencies College Board and ACT. They can also hire enrollment management consulting firms, which integrate data from the university with data on schools and communities. This helps them decide which schools should be visited and which should be targeted with emails and brochures. One consulting firm we spoke with even knows information about individual students such as their family income and net worth, and the value of their home. If colleges have all this data, why aren’t they better at targeting talented poor students and students of color? The most common explanation is that there aren’t enough of them applying (the so-called achievement gap). Another explanation we hear is that talented students don’t apply because they don’t have the right guidance (called “under-matching”). . . .   Our data [suggest] universities are determined to court wealthier students over others, and they expend substantial resources identifying and reaching them.  There are many students from poor communities who get excellent grades but end up going to a community college because no one bothers looking for them. If colleges are serious about increasing socioeconomic and racial diversity, they should look for merit everywhere, not just in wealthy, white communities. (quoted from the opinion piece)  It’s hard to disagree with that conclusion.  It’s especially hard to disagree with that conclusion for public universities, which have a mission to serve the taxpayers in their own states.  It’s concerning that public universities might be pricing themselves out of the market for the students who need them most in their home states--or even for the students who need them most from other states.  In putting together his article, Mr. Jaschik corresponded with Mr. Jaquette about his study.  Here is part of that correspondence:  Jaquette, via email, said there is a contradiction between colleges’ statements that they are doing everything possible to recruit low-income, disadvantaged students and the findings of the new study. “Scholarship on organizational behavior--on all types of organizations--finds that organizations publicly adopt goals demanded by the external environment,” he said. “But these public statements are poor indicators of actual organizational priorities. How they spend real resources is a better indicator.” (quoted in the article) In other words, colleges might say that they are looking hard to bring in more low-income students because it is the politically correct, or even morally correct, thing to say.  However, their actions (in this case, their spending habits) speak louder than words.                                                                          2. What Does This Mean for You So, what does this mean for you?  Possibly nothing, if you live in a relatively affluent neighborhood and your kid attends a high school with relatively affluent classmates.  The chances are good that college recruiters are going to come calling both now and in the fall. But if you don’t live in a relatively affluent neighborhood and your kid does not attend a high school with relatively affluent classmates, the chances are good that you are going to have to look harder to investigate colleges and make your kid known to them.  It might mean that you will need to visit colleges in order to get colleges to notice your kid (although I wish you didn’t have to until after your kid is accepted and you all are trying to make a final decision).  Oh, unless you live in one of the places identified in a 2012 study by Caroline M. Hoxby and Christopher Avery and cited by Mr. Jaschik in his article: [The study] found a tendency by colleges to recruit only at high schools where they will find a critical mass of talented low-income students and not the many others where academic achievement may be more rare. The high schools having success at placing students in competitive colleges are in large metropolitan areas (generally from 15 cities) and their students are “far from representative” of the academic talent among low-income students, the authors write.  So it’s not that colleges don’t recruit at low-income high schools, but they favor the magnet over the typical high school--even though there are many students with ability who do not attend magnet high schools. (quoted from the article) Indeed there are, and your kid might be one of them.  3. Happy Memorial Day Well, it’s hard to believe that Memorial Day is just around the corner.  We are going to celebrate next week, but we will be back with you on May 31with the best episode we have ever done.  Stay tuned! Find our books on Amazon! How To Find the Right College: A Workbook for Parents of High School Students (available as a Kindle ebook and in paperback) How To Explore Your College Options: A Workbook for High School Students (available in paperback) Ask your questions or share your feedback by... Leaving a comment on the show notes for this episode at http://usacollegechat.org/episode163 Calling us at (516) 900-6922 to record a question on our USACollegeChat voicemail if you want us to answer your question live on our podcast Connect with us through... Subscribing to our podcast on Google Play Music, iTunes, Stitcher, or TuneIn Liking us on Facebook or following us on Twitter Reviewing parent materials we have available at www.policystudies.org Inquiring about our consulting services if you need individualized help Reading Regina's blog, Parent Chat with Regina

Per Totes Recall tradition, we celebrate Valentine’s Day by recalling one of the most romantic movies on the planet, Disney animated features. We recall Beauty and the Beast (1991). Molly is pretty sure Niles from Frasier is in it, Beth and Linden feel strongly that human beast is unattractive, and Jaquette bets Belle is the town’s annual sacrifice to the beast. […] The post Beauty and the Beast | Totes Recall: Episode 50 appeared first on NoisePicnic Podcast Network.

We recall 9 to 5 (1980), a workplace comedy about women sticking it to the/a man. Molly remembers finding three role models, Beth has a hard time using words, and Jaquette bets there’s a man in the movie. Plus, we are thrown off our game by our new microphones. (Thank you, Patrons!) — About the podcast: […] The post 9 to 5 | Totes Recall: Episode 45 appeared first on NoisePicnic Podcast Network.

Enregistré le Lundi 5 Octobre 2015 à Paris. Les films de Walt Disney, Le Retour du Jedi, Blue Velvet, les vidéo-clubs, les films d'horreur dans les vidéos club, les magazines Vidéo 7 et Vidéo Jaquette, le gore et l'épouvante, le genre du slasheur, la jaquette d'Evil Dead, celle des Griffes de la Nuit, celle de Zombie, la diffusion de Zombies sur Canal+, Martin de Romero, John Carpenter, Wes Craven, George Romero, Tobe Hooper ou la génération des cinéastes d'horreur des années 70, la politique des auteurs intuitive, les journaux Mad Movies et l'Ecran Fantastique, Thriller de John Landis et son passage à l'émission Les Champs-Élysées, un palier supplémentaire dans l'art du clip, Bad taste de Peter Jackson, de la comédie dans les films d'horreur, Brain Dead, la surenchère dans les films gore, l'humour d’Evil Dead, Réanimator de Stuart Gordon, Cannibal Holocauste de Ruggiero Deodato, les Mondo Carne, les réalisateurs d’horreur italiens, Anthropophagous de Joe D’Amato et sa femme Laura gemser, l'attirance pour le morbide, Street Trash, Elmer le Remue-Méninges, Evil Dead 2, Predator, l'été 86 puis le désintérêt pour le film d'horreur, Hellraiser, Faux-Semblants de Cronenberg, Robocop de Verhoeven, la disparition des films d'horreur pure, Blue Velvet de David Lynch, le côté "menstruations féminines" de The Descent, Jeeper Creepers, Freddy sort de la nuit de Wes Craven, Scream 4 son dernier film, la mort de Wes Craven, les réalisateurs qui vont le suivre, les chroniqueurs de Mad Movies, James Cameron, la défense des blockbusters dans Mad Movies, les numéros spéciaux de Mad Movies, les Cahiers du Cinéma, Paul Verhoeven en couverture, les bonnes plumes des Cahiers du Cinéma, les Cahiers du Cinéma et le cinéma de genre, Olivier Assayas et Clint Eastwood, les Inrockuptibles, Lana Del Rey en couverture des Inrcks, Positif, Michel Simon et son côté universitaire, Délivrance de John Boorman, la politique des auteurs, le dernier Godard, Film Socialisme, Mad Max, le retour de George Miller, ses film "pour enfants", les films d'action aujourd'hui, le problème du dernier film de George Miller, le mixage du podcast, les plus gros films d'action de tous les temps, John Woo, Die Hard, Alien 2, Terminator 2, Matrix 2, The Blade de Tsui Hark, Croix de Fer et La Horde Sauvage de Peckinpah, le final de Scarface, Police Story avec Jacky Chan, Bruce Lee, le final de Bonnie and Clyde d'Arthur Penn, Full Metal Jacket, Les Sentiers de la Gloire et d'autres films de Kubrick, dont Barry Lindon et 2001 l'Odyssée de l'Espace, Zulawski dont entre autres L'Amour Braque et Possession, le thème du double dans son cinéma, sa richesse et la constance de la photo malgré des chefs opérateurs différents, le mauvais festival de Cannes 2015, Weerasethakul, Maiwen, le réalisateur Audiard est-il bon où doit-il être expulsé aux États-Unis, son utilisation ambiguë des personnages, Dheepan et son utilisation problématique de la banlieue, Tarantino et ses mélanges, son amour pour ses personnages, Christophe Waltz en nazi, ses dialogues filmés comme des scènes d'action comme dans Inglorious Bastard, les accidents filmés par Cronenberg dans Crash, la première scène de dialogue dans Reservoir Dog, la bande annonce de The Hateful Eight, la fin de Django, ceux qui se réclameraient de son cinéma, Ti West, le générique de House of The Devil, le réalisateur du remake de Cannibal Holocaust Eli Roth, Hostel, le genre du Torture Porn, le viol au cinéma, Un justicier dans la Ville de Michael Winner, le mauvais Joseph Guzman et son Nude nuns with a gun, la scène de viol dans Cannibal Holocaust, la scène de sexe entre documentaristes dans le village des indigènes et la critique de la société du spectacle, Gaspard Noé le petit malin qui veut choquer le bourgeois et qui n’est sexuellement pas très mature, la photo dans ses films et ses artifices de mise en scène.

Happy holidays from all of us at Totes Recall! In celebration of the holiday season, we watched the Christmas classic, Home Alone (1990). We remember Kevin McCallister’s House of Horrors, Jaquette gets the old-man feels, and Molly realizes she’s never seen the movie. But wait, there’s more! Keep an eye out for a special bonus episode on January 1. […] The post Home Alone | Totes Recall: Episode 6 appeared first on NoisePicnic Podcast Network.

The crew recalls The African Queen (1951). Beth remembers a fun romp. Jaquette was titillated by the handsome Katharine Hepburn. Molly is a contrarian. Linden asks, “Did they bang?” — About the podcast: Totes Recall is hosted by Molly Chase, Beth Gibbs, Dan Jaquette and Dan Linden. Produced by Beth Gibbs. New episodes drop on the 15th of […] The post The African Queen | Totes Recall: Episode 3 appeared first on NoisePicnic Podcast Network.

Mike and Steven Montenegro are interrupted by two random women from the bus stop to discuss David Copperfield's terrorist activities and their cryptozoologically disturbing lives. See Daniel Jaquette perform at the Chicago Improv Festival this April! ChicagoImprovFestival.org