Podcasts about zulawski

durée : 00:58:57 - Toute une vie - par : Dominique Prusak - Fils d'un poète également diplomate, élevé entre France et Pologne, le cinéaste Andrzej Zulawski n'a cessé tout au long de sa vie d'être un brûlant destructeur de la réalité pour mieux rebâtir un univers à la fois baroque et dérangeant, parfois comique, souvent désespéré, loin de tout académisme ! - réalisation : François Teste

PUBLIC VERSION. Filmmaker Elric Kane (THE DEAD THING) joins Joe to discuss his career journey and the making of his debut feature. From growing up in New Zealand and coming to America to pursue cinema… to his obsession with Zulawski's POSSESSION (and his thoughts on the remake of the cult-classic by a previous Movie Crypt guest)… to becoming a popular presence in the Los Angeles film scene through his many podcast hosting duties on shows like PURE CINEMA PODCAST and COLORS OF THE DARK… to how he's been sharing the art of film with students in his classes… to shooting his erotic psychological horror mind-bender THE DEAD THING (available now on Shudder!) on a micro-budget… to his love for actor Wings Hauser and more, this terrific geek-out conversation with Elric was long overdue!

durée : 00:06:39 - L'Instant poésie - Sophie Marceau, actrice, réalisatrice et scénariste française nous propose d'écouter "Petit être”, un poème de Vincent Zulawski adressé à sa petite sœur. - invités : Sophie Marceau Comédienne et réalisatrice

Tim Zulawski – President of AMB Sports & Entertainment – explains how AMBSE collaborates with brand partners to solve their business problems. AMBSE's perspective: Ultimately it starts with sourcing partners that you know you can positively impact with the tools available to you.   Listen to the full episode here: https://nvgt.com/podcast?ppplayer=98f56b6dd6dca41729f186d12a4d1251&ppepisode=8414c1e30131e9e15dd33a38c05e3c4d   For more insights, visit our LinkedIn page or learn more about Navigate at https://nvgt.com/.

Tim Zulawski - President of AMB Sports & Entertainment - manages a portfolio of properties that includes the Atlanta Falcons, Atlanta United FC, the state-of-the-art Mercedes-Benz Stadium, and Atlanta Drive GC.   He talks about how Atlanta United is using data to maximize the massive opportunity around soccer with the U.S. set to host the Men's FIFA World Cup in 2026. He also shares how drastically reducing concession prices, can actually increase both revenue and fan satisfaction.   Details: 1:35 - Staying with AMBSE for >20 years 9:00 - AMBSE Ventures 11:10 - Promoting events 17:20 - Low prices on concessions 22:00 - The 2026 World Cup 28:35 - Rapid Fire Questions     For more insights, visit our LinkedIn page or learn more about Navigate at https://nvgt.com/.

Das Kino des polnischen Filmauteurs Andrzej Zulawski ist geprägt von einer atemlosen Unruhe. Die Kamera ist in ständiger Bewegung, bemüht, mit den panisch agierenden Schauspierinnen und Schauspielern Schritt zu halten. Seine Inszenierung ist inspiriert von Grotowskis Theaterkonzept und strebt nach einer ekstatischen Wahrheit. 1996 drehte Zulawski noch einmal einen Film, der sein Werk von Grund auf neu definieren sollte: SZAMANKA, die Schamanin. Dieser kontroverse Film steht im Zentrum eines Gesprächs zwischen Marcus Stiglegger und der Schauspielerin Lilith Stangenberg, deren eigene Schauspieltechnik in Theater und Film als außergewöhnlich gilt.

What happens when a cult classic film leaves our guest completely baffled and one of our hosts downright furious? Tune in to this episode of "Screams and Streams" as we grapple with Andrzej Żuławski's 1981 enigmatic masterpiece, "Possession." We promise a roller-coaster of emotions as Chad summarizes the film's complex plot before diving headfirst into the trio's vastly different first impressions—ranging from Sam's confusion to Chad's outright hatred, and Mike's conflicted intrigue.Prepare for some hearty laughs and raised eyebrows as we dissect the film's most bizarre tropes and scenarios, from a way-too-attentive elementary school teacher making house calls to explode-on-command taxi drivers. We debate the humor in the action scenes and highlight some memorable one-liners that may make you question the film's logic but still keep you entertained. The odd choices in character behavior and the quirky dialogue offer a unique blend of absurdity and entertainment that makes "Possession" a one-of-a-kind viewing experience.Finally, we sink our teeth into a deeper critique of the film's more unsettling aspects, including Sam Neill's peculiar performance and the jarring fight scenes, which left us all puzzled. We also explore the film's impressive visual style, emotional portrayals, and eerie 80s synth pop soundtrack, while unpacking the symbolic richness imbued by Żuławski's direction. Whether you're here for the laughs or the thought-provoking analysis, this episode promises a compelling look at a film that continues to mystify and provoke strong reactions. Head to www.screamsandstreams.com for more information related to our episode.

In this episode, Dave Zulawski, CFI, CFE and co-founder of Wicklander-Zulawski & Associates, shares insights and experiences from his career in interviewing and interrogation. He discusses the lack of training in these areas and the importance of effective communication skills. He emphasizes the need for flexibility in interviewing methods and the power of silence and active listening. Dave also highlights the value of recording interviews and how these skills can be applied in HR and hiring processes. He concludes by encouraging continual learning and self-evaluation in order to improve as an interviewer. In this episode of the Truth Be Told podcast, we explore the importance of effective communication and how it can be improved. We discuss the role of active listening and empathy in communication, as well as the impact of non-verbal communication. We also address common communication barriers and how to overcome them. Finally, we touch on the topic of cultural differences in communication. Truths: Effective communication is crucial in all aspects of life, including interviewing and interrogation. Flexibility in interviewing methods allows for better outcomes and adaptability to different situations. Active listening and the use of silence can lead to more meaningful conversations and better information gathering. Recording interviews provides valuable evidence, allows for review and feedback, and helps measure performance. Interviewing skills can be applied in various contexts, including HR and hiring processes. Continual learning and self-evaluation are essential for growth and improvement as an interviewer. Effective communication is crucial in all aspects of life, including personal relationships and professional settings. Active listening and empathy are key components of effective communication, allowing for better understanding and connection with others. Non-verbal communication, such as body language and facial expressions, can greatly influence the message being conveyed. Communication barriers, such as language barriers and distractions, can hinder effective communication, but can be overcome with awareness and effort.

A reshare of a talk with David Zulawski from 2018. Zulawksi is an expert in interrogation and interview techniques and the cofounder of Wicklander Zulawski and Associates. Topics discussed include: Why is the non-confrontational, rapport-focused technique he recommends the best one? Why is it important to downplay the significance of a crime? Why is it important to try to prevent someone from denying the crime/accusation?  Why is it important to not tell a suspect all the evidence you have against them? What are some behavioral clues a suspect is lying or telling the truth?Support the showTo get ad-free episodes, and more, get a premium subscription. To learn more about the show, go to behavior-podcast.com. I'm on Twitter at @apokerplayer. See a summary of my work.

The "best sci-fi film" never made? That's what Andrzej Zulawski's project has been called. Shut down by the Polish government before production had finished in 1977, the film wasn't completed and released until 1987. It's a visually stunning and wildly ambitious exploration of myth, religion and being human in an alien world. Zulawski (1940-2016) studied cinema in France and became known for art-house films working with actresses including Romy Schneider, Isabelle Adjani and Sophie Marceau. Matthew Sweet and his guests Daniel Bird, Sarah Dillon and David Hering, have been watching On the Silver Globe.Producer: Torquil MacLeod

Join us in this episode as we explore the world of non-confrontational interrogation with renowned guest Dave Zulawski. Delve into the genesis of his groundbreaking methodology, the ethical considerations in obtaining truthful information, and Dave's personal journey from geology to a passion for non-confrontational techniques.Timestamps: (00:01:39) Dave's significant impact as a mentor and friend.(00:07:15) Transition from geology to a special agent for a railroad, becoming a polygraph examiner, starting a business.(00:13:33) Personal journey from job changes to finding the non-confrontational approach after facing difficulties with lying and confrontation.(00:26:10) Recognizing the importance of incorporating new ideas to protect individuals and avoid wrongful convictions.(00:31:27) Three areas of ownership in investigations and interviews: evidence collection, interviewing techniques, and verification of information.(00:37:23) The benefits of recording conversations for silent feedback.(00:38:32) Valuable advice on setting up video statements and avoiding giving others control.(00:44:18) The evolution of non-confrontational protection against various challenges, including training and evidence.(00:50:10) A personal experience with top interrogators during an unexpected introductory statement.(00:59:13) Reflections on bringing in new employees and trusting them to represent the company.(01:03:03) Discussion of succession planning and financial challenges in their business.(01:06:51) The considerations when starting a business, including value, reputation, trained staff, and internal transfers.(01:14:25) Zulawski's impact on over a million people and society through solved cases and forged relationships.Links and ResourcesDavid E. Zulawski, CFI, CFE | LinkedInHome - Wicklander-Zulawski (w-z.com)Sponsor LinksHumintell: Body Language - Reading People - HumintellEnter Code INQUASIVE25 for 25% discount on your online training purchase.Emotional Intelligence Magazine: HOME | Emotional Intelligence Magazine + (ei-magazine.com)International Association of Interviewers: Home (certifiedinterviewer.com)Podcast Production Services by EveryWord Media

Prepare to dive deep into the mesmerizing abyss of Possession! Andrzej Żuławski's film spins a hypnotic tale of a marriage unraveling in the shadows of Cold War Berlin. Mark, a seasoned spy, returns home to West Berlin, only to confront his wife Anna's sudden insistence on a divorce. Little does he know that this is just the beginning of a harrowing descent into madness as Anna's behavior turns frantic and inexplicable... Żuławski's visionary choreography unveils a nightmarish landscape where love and possession entwine, pushing sanity to its limits. In this BITP episode, we share our pov on Possession and explore its surreal world of intrigue. So, have you too witnessed the enigma that is Zulawski's film? Join us as we unravel its beguiling mysteries together!

We're back! This month your favorite caffeinated ghoul friends tackle 1981's Possession! CW: death by suicide, acts of and thoughts of self-harm, child abandonment, incest, divorce, adultery, war, physical and mental abuse from a spouse, suggestive sexual content. Resources: Possession (1981) Wikipedia https://en.m.wikipedia.org/wiki/Possession_(1981_film) Beyond Polish Moral Realism: The Subversive Cinema of Andrzej Żuławski by Michael Goddard https://www.academia.edu/15266526 Extreme Sex Addiction in Shame; Extreme Everything in Possession by J. HOBERMAN https://www.villagevoice.com/2011/11/30/extreme-sex-addiction-in-shame-extreme-everything-in-possession/ Why Was 'Possession' Banned? The History Behind The Horror Cult Classic by Chase Hutchinson https://collider.com/why-was-possession-banned-explained/ Possession is a gross yet masterful take on doppelgängers by Roxana Hadadi https://www.polygon.com/platform/amp/22740902/possession-review-horror-movie-doppelgangers Possession: A Marriage of the Natural and the Supernatural by David West https://thetwingeeks.com/2018/10/12/possession-a-marriage-of-the-natural-and-the-supernatural/amp/ Better the Devil You Know: The Double and the Cold War in Zulawski's Possession by Henri De Corinth https://henridecorinth.wordpress.com/2015/07/03/better-the-devil-you-know-the-double-and-the-cold-war-in-zulawskis-possession/ Possession Ending Explained: We Are Makers Of Our Own Evil by DEBOPRIYAA DUTTA https://www.slashfilm.com/1159987/possession-ending-explained-we-are-makers-of-our-own-evil/ Possession (1981) Explained: A Controversial Masterpiece by Stacey Shannon https://www.thisisbarry.com/film/possession-1981-explained-a-controversial-masterpiece/ The Nature of God in Andrzej Żuławski's Possession by Ande Thomas https://www.whatsleepsbeneath.com/archive/possession-zulawski-nature-of-god The Opposing Genres Of Possession by Vincent Bec (they/them) http://filmandfishnet.com/the-opposing-genres-of-possession POSSESSION: Scenes From A (Monstrous) Marriage by Lee Jutton https://www.filminquiry.com/possession-1981-review/ Run From Your Wife: Exploring The Horror of Marriage In Possession and Antichrist https://intheirownleague.com/2019/10/01/run-from-your-wife-exploring-the-horror-of-marriage-in-possession-and-antichrist/ WIHM REVIEW- Possession: Isabelle Adjani delivers an explosive performance as a woman dissatisfied with domesticity by Emily Gett https://screen-queens.com/2019/02/05/review-possession/ “MONSTROSITY AND MISOGYNY IN ZULAWSKI'S POSSESSION” BY EDDIE FALVEY https://blogs.exeter.ac.uk/exeterfilmpg/2017/01/10/109/ Feelings Change: Anger, Fear, and ‘Possession' in Andrzej Zulawksi's Nightmare Divorce by Brian Keiper https://bloody-disgusting.com/editorials/3674282/feelings-change-anger-fear-possession-andrzej-zulawksis-nightmare-divorce/ The nightmare of corporeality in Andrzej Żuławski's ‘Possession': A personal essay by Kris Shin https://www.dailycal.org/2019/10/25/the-nightmare-of-corporeality-in-andrzej-zulawskis-possession-a-personal-essay The Question in Bodies #21: Lectio Infernalis https://www.room207press.com/2018/10/the-question-in-bodies-21-lectio.html?m=1 Abjection & The Monstrous Feminine In AMER & POSSESSION by J. Simpson http://filmandfishnet.com/abjection-the-monstrous-feminine-in-amer-and-possesion Mother's Milk and Menstrual Blood in Puncture: The Monstrous Feminine in Contemporary Horror Films and Late Medieval Imagery by Rachel Frances Sharpe and Sophie Sexon https://www.mamsie.bbk.ac.uk/article/id/4274/ TCM on Possession (1981) by Chris Fujiwara https://www.tcm.com/tcmdb/title/86982/possession#overview Isabelle Adjani is Not an Internet Meme by Jacob Trussell https://filmschoolrejects.com/isabelle-adjani-great-performances/?amp Romantic Trauma: Andrzej Zulawski Remembered by Agata Pyzik https://thequietus.com/articles/19750-zulawski-article Possession (1981) Constructing Identities by Style and Substance https://www.youtube.com/watch?v=q8lnMspDIzg

¿Os habéis preguntado si una boa puede hacer artes marciales?¿Si los Yakuza aun son honorables?¿O si algún día tendremos las gónadas suficientes para analizar Posesión de Zulawski? Pues respondemos estas preguntas y muchas más en esta nueva y fantastibulosa edición de ETNTP Recomienda A disfrutar!!

In this episode, we tackle our first listener episode of the year. After holding this one in our back pocket for far too long, we finally get a chance to check it out by way of Screambox. So join us as we check out Cristian Ponce's History of the Occult from 2020. Dustin celebrates the film's genre mashup of surreal brainteaser mixed with a political thriller. Jason struggles to define the particular qualities he found lacking in the movie. We also toss in a mini-review of Screambox as a platform. And so much more! Special thanks to @Urban_Groucho for suggesting we check this one out. Got a movie you champion? A hidden gem you think needs more love? Just want to see more discussion on a particular film? We want to check out the movies you suggest to us. Write in at genreexposure@gmail.com or contact us on your favorite form of social media and shoot us a movie recommendation. Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Dustin: The Amityville Curse (1990) -Jason: My Old School (2022) Show Notes: -History of the Occult Trailer -Stream History of the Occult on Screambox -Go check out Zulawski's Possession now on Shudder -Related Film: Rosemary's Baby -Related Film: Ghostwatch -Related Film: All The President's Men -Related Radio: Coast to Coast AM -Related Show: Gravity Falls -Related Show: Eerie, Indiana -Related Film: Ringu -Related Film: The Ring -Related Film: Abracadabra -Related Film: Los Olvidados -Related Film: 2/11: Dia de los Meurtos -Related Topic: Bohemian Grove -Related Film: The Red Spectacles -Related Film: Prince of Darkness -Related Film: We Are Still Here -Related Film: Curse of the Demon -Related Film: The Haunting -Related Film: Censor -Related Show: Twin Peaks The Return -Related Film: Terrifier 2 Next Time: Ultrasound (2021)

Dans ce nouvel épisode, nous accueillons Pacôme Thiellement, critique-écrivain-essayiste-cinéaste ou - en un mot - exégète professionnel (la définition de ce mot est dans l'épisode).Tel Colin Maillard, le personnage joué par Jean-Pierre Léaud dans Out 1 (l'un de ses cinéastes de chevet), Pacôme a enquêté avec nous sur sa cinéphilie. Affable et agile, il a convoqué les transes de Zulawski ("Possession"), les ténèbres intérieures de Lynch ("Inland Empire") ou encore la belle amitié de Céline et Julie ("Céline et Julie vont en bateau"). Partant de ce cocktails de références enivrant, il nous a parlé de sa mémoire et de ses habitudes de spectateur nocturne et nous a plongé dans un grand rêve... Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. Portrait – 4'34 Un·e enquêteur·euse au cinéma ? Colin Maillard dans Out 1 (Jacques Rivette, 1971) - 4'34 Une transe au cinéma ? Possession (Andrzej Zulawski, 1981) - 9'38 Un amour au cinéma ? Jamais plus toujours (Yannick Bellon, 1976) - 13'33 II. Circonstances & conditions de visionnage - 18'51 Un film que à projeter lors d'une cérémonie religieuse/païenne/sacrée dans le cinéma abandonné de Charm el-Cheikh ? Fata Morgana (Werner Herzog, 1971) - 18'51 Une salle de prédilection : l'Archipel où se tient le cinéclub de Pacôme Thiellement, “les dimanches de Charm El-Cheikh 22'27 III. Mémoire & Sommeil - 24'50 Existe-t-il un film que vous arrivez à oublier pour toujours le redécouvrir avec un oeil nouveau ? Le monde sur le fil (R.W Fassbinder, 1973) - 24'50 Un film devant lequel vous vous êtes endormi et dont vous auriez rêvé ? L'avant-dernier épisode de la série The Leftovers (D. Lindelof, T. Perrotta, 2014-2017) 30'40 Carte Blanche - 34'49La fin d'Inland Empire (David Lynch, 2006) IV. Cinéma & Transmission - 42'33 Pourquoi internet n'est pas forcément un espace privilégié pour parler de cinéma - 42'33 Le film à transmettre aux générations futures ? After Blue de Bertrand Mandico - 47'42 Film refuge - 51'11Céline et Julie vont en bateau (Jacques Rivette, 1974) EXTRAITS : Out 1, Jacques Rivette (Carlotta Films) Le monde sur le film, R.W Fassbinder (Carlotta Films) Céline et Julie vont en bateau, Jacques Rivette (Potemkine Films) Sinnerman, Nina Simone CRÉDITSMusique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

On this episode of The Intel by Auror Podcast Series, we chat about the latest ORC trends and insights with Dave Thompson of Wicklander-Zulawski. Dave is the President at Wicklander-Zulawski, a consulting and training company on interview and interrogation techniques. With over 15 years of investigative and interviewing experience, Dave frequently researches and writes curricula for training law enforcement and loss prevention professionals. Key talking points from this conversation include: What ORC looks like Handling a potential ORC perpetrator The power of information sharing Why information sharing is “the bottom line” How retailers can better support prosecutors Never miss an episode – subscribe to the show on Spotify or Apple Podcasts. Stay updated on our latest content via The Intel and sign up to our monthly Retail Crime Intelligence newsletter: auror.co/subscribe

For this episode in our Patreon-exclusive series on Franz Kafka's The Trial, we're joined by Martin Kessler to discuss unfinished masterpieces, over-finished masterpieces, post-humous puzzles, re-edits, rejiggerings, and all manner of ways in which the “completeness” of a masterpiece can remain unresolved. Naturally, Kafka's work leads the way in the discussion, but quickly turns to artworks ranging from the various film versions of Don Quixote to Bizet's Carmen to Blade Runner, The Confessions of Felix Krull, Zulawski's On the Silver Globe, German's It's Hard to be a God, Billy Budd and The Good Soldier Schweik. Support our Patreon:
 www.patreon.com/thepinksmoke The Pink Smoke site:
 www.thepinksmoke.com The Pink Smoke on Twitter: 
twitter.com/thepinksmoke Christopher Funderburg on Twitter:
 twitter.com/cfunderburg John Cribbs on Twitter: 
twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two”
 Outro music: Marcus Pinn / “Vegas"

Prepare yourself for an experience that could only come out of the mind of famed Polish director Andrzej Żuławski, 1981's Possession.    My guest Rehema Ngongo (playwright and fellow horror film fanatic) comes on the show to explain why Zulawski's infamous Cannes award-winning film is an all-time classic that everyone should watch multiple times.   Find Rehama here:  Instagram Twitter   Like the thrill of horror? You can find more horror at the Westcoast Strange website at westcoaststrange.com  This podcast is presented by Geek Happy Network. You can find other shows at geekhappynetwork.com.

La Filmoteca Española dedica un ciclo a Andrzej Zulawski. En traducción de Joanna Bardzinska, hablamos con su hijo Xawery, que ha venido a Madrid a presentar su película Bird talk (2019), rodada según el guión que su padre le entregó poco antes de morir. Con Pablo de María recorremos el Festival Internacional de Cine de Las Palmas de Gran Canaria que acaba de terminar. Escuchar audio

Et moi et moi et moi, Les Cactus, J'aime les filles, Il est cinq heures Paris s'éveille, L'Opportuniste, Le Petit Jardin... Focus sur Jacques Dutronc, artiste inclassable : ses chansons yéyé, ses apparitions au cinéma, ses amours mythiques. On en parle avec Frédéric Quinonero, qui publie "Jacques Dutronc, l'insolent". « Bagarre dans la Discothèque » à 11h30, avec Joëlle Scoriels et Corentin Candi. Et dès midi : "Paroles, Paroles" de Sébastien Ministru : "Comme un garçon" de Sylvie Vartan. L'écrivain et biographe français Frédéric Quinonero pour sa biographie "Jacques Dutronc, l'insolent" (L'Archipel). Artiste inclassable et insaisissable, roi du canular, Jacques Dutronc a tracé son chemin à l'intuition, sans chercher à faire carrière. D'abord guitariste, il aborde la chanson (" un métier d'escroc ") par un curieux hasard. Dans les mid-sixties, ses succès, écrits à quatre mains avec son "meilleur ennemi" Jacques Lanzmann ("Et moi, et moi, et moi", "Les Cactus", "Les Playboys"...), pointent déjà les dérives de la société de consommation, avec un sens de la formule qui fait mouche. Au cinéma, ce faux désinvolte a fait preuve d'une rare exigence et tourné avec les plus grands, de Zulawski à Pialat (il obtint le César du meilleur acteur pour Van Gogh en 1992), en passant par Lelouch, Deville, Godard ou Chabrol. Écologiste avant l'heure, Jacques Dutronc se cache souvent dans son repaire corse pour y " ranimer la flemme ". "La La Langue" de Joëlle Scoriels : ma chronique bilan, avec culotte, peps et veuve... Les sorties cinéma avec Hugues Dayez : - Promising young woman - Un espion ordinaire - Le Discours

L'écrivain et biographe français Frédéric Quinonero pour sa biographie "Jacques Dutronc, l'insolent" (L'Archipel). Artiste inclassable et insaisissable, roi du canular, Jacques Dutronc a tracé son chemin à l'intuition, sans chercher à faire carrière. D'abord guitariste, il aborde la chanson (" un métier d'escroc ") par un curieux hasard. Dans les mid-sixties, ses succès, écrits à quatre mains avec son "meilleur ennemi" Jacques Lanzmann ("Et moi, et moi, et moi", "Les Cactus", "Les Playboys"...), pointent déjà les dérives de la société de consommation, avec un sens de la formule qui fait mouche. Au cinéma, ce faux désinvolte a fait preuve d'une rare exigence et tourné avec les plus grands, de Zulawski à Pialat (il obtint le César du meilleur acteur pour Van Gogh en 1992), en passant par Lelouch, Deville, Godard ou Chabrol. Écologiste avant l'heure, Jacques Dutronc se cache souvent dans son repaire corse pour y " ranimer la flemme ".

"Paroles, Paroles" de Sébastien Ministru : "Comme un garçon" de Sylvie Vartan. L'écrivain et biographe français Frédéric Quinonero pour sa biographie "Jacques Dutronc, l'insolent" (L'Archipel). Artiste inclassable et insaisissable, roi du canular, Jacques Dutronc a tracé son chemin à l'intuition, sans chercher à faire carrière. D'abord guitariste, il aborde la chanson (" un métier d'escroc ") par un curieux hasard. Dans les mid-sixties, ses succès, écrits à quatre mains avec son "meilleur ennemi" Jacques Lanzmann ("Et moi, et moi, et moi", "Les Cactus", "Les Playboys"...), pointent déjà les dérives de la société de consommation, avec un sens de la formule qui fait mouche. Au cinéma, ce faux désinvolte a fait preuve d'une rare exigence et tourné avec les plus grands, de Zulawski à Pialat (il obtint le César du meilleur acteur pour Van Gogh en 1992), en passant par Lelouch, Deville, Godard ou Chabrol. Écologiste avant l'heure, Jacques Dutronc se cache souvent dans son repaire corse pour y " ranimer la flemme ". "La La Langue" de Joëlle Scoriels : ma chronique bilan, avec culotte, peps et veuve... Les sorties cinéma avec Hugues Dayez : - Promising young woman - Un espion ordinaire - Le Discours

Le cinéaste polonais Andrzej Zulawski n'était pas un réalisateur aimable et ses films, extravagants et tapageurs, ont souvent divisé la critique et le public. Examinons d'un peu plus près le cas Zulawski à travers ses deux œuvres les plus emblématiques : L’Important c’est d’aimer avec Romy Schneider et Possession édité en Blu-Ray chez Le Chat qui fume. Et entre ces deux films, une ambitieuse production de science-fiction polonaise qui failli ne jamais voir le jour. Musiques : Bande originale du film L'important, c'est d'aimer composée par Georges DelerueBande originale du film Sur le globe d'argent composée par Andrzej KorzyńskiBande originale du film Possession composée par Andrzej Korzyński

En parallèle d’une nouvelle édition en Blu-Ray de Possession, l’un de ses films les plus marquants, un livre tout aussi embrasé revient sur la carrière (et le caractère) de son réalisateur.Qu’on l’aime ou non, le cinéma d’Andrzej Zulawski reste à part. Des films excessifs, chaotiques, hystériques mais surtout fulgurants et animés par une fièvre romantique sans pareil.Même sans les images, la puissance de ce cinéma persiste dans les pages d’un livre recueil de témoignages revenant sur le parcours d’un cinéaste incandescent et des champs de bataille qu’étaient ses tournages. En vente sur la boutique du Chat qui fume : https://lechatquifume.myshopify.com/collections/precommandes/products/une-histoire-orale-dandrzej-zulawski See acast.com/privacy for privacy and opt-out information.

Interrogation and Deception Expert Dave Zulawski visits Fraud Busting.  He’ll tell all about the realities of polygraph testing, the driving force behind fraud and tell us details of some of the fraud investigations he’s done from car dealerships to construction to recycling.  He’ll also give details on the most important skill you can develop to spot fraud and scams yourself so you can find the truth.

In the summer of 1976, the late Polish film director Andrzej Żuławski, responsible for infamous cult classics such as The Devil (1972) and Possession (1981), was given a green light to shoot the most expensive film ever made in Poland. On the Silver Globe was meant to be a massively ambitious science-fiction epic set on the Moon, showing the birth of a new civilisation, and produced without the benefit of modern special effects. But things didn't quite go to plan. The huge ambitions of a temperamental and demanding director combined with the financial and technological realities of 1970s Poland meant that the production faced an uphill battle from the first day of shooting. But with over 70% of the film already shot, and the end almost in sight, On the Silver Globe unexpectedly fell victim to the whims of a Communist Party hardliner and was relegated to cinematic history. How do you make a space opera without Hollywood special effects in a state-run economy? What were the crew doing in Mongolia? Who was Janusz Wilhelmi and why did he shut down the production? And does the story ultimately have a happy ending? Like our show? Sign up for our newsletter! Time stamps [01:24] Intro [02:56] Flying to the Moon [05:10] Economic strife & a controversial director [07:20] Making a space opera without special effects [10:09] The Gobi Desert as the Moon [12:10] Production delays & cost overruns [16:15] Script changes & Hamlet monologues [18:37] A burning Shern [22:03] Wilhelmi arrives on the scene [25:55] ‘It’s over, lads.’ [29:38] Is this how the story ends? [33:54] Credits Further reading On the Silver Globe // film description on Culture.pl Andrzej Żulawski // bio on Culture.pl The Origins of Polish Sci-Fi & The Legacy of Jerzy Żuławski // feature article on Culture.pl about the origins of The Lunar Trilogy books and their far-reaching influence Jerzy Żuławski // bio on Culture.pl On the Silver Globe // on RogerEbert.com Further watching On The Silver Globe // fragment of the film after digital restoration, on Kadr Film Studio’s Youtube channel. Further visiting CETA Audiovisual Technology Centre// If you happen to be in the beautiful South-West city of Wrocław, you can visit the building that used to house the Wrocław film studio, which served as a base for the film, as well as such classics as The Saragossa Manuscript by Wojciech Jerzy Has. These days it houses a state-of the art special effects studio, but remains the home of the surviving costumes and props from On the Silver Globe. Credits Written & produced by Piotr Wołodźko Edited by Wojtek Oleksiak & Adam Zulawski Hosted by Nitzan Reisner & Adam Zulawski Scoring & sound design by Wojciech Oleksiak Thanks We'd like to thank Andrzej Jaroszewicz, Andrzej Seweryn, Stefan Kurzyp, and Jerzy Śnieżawski for talking to us. Many thanks also to Daniel Bird for guiding us through the strange world that is On the Silver Globe. And lastly, a special thanks to Maria Duffek, costume designer at the CETA audiovisual technology centre in Wrocław for her help and extensive knowledge.

durée : 00:58:55 - Toute une vie - par : Dominique Prusak - Fils d’un poète également diplomate, élevé entre France et Pologne, le cinéaste Andrzej Zulawski n’a cessé tout au long de sa vie d’être un brûlant destructeur de la réalité pour mieux rebâtir un univers à la fois baroque et dérangeant, parfois comique, souvent désespéré, loin de tout académisme ! - réalisation : François Teste

The queens discuss Zulawski's Possession, the 80's, 90's and today. Fall For Dance MORE: WWW.DANCEANDSTUFF.COM YOUTUBE.COM/DANCEANDSTUFF SUPPORT via PATREON MAKE A DONATION INSTAGRAM: @DANCEANDSTUFFSHOW @REIDBARTELME @JACKFERVER @THEJEREMYJACOB --- This episode is sponsored by · Charity Promotion: BallotReady: The goal of this initiative is to increase voter education and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.ballotready.org/

Ariel sits down with Australian film scholar Alison Taylor, author of Troubled Everyday: Aesthetics and the Everyday in European Art Cinema, to discuss the abstract and immersive experience that is Zulawski's Possession (1981). The discussion ranges from Communist ideology to feminist reflections on the film and Isabelle Adjani's powerhouse of a performance.Support the show (https://www.buymeacoffee.com/omnibusride)

Returning guest Dave Thompson of Wicklander-Zulowski and TalkLP enlightens us on coercion, investigative and interviewing training, the evolution of interrogation practices, differences in techniques & when to apply them, the TalkLP podcast, […] The post CrimeScience Episode 49 – Investigation & Interviewing, Coercion, and Interrogation Training ft. Dave Thompson (Wicklander-Zulawski & TalkLP) appeared first on LPRC.

Returning guest Dave Thompson of Wicklander-Zulowski and TalkLP enlightens us on coercion, investigative and interviewing training, the evolution of interrogation practices, differences in techniques & when to apply them, the TalkLP podcast, and much more. The post CrimeScience Episode 49 – Investigation & Interviewing, Coercion, and Interrogation Training ft. Dave Thompson (Wicklander-Zulawski & TalkLP) appeared first on Loss Prevention Research Council.

B and J further discuss and define Joan's favorite made-up movie genre and explore why a good sequel is hard to find.

El profesional de la seguridad y prevención de pérdidas debe desarrollar habilidades de entrevista como un recurso indispensable en su trabajo. En este capítulo del podcast, Juan Valverde, CFI explica en que consiste la metodología Wicklander Zulawski para realizar entrevistas éticas, responsables y sin confrontación. Comenzar una entrevista de investigación con una actitud ofensiva casi siempre dará como resultado resulta en una negación emocional por parte del sujeto. De un sujeto culpable, la negación es una mentira, y de un sujeto inocente, la negación proviene del miedo a que no le crean lo que está diciendo.  De cualquier manera, la conversación ha comenzado con una presión emocional y esto dará como resultado una confrontación entre ambas partes. Por ello, nuestro invitado nos expone como una forma más efectiva de identificar la verdad es a través de una variedad de técnicas sin confrontación que permiten que la conversación permanezca cordial sin llevar al sujeto a un estado emocional o defensivo. Juan Valverde, CFI actualmente es director para latinoamérica de Wicklander-Zulawski & Asociates, posee una amplia experiencia en investigación corporativa y prevención de pérdidas, esta certificado como Interrogador forense por la International Association of Interviewers.   En el podcast se mencionó: Café Virtual: Charlas matutinas sobre técnicas de entrevista. Disponible en el canal de Youtube de Wicklander Zulawski & Asociates. Libro: Practical Aspects of Interview and Interrogation (Practical Aspects of Criminal and Forensic Investigations) por David E. Zulawski y Douglas E. Wicklander, disponible en Amazon  Libro: El cuerpo habla, por Joe Navarro. Disponible en Amazon  Libro: The Art of Deception: Controlling the Human Element of Security por Kevin Mitnick, Nick Sullivan disponible en Amazon  Libro: Emotions Revealed, Second Edition: Recognizing Faces and Feelings to Improve Communication and Emotional Life por Paul Ekman PH D disponible en Amazon Formación online en lenguaje no verbal Humitell Serie de TV: Lie to me Puedes seguir a Juan Valverde, CFI en sus redes sociales para conocer sobre próximos cursos: LinkedIn https://www.linkedin.com/in/juanvalverdewz/ Facebook https://www.facebook.com/Wicklander-Zulawski-LATAM-753179491492607/ ​

B and J chat about Criterion's recent release of Teorema, the cultural desire to get reamed by one's tío, and Joan's favorite made-up movie genre.

We continue Polish Month with a look at two films from Andrzej Żuławski. First up is his feature debut, Third Part of the Night (1970) which is a horror thriller regarding lice, the apocalypse, and doubles. We also discuss The Devil (1972) in which a man jailed for regicide is freed, given a straight razor, and pointed to all the people he feels have betrayed him. Samm Deighan and Rondo-Award Winner Kat Ellinger join Mike to discuss these early works in Andrzej Żuławski's filmography.

We continue Polish Month with a look at two films from Andrzej Żuławski. First up is his feature debut, Third Part of the Night (1970) which is a horror thriller regarding lice, the apocalypse, and doubles. We also discuss The Devil (1972) in which a man jailed for regicide is freed, given a straight razor, and pointed to all the people he feels have betrayed him. Samm Deighan and Rondo-Award Winner Kat Ellinger join Mike to discuss these early works in Andrzej Żuławski's filmography.

Un ami chanteur, également critique ciné et musique.Enregistré le Lundi 5 Octobre 2015 à Paris.Les films de Walt Disney, Le Retour du Jedi, Blue Velvet, les vidéo-clubs, les films d'horreur dans les vidéos club, les magazines Vidéo 7 et Vidéo Jaquette, le gore et l'épouvante, le genre du slasheur, la jaquette d'Evil Dead, celle des Griffes de la Nuit, celle de Zombie, la diffusion de Zombies sur Canal+, Martin de Romero, John Carpenter, Wes Craven, George Romero, Tobe Hooper ou la génération des cinéastes d'horreur des années 70, la politique des auteurs intuitive, les journaux Mad Movies et l'Ecran Fantastique, Thriller de John Landis et son passage à l'émission Les Champs-Élysées, un palier supplémentaire dans l'art du clip, Bad taste de Peter Jackson, de la comédie dans les films d'horreur, Brain Dead, la surenchère dans les films gore, l'humour d'Evil Dead, Réanimator de Stuart Gordon, Cannibal Holocauste de Ruggiero Deodato, les Mondo Carne, les réalisateurs d'horreur italiens, Anthropophagous de Joe D'Amato et sa femme Laura gemser, l'attirance pour le morbide, Street Trash, Elmer le Remue-Méninges, Evil Dead 2, Predator, l'été 86 puis le désintérêt pour le film d'horreur, Hellraiser, Faux-Semblants de Cronenberg, Robocop de Verhoeven, la disparition des films d'horreur pure, Blue Velvet de David Lynch, le côté "menstruations féminines" de The Descent, Jeeper Creepers, Freddy sort de la nuit de Wes Craven, Scream 4 son dernier film, la mort de Wes Craven, les réalisateurs qui vont le suivre, les chroniqueurs de Mad Movies, James Cameron, la défense des blockbusters dans Mad Movies, les numéros spéciaux de Mad Movies, les Cahiers du Cinéma, Paul Verhoeven en couverture, les bonnes plumes des Cahiers du Cinéma, les Cahiers du Cinéma et le cinéma de genre, Olivier Assayas et Clint Eastwood, les Inrockuptibles, Lana Del Rey en couverture des Inrcks, Positif, Michel Simon et son côté universitaire, Délivrance de John Boorman, la politique des auteurs, le dernier Godard, Film Socialisme, Mad Max, le retour de George Miller, ses film "pour enfants", les films d'action aujourd'hui, le problème du dernier film de George Miller, le mixage du podcast, les plus gros films d'action de tous les temps, John Woo, Die Hard, Alien 2, Terminator 2, Matrix 2, The Blade de Tsui Hark, Croix de Fer et La Horde Sauvage de Peckinpah, le final de Scarface, Police Story avec Jacky Chan, Bruce Lee, le final de Bonnie and Clyde d'Arthur Penn, Full Metal Jacket, Les Sentiers de la Gloire et d'autres films de Kubrick, dont Barry Lindon et 2001 l'Odyssée de l'Espace, Zulawski dont entre autres L'Amour Braque et Possession, le thème du double dans son cinéma, sa richesse et la constance de la photo malgré des chefs opérateurs différents, le mauvais festival de Cannes 2015, Weerasethakul, Maiwen, le réalisateur Audiard est-il bon où doit-il être expulsé aux États-Unis, son utilisation ambiguë des personnages, Dheepan et son utilisation problématique de la banlieue, Tarantino et ses mélanges, son amour pour ses personnages, Christophe Waltz en nazi, ses dialogues filmés comme des scènes d'action comme dans Inglorious Bastard, les accidents filmés par Cronenberg dans Crash, la première scène de dialogue dans Reservoir Dog, la bande annonce de The Hateful Eight, la fin de Django, ceux qui se réclameraient de son cinéma, Ti West, le générique de House of The Devil, le réalisateur du remake de Cannibal Holocaust Eli Roth, Hostel, le genre du Torture Porn, le viol au cinéma, Un justicier dans la Ville de Michael Winner, le mauvais Joseph Guzman et son Nude nuns with a gun, la scène de viol dans Cannibal Holocaust, la scène de sexe entre documentaristes dans le village des indigènes et la critique de la société du spectacle, Gaspard Noé le petit malin qui veut choquer le bourgeois et qui n'est sexuellement pas très mature, la photo dans ses films et ses artifices de mise en scène.

The third part of our three-part history and analysis of Soviet Science Fiction films. In this episode we focus on the science fiction films of the USSR's final years including grey, colorful, and silver tones all in the wake of Andrei Tarkovsky's influence.    Chapter One: Grey Chapter Two: Color Chapter Three: Silver

This week, Lara Alonso Corona talks to Culture.PL editor and Stories from the Eastern West podcast presenter Adam Żuławski about his grandfather Jerzy Żuławski’s science fiction series The Lunar Trilogy and On the Silver Globe, the film adaptation directed by another family member, Andrzej Żuławski and first shown in 1988, and showing in London as part of Kinoteka – the London Polish Film Festival. They also discuss many of Andrzej Żuławski’s other films, the Young Poland modernist movement, and the challenges of making cinema in Communist Poland. SELECTED REFERENCES Blinded by the Lights (TV series, 2018) – https://www.imdb.com/title/tt6520930/ Boris Godunov (dir. Sergei Bondarchuk, 1986) – https://en.wikipedia.org/wiki/Boris_Godunov_(1986_film) Braindead (dir. Peter Jackson, 1992) – https://www.imdb.com/title/tt0103873/ Cosmos (dir. Andrzej Żuławski, 2015) – http://cinema-scope.com/cinema-scope-online/bleurghing-the-unspeakable-a-stroll-through-andrzej-zulawskis-cosmos/ DAVIES, GLIŃSKI & ŻUŁAWSKI, Quarks, Elephants & Pierogi: Poland in 100 Words (2019) – https://culture.pl/en/work/quarks-elephants-pierogi-poland-in-100-words-mikolaj-glinski-matthew-davis-adam-zulawski Philip K. Dick Hard to be a God (dir. Aleksei German, 2013) – https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/review-hard-be-god FRANK HERBERT, Dune (1965) – https://en.wikipedia.org/wiki/Dune_(novel) Stanisław Lem – https://culture.pl/en/artist/stanislaw-lem Bronisław Malinowski – https://en.wikipedia.org/wiki/Bronisław_Malinowski On the Silver Globe (dir. Andrzej Żuławski, 1988) – https://www.rogerebert.com/reviews/on-the-silver-globe-2016 Possession (dir. Andrzej Żuławski, 1981) – https://www.timeout.com/london/film/possession-1981 Solaris (dir. Andrei Tarkovsky, 1971) Stories from the Eastern West (podcast) – https://culture.pl/en/stories-from-the-eastern-west Jules Verne H. G. Wells STANISŁAW WYSPIAŃSKI, The Wedding (1901) – https://culture.pl/en/artist/stanislaw-wyspianski Young Poland – https://en.wikipedia.org/wiki/Young_Poland JERZY ŻUŁAWSKI, The Lunar Trilogy (1901-11) – http://translatingmarek.com/the-moon-landings-and-the-prophecies-of-jerzy-zulawski-polands-hg-wells-1969

Season 3, Episode 13: A Interview with Sarah Zulawski and Chris Murray by MAC CAST

Con Cinefilia ninja les queremos proponer un ejercicio: escuchar a dos personas hablando de cine, y tener a mano los links necesarios para seguir investigando si les pica el bichito del interés. El invitado del sexto episodio es Guillermo Hernández y con él hablamos de todo esto: De los cines Plaza y La Palma de San Pedro (http://bit.ly/2ACJjnq) y un incidente muy extra con el loco del pueblo, de la dinámica de estrenos en el interior, de las películas de Isabel Sarli (http://bit.ly/2ChTj5u), del cine en televisión, del Superagente 86 (http://bit.ly/2D2QhUv), de Ultraman (http://bit.ly/2V35cor), de las películas de Godzilla (http://bit.ly/2VIDkqa), de Sábados de súper acción (http://bit.ly/2QHL8so), de la decisión de no convertirse en técnico cerealero, de su bolo en Caballos Salvajes (http://bit.ly/2M3egpd), de cómo no pudo actuar en Cenizas del paraíso (http://bit.ly/2QECI0W), de profesores de teatro, de estudiar crítica, del tridente de la crítica de los 90 compuesto por Pagés, Tarruella y Faretta, de la revista La vereda de enfrente, de El amante (http://bit.ly/2PouM3j), de cines debate violentos, de la pica entre El amante y La cosa, del cine Cosmos (http://bit.ly/2L4gl44), la sala Lugones (http://bit.ly/2Fp9sJC), de Walter Hill (http://bit.ly/2QD7My7), Brian De Palma (http://bit.ly/2RD16on), del público de Corrientes y el público de Lavalle, del gusto variado en la cinefilia, de Solaris (http://bit.ly/2RojNwu), de Saigón zona prohibida (https://imdb.to/2CfGzMV), de Depredador (http://bit.ly/2D2eEl8), de la sala de Hebraica, del cine Lorca (http://bit.ly/2E5vNeC), del cine América (https://clar.in/2Rqrlin), del glamour de Lavalle (http://bit.ly/2QF9dMn), de la Galería del Este (http://bit.ly/2M59F66), de Zulawski (http://bit.ly/2D5nWgl), de La fierecilla domada con Ornella Mutti (http://bit.ly/2QEx9PW), de La mujer pública (https://imdb.to/2D4a4D4), de El diablo en el cuerpo (https://imdb.to/2SN2Mcb), de su debut como crítico en la radio, de El ejército de las tinieblas, de la idea del crítico que le gustan las películas y no solo un tipo de películas, de que se considere menor a un crítico que no es de medios en papel, del estado de la crítica en los años 90, de cagarse a trompadas por una película, de un violento partido de fútbol 5 entre críticos, del estado de la crítica actual, de las redes sociales y la crítica, de la preparación necesaria para ser crítico, de que se le ofenda un director por una critica, del mito de los sobres con plata para hablar bien de las películas, del estado actual de La cosa y de varias cosas más. Guillermo Hernandez es periodista y crítico. Fue durante muchos años el hombre de cine de Cual Es? Conduj

Topics: crime, interrogation, psychology. Poker tells author Zachary Elwood interviews David Zulawski, an expert in interrogation/interview techniques. Zulawski is co-owner of Wicklander Zulawski and Associates (w-z.com), a firm specializing in interview and interrogation consulting and education. Zulawksi is co-author, with Wicklander, of the respected and widely-used book "Practical Aspects of Interview and Interrogation." We talk about interrogation techniques, with a focus on psychological and behavioral aspects.

I spoke with Charliegrrl about her birth year of 1981.  We got into how horror films can be forms of catharsis and specifically getting into the wonderful and bizarre world of Andrei Zulawski’s Lovecraftian break up film.  We also talk Indiana Jones, growing up in small towns, Texas Chainsaw Massacre, and hope for a multi-cultural America.  

Episode 44 de Super Ciné Battle, le podcast où nous établissons le classement ultime du cinéma. Nous prenons vos listes que vous nous adressez pour les classer, du meilleur au pire afin d’obtenir LA liste ultime. On est repassé aux années 80 ! Nos années coup de coeur ! On y parle aussi bien horreur … Continuer la lecture de « Episode 44 : videur de boite de nuit-game »

Initially begun in 1977 and not released until (1988, Andrzej Zulawski, On the Silver Globe, is based on a series called The Lunar Trilogy by Zulawski's great uncle Jerzy.Joe Yanick and Heather Drain join Mike in an attempt to unravel the Polish sci-fi epic.Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guest: Daniel Bird Guest Co-Hosts: Heather Drain, Joe YanickInitially begun in 1977 and not released until (1988, Andrzej Zulawski, On the Silver Globe, is based on a series called The Lunar Trilogy by Zulawski's great uncle Jerzy.Joe Yanick and Heather Drain join Mike in an attempt to unravel the Polish sci-fi epic.

15:12 Zulawski's short films for TV: "The Story of Triumphant Love" and "Pavoncello" 19:14 "The Third Part of the Night" 28:34 (The Swans, "The Apostate") "The Devil" 49:12 (The Who, "Love Reign O'er Me") "The Most Important Thing: Love" 1:04:37 (Elvis Costello, "Possesion") "Possession" 1:28:22 (Michael Sambello, "Maniac") "La Femme Publique" 1:43:20 (Shooby Taylor, "Stout Hearted Man") "L'Amour Braque" 1:53:41 (Henryk Gorecki, Symphony 2 "Copernican") "On the Silver Globe" 2:11:19 (Paul McCartney, "Beautiful Night") "My Nights are More Beautiful Than Your Days", "Boris Gudenov", "La Note Bleue", "Szamanka" 2:27:52 (Richard and Linda Thompson, "Walking on a Wire") "Fidelity" 2:35:20 (Kosmos, "Psycho") "Cosmos" 2:43:10 Wrap Up / "The Zulawskian Film" Question To give Zulawski's work a further look, you can check out these resources: Daughters Of Darkness Podcast - Episodes 4-7 tackle Zulawski's filmography http://diaboliquemagazine.com/category/podcasts/daughters-of-darkness-podcast Samm Deighan's Andrzej Zulawski Retrospective at Diabolique Magazine http://diaboliquemagazine.com/category/columns/an-andrzej-zulawski-retrospective

This month on The Poster Boys podcast, designers Brandon Schaefer and Sam Smith look at the diverse work of Polish poster artist Barbara Baranowska, also known simply as ‘Basha.' An essential voice in the Polish Poster School (see also last May's episode for more), Basha created a chameleonic oeuvre while living in post-war Poland and France through the 60′s and 70′s, including iconic posters for films ranging from Zulawski's POSSESSION to WILLY WONKA. The Poster Boys also chat about some books and designs that have caught their attention lately, and open the Flat File to look at the posters for Orson Welle's monolithic masterpiece CITIZEN KANE. SHOW NOTES & LINKS The Art of the B-Movie Poster Sam's Myth: 1000 Polish Book Covers Polish Culture: Barbara Baranowska Daniel Bird on Polish Posters Music selections: Bass on Titles theme, Possession Theme by Andrzej Korzysnki, Xanadu by Olivia Newton John and E.L.O. Follow Brandon Schaefer at @seekandspeak, and Sam Smith at @samsmyth. Special thanks to producer Adrian Cobb and to our presenting partner, AIGA's Eye on Design blog.

Anti-Social Surrealism This week on the show we trade Rob's, for technical reasons, of course. We look at Zulawski's baffling final film Cosmos, notorious video nasty The Burning and Murnau's The Grand Duke's Finances. Our Feature Presentation doubled up and mutated a second Werner Herzog-shaped head as we looked at the German eccentrics new documentary Lo and Behold: Reveries of the Connected World, and John Michael McDonagh's latest War on Everyone.

May rolls around and so too does another fine episode of Trashpect Ratio! We mention superheroes for all of three seconds before moving into chat about Beyonce’s Lemonade and Zulawski’s Possession. Click that play button or subscribe on the podcast app of your choice for monthly, interesting movie discussion between good friends! Enjoy!

Truman con C. Gay e X. Camara, la retrospettiva su Zulawski e il ricordo di Prince con L. Bandirali

Bill speaks with writer and film scholar Daniel Bird about Andrzej Zulawski, ‘Eyeball’ magazine, the influence of Pete Tombs, THE DUKE OF BURGUNDY, HARD TO BE A GOD, and the future of film.

Episode 6: Love In The Time Of Octopi And Cronenberg, Or: When Things Fall Apart, Can We Make A New Start? Not Likely.     Greetings, creeps and weirdos! Welcome to the sixth episode of Horror Business, the podcast that would thrill Tom Atkins time and time again. This episode, in the spirit of Valentine’s Day, Liam and Justin go against their better judgment and take a look at a couple of movies that exemplify the absolute dread that is the abomination of love gone absolutely wrong. The first film that is discussed in David Cronenberg’s The Brood. Focal to this conversation is Cronenberg’s fascination with the grotesque and it’s intrusion into every day life and his obsession with detailing the interaction of the internal and external. In this specific case, it is the repressed emotions of a woman who had been abused as a child manifesting themselves as monstrous children that she births and the proceeds to unleash upon those she has perceived as having wronged her. The possibility of this film serving as a vehicle for Cronenberg’s criticism of pharmaceuticals and “New Age” therapies that could end up doing more harm than good, as is the extremely personal nature of the film due to it reflecting Cronenberg’s own frustrations with his divorce. Cronenberg’s cold and clinical style of film is discussed, as is the possibility of misogynistic tendencies in his films. On a humorous note, the overt and dominating masculinity of Oliver Reed is discussed at length, and Liam vents about his anxieties involving 1970s America. Up next is the late Andrzej Zulawski’s Possession. Central to this conversation is the religious and mystical nature of the film, due to several of the characters constantly making references to God and the divine, and the possibility of there being no god. The possible demonic nature of the entity that is seducing Isabella Adjani’s character is likewise discussed. The nonsensical and apparently surreal nature is examined in an attempt to find some sort of meaning in the apparent chaos of the film. How the film treats the nature of romantic loss and jealousy is discussed at length, and the tragedy of a relationship falling apart is central to this discussion, central to which is Sam Neill’s descent into madness and his switch from the sympathetic character into a wholly unsympathetic character. Perhaps most interesting in the discussion of Possession is the role of politics in the film; while it is wrought with imagery of the Cold War (Sam Neill’s character is a spy of some sort and the actual Berlin Wall is seen in the background throughout much of the film) any actual political message is hard to discern. In other words, despite the heavy use of political imagery, the film remains a psychologically based horror film with some political imagery rather than a political film with horror overtones. Zulawski recently passed, but we recorded before this happened so we do not discuss it on the show.     As always thanks to everyone and anyone who checked this episode out.. Any questions, comments, suggestions for movies and guests, or if you yourself want to join us for a movie viewing or even an episode, can be sent to thehorrorbiz@gmail.com. We can be reached on Facebook through the Horror Business page and you can follow us on Twitter at @thehorrorbiz666. Thanks always to Justin Miller and Doug Tilley for their technical contributions, and also thanks to Josh “Pineapple Jackson” Alvarez for being the Stephen Merritt-esque rendition of a great Misfits song for our theme. Until next time…stay creepy.     The post Horror Business Episode 6: POSSESSION/ THE BROOD- Our Valentine’s Day Show appeared first on Cinepunx.

Dave Zulawski comes onto the show to discuss the Wicklander-Zulawski method of interview and interrogation, most notably the non-confrontational method. Dave is the distinguished author of Practical Aspects of Interview & Interrogation. Dave also discusses the rigorous process of becoming certified as a Certified Forensic Interviewer. Find out more about Dave and the training offered by Wicklander-Zulawski & Associates, Inc. at w-z.com. 

Enregistré le Lundi 5 Octobre 2015 à Paris. Les films de Walt Disney, Le Retour du Jedi, Blue Velvet, les vidéo-clubs, les films d'horreur dans les vidéos club, les magazines Vidéo 7 et Vidéo Jaquette, le gore et l'épouvante, le genre du slasheur, la jaquette d'Evil Dead, celle des Griffes de la Nuit, celle de Zombie, la diffusion de Zombies sur Canal+, Martin de Romero, John Carpenter, Wes Craven, George Romero, Tobe Hooper ou la génération des cinéastes d'horreur des années 70, la politique des auteurs intuitive, les journaux Mad Movies et l'Ecran Fantastique, Thriller de John Landis et son passage à l'émission Les Champs-Élysées, un palier supplémentaire dans l'art du clip, Bad taste de Peter Jackson, de la comédie dans les films d'horreur, Brain Dead, la surenchère dans les films gore, l'humour d’Evil Dead, Réanimator de Stuart Gordon, Cannibal Holocauste de Ruggiero Deodato, les Mondo Carne, les réalisateurs d’horreur italiens, Anthropophagous de Joe D’Amato et sa femme Laura gemser, l'attirance pour le morbide, Street Trash, Elmer le Remue-Méninges, Evil Dead 2, Predator, l'été 86 puis le désintérêt pour le film d'horreur, Hellraiser, Faux-Semblants de Cronenberg, Robocop de Verhoeven, la disparition des films d'horreur pure, Blue Velvet de David Lynch, le côté "menstruations féminines" de The Descent, Jeeper Creepers, Freddy sort de la nuit de Wes Craven, Scream 4 son dernier film, la mort de Wes Craven, les réalisateurs qui vont le suivre, les chroniqueurs de Mad Movies, James Cameron, la défense des blockbusters dans Mad Movies, les numéros spéciaux de Mad Movies, les Cahiers du Cinéma, Paul Verhoeven en couverture, les bonnes plumes des Cahiers du Cinéma, les Cahiers du Cinéma et le cinéma de genre, Olivier Assayas et Clint Eastwood, les Inrockuptibles, Lana Del Rey en couverture des Inrcks, Positif, Michel Simon et son côté universitaire, Délivrance de John Boorman, la politique des auteurs, le dernier Godard, Film Socialisme, Mad Max, le retour de George Miller, ses film "pour enfants", les films d'action aujourd'hui, le problème du dernier film de George Miller, le mixage du podcast, les plus gros films d'action de tous les temps, John Woo, Die Hard, Alien 2, Terminator 2, Matrix 2, The Blade de Tsui Hark, Croix de Fer et La Horde Sauvage de Peckinpah, le final de Scarface, Police Story avec Jacky Chan, Bruce Lee, le final de Bonnie and Clyde d'Arthur Penn, Full Metal Jacket, Les Sentiers de la Gloire et d'autres films de Kubrick, dont Barry Lindon et 2001 l'Odyssée de l'Espace, Zulawski dont entre autres L'Amour Braque et Possession, le thème du double dans son cinéma, sa richesse et la constance de la photo malgré des chefs opérateurs différents, le mauvais festival de Cannes 2015, Weerasethakul, Maiwen, le réalisateur Audiard est-il bon où doit-il être expulsé aux États-Unis, son utilisation ambiguë des personnages, Dheepan et son utilisation problématique de la banlieue, Tarantino et ses mélanges, son amour pour ses personnages, Christophe Waltz en nazi, ses dialogues filmés comme des scènes d'action comme dans Inglorious Bastard, les accidents filmés par Cronenberg dans Crash, la première scène de dialogue dans Reservoir Dog, la bande annonce de The Hateful Eight, la fin de Django, ceux qui se réclameraient de son cinéma, Ti West, le générique de House of The Devil, le réalisateur du remake de Cannibal Holocaust Eli Roth, Hostel, le genre du Torture Porn, le viol au cinéma, Un justicier dans la Ville de Michael Winner, le mauvais Joseph Guzman et son Nude nuns with a gun, la scène de viol dans Cannibal Holocaust, la scène de sexe entre documentaristes dans le village des indigènes et la critique de la société du spectacle, Gaspard Noé le petit malin qui veut choquer le bourgeois et qui n’est sexuellement pas très mature, la photo dans ses films et ses artifices de mise en scène.

Lukas Foerster und Frédéric Jaeger unterhalten sich über Höhepunkte wie die Neurosen bei Zulawski und die Anarchie bei Iosseliani, über die Retrospektive von Sam Peckinpah und neuere Filme, darunter James White, Der Nachtmahr und Dom Juan.