Podcasts about Balmain

Scott Kerr sits down with Simon Kneen, brand president and creative force at custom menswear clothier J.Hilburn. Over the course of his career at places like Brooks Brothers, Banana Republic, and French fashion house Balmain, Simon has helped shape some of the most recognizable names in apparel. He explains why men have shifted their desire towards better fit apparel and intentional dressing, what he learned from repositioning Brooks Brothers and how his Banana Republic x Mad Men collaboration set a benchmark for TV‑to‑retail capsules. Simon also discusses how J.Hilburn blends atelier‑level product with a direct, stylist‑driven distribution model, why its stylists think like hoteliers, and what differentiates good, better, and exceptional materials in real life. Plus: How social meida platforms now function as each man's “personal magazine."Featuring: Simon Kneen, Brand President at J.Hilburn (jhilburn.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout: The Luxury Item is the leading podcast on the business of luxury, and an important resource for global industry decision makers who want to stay one step ahead. Listen to insightful conversations with leaders of the world's most influential luxury brands as they share the latest trends, insights, and strategies that are helping them forge a strong path forward.Let me know what you think of the show. Email me at scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or a colleague!

En este episodio de Fashion Digital Talks, exploramos lo que realmente significa construir una carrera internacional en la industria de la moda más allá del talento.Nos acompaña Gala Limón, creativa multidisciplinaria mexicana radicada en París, con experiencia en casas de lujo como Balmain y Maison Margiela, donde ha colaborado con figuras como Olivier Rousteing y John Galliano. Su trabajo ha vestido a celebridades como Rihanna, Jennifer Lopez y Kim Kardashian. Además, es fundadora de Paris Fashion Class y directora de Paris Artisanal Week, plataformas que impulsan el lujo ético, la educación en moda y la conexión cultural.En este episodio…Platicamos sobre cómo construir una carrera global en la industria de la moda, el verdadero significado del lujo hoy, la sostenibilidad, el rol del branding y cómo desarrollar una identidad sólida en un mercado competitivo.También hablamos de:Fashion marketing y posicionamiento internacionalEstrategia en negocios de modaE-commerce y crecimiento globalBranding personal en la industria del lujoMarketing digital vs. relaciones humanas en la modaDescubre qué se necesita para trascender en la industria y no solo formar parte de ella.No te lo pierdas.

Was Dave Macklovitch right about the Hedi Boy revival? Is Hedi Slimane's skinny-jeans-and-leather-jacket universe bigger than fashion? And what happens to musicians when AI can make the record but not the room?Sol and Michael sit down with the podcast's favorite well-dressed unc, Dave Macklovitch of Chromeo, for his second episode and a proper apology tour after the 2025 Hedi Slimane craze proved him right. The trio explore the Hedi Boy phenomenon, Celine skinny jeans, Dior Homme codes, Saint Laurent leather jackets, indie sleaze, Grailed resellers, archive fashion, and why the looks that last are never just clothes—they come with music, photography, nightlife, diet, attitude, community, and a whole lifestyle system.Further, Dave connects that idea to Chromeo, explaining how the band built an 80s funk world through contrast rather than costume, why charisma still matters in the age of Suno AI and AI-generated music, and how the “human avatar” may become even more important as the back end gets automated.They also discuss Kid Cudi's “Day 'N' Nite,” Fool's Gold Records, the birth of modern emo rap, Lil Peep, Yung Lean, Clams Casino, Lil Uzi Vert, Geese, DJ Sneak, Daft Punk, Radiohead, Kanye West, A$AP Rocky, and the strange grace we give artists after their best albums.On the fashion side, they talk Aimé Leon Dore as integrated fashion, Supreme and Dior Homme coffee machines, Rick Owens lifers, Tom Ford's symbolic universe, Haider Ackermann, Berluti cowboy boots, Soshiotsuki, Anthony Vaccarello, Demna at Gucci, Kozaburo, how to interact with Thom Browne on a budget, Balmain by Christophe Decarnin, moto denim, Saint Laurent patina, eBay archive finds, vintage Abercrombie, CDLP, DEVOA, Issey Miyake, and why brands that sell a world—not just a garment—keep winning. We hope you enjoy this one as much as we did.Questions answered in this episode:- Why is Hedi Slimane influential?- What is a Hedi Boy?- Are skinny jeans coming back?- Why are Celine skinny jeans popular again?- What is integrated fashion?- Why do fashion brands sell lifestyle now?- What makes a brand universe successful?- How do music and fashion influence each other?- Why do Supreme, CELINE, Dior Homme, Saint Laurent, Rick Owens, and Tom Ford create such strong cultural identities?- How will AI music change musicians?- Will AI replace artists?- Why does charisma matter in live performance?- Why was Kid Cudi's “Day 'n' Nite” important?- Why is A$AP Rocky considered a fashion artist?- What makes archive fashion valuable?- How do Grailed, eBay, and Discogs shape taste?- What brands are exciting right now? Lots of love!Sol---Episode Tags: Dave Macklovitch, Dave 1, Chromeo, Pair of Kings, Hedi Slimane, Hedi Boys, Celine, Dior Homme, Saint Laurent, integrated fashion, fashion podcast, menswear podcast, archive fashion, indie sleaze, AI music, Suno AI, Kid Cudi, Day N Nite, Fool's Gold Records, A$AP Rocky, Rick Owens, Tom Ford, Haider Ackermann, Demna Gucci, Kozaburo, Soshiotsuki, Thom Browne, Balmain Decarnin, Grailed, vintage menswear#fashionpodcast #chromeo #hedislimane #celine #saintlaurent #diorSol Thompson and Michael Smith explore the world and subcultures of fashion, interviewing creators, personalities, and industry insiders to highlight the new vanguard of the fashion world. Subscribe for weekly uploads of the podcast, and don't forgot to follow us on our social channels for additional content, and join our discord to access what we've dubbed “the happiest place in fashion”.Message us with Business Inquiries at pairofkingspod@gmail.comSubscribe to get early access to podcasts and videos, and participate in exclusive giveaways for $4 a monthLinks:InstagramTikTokTwitter/XSol's Substack (One Size Fits All)Sol's InstagramMichael's InstagramMichael's TikTok

How do you compete in a Chef of the Year culinary competition when you can't taste a single thing on the plate? For chef Naomi Lowry, the answer is muscle memory, decades of instinct, and an industry that showed up for her in ways she never expected. In this candid conversation, Naomi joins Tawnya and Lucy to trace a career built on anything but a straight line, from a pub kitchen in the UK to Sydney's finest restaurants, a breast cancer diagnosis three months after opening her own venue, a stint working in TV, and a second life she's found sixty metres underwater. This is an episode about what happens when the roadmap disappears, and what you build in its place. What You'll Hear in This Episode Growing up around food - Naomi recalls her grandmother's legendary home cooking, her mother's 1980s Connecticut dinner parties, and being the eldest of five kids who helped out in the kitchen by necessity How she stumbled into chefing - Managing a pub at university with an unused kitchen, Naomi started cooking and never looked back The leap to Australia - At 21, she sold her car and boarded a flight to Sydney just days after 9/11, much to her mother's horror. That decision shaped the next 26 years of her life Breast cancer at 38 - Diagnosed just three months after opening her own venue, Naomi speaks candidly about late detection, the support of the hospitality community, and why she posts a "check your boobies" reminder on Instagram every first of the month Competing through chemo - How she made it to the finals of a major chef of the year competition while unable to taste, and what it meant to have her mum there to witness it Losing her best friend to cancer - The spiral that followed, and how therapy and scuba diving helped her find a healthier path forward The dive that changed everything - Naomi's other great passion: scuba diving as her form of meditation, complete with a self-imposed tattoo rule that keeps her exploring the world's oceans Cicci, Balmain - The Italian wine bar where she's found her home, cooking pasta for loyal regulars who've named themselves "colony director" and claimed their favourite tables The secret menu - Carbonara, cacio e pepe, amatriciana and zabaglione: dishes not on the menu but always available for those who know how to ask Mentoring the next generation - Naomi's involvement in the Tasting Success Mentoring Programme, and her concerns about the craft skills - like breaking down whole animals - that are quietly disappearing from kitchens The chefs who shaped her - Danny Russo, Colin Fassnidge, Giovanni Pilu, James Viles, Jeremy Strode, and meeting Michel Roux Sr (she had to hide in the walk-in freezer to collect herself) About Naomi Lowry Naomi Lowry is a British-born, Sydney-based chef with over two decades of experience in the Australian hospitality industry. French-trained and Italian-inspired, she has worked alongside some of Australia's most respected chefs, including Colin Fassnidge, Giovanni Pilu, Danny Russo and James Viles at Biota. Naomi competed in the Chef of the Year competition. She is a mentor for emerging talent for Lyndey Milan's Tasting Success Mentoring Program, an advocate for breast cancer awareness, and the head chef at Cicci, an Italian wine bar in Balmain, Sydney. You can find Naomi on Instagram, where she posts monthly breast cancer check reminders and updates from the kitchen and the ocean floor. Follow Naomi Lowry: Instagram: https://www.instagram.com/chef_naomi_lowry/ https://www.instagram.com/chef_vs_cancer/ https://www.instagram.com/cicci.balmain/ About Straight to the Source Straight To The Source brings you closer to the chefs, producers, growers and makers across the entire food chain, the people shaping where food is headed and why it matters. Hosted by food experts Tawnya Bahr and Lucy Allon. Reach out, leave a review, and share this episode with someone in the industry who needs to hear it. You can find us: Straight To The Source Food Podcast: https://lnk.to/jBCTBE Straight To The Source Instagram: https://www.instagram.com/straight_to_the_source/ Straight To The Source Website: http://straighttothesource.com.au Tawnya Bahr: LinkedIn: https://www.linkedin.com/in/tawnyabahr/ Instagram: @tawnyabahr Email: tbahr@straighttothesource.com.au Lucy Allon: LinkedIn: https://www.linkedin.com/in/lucyallon/ Instagram: @lucy_allon Email: lucy@straighttothesource.com.au Keywords: Naomi Lowry, Women in Food, straight to the source podcast, Australian chef, Sydney restaurant, breast cancer, hospitality industry, kitchen culture, sustainability, Sydney, foodpodcast, Australian food producers, chef sobriety, chef career advice, diving, breast cancer, culinary competitions Resources & Links Check your breasts - follow Naomi on Instagram for monthly reminders National Breast Cancer Foundation - nbcf.org.au Tasting Success Mentoring Programme - Lyndey Milan's program for emerging chefs in Australia - tafensw.edu.au/programs/tasting-success @straighttothesourcepodcast: https://www.youtube.com/See omnystudio.com/listener for privacy information.

We’re diving into the 2026 Met Gala red carpet, where the fashion was only half the story. From surprise arrivals to late entrances that completely shifted the night’s energy, this year’s event delivered more chaos than ever. We break down the biggest fashion moments, including Beyoncé’s long-awaited return, Rihanna’s headline-making late arrival, and Blake Lively’s unexpected red carpet comeback just hours after major legal news broke. Plus, the standout looks, the most debated outfits, and the celebrity “power moves” that turned the Met Gala into one of the most talked-about nights of the year. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.From Mamma Mia. Welcome to the Spill your daily pop culture fixed. I'm Laura Brednick, and I'm Free Player, executive producer of Mamma MIA's interview podcast No Filter, and former fashion magazine editor. Yes, you're always my partner in crime for these red carpet episodes in dcause we both have hot takes. They're usually very different we do. We often have very like opposing ideas. Yes, what was best, what was worse? And we've been avoiding each other in the office all day. Yeah, we had to yell at each other get away from me because we didn't want to. We didn't want to have a donation. Don't even look at it. You can look at me. We didn't want to have the conversation away from the mic. So if you are listening to this, it means you probably listen to our Met Gala little teaser that dropped in the feed earlier today, because we're dropping this episode a little bit later. Because with the Met car there's so many dresses and there's so many interviews, and then celebrities release their own like look books and updates afterwards. So we needed to bring the people boots on the ground. Journalism with all the looks. So that's why we're coming to you today with our special slightly later episode. Now before we jump into the best, worst, most disastrous, most surprising, most sentimental looks of the day, it's a broad, broad range of looks we're getting into. If you want to see the looks, if you want to actually have the photos in front of you, you can go and listen to us on Apple Podcasts where we're on videos, so you can watch us delightful, watch my face get veteran, veteran rhetoric as I get more excited and overwhelmed. Or you can go and look at all the photos in a gallery on Instagram. So just search the Spill podcast on Instagram. The gallery will be clearly labeled in order of how we're speaking about the looks, so you can follow along and see them all there. Okay, without further ad you, well, our first look is kind of a shared one because we want to just start things off with a bang, and that is Miss Beyonce, who came to the Met Gala for the first time. It was it ten years in over a decade. It's just like so exciting to see her back on the Met Gala. Red carpet, which of course is not red. Let's let's start off by saying, give there a carpet. I love the carpet non red. Okay, this might be the only thing. This might be the thing weiss best dressed to the night is the carpet. I loved it. I did a little moss between Yeah. Yeah, they looked like it was like fake but beautifully done. Yeah, very artistic. Really, and let's bring this to the forefront as well. The theme for this U's met Gala is about fashion being art Yes, so costume costume. So what we get to see is not only like the setting, which is why it's not just your standard red carpet being very artistic and very creative. Is the clothes then on it? And I thought, yeah, the way that it looked this time, it was kind of like it's like a beigey sort of cobblestony, Yes, cobblestony, with like the moss between it. And they had all the beautiful kind of draping again coming down the ceiling. It was creamy it was, and greens and purple it was. It was beautiful, which I thought was such a beautiful backdrop to put all the clothes on as well. Yeah, because sometimes the stairs look lovely, but once you get a dress on them, they cancel each other out. Yeah, like remember the pink here the camp Yeah nine much like it was gorgeous, but then some outfits just didn't work. Yeah, no, no, And that's why celebs are releasing their own They're having their own photo shoots first and releasing them because they're like, I can't trust the lighting and any red carpet, but especially the met gala. Can't trust the lighting, can't trust the background. So okay, and that's the thing. As everyone took their photo, that was the bit where the steps before they became green, they were in that beautiful cream color, which is not a nice backdrop for all the dresses. So we had Beyonce rock up has it been there in ten years? And she was wearing a diamond encrusted dress that looked like a skeleton, so it had like the rib cage and like the pelvis and her hands were skeleton kind of a vibe. And I guess that's to show like the body in its like most like basic form a skeleton, a skeleton. And that's what part of the theme was, was showing the body as well, and the body being kind of the basis for art, so as you say, skeleton is the body stripped back to its most basic form. But I mean, of course, because it's Beyonce. It's jewel encrusted and it's incredible. And then she wore this long feathered cake. Yeah, incredible, that dreaped and then the head piece as well. I mean it's Beyonce, She's always going to bring the dru Yeah. Some people are like, oh, she could have lost the head piece and it's like, no, no, the head piece and it was Olivia Rousting, wasn't it. He used to be from Balmain, who's like she's worked with him before. Yes, she's won a lot of Almaine over the years, so yeah, it wasn't surprising that that's who dressed it. I felt, yes, but I think she looked glorious and I loved that she showed up with her gorgeous, gorgeous best accessory, her daughter. Yes, it was a night for daughters. Yes, Nicole kim And was toting one of her daughters down the red carpet and then Beyonce did it. But Blue Ivy, her oldest daughter who's fourteen now, and I think she actually looked like appropriately dressed for fourteen year olds. I do too. There was a lot anund the office. It's about you know, her being on the on the carpet anyway, and at this event, and you know, these experiences that these really young girls are getting to have. But I thought she I agree, I thought she looked age appropriate and so so gorgeousful so much like her mother. Yeah, that was such a moment because the Beyonce floated up and everyone gass and then Blue Ivy floated behind her, and then they had their moment, and they had their moment together, and then jay Z ran up and and then he was in there and but then they obviously I actually feel like as a family they practiced in the mirror at home because when they got into their first formation for their first photo, they just all I did. Yeah, they just instantly got into the right places and held a pose. And I was like, well, you guys have been practicing that the family living room. Yeah, and I appreciate that level of And Beyonce is a co chair this year. What's interesting is the timing of Beyonces arrived. Yes, if you'll notice all the other co chairs arrived at the top of the top of the day, which is kind of usually, which is how it goes, because they meant to greet people as they come in. Yes, that's part of it. They meant to greet people as they come in. Beyonce has ascended above that level where she is not a greeter. No, they had She's up stairs and being like, hik so much for coming to our party, thanks for coming for a little shin dig Like, no, Beyonce is not doing that. Her arrival was such a moment. It really was. Okay, who else did you go? Because we get week spend an hour on everyone fifty looks to get through. Okay, I'm going to start strut with my favorite of the whole night, and you won't be surprised by this, I don't think. Okay. My favorite was Oh, Sabrina Carpenter. Yes, Sabrina was in Dior. She's been wearing a lot of Dior lately. Jonathan Anderson, who was at Louerva, is now in the House of Dior and doing the most incredible job. Because there has been like quite a shuffle in the last couple of years in the design houses, where like there were designers in certain houses that felt a little bit mislike. Now, I'm not saying he was amazing at Louerva. He did a great job there, but I do feel like what he is doing at Dior is what should be happening at Dior. So I was very excited for this year's met Gala because I feel like after years of kind of the wrong creative directors being in the houses that I felt maybe were they weren't aligned to, or that there were people in those roles that maybe weren't doing the best job interesting for those houses, the dust is settled, and I feel like this is the first time in a few years where the right designers are in the right house the levels. It's like the right house Game of Thrones. It has been a bit of a fashion game of Thrones in the last couple of years. So anyway, I was excited to see I thought Sabrina would wear deal because she's been wearing so much of it lately and she is somewhat like aligned with the house as well. But I was very excited to see what she's wearing now. The gown she's wearing is made of film strips, and the film is of course Sabrina, but the Audrey Hetburn Sabrina. Yes, here's an upsetting fact about me is that Sabrina is one of my favorite movies. But you like the well do you know what? You know what? Okay, but that is usually trees in. It's because obviously, if anyone hasn't seen the Audrey Hepburn movie Sabrina, watch it. It's incredible. But I personally prefer the Julia ormand Harrison Ford Sabrina, which I know is film blasting, you know what, it might be film blasphemy, but I think there's a place for both of them. But it's a place they're both exquisite felt exactly. But I just when I saw the detailing that it was film stills from Sabrina, I nearly lost my mind. That's the most beautiful touch. It's so beautiful. And I love that Sabrina went as Sabrina, but as Sabrina but in this like majorly artistic iteration. Also, and because I am such a swifty fan girl, I'm gonna just say that she's gone a bit show girl this year. And of course she features on Little Maybe with the head Piece a little not to her mentor, but also she features on Life of a show the track title from the album. So look, I'm not saying, oh, you think it's like, well, look, I'm not. I'm not. I'm not. It was like a nice little thing. But you're saying it's like shot fired. No no, no, God, no, no, no, we start no Brina and Taylor fe on. I'm not saying that Sabrina's outfit is for like an Easter egg, that this is coming with Taylor's sweet I'm not saying that. But I'm not not saying that the video clips. I'm just you know, last year, Sabrina on the met Gala carpet looked very pop star. This year she looks very showgirl. That's all I'm saying. That's all you're saying. That's all I'm saying. And you can, guys can read into that what you will, what you will. All Right. My next one, it's not a favorite, but it's just one we must discuss. Well, it's kind of a favorite because I appreciate how much this woman takes this seriously, puts her life in the lives of other people on the line, and how much she sticks to the theme. And that is Miss Kimberly Noel Kardashian did you not like it? No? Okay, well let me tell you a backstory maybe then you will. So she worked with British pop artist Alan Jones and Patrick Whittaker on this piece. So it's a golden breastplate for anyone who needs is listening to this just as a podcast, no judgment. It's a golden breastplate. But it has like the high silhouette neck and the cone bra, so we've got a real pointing nipple happening, very sculpted abs and a belly button. And it was craft did from a model in the sixties, which I thought was interesting because she said at first they were thinking like, would they do a mold of her body, which out of everyone, she kind of could have gotten away with because her body is like her cooling cart, and that's why she once walked the red carpet with her face covered because you can just see her body, you know it's her. But they decided to get the body model of a sixties model, and then it was this is the only disappointing thing is that the original look was going to be a full on sculptured suit all the way down, and so they've taken like the legs and the bottom half off and have done that detachable skirt, which is fine, but I feel like it does kind of take away from I would have loved to see her walk down in a fully sculptured suit, like a very old school robotic kind of like end of the World's sci fi vibes. So that's my problem with Oh, that's your problem. That is actually that is actually my problem with it. I think from the waist up absolutely incredible, Yes, And I just wish that it had committed the whole way. It's like she got no I mean I think no, I she didn't get nervous Kim Cush, she doesn't get nervous about I actually wanted her to make more. I think she's one of the few people who because she is always dressed so high fashion, she is not afraid to not be like the prettiest on the night, but be the most headline making And I usually like that about it exactly, and particularly with the met Gala, She's not. There are years where she does not prioritize pretty or sexy. She prioritizes creating a moment. Yeah. I wouldn't even necessarily say she prioritizes the fashion. Yeah, because I feel like it's more moment led with her exactly. Actually it's a headline interest in fashion, and we like that. But that's what she does, and she does it so well. I don't think she did it this year. Yeah, I appreciate the thought behind it. If you go to her Instagram, she's done a huge behind the scenes, like almost her own magazine photo editorial spread to explain the look. And when you see all that and you read it, it makes more sense. But I do wish maybe she'd just gone with the full look, but also the top part, the bones and the bra and everything was finished in autobody shop. So some men who work on cars hameadat and I love that. And I hope they know it's at the met Gala. They would have loved that. Okay, who's your next person? I am going to talk about Tana Taylor? Oh my god? Yes, I had her on my list, Yes, of course. Okay, so there we go. I feel like we're actually aligned on quite a few. Yeah. Yeah, spen too early to tell you now. I love it. It's like crazy. My first thought was she looked like she was like high fashion escapee from Whoville. Yeah, but it's incredible. It's like for anyone listening, of course, it's like silver fringing that is from the hood right down to a train and like it's long sleeve. She was really feeling it. She was swishing, swishing, swishing, and she was taking the shots. I'm glad you brought that up because obviously we had the met gala up in the office here and there's about fifty people gathered around it watching every second. And when she was swishing her head around, Everyone's like, oh, no, she can't see she's getting annoyed by it. And I was like, no, no, guys, she's showing the move No, she's showing the movement. And she's doing a photos wanting to get photos that show it from like every angle. And when something is artistic in the way that it moves, you've got to really show it on the carpet, which she did. So this was tom Ford incredible. I just felt like it was such a moment. It was also I felt a bit of a fresh air after a lot of different other looks at after her big Red Carpet run when she was OSCAR nominated. Yeah, same material on her oscars. I mean, to the naked eye, the same sort of material on the train of her Oscars dress. But it's almost like her Oscars dress has morphed into this like beast and is now running free. That's why I thought when I saw it. Okay, moving on to someone who a lot of people are slamming her and putting her on worst dress. Look, because I'm not so much defending her. I just want to explain. And it's Margot Robbie in Chanel. Did you hate this? No? I don't hate it, Okayel, No, I would never know. No, I would never speak about my close personal fo Margo Robbie that way. I know you guys are pals. We are pals. I mean, for anyone listening, We're not actually pals. I've just hung out with her like two or three times. She would not remember me, but I refer to her as my close personal sofa, so I you know she. I mean, look, Margo can't not look stunning. She's so beautiful. The dress is very pretty. I feel like that would have been very pretty on any other red car, But I'm just not excited by it today. Hear the thing about her? I think also, I love every like everyone just like I mean, I know you've get it more thought than that. But everyone I'm seeing on in like Instagram and TikTok scrolling past this dress and going oh ugly and moving on. I was like, this took the Chanelle team seven hundred and sixty one hours to make, and everyone's just like, yuck, we hate it. But it's almost like a champagne gold strapless gown with this beautiful detail at the back. She also hasn't been to the Met Gala since twenty twenty three, so she doesn't go every year. But what I loved about this is that everyone's always expecting Margo Robbie to go really over the top of the Met Gala. But first and foremost, she is a businesswoman. I would say she's a businesswoman. She's a movie star girl right down the end, and she turns on the fashion in a huge way for her red carpets because one, she's the star of the show, but also she's marketing the movie. I mean, no one does red carpet promotion better than exactly no one does it better than her. And when she's at the Met Gala, she's not there to promote anything. She's not even promoting herself because she doesn't need to. She turns it on for a red carpet movie premiere because that's from usually from her production company, so that money is coming back to her in a good way. Like that's what she's there for. When she's at the met Gala, she's often just there to look pretty or and like comfortable as well, like she never wears. You never hear of Margot Robbie starving herself for six days wearing a corset lined with spikes, like you know, to help her up the stairs. No one ever helps her up the stairs. No one's looking at that saying, oh my gosh, how did she go to the bathroom there? Yeah, she's put loosing fancy, she said time. She's often, I think getting paid by the house, getting paid by the brand to be an ambassador, so she's still making money while she's there. But so many times I've seen these women, like on the red carpet the Met Gala, like feathers trains crazy, which we love, but like not being able to move, not being able to go to the bathroom for ten hours, having to be carried up the stairs, and in the background of the met Gala, you just always see Margot Robbie bound up the stairs looking happy. You know she's going straight to get a champagne because she can, because she's not there to make a spectacle of herself, because she does that for her movies. And I actually think that's a lovely way to be. And if I actually had a choice, I think I would. I would roll like that the way you don't want to go relaxed Australian. Yeah, it's like, you know, the nights that are about me, It's about me, the met Gala, it's about me. So you feel like off the back of the very like stylized Wuthering Heights rum. She just wanted to do something that was just be She was like, Chanell, you tell me what you want me to wear and pay me that feet and I will put that dress on and as long as I can move and it's all approved by Anna and whoever, I don't care, it's not my I think. Her vibe was like, it's none of my it's none of my business what I wear. And I love that for her. Okay, who else do you have? You know? What is it? Time? Can I talk? Oh my god? Can I tell you about the boys? Yeah? Yeah, please please talk about it, please hear it for the book. Okay, I am going to go you know what, I'm gonna surprise you and go straight for somber. Oh okay, okay in Valentino, like I does like that person, this detail, It is stunning. I would love to wear that. It is just so glorious. It's because Share was there, but he looks more share, more share than Share. Oh my god, I wish Share had worn this. Well, they could have done a double act. I would have actually been so here for that. So it's like pants on the waist with full beating around the waistband, longline beating down the full length of the pants. Then we've got like a silk and laced blouse that's high neck, and then the most incredible cape that just brings it all together with just the crystals just flowing down it. This is Valentino my favorite because I love Alessandro Magula formerly of Gucci. Now he is responsible for my favorite meal look of all time, which was in eighteen was The Heavenly Bodies the Catholic Church. Oh yes, yes, okay, so a beautiful confusing time for the beautiful confusing time for everyone. But the best met Gala oh, absolute, literally ever and my favorite was Lama del Rey, Jared Leto and Alessandra mccallay, Yes, showing up together in that like ensemble. I mean, it was just incredible. I don't think anyone has ever reached that since I don't think anyone will, but so I always look forward to what you know, and Alessandro is going to bring to the Red Carpet with ary designs and I was really excited to see that this year on Somber. I thought it looked exquisite. Okay, we love the boys, we love the boys they put Efor in. All Right, while we're talking about boys, let's talk about our hated rivalry. Gorgeous boys, Connor Story and Hudson Williams, because both of them rocked up to the Red Carpet this year. Now, I love that they're there, the meteoric rise of these guys and the show is just being so incredible that they're everywhere. They were all over Award season, they are now on the met Gala carpet. But were you disappointed they didn't actually walk down together? I mean, would you think it would have been too much? No? I mean they're not they're not promoing their show right now, they could have just done the girls and the people saying, you know what, they will, We'll get something out of the day. There'll be something, so you know, they they know where their breast. But that's what I just saw, everyone just like hunting through the images and through the videos desperate to find like a moment that they were together, or they'll get one and it might be it might be at the after party, but we'll get one, don't you worry. So Hudson was in Balenciaga and it was like super super super detailed. Have you had a good look at it? Let me let me. I'm gonna be so honest that I was just looking at their faces. Yeah, show me the outfit. You're like, whatever, what are they? Those men to high had Okay, and that's totally that's totally fine, and I had I had a good crack at that too. But Hudson's eye maker was much talked about in the office. It was kind of a big Euphoria esque with the with the eye makeup, but it looks Euphoria Season one back when the I makeup was fantastic. So in like a powder blue suit and there's like black detailing beaded and then this kind of cap skirt s He's got a train, a train. He's got a train. He took a leaf out of Beyonce's book and he's like, I'm having a train. He's like, I'm having a train. I want my moment on the steps. And then Connor in Saint Laurent, this incredible blouse showing off those guns. Thank you, thank you, thank you. Are insane, and he's got almost me. I feel like I had that top when I was like fifteen. It's like a Poka dot hole today, but my arms didn't look like that. These arms look like they're the Hulk. And it's got it's got a lot. He's got a train as well. So I'm just gonna show see a Poka dot comes all the way down. Now. He actually came with a blazer on over the top, and he knows what we want. He did half reveal. He did a red carpet reveal of the arms. I mean, I guess the blouse, but like whatever of the arms. Now he's wearing Saint Laurent. A lot of people are in Saint Laurent on the red carpet because Anthony Vacarello is one of the coachairs who is the designer for Saint Laurent. So we saw like Zoe Kravitz, Charlie XCX, like there's a lot on the carpet who were rocking in that designer. We love Okay, okay, rapid fire through a few more because guys, there's so many good looks. I just want to give a shout out to Doughci who wore custom Mark Jacobs and she looked gorgeous in the eggplant color, this like headpiece, kind of like rising up to the sky. But my favorite detail about her is that she didn't want to my heels, so she got her feet painted in a beautiful Hannah design, wore anklets, and then tiptoed barefoot down the entire carpet, and then tiptoed up the red carpet. See, and that is move And that is a level of calf strength that I cannot imagine is hard. Tiptoeing is hard, tipto the whole way. If there was a flat footed moment from that girl, I did not see it. Surely she's flat footed inside or maybe she's wearing a shoe inside. What are the rules around being barefoot? And I just findin Anna winter going, Oh you've got a shoe ear right? Well, you know what at Chanelle Cruz's show last week, the girls were walking down the carpet barefoot. Fine, it's it's it's like on trend to be bare foot. Yeah, and then you've got like men like Quentin Tarantino who just like, let me put that in my movies. He's taking screenshop. Okay. Kendall Jenner in Gap Studio by Zach Posen. This is an interesting one. Can She and Kylie Jenna looked a little matching. They both had almost that kind of like nude look at the top, but Kendall's is modeled off a Gap T shirt and then she's got like a little fake nipple poking out and then just kind of cream beige draping of the dress. So Kendall and Kylie also especially Kendall, liked to make a headline with their outfits. Do you think this was as a headline inducing you're like, num, No, I don't actually think none of them are getting a headline this year. No, that it wasn't. Actually reason why I believe that they're invited is because they do get those headlines, and I think they were all really underwhelming this year. I mean, she's like, she looks pretty, she is pretty, She's a very gorgeous girl. But I'm just not excited by that is Yeah. I think the Genas and Kardashians, they just have the most enormous cultural currency, so I feel like that's why they'll always be invited. But I almost maybe liked Kylie's play on a little bit better. I know they're completely different designs, but she had the kind of almost like a nude top and then it was like the body undress of the skirt forward. Yeah, I preferred Kylie's as well. I thought she was more of a moment and worked with the theme yes better. What I did think was interesting about Kylie was that her boyfriend did not attend No you know where he was, Yes, And that's so fair, you know why, because Timothy Shallon May doesn't go to anything where he's not the star. That's his thing. The like the Kardashians and the Genders very much like they the significance of the moment, their red carpet looks, and I know they all work so intently with their designers and like they really care about the fashion side of it. Timothy Charalamayne cares about being seen as a movie star, which is so fair enough, but he doesn't really go to events, especially where he is now, like he has previously when he was trying to build up his capital and build up his absolutely in for me. But at the moment he's in now, he's going to go to a next game anything, and he's not a nominating else missing. Who so Kravitz's boyfriend slash fiance. Yeah, but Harry Style again everyone that they're going to walk together. No, I never thought they were, as you know, long time Harry Styles fan. I didn't expect to see him there either, And I think if he was going, we would have heard about it in advance, it would have been named, you know. But he's also about to start his world tour, so he's busy, and he famously gets tired. That's why he's making everyone the tour come to him. Right. Oh, yeah, he's not city hobby. No, he's not city hop he's too tired to go to Metguala. Yeah for a week. Yeah, he's reserving his energy. Okay, I need to quickly talk about a boy before we get into my favorite boy of the night, Bad buddy, is that I'm sorry, Is that not the weirdly hottest thing you've ever seen? Hey? Yeah, but I don't know whether I'm just like going through a real old man moment at the moment because I've been like really into the guys. So I'm really you haven't watched well, you haven't watched the Pit. No, because I'm I can't do enough. I can only watch grays Anatomy, just the lift, kissing scene something else. There's hardly any medical, like compared to the Pit, there's hardly any medical and graz Now No, that's why I like it. I can understand why you're avoiding it. But yeah, look, because I'm having such an old man moment at the moment, Like, yeah, I was excited to see a bit of great on the car so bad Bunny is wearing Zara and just you can just imagine her like running on them proves all the looks, you know what. I think what will be really interesting is Zara probably advertising in Vogue at the moment, to be honest, so she had to let she had to let someone wear it. Yeah, exactly. And obviously Zara was a big part of his Super Bowl halftime show, but Bad Bunny has aged himself here because I guess one of the part of the exhibition theme is different bodies, so like bodies are different size as shapes and ages. But he's the only one that I saw who really took the aging thing and ran with it. He's wearing prosthetics to make him look maybe seventy or eighty. It's really interesting because like everyone in Hollywood tries to look so much younger than they are. Everyone is on this like strive to look as young as possible, and like, no judgment because I'm I'm the same, but but I love that he went the opposite. Yeah, exactly. But the thing is men can do that because men tend to be like, oh, a silver fox when they get older, like he's he's sixty, Like let him dated twenty five year old and win an oscar because he's just getting started at sixty. But the thing he's in his next act exactly, he's just more, you know, kind of well weather worn. Now, whereas women it's like you're thirty, get out of here. So there's that side of it. But I've decided just to let the feminism leave my body for this because Bad Bunny looks so hot, and also he does you can did it? Yeah? I mean that's not terrible. Yeah, some people don't age well, yeah, I know the weakd I would have thought that he would have looked to the mirror and actually, wait, this isn't working there. I don't look back. But he looks hot and also bad bunny hot? Is it? Maybe you can because you can feel his rippling muscles and sexuality try trying to break free of the old man. And I appreciate a funny guy. And he was in character all the way up the stairs and he was walking with the walking cane and he was interviewed in character. I love it. I think it's no I agree, And I think it's really hard for a man to have a moment on me because it's hard for them, because it's not for them. And how do you compete when Beyonce rocks up with the train, Yeah, like still jammed in the car door while she's halfway up the stairs exactly, But he did it. He has something that everyone's talking about. Oh man, everywhere, we love it. Okay, who else you got? Okay? Well, speaking of making a massive moment, Yeah, we need to talk about Madonna. Okay, now, this is not all of Madonna's look. I couldn't fit it on the eye on the way. I think I've got a wide shot. We can do it, can we? We can do a jewel Hold up for this because I'm missing seven accessories, which is in the form of seven stunning women. I've been calling them Madonna and the Pips, but that's not even accurate because there are way too many girls for it to be Pips. There we go, see, Oh my god, I loved this so much, and seven people holding out this beautiful train and I love that because they're so strict on the Metgala red carpet, And that's why selbs look so scared a lot of the time, because usually if you're famous enough to be at the met Gala, then you're famous enough to travel with an entourage, and you normally never walk a red carpet or even walk into a room without your manager and your publicist and your assistant. But no one gets to bring their team down the red carpet because the guest list is so tight, So the sleds have to stand by themselves in a line. It's the first time they're ever alone in their lives. And then they have to walk the red carpet by themselves, and most of them, because they're socially awkward, are terrified. So I love that no one gets a plus one, but Madonna gets seven plus seven seven servants slash maidens. It was giving a bit handmaiden but okay, so she's in Saint Laurent. It is the head piece. I love. The head piece is incredible. It's a ship. It kind of looks like. Helped me out here because I've never seen it, but I've been on the ride a lot at Disneyland. Yeah, the Pirates, the Pirates, the Caribbean, the what's the what's the one like the one that the captain Jacksbury is his ship? Yeah, I could not tell you that. I thought it looks like more like the ship from Noserati. That's where my head goes. Oh yeah, okay, well that too. Well it's a it's a bad baddie pirate. Yeah, we're we're not good on the pirate lingo. But like, it's this incredible head piece. Off it is draight, like long, long, long pieces of gray fabric that these women are all holding out and then she comes down in this like black dress. She's holding it looks like kind of like a trumpet the piece that she's holding. And what I did love seeing as well was she walked up the stairs, glided up the stairs with these women helping her along up the stairs. But then about fifteen minutes later you see the seven women. They all came running down to leave, so they kind of like fairies fleeing like a sort of like midnight fairy like festival. So they were allowed on the carpet, but not inside. No, absolutely not no, And they were only there for the spectacle of the photos. They were all holding the different sections. The way they move was like a choreographed dance around her, so that the dress was never twisted. They all had like pieces of lace covering their eyes, and it was the whole look so like the dress, the head piece, the way her hair was styled, all the women. It was in reference to that surrealist female painter Leonora Carrington, who was the inspiration for Bedtime Story right the music video from nineteen ninety four. So that is so incredible that they went and like looked back. The detail is just like, honestly pretty much I would say almost my winner of the night because of the deep because of the details and the reference back and I love that they use like it does reference an artist, but it also then references Madonna as an artist as well. Yeah, because that's her. Like I just I can't stop reading the Everyone on her team gave an interview and I'm like, that's correct. Well, there should be seventeen interviews from seventeen different people who put this look together. Imagine how hard the Saint Laurent team had to work to do all of these outfits. Yeah, because you've got all the people, like the handmade into a holding, the dresses, and like the way there has styled a makeup. Even her hairdresser said that they specifically made her hair dark brown, not black, very undone, very untouched, and made it look that like the hair looked lived in, much like Madonna herself. And I was like, get out of here with that. I love that so good, incredible. Okay, this one, I would not say it's my fave, but I think it's a talked about one and I appreciate it. It was a departure from her normal basic black column gown look and it's Hailey er. Do you know what. I absolutely agree. I normally don't have particularly have time for her. And I'm like, I read because she's not a red carpet girl, she's a street style girl. Yeah, but I think she thinks she's a red carpet girl, and a lot of people, well, I don't know. I think I really like someone tell her that's fine, that's not her currency. No, I look, look, I don't really have much time for Haley Beaver. Fine, I said it, be careful saying that in these means streets Sydney. I know, Sydney shut down when she arrives. I know. I don't think I could say it outside the walls of the studio, but you have to come into witness protection. But I'm just yeah, I just never I disliked her. But I know what you mean, Like, we don't understand. We did a whole episode of this, and I don't think we got to an answer the huge intense love and the fandom around her and nothing bad, Like I understand. But the thing is, like, there's lots of beautiful young women who have beautiful style and beautiful makeup and skin and share their lives online and people love them. And I understand all that about her, but whatever it is about her and who have celebrity marriages and who come from vapor totally. Whatever it is about her that has kicked her up to like the highest tier of that is what. I'm not white. I don't know. I don't I've asked so many people who love her and they can't even explain it. They're like, I don't know, I just love her. Yeah, I don't know, that's it. I don't know what her secret source is, but that's it. I don't think other people can name it either. Something about it. They love her, and you know, for a lot of people that's enough. But I agree, normally I am so just like I can't even really bothered to check what she's wearing on her carpet, right, but I thought she looks so absolutely exquisite. The colors, I think is what it is. I mean, hopefully she'll wear color going forward because it does suit her. So she's sewing Saint Laurent, as you said many people are, and it's a beautiful sculpted bodice that has like the breast and stomach detail, which a lot of people, including Kim Kardashian, did to some extent. But the difference with hers is that her sculpted bodice piece with the boobs is made completely of twenty four carrot gold, which is crazy. And then you have long blue chiffon skirt and also the kind of flowing neck piece around her. And apparently she's wearing a gladiator sandal. Oh but we can't see it, but they were in the I know, we'll have to go look at the video. In the video, she'll she'll show them the dress pulls up and she's wearing like a gladiator sandal. Which I'm not against those coming back. No, neither neither. Fifteen year on me is thrilled. No, I've still I've still got some in my coh. I don't throw anything out. I've got everything. Okay, great, so you're gonna be insion, I can pull them out. Okay, I've got someone I want to talk about. Okay, I want to talk about Annicole. Okay, so also a co chair tonight. So she was their first. So she was she's a rule follower because she's a real follower and she's got good manners and she wants to greet everyone. So she turned up first. She's wearing Chanel, so she's part of the Friend of Chanell House of Chanelle. You know she's she's a Chanel girl. She's a Chanelle girl throwing through. I love this color on her. I think she looks so so beautiful in this color. There's been a lot of chatter about her hair though, Oh okay, so I don't know if I have strong thoughts about the hair. So the dress is like this beautiful almost like a burgundy glittering, high necked, long sleeve dress. Beautiful train, and then like almost like a lighter red pomp pom esque feather detail pieces. So that's all beautiful, and she's got the height and everything to wear that. Do people not like the long straight blonde people aren't loving the hair, What do they want like a bum? I don't know. I think I think you need the hair with that. It's because she looks like she looks like a medieval princess with the way she's standing almost, with the cut of the dress and everything, and with that kind of like almost like mystical etherean legend kind of vibe. You need that long, flowing golden hair. Yeah, it would have looked too almost like too prissy with like a bun or Yeah, I think so too. I don't have a problem with the hair either. But there's been a lot of chatter online and also in this office, we're really driving everyone, well, this is just talking to us instantly, and we've like literally, we're like taking notes and we're like, will be the expert. I said nothing out there to anyone, so I just nodded when everyone spoke to me that I'm coming in here and being like and she said this, and I was like, well, this is the actual story anyway. I don't think the hair is that bad. No, general, I'm shocked by that. Do you know whose hair I don't like? You tell me? Oh? And I did screen this across the office. Okay, I just want Gracie Aprams to stop cutting her hair. Oh my god. Everyone was getting upset but again ragging the office. Everyone was like, what's with her hair? And I was like, but isn't that her whole thing? Because you've got to pick more of a pixie cut now, but kind of, I'm short, it's so so short. And I loved her with long hair. Also, I did love her Chinel dress. She looked really really, she did look beautiful. I think she's trying to, like rile against that traditional pop girl look and have like an edgy haircut, but then she pairs it with a pretty dress, and I think it's like, she is so pretty, she's got the cheek brown. Just because you've got the cheek bones doesn't mean you have to do it rest. Just because you can have like a weird bob cut doesn't mean you should. But I also if anyone, if anyone can, it's her fair. Okay, faves again, we can talk about this forever. So one of my all time faves, not just tonight at the Metgala, but in all walks of life. One of my fashion queens Gwendol and Christie, who of course people loved as Briann of Tarth in Game of Thrones, but also in so many other things, including recently in Wednesday on Netflix. Yes she, I mean, the thing is, she's just so statuesque and beautiful, and she's wearing this deep red gown with almost like a fish a mermaid train one shoulder, this beautiful head piece. But what I loved is she has a mask of her own face that she was holding up to people as she walked past them. And the look was designed by Giles Deacon, who was of course her lover. Her lover since I think twenty thirteen, officially, having a hot, fashioned boyfriend also makes you dresses. Yes, the dream, actually the dream. Yeah, where is that man? For the rest of us? Absolutely socially as a tall lady, like it's so hard, like not just model tall, but like tall tall. It's so hard. Sometime many spillers that don't know this. Yeah, Laura Brodnick is very tall. I'm tall. I stood next to Doing Christy once and I was like, this is what I dream of because we're in Like, she's tall than me. I'm joking. Of course everyone knows you're tall because you tell tall time. No one cares about my tall issues. And I'm just saying, it's hard to find a really good dress, and her boyfriend made her one. That's true love. Okay. Someone else I wanted to shout out quickly before we get into the last few big moments was Lena Dunnam in her beautiful Valentino gown. Yes, she looks like she's an escape from an old school Las Vegas casino, but I love that for her. And she was nervous about going to the metgala. She wrote about it because her body has been ridiculed over the years. She's on a big high now with everyone loving her memoir, and I just quite like this Valentino look. I only the only thing I kind of wish is like maybe the feathers weren't completely covering her face, because that looks unintentional. I agree, there's there is too much feathering around the face, and it is like it's obscuring our view of her, and not in a way that it looks like it's meant to no, Like it's not like she's wearing like that's part of the dress for her face. Use she's She's like, I can't see. Probably, I'm like, can you imagine they're probably tickling her nose and she's trying to say stuck in her lip glass. So I love seeing as well the call back to the Valentino rockstud heels on her. So they were seen in the Devil Wes praa promo I'm Miranda and people were like, oh, she would never wear Valentino rockstud heels, blah blah blah blah blah. Now yes, Valentino rockstard heels are back. I love that shoe. I'm so excited to see it back. And there's like a modern twist on it too, which Lena's wearing. And I think she looks fabulous, which is one thing I did notice about Lena, and I don't like. Look. I always think, you know, when you see celebrities on red carpets and they look so perfect, the skin looks so perfect. I'm like, oh, there's a little bruise on her leg, And I feel like whenever I go to any event, I'm always like, oh, I'm not trying to cover up a bruise or something like that. I'm like, thank god, there's a bruise on the red cart. She's got a little bruising on her leg, and you know that's when she probably bumped it. If she's like me, she bruises just by getting out of the car at the met game. And she's got her leg out and she's got the shoe out and she looks hot. Look. I'm so here for for like Lena's comeback. I love her. I love the work she does. I thought too Much was fantastic last year. I'm excited for more Lena. You know who we need to talk about Rihanna, the lady who almost missed the Red car, The lady who almost missed the Red she saw arriving last, and she was like, you know what, girl, I'm going to leave my hotel when they're packing up the carpet, which I pretty I could honestly say that is what happened. They had to reroll that carpet for this girl because I think they were actually sitting down to dinner when Rihanna arrived. And I love being late too, but like, yeah, she was altly really late, and I look, people are given her rival times for the Red Carpet, so either Rihanna did not look, did not care, or saw her arrival time and when no, no, no, I'm Rihanna the only celect who could really do that pretty much. I mean, but no, that's not true because Madonna could have done that, Beyonce could have Like this was the where they work. Actually, those high level celebs there that do not care what rules they're given. No, and no one's gonna tell Rihanna, Beyonce or Madonna what to do. Did Rihanna win? I don't know, because she kind of missed the Red Carpet coverage, so I feel like there was this ripple of like Rihanna's coming and it's like, is she really coming because the red carpet coverage has ended. She came, She's there. I think she came. Maybe just there is such thing maybe as being like unfashionably late, maybe because the photographers like, we've missed your mom. Obviously her photos went everywhere, but you're right, the excitement was kind of everyone was in like the carpet's finished, and all the newsrooms like, and now we get our articles up. Now we finished getting our stories up, and so it was kind of like she was a late addition. So she's wearing Marjella to twenty twenty five, and it's almost like she's got a wreath around her head, but it's almost like a silver like crinkled metallic. It's like a done metal sort of yeah, and it's almost like it's wrapping around her like she's some sort of a sea creature, like she's been pulled into a whirlpool. That's my official fashion take on that. I like it. I'm happy to go with that. But yeah, I mean she looks great, and you know what the thing is that she just rocks up being like I'm here, take my photo. I'll go when I want, and you're lucky to have me. Yeah, and we are, and we exactly we are. I just want to ask her what's it like not to be a people pleaser because I can't relate to that. Yeah, Okay. The last person we're going to talk about was perhaps the most surprising yest of the evening. I don't think anyone was expecting her to show up, but Blake Lively arrived on the red carpet looking absolutely exquisite, and she is such a Met Gala staple, and this moment I can't describe it, like yes, that there were these huge entrances that were saying like Madonna, Beyonce, all these moments, but her arrival felt like a scene from a movie or a scene from gossip Girl, you know how, like gossip Girl always has, like it would always the episodes culminate a big event when someone who'd been shunned from society or blackmailed walks into the event and everyone's like, oh, I didn't think they were going to be here. So so truly, Lively at the Met Gala was a real life you can hear a moment, i'd we can hear it, like good evening for East. Oh I'm back, I'm back. Guess who was back? And she was back in a big way, and she looked like Serena. She had the Serena hair going. She just like had you know, I mean, she's barely aged a day since then. Somehow she looked absolutely glorious. I think everything about her look was again not calculated, but I think she knew that her arrival would make crazy headlines, and so everything she was wearing, the way she spoke, her accessories were all geared towards sharing a very particular message, which is that she wants people to forget about the legal battle with Justin Baldoni. She wants to forget about the smear campaign, forget about what the last few years have been, and just remember her as queen of the Met Gala and like the movie star she is. Yeah, whether or not that landed with everyone, but that was very clearly the message. Look at won't people are so divided over black lives in so many people are committed to hating her. But I do think that she went a long way tonight in showing like who she is, being confident as well, Like I love that she just was like I'm showing up, I'm giving it my all. I'm going to look absolutely stunning, and I'm going to have my head held high and do what I do best, which is create this moment, yeah, and be a fashion icon. And the timing was quite incredible because the statement had only come out a few hours earlier that she and Justin Baldoni in I think quite a surprising term of events, considering the coverage and how that court case was going, that they had settled out of court. They released between their companies a joint statement saying that the settlement had happened, that it was going to remain private, so there's a good chance we'll never know the details of this settlement between them. But their statement was very much like we're proud of our movie, we're proud of the message, and basically move on and let's not let's pretend this never happened, which for the coverage that court case has got in the last few years and the fact that she did a tell all with the New York Time, and then he had a live website where he uploaded all his material on her, like the most public legal battle we've ever seen, and then them releasing a joint statement saying it's been settled. Away from the cameras, please don't talk about it. And then hours later her attending the biggest red carpet of the year, and there wasn't like you there's almost like an audible gasp from the crowd because she was there, and she hasn't been to the Met Gala for four years, and before that she was one of the queens of the Met Gala always you know, the big dress, the co chairing the event, best dressed, all those things. And then she came in and the gown is incredible. Some people thought again throwing me off to some of the bus. Some people thought it was too prince SSSI. But that's her look, right, that's her look. And it was actually really nice to see a PRINCESSI dress all the carpet, like you know, it's like the fantasy and it looks so beautiful. It was a two thousand and six Vasace dress archival piece. They had like reimagined it. They added a bit of fruit. They did had a bit of fruit at the end. And they're in like stunning pastor colors as like peaches and pale pis and violets, and it's so so pretty. The beating is gorgeous. When you look at the dress as well, like structurally around the skirt, it's so amazing, Yeah, paneling. She just looks so pretty in it. Her hair like the you know, it was like classic black life, classic curls, a huge train, jewels dripping off her. Just that idea like what the fashion girls would hate, like too much, but too much in a perfect way. And then I saw her. She think Tuney did one interview that I could see, and she did seem nervous, and I think she was really she was rushing out kind of like all the details of the design of the dress, the importance of it. She was crediting all the artists that she'd worked with, and in a way where she really wanted to be like, I'm just up here for the designer. I'm here for the artists, not here for me. But then she was also carrying this custom Judith liber bag and it had four sides to it, and each of the sides was a different artwork by one of her four children. Now there's some people out there that are like and the statement from Liba was, we love working with Blake. She's so creative. She's such an incredible like visionary. This is a beautiful tribute to her family and she was talking about her kids on the red carpet. Then there's the cynical people who was like, oh, look at her using her kids to distract from the fact that people hate her, Like she's trying to like use being a mother to like just you know, kind of like quiet in the noise. And I think that's probably a step too far. Look, I think it's a step too far, But I do think it's like it's such a safe conversation to have. So while I don't think that it was to kind of distract from the people who like, you know, she can't control that anyway, But what she can do when she's nervous and understandably so, is have a conversation on the red carpet that she feels comfortable with. She's in like an area where she feels good to talk about it. Yeah, And of course that's her children, and she's always talked about her children and brought them into her interviews and her life and everything like that. So you know, it felt correct for her, and it was always going to be a polarizing moment of her arriving. But look, I loved it because I love the drama. That's what the met gal is about the fashion, the drama, And what I think is so interesting is that of everyone that came and every headline at every moment, the one that everyone is going to be talking about is yeah, exactly, And what a way to re enter society post the legal dramas, but also to do it so quickly. Yeah. Day of She's like, we're not wasting any time. I'm back on the radar back. Do you think she would have gone had it not been finalized? No? I think she went because it was fine. They were able to get the settlement happened. They were able to agree on a joint statement and get it out on the day, which makes me think like was it targeted for the day or were they just scrambling at the last moment. I don't think she would have walked with that hanging over her head, because then she would have been seen as like a victim, and at least in this a victim either of people who support her or don't, Like there would have been a negative energy around her. At least with this, there's like this finality to it, like that is over and this is my new chapter. Like a debutante, she's reintroducing herself to society. And you know what, I'm so glad because it would have been such a shame if that dress had had to stay hanging in the Versace Itelier instead of being able to be on that carpet exactly. And that's what the day is about. That is what the day is about. Thank you for listening to The Spill today. Make sure you're following us on Instagram and TikTok to see all the looks that we covered today. The Spill is produced by Manicius Warren with video production by Michael Keane and we will see you next time. Bye bye, LaBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

En este episodio de Fashion Digital Talks, exploramos lo que realmente significa construir una carrera internacional en la industria de la moda —más allá del talento.Nos acompaña Gala Limón, creativa multidisciplinaria mexicana radicada en París, con experiencia en casas de lujo como Balmain y Maison Margiela, donde ha colaborado con figuras como Olivier Rousteing y John Galliano. Su trabajo ha vestido a celebridades como Rihanna, Jennifer Lopez y Kim Kardashian. Además, es fundadora de Paris Fashion Class y directora de Paris Artisanal Week, plataformas que impulsan el lujo ético, la educación en moda y la conexión cultural.En este episodio…Platicamos sobre cómo construir una carrera global en la industria de la moda, el verdadero significado del lujo hoy, la sostenibilidad, el rol del branding y cómo desarrollar una identidad sólida en un mercado competitivo.También hablamos de:Fashion marketing y posicionamiento internacionalEstrategia en negocios de modaE-commerce y crecimiento globalBranding personal en la industria del lujoMarketing digital vs. relaciones humanas en la modaDescubre qué se necesita para trascender en la industria y no solo formar parte de ella.No te lo pierdas.

This week we attended the most incredible party thrown for @onthescentmedia byGlorious Brands and Muse Communications - a room filled with friends: movers andshakers of the scent scene, from press, PR and brands alike. All were there tocelebrate the official launch of On The Scent Magazine - and somehow, with all theirlove and support - it suddenly felt real!The magazine was arrayed on tables around the gorgeously flower-bedecked room,Mimosa cocktails were sipped, fragrant friends laughed and we all basked in themost spectacular view of London, delighting in the golden hour (and a rareopportunity to come together across various companies who are usually the onesholding launches, not getting to relax and attend them!) It was just JOYOUS, andwe are so grateful to everyone who helped organise it, and who came together insuch scented harmony.Ahhhh! Bliss.After reliving the magic of that night, we are excitedly counting the hours until theFragrance Foundation Jasmine Awards (the podcast is nominated for three awardsin Best Audio and Best Visual categories this year, while Suzy is up for anotherthree for her writing!)Meanwhile, of course we had to continue our in-depth chat about#whatwearewearing lately (because there's a LOT to tell you about…)Nicola: Guerlain Cuir Beluga‘Typically tough, the leather accord reveals a new facet here. Gracing the skin withsoftness and enhanced by a refreshing tangerine accord, leather becomes suppleand luminous, blending with intriguing immortelle notes before melting into avelvety lingering trail of amber, musk and vanilla notes. An untameable leather, assupple as white suede.'Suzy: Amouage Love HibiscusBy Jérôme Epinet‘From the moment it begins, Love Hibiscus ingeniously presents both of its mainfacetsat the same time: a hibiscus note – tart, berry-like, and herbaceous - and anappetising sugar-coated Palmier accord - sweet, buttery, and caramelised. Linkingthem together, with their citrusy, woody aspects, are a delicious passion fruit and agenerous proportion of frankincense. Finally, sandalwood, Indian papyrus, andvanilla bring the depth that renders the whole perfume indulgent and sensuous.'Nicola: M&S Discover Warm Neroli‘This 50ml eau de parfum from Discover combines sparkling neroli and bergamottop notes with a soft musk base for an elegant, long-lasting fragrance. The carefullydeveloped formula creates a distinctive scented profile that transitions beautifullyfrom day to night. The sleek bottle design ensures easy application, while theconcentrated parfum formula provides all-day wear without the need for frequentreapplication. Perfect for adding an elegant touch to your perfume collection.From sweet, fruity notes to spicy ambers, experimentation is a key part of findingthe fragrance that suits you. ʽDiscoverʼ offers you a variety of scents mapped acrossthe fragrance families for you to explore and find your perfect scent.'Suzy: Balmain Destin (from £25)By Quentin Bisch‘An uplifting, feminine blend of strawberry, peony, and creamy sandalwood notes.The bold and feminine fragrance embodies Balmain's savoir-faire and modern pulse.It opens with a flash of neon-saturated, ripe strawberry. The vibrant fruit sparks ajoyful, optimistic energy, playfully contrasting the spicy pepper notes of baies rose.Rosy notes of peony reveal unexpected creamy lychee facets. The fragrance'sfloralcy deepens with a lily accord. Its delicate green note and the intense spice ofakigalawood come together, intermingling with a sandalwood accord and smoothpatchouli for a radiant woody effect. The brilliant, musky second-skin scent ofAmbrexolide grounds the composition in an irresistible, and unforgettable, sensualwarmth.'Nicola: Aime Parfum de Peau (from The French Pharmacy)‘Creamy santal mixes with white musk and ambroxan – a renewable molecule withwoody, amber notes that assists in extending the perfume's scent profile. With aroll-on application based on jojoba oil, Parfum de Peau inspires an intimate gestureof loving self-care. How to use: Apply a small amount of Parfum de Peau to pulse-points on the body, allowing for development of the scent with your own naturalchemistry – on wrists, inner arms, the neckline and just behind the ears.'Suzy: RNDL Circus‘Life never stands still. It twists and turns, dazzles and delights. Circus embracesthe spectacle. Vibrant, unexpected, and a little bit crazy, yet always in control. Forthe days that feel like a performance and the nights you steal the spotlight. Createdalongside Mathieu Maneuvrier, one of the most talented perfumers working today.Top notes: peach, cherry, strawberry.Heart notes: tobacco, maté, smoke, Greek saffron.Base notes: musk, amber, gourmand, cypress, cedarwood.'Nicola: Nuxe Huile prodigieuse® Multi-Purpose Dry Oil‘The irresistible scent of sunshine and warm sand of this oil with an inimitable drytouch will infuse your skin with radiant sensuality. Enjoy its subtle and envelopingscent on your skin and hair. Its unique blend of seven precious botanical oils(Argan, Sweet Almond, Macadamia, Hazelnut, Borage, Tsubaki, Camelia) andVitamin E will moisturise, nourish, repair and beautify the face, body and hair. Itsaddictive scent of Magnolia, Orange Blossom and Vanilla and unique dry oil texturepromise a truly Prodigious experience.Suzy: Miller Harris Tea Tonique extrait‘Tea Tonique Extrait pays homage to the olfactive artistry of the original eau deparfum, amplifying its beloved character into a richer, more immersive expression.A study of infusion and tea in its many guises, dis1lled for longer and drawn deeper,where brightness is intensified and lightness gains textured depth. Time andpatience allow each note to unfold slowly and completely.The fragrance opens with the unmistakable sparkle of Calabrian bergamot but here,the rind of the fruit heightened. The citrus oil feels more vivid, more tactile, asthough the peel itself has been pressed between fingertips. As the citrus radianceexpands, a softer dimension begins to unfurl. Peach blossom reveals, supple andskin-like, like ripe peach warmed by the sun: luminous, velvety, quietly addictive.Cool and sweet nutmeg threads through the fragrance with amplified presence, itsspice drawn out and lingering longer on skin.At the heart remains the clarity of freshly brewed tea, while mate takes on a moreinvigorating intensity. Jasmine and a whisper of violet lend a delicate, powderyelegance that softens the composition without dimming its light. As the fragrancesettles, light woods, smoky birch and comforting musk anchor the radiance,evoking the earth beneath the tea bushes and grounding the freshness…'

Private credit has gone from niche to one of the fastest-growing parts of investing, but most people still don't fully understand how it works, why borrowers use it, or where the risks sit.In this episode, Bryce and Alec sit down with Balmain's Henry Holm to unpack the private credit boom in Australia, why banks have stepped back, how non-bank lenders create value, and what investors should look for before backing a manager.If you are interested in finding out more about how to Borrow or Invest with Balmain, then please visit balmain.com.au/equitymates.In this episode:00:00 — Why private credit is having a moment01:24 — Henry Holm's first investment lesson02:25 — Why private credit exists03:32 — How the Australian market has changed since the GFC08:45 — A real-world private credit deal in Sydney12:28 — Bank competition, underwriting risk, and red flags17:30 — US private credit stress vs Australia's market22:59 — How to assess a private credit manager26:56 — Red flags investors should watch for28:06 — Best deal & best company you've ever discovered29:47 — Investing resources and reading list30:49 — Advice for young investors———Want to get involved in the podcast? Record a voice note or send us a messageAnd come and join the conversation in the Equity Mates Facebook Discussion Group.———Want more Equity Mates? Across books, podcasts, video and email, however you want to learn about investing – we've got you covered.Keep up with the news moving markets with our daily newsletter and podcast (Apple | Spotify)We're particularly excited to share our latest show: Basis PointsListen to the podcast (Apple | Spotify)Watch on YouTubeRead the monthly email———Looking for some of our favourite research tools?Download our free Basics of ETF handbookOr our free 4-step stock checklistFind company information on TIKRResearch reports from Good ResearchTrack your portfolio with Sharesight———In the spirit of reconciliation, Equity Mates Media and the hosts of Equity Mates Investing acknowledge the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respects to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander people today.———Equity Mates Investing is a product of Equity Mates Media. Hosted on Acast. See acast.com/privacy for more information.

In a special double-header, Lauren is joined by Dimepiece's Brynn Wallner to recap this year's Watches and Wonders, the biggest event on the horological calendar. Brynn discusses the year's standout trends and explains why the watch industry is holding onto a surprising sense of optimism even as headwinds face luxury more broadly. Then designer Sander Lak joins to discuss launching his namesake brand, reflect on his path through some of fashion's most storied houses—Balmain, Phillip Lim, Dries Van Noten—and share what he learned along the way. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Garry Jack is a name well known to rugby league fans worldwide because he was a genuine superstar of the game. He represented Australia, New South Wales and Balmain in a career that fullfilled almost all his childhood dreams. Garry has teamed with sports journalist Adam Hawse to tell his amazing story of blood, sweat and tears. 'Jumping Jack' (Fair Play Publishing) is more than just a sports tale. Garry sets the story straight on some of the controversial moments of his life, as well as the day he died. Adam and Garry talk about putting this multi-layered story together. Also in this episode, meet Jackie Downing from my podcast partners CSCG. Jackie is an Associate and oversees the self-managed superannuation area of the business. Jackie's journey of hard work, opportunity and loyalty reflects the CSCG values and culture. Find out more www.cscg.com.au Phone 03-9974 8333. Authorised with Kevin Hillier...where writers speak Post-production by Chris Gates for Howdy Partners Media © 2026See omnystudio.com/listener for privacy information.

Wir erzählen die Geschichte des Modehauses Balmain von Pierre Balmain bis Olivier Rousteing, analysieren den unverwechselbaren Stil zwischen Haute Couture und Popkultur und diskutieren, was der Designerwechsel 2025 für die Zukunft der Luxusmarke bedeutet. Es ist wieder Zeit für ein neues Designer-Portrait in unserem Mode-Podcast Lost On Planet Fashion. Diesmal sprechen wir über eine echte Ikone der Luxusmode: das Pariser Modehaus Balmain. Neben Namen wie Chanel, Dior oder Hermès gehört auch Balmain zu den prägenden Marken der französischen Modegeschichte, auch wenn das Haus im Vergleich kleiner ist, steht es bis heute für eine ganz eigene Mischung aus Eleganz, Weiblichkeit, Stärke und moderner Opulenz. Gegründet wurde Balmain im Jahr 1945 von Pierre Balmain, direkt nach dem Zweiten Weltkrieg. Mit seinem Blick für Proportionen und einem fast architektonischen Verständnis von Mode prägte er den sogenannten New French Chic, eine Ästhetik, die bis heute in der Luxusmode nachwirkt. Seine Entwürfe waren feminin, strukturiert und gleichzeitig modern. Über Jahrzehnte führte Pierre Balmain das Haus erfolgreich, doch in den 1990er Jahren verlor die Marke zunehmend an Bedeutung. Selbst ein Designer wie Oscar de la Renta konnte Balmain in dieser Phase nicht nachhaltig zurück an die Spitze der internationalen Modewelt bringen. Der große Wendepunkt kam erst mit der Ernennung von Olivier Rousteing im Jahr 2011. Mit gerade einmal 25 Jahren wurde er Creative Director von Balmain – und schrieb damit Modegeschichte. Rousteing war nicht nur außergewöhnlich jung für diese Position, sondern auch der erste schwarze Designer, der ein großes Pariser Modehaus über so viele Jahre hinweg erfolgreich prägte. Unter seiner Leitung entwickelte sich Balmain zu einer der sichtbarsten Luxusmarken der Gegenwart. Sein Stil ist unverkennbar: Maximalismus, opulente Materialien, starke Silhouetten und ein ausgeprägtes Gefühl für Glamour und Inszenierung. Goldene Details, Leder, aufwendige Stickereien, Schulterbetonungen und Einflüsse der 80er Jahre ziehen sich durch seine Kollektionen. Gleichzeitig schafft Rousteing es, diese opulente Ästhetik nicht überladen wirken zu lassen, sondern begehrenswert und modern zu inszenieren. Im Zentrum steht dabei immer das handwerkliche Niveau, oft bewegt sich Balmain unter ihm nah an der Haute Couture. Ein wichtiger Teil seines Erfolgs ist auch die enge Verbindung zur Popkultur. Stars wie Beyoncé, Rihanna oder Kim Kardashian tragen Balmain und machen die Marke zu einem festen Bestandteil der globalen Fashion- und Celebrity-Kultur. Rousteing selbst spricht von der „Balmain Army“, einer Community aus prominenten Persönlichkeiten, die den Stil der Marke nach außen tragen. Auch Kooperationen, etwa mit H&M, zeigen, wie geschickt Balmain Luxus und breite Öffentlichkeit miteinander verbindet. In dieser Podcast-Episode sprechen wir aber nicht nur über Mode und Kollektionen. Wir werfen auch einen sensiblen Blick auf die persönliche Geschichte von Olivier Rousteing, seine Herkunft und seinen Weg an die Spitze eines der bekanntesten Modehäuser der Welt. Umso überraschender kam die Nachricht im Jahr 2025, dass Rousteing Balmain als Creative Director verlassen wird. Für viele in der Modeszene, und auch für uns, ein echter Einschnitt. Sein Nachfolger Antonin Tron hat vor wenigen Wochen seine erste Kollektion für Balmain gezeigt und damit bereits angedeutet, dass sich die Marke stilistisch in eine neue Richtung bewegen könnte. Was bedeutet dieser Wechsel für die Zukunft von Balmain? Wie bewerten wir die neue Kollektion? Und welche Hintergründe und spannenden Details es rund um die Geschichte dieses Modehauses noch gibt, erfährst du in dieser Episode von Lost On Planet Fashion. Alle besprochenen Looks, findest du natürlich wie immer auf unseren Social-Media-Kanälen bei Instagram und TikTok unter @lostonplanetfashion. Und ab sofort auch unter www.lostonplanetfashion.de.

Vivian Wilson became the talk of Milan Fashion Week when she seductively walked the runway of Demna's debut Gucci show in a floor-length white gown. The 21-year-old model said she was briefed by casting to embody Venus, the Roman goddess of love. Her path to the Gucci runway began with a casting tape filmed in her own driveway. She walked "like a crazy person, like 8 million times" until she had the perfect take. The result? She ended up positioned in the lineup between icons Kate Moss and Mariacarla Boscono. "When I found that out, I was shaking in my boots," she told Chloe Malle, cozy in a Paris hotel room, while recording today's episode of The Run Through. "We did it, though."Before all the fashion week glamour in Paris and Milan, there was a very different life. Wilson spent time studying Japanese at a university in Tokyo, with plans to earn her TEFL certificate and become an ESL teacher. A Teen Vogue cover changed everything. "It completely transformed my career," she said. Now she's in Paris, doing the model thing — castings every hour, NDAs on NDAs — and entirely at peace with the pivot. "I wanna see how big I can get,” she said. “We're just locking the fuck in."The conversation took a more serious turn when Malle raised the question of whether models look markedly thinner this season than even five years ago. Wilson didn't hesitate. "It's the Ozempic apocalypse, girl. I am so fucking over this." Off the catwalk, she reads gay fantasy fiction and has a passion for Excel spreadsheets. She is trans, a John Oliver devotee, and has genuine ambitions in voice acting. Her three wishes are to appear in Vogue, attend the Met Gala, and walk for Schiaparelli. She left the hotel room with a piece of the chocolate Eiffel Tower, having resolved to break off a piece from the middle so as "not to compromise its structural integrity."Also in the episode, Vogue editors share thoughts from the Balmain, Dries Van Noten and Saint Laurent shows at Paris Fashion Week.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Z perspektywy krytyka mody debiut Antonina Trona dla Balmain to żadna ciekawostka. Dla kupców i klientek natomiast istne olśnienie. Idealnie skrojone marynarki, skórzane spodnie i drapowane sukienki, chciałoby się ukraść z wybiegu i założyć na najbliższe przyjęcie.   Autorka: Kamila Wagner   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/balmain-jesien-zima-2026-2027-debiut-antonina-tron-drapowane-sukienki

Date: 11/11/2025 Designed to keep you informed without the fluff, this series delivers sharp, essential updates to help you stay ahead in fashion and business. This week, Bret and Emily discuss the end of Teen Vogue, Balmain, and layoffs at Target.  #clothingbrief #fashionnews

We asked Sydney to call in with their "I swear it's true" stories that sound completely made up, and they delivered: a woman whose entire family was saved from a house fire in Balmain by Tony Abbott who ripped the bars off their windows when she was three years old, and another caller who accidentally got into someone else's car and didn't realize until a random kid in the backseat said "hello." Plus, British Airways crew members got absolutely cooked mid-flight after a passenger gifted them cannabis-infused lollies with 300mg of THC—30 times a standard dose.See omnystudio.com/listener for privacy information.

Nyligen kom nyheten att Balmain byter ut sin exceptionellt framgångsrika designer Olivier Rousteing. Lyssna på alla avsnitt i Sveriges Radios app. I veckans avsnitt av Samtal med Stil frågar vi oss vad Olivier Rousteing lämnar för arv efter sig på Balmain och så pratar vi om det anrika franska modehusets grundare Pierre Balmain. En man som var kompis med it-paret Gertrude Stein och Alice B. Toklas och hade en väldigt nära relation till sin mamma.

Dale and Rachel roll out their new segment Whatcha Watchin' and dive into their latest TV obsessions—from wild true-crime dramas to addictive reality shows. Then they switch gears to fashion, testing each other on how to actually pronounce those luxury brand names we all fake confidence saying (Hermès, Balmain, Givenchy… or is it “Vasace”?). Toss in a few blind-date stories, some puppy yoga confusion, and plenty of laughs, and you've got another classic Friends Without Benefits episode full of chemistry, chaos, and charm.Episode Sponsor:Presented by 1-800 Call Lee — South Florida's trusted personal injury team. Learn more at calllee.com.Contact Rachel Sobel:Email: rachel@whineandcheezits.comWebsite: www.whineandcheezits.comFacebook:  Whine and Cheez - its by Rachel Sobel   Instagram: @whineandcheezitsTikTok: @rachel.sobel.writesContact Dale McLean:Email: dance715@aol.comWebsite: dalethehost.comInstagram: @UptownDale

Family, this week on Queer News Anna DeShawn continues to bring you the stories that matter most to our community. In top news, we have an update on the Supreme Court's decision to toss out Kim Davis's appeal on marriage equality and Anna takes a look at future Supreme Court cases. In politics, Texas issued a partial drag performance ban because they can't stop thinking about us. In culture & entertainment, we recognize Transgender Awareness Week by highlighting some great work. The director of Balmain steps down and some of our favorite queer artists are nominated for Grammy's. Let's get into it. Want to support this podcast?

Send us a textIn this weeks, fashion update Monica Monique talks about the changes at the fashion BalmainBalmain quickly announced that Olivier Routhsteing would be leaving the fashion house after 14 years just 5 days later announcing its new creative director Our host also talks about vintage sales outweighing sales for new luxury goods As well as how to pull stunts in your fashion business to get eyes on your brand Stay Tuned for more Fashion World updates and diary episodes from her own fashion businesssubscribe and leave 5 star review fashion friends Support the show

Today on the show, we're joined by actor Meghann Fahy. We all know and love her from her role as Daphne in White Lotus Season 2, and she has a ton of new exciting projects in the works, including a new film Rebuilding with Josh O'Connor, out on November 14th. She chatted with Vogue editors Christian Allaire and Margaux Anbouba about acting in horror films, what she stole from the set of Sirens, and which pop girlies she's loving right now.Also on the show, Chioma talks with writer Chanté Joseph about her wildly viral British Vogue article “Is Having A Boyfriend Embarrassing Now?”Plus, we talk about Vogue World: Milan and Balmain's new Creative Director Antonin Tron. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.Please help us improve The Run-Through with Vogue by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

On the Glossy Podcast, senior fashion reporter Danny Parisi and international reporter Zofia Zwieglinska break down some of the biggest fashion news of the week. This week, we take a look at the consolidation of Teen Vogue under Vogue, including the laying off of all its politics writers. We also talk about the ongoing battle between Shein and French authorities over its newly opened store in Paris and the blocking of Shein's website in France. Lastly, we discuss the departure of Olivier Rousteing from Balmain after he spent 14 years as its creative director. Later in the episode, Danny is joined by Sarah Davis, co-founder and president of the luxury fashion resale company Fashionphile. The break-in at the Louvre last month was a major scandal for France and led to tens of millions of dollars worth of jewelry going missing. While arrests have been made, the jewelry has yet to be recovered. With millions of dollars worth of merchandise on Fashionphile's shelves, Davis is familiar with both the intense security measures required to keep valuable products safe and the gut-punch feeling when merchandise goes missing. Below are a few highlights from the conversation with Davis about how Fashionphile and other luxury companies keep their stores safe.

This week on reCappin', we kick things off with an Open discussing your YouTube feedback—thank you to everyone showing love and sharing thoughts on recent episodes!  (00:00) In Headlines, we discuss Halloween and our adventures and spooky highlights; we name our Top 5 Favorite Holiday Films; Another Mummy film is officially in the works; Michelle Obama announces a brand-new book; Olivier Rousteing departs Balmain after more than a decade at the helm (01:00) In Hot Topics, Jonathan Bailey is crowned People's Sexiest Man Alive and yes, we've have thoughts! (43:13) Stay tuned for next week's #TBT episode where we're recappin' the 2000s classic Sweet Home Alabama! reCappin' is available on all podcast platforms—follow, rate, and review us on Apple Podcasts and Spotify. We appreciate all the love and support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley

Today's guest is someone who wears many hats and has made a real mark in the Diabetes community — Natalie India Balmain (@missbalmain).Natalie was diagnosed with Type 1 back in 2007, just before her 21st birthday. Since then, she's been using her voice and creativity to empower others — from founding Type 1 Clothing, a fashion line designed specifically for people with diabetes, to openly sharing her own journey of living with both T1D and ADHD.In 2022, she won Channel 4's reality show Make Me Prime Minister, showing her passion for leadership and advocacy on a national stage. And more recently, in December 2023, she partnered with Digibete and Leeds Children's Hospital to launch school awareness packs and an eLearning platform to better support children with diabetes in schools.And on top of all that, Natalie is also the host of her own podcast — TypeCast: Life Between the Lines, where she brings together stories and conversations from the Type 1 community.See and hear more of Natalie here:instagram.com/missbalmaintiktok.com/realmissbalmainyoutube.com/@thetypecastpodAs always, be sure to rate, comment, subscribe and share. Your interaction and feedback really helps the podcast. The more Diabetics that we reach, the bigger impact we can make!Questions & Stories for the Podcast?:theinsuleoinpodcast@gmail.comConnect, Learn & Work with Eoin:https://linktr.ee/insuleoin Hosted on Acast. See acast.com/privacy for more information.

Today's guest is someone who wears many hats and has made a real mark in the Diabetes community — Natalie India Balmain (@missbalmain).Natalie was diagnosed with Type 1 back in 2007, just before her 21st birthday. Since then, she's been using her voice and creativity to empower others — from founding Type 1 Clothing, a fashion line designed specifically for people with diabetes, to openly sharing her own journey of living with both T1D and ADHD.In 2022, she won Channel 4's reality show Make Me Prime Minister, showing her passion for leadership and advocacy on a national stage. And more recently, in December 2023, she partnered with Digibete and Leeds Children's Hospital to launch school awareness packs and an eLearning platform to better support children with diabetes in schools.And on top of all that, Natalie is also the host of her own podcast — TypeCast: Life Between the Lines, where she brings together stories and conversations from the Type 1 community.See and hear more of Natalie here:instagram.com/missbalmaintiktok.com/realmissbalmainyoutube.com/@thetypecastpodAs always, be sure to rate, comment, subscribe and share. Your interaction and feedback really helps the podcast. The more Diabetics that we reach, the bigger impact we can make!Questions & Stories for the Podcast?:theinsuleoinpodcast@gmail.comConnect, Learn & Work with Eoin:https://linktr.ee/insuleoin Hosted on Acast. See acast.com/privacy for more information.

It's Day 1 of our back-to-back Paris Fashion Week coverage and you're in for a treat.Nicole Phelps and Vogue's Fashion News Director, Mark Holgate, kick things off with their first impressions of the earliest shows, starting with Anthony Vaccarello's cinematic Saint Laurent collection and Julian Klausner's emotion-driven debut at Dries Van Noten. Plus, they share on-the-go reactions straight from the car en route to Dior and Balmain. Later in the episode, Chioma Nnadi reconnects with her longtime mentor and former boss, Sally Singer (now President of Art + Commerce at WME). They revisit an iconic article Sally wrote 25 years ago on fashion's then New Guard—featuring designers like Hedi Slimane, Junya Watanabe, and Nicolas Ghesquière; and draw striking parallels to today's major fashion month. The two also discuss which designer debuts they're most excited about and what this moment signals for the future of fashion.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

In this emergency roundtable report, we discuss how clownery has become a dominant mode of aesthetic and ideological expression, perhaps symbolizing the defeat of authenticity. Recent carnivalesque incidents include the chaotic spectacle of this year's VMAs, the meteoric rise of the Savannah Bananas, Jay Guapo's Italian Brainrot Block Party, the political role reversal of the troll and the triggered, Audrey Hobert's debut album Who's the Clown, and more. Links: Top Clown Town outfits at the VMAs: Conan Gray in Erik Charlotte, Megan Stalter as hot dog vendor, Doja Cat in Balmain, Ariana Grande's outfit changes, Sabrina Carpenter in ValentinoSabrina Carpenter Performs “Tears” | 2025 Video Music Awards“I need to see you spin first, sista” from Sex and the City S4 E18Chappell Roan Performs “Pink Pony Club” (Live From The 67th Grammy Awards)“Chappell Roan on the Queer Origins of her Signature Makeup Look” – Gay TimesFlash Mob! The Savannah Bananas Crash The Tonight Show Starring Jimmy Fallon“As Savannah Bananas ursue ‘a billion fans,' are they real competition for MLB?” – The New York TimesJay Guapo's Brainrot Block PartyTyler Robinson's bullet casing inscription breakdown – PBS News HourThe story behind FBI Director Kash Patel's seemingly random ‘Valhalla' referenceTrump's presidential portraits from 2017 to 2025“What Is ‘Dark Woke'?” – The New York Times“Why has Gavin Newsom gone ‘dark woke'?” – BBCMexican influencer Marian Izaguerre dies after posting goodbye video in clown makeupAudrey Hobert Who's the Clown interview in Teen Vogue“The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask” by Samuel Love – Sequitur Passages from Mikhail Bakhtin on the grotesque body and the carnivalesque sense of the world This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

It's one simple question ... one really difficult answer, WHO'S YOUR GOAT? Dave tells us his, and tells us why.

Na saunoa le fa'afeagaiga o le Ekalesia Fa'apotopotoga Kerisiano Samoa i Balmain, Rev Alo Filipaina, e le talafeagai le fa'atonuina e le pulega a ali'i ma faipule o se itumalo o le vaega 'upufai e palota iai se tagata i faigapalota mo le palemene o Samoa.

Welcome to another on-location episode of Fratello Talks, this time from the Watch Valley event in Utrecht, where the Swatch Group unveiled its latest novelties for 2025. In attendance were Nacho, Daan, and RJ, keen to get a full preview of the year's releases from the brands present. The event was packed with exciting novelties from Hamilton, Tissot, Rado, Certina, Balmain, and, for the first time, Mido.

Na toe solomuli 'ese mai le Ekalesia Fa'apotopotoga Kerisiano i Balmain ma isi Ekalesia Congregational mai le so'ofa'atasiga lea o loo lausilafia ai nei o le Uniting Church of Australia poo le Ekalesia So'ofa'atasi.

I le talanoaga lenei ma le Susuga i le Fa'afeagaiga o le Ekalesia Fa'apotopotoga Kerisiano i Balmain, Sini, Rev Alo Filipaina, na ia aumai ai lona manatu i le talafeagai ona fa'atonu pe fa'amalosia ona tulei manatu o se faife'au i se vaega 'upufai e palota iai tagata o lana 'aulotu.

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

A special episode featuring historian Ian Collis! With thanks to the Legends @ Blue Wealth Property http://www.bluewealth.com.au/

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

Russel drops in for a cool chat & names his Dream 13! Any player. Any era. Any team. Any competition ... then combine them!

It's one simple question ... one really difficult answer, WHO'S YOUR GOAT? Timmy tells us his, and tells us why.

Bundjalung man, Jack Manning Bancroft's scholarship to a prestigious Sydney University college showed him a rarefied world that shocked him, and he used his childhood grit to channel his energy into a world-changing project.Jack's mother is Bundjalung artist, Bronwyn Bancroft. Growing up in inner-Sydney, he was intimidated by her artistic drive and threw himself into sport, because that was the only way a young Jack thought a man could have influence in the world.When he was ten the family moved to Bundjalung country to spend time with his mum's side of the family. The local kids refused to accept that Jack was Aboriginal. He escaped into fantasy books and wrote long letters home to his dad, Ned Manning, in Sydney.Jack received a scholarship to St Paul's College at the University of Sydney and vowed to use his opportunity to increase the number of Indigenous kids at university.The Australian Indigenous Mentoring Experience (AIME) was born and Jack has since used his position to forge connections between communities to foster understanding across the world.Further informationWatch Australian Story featuring Jack and his partner, Yael Stone on iview.Listen to Jack's dad, Ned Manning, on Conversations in 2022.This episode of Conversations was produced by Alice Moldovan. Conversations Executive Producer is Nicola Harrison. The presenter was Rudi Bremer.This episode of Conversations touches on Aboriginal culture, mentoring, changing the world, personal story, epic life story, family dynamics, Aboriginal excellence, grief, loss, depression, failure and painting.

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

When Sydney detectives confirm star Balmain rugby league player Bob Lulham has been poisoned with Thall-Rat, they begin an investigation that at first turns up few leads. A series of mysterious phone calls to the CIB keeps the police wondering until they finally make a shocking arrest. While the identification of the suspect is sensational, what emerges at the accused's committal hearing has jaws on the floor in 1950s Australia — as it would be today. Wanna hear the rest of the story now, ad-free?It's easy to get a free trial that will give you access to ad-free, early and bonus episodes. Hit either of these links:Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaWant more original Australian true crime and history? Check out my books!They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.htmlEmail: forgottenaustraliapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

On the 20th of July 1953, Sydney detectives discovered that someone had used rat poison to try to murder star Balmain rugby league player Bob Lulham. More than 70 years later, this remains one of Australian sport's most sensational, strangest and saddest scandals — and among the least remembered. In part one of this deep dive, we explore Bob's proud family legacy – his father fought at Gallipoli on 25 August 1915 — and Bob's meteoric rise in rugby league, which included his record-breaking 1947 debut season and him donning the Kangaroo jersey to represent Australia against England in 1948-49.Wanna hear the rest of The Poisoned Footy Player right now?It's easy to get a free trial that will give you access to parts 2 and 3 - and to a dozens of other ad-free, early and bonus episodes. Hit either of these links:Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaWant more original Australian true crime and history? Check out my books!They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.htmlEmail: forgottenaustraliapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

... a 1 on 1 interview like you have never heard before! #UNFILTERED

... a 1 on 1 interview like you have never heard before! #UNFILTERED

This episode is a replay of a previous episode of Dance Dad with John Corella. Enjoy! Happy Pride!    “I loved how free I was,” reflects Ally Marc Jacobs, a transgender teen and emerging star in the worlds of voguing and drag. Inspired by the House of Juicy Couture's performances and the House of Balmain  on the HBO series “Legendary”, Ally began vogue dancing and quickly became a sensation across social media. She is now a member of both the House of Juicy Couture and House of Marc Jacobs. Today on the Dance Dad podcast, Ally shares insights into the ball culture, her personal journey of coming out, and how both her mainstream and kiki house communities have become like a second family to her.   Ally's biological family, including her mother Amy, who also joins the podcast, has supported her from the start. Amy discusses the pressures facing Ally as a prominent figure in the trans community, and the scrutiny she faces as a parent.    Ally addresses her experiences with bullies in various settings, from playgrounds to churches and even political arenas, and how she has found a supportive community. Host John Corella highlights the hypocrisy of parents who criticize Amy for 'forcing a lifestyle' on Ally, while they themselves push their children into unwanted activities.   Ally, confident in her identity from a young age, and perhaps even in past lives, is forging ahead fearlessly. Tune in to hear her discuss her love for Beyoncé, Monster High dolls, and her very own dance dad.   Episode Breakdown 00:00 Pride Month & Podcast Intro   01:04 Meet Allie Marc Jacobs   04:50 How Are You Feeling?   08:44 What Is a House in Ballroom Culture?   14:01 Allie's Coming Out Story   16:06 A Parent's Perspective   23:38 Handling Bullying & Finding Support   25:37 Voguing at Beyoncé's Concert   29:14 Where Boldness Comes From   31:54 The Power of Self-Expression   42:05 Advice for Kids Afraid to Come Out   49:24 Allie's Future Goals     Links Connect with Ally Marc Jacobs: www.instagram.com/allymarcjacobs   Connect with John Corella: Dance Dad with John Corella on Instagram: https://www.instagram.com/dancedadwithjohncorella/ John on Instagram: https://www.instagram.com/john_corella/ Patreon: https://patreon.com/TheonlyDanceDadwithJohnCorella Website: johncorella.net Podcast production and show notes provided by HiveCast.fm

Elizabeth Chambers on hosting new true crime series, 'Toxic.' Also, delicious Cinco de Mayo dishes and cocktails. Plus, ballerina Misty Copeland discusses her new book, 'Letters to Misty.' And, a behind-the-scenes look at luxury fashion company Balmain.

What's up Bros? In this episode of RHOA, we start to see the issues begin between Kenya and Brit. Kelli sits down with Porsha to clear the air, and we really enjoyed that neither lady backed down in this scene but they were able to find a way forward and smooth things over regardless. Drew sidesteps questions about Dennis and the rest of the ladies are still wondering why she didn't talk to Porsha before she began working with Dennis. Porsha's Mom, Ms. Diane, warns Porsha about Shamea and thinks she may need to watch her back when it comes to her... At the Balmain event, things get heated when Angela tries to chat with Shamea. In an attempt to bury the hatchet, it quickly turns into a back and forth that ends up with nose jokes and Public Enemy references. We're enjoying the start to the season and we are hoping the ladies of RHOA can keep it up! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is part 2 of a two-part recap! On The Real Housewives of Atlanta, Kelli throws a Mommy and Me event at Balmain, which leads to a flurry of ‘90s era pop culture insults. We honestly couldn't ask for more. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. Tickets for the Mounting Hysteria Tour are now on sale at watchwhatcrappens.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part one of a two-part recap! On The Real Housewives of Atlanta, Kelli throws a Mommy and Me event at Balmain, which leads to a flurry of ‘90s era pop culture insults. We honestly couldn't ask for more. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. Tickets for the Mounting Hysteria Tour are now on sale at watchwhatcrappens.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.