Podcasts about Emmanuelle Seigner

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're paging through the murky corridors of mystery, rare books, and Satanic secrets with Roman Polanski's atmospheric thriller The Ninth Gate (1999). Adapted from Arturo Pérez-Reverte's novel The Club Dumas, the film stars Johnny Depp as Dean Corso, a rare book dealer whose latest assignment drags him deep into a web of occult intrigue.Setting the Scene: Leather Bindings and Hidden SymbolsDean Corso is a sleazy but skilled rare book expert hired by the wealthy and enigmatic Boris Balkan (Frank Langella) to authenticate one of the few remaining copies of The Nine Gates of the Kingdom of Shadows, a 17th-century tome said to summon the Devil himself. Balkan believes only one of the copies is genuine, and he tasks Corso with traveling across Europe to examine all three. As Corso delves deeper, people connected to the books start turning up dead, and he finds himself pursued by cultists, a mysterious woman with supernatural abilities (Emmanuelle Seigner), and his own growing paranoia.Part noir detective story, part supernatural thriller, The Ninth Gate moves at a deliberately slow pace, building dread and unease through long shadows, whispered dialogue, and a creeping sense of danger. The mystery surrounding the book's origin and the authenticity of its illustrations becomes Corso's obsession. Each encounter along his journey offers new clues—or misdirections—about the book's true purpose, and whether the devil himself is guiding Corso's path.The film culminates in a quiet but unsettling resolution that subverts expectations. It's less about explosive revelations and more about slow, unnerving transformation, with Corso's character gradually shifting from skeptic to something far more… initiated.At its core, The Ninth Gate explores the timeless Faustian dilemma—how far one will go in pursuit of forbidden knowledge. Corso is less driven by belief than by greed and curiosity, but his journey reveals how seductive and consuming power can be. The book becomes a mirror reflecting the soul of each seeker, with deadly results for those who aren't worthy—or perhaps not wicked enough.Not one for younger viewers, this is a slow-burn adult thriller with a strong sense of place and purpose. The Ninth Gate rewards patience and attention, especially for fans of mysteries, the occult, or anyone who's ever gotten lost in a bookshop and wondered what might be lurking in the rarest of volumes.So light a candle, pour a brandy, and dust off your first edition—because The Ninth Gate invites you into a world where stories hold secrets and books just might bite back.

El que a buen sótano se arrima, buena sombra le cobija. Sesión cocinada entre sombras del pasado, sombras que nos acechan, sombras que nos acompañan y sombras que nos ocultan.Playlist;(sintonía) THE FORBIDDEN DIMENSION “The shadow knows”THE LIMIÑANAS feat. Emmanuelle Seigner “Shadow people”THE STRANGLERS “In the shadows”THE DAMNED “Shadow of love” (Phantasmagoria, 1985)THE DOGS “Walking shadows” (Walking shadows, 1980)JOY DIVISION “Shadowplay”THE ONLY ONES “Me and my shadow”LOST SOUNDS “Dark shadows”JAY REATARD “My shadow”THE SEEDS “A thousand shadows”LOS NIVRAM “Sombras”THE LOW SPIRITS “Shadows of your mind”ALEJANDRO ESCOVEDO “Footsteps in the shadows”DEAD CAPO “Por las sombras”JOE STRUMMER and THE MESCALEROS “Long shadow”Escuchar audio

Playlist for The Everything Show 1/6/2025Jimmy Rushing and The Big Brass / Harvard BluesMassive Attack / Atlas AirCannibal And The Headhunters / Land of a Thousand DancesWild Pink / Dulling The HornsNick Drake / At The Chime Of A City ClockSonny Clark / Blues In The NightJimi Hendrix / Voodoo ChileLava La Rue / HumanityJD McPherson / Don't Travel Through the Night AloneBryan Ferry / Just One Of Those ThingsThe Beach Boys / Getcha BackJohnny Germ / The HuntTolouse Low Trax / Traction AvantThe Beatles / Come Together - outtakeThe Beatles / Come Together - Abbey Road album versionThe Smile / The SlipJesse Cook / HEY!Theis Thaws, Tricky, David Holmes / Fly To Ceiling (David Holmes Remix)Elmore James / Madison BluesMy Bucket's Got A Hole In It / Jimmy Page & Robert PlantSade Adu / Young LionJimmy Ruffin / What Becomes Of The Broken HeartedJimmy Cliff / I Can See Clearly NowLow Hum / Only If You Say SoDick Hyman Group Feat. Howard Alden / I'll See You In My DreamsThe Limiñanas / Shadow People (feat. Emmanuelle Seigner)

Extrait : « … Je suis un gros fan des Limiñanas, et j'ai un gros faible pour Emmanuelle Seigner, depuis son album Distant Lover, de 2014, du gros rock à la Mademoiselle K. Il était donc difficile que je n'aime pas L'Épée, mélange de rock psychédélique et musique yéyé très sixties, d'autant que sur certaines des chansons de l'album, Diabolique, on a le plaisir d'entendre Bertrand Belin, coutumier des collaborations avec tout ce qui bouge … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

WELCOME BACK TO PURGATORY!!!! This week the boys talk about a little underrated horror/satanic film The Ninth Gate from 1999 adapted from the novel The Club Dumas(1993) By Arturo Perez Reverte.  The film stars Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, Jose Lopez Rodero, Tony Amoni and James Russo.   Thanks for checkin us out, if you'd like to find our back catalog go to Podbean.com   Intro & Outro music from The Ninth Gate soundtrack conducted and composed by the great Wojciech Kilar Intro "The opening titles"  https://youtu.be/-TsWxZ_i0Nk?si=e3YvCrfyCAAM0R8g Outro "Stalking Corso"  https://youtu.be/H9q4PjVi088?si=HCV5I5nnaxBmYpbc  

durée : 00:55:01 - Côté Club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités reçoit Emmanuelle Seigner, Jil Caplan, Emily Marsh, Edith Fambuena pour la sortie de l'album posthume de Dani, et Waxx et son album de reprises. Bienvenue au Club !

durée : 00:55:01 - Côté Club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités reçoit Emmanuelle Seigner, Jil Caplan, Emily Marsh, Edith Fambuena pour la sortie de l'album posthume de Dani, et Waxx et son album de reprises. Bienvenue au Club !

País Francia Dirección Roman Polanski Guion Roman Polanski, Robert Harris. Novela: Robert Harris Reparto Jean Dujardin, Louis Garrel, Emmanuelle Seigner, Mathieu Amalric Música Alexandre Desplat Fotografía Pawel Edelman Sinopsis En 1894, el capitán francés Alfred Dreyfus, un joven oficial judío, es acusado de traición por espiar para Alemania y condenado a cadena perpetua en la Isla del Diablo, en la Guayana Francesa. Entre los testigos que hicieron posible esta humillación se encuentra el coronel Georges Picquart, encargado de liderar la unidad de contrainteligencia que descubrió al espía. Pero cuando Picquart se entera de que se siguen pasando secretos militares a los alemanes, se adentrará en un peligroso laberinto de mentiras y corrupción, poniendo en peligro su honor y su vida

Czkekałyśmy na tę rozmowę, odkąd Morgane Polański potwierdziła swój udział w filmie "Skarbek". To główna rola. I co? Wracamy po krótkiej przerwie za to z gościnią, której w żadnym innym polskim podcaście nie usłyszycie. Artystka tylko u nas zdradza tytuł pierwszego reżyserowanego przez nią pełnometrażowego filmu, mówi o fascynacji postacią Krystyny Skarbek nazywanej "ulubionym szpiegiem Winstona Churchilla", o przywiązaniu do Krakowa. Aż w końcui zdradza, jak zareagowali rodzice – Roman Polański i Emmanuelle Seigner – gdy jako nastolatka zapowiedziała karierę w showbiznesie i zażądała agenta.Ale zanim – gorące newsy kulturalne doprawione branżowymi ploteczkami.Zaczynamy od serialu "Balenciaga" na platformie Disney+. Wielka moda na tle trudnej historii XX wieku. Jako że zaczynamy od mody, przypominamy, że wielcy krawcy lubią inspirować się artystami i artystkami. A wyjątkowo często czerpią z barwnego stylu Fridy Kahlo. Tak się akurat składa, że 9 lutego w warszawskim Art Box Experience w Fabryce Norblina otworzyła się wystawa będąca biografią immersyjną "Frida Kahlo. Życie ikony". Opowiemy wam trochę o Meksyku.Stamtąd już niedaleko do Graceland, domu Elvisa Presleya, ale skupimy się na jego żonie, Priscilli, o której Sofia Coppola wyreżyserowała film, a sama zainteresowana z pomocą Sandry Harmon napisała książkę "Priscilla. Elvis i ja" (wyd. Znak).Skoro Elvis – nie było dotąd lepszego wcielenia króla rock'n'rolla niż to, które zaprezentował Austin Butler u Baza Luhrmanna. A że to aktor wyjątkowo zdolny, właśnie zachwyca w serialu "Władcy przestworzy" w AppleTV, zamykającym trylogię seriali wojennych obok "Kompanii braci" i "Pacyfiku" produkowanych m.in. przez duet Toma Hanksa i Stevena Spielberga.I pozostajemy w Stanach, wracając do nocy wręczenia muzycznych nagród Grammy. Kreślimy krótką biografię Tracy Chapman, wspaniałej artystki, tekściarki i kompozytorki. Niestety, niewystarczająco docenionej. Przypominamy hit z 1988 roku "Fast car", jak i prezentujemy fragment wersji wykonanej z muzykiem country Lukiem Combsem podczas Grammy Awards. Ale usłyszycie też wzruszającą balladę "Baby can I hold you" nagraną z Luciano Pavarottim.Czas na Wstrząśnięte, Nie Zmieszane. Tym razem niespodzianka i zagadka. Ciekawe, kto zgadnie?To co, zaczynamy?udźwiękowienie: Piotr Haraźnyoprawa graficzna: Karolina Żmijewska

A rare book dealer, while seeking out the last two copies of a satanic text, gets drawn into a supernatural conspiracy.  Directed by Roman Polanski. Screenplay by Polanski, John Brownjohn and Enrique Urbizu. Based on the 1993 novel El Club Dumas by Arturo Pérez-Reverte. Starring Johnny Depp, Frank Langella, Lena Olin and Emmanuelle Seigner.  Listener Request courtesy of Aaron. Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: On Cinema

Mathilde Seigner est l'invitée du jour des Grosses Têtes. L'actrice est actuellement au théâtre pour la pièce "Bungalow 21" d'Eric-Emmanuel Schmitt. Elle incarne le rôle de Simone Signoret, aux côté de sa sœur Emmanuelle Seigner qui interprète Marilyn Monroe. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

« Bungalow 21 » est une pièce d'Eric-Emmanuel Schmitt, dont on doit l'idée originale à Benjamin Castaldi. Le titre fait référence à une suite du Beverly Hills Hotel. Deux couples mythiques y résident. Dans le Bungalow 20 résident Simone Signoret et Yves Montand, jeunes et beaux, au somment de leur gloire. Au Bungalow 20 logent Marylin Monroe et l'écrivain Arthur Miller, dont le couple bat de l'air. Mais Arthur s'enfuit et Simone s'absente pour un tournage. Les relations entre Yves et Marylin vont dépasser le cadre professionnel. Entre eux, on peut parler d'attraction fatale. Leur liaison va aussi être médiatisée. Cette pièce vaut surtout pour la qualité de ses interprètes. Emmanuelle Seigner se montre sensuelle dans le rôle de Marylin. Sa sœur Mathilde est parfaite dans le rôle de Signoret, l'épouse trahie. « Bungalow 21 », c'est jusqu'au 7 janvier 2024. Rendez-vous au Théâtre de la Madeleine dans le 8ème. Cyril Moreau Best Image

Au programme : Invités : Vincent Dedienne, Emmanuelle Seigner - comédiens • Vincent Dedienne et Emmanuelle Seigner : la rencontre • La légende Marilyn • Emmanuelle Seigner face à l'affaire Polanski • Le coup de gueule de Muriel Robin • Le portrait caché de Vincent Dedienne • Dedienne chez Labiche Invitée : Alice Modolo - Apnéiste • Alice Modolo, la championne de l'apnée Le journal olympique de Louis Amar Le mot de la fin de Tanguy Pastureau : Devenir une légende, ce n'est pas toujours facile…

durée : 02:59:01 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Le drame des Afghanes, la fin de vie, la rentrée économique, du théâtre et de la musique au menu de la matinale de Léa Salamé et Nicolas Demorand ce mardi 5 septembre 2023.

The Ninth Gate (1999), directed by Roman Polanski, is described as a horror-thriller (despite not being scary nor exciting). It has three spooky tomes though and a great game of spot the difference. Depp stars as the laconic book detective embroiled in the satanic silliness, with Emmanuelle Seigner as the femme fatale.  Joe & Adam discuss the film, story structure and the great soundtrack… and as an end of episode treat, some other films they've seen recently, including Oppenheimer and Memento.

Ryan and Dylan are joined by Ross Widener to talk about one of his favorite movies: At Eternity's Gate.

Dr. Richard Walker (Harrison Ford) and his loving wife (Betty Buckley) travel to Paris where he is to speak at a medical convention. In their hotel room, they discover that his wife has picked up the wrong suitcase at the airport, and they report this to TWA. While Dr. Walker is in the shower, his wife gets a phone call and is soon out of the room, and out of sight altogether as she is now missing. With the French police offering little assistance to his plight, Dr. Walker must search through Paris on his own, hoping for some trace of where his wife has gone, forcing him through an odyssey through the underbelly of Paris' seediest locations. Emmanuelle Seigner co-stars in this Roman Polanski film.

La culture dans tous ses états avec Emmanuelle Seigner avec André Bercoff et Céline Alonzo.

durée : 00:05:28 - Tanguy Pastureau maltraite l'info - par : Tanguy Pastureau - Tanguy nous explique la polémique qu'a créé Emmanuelle Seigner en soutenant à la télé Roman Polanski.

Depuis quelques années, la télévision française s'efforce d'adapter les séries internationales à succès. C'est notamment la spécialité de TF1 : la chaine est leader dans ce domaine et commande régulièrement des projets basés sur des productions européennes et américaines. Dans cette reco du week-end, découvrez trois séries françaises adaptées de séries étrangères à voir sur la plateforme Salto. C'est parti ! Les Bracelets rouges Adapté d'une série espagnole, Les Bracelets rouges est un phénomène depuis le début de sa diffusion sur TF1 en 2018. On y suit 6 ados dans un hôpital qui vont se soutenir malgré la maladie. Surnommée Les Bracelets rouges, la petite bande tente tant bien que mal de vivre une adolescence normale dans un contexte où la souffrance et le deuil sont quotidiens. https://www.youtube.com/watch?v=4XP95wSem6k Très touchante, Les bracelets rouges fait passer du rire aux larmes avec finesse sans pour autant jouer sur des ressorts dramatiques éculés. Adaptée dans de nombreux autres pays (Italie, États-Unis, Pérou), la version française est même jugée comme l'une des meilleures du lot. Chapeau ! Infidèle On enchaine avec Infidèle, une série française cette fois adaptée d'une série britannique, Doctor Foster. On y suit Emma, à qui la vie semble sourire pour toujours : un mari qu'elle aime, une famille soudée et une carrière de médecin sans encombre. Mais lorsqu'elle retrouve un cheveu blond sur le foulard de son mari Matteo, son monde est sur le point de s'écrouler. https://www.youtube.com/watch?v=7xcfRdBgE9U Portée par le duo Claire Keim et Jonathan Zaccaï, Infidèle a su s'émanciper de son modèle et trouver sa propre voie. Les liens du couple sont ainsi montrés différemment dans la version française, avec une plus grande emphase donnée au personnage de Matteo. En traitant un thème aussi universel que l'infidélité, la série multiplie les points de vue et creuse ainsi son sujet en profondeur. Insoupçonnable Adaptation de The Fall diffusée sur TF1 en 2018, Insoupçonnable met en scène Emmanuelle Seigner dans le rôle de Chloé Fisher, une détective parisienne qui doit se rendre à Lyon pour enquêter sur le meurtre de la belle fille d'un député local. Et on sait déjà qui est le meurtrier : Paul Brodsky (Melvil Poupaud actuellement dans la saison 2 d'OVNI(s)), un père de famille que rien ne soupçonne et pourtant, il est l'un des tueurs en série les plus redoutables de la région. https://www.youtube.com/watch?v=oW0kXGAulQA À l'instar de Luther, c'est donc un véritable jeu de chat et la souris qui s'enclenche entre Chloé et Paul, une chasse qui nous permettra de creuser davantage la psychologie du tueur. Avec son casting convaincant et sa mise en scène travaillée, Insoupçonnable diverge elle aussi suffisamment de son modèle pour en proposer une relecture convaincante. Cet article a été écrit en partenariat avec Salto.

Comédienne française en plein essor, Marie Catrix est l'invitée du quatorzième épisode de C'est quoi le bonheur vous ? Marie est une actrice française surtout connue pour son rôle de Morgane Guého dans le feuilleton télévisé Demain nous appartient. Originaire de Dunkerque, Marie Catrix a toujours été passionnée par le cinéma. Pour suivre son rêve, elle quitte sa ville natale pour rejoindre les cours Florent à Paris. Puis dans le désir d'approfondir son jeu, elle suivra ensuite d'autres écoles de théâtre et formations « face à la caméra » avant de décrocher des rôles dans différents types de productions: courts-métrages, publicités, séries télé, films institutionnels et longs-métrages.. Au cours de ces expériences, elle a la chance de travailler aux côtés de grands noms de la scène française tels que Emmanuelle Seigner, Melvil Poupaud, Pascal Greggory, Olivier Gourmet, Jean-Luc Reichmann, Issa Doumbia, Sara Martins.. Alors qu'elle devient maman pour la première fois en 2018, elle décroche un rôle dans la série "Demain nous Appartient" où elle incarne le rôle de Morgane, compagne de Sandrine incarnée par Juliette Tresanini. Elle joue alors aux côtés d'Ingrid Chauvin, Frédéric Diefenthal, Véronique Jannot ou encore Franck Sémonin. Une expérience riche de rencontres et d'échanges passionnants. Si sa vie professionnelle est en plein essor, son rôle de maman est sans nul doute sa plus belle révélation. En plus de la spiritualité, Marie place l'éducation au coeur de ses priorités. Dans cet épisode, Marie Catrix a commencé par nous expliquer son cheminement dans le domaine du développement personnel. Elle nous a parlé de son cercle familial, son enfance à Dunkerque, son parcours de comédienne. Nous avons longuement échangé sur l'éducation et les livres qui nous ont construits. Envie de nous aider ? C'est rapide et gratuit ! Il vous suffit de laisser une bonne note ou un commentaire sur votre plateforme d'écoute : les algorithmes adorent ça, et nous, ça nous permet de semer encore plus de graines !

Some performances are so good, we break the very thesis of this podcast in order to discuss them! This week we are queening out on truly a quintessential Best Actress, Marion Cotillard as the eternally tragic Edith Piaf in "La Vie en Rose." We of course give some time and appreciation to Emmanuelle Seigner and Sylvie Testud as the supporting female characters of the movie, but it's hard to not focus on Cotillard's fully embodied transformation as Piaf from rebellious 20 year street singer to a woman broken down by addiction, illness and grief in her 40's. Along the way we get the Marcel meltdown, the beauty of the beach scene and her triumphant final performance of "Non, Je Ne Regrette Rien." Email: thebsapod@gmail.com Twitter: @bsapod Colin Drucker Twitter: @colindrucker Instagram: @colindrucker_ Nick Kochanov Twitter: @nickkochanov Instagram: @nickkochanov

País Francia Dirección Roman Polanski Guion Roman Polanski, Robert Harris (Novela: Robert Harris) Música Alexandre Desplat Fotografía Pawel Edelman Reparto Jean Dujardin, Louis Garrel, Emmanuelle Seigner, Grégory Gadebois, Hervé Pierre, Wladimir Yordanoff, Didier Sandre, Melvil Poupaud, Mathieu Amalric, Laurent Stocker, Eric Ruf, Vincent Pérez, Michel Vuillermoz, Vincent Grass, Damien Bonnard, Denis Podalydès, Raphaël Caraty, Clément Jacqmin, Pierre Léon Luneau, Michèle Clément, Yohan Renier, Romain Lehnhoff, Luca Barbareschi Sinopsis En 1894, el capitán francés Alfred Dreyfus, un joven oficial judío, es acusado de traición por espiar para Alemania y condenado a cadena perpetua en la Isla del Diablo, en la Guayana Francesa. Entre los testigos que hicieron posible esta humillación se encuentra el coronel Georges Picquart, encargado de liderar la unidad de contrainteligencia que descubrió al espía. Pero cuando Picquart se entera de que se siguen pasando secretos militares a los alemanes, se adentrará en un peligroso laberinto de mentiras y corrupción, poniendo en peligro su honor y su vida.

It's a very special video episode of Black Mass Appeal, the podcast that brings modern Satanism to the masses! In this episode, we celebrate the third anniversary of the podcast with something different: a trivia game! Simone Lasher runs three rounds of Satanic trivia, as cohosts Daniel Walker and Tabitha Slander take on teams of listener contestants. Be sure to watch the video version of the show on our YouTube channel! Praise, condemnation, questions, and your team's answers can be sent to blackmassappealpod@gmail.com.   TRIVIA QUESTIONS! (Scroll down for answers at the bottom of the page.) ROUND ONE: SATAN In Dante’s Inferno, who was Satan munching on in the icy Ninth Circle? (Three points) In the book of Revelation, how many heads does the “the beast from the sea” have? How many crowns? (Two points) Most folks know the “number of the beast” in Revelation is 666. What’s the alternative number that is sometimes given as the “number of the beast”? What person is this number thought to represent? (Two points) In the Book of Job, God issued two conditions before allowing Satan to fuck with Job. What were they, in order? (Two points) In Paradise Lost, Book 1, Satan is the first character to speak. Who answers him (and is the second character to speak)? (One point) Embarrassingly few women have played the devil in film. Name one. (One point) A mosaic in the Basilica of Sant'Apollinare Nuovo in Ravenna, Italy, is thought to be the first depiction of Satan in art. What’s unusual about this Satan? (One point) How many times is the name “Lucifer” mentioned in the Bible? (One point) Name the actor who played Black Phillip (in human form) in the movie The Witch. (One point) Name the goat who played Black Phillip (in goat form) in the movie The Witch. (One point)   ROUND TWO: SATANISM Name Anton LaVey’s three children. (Three points) TST’s Baphomet statue was designed for installation at what state capitol… and was later used at a protest at what other state capitol? (Two points) In 1975, Michael Aquino left the Church of Satan and performed a ritual where Satan revealed to Aquino his true name. What was it? (One point) The United Aspects of Satan follows the “Baphomet Principle.” What is it? (One point) What sect of Satanism, founded in 2009, is known for their “11 Neoteric Guidelines”? (One point) What is the sixth tenet of the Satanic Temple? (One point) Jex Blackmore, former spokesperson for the Satanic Temple, is now an independent activist and artist. What was the name of her 2019 art exhibit in Chicago? (One point) The United Aspects of Satan’s holidays are feasts celebrating certain “aspects” of Satan. The feast that aligns with the winter solstice in December is the feast of whom? (One point) What was the last book written by Anton LaVey, which was released the year following his death? (One point) Why does the Order of Nine Angles suck? (One point)   ROUND THREE: BLACK MASS APPEAL One of the events leading up to the formation of Black Mass Appeal was Simone writing an email about Satanism -- and having it read on-air -- to what other major podcast? (One point) Apple recently changed the name of its podcasts app, leading to great confusion when trying to read the reviews. What was the original name of the app, and its new name? (Two points) In 2019, BMA guest John Romero (Episode 46) released a “new episode” (or “megawad”) of his classic video game Doom. What was the title of this new episode? (One point) Name another podcast that the BMA hosts have appeared on. (One point) Former BMA guest, director Penny Lane (Episode 45), has 12 documentary directing credits. Name one of her films OTHER than “Hail Satan?” (One point) Give the first names of the two primary members of the band Twin Temple (who were guests on Episode 43). (Two points) Who has been on Black Mass Appeal the most as a guest? (One point) Members of what Michigan-based Satanic group appeared on episode 52 to share their experience going to a Bob Larson exorcism? (One point) What day of the week do new episodes of BMA drop? (One point) What’s the country that was once inexplicably left in a show sheet and sends the hosts into fits of giggles when mentioned? (One point)   GET IN TOUCH WITH BLACK MASS APPEAL Facebook Twitter Instagram Patreon Tabitha Slander’s Instagram Discord server   SATANIC BAY AREA Website Facebook Twitter (as @SatanicSF) Instagram Sign up for Satanic Bay Area’s newsletter Coffee Hour is the third Thursday of every month from 6 – 8 pm at Wicked Grounds in San Francisco   ANSWERS ROUND ONE: SATAN In Dante’s Inferno, who was Satan munching on in the icy Ninth Circle? (Three points) Judas Iscariot, Marcus Junius Brutus, and Gaius Cassius Longinus. In the book of Revelation, how many heads does the “the beast from the sea” have? How many crowns? (Two points) 7 heads, 10 crowns. Most folks know the “number of the beast” in Revelation is 666. What’s the alternative number that is sometimes given as the “number of the beast”? What person is this number thought to represent? (Two points) 616, Emperor Nero. In the Book of Job, God issued two conditions before allowing Satan to fuck with Job. What were they, in order? (Two points) 1. You cannot harm him physically. 2. You can harm him physically, but you can’t kill him. In Paradise Lost, Book 1, Satan is the first character to speak. Who answers him (and is the second character to speak)? (One point) Beelzebub Embarrassingly few women have played the devil in film. Name one. (One point) Elizabeth Hurley, Bedazzled; Jennifer Love Hewitt, Shortcut to Happiness; Rosalinda Celentano, The Passion of the Christ; Angelica Huston, Seraphim Falls. Will accept Emmanuelle Seigner (as The Girl), The Ninth Gate. A mosaic in the Basilica of Sant'Apollinare Nuovo in Ravenna, Italy, is thought to be the first depiction of Satan in art. What’s unusual about this Satan? (One point) He’s wearing blue (not the stereotypical red). How many times is the name “Lucifer” mentioned in the Bible? (One point) Once. Name the actor who played Black Phillip (in human form). (One point) Daniel Wahab Chaudhry. Name the goat who played Black Phillip (in goat form). (One point) Charlie.   ROUND TWO: SATANISM Name Anton LaVey’s three children. (Three points) Zeena, Karla, and Satan Xerxes. TST’s Baphomet statue was designed for installation at what state capitol… and was later used at a protest at what other state capitol? (Two points) Oklahoma City and Little Rock, AR. In 1975, Michael Aquino left the Church of Satan and performed a ritual where Satan revealed to Aquino his true name. What was it? (One point) Set. The United Aspects of Satan follows the “Baphomet Principle.” What is it? (One point) Self-motivation balanced with compassion and reason, in all things. What sect of Satanism, founded in 2009, is known for their “11 Neoteric Guidelines”? (One point) Church of Rational Satanism. What is the sixth tenet of the Satanic Temple? (One point) “People are fallible. If one makes a mistake, one should do one's best to rectify it and resolve any harm that might have been caused.” Jex Blackmore, former spokesperson for the Satanic Temple, is now an independent activist and artist. What was the name of her 2019 art exhibit in Chicago? (One point) Sex Militant. The United Aspects of Satan’s holidays are feasts celebrating certain “aspects” of Satan. The feast that aligns with the winter solstice in December is the feast of whom? (One point) The Feast of Ba’al. What was the last book written by Anton LaVey, which was released the year following his death? (One point) Satan Speaks! (I'll begrudgingly accept Letters from the Devil, 2010.) Why does the Order of Nine Angles suck? (One point) Because they’re fucking Nazis that’s why.   ROUND THREE: BLACK MASS APPEAL One of the events leading up to the formation of Black Mass Appeal was Simone writing an email about Satanism -- and having it read on-air -- to what other major podcast? (One point) My Favorite Murder. Apple recently changed the name of its podcasts app, leading to great confusion when trying to read the reviews. What was the original name of the app, and its new name? (Two points) iTunes, Apple Podcasts. In 2019, BMA guest John Romero (Episode 46) released a “new episode” (or “megawad”) of his classic video game Doom. What was the title of this new episode? (One point) Sigil. Name another podcast that the BMA hosts have appeared on. (One point) Bizarre States, Naked Diner, Sacred Tension, Let’s Be Omnist. Former BMA guest, director Penny Lane (Episode 45), has 12 documentary directing credits. Name one of her films OTHER than “Hail Satan?” (One point) Nellie Bly Makes the News (Documentary short) Hail Satan? (Documentary) The Pain of Others (Documentary) Normal Appearances (Short) Just Add Water: The Story of the Amazing Live Sea-Monkeys (Documentary short) Nuts! (Documentary) Our Nixon (Documentary) The Voyagers (Documentary short) The Commoners (Documentary short) Sittin' on a Million (Documentary short) (co-director) The Abortion Diaries (Documentary short) We Are the Littletons: A True Story (Documentary short) Give the first names of the two primary members of the band Twin Temple (who were guests on Episode 43). (Two points) Alexandra and Zachary James. Who has been on Black Mass Appeal the most as a guest? (One point) Brigid Breed, SBA member. (Episodes 6, 7, 10, and 16). Followed by Detryck Von Doom (3 shows). Members of what Michigan-based Satanic group appeared on episode 52 to share their experience going to a Bob Larson exorcism? (One point) Satanhaus. What day of the week do new episodes of BMA drop? (One point) Tuesday. What’s the country that was once inexplicably left in a show sheet and sends the hosts into fits of giggles when mentioned? (One point) Greece.

Neste episódio, o filme em debate é "Lua de Fel", de 1992, dirigido por Roman Polanski e que traz no elenco por Hugh Grant, Kristin Scott Thomas, Emmanuelle Seigner e Peter Coyote. Participam do debate: Maria Angela Palla e Osvaldo Luis Barison. Mediação: Ana Paula Dias Rodrigues. Edição: Jeff Santanielo. Músicas incidentais: Spirit by Sappheiros - Chill Background Music For Videos.

Hoje temos dica de cinema com Rogério de Moraes. O filme de hoje é A Pele de Vênus de Roman Polanski com Emmanuelle Seigner e Mathieu Amalric. Quer mandar sua dica, sugestão ou reclamação? Email: rapidaopodcast@gmail.com Facebook: https://www.facebook.com/rapidaopodcast/ Instagram: https://www.instagram.com/rapidaopodcast/ Twitter: https://twitter.com/rapidaopodcast --- Send in a voice message: https://anchor.fm/rapidao/message

TESTO DELL'ARTICOLO ➜http://www.filmgarantiti.it/it/articoli.php?id=54LO SCAFANDRO E LA FARFALLA - TOTALMENTE PARALIZZATO SCOPRE IL VERO SENSO DELLA VITA di Toni ViolaPremio per la miglior regia a Cannes, quattro nomination agli Oscar. Il bellissimo e commovente "Lo scafandro e la farfalla" del regista americano Julian Schnabel, racconta in 112 minuti la vicenda drammaticamente reale del francese Jean-Dominique Bauby. Colpito da ictus all'età di 42 anni, Bauby (autore di successo e redattore capo della prestigiosa rivista francese Elle) rimase poi vittima di una rara sindrome che lo paralizzò dalla testa ai piedi rinchiudendolo nel suo stesso corpo, come in uno scafandro. L'uomo dettò la sua autobiografia, da cui è tratto il film di Schnabel, in poco più di un anno utilizzando solo il battito di una palpebra, l'unica parte del corpo che era in grado di governare, perché per ogni altra funzione dipendeva dalle macchine. Un calvario di 16 mesi (Bauby si spense il 9 marzo 1997, dieci giorni dopo la pubblicazione del volume), ma anche un incredibile inno alla vita, vista e vissuta attraverso quell'occhio capace di esprimere tutta la profonda essenza di un uomo così umiliato e imprigionato, ma libero come una farfalla, nei battiti di quelle palpebre.È possibile che l'essere umano travolto da un'improvvisa, terribile tragedia scopra la sua vera natura e il senso più profondo della vita? Dobbiamo ammalarci ed esplorare i meandri dell'inferno perché ci appaia un angelo pronto ad aiutarci? Parte da queste domande Schnabel per dare vita a un autentico capolavoro intriso di straordinaria umanità, poesia, persino ironia, com'era nelle corde dello sfortunato Bauby, interpretato dal bravo Mathieu Amalric. Ma c'è anche profonda disperazione. Come quando, appena appreso a comunicare con il movimento delle palpebre, le sue prime parole sono: "Voglio morire". "Parole oscene e irrispettose" secondo la sua fisioterapista (Emmanuelle Seigner) che a quell'uomo sta dedicando tutta se stessa. E Bauby scoprirà come la vita valga la pena di essere vissuta comunque.Le infermiere, la moglie, i figli (delicatissima la scena del mare), gli amici, tutti si adattano alla sua nuova condizione e lo incoraggiano ad andare avanti in un viaggio che riserva anche momenti di ironia, non certo inaspettati per chi ha conosciuto direttamente certe situazioni di fragilità estrema: perché la capacità degli uomini di trovare risorse positive dentro se stessi è davvero infinita.Commovente tra le altre scene, a volte amare a volte dolcissime, anche un altro momento forte della pellicola: la telefonata con l'anziano padre invalido, disperato per non poter stare accanto al proprio figlio.Un tema, quello dell'intangibilità e sacralità della vita, spesso tabù sul grande schermo o affrontato piuttosto per ribadire il diritto all'eutanasia, è trattato da Schnabel in maniera sorprendente. Il regista ci ricorda infatti che anche un'esistenza apparentemente così miserabile può ancora riservare gioia e serenità, emozioni e sogni da cercare tra memorie e immaginazione. Intrappolato, con il protagonista, tra membra inerti per quasi un'ora, lo spettatore assiste quasi con l'occhio stesso di Bauby (e di Schabel) alle vicende che si dipanano sullo schermo con quello stesso sguardo, ascoltando la voce di un uomo che nei suoi monologhi interiori si chiede se quella si possa chiamare vita, che rimpiange cose mai dette, gesti mai compiuti, amore mai dato, la gioia perduta senza però mai perdere, persino, un innato senso dell'umorismo.Un film importante, anzi necessario: in tempi di dibattiti gridati e furenti rivendicazioni di presunti "diritti" di morire, di battaglie ideologiche giocate sul concetto scivoloso di "qualità della vita", il film è un invito a fare silenzio. Di fronte a qualcosa di più grande.

Climb aboard an Istanbul-bound cruise ship with Oscar and Diggory as they embark on another quest to find out whether we've been taking Hugh for granted. This time the boys are taking a look at Bitter Moon (Polanski, 1992) in which Nigel (played by Hugh Grant) meets a mysterious American named Oscar (played by Peter Coyote) and his beautiful French wife Mimi (played by Emmanuelle Seigner). Over the course of several days, Oscar regales the story of how he met Mimi, their salacious steamy love affair and its torrid, bitter break down. The boys also give an update on how the podcast will be affected going forward during the outbreak of Covid-19 and welcome the debut of Synopsis Simon Haines, Synopsis Simon's stand-in. You can find him on Twitter @thesimonhaines and even on IMDB. Thank you so much to Simon for taking part. Make sure you're following Taking Hugh for Granted on Instagram and Facebook (@TakingHughforGranted) as well as Twitter (@TakingHugh). You can get in touch with us there or via our email takinghughforgranted@gmail.com For those of you that want to skip disclaimers, opening theme tunes, salutations, synopses and go straight to the film analysis, head to 4:57

Paris, final do século 19. O capitão francês Alfred Dreyfus (Louis Garrel) é um dos poucos judeus que faz parte do exército. No dia 22 de dezembro de 1884, seus inimigos alcançam seu objetivo: conseguem fazer com que Dreyfus seja acusado de alta traição. Pelo crime, julgado à portas fechadas, o capitão é sentenciado à prisão perpétua no exílio. Intrigado com a evolução do caso, o investigador Picquart (Jean Dujardin) decide seguir as pistas para desvendar o mistério por trás da condenação de Dreyfus. Edição: Miotti Ficha técnica completa pelo filmow

Music from Peru and Panama, two tracks featuring the lovely Emmanuelle Seigner, Reggae, Afro-beat and loads more!Tune in to new broadcasts of Worldy every Monday from 3 - 4 PM EST / 8 - 9 PM GMT.For a complete track listing, visit: https://thefaceradio.com Instagram: https://www.instagram.com/mattpapeworldyTwitter: https://www.twitter.com/mattpapeworldy/ Support The Face Radio with Patreon See acast.com/privacy for privacy and opt-out information.

Filmkritiken zu "Intrige", "Frosch Im Schnabel" und "Doom: Annihilation" Lockere Filmkritiken zum selbst mitmachen! Meldet euch via Mail (info@tele-stammtisch.de), Facebook, Twitter oder Instagram für den nächsten Podcast an! Haupt-RSS-Feed | Filmkritiken-RSS-Feed iTunes (Hauptfeed) | iTunes (Filmkritiken) Spotify (Hauptfeed) | Spotify (Filmkritiken) Website | Twitter | Facebook | Instagram Skype: dertelestammtisch@gmail.com Titel: Intrige Originaltitel: J'accuse Startdatum: 06.02.2020 Länge (min): 132 FSK: ab 12 Regie: Roman Polanski Darsteller: Jean Dujardin, Louis Garrel, Emmanuelle Seigner uvm. Verleih d. Weltkino Filmverleih GmbH Trailer Titel: Frosch im Schnabel – 40 Tage Wut und Mut Startdatum: 07.02.2020 Länge (min): 88 FSK: unbekannt Regie: Stefan Hillebrand Darsteller: Ilka Sobottke, Anne Ressel uvm. Verleih d. Camino Trailer Titel: Doom - Die Vernichtung Originaltitel: Doom: Annihilation Heimkinostart: 20.02.2020 Länge (min): 96 FSK: ab 18 Regie: Tony Giglio Darsteller: Amy Manson, Dominic Mafham, Luke Allen-Gale uvm. Verleih d. Universal Pictures Germany GmbH Trailer Gäste: Dominik Facebook | Twitter | Profil auf Moviepilot | Letterboxd Moviebreak Website | Facebook | Twitter | Instagram Pascal Facebook | Instagram Jens Website | Website | Facebook | Facebook | Twitter | Instagram Stu Facebook | Instagram Patrick Facebook | Twitter | Instagram i used the following sounds of freesound.org: Musical Snapshots by Columbia Orchestra Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen

Steve from Retro Man Blog takes a look at the Blog's "Band(s) of 2019" The Limiñanas and their collaboration with Anton Newcombe and the French actress Emmanuelle Seigner in the project L'Épée. We look at The Limiñanas other collaborations with Étienne Daho, Peter Hook, Bertrand Belin and Pascal Comelade, pick out some great previous and related bands and play some originals of the various cover versions they have recorded over the years. Featuring great songs by The Brian Jonestown Massacre, The Gentlemen, Wanda Jackson & The Cramps, The Kinks, Echo & The Bunnymen, Lords of The New Church, Jay Reatard, Michel Polnareff. The Beach Bitches, Les Bellas, Toxic Farmers, The Llamps, Hair & The Iotas & Les Wampas. Retrosonic Podcast has a valid PRS licence. Cover photo courtesy of Alain Bibal.

Pour évoquer la profession d'acteur, Michel Denisot en réunit sept, qui confrontent leurs expériences, racontent leurs parcours, évoquent leurs projets, et confient leur passion pour ce métier, mais aussi leurs doutes.Invités : Niels Arestrup, Reda Kateb, Laurent Lafitte, Kad Merad, Nahuel Pérez Biscayart, Tahar Rahim, Jean-Paul RouveNiels Arestrup est à la fois un grand acteur de cinéma mais aussi de théâtre, activité qu'il n'a jamais abandonnée malgré une carrière remarquable devant les caméras. L'acteur français se fait connaître à travers des second rôles de salauds. Les plus remarqués seront les deux incarnations que lui offre Jacques Audiard dans De battre mon cœur s'est arrêté et Un Prophète pour lesquels il reçoit deux César du meilleur acteur dans un second rôle. Il remportera un troisième César dans cette catégorie pour Quai d'Orsay en 2014. Niels Arestrup a été également été à l'affiche de Le Scaphandre et le papillon de Julian Schnaebel aux côtés de Mathieu Amalric, Emmanuelle Seigner et Patrick Chesnais. L'acteur étend sa carrière à l'international lorsqu’il rejoint le casting de Cheval de guerre sous la direction de Steven Spielberg. Il partage l'affiche de Aurevoir La-haut avec Nahuel Perez Biscayart et Laurent Laffite également présents dans ce volet de Profession. Niels Arestrup avant par ailleurs rencontré Tahar Rahim et Reda Kateb sur le tournage d'Un Prophète.Laurent Laffite. La carrière de l'acteur s'est d'abord partagée entre télévision, théâtre et cinéma. Il débute tant aux côtés de** Bruno Solo** et Yvan Le Bolloc'h dans la série Caméra Café qu'avec Catherine Deneuve dans la comédie Belle Maman et Mathieu Kassovitz dans Les Rivières Pourpres. Sa carrière est notamment marquée par une collaboration forte avec Guillaume Canet qu'il retrouve à plusieurs occasions : Mon idole, Ne le dis à personne, Narco et Les Petits Mouchoirs. Laurent Laffite est un acteur éclectique qui s'illustre aussi bien dans la comédie (Mais qui a tué Pamela Rose ?, De l'autre côté du periph, Papa ou Maman) que dans le drame (Un secret de Claude Miller). L'acteur surprend notamment en 2016 dans Elle de Paul Verhoeven où il tient un rôle difficile face à Isabelle Huppert.Kad Merad. L'acteur s'est notamment fait connaître à la télévision avec son duo comique aux côtés d'Olivier Baroux. Il fait ses premiers pas au cinéma dans des rôles secondaires comiques jusqu'à ce qu'il obtienne un rôle d'importance dans le film Les Choristes en 2003. Kad Merad continue son ascension sur les grands écrans dans des comédies aux côtés d'Olivier (Mais qui a tué Pamela Rose ?, Iznogoud, Un ticket pour l'espace). L'acteur s'illustre ensuite dans un nouveau registre dramatique avec Je vais bien, ne t'en fais pas pour lequel il obtient un César de meilleur acteur dans un second rôle. Pourtant, c'est avec la comédie Bienvenue chez les Ch'tis de Dany Boon que Kad Merad rencontre un succès fulgurant. L'acteur devient alors une figure emblématique de la comédie française et enchaîne les films comiques. Kad Merad tient actuellement l'un des deux rôles principaux de la série politique Baron Noir, création originale de CANAL+, en compagnie de Niels Arestrup.Nahuel Perez Biscayart. L'acteur argentin débute sa carrière dans son pays natal dans des séries télévisées mais aussi aux côtés de personnes influentes du cinéma argentin à l'image de Ricardo Darin et d'Ariel Winograd. Il fait une première incursion dans un projet international avec Au fond des bois de Benoit Jacquot puis dans Grand Central de Rebecca Zlotowski. C'est pourtant Robin Campillo qui le révèle définitivement dans le rôle de Sean, jeune séropositif engagé auprès de l'association Act Up, dans 120 battements par minute. Il sera d'ailleurs récompensé du César du meilleur espoir masculin pour son interprétation. Il obtient ensuite le rôle de gueule cassée dans Au revoir Là-Haut d' Albert Dupontel. En 2018, il partage l'affiche de Si tu voyais son cœur avec Gaël Garcia Bernal et Marina Vacth.Tahar Rahim. L'acteur français explose en 2009 avec son rôle de prisonnier dans Un Prophète, grand prix du Festival de Cannes. Il réalise alors une première dans l'histoire des César en raflant simultanément le prix du meilleur acteur et meilleur espoir masculin. Tahar Rahim connait instantanément une carrière internationale. Il partage d'abord l'affiche de L'Aigle de la Neuvième Légion avec Channing Tatum puis tourne sous la direction de Lou Ye et Jean-Jacques Annaud. En 2013, il joue dans deux films en sélection officielle à Cannes : Le passé d'Asghar Farhadi et Grand Central de Rebecca Zlotowski. Il tourne ensuite sous la direction de Fatih Akin, Kiyoshi Kurosawa et finalement aux côtés de Joaquin Phoenix et Rooney Mara dans Marie Madeleine. Pour autant, Tahar Rahim ne cesse de jouer dans des films français à l'image de Samba, Les Anarchistes et Réparer les vivants.Jean-Paul Rouve est découvert à la télévision avec sa troupe les Robin des Bois. Son rôle dans Monsieur Batignole lui vaut un César de meilleur espoir masculin en 2003. Le succès ne tarde pas grâce à Podium et Un long dimanche de fiançailles de Jean-Pierre Jeunet. Ces deux films évoquent le potentiel tant comique que dramatique de l'acteur. Ce dernier se lie d'amitié avec Gérard Depardieu sur le tournage d'Astérix et Obélix : mission Cléopâtre qu'il retrouvera à maintes reprises comme : RRRrrrr !!!, Je préfère qu'on reste amis, Boudu, La Môme et sur la première réalisation de Jean-Paul Rouve : Sans arme, ni haine, ni violence. On le connaît aujourd'hui notamment pour ses collaborations avec le duo de réalisateurs,** Olivier Nakache** et Eric Toledano mais aussi pour la trilogie des Tuche.Reda Kateb. L'acteur débute dans Un prophète aux côtés de Tahar Rahim. Il joue ensuite dans la comédie Pieds nus sur les limaces où figurent aussi Ludivine Sagnier et Diane Kruger. L'acteur revient quelques temps à la télévision dans Mafiosa et continue sa collaboration avec l'actrice-réalisatrice Hélène Fillières dans le film A moi seule. Reda Kated incarne ensuite un terroriste torturé par Jason Clarke dans Zero Dark Thirty. Il tourne également avec Nicole Garcia dans Gare du Nord. En 2015, l'acteur remporte un César du meilleur acteur dans un second rôle pour Hippocrate. La carrière du comédien prend une tournure internationale. Il joue avec Adèle Exarchopoulos dans Qui vive, Viggo Mortensen dans Loin des hommes, Ryan Gosling dans Lost River. En 2016, Reda Kated est sous la direction de Wim Wenders dans Les beaux jours d'Aranjuez. L'acteur continue pourtant à tourner dans des films français à l'image de L'Astragale de Brigitte Sy et le polar La Résistance de l'air de Fred Grivois. Il était nommé cette année dans la catégorie meilleur acteur aux César pour son incarnation du célèbre guitariste Django Reinhardt. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Francesco Alò ci parla di L'ufficiale e la spia il film diretto da Roman Polanski e interpretato da Louis Garrel, Jean Dujardin, Emmanuelle Seigner, Grégory Gadebois, in uscita il 21 novembre 2019

Aujourd"hui, et après un enregistrement dans des conditions EXTRÊMES, je vous parle du dernier film de Roman Polanski, J'accuse avec Jean Dujardin, Louis Garrel, Mathieu Amalric et Emmanuelle Seigner.  Le réalisateur revient donc sur la célèbre affaire Dreyfus en se concentrant sur l'enquête du lieutenant-colonel Picquard. Derrière la controverse, sommes-nous face à un grand film ? Twitter :  https://twitter.com/JournaldeCinema 

Du CLAAC en veux-tu, du CLAAC en voilà ! Après le double épisode sur la Corée, qui vous a privé d'un épisode "classique", on vous condense ces deux dernières semaines de sorties avec un gros programme ! Promis, on revient vite au format habituel, même si la masse de sorties du 20 novembre nous convainc du contraire. Aujourd'hui, Matt Damon et Christian Bale poursuivent Ferrari à bord de leur Ford GT40 dans Le Mans 66. Une course nostalgique qui inspire à Nicolas Bedos pour le conte des héros d'une autre Belle Époque. Pour leur prochaine aventure, ils devront affronter une application démoniaque avec Countdown, des fleurs envoûtantes avec Little Joe, des locataires voleurs de baraque avec Furie, mais aussi l'intégralité de la fierté française avec J'accuse. Bloqués en France, ils vont découvrir l'impasse et le tourbillon européen avec Adults In The Room. Démembrés sauvagement par cette machine implacable, ils tentent dans leur dernier souffle leur reconstitution avec J'ai perdu mon corps. Du film sociétal, d'époques, de l'animation, du genre, on y va ! Bonne écoute ;) Temporalité de l’épisode : 01:38 La Belle époque (2019) de Nicolas Bedos avec Daniel Auteuil, Guillaume Canet, Doria Tillier, Fanny Ardant, Pierre Arditi, Denis Podalydès … 10:22 Le Mans 66 de James Mangold avec Matt Damon, Christian Bale, Caitriona Balfe... 22:09 J’accuse (2019) de Roman Polanski avec Jean Dujardin, Louis Garrel, Emmanuelle Seigner, Gérgory Gadebois, Wladimir Yordanoff, Melvil Poupaud, Mathieu Amalric, Vincent Perez, Denis Podalydès... 38:13  J’ai perdu mon corps de Jérémy Clapin ... 45:17 Adults in the room de Costa-Gavras avec Christos Loulis, Alexandros Bourdoumis… 55:16 Little Joe de Jessica Hausner avec Emily Beecham, Ben Whishaw… 1:05:29 Countdown (2019) de Justin Dec avec Elizabeth Lail, Jordan Calloway, Talitha Bateman… 1:11:15 Furie (2019) de Olivier Abbou avec Adama Niane, Stéphane Caillard, Paul Hamy... 1:22:27 Conclusion Podcasts cités : Spécial Films Coréens #FFCP 2019 (1/2) Spécial Films Coréens #FFCP 2019 (2/2) Crédits :  Émission animée par Thomas Bondon, Thierry de Pinsun, Hera Laskri, Carl Vincent Alex. Générique original : Kostia R. Yordanoff (tous droits réservés)  Retrouvez aussi Certains l’aiment à chaud sur :  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha  Itunes / Apple Podcast  Spotify  Deezer  Stitcher  Podmust  Podcloud 

Après quelques films en dents de scie, Roman Polanski revient en grande forme avec J'ACCUSE, reconstitution historique de l’affaire Dreyfus, portée par Jean Dujardin, Louis Garrel et Emmanuelle Seigner. Adaptation du roman «D» de Robert Harris, le film revient sur ce scandale célèbre de l'Histoire de France sous la forme d'un récit d'espionnage ambitieux et particulièrement efficace. Un shot servi par Alexandre Caporal

Quart dia de vaga avui pels carters de Sant Genís de Fontanes. Les negociacions avancen però encara el personal no ha obtingut satisfacció. La Poste ha acceptat posar en plaça llocs de treball de reforç però de moment no els vol reconèixer a dins de l’organització del treball. És a dir que La Poste vol que aquests reforços siguin contractes temporals mentre quie els vaguistes reclamen contractes en CDI. Els carters de Sant Genís seguiran mobilitzats avui. Una nova reunió amb la direcció de la Poste és prevista durant la jornada. Dimecres va tenir lloc una 4a reunió del grup de treball sobre el tren de mercaderies entre els mercats Sant Carles i Rungis. La reunió es va fer al ministeri dels Transports a Paris, hi va participar la Presidenta del Consell Departamental. Avui Hermeline Malherbe lamenta que la SNCF no aclareixi la seua posició. Hermeline Malherbe, a través d’un comunicat, demana al govern que exigeixi una veritable mobilització de l’empresa pública SNCF. Carole Delga, Presidenta de la Regió, també carrega contra la SNCF a qui demana ofertes de servei reals i de deixar de simular negociacions com ha fet fins ara. Eleccions municipals: a Pollestres, Daniel Mach anuncia avui, a les columnes de l’Indépendent, que no serà candidat per un nou mandat de batlle. Mach explica la seua decisió pel desgast del poder. A 63 Daniel Mach ja en porta 26 al capdavant del vilatge de Pollestres, també ha estat diputat en dues ocasions i vicepresident de l’Aglomeració de Perpinyà. Avui el què vol és sortir de la vida pública i allunyar-se del poder. Gran operació de neteja de la natura a Ribesaltes. Demà dissabte, coincidint amb la diada internacional de protecció de la natura i el mediambient, la municipalitat de Ribesaltes organitza una neteja a la vora de l’Aglí i al camí de Vingrau. En aquests llocs s’ha denunciat la presència de fardes salvatges. L’ajuntament recorda que llençar deixalles a la natura pot costar una multa de 450 €. Tots els voluntaris seran rebuts demà al City-stade de Ribesaltes amb un esmorzar a partir de les 8.30 h. El País Valencià va ser durament tocat ahir pel temporal conegut com a "gota freda". Les autoritats van declarar l'alerta roja per risc extrem. Pràcticament la totalitat dels 135 municipis de la província d'Alacant i uns quants de la de València van suspendre les classes, cosa que va afectar 338.000 alumnes. A la Vall d'Albaida els rius van desbordar emportant-se votures, parets i fins i tot un pont historic del segle XVI. Ha estat a Planes, al Comtat, on va caure més aigua: més de 500 litres per m² en 24 hores. Més enllà del País Valencià, a Albacete, dues persones van morir quan llur votura va ser emportada per l'aiguat. Emmanuel Macron serà avui de visita al Principat d'Andorra. El President francès i Coprincep d'Andorra farà la volta de les parròquies abans de fer una intervenció davant del Consell General d'Andorra. La visita oficial d'Emmanuel Macron acabarà amb un acte públic a la plaça del Poble d'Andorra la Vella. Nou atac de l'os Cachou a un cavall en menys d'una setmana a la Vall d'Aran. L'animal ha devorat una euga a la localitat de Mont, a Vielha e Mijaran, la zona on ja va matar un poltre dilluns passat. Demà es presentarà a Perpinyà el grup l’Epée, un projecte musical que reuneix el grup nord-català Limiñanas, la cantant i actriu Emmanuelle Seigner i el músic i compositor Anton Newcombe. El grup l’Epée serà demà a la FNAC per una sessió de dedicatòries amb motiu de la sortida del disc « Diabolique ». La cita és prevista a partir de 16h30. Rugbi a 15:l'USAP es desplaça avui a Carcassona per un nou partit de ProD2. El matx començarà a 20.45 h Rugbi a 13: a la mateixa hora jugaran els Dracs Catalans que tanquen la temporada avui al camp de Huddersfields. Un partit de poca transcendència, ja que els Dracs no s’hi juguen res més en aquest final de campionat.

durée : 00:03:56 - Pop N' Co - par : Rebecca Manzoni - Un duo français déjà chroniqué dans Pop N' Co, s'associe avec une actrice française et un musicien américain pour former un supergroupe, L'Épée, qui publie ce vendredi 6 septembre son premier album. Intitulé 'Diabolique', ce disque est à l'affiche de Pop N' Co, quelques jours avant sa sortie.

 Au détour d'une rue, à la terrasse d'un café, ou dans une rame de métro, Frédéric Taddeï se balade et recueille les confidences de son invité. Une déambulation sonore dans son quotidien, à travers les lieux qui ont marqué sa vie et sa carrière, pour retracer son parcours et découvrir, ou redécouvrir, sa personnalité. 

 Au détour d'une rue, à la terrasse d'un café, ou dans une rame de métro, Frédéric Taddeï se balade et recueille les confidences de son invité. Une déambulation sonore dans son quotidien, à travers les lieux qui ont marqué sa vie et sa carrière, pour retracer son parcours et découvrir, ou redécouvrir, sa personnalité. 

Em 1888, Vincent Van Gogh (Willem Dafoe) vivia em Arles. Recluso e melancólico, ele tentava decifrar seus pensamentos enquanto pintava um dos quadros mais famosos na história da arte moderna: Quarto em Arles. Edição: Miotti FICHA TÉCNICA COMPLETA NO FILMOW https://filmow.com/no-portal-da-eternidade-t251233/

Join Gidgit and Angry as they make their way through Paris with Harrison Ford and Emmanuelle Seigner trying to find his wife (and make a few francs in the process…) Great little gem well worth seeing! … Read more

At Eternity’s GateJared is the son of a small-town Baptist pastor who gets outed to his parents at age 19. He's soon faced with an ultimatum -- attend a gay conversion therapy program or be permanently exiled and shunned by his family, friends and faith.Director: Julian SchnabelScreenplay: Jean-Claude Carrière, Julian Schnabel, Louise KugelbergCast: Willem Dafoe, Rupert Friend, Mads Mikkelsen, Mathieu Amalric, Emmanuelle Seigner, Oscar IsaacDistributor: CBS FilmsRelease Date: November 2, 2018Runtime: 1 hour 50 minutesGenre: Biography, DramaRated PG-13 Widows A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows -- Veronica, Linda, Alice and Belle -- have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, Veronica joins forces with the other three women to pull off a heist that her husband was planning.Director: Steve McQueenScreenplay: Steve McQueen, Gillian FlynnCast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Liam NeesonDistributor: 20th Century FoxRelease Date: November 16, 2018Runtime: 2 hour 15 minutesGenre: Crime, Drama, RomanceRated R See acast.com/privacy for privacy and opt-out information.

Une brillante criminologue parisienne - Emmanuelle Seigner - se déplace à Lyon pour enquêter sur un meurtre commis par un tueur père de famille et bon chic bon genre - Melvil Poupaud - pas du tout soupçonnable d’être un serial killer, que l’on suit dans la traque de ses victimes. TF1 joue la carte 100% romanesque du “qui va mourir ?” et fait le choix de la noirceur en prime time. Mais adapter une série britannique “The Fall” qui se passe en Ecosse, pour la transposer à Lyon… l’ensemble manque de poisseux, de vrai trash, et déborde de dialogues mal écrits, de mauvais goût et de manque d’ambition. Rien de choquant, à part le suspens malsain qui place le téléspectateur en attente de violence sans rien proposer de plus. Qui a encore envie en 2018 de voir des papas tueurs en série qui assassinent en jogging ?Podcast animé par Charline Roux avec Renan Cros et Romain Burrel.LES RECOMMANDATIONSLA RECO DE RENAN CROS : pour une production française réussie, “Les petits meurtres d’Agatha Christie”.LA RECO DE ROMAIN BURREL : pour la vraie noirceur britannique, “Broadchurch”.LA RECO DE CHARLINE ROUX : pour du trash, “Engrenages”.CRÉDITSNext Episode est un podcast de Séance radio, proposé par Goom (Go on media). Directeur des contenus : Omar Erraïs. Enregistré à l’Antenne Paris (10, rue la Vacquerie 11ème) le mardi 25 septembre 2018. Réalisation : Quentin Bresson. Chargée d’édition : Camille Regache. Chargée de production : Juliette Livartowski. Générique : Corentin Kerdraon. Production déléguée : Binge Audio. Direction de production : Joël Ronez. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

L'épisode où Rémi et François comblent le vide des vacances avec une sélection de fort bon gout (enfin pour nous.Episode artisanal, avec des vrais blancs et des transitions foireuses ^^ NTM - Freestyle (1991 sur Authentik) Beastie Boys - Three MC's and One DJ (1998 sur Hello Nasty) Molotov - Polkas Palabras (1999 sur Apocalypshit) GØGGS - Pre Strike Sweep (2018 sur l'album qui sortira en septembre) Fuzz - Rat Race (2015 sur II) Jay Reatard - Faking It (2009 sur Watch Me Fall) Bass Drum of Death - Black Don't Glow (2014 sur Rip This) Uncle Acid and the Deadbeats - Curse in the Trees (2011 sur Blood Lust (2ème Hollywood Porn Stars - Dance Rocket (2004 sur Year Of The Tiger) Bloodhound Gang - The Ballad Of Chasey Lain (1999 sur Hooray for Boobies) Ron Gallo - Young Lady, You're Scaring Me (2017 sur Heavy Meta) The Limiñanas - Shadow People (feat. Emmanuelle Seigner) (2018 sur Shadow People) Porno for Pyros - Tahitian Moon (1996 sur Good God's Urge) TTC - Dans Le Club (feat Stomy Bugsy) (2004 sur Bâtards sensibles) Ultra Vomit - Boulangerie Pâtisserie (2008 sur Objectif : Thunes) Vietnam - Roadhouse Blues (2014 sur A Psych Tribute To The Doors) Nirvana - Turnaround (1992 sur Incesticide) 1- Descendents - All! (1987 sur All)2- Descendents - No! ALL! (1987 sur All) Labi Siffre - I Got The... (1975 sur Remember My Song) Habillage sonore : Manu Chao - Clandestino (1998 sur Clandestino) Les liens des festivals que nous avons évoqué :La route du rockFuzz Club Eindhoven 2018La Fête de l'Humanité Correctifs (nombreux ^^) :L'album de Molotov est Apocalypshit et non ¿Dónde Jugarán las Niñas? comme je l'ai ditDescendents sont de L.A et pas de N.Y ..Labi Siffre est toujours vivant et il doit bien vivre vu les samples a partir de ses titres et la chanson où est samplé son morceau

In der 97. Ausgabe dreht sich alles um Die neun Pforten mit Johnny Depp in der Hauptrolle. Dieser Film von Roman Polansky aus dem Jahr 1999 basiert auf den Roman Der Club Dumas und weicht in vielem doch weit von seiner Vorlage ab. Was genau und wie wir den Film finden und anschliessend bewerten, das erfahrt ihr im entsprechenden Review.

País Francia Dirección François Ozon Guion François Ozon (Obra: Juan Mayorga) Música Philippe Rombi Fotografía Jérôme Alméras Reparto Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas, Emmanuelle Seigner, Diana Stewart, Denis Ménochet, Jean-François Balmer, Fabrice Colson, Bastien Ughetto, Stéphanie Campion, Yolande Moreau Sinopsis Un profesor de literatura francesa, desalentado y hastiado por las insulsas y torpes redacciones de sus nuevos alumnos, descubre entusiasmado que, por el contrario, el chico que se sienta al fondo de la clase, muestra en sus trabajos un agudo y sutil sentido de la observación. Este chico, que se siente extrañamente fascinado por la familia de uno de sus compañeros, escribirá, animado por el profesor, una especie de novela sobre esa familia (y también sobre el profesor), en la que es difícil distinguir entre realidad y ficción.

Stream episodes on demand from www.bitesz.com (mobile friendly). Heal The Living (Réparer les vivants (original title)) (French) (Drama) A single devastating event intertwines inextricably the lives of an unfortunate teenager, a weary woman with a critical degenerative heart condition and a team of compassionate doctors; all perfect strangers, perfectly interconnected. Director: Katell Quillévéré Writers: Maylis De Kerangal (novel), Katell Quillévéré (screenplay) Stars: Tahar Rahim, Emmanuelle Seigner, Anne Dorval – (IMDb) RSS feed: https://audioboom.com/channels/4673419.rss Subscribe, rate and review Movies First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, Pocket Casts, audioBoom, 60db, Podbean, Spreaker etc. For more, follow Movies First on Facebook, twitter and Google+: Facebook - @moviesfirst twitter - @ moviesfirst Google+ - https://plus.google.com/u/2/collection/8p-OaB If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you. #movies #cinema #entertainment #podcast #reviews #moviesfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Back in the 1960’s director Roman Polanski was able to establish himself as a top genre director. With the horror comedy, The Fearless Vampire Killers, the horror thriller, Repulsion, and the horror film Rosemary’s Baby, he became world famous. With the success of the latter, it was a film that helped bring the “devil” films about, where Satan was an actual being that would and will corrupt you. Years later, Polanski revisited this premise with the film from 1999 entitled The Ninth Gate. Rare book dealer, Dean Corso, is hired by mysterious businessman Boris Balkan to take his rare book, only three in the world, to Europe to compare with the other two copies. Rumor has it that the book was written by a disciple of Lucifer and could bring forth the devil. But Boris thinks his copy may actually be a forgery. Soon Dean finds himself wrapped in a mystery where a mysterious woman begins to follow him and the owners of the other two books die mysteriously. Is the myth about the book actually true? Starring Johnny Depp along with a strong supporting cast including Lena Olin, Frank Langella, Emmanuelle Seigner, and James Russo. The movie was based on a book entitled The Club Dumas by Arturo Pérez-Reverte. With its simple yet curious plot, and its very ambiguous ending, the film received mixed reviews by critics and audience alike. Dark Discussions takes a look at this curiosity and gives their opinions. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Le Divan de Staline est un film réalisé par Fanny Ardant avec Gérard Depardieu, Emmanuelle Seigner, Paul Hamy. Sorti au cinéma en janvier 2017. Synopsis : Staline vient se reposer quelques jours dans un château retiré. Il est en compagnie de Lidia, sa maîtresse depuis 27 ans. Dans la chambre où Staline dort, se trouve un divan similaire à celui de Freud. Il propose alors à Lidia, la nuit, le jeu étrange de la psychanalyse. Danilov, un jeune peintre contemporain attend de rencontrer Staline afin de lui montrer le monument qu'il a conçu à la gloire du despote. Une relation étrange, complexe, malsaine et dangereuse se tisse entre les trois. Entre peur, machiavélisme et trahison, lequel sortira sain et sauf de ce trio malsain.   Une archive proposée par Les Aventuriers des Salles Obscures. Un podcast produit par Le Quotidien du Cinéma. Les  Aventuriers des Salles Obscures est un magazine consacré au cinéma qui  est diffusé chaque samedi de 14h à 15h sur Radio Campus Lille (106.6 FM -  sur le net : https://www.campuslille.com).       

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

The migration of one heart towards another. The post Emmanuelle Seigner – Heal the Living #Venezia73 appeared first on Fred Film Radio.

Muchas cosas pasaron en el año 69, por ejemplo, los protagonistas de LA VENUS DE LAS PIELES, de Roman Polanski, Emmanuelle Seigner y Mathieu Amalric, tenían tres años. ¿Una obra de teatro, simplemente un actor y una actriz, Morbo, Humillación, Sexo, Amor, Pasión, Esclavitud, BDSM, Maltrato, Frustración, Trauma, Perversión, Pornografía o simplemente un diálogo filosófico y polémico? Escúchalo el Miércoles a las 22h en Radio Dignidad, 103.2 FM.

In a hotel room in Paris, a doctor comes out of the shower and finds that his wife has disappeared. He soon finds himself caught up in a world of intrigue, espionage, gangsters, drugs and murder.Director: Roman PolanskiWriters: Roman PolanskiStars: Harrison Ford, Betty Buckley, Emmanuelle Seigner

In a hotel room in Paris, a doctor comes out of the shower and finds that his wife has disappeared. He soon finds himself caught up in a world of intrigue, espionage, gangsters, drugs and murder. Director: Roman Polanski Writers: Roman Polanski Stars: Harrison Ford, Betty Buckley, Emmanuelle Seigner

Nesta edição do nosso bate-papo cinéfilo: - Nocaute (00:03:59): Drama sobre boxeador em busca de redenção faz Antoine Fuqua beijar a lona, enquanto Jake Gyllenhaal carrega filme inteiro nas costas; - O Agente da U.N.C.L.E (00:22:44): Guy Ritchie deixa a pirotecnia de lado em trama de espionagem que revive os anos 60 e a Guerra Fria, com Henry Cavill e Armie Hammer; - Maze Runner 2: Prova de Fogo (00:39:50): continuação falha em manter o interesse criado pela elogiada primeira parte da trilogia; - Férias Frustradas (00:28:38): revival das aventuras da família Griswold, agora estrelado por Ed Helms, não tem o mesmo sucesso da popular franquia protagonizada por Chevy Chase nos anos 80 e 90; - Ex-Machina: Instinto Artificial (00:50:54): aclamada ficção científica de Alex Garland, estrelada por Domhnall Gleeson, Oscar Isaac e Alicia Vikander, pula o lançamento nos cinemas e já está disponível em home video no Brasil; - A Pele de Vênus (01:03:50): Roman Polanski volta a trabalhar com a esposa Emmanuelle Seigner e escala Mathieu Amalric como um alter-ego neste filme de camadas, metalinguagem e sadomasoquismo, finalmente lançado no Brasil; - Love (01:14:00): uma acalorada discussão sobre o mais novo filme de Gaspar Noé, feito em 3D e com cenas de sexo explícito. Programa apresentado e produzido por Renato Silveira, com os comentários de Antônio Tinôco e Stephania Amaral, da equipe Cinema em Cena, e de Marcelo Seabra, do blog O Pipoqueiro, de Isabel Wittmann, da coluna Vestindo o Filme e do blog Estante da Sala. Edição e mixagem de áudio: Eduardo Garcia. Interaja com os demais ouvintes nos comentários abaixo. Tem um recado para a nossa equipe? Envie sua mensagem para o e-mail cinema@cinemaemcena.com.br

Título original La Môme (La Vie en Rose) Año 2007 Duración 140 min. País Francia Francia Director Olivier Dahan Guión Olivier Dahan, Isabelle Sobelman Música Christopher Gunning Fotografía Tetsuo Nagata Reparto Marion Cotillard, Sylvie Testud, Pascal Greggory, Emmanuelle Seigner, Gérard Depardieu, Jean-Paul Rouve, Clotilde Courau, Jean-Pierre Martins, Catherine Allegret, Marc Barbe Productora Légende Entreprises Género Drama. Musical | Biográfico. Años 50. Años 60 Sinopsis Biografía de la famosa cantante francesa Edith Piaf (1915-1963): su infancia, su adolescencia y su ascensión a la gloria. De los barrios bajos de París al éxito de Nueva York, la vida de Edith Piaf fue una lucha por sobrevivir y amar. Creció en medio de la pobreza, pero su voz mágica y sus apasionados romances y amistades con las grandes personalidades de la época (Yves Montand, Jean Cocteau, Charles Aznavour, Marlene Dietrich, Marcel Cerdan) hicieron de ella una estrella mundial.

Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Biopics come in a variety of shapes and sizes. Olivier Dahan’s film “La Vie en Rose” detailing the life of Edith Piaf, one of France’s greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf’s sadly short life, not so much focused on chronology as much as an emotional journey. It’s a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan’s 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard’s performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard’s performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf’s songs and Christopher Gunning’s score, looking at the balance between the two and how the film doesn’t feel the need to overwhelm us with every Piaf song out there. It’s a strong story because of Piaf’s life and Cotillard’s performance and we have a great time talking about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter Follow Steven Smart on Letterboxd

Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Biopics come in a variety of shapes and sizes. Olivier Dahan's film “La Vie en Rose” detailing the life of Edith Piaf, one of France's greatest singers and international stars, is a whirlwind of a film. Unlike biopics that tell the story linearly, this one wraps its audience in and proceeds to take them on a wild ride all through Piaf's sadly short life, not so much focused on chronology as much as an emotional journey. It's a brazen way to tell the story but one that mostly works. Join us — Pete Wright and Andy Nelson — as we conclude our 4-part Guess the Connection series with Dahan's 2007 Oscar-winning film “La Vie en Rose.” We talk about Marion Cotillard's performance, which drives this film and is, in our minds, the reason to watch it. We touch on the other performers, notably Gerard Depardieu and Emmanuelle Seigner, but how all of them are truly dwarfed by Cotillard's performance. We discuss the nature of biopics and how this story structure works in the world of this subgenre, then debate which type of biopic we find more successful. We chat about the cinematography by Tetsuo Nagata and how great it looks, along with several specific scenes that unfold in very creative ways. And we talk about Piaf's songs and Christopher Gunning's score, looking at the balance between the two and how the film doesn't feel the need to overwhelm us with every Piaf song out there. It's a strong story because of Piaf's life and Cotillard's performance and we have a great time talking about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)- [Follow Steven Smart on Letterboxd](http://letterboxd.com/steamrobot/)

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)

Rarely does a film truly take you into somebody's head for almost the entire film. Sure, you get POVs here and there in films, but it's a tricky tool to use, especially for longer periods of time. When Ronald Harwood hit on this in-the-head technique for his adaptation of Jean-Dominique Bauby's biography, it was exactly what the story needed to be told as a film. Enter Julian Schnabel, an artist/filmmaker who brought his own intuitive magic to the directing of it, and you end up with 2007's "The Diving Bell and the Butterfly," a stunningly gorgeous film that's as powerful a story of human resilience and beauty as it is a difficult film to watch because of the subject — a man living with locked-in syndrome. Join us — Pete Wright and Andy Nelson — as we continue our foreign language series with this brilliant film. We talk about our feelings of the movie and how powerful it is yet how difficult it can be to watch and why. We chat about the unique techniques Schnabel brings to the table in the making of the film and why they work so well with this story. We discuss the actors — Mathieu Amalric, Max von Sydow, Emmanuelle Seigner, Marie-Josée Croze and more — and how they all bring an amazing personal strength to the film. We talk about Janusz Kaminski's beautiful cinematography and how well it lends itself to the telling of this story. We bring up the novel Bauby's widowed girlfriend wrote about her experience and talk about why she got virtually left out of the film. And we look at the critical reception this film had worldwide, even if it struggled to bring in the bucks. It's a glorious poem of a film and one worth talking about. Definitely check it out then tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)

Género: Biográfico Realização: Olivier Dahan Actores: Marion Cotillard, Sylvie Testud, Pascal Greggory, Emmanuelle Seigner, Gérard Depardieu, Clotilde Courau