Podcast appearances and mentions of john thorpe

John Thorpe has recently purchased a gig, and he has a full list of (obviously extremely impressive) features to review with you. Buckle up because this episode we're delivering a crash course on gig carriages. You can find us online at https://www.thethingaboutausten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com. We have merch! Check out https://www.redbubble.com/people/aboutausten/shop to see the current offerings.

Democrats and the media are all about lies and deceit to keep power. Tim Walz's COVID hotline is chilling. How do Americans feel about deportation? Sheriff Mark Lamb and John Thorpe join the show.

John Thorpe joins the show.

The Hamilton Today Podcast with Scott Thompson: We remember Bob Cole's legacy as a broadcaster. A wrap-up of Trump's week in court, and what is on the horizon. This weekend marks the 31st annual Paris to Ancaster Bike Race! The cost-of-living crisis facing Canadians is only getting more bleak, according to new polling that shows everything from buying a first home to affording groceries has gotten harder in the past year. The New York Court of Appeals, in a scathing 4-3 opinion, overturned Weinstein's conviction on sex crimes against three women, finding the trial judge "erroneously admitted testimony of uncharged, alleged prior sexual acts against persons other than the complainants of the underlying crimes." How is Prime Minister Justin Trudeau's popularity with Canada's youth who grew up under his leadership? It is all coming up on the Hamilton Today Podcast! Guests: Bill Brioux, television critic and author. Brian J. Karem, journalist and author, White House correspondent for Playboy and political analyst for CNN. John Thorpe, co-founder of race director for the Paris to Ancaster Bike Race. Randall Denley is an author and columnist for the Ottawa Citizen and the National Post; author of mystery novels, including Payback, Spiked, and One Dead Sister. Darrell Bricker, CEO of IPSOS Polling. Ari Goldkind, Toronto criminal lawyer, legal expert, media commentator. Eric Kam, Professor of macroeconomics, Monetary Economics, International Monetary Economics, Implications of Monetary Growth, with Toronto Metropolitan University. Jon Roe, Research Associate with Angus Reid. Host – Scott Thompson Content Producer – William Erskine Technical/Podcast Producer – Tom McKay Podcast Co-Producer – Ben Straughan News Anchor – Dave Woodard & Jen McQueen Want to keep up with what happened in Hamilton Today? Subscribe to the podcast! https://megaphone.link/CORU8835115919

Catherine gets an invitation to Northanger Abbey. Catherine finds out that she has unknowingly encouraged John Thorpe and that he is expecting to propose to her.  Isabella gets flirty, and Catherine shares her worries about Captain Tilney with Henry.  Laurel tells a little bit about the history of Abbey's in England.  Random tangents include: Bears, deserts, giraffes, Joshua Trees  Culty mentions: “Living for the sake of others”, UTS, Shinzo Abe, culty names, emotional repression  What we're reading/watching/listening to: You're Wrong About: Balto with Blair Braverman, Welcome to the Goddamn Ice Cube by Blair Braverman, The Harlem Detective Series by Cherster Himes, Crime Novels Antholgoy by the Library of America, Binaural Beats,  We have a twitter!  We have a TikTok!  Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai

There are very many early witnesses to the text of the New Testament, and there are places where they do not agree with one another. This video is about how one should go about comparing variant readings to decide what the original text would have been. The method used to analyse variants must be based on a knowledge of the witnesses available. Critical texts such as the United Bible Societies text or the Nestle-Aland text have lists of variants in the margins, with lists of those witnesses which support them. These can be used to show the readings that appear in any witness to the text. There are so many witnesses that it is often necessary to use computer methods to compare them and produce a final conclusion. --- Send in a voice message: https://podcasters.spotify.com/pod/show/christadelphians-talk/message

John Thorpe tricks Catherine into a carriage ride to Blaise Castle so that she misses the Tilneys when they come to meet her for their walk. We talk about the Roman Empire, aging, and how relatable Catherine is. Once again we are a few months behind, this episode was recorded near the end of November, so enjoy some talk about our favorite Christmas movies at the end!  Culty stuff: Dae Mo Nim What we're watching/reading/listening to: Taylor Swift, Mr. Vampire 1-4, Big Swiss by Jen Beagin, THe Vaster Wild by Lauren Groff, I Have Some Questions for You by Rebecca Makkai, Christmas movies, The Apple Tree by Daphne Du Maurier  Get in touch! We have a twitter!  We have a TikTok!  Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai Ad Music by Zakhar Valaha from Pixabay

Highlights this week. Interviews may be abbreviated. For the date and hour podcast to hear more, see the note 0:00 Lora Ries, Heritage Foundation, on the border security crisis (Jan 29, Hr 3) 13:21 Dr. JoAnn di Filippo, on Pima County Government, excerpt of her weekly update (Jan 29, Hr 2) 27:01 Pima County Supervisor Steve Christy

Groundhog Day, Chris live at the scene, Wobblers Knob to see "Fentanyl Phil" react to waking up. John Thorpe with Goldwater Institute on Tucson's "Prevailing Wage" ordinance. They sued Phoenix over their identical ordinance and have notified Tucson that they will do the same to Tucson. CJ Hamm joins Chris

Catherine goes for an unexpected carriage ride. John Thorpe can't stop talking about his horse. Catherine and Henry dance together at the cotillion. Akina discovers pumpkin spice lattes. This episode was recorded around Halloween, so enjoy our very out of date spooky holiday recommendations!  What we're reading/watching/listening to: Hopping Vampires of Hong Kong, Encounters of a Spooky Kind, Ross McDonald, Los Espookys, How to Sell a Haunted House by Grady Hendrix Get in touch! We have a twitter!  We have a TikTok!  Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai

The siblings episode! James Morland, Catherine's brother, and John Thorpe, Isabella's brother (not to be confused with the Olympian Jim Thorpe) show up in Bath and hang out with Catherine and Isabella. Henry Tilney reappears with his sister Eleanor, and John Thorpe cock blocks Catherine.  What we're reading/watching/listening to: Babel by R.F. Kuang, Dimension 20, Suits, Telemarketers, Get in touch! We have a twitter!  We have a TikTok!  Email us: Janeaustenculturenight@gmail.com Hosted by Laurel Nakai and Akina Cox Music and Production by Laurel Nakai

Flagstaff vs. the 1st Amendment (Ep. 1769) with Rob Wilson and John Thorpe of Goldwater Inst.    John Thorpe of GoldWaterInstitute.org joins Rob Wilson and Jeff to give an update on the City of Flagstaff's 1st Amendment issue with some surprising comments that the city recently made.   Rob Wilson of Timberline Firearms and Training talks safes and securing your valuables from theft and fire.   Please FOLLOW or SUBSCRIBE to the Jeff Oravits Show! RUMBLE   YouTube   ApplePodCasts   AmazonMusic   Spotify        Also on Twitter and www.TalkWithJeff.com   ***The Jeff Oravits Show and its guests do not give any financial, legal or medical advice, do your own research, this show is for informational purposes only and you should seek out legal, financial, medical advice from competent professionals before making any decisions. In other words, do your own research, educate yourself and seek out commitment professionals.***

The Hobbs administrations wants Arizonans to consume cage free eggs only.

Abby and Daniel, the hosts of Save Me From My Shelf, joined us via Zoom (from England!) for another literary discussion of weirdo protagonists. This time, we've got a gothic round-up that includes John Thorpe (from Jane Austen's 'Northanger Abbey'), Count Dracula, Macbeth, and a special shoutout to Edgar Allen Poe!   https://www.savemefrommyshelf.com/ 

Northanger Abbey follows seventeen-year-old Gothic novel aficionado Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath. It is Catherine's first visit there. She meets new friends, such as Isabella Thorpe, and goes to balls. Catherine finds herself pursued by Isabella's brother, the rough-mannered, slovenly John Thorpe, and by her real love interest, Henry Tilney. She also becomes friends with Eleanor Tilney, Henry's younger sister. Henry captivates her with his view on novels and his knowledge of history and the world. General Tilney (Henry and Eleanor's father) invites Catherine to visit their estate, Northanger Abbey, which, from her reading of Ann Radcliffe's Gothic novel The Mysteries of Udolpho, she expects to be dark, ancient and full of Gothic horrors and fantastical mystery. - Summary by Wikipedia --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

Catherine is finally standing up for herself and getting her way - much to John Thorpe's displeasure. There are still plenty of shenanigans afoot, though... Give in to all kinds of temptations in this episode, from the pedantic to the musical! For show notes and a full transcript of this episode, visit our website: reclaimingjanepod.com Connect with us: Twitter: @reclaimingjane Facebook: @ReclaimingJanePod Instagram: @reclaimingjane Patreon: @reclaimingjanepod Email: reclaimingjanepod@gmail.com Music by LaTasha Bundy. Show art by Emily Davis-Hale.

Time for some hot and SPICY Austen takes fresh from friend of the podcast Lexi, also known as @fourwhitetrees on X (Twitter), Bluesky, and other social networks! Lexi's funky fresh and sometimes controversial takes cover the mysterious appeal of John Thorpe, Mr. Knightley's questionable tastes, the unworthiness of Wentworth as a partner for Anne, whether Darcy is really the most obviously autistic character in Austen, and much more... like, is Northanger Abbey REALLY satire, or just a modern gothic? Our wide-ranging discussion is fun and surprising - check it out! [WARNING: this episode is DEFINITELY not for little ears! Explicit content included, most of it around or after the 1 hr mark]. Follow Lexi at @fourwhitetrees on X and Bluesky for more hot takes!

We have almost as much to say as John Thorpe does. Catherine's social circle is expanding with characters new and old – plus we'll take you on a shopping spree, a desert vacation, and an extremely targeted new campaign. For show notes and a full transcript of this episode, visit our website: reclaimingjanepod.com Connect with us: Twitter: @reclaimingjane Facebook: @ReclaimingJanePod Instagram: @reclaimingjane Patreon: @reclaimingjanepod Email: reclaimingjanepod@gmail.com Music by LaTasha Bundy. Show art by Emily Davis-Hale.

We're finally making our way to Northanger Abbey... but first we have to endure a little bit more of Isabella Thorpe. Catherine is greatly confused by Isabella flirting with Captain Tilney, but much like Henry neither of us is surprised. We get some decent flirting in these chapters between Henry and Catherine. Henry Tilney continues to be the embodiment of sweet caring secure attachment. Who wouldn't want a boyfriend who drives well and tells you horror stories to get you excited to see his family home. T does try to compare John Thorpe and Mr Darcy, but we will forgive them that because they were trying to make a point. Come on down and have some fun while we make our way through the dark caverns of Northanger Abbey. Hosted on Acast. See acast.com/privacy for more information.

We're back! Whoo! Theresa is happier - cause we got more Tilney and less John Thorpe! We love Catherine standing up for herself and setting those boundaries and taking action.

Welcome to Cycle Systems Online podcasts for 2023. It's great to be back with a stellar episode with John Thorpe from https://fjmtb.com/ From 1980s tracker bikes through to legendary MTB night races and a cult following in the Manchester area, John has built up a reputation for great riding, racing and partying at his own bike park.Marple is no Marin County, but John can certainly match Gary Fisher for a good yarn and the race weekends have rivalled anything at Repack back in those heady days. You can find out more at https://www.facebook.com/FARMERJOHNSMTB and  https://www.instagram.com/fjmtb/

The free speech zone lawsuit involving the NFL surrounding the big game is gaining traction.

We're back... and we still hate John Thorpe. We discuss John Thorpe, Murder Mystery elements, and hating John Thorpe. We love the Tilneys (TILNEY)! Highlights include: Theresa thinking Tilney is a weirdo. Kate loving Tilney. Kate really really loving Tilney. Seriously, he's so swoon.

The NFL wants to censor signs ahead of the big game in February and the push back continues.

LOINS!! We really hate John Thorpe... and we don't really think Isabella is much better! We didn't get enough Tilney! And Catherine is a relatable and grounded character. Did we mention LOINS! And we hate John Thorpe! Hosted on Acast. See acast.com/privacy for more information.

The NFL is coming to Glendale to celebrate its biggest event and the city of Phoenix is being sued over censorship issues.

A @Christadelphians Video: #GospelOnline, #Bible, #GodIsReal, #RealGod, #BibleStudy The God of the Bible is the creator of the universe. This means that he is outside the physical universe, and hence cannot be described in terms of the physical nature of the universe. However, the fact that God is the ultimate creator of everything allows us to deduce several facts about him. These facts are consistent with the descriptions of God in the Bible. This video is produced by the Gospel Online project which is arranged and supported by the Christadelphian community in the United Kingdom. For more information visit: https://www.gospelonline.co.uk/ --- Send in a voice message: https://anchor.fm/christadelphians-talk/message

Persuasion: Chapters 17 - 20Anne is still stuck in Bath, but at least now she has a friend. After dealing with her family for too long, Anne is pleased to find an old school friend who is staying in Bath due to illness and financial troubles. What's more, the Crofts have come to Bath as well and Anne takes a walk with the admiral to find out that there is news of Louisa - also that Wentworth is on his way. Before she knows it, Anne's thoughts shift from avoiding her family to spending time near Wentworth.This week Elle and Catrina discuss all of the happenings in Bath.  Everyone is milling about, sending letters, and repeating the same gossip over and over. Catrina highlights Anne's apprehension of Mr. Elliot now that she has spent more time with him.  Elle, on the other hand, wonders if Mr. Elliot didn't pull a John Thorpe and say something shady to Wentworth about Anne.At least there is some good Austen-swooning romance brewing! Wit Beyond Measure is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to at Frolic.media/podcasts.      

It's almost Halloween and what could be scarier than being trapped in conversation with John Thorpe? This episode we are taking a look at The Monk and discussing Thorpe's taste in literature. If you have ever been to a bad book club meeting, this episode is for you. We will be presenting at this year's Austen Con! Virtual tickets are available at www.24carrotproductions.com. You can find us online at www.TheThingAboutAusten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com. Music for this episode is: Moonlight Hall by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

One of the most common things men tell me in our coaching sessions is, "I'm just not happy. I have no purpose. I've lost my passion in my career." I get it, it's tough. So let's change all that or at least start that journey. John Thorpe, real estate broker and expert, found his passion in real estate but took it even deeper to help build LGBTQ roads in the industry. Today he shares how he keeps his passion alive and also how he fully embraces being himself in the workplace. About John John Thorpe is among a rare breed of professionals that can translate thought and creative leadership into implementation. With over+20 years of professional experience he's learned, above all else, that his strengths are within thought leadership, business strategy, and implementation. His experience is predominately in Real Estate, and he has always committed to helping real estate broker/owners tell their story better through their P&L, John has been recognized for his successes through various awards and accolades professionally. Of all of the success he has had in Real Estate, he is most proud that the knowledge and skills that he has has leveraged in the Real Estate industry can be utilized in almost any industry because above all, what he practices is being a high-impact leader. He is strategic minded, proactive, and innovative, and that serves him in any role and for any organization that wants to realize success –he goes beyond planning and strategizing, he implements, and that is his superpower! His #1 driver is a culture that emphasizes quality over quantity!!! His goal is to always lead individuals and teams to higher levels of production and self-worth. His experience with territory management, strategic growth, and sales/financial management makes him unique. Connect With John https://www.theagencyre.com/ (Website) https://www.facebook.com/john.thorpe.3705 (Facebook) https://www.instagram.com/johnbthorpe/ (Instagram) https://www.linkedin.com/in/johnthorpe/ (LinkedIn) Hey Guys, Check This Out! Are you a guy who keeps struggling to do that thing? You know the thing you keep telling yourself and others you're going to do, but never do? Then it's time to get real and figure out why. Join the 40 Plus Men's Circle. Learn about about - http://40plusmenscircle.com/ (Click Here!) Break free of fears. Make bold moves. Live life without apologies P.S. get your free My Bold Life Manifesto, right here - https://rickclemons.com/manifesto/ (rickclemons.com/manifesto/) You can also listen to the podcast on… https://apple.co/2Q4nnbt ()   https://open.spotify.com/show/3D4LvaRQjd5EcHWW4nKmQp ()https://www.stitcher.com/podcast/rick-clemons/forty-plus-real-men-real-talk ()   http://tun.in/pjrug ()https://www.podchaser.com/podcasts/40-plus-real-men-real-talk-854094 ()   https://radiopublic.com/40-plus-real-men-real-talk-WoBlp5 ()  

Michael Smyth, John Thorpe, Sean Fewster, Blakey, David Speirs, Orazio Fantasia, Will McDonald, Behind Closed Doors and David's Headline See omnystudio.com/listener for privacy information.

Wave goodbye to Henry and Eleanor Tilney because this week we're headed to Blaize [Blaise] Castle. Except not really, because John Thorpe is a big liar. If you have ever gone on an ill-advised outing, this episode is for you. You can find us online at www.TheThingAboutAusten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com.

Episode 42 - Pocono Television Network will show the 1951 film about the legendary Olympian and founder of the NFL for whom the town of Jim Thorpe is named. Author and film historian John DiLeo from Milford joins us to discuss the classic film and we hear from John Thorpe, Jim Thorpe's grandson. Burt Lancaster stars as legendary athlete Jim Thorpe who rises from poverty on a Native American reservation to graduate from college and win more gold medals than any other athlete in the 1912 Olympics. Where to watch: Blue Ridge Cable 734 Service Electric Cable - Lehigh Valley 189 Service Electric Cable – Wilkes-Barre 192 RCN – Philadelphia 41 Comcast - State College 190 & 1097* WDPN 2.8 in Philadelphia When to watch: Sunday, February 6, 2022 at 8 p.m. (repeat 10 p.m.) Tuesday, February 8, 2022 at 8 p.m. (repeat 10 p.m.) Sunday, February 20, 2022 at 10 a.m. (repeat 8 p.m.) *Tuesday only The Poconos is a year-round destination for millions and with 24-hundred square miles of mountains, forests, lakes and rivers with historic downtowns and iconic family resorts, it's the perfect getaway for a weekend or an entire week. You can always find out more on PoconoMountains.com or watch Pocono Television Network streaming live 24/7.

Hello my friends,You've been through a lot this with us this October - our month of horrors has explored the haunted halls of Mansfield Park, the monstrous mousiness of Fanny Price Ultimate Conqueror, the Drawing-Room treachery of Jane Austen's parlors, and now we cap it off just in time for Halloween weekend, with this special post and podcast episode featuring professor and writer Maria DeBlassie. For Dr. DeBlassie, ordinary life is full of dangers, threats from the real and every day, and what she calls ordinary gothic. Everyday treachery is everywhere and it haunts Jane Austen's novels, where our heroes are forced to face down drawing room dangers even among so-called polite society. But Dr. DeBlassie also has an answer to this problem. She says everyday magic, and the empowerment and joy and romance found in nature, in the power of stories, and in yourself, can help you slay the everyday demons.So, for this special Halloween edition of the Austen Connection we're having a conversation about gothic romance, Northanger Abbey, Mansfield Park, feminism, bodice rippers, witchery, and everyday magic. And somehow Professor Maria DeBlassie ties all of this together in her work and in her life. Dr. DeBlassie is on the faculty at Central New Mexico Community College and teaches in the Honors College at the University of New Mexico. In her teaching, her writing, and in her brujeria practice, Dr. DeBlassie is all about finding joy and empowerment, especially as women, as a women of color, and from indigenous or marginalized backgrounds. She says magic, witchery and reading Jane Austen can help you form a magical path forward from trauma and fragmentation based on marginalized identities and to conquer that ordinary gothic that we all face at times. And when you think about it, Jane Austen's characters are all about conquering the ordinary gothic -  Fanny Price, Elinor Dashwood, Catherine Morland - they are constantly conquering the everyday treachery of people around them. Think of patriarchal Sir Thomas, Sir Walter, Henry Crawford, the Thorpe siblings, John and Isabella. These characters and the dangers they bring can relate not just to the everyday but also the political, the cultural society, and the world we all share. But Dr. DeBlassie also teaches the romance genre, and she believes that Jane Austen has an awful lot to say about our everyday relationships. Here's our conversation about ordinary gothic - the disturbances, toxicity, danger, and general creepiness surrounding us - and finding a path forward through story, and everyday magic. Enjoy! Plain JaneSo let me start with: I saw you on Twitter talking about your work, as a professor, about Northanger Abbey, bodice rippers. What is the title of the class? And what's in it? What are you teaching in it?Dr. Maria DeBlassieSo the title of the class is “From Bodice Rippers to Resistance Romance,” or something like that. And it's looking at courtship novels, bodice rippers, and historical romances, and really thinking about how the courtship novel in the 18th century, 19th centuries, really developed this beautiful form of storytelling that centered women's lives, that centered the domestic sphere, and people's emotions. So we look at that and how that genre really inspired the modern romance novel, particularly the historical romance. And then there's a real, spicy couple of decades, where we get the bodice ripper in the sort of ‘60s, ‘70s and ‘80s. And that's when people introduce sex. And you know, it's really colorfully described sex scenes into the historical romance. So the bodice ripper is really what most people think of when they think of romance novels. They think of the sexy clinch covers, and Fabio, and now and then we end up the class looking at contemporary historical romances that are really thinking about centering people with marginalized identities, in stories about happy endings. And I think it's incredibly powerful to have those stories, so people of color, people from the LGBTQ-plus communities, people with disabilities, they get to see themselves having happy endings, and seeing it in stories that are set in the past. Because I don't think people realize that the past is a very complex space. It tends to be whitewashed and heteronormative and ableist. Like the way we talk about that history. So when we look at historical romances that center people of color, for example, it's really reclaiming that space and undoing a lot of that historical erasure. So that's kind of what we look at in the class and it's a lot of fun. You look at sex positivity and gender, politics, and all sorts of really fun things with it.Plain JaneWhat comes out in these discussions that delights you? Or surprises you? I'm a teacher too. So I know you learn from your students. What do you learn from them? And what do they what do they surprise to hear from you in these conversations? Dr. Maria DeBlassie For me, it's always funny because I'm so steeped in this world of reading romances already. So sometimes I forget what it's like to be someone approaching the genre for the first time. So it's always fun to see students engaging with it and being pleasantly surprised that they can analyze and think critically about a really joyful genre that they can have fun, when they're analyzing and unpacking things. And then, genre that's really considered pretty much fluff has a lot of really interesting, complex, intense, problematic ways of framing things historically. You know, we have issues of imperialism, colonization, race - all these things are playing out in these stories. And it's really fun to show them how that's working. I think it's incredibly powerful to have those stories, so people of color, people from the LGBTQ-plus communities, people with disabilities, they get to see themselves having happy endings, and seeing it in stories that are set in the past. Because I don't think people realize that the past is a very complex space. So even a frothy fun book is actually pretty loaded and charged and doing a lot of different things. Sometimes it's really positive stuff. Sometimes it's not so positive. And I had to laugh, because when we did, we read The Pirate and the Pagan by Virginia Henley for the bodice ripper. And it was the first texts we read that have sexually explicit content. And there's a moment where students were like, the stories that center our emotional lives or sexual lives or romantic lives - they're so charged, they're so over the top. And yet, they're really saying such beautiful, important things that affect us in our day-to-day lives. And it's it's beautiful to see students engaging with that, responding to things that really gave them wonderful ideas about their own lives, their own relational lives.And also how they will catch things that I don't catch. So one of my students thought there was a character in The Pirate and the Pagan who was queer coded. And I was like, “That's amazing. That's so brilliant.”So they bring their own interpretations to things, which is so powerful. I think that that's great. But do we ... start the class with Northanger Abbey. We watch the 2007 BBC film adaptation of it, because I think it just does an absolutely wonderful job of looking at why readers - particularly young women - are reading these kind of lurid over-the-top, you know, scandalous stories.Plain JaneWell, let's unpack that a little bit. Northanger Abbey. I guess that's probably the Andrew Davies adaptation, which really, I think starts with or has kind of embedded in it all these fantasies. Catherine Morland's fantasies depicted, which is a great thing to do for the screen, I think. And it makes it in some ways more Gothic than the novel feels. What do you unpack and what do you talk about with Northanger Abbey?Dr. Maria DeBlassieSo I love that film adaptation because I think it takes the novel and really pops out the conversation that's being had in it. Northanger Abbey isn't as popular [in] the Austen canon. But I think it's because a lot of people don't know about Ann Radcliffe and all those sorts of stories that young Catherine Morland is reading. If we situate it within its historical context, people are reading it, and they know just what kind of juicy content Catherine Morland is reading. So, I really love the film adaptation because of those fantasies, we really get to embody and experience all this excitement that's going through Catherine's mind. And I teach it to my students in terms of a young woman's sexual awakening and the real power of the ravishment fantasy. And so that's where it can become a little bit tricky territory because, you know, we're talking about the Me Too movement, we're talking about, consent is mandatory in all things. Their old-school bodice rippers have really problematic rape scenarios or sometimes it's euphemistically called “forced seduction.” So we're really thinking about, Why are all these things playing out? ... I think it's really about seeing these books as a safe space to explore your sexuality and really understand the difference between a ravishment fantasy versus what you want to see happen in real life. One of Catherine's first fantasies in the movie is being abducted by highway men. And it's such a funny scene because it ends with her, like, in the highway man's grip, and she has this terrified [look], but it slowly shifts to pleasure and excitement. Of course, you know, that's the moment where you realize she's just completely lost in this fantasy of what is this whole wide world. What is this sexual world she's being exposed to in these books? What is this new adventure she's going on, because she's never really been outside her hometown. And it's just the pure joy of that. Now, by the end of the story, when she is in a situation, she's kicked out of Northanger Abbey, by General Tilney, and she does run the risk of running into some very real highwayman. In a way … she has to go home and she's unsupervised. She's unprotected.Plain JaneThat's an interesting point.Dr. Maria DeBlassie Yeah. She realizes, these are two different things - the fantasy of being desired and having desires. It's very different from the real-world dangers that I have to negotiate.Plain Jane It's interesting, I love that you point out the word fantasy, I find myself saying this in the posts. And it's just kind of funny, but it does need to be said. And I think in some ways, the reason it still needs to be set is because we're largely talking about female desire. It's like, we have all watched plenty of Tarantino films, we know that sex and violence goes together in our culture, and that there's an erotic aspect to violence. It's when there's that erotic aspect to our violent aspect of female desire that people get confused. But especially because there are these important questions about feminism and, who is attractive? You mentioned this, who we find attractive is a social construct in so many ways. And … the other thing going on with romance, of course, Maria is that it is a huge industry, it is a big bestseller. That is reason enough to treat this seriously. As a genre … it's so foundational that I have really been wanting to explore this. And I feel like that's one of the fun things about Northanger Abbey. And one of the fun things about Jane Austen, is that it is still so foundational to what we find romantic and to these stories that we tell.Dr. Maria DeBlassieAnd you know, everyone, I think kind of dismisses Catherine as this young girl who gets swept away with her imagination. And, you know, the huge butt of the joke in the story or the huge, you know, ongoing joke is that she's overreacting to things in her daily life or blowing things out of context. But as I was rereading the book and watching the movie for my class, I realized: actually, she has really great instincts, and all the stuff that she feels uncomfortable about are actually things she should feel uncomfortable about. Like when … John Thorpe. He takes her [for[ the ride. She's like, I feel really uncomfortable with this. But everyone kind of gaslights her and makes her feel like she's overreacting. It was like, no, she should feel uncomfortable with that. Plain Jane  I love that scene. I love it that you highlight that scene. I feel like it's easy to just “drive by” that scene. … She's literally being forced to stay with him, he will not stop the carriage. Who's been in a car that you weren't sure was going to stop? Or a door that you weren't sure you're going to be able to open? Austen is really giving you that scene and she's making it funny, but she's also showing you something very important, as she always is: That this doesn't feel good. And she's making you feel it. She's making you feel that frustration, and she's making you feel the danger of that moment. Dr. Maria DeBlassie Yes, absolutely. And the way, you know, other women can be complicit in that, right? His sister's helping to orchestrate that situation. And, you know, each and every time Catherine kind of brings up a question like, “I'm uncomfortable about how we're doing this,” Isabella and John, you know, kind of talk her out of her feelings or undercut her emotions. Which, you know, I call that like a really good example of ordinary gothic. It's something that happens all the time. That is actually really bad and problematic, right? That's how women second guess themselves about their instincts. But people don't perceive it as something gothic or scary because it's just so normalized. And then on the other hand, we have Henry Tilney, which she just kind of knows he's a really good guy. She just has this feeling about him, which ends up proving really true. So it's interesting. So as flighty, and as flaky as she might seem, she actually has a pretty good head on her shoulders. And the books are helping her better process and navigate her new world that she's exploring.Plain JaneYes, and at risk of sounding extremely repetitive for people who listen to all of the Austen Connection, I really feel like that's one of my favorite themes of Austen: She's showing you what you expect first, you realize even by the end that, “Oh, she really does have something going on.” Even over Henry, at the end of the day, she's right. She encounters true danger. Like you say, I love that, at the end is the patriarchy, is General Tilney - Can't get any more patriarchal, right?Dr. Maria DeBlassieHe's like the classic gothic villain, you know. The evil patriarch archetype. And it's there in both the book and the movie, when Henry Tilney at the end, really [scolds] Catherine and lays into her about her fantasies and how she's assuming that there's all these evil goings-on in his family. And it's really not, you know, that's not the case at all. And it's true that she does kind of a violating thing by trying to sneak into - I think she's sneaking into his mother's chamber to find evidence. So, you know, some sort of disaster.Austen is so great at having those really horrifically, like secondhand embarrassment scenes where you're like, “Yeah, you know,” it's like, Mr. Knightley says, “You did a bad thing.” And I felt uncomfortable just reading and watching this. But you know, I love at the end of Northanger Abbey that Catherine really feels rightfully apologetic and chastised by Henry Tilney, when he's like, “You have no right to intrude on my family's stories like this.” But then he later comes back. And he's like, “Actually, what you were feeling and thinking was, right. I mean, you took it out in a weird way. But my mom was really unhappy in the marriage.” And so I love that he's able to apologize and say, “Well, I didn't like the way you executed things. But you actually picked up pretty quickly everything that's going on with my family dynamic.” And to me, that's such a powerful moment, because you know what a gothic romance is about what are romance novels about? It's about traditionally young women entering the marriage market and having to negotiate all these new things: the rake, the evil gothic villain, the wonderful hero, and trying to figure out what kind of marriage alliance, what kind of marriage or love match am I going to make? Because in Austen's time, if you choose the wrong marriage, like, you're screwed. You're kind of locked into that. So women were seen as property of male family members. So once they chose a marriage, and usually they didn't have a whole lot of agency in that they're pretty much locked in. So General Tilney's wife had more of a tragic marriage story. Because she thought it was love. You actually married her for her money, and now she's stuck. So what Catherine Morland is really looking at in reading all these gothic novels is, How do I avoid the worst possible situation and find the best possible situation? You know, happiness, love, stability, and a partner who sees me as an equal. So, again, she seems real, like a horny teenager, you know, just really getting into like, “Wow, all these men like me,” but there's another real part of her thinking, “What's my future gonna be like, and how do I negotiate all these things and not get carried away and make the wrong choice?”Plain JaneThere's so much at stake with marriage. And listening to you, I realized that it must be really lovely to be exploring these stories with you in the classroom and to have you as a teacher. Claudia Johnson wrote something and Dr. George Justice and I were talking about this in a … podcast, that Claudia Johnson writes about “the fantasy of benign authority,” which she's describing Knightley, and you're making me realize Henry Tilney does come back and say, “Well, you were wrong, but essentially you were right.” I wonder if that's part of the fantasy? Knightley does the same thing, you know: Emma's matchmaking for everyone, and he says, [in] a really romantic moment, and we're all swooning, basically … he says, “You would have chosen for Mr. Elton better than he chose for himself.” Such a smart thing to say, like, “Yeah, you're walking around wrong, but you're not as wrong as everyone else.” Which I think is kind of what Austen's showing us with her heroines a lot as well. She's having fun with these mistakes they make. But there're still more right than everyone else .. And so I feel like she she's kind of doing something feminist in that. … Dr. George Justice, and I were reminding ourselves … it's Austen, creating these powerful characters. She's creating this powerful patriarchal symbol, with Pemberley and Darcy, and Knightley and Donwell Abbey. She gives us the most powerful person - you can imagine Henry Tilney and Northanger Abbey - and she kind of conquers them. But then the fantasy is they come back and they say, “You were right. You're smart”!Dr. Maria DeBlassie Well, not only do they say, “You were right,” they say, they're sorry. And I think if we're thinking about romantic connections, really being able to have a partnership with someone who knows when to apologize, and knows when to say, “Hey, maybe I was wrong.” That's pretty powerful. And it's not something that people would list as things that are super sexy, but it's actually very sexy. Day in, day out.Plain Jane I love that comment. I mean, … you are the expert, How well do bodice rippers and our romances do what Austen does? Which is, she shows us the companionate marriage and she basically shows us the love. She shows us the lust. That last is a little easier to grasp - that fantasy, the eroticism. I mean, it's intuitive. But the companionate partnership is not so intuitive. That's something that you have to learn and really observe and really think about. … I love the post-game analysis Austen gives us (I can't believe I've got a sports analogy because I'm not a sports person) - I love it. She gives us postgame analysis. There's no better word for it really. With Knightley and Emma, particularly with those two, Austen's doing this. So consciously - like, this is not an accident: These are very intentional. Those postgame analyses. I feel like she's very conscious about showing us how to have a good relationship. I think if we're thinking about romantic connections, really being able to have a partnership with someone who knows when to apologize, and knows when to say, “Hey, maybe I was wrong.” That's pretty powerful. And it's not something that people would list as things that are super sexy, but it's actually very sexy.Dr. Maria DeBlassie And how to communicate with people. I always tell my students, it's such a good example of close reading and analysis. Those scenes when they break down -  like in a Pride and Prejudice when Darcy and Elizabeth finally get together, and they basically break down every encounter they had with each other. What it means. And it's like, this really good example of close reading and analysis and also like, a healthy way of talking about your relationships. Because no one's perfect in this world. What matters is, can you communicate? Can you work through stuff?Plain JaneCan you tell us more about what you call ordinary, everyday gothic?So when I'm not teaching, I'm a writer and I do witchy stuff. And I write about everyday magic and everyday, ordinary gothic. And so the idea behind those things is that magic and the mystic and the wondrous are around us every day. Sometimes we really look way far outside ourselves, or outside our daily lives, in order to find that kind of luminous or mystical experience. You know, I kind of equate it with people feeling like, they need to need to travel all over the world to get that and they're not thinking about how to find happiness in their daily life, right? Ordinary gothic is a similar theme, but it kind of tackles the darker side of that magic, which is the way we can normalize toxic behaviors, or we can kind of push past … like uncanny experiences, we'll kind of write them off. Or things that make us feel uncomfortable, we'll kind of pass through, bypass those feelings. And so, the ordinary gothic is those moments of the uncanny, or a sense of disturbance in our daily lives that we don't necessarily register as gothic or creepy, because it's so normalized. So a great example of that, like we said earlier is with John Thorpe, when he just kind of talks [Catherine Morland] into that ride, when she's just like really saying, No. You know, we see that, as you said, playing out in our life, so many ways, when that one person does something when we're like, No, we're really uncomfortable. But we're made to feel like we're wrong for wanting to lay down a boundary, for example. Or a really good example of ordinary gothic is Fanny Price. And everyone says she should be marrying Henry Crawford. And everyone's like, “I don't get what your problem is.” And she's literally like, “Hey, he's done a bunch of bad stuff. He's gone after and dumped Maria Bertram, like he's behaving badly. I'm not comfortable with this.” And [Sir Thomas], his response is, “Well, why don't you go home to poverty for a little bit, think it over, and then let us know how you feel.” That's a really great example of ordinary gothic, because he's making her feel her limited status as someone who came from poverty, and really trying to force her hand into a relationship that is going to be actively unhealthy. … Henry Crawford is not a good man. And she knows as much as he's putting on the charm now that will fade, and she'll be trapped in a loveless marriage. Now, objectively, we would say, “Oh, it's just a family member of the patriarchy, having our best interest at heart and trying to marry her off to a good suitor.” The ordinary gothic comes in when her background is being used to manipulate or coerce her into a situation, which we know is toxic. You know, Henry Crawford, there's those lines. And I think the 1999 film adaptation makes them a little more sympathetic. So that's how people think of him. But in the book, you know, he talks about wanting to like, tear a little hole in her heart. The way he describes it, it's like, it's not actual love for her. It's this conquest thing. It's this violence. So again, a really good example of ordinary gothic, where objectively, we think, “Oh, here's a rich, sexy man who flirts and really loves you and wants to take care of you. Why aren't you married?” But there's all these other social underpinnings that are really quite toxic.Plain Jane And one thing that you talk about in your work too, that I want to ask you about and that I love is the … let me see if I can look at the words you use. You talk about the unseen mystic which you're talking about here too. But specifically with the ordinary Gothic, you talk about … Hang on, let me see if I can find it because you say it so well. On your website: “reclaiming our power, specifically as women of color, fellow marginalized identities, of those in need of hope and healing.” When I listen to you, Maria, talk about Fanny Price. and also Catherine Morland up against the very powerful General Tilney, I wonder if some of these ordinary gothic stories can be extrapolated to larger issues. I feel like Jane Austen was showing us with Sir Thomas. Yes, Sir Thomas. Who's almost benevolent? He's really almost benevolent, but then he's very much not. And he's not in a way that's sort of that benign dictator. And I wonder if it's a metaphor for Imperialism. So all of that to say, I wonder if that ordinary gothic can be extrapolated to something larger about reclaiming spaces as marginalized individuals - reclaiming power, like you say.Dr. Maria DeBlassieAbsolutely. And I think, you know, when I first started reading Jane Austen, I was an undergrad, so feels like 1000 years ago, like 15 plus years ago. And I was really trying to explore what happiness looks like. And I have a very complicated relationship to my own cultural background. So it's indigenous, latinx, and European. And essentially, we're products of colonization. So it means we have this very fraught history that really gets romanticized. But there is this history of violence in our veins. And, you know, at the time, there wasn't a lot of discussion about how that impacts communities, specifically with the goal of moving beyond those narratives of trauma. So I was trying to figure out, “Okay, well, I know I have this here. But how do I move forward? I can't just wallow, right?” So the gothic is there to say, “Yes, bring all that out into the light.” And then once that rupture happens, we need to move forward. So I started reading Jane Austen, because I took a phenomenal class in undergrad. And first of all, it's just such a wonderful community, it was so nice to just nerd out with people who just love these stories. And my mom got me into I'm reading, you know, watching BBC adaptations and stuff. So I really want to learn about this. And I fell in love with the stories in undergrad, because I felt like they were helping me figure out what happiness looks like, specifically for people who weren't, you know, crazy rich and could do whatever they wanted. When you you still have to kind of live in the society that you're navigating. And I also love that it was really centering domestic and emotional lives. So I'm a really domestic person. I'm also an introvert. And so the long walks across the Moors, and the quiet reflections in the sitting room. Like that really spoke to me. And of course, it's also kind of a problem that I had to go to white narratives to find those examples of finding happy endings and working through difficult things. But over the years, I've realized it's also about being expansive. Like, what stories are we allowed to enjoy? What stories are we allowed to be part of? I'm really happy to see the Jane Austen fandoms becoming much more inclusive and exploratory. There's people queering the Jane Austen characters and doing all sorts of really wonderful stuff. And that's really, what got me started on my road in many ways to brujeria. And thinking about reclaiming that magic of everyday life, and reclaiming space for ourselves and finding that empowerment. And recognizing that a lot of times, that's going to look a lot different from the traditional narratives that are told about people of color. You know, we're told, we can only read or enjoy certain things. We're told how we're supposed to feel about our relationship to our culture, and there's a lot of stereotypes in there. But literature is really an outlet for us to explore and reclaim our agency. And Jane Austen was one of the authors that really helped me discover that.Plain Jane  That's wonderful to hear. And I also feel sad that it had to be a white world that you went to for that happily ever after. And I'm really, really excited that we're just changing that and I feel like Jane Austen would be extremely excited that we're changing that too. Dr. Maria DeBlassieAbsolutely. And it's so much easier now because, you know, as I've been writing more and been more vocal about these [things], I've had so many friends of color, friends with marginalized identities, reached out to me and be like, “Oh my God, I've been quietly trying to work, trying to do this to or to figure out a way past these kind of trauma narratives.” Because it's so much of what stories about people with marginalized identities are, it's like trauma narratives. And it becomes like an element of torture porn after a while. It's like, “Why can't I be centered in a happy story?” And then it's really marvelous to see that at the same time, I was kind of exploring things with Jane Austen, things on the internet and these online communities. We're seeing this really fruitful exploration of people from all different backgrounds, reclaiming their agency and their right to joy and telling more inclusive stories that center that.I mean, now I can find so many wonderful romances, for example, that center BIPOC joy, or queer love, or all these things. So, you know, that was just something I didn't have access to 15-plus years ago.Plain JaneThat's awesome. Tell me Maria, a little bit more about your background? And, and you've kind of mentioned how finding Jane Austen fit into it. But can you tell me a little bit more about it? And how you have reconciled with with it? And with your romance reading?Dr. Maria DeBlassie Yes, absolutely. So I have a pretty complicated relationship to my cultural identity, just because, again, we do have that history of colonization. So in New Mexico, it's the Spaniards who came in through Mexico, and conquered indigenous communities. And as a result, we have this very interesting, mixed cultural heritage now. But unfortunately, a lot of that heritage gets whitewashed because there's this huge history of cultural assimilation. So you have families that will only insist that they're Spanish, but not Mexican, or they want to erase any indigenous connections. And a lot of us don't know what our full mix is because of that erasure. So part of what we're grappling with, is really coming to terms with the fact that we can't know everything about our cultural or ancestral past, even though it is something that can still affect us and those energies. And that's where I get into some of my witchy stuff, you know, the ancestral hauntings and the, the kind of echoes of the past in our blood. And so the only option we have is to move forward. And to say, “I can't always go back and reclaim things. Sometimes I just don't know enough, or I will never be able to figure out what my full ancestral background is. And sometimes it's not a healthy thing for me to do, depending on family dynamics, etc. So where do we go from there, then? Well, the answer is, we move forward. We craft new narratives that pave the way and move beyond that trauma, or the fraught past. And this is a huge part of my brujeria practice. It's allowing us to move past the stories that are told about us, and really carving our own path. And part of that path is joy. So when you have a marginalized identity, so for me as a woman of color, it can be hard to feel like you can access that sense of pleasure or joy. So, particularly if you've ever been exposed to Catholicism … there can be also a very shaming aspect to pleasure and joy, particularly sexual pleasure or things that are just for the sake of enjoyment. And that comes into our backgrounds through Spanish Catholicism that really shamed indigenous communities and women. So part of what we're reclaiming in finding new ways of telling stories in our brujeria practice is our right to joy, is our right to sexual freedom, is our right to our own agency and autonomy. But actually … when you're grappling with all those issues, that's how Jane Austen and then eventually romance novels really helped me. Because they were just stories about joy, people figuring their stuff out in everyday life and in finding joy. So when I really started looking into romance novels more seriously … it was just so wonderful to read stories about people being tender and having emotions and working through stuff, and really feeling that the beauty of human connection. And in fact, in one of my classes, when, at the start of the pandemic, when we all had to move online, we were at the start of our romance novel unit for a class I teach on sex and gender culture. And a lot of my students kept reading romance novels after that, through the pandemic, because they felt it had a huge impact on their mental health, to just find these moments of joy. And so for me, I call this, it's my part of my pleasure magic practice, where you just kind of create space for warm and fuzzy things. And of course not all more romances are created equal. The bodice rippers, again, have a lot of really old-school problematic content. And some of the newer stuff can too. But when you find those stories that really speak to you, you know, they're healing you in fundamental ways. And they're nourishing your soul and letting you know that you're allowed to be more than histories of oppression, essentially.Plain Jane Yes, that's so well said. So tell me, the brujeria practice, and you say it so beautifully, that it's about going forward. And it's about carving out these stories for yourself for the future and finding joy. So tell me more about the everyday magic and everyday witchery. And those rituals that sustain you and help you plow ahead.Dr. Maria DeBlassieYes, thank you. So I just actually just published a book on it, Practically Pagan: An Alternative Guide to Magical Living. And it's really about being intentional about how you want to live. So my theory of practice is a little bit different in the sense that I write for the pagan- or witchy- curious. I teach a class on witchcraft and pop culture for my students. [W]hen you find those stories that really speak to you, you know, they're healing you in fundamental ways. And they're nourishing your soul and letting you know that you're allowed to be more than histories of oppression, essentially.And so I'm less complex-spells and complicated rituals and really expensive tools, and ingredients. And I'm more thinking about how powerful our thoughts are, how powerful our energy and intention is. And really thinking, you know, if I want to create this narrative of happiness, if I want that everyday magic, I need to look at the ordinary gothic first. I need to find the places in my life that feel dark or oppressive. And I need to untangle that and figure out what's causing that. Once I kind of work through those things, then the magic follows. Our energy opens up, we can get really grounded about what we want our day-in, day-out to look like. So I talked about making routines and turning them into rituals, right? So we're not just on autopilot, we're thinking intentionally about how we want to live our daily life. … I like to frame it in terms of actual storytelling, because I believe in story magic. I do think these stories, you know, the books and the stories we're attracted to give us a lot of medicine, and healing through simply following the heroine's journey or the hero's journey. So when I explain brujeria to people, or my version of practicing it, I think of it as centering yourself as the protagonist in your own life, right? If your story was a book, what would you want it to look like? What would you want to be there? What would the setting be? And then you can slowly start building it from there. And it sounds sort of silly or corny, but it's a really beautiful way of saying, “If I'm the author of my own life, how do I want to script this? How do I want to shape this?” And it's amazing what happens when you just start directing your attention, the synchronous events that will keep guiding you to a more joyful way of living and really helping open up to the profound possibility. —Happy Halloween weekend, friends - are you inspired by Dr. DeBlassie's closing words and insights about finding “profound possibility” through story, and finding a way forward from a difficult path, whatever that might involve, into empowerment, magic, ritual, and joy, through story? Are you a reader of romance novels, and have they gotten you through tough times?You can comment here and let us know!You can also reach out to us at austenconnection@gmail.com, and please find us on twitter at @AustenConnect and on Insta and Facebook at @austenconnection. Do you know anyone who might love to hear about this combination of witchery, everyday magic, and romance stories, and Jane Austen? If so, invite a friend into our community by sharing this post! Meanwhile, have a magical, wonderful Halloween weekend, and stay in touch with us here at the Austen Connection. Yours affectionately,Plain JaneCool linksDr. Maria DeBlassie's website: https://mariadeblassie.com/Practically Pagan: An Alternative Guide to Magical Living and other books by Maria DeBlassie: https://mariadeblassie.com/publications Get full access to The Austen Connection at austenconnection.substack.com/subscribe

Northanger Abbey Chapters 9-12These chapters include Catherine finally getting the chance to dance with her beloved Mr. Tilney once again. However, just before she is supposed to go walking with him and his sister, therefore solidifying their connection, she is kidnapped by the horrible Mr. Thorpe. Surely her chances with Tilney are over!  This week Catrina and Elle talk about the absolutely terrible John Thorpe. Seriously, this guy is literally the worst - and this is coming from two people who know all about Wickham, Willoughby, and Mr. Collins. Also, make sure to check out our friends at Smart Podcast, Trashy Books, another great podcast from the Frolic Podcast Network.  Wit Beyond Measure is part of the Frolic Podcast Network. You can find more outstanding podcasts to subscribe to atFrolic.media/podcasts     

☕️This week we right to another jerk in Northanger Abbey...John.Thorpe. YUCK.

The LGBTQ movement has come a long way. But as the nation continues to confront discrimination of all kinds, mostly with Black Lives Matter, there's still a lot of work to be done... and housing equality is no exception.    With that said, it's such an honor to have John Thorpe with us. John's been in real estate since 1999. He's also the Inaugural President of the LGBTQ+ Real Estate Alliance (The Alliance). The Alliance was founded in October and in just three months, has grown to over 500 members and about 55 chapters in the US including Puerto Rico.   The Alliance is a non-profit organization dedicated to enhancing the professional lives of its members while providing consumers with the proper resources to assist in buying, selling, and enjoying their home.    And it's not just for the LGBTQ population, it's a resource for anyone who needs advice, advocacy, education, or networking. To find out more information about The Alliance, visit https://realestatealliance.org/. There’s no cost to join.  "Educate yourself, get different perspectives. It will make you more understanding and empathetic. We're all human beings."  -Michael LaFido   Three Things You'll Learn In This Episode   The data is limited:Even though the 2020 census allowed people living in the same household to mark themselves as same-sex partners or spouses, it doesn't include sexual orientation. The average American homeownership rate is about 61%. However, the average for the LGBTQ American is only about 48%, so there's a discrepancy in the data.    The difference between the code of ethics and federal law:Even though the real estate code of ethics states you can't discriminate on sexual orientation or gender identity... there's no federal law that mandates this. There are 27 states where there are no explicit laws that protect people from discrimination. Educate Yourself:Grow your knowledge. Attend diversity and inclusion trainings, support minorities in business, listen to those who are unlike you. It'll improve your career, and improve the world we live in.      Guest Bio- John Thorpe is the Inaugural President of the LGBTQ+ Real Estate Alliance. He’s been working in real estate since 1999. For the past 7 years, he’s been with Better Homes and Gardens Real Estate as the Regional Vice President - Membership Development - Franchise Sales/Business Consulting. John lives in Fort Lauderdale, Florida with his husband of 17 years.   To find out more about John, visit The Alliance website:Website: https://realestatealliance.orgFacebook Group: https://www.facebook.com/lgbtqreallianceEmail address:  Ipresident@realestatealliance.org

In this episode, poor Catherine is stuck for two hours on a buggy with John Thorpe. On a similar topic to John, Dave & Roo discuss the ego, and how to try one's best to get out of its way.Content warning: Northanger Abbey is a coming of age novel & satire of gothic romance. Northanger Abbey was the FIRST novel Jane Austen completed for publication in 1803. The book was published posthumously in 1817 with ideologies and language phrases common to the time. The ideologies described and language used may be distressing to some listeners/readers. Dave & Roo do not endorse the ideas or language used by the author.Source of Music used within the podcast (please support the artists directly):Northanger Abbey (From "Northanger Abbey") (2007 Itv Adaptation) performed by The Regency Players - By Charlie Mole - https://youtu.be/3AHSrCDsMfII am the Slime - Frank Zappa - The Mothers - https://www.youtube.com/watch?v=iiCQcEW98OYNorthanger Abbey By Jane Austen is in the public domain of Australia (Australian law stipulated life plus 70 years, since 2005. The law is not retrospective and excludes works published in the lifetime of an author who died in 1956 or earlier). This podcast will be reading books of authors who are deceased and within a non-commercial platform only

Classics You Slept Through: Episode 19 - Northanger Abbey - Chapters 9 - 13 And now, we've got some drama! Enough with setup, this section gets us into some actual action and intrigue! We've got open air carriage rides, dances and flirtation, middle school level social interactions... and an attempted kidnapping?! Grab a friend, listen along, and get a mini book club going! Drop us a line and tell us if you're cringing from John Thorpe as much as we are. Twitter Facebook Instagram CYSTPod@gmail.com

This episode looks at the best way to make your Regency journeys. It also calls out John Thorpe on all his bragging.

This week we cringe at John Thorpe, rejoice in Catherine having her own opinions, and learn the perils of horseback riding. We are joined again by our favorite satellite guest Kristen Smith. --- Send in a voice message: https://anchor.fm/mannersandmadness/message

We’re kicking off Season 4 with a discussion about castles, crumpets and John Thorpe! Join us as we begin our breakdown of Northanger Abbey, and talk about the lost books of Jane Austen with professor and author Janine Barchas.

In this week's episode of The Literary Life, our host are back to discuss chapters 18-24 of Jane Austen's Northanger Abbey. Cindy, Angelina and Thomas start out sharing the things that struck them as they read this particular section of the book. Angelina highlight's Catherine's growing ability to judge between appearances and reality. We see the great contrast between Henry Tilney with John Thorpe throughout these chapters, and we learn how different the abbey is from Catherine's sentimental expectations. Another point that Angelina brings to the forefront is that Catherine is looking for hidden dangers, but she doesn’t see the real, ordinary dangers of people like the Thorpes. Cindy highlights the way Austen points to some problems with equating English-ness with Christianity and exceptionalism. Thomas underlines Henry Tilney’s own moment of naïveté about what evils actually do exist, even in his own family. Throughout this whole section, one main theme is the undeceiving of Catherine, and this is a big turning point for her. Thanks to Our Sponsor: Located in beautiful Franklin Tennessee, New College Franklin is a four year Christian Liberal Arts college dedicated to excellent academics and discipling relationships among students and faculty. We seek to enrich and disciple students intellectually, physically, emotionally, and spiritually, to guide them to wisdom and a life of service to God, neighbors, and creation. Penelope by Elizabeth Jennings Weave on Penelope, you must, Waiting for your lover who Travels half the world. No lust Only love abides in you. The suitors come. You cast them off. Let your faithful weaving go On and on until your love Can return and cherish you. Book List: Waiting on the Word by Malcolm Guite Gulliver’s Travels by Jonathan Swift Love and Friendship (film) Lady Susan by Jane Austen I Capture the Castle by Dodie Smith Mill on the Floss by George Eliot Adam Beede by George Eliot Atonement by Ian McEwan The Lord of the Flies by William Golding Persuasion by Jane Austen Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: Find Angelina at  https://angelinastanford.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at https://cindyrollins.net, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Meat Tray Friday, Show Comp, Police Commissioner Grant Stevens, Jane Reilly, Matt Pantelis, Healthcare Heroes, Lesley Dwyer, John Thorpe, Fitzy. Phil coorey See acast.com/privacy for privacy and opt-out information.

Wherein Eric gets scurvy, Annie comes out as a Bonapartist, and Roland Barthes visits to namesplain and give dating tips. Trigger warning: Jock butts and a chubby handful of John Thorpe.

Join Jamey on location with his co-host John Thorpe as they discuss the language and terms of old and new Vegas. Included are stories from behind the scenes of the Las Vegas Hospitality game. Also on the show, they cover Kathy Griffin, fines for nudity within hotels, mobile stripper poles, podcast over-clocking and Uber's insurance problems...and as always the Nerd Alert, Topless Report Gear Grinders and Area 52.

Join Jamey, Adam...and guest John Thorpe for discussions on the quality of strip clubs in Las Vegas, the true status of recreational marijuana sales in Nevada, topless show rules and regulations and the nudity ban for street performers. Included in this weeks show is a console wrap up of E3, the new Neil Degrasse Tyson kickstarter campaign, a Gal Gadot casting talk and new alien sightings...with, of course, the nerd alert, gear grinders and the Concierge Chronicle.

Join us for Part 2 of the John Thorpe interview...including discussions of Las Vegas Hotels, concierge work, zombies, gambling, brothels and private dancers and nightlife.  Also included are talks of Hoover dam, Red Rock Canyon and the bright side of Las Vegas.

Join us on The Pod Bay door for this two part interview of former Las Vegas concierge John Thorpe...including discussions about the Real Las Vegas, cannabis tourism, the upcoming Las Vegas Comic Con and Star Wars:  Han Solo...

Northanger Abbey follows Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Seventeen year-old Catherine spends her time visiting newly made friends, like Isabella Thorpe, and going to balls. Catherine finds herself pursued by Isabella’s brother John Thorpe and by Henry Tilney. She also becomes friends with Eleanor Tilney, Henry’s younger sister. Mr. Henry Tilney captivates her with his view on novels and knowledge of history and the world. The Tilneys invite Catherine to visit their father’s estate, Northanger Abbey, which, because she has been reading Ann Radcliffe’s gothic novel The Mysteries of Udolpho, Catherine expects to be dark, ancient and full of fantastical mystery. The first chapter introduces the reader to the protagonist of the novel, Catherine Morland.

Join me and my guest, John Thorpe, as we talk about the impact of electro-therapy on changing his life (www.ThorpInstitute.com). Twenty-five years ago, John Thorp was a successful stuntman for shows such as Hawaii Five-0 and Magnum P.I.. John shattered all the bones in his right leg and was told by the doctors that he would require a … Read more about this episode...