Podcast appearances and mentions of max msp

Kaitlyn Aurelia Smith (https://kaitlynaureliasmith.com/) joins us on Pod Mod this week to discuss her upcoming record GUSH KEANU IS HERE: https://afterlateraudio.com/products/keanu Get Rhodopsin HERE: iPhone: https://apps.apple.com/us/app/rhodopsin/id6471383189?uo=2 Android: https://play.google.com/store/apps/details?id=com.rawyawmedia.rhodopsin&hl=en_US&pli=1 Support Pod Mod Venmo https://venmo.com/u/PodModTim PayPay at podmodcast@gmail.com PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

Episode 167 Chapter 27, Computer Music (1971–2014). Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 27, Computer Music (1971–2014) from my book Electronic and Experimental music.   Playlist: EARLY MUSIC FROM MICROPROCESSORS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     David Behrman, “Figure in a Clearing” (1977). KIM- 1 computer- controlled harmonic changes for 33 electronic generators and accompanying cello. 19:10 01:40 2.     Dorothy Siegel, “Rondo from Sonata in B flat for Clarinet and Piano” (by Wanhal) (1979). Realized using an Altair S- 100 microcomputer. 03:53 20:52 3.     Larry Fast, “Artificial Intelligence” (1980). Music generated by a microcomputer self- composing program. 10:46 24:44 4.     Laurie Spiegel, “A Harmonic Algorithm” (1981). Created on an Apple II computer with Mountain Hardware oscillator boards. 03:05 35:30 5.     Nicolas Collins, “Little Spiders” (1982). For two microcomputers equipped with gestural sensing programs, that generated sounds based on analysis of keystrokes. 04:46 38:30 6.     Gordon Mumma, “Than Particle” (1985). For computer percussion and a percussionist. 10:16 43:30 7.     Morton Subotnick, “And the Butterflies Begin to Sing” (1988). For string quartet, bass, MIDI keyboard, and microcomputer. 06:38 53:50 8.     John Bischoff, Mark Trayle, Tim Perkis, “Dovetail” (1989). Three microcomputer programs interact and respond to each other in real time. 05:04 01:00:30 9.     Tim Perkis, “Wax Lips” (1992). Performed by The Hub, an electronic music ensemble networked by a Microcomputer. 04:37 01:05:32 10.   Jin Hi Kim, “Digital Buddha” (2014), recorded live at the Metropolitan Museum of Art.  Electric komungo, Jin Hi Kim; percussion, Gerry Hemingway; MAX/MSP programming, Alex Noyes. The world's first electric komungo that his equipped with MIDI and controlled using MAX. The komungo is a traditional 6-string instrument from Korea. 12:33 01:10:08   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

This week Frae Frae returns to chat about her work with the Willie Mae Rock Camp for Girls and more! WMRC https://www.williemaerockcamp.org/ KEANU IS HERE: https://afterlateraudio.com/products/keanu Get Rhodopsin HERE: iPhone: https://apps.apple.com/us/app/rhodopsin/id6471383189?uo=2 Android: https://play.google.com/store/apps/details?id=com.rawyawmedia.rhodopsin&hl=en_US&pli=1 Support Pod Mod Venmo https://venmo.com/u/PodModTim PayPay at podmodcast@gmail.com PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

This week Dan from 4ms returns to talk about their new game-changing device, The Meta Module! https://4mscompany.com/ KEANU IS HERE: https://afterlateraudio.com/products/keanu Support Pod Mod Venmo https://venmo.com/u/PodModTim PayPay at podmodcast@gmail.com PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ waveform magazine: https://waveformmagazine.com/

Pour ce 803ème épisode, nous avons eu le plaisir d'accueillir Jean-Jacques Duclaux alias Eko33, figure incontournable de l'art génératif, qui a partagé avec nous son parcours, son processus de création, et le succès phénoménal de sa dernière collection, Latent Ink, lancée sur Daily.xyz. Cette série de 500 œuvres a repoussé les limites de l'IA et de l'art génératif en mêlant hybridation physique et digital, tout en captivant le marché avec des enchères atteignant 370 ETH (1,44 million USD).Le parcours d'un pionnierEko33 se définit comme un créatif passionné par les technologies. Dès les années 90, il a exploré l'interaction homme-machine, s'inspirant du transhumanisme et des avancées en intelligence artificielle. Formé en autodidacte avant de compléter un DESS en psychologie cognitive, il a débuté avec des ordinateurs comme le Commodore SX64, expérimenté en musique via des logiciels comme Max MSP, avant de basculer vers l'art visuel.Son travail s'inscrit dans une tradition artistique qu'il honore en valorisant des figures historiques comme Harold Cohen ou Vera Molnar.Latent Ink : une collection révolutionnaireLatent Ink est une série d'œuvres mêlant numérique et physique, marquant un jalon dans l'art génératif. La collection propose trois formats : XL et Square, œuvres purement digitales et Plotters, des pièces physiques tracées sur papier, combinant tradition et modernité.Le projet illustre une quête de matérialité dans l'immatériel, avec des détails rappelant les textures du papier ou de la peinture. Cette approche, qui s'inscrit dans une tradition d'art génératif avec des outils contemporains comme les IA, a suscité un engouement rare dans le monde des NFT. Eko33 accorde une importance particulière à l'histoire de l'art génératif, tout en cherchant à innover par des expérimentations artistiques. Son objectif : rendre tangible le lien entre l'homme, la machine et l'intangible du numérique.Citation clé :« Le vrai défi de l'art génératif, c'est d'honorer ses origines tout en repoussant en permanence les frontières. » (Eko33)Liens utiles et références* Site web officiel d'Eko33* Latent Ink sur Daily.xyz* Présentation de Latent Ink sur ArtXCode* Eko33 sur Twitter * Fellowship sur Twitter* Découvrez le replay vidéo de l'épisode ici: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Binaural rendering of a 6-channel version from 2017 with REAPER and dearVR (Studio kHz, 18 Oct 2024). Generative sound environment for an art installation by Beat Zoder, written in MaxMSP. In 2006, Swiss artist Beat Zoderer and Austrian composer Karlheinz Essl were commissioned to create a collaborative work for the music festival Stanser Musiktage. In an abandoned repository situated in the heart of the Swiss alps, both artists were setting up a room installation made of sewer pipes. Those plastic parts of different lengths were equipped with funnel speakers driven by a customized computer program written in MaxMSP by Karlheinz Essl. Utilizing realtime composition algorithms which the composers develops since 1985, his software created an ever-changing sonic environment which never repeated itself. Seen from outside, the structure resembled a giant jackstraw heap which invited the public to explore the space. Sounds that were projected from the loudspeakers through the pipes commuted through the air, creating a mysterious atmosphere as if some hidden creatures were talking to each other in an incomprehensible, yet compelling language. Info: https://essl.at/works/hirsch-roehren.html

Ross Fish is back to talk about the new modules from Moffenzeef! https://www.moffenzeefmodular.com/ Support Pod Mod Venmo https://venmo.com/u/PodModTim PayPay at podmodcast@gmail.com PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you 4ms: https://4mscompany.com/ &&: https://ampersandampersand.co/products/wear-and-tear Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ Knobula: https://www.knobula.com/poly-cinematic Bastl: https://bastl-instruments.com/eurorack/modules/neo-trinity waveform magazine: https://waveformmagazine.com/

This week we have Takuma Matsui of Rainbow Circuit and Alfred Darlington (Daedelus) on to talk about their new plugin FAILURE! FAILURE: https://www.rainbowcircuit.co/devices/failure Daedelus Tour Dates: https://www.songkick.com/artists/193842-daedelus Support Pod Mod Venmo https://venmo.com/u/PodModTim PayPay at podmodcast@gmail.com PATREON (https://www.patreon.com/podularmodcast) LOUSY FALCON ALBUM: https://podularmodcast.bandcamp.com/album/forty-eight-feathers-a-collection-of-live-performances Thank you 4ms: https://4mscompany.com/ &&: https://ampersandampersand.co/products/wear-and-tear Signal Sounds: https://signalsounds.com/ Expert Sleepers: https://expert-sleepers.co.uk/ Knobula: https://www.knobula.com/poly-cinematic Bastl: https://bastl-instruments.com/eurorack/modules/neo-trinity waveform magazine: https://waveformmagazine.com/

"Out of all of the choices for field recordings, this one felt the closest to me. I grew up and lived all of my life in Chile, until I came to study in the US in 2017. The scene that is described in the field recording has become very familiar in the academic institutions that I've attended, where most of the labor behind the repair and construction of new buildings is carried out by Central and South American migrant workers. "The field recording truly captures the dryness of the weather and reflects on the precarity and exploitation of migrant workers to build luxury condos in a city that is going through a record breaking drought. I originally wanted to emphasize these characteristics in my composition. I started by selecting and classifying different sections of the recording: wind sounds, trucks beeping, voices singing, and nail/staple guns. In this process, it is sometimes impossible to separate the different sound sources as they overlap and are all contained in a stereo recording. I experimented with the FluCoMa library in Max/MSP in order to separate the stereo file in different components. What it does is that it analyzes the sound file and tries to identify and put together sounds that are similar to each other (in their spectral and loudness features). "Through experimenting with it multiple times, I was able to separate the different sound sources. In many cases it was not perfect, but the imperfections either added a grainy element to the sound, or ended up taking a particular color that was different from the original. I thought these new renderings of the field recording would contribute to the portrayal of precarity and dryness. I constructed the piece using small chunks and snippets from the FluCoMa renderings of the field recordings. "These were many times stretched and pitch shifted to add variation to the material and play with the pitched elements in the recordings. In the late part of the process I added a variety of synthesized sounds that were processed together with the field recordings through granular synthesis, filters and delays. "In the end what started to emerge in the piece, was that within the dryness, the precariousness and exploitation, the workers sing, and that singing, I interpret it as an act of resilience, as a desire to keep going in the hope that things will get better. I worked the piece as an immersive multi-channel composition – this version is a binaural render of it, so it is better experienced with headphones." Phoenix construction workers reimagined by Matias Vilaplana Stark. Part of the Migration Sounds project, the world's first collection of the sounds of human migration.  For more information and to explore the project, see https://www.citiesandmemory.com/migration

Philip Meyer is a software developer, artist, and educator based in Los Angeles. He makes devices for generating rhythms and melodies for Ableton Live, most recently a collection of several generative MIDI Tools for Ableton Live 12. He is also the creator of the Rhythm and Time Toolkit, and package for Max MSP for modular sequencing.  Philip's goal is to create playful, intuitive, and powerful sequencing devices that help artists to discover new musical forms. Driving Philip's design approach is the goal to blur the line between composition and performance, in which an artist creates a thoughtful, deliberate composition but works fluidly and intuitively.  Philip is an active member of the Max MSP and Ableton Live communities. He is a Max Certified Trainer and makes video lessons for YouTube on programming and music production techniques in Max and Ableton. Save 50% on the MIDI Tools Bundle Here: https://philipmeyer.gumroad.com/l/midi-tools-bundle/vbm27ms Follow Philip Below: https://www.instagram.com/p__meyer https://philipmeyer.gumroad.com https://www.youtube.com/channel/UCvBA1sS2Y7BznhUNn8pWQ9A https://inter-modal.bandcamp.com https://philip-meyer.com SPONSORED BY MAGIC MIND: Magic Mind is a productivity drink. It gives you all the mental clarity and focus you need without the anxiety of chugging coffee or any other energy products out there that are bad for you. One shot gives you the perfect combo of nootropics, adaptogens, functional mushrooms, and matcha. Use discount code ABLETON20 for 20% off at: ⁠⁠⁠⁠www.magicmind.com⁠/ableton⁠ Join the newsletter to get free Ableton content + early episode access: ⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

In this episode of One Symphony, host Devin Patrick Hughes welcomes rising star composer, performer, and educator Brittany Green to discuss her boundary-pushing work and perspective on the future of classical music in the 21st century. Green, who started out in music education before pivoting to composition in her 20s, brings a multifaceted approach to her practice. Through projects like the Young Composers Project, she blends her interests in composing and teaching, working with K-5 students to collaboratively create music using tools like Max MSP. During the pandemic shutdowns, Green delved further into live electronics and narration as a form of performance, drawing inspiration from artists in the black arts and poetry space to bring fresh aesthetics to her classical compositions. A major theme in Green's music is the "construction, displacement and rupturing of systems." She sees composers throughout history, from Beethoven onwards, as mold-breakers who redefined expectations. Green explores concepts like building and dismantling rhythmic structures, and cutting through established textures and timbres, to allow new musical ideas to emerge from the breakage and slippage. Pieces like "Against Sharp" express this through incessant repeated notes that slowly erode into legato lines and expanded harmonic material. Intellectually, Green relates this to the ideas of cultural scholars like Bell Hooks and José Muñoz around disrupting systems of domination from the margins. When it comes to expanding classical music's reach, Green emphasized the importance of authentic community engagement. Through her "community engaged residencies" with orchestras around the country, she aims to have genuine dialogue with communities about their interests and needs, rather than just bestowing a pre-packaged experience upon them. Finding collaborators within communities and among outside artists doing impactful work elsewhere allows for rich cross-pollination of ideas. Regional orchestras especially are well-positioned to connect with local institutions and build meaningful, reverberating programming. Green sees opportunities to lead audiences to appreciate new musical experiences they "don't know they don't know." While some may assume anything written recently is inaccessibly avant-garde, the reality is new classical music spans a wide range of genres and aesthetics. With creative programming that makes unexpected connections between old and new works, and provides helpful context, orchestras can open listeners' minds and excite their curiosity to discover fresh voices. Even as artificial intelligence emerges as a tool for music creation, Green believes the most vital qualities of composition will remain the domain of humans. AI may be able to generate music that is theoretically "correct," but it is the element of surprise, of flouting expectations in ways only a human can anticipate, that makes music truly interesting. Moreover, the physically and emotionally resonant experience of making and sharing live music, and literally feeling sound together in community, is not something AI can replicate. Incorporating interdisciplinary storytelling is another way Green seeks to connect on a deep level. Her piece "Garden On Green Street" features recorded interviews with her mother and aunt musically manipulated to form an intergenerational dialogue with ancestors. The multimedia work "Thresh and Hold" transforms sounds like chains and rocks collected from her family's land into instruments channeling memories of slavery and freedom. Green's compositions often explore themes of constructing, displacing, and disrupting systems. Drawing inspiration from composers throughout history who defied conventions, she employs techniques like developing and dismantling rhythmic structures, and allowing new musical ideas to emerge from ruptured textures and timbres. Works such as "Against Sharp" exemplify this approach, while engaging with cultural theories around subverting dominant paradigms from the margins. As Green eloquently stated, "I find a lot of excitement in that for me, that unfolds in looking at rhythmic structures that I can build over time and then slowly dismantle or maybe quickly dismantle and completely break and explore what music comes out of that breakage in that slippage of rupture."  

The Maelstrom is a gigantic vortex in the North Sea, described by Edgar Allan Poe in his short story "A Descent into the Maelstrom" (published in 1841). Its power is so great that it can suck in even large ships and crush them to pulp. For my piece, I constructed a kind of Maelstrom mechanism with Granular Synthesis, written in MaxMSP. It pulverizes sounds and recombines them into new sonic structures that can be controlled during a live performance. The underlying sound material comes from an improvisation on my MakeNoise 0-COAST modular synth, which is also used as a sound device in this piece. https://essl.at/works/maelstrom.html The premiere took place on March 22, 2024 during my portrait concert at Bilkent University in Ankara, Turkey, performed by myself.

Hello again friends! We are back this week with a nice mix of glitched out beatery and pure IDM madness... Other than that, we'll discuss one of my recent acquisitions and how awesome creation can be sometimes :) So let's go! This is BL_K NOISE RADIO!!!   TRACKLIST: 00:00 DJ Skymall 01:20 HHNOI – Antidots https://hhnoi.bandcamp.com/album/scrambled-anthems 05:19 Sunnk - Abyssal Full EP (remix) https://geometriccorruption.bandcamp.com/album/abyssal-remixed 09:55 Stray - Delight https://straysound.bandcamp.com/album/elevation 13:48 Vertical67 - Change Of Heart https://analogicalforce.bandcamp.com/album/af054lp-changes 16:52 DJ Skymall 20:14 Squarepusher - Wendorlan https://squarepusher.bandcamp.com/album/dostrotime-1 23:06 Carl Brown - Riddle Me This https://carlbrown.bandcamp.com/album/mozyk023-time-slip 28:34 Adrien d'Elzius - A Few Embers Are Enough https://adriendelziusmusic.bandcamp.com/album/straight-from-the-void-pt-2 32:59 One Spell - Digital Reverence https://110100100.bandcamp.com/album/ore 35:20 DJ Skymall 37:57 Rites Of Fall - Maladapted https://ritesoffall.bandcamp.com/album/venoms 43:09 Tineidae - Descent https://artificers.bandcamp.com/album/descent 47:46 Exan - Amst Fil https://exanmusic.bandcamp.com/album/offset-one-ep 52:18 Romeo Poirier - Kyra Panagia https://romeopoirier.bandcamp.com/album/plage-arri-re 54:48 DJ Skymall 55:57 Dorine Muraille - Quand Quelgu'un Meurt... (feat. Prefuse 73) https://www.discogs.com/release/267203-Various-Gooom-Tracks-Vol-2 59:01 End.

We are back!!! Hello everyone, I apologize for being MIA for the past few weeks, and I promise to make up for it. This week's show is packing all new tracks, deep in glitch, classic IDM, and touch of ambient for the heads. Other than that Halloween is this week, so I encourage you all to play this show backwards and at half speed to find the secret messages hidden within... Alright, let's do this, BL_K NOISE RADIO is on.   EPISODE: BL_K NOISE Radio - 72   TRACKLIST: 00:00 DJ Skymall 01:20 Amaranth Todd – Obtusa https://cleanerrorrecords.bandcamp.com/album/err048-errormatic-vol-3 04:54 The Haxan Cloak - N/Y https://thehaxancloak.bandcamp.com/album/n-y 09:25 TCV - Half Moon https://unizone.bandcamp.com/album/eclipse 12:42 Aho Ssan - Tetsuo II https://ahossan.bandcamp.com/album/rhizomes 17:40 DJ Skymall 20:54 Barker - Percussive Maintenance https://sambarker.bandcamp.com/album/unfixed 23:05 Adrien d'Elzius - Sesephos's View Over The Hill https://abstraktreflections.bandcamp.com/album/silent-revolution 27:34 Enabl.ed - Echocarve https://cleanerrorrecords.bandcamp.com/album/err048-errormatic-vol-3 32:16 DJ Skymall 34:19 Wil Bolton - Sixteen Arbitrary Functions https://wilbolton.bandcamp.com/album/red-to-orange-blue-to-black 35:10 S280F - Kiss (remix) https://johnobject.bandcamp.com/album/plead 37:09 Frank Riggio - Nothing Unreal Exists https://hymen-records.bandcamp.com/album/gy 42:19 Aelk Minsur - C Comp D https://neurohabitat1.bandcamp.com/album/neurotransferencias 45:44 Mary Yalex - Building A Better Future https://astrangelyisolatedplace.bandcamp.com/album/fantasy-zone 47:36 Alva Noto - Ectopia Field 1 https://noton.info/product/n-061/ 50:55 VCAM - Seminul https://highgrademedia.bandcamp.com/album/concavity-ep 53:14 DJ Skymall 54:29 MPU420 - WantU https://iliantape.bandcamp.com/album/it057-bpm1 58:50 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

This episode is sponsored by Berlin-based pro-audio company HOLOPLOT, which features the multi-award-winning X1 Matrix Array. X1 is software-driven, combining 3D Audio-Beamforming and Wave Field Synthesis to achieve authentic sound localisation and complete control over sound in both the vertical and horizontal axes. HOLOPLOT is pivoting the revolution in sound control, enabling the positioning of virtual loudspeakers within a space, allowing for a completely new way of designing and experiencing immersive audio on a large scale. To find more, visit holoplot.com. In this episode of the Immersive Audio Podcast, Monica Bolles is joined by the musician and Senior Sound Technologist at Meow Wolf - Les Stuck from New Mexico, US. Les began working in spatial audio while working for the Ensemble Modern and the Frankfurt Ballet in Frankfurt, Germany. He designed the touring six-channel sound system for Frank Zappa's Yellow Shark Tour, which included a 6-channel ring microphone. He then worked at IRCAM in Paris, where he built several spatializers in Max/FTS - a 6-channel version for Pierre Boulez's ...explosante-fixe... premiere, an unusual 8-channel version specifically adapted to classical opera houses for Philippe Manoury's opera 60e Parallèle, and a signal-controlled panner that allowed extremely fast movement. He designed a 7-channel sound system at Mills College that featured an overhead speaker and built a variety of spatializers for students and guest composers. To celebrate the 50th anniversary of John Chowning's seminal work on the digital simulation of sound spatialization, Les realized a version of his algorithm for release with Max/MSP in 2021, including panned reverb and the Doppler effect, all controlled at signal rate. Currently Les works at Meow Wolf, where he designs interactive sound installations and acoustical treatments. He has developed several spatial plugins for Ableton Live, which typically include a binaural output to preview the results in headphones before going on-site. He led a collaboration with Spatial, Inc for Meow Wolf's installation at South by Southwest, and did extensive testing of Holoplot speakers for a future Meow Wolf project. Les talks about his extensive career, working with spatial audio since the 1980s, including projects with Frank Zappa, IRCAM, Cycling74, and we dive into the topic of interactive spatial audio for physical installations. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://immersiveaudiopodcast.com/episode-82-les-stuck-meow-wolf/ If you enjoy the podcast and would like to show your support, please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com immersiveaudiopodcast.com

Spiders Song is a story about a quest to hear the greatest symphony on Earth: the music of evolution. Along the way, we get to know some of nature's most surprising musicians — the paradise jumping spiders.Part 2 is the SongHeadphones advised.— — —For credits and much more, visit futureecologies.net/listen/fe-5-1-spiders-songMissed Part 1? You can find it wherever you get your podcasts, or at futureecologies.net— — —But there's more to this story than just a couple podcast episodes!We're also releasing an open-source system which may be used to hear evolutionary patterns as music.As you'll hear in Part 2, data sonification, the sonic equivalent of data visualization, has found applications in many scientific fields, but never before in phylogenetics: the study of evolutionary relationships.This sonification system is intended as an experimental platform for evolutionary biologists to explore and communicate their data through sound, and for musicians to take inspiration from biodiversity. It is built in Max/MSP, and released under a GNU-GPLv3 license for customization and further development. Find a lovingly illustrated explanation of our sonification at futureecologies.net/listen/fe-5-1-spiders-song#explanation Listen to / download the full length sonification on its ownGet the source code and a detailed technical explanation, andWatch a video of the patch in action— — —Funding for this series was provided by the Canada Council for the Arts.But ongoing support for this podcast comes from listeners just like you. To keep this show going and growing, join our community at patreon.com/futureecologiesOur patrons get early episode releases, exclusive bonus audio content, access to a fantastic discord server, 50% discounts on all merch, and more (eg. a livestream tour of the sonification system that we built).

Waking Up is a five part story set in Brooklyn NY in 2035. This is the second episode, titled "Tell Me Lies." Story: Waking Up is about a synthetic consciousness born trapped inside a human. It is an exploration of the science and spirituality of consciousness, as well as the fallibility of our subjective perception.Music: In some Vedic and Buddhist writing, consciousness is described as a vibration. The music seeks to explore the effects of two waves vibrating together.Production: Opportunities to express the "intelligent machine" concept were explored and used extensively in the production of Waking Up. For example, a custom MaxMSP patch was built to generate specific waveform melodies. Also, an AI model trained on Jenise Morgan's voice was used to create the computer commands heard in the middle of this episode. In fact, AI tools were used extensively, but notably -- every attempt with AI writing or composition failed miserably. The team is relieved that an artist's job isn't replaced quite yet. "Fragments" Team: Waking Up is written, composed, and produced by Ghan Patel. Story consultants: Jenise Morgan, Maria Teutsch, and Lauren Heagerty. Performed by Tali Hamilton, Jenise Morgan, and Ghan Patel. Engineering by Nathan Ward and Daniel Lynas. Album art by Joanna Gonzalez.Released March 17, 2023. Dedicated to my niece Leela.© 2023, Ghan & Company. https://ghan.co/spacetimediaries© 2023, Ghan & Company. https://ghan.co/spacetimediaries

Welcome back everyone! Ok, so on this week's show we're diving deep into the world of DSP, algorithmic production, and sound design. This is definitely one for the nerds! So let's do this right now, this is BL_K NOISE Radio!   TRACKLIST: 00:00 DJ Skymall 01:20 Ben Peers – Mona https://bpeers.bandcamp.com/album/doubled 04:43 Beatrice Dillon - Clouds Strum https://beatricedillon.bandcamp.com/album/workaround 09:02 Mark Fell & Gabor Lazar - Untitled 1 https://bleep.com/release/60484-mark-fell-gabor-lazar-the-neurobiology-of-moral-decision-making 10:26 Second Woman - //// https://spectrumspools.bandcamp.com/album/s-w 13:13 DJ Skymall 15:12 Atom tm - Whereweleftoff (remix) https://kid606.bandcamp.com/album/ps-you-love-me-2001 19:06 Amaranth Todd - Aspriate https://geometriccorruption.bandcamp.com/album/abyssal 24:06 User Friendly - Heck It https://userfriendly1.bandcamp.com/album/sickle 27:09 Errorsmith - Most Elastic https://errorsmith.bandcamp.com/album/2 32:45 Dino Felipe - Untitled (unreleased) https://dino-felipe.bandcamp.com/ 35:26 Alva Noto - Uni Blue https://noton.info/product/n-045/ 39:37 VoltageCtrlR - Under The Nu Moon https://voltagectrlr.bandcamp.com/album/ancient-circuitry 42:06 DJ Skymall 44:25 Pan Sonic - Pan Finale https://bleep.com/release/25210-pan-sonic-gravitoni 46:42 Kindohm - Infographic Meme https://newyorkhaunted.bandcamp.com/album/nyh101-kindohm-starter-pack-meme 49:30 Kulakostas - Post Truth https://inodi.bandcamp.com/album/lost-found-ep-vol-2 53:30 Formen - Hertz https://formen.bandcamp.com/album/impulse 55:56 DJ Skymall 57:18 CRRNT - -.- https://111records.bandcamp.com/album/crrnt-grit 60:06 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

On today's Line Noise, Johann Wald and Ben Cardew welcome British electronic music wizard James Holden to the RPS studio, ahead of his Barcelona gig. We dig into "trance" versus trance, utopia, playing the hits, Madonna, Max/MSP and more, in a wide-ranging interview.

On today's Line Noise, Johann Wald and Ben Cardew welcome British electronic music wizard James Holden to the RPS studio, ahead of his Barcelona gig. We dig into "trance" versus trance, utopia, playing the hits, Madonna, Max/MSP and more, in a wide-ranging interview.

Today's Daily Review is a very special affair, as we welcome British electronic music wizard James Holden to our studio, ahead of his Barcelona gig tonight. We dig into "trance" versus trance, utopia, playing the hits, Madonna, Max/MSP and more, in a wide-ranging interview.

Tycho is Scott Hansen and Scott is a deeply friendly and humble chap. I didnt know too much about his background or what made him tick but I tried to get to “know” him and makes some guesses about that by tuning into his music. It's clearly so well crafted and put together with meticulous attention to detail that this man had to be fastidious but how would that quality manifest? He manages to ride us on a carpet of textures which guide the process of musical flight, once a mood is found, it's held with patience so the listen can dwell in a land. It's a style that has been really honed and has found a large following for good reason! It was a real treat to get on the ramble road with him. I left the interview unedited for maximum deviation potential (you're welcome) _____ This episode is sponsored by A tasty pixel and their excellent LOOPY PRO! As many of you are aware, I've spent years of my life with loopers of all kinds from the crudest guitar pedals to my own Max/MSP effort in 2000 to Tim Exile's wonderful “flow machine” Making a looper setup that fits your style is everything and to do that, a tool that is very flexible and open to configuration is needed. I'm happy to report that this is perfected inside loopy pro. I'm also happy to say that It's one of the best loopers I've ever used and has become the heart of beardymans new setup so you know it's capable. Needless to say Im really happy to be working with A tasty pixel. _______ I made a new video to highlight a specific use of Loopy Pro that came to me one evening. There's plenty of excellent tutorial videos to get started online so I wanted to show something a little unique. I took 4 instances of the Chamberlin M1 samplepack I made (which is now available at decentsamples.com!) fed each to an array of 4 speakers around a Neumann head for some quadra funky tape loopidelic delightfulness. Yes, it's A little nitty basically :) Watch HERE!!  

Teatime with Miss Liz, the beautiful and angelic composer Ashley Weckesser joins to share a strong T-E-A with her compositions and the understanding of the visual arts of music. April 20th, 7 pm EST LIVE STREAMING SHOW ON MULTIPLE PLATFORMS AND PODCASTS STATIONS APPSAshley Weckesser is an Edmonton, AB-based composer and interdisciplinary artist working in the fields of music and sound, visual art and theatre. An early-career artist, her instrumental and graphic score works have premiered at the University of Alberta's Convocation Hall through the University's Experimental Improvisation Ensemble (“XiMe”), Contemporary Music Ensemble and Edmonton's Ultraviolet Ensemble. A recent graduate from the University of Alberta, she has studied composition with Dr. Mark Hannesson and Dr. Scott Smallwood. Her current interests involve music design for video games and film, producing animated graphic scores, working with advanced music software such as Max/MSP, and the visual arts. Her works have won awards for best video game audio design and multiple university scholarships. Her animated graphic score, A Composer's Nightmare, has recently been featured in the Toronto 4th Multicultural Film Festival 2021. Ashley's primary goal in her works is emotional storytelling that ignites passion. Music cannot effectively impact listeners without having a story and without emotion. Ashley has taken a new interest in musical compositions designed to explore music's impact on the conscious and subconscious emotional reactions of both the performers and listeners. Her goals are to design music in both the film and video game industries, as well as live performances (taking multiple forms), that turn the active listener into a participant, creating their own personal story and subsequently emoting on a transcendent level.“I believe music and sound have the ability to connect people, thoughts and emotions. Music and Sound allow us to tell engaging stories with lasting effect. It is the bridge by which we can cross into the land of our subconscious and transcend our self-awareness; it inspires.”Her music, photography, graphic scores and more can be viewed at https://www.aweckesser.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/misslizsteatimes/message

Welcome back! On this week's show we bring back the beats, and go hard... This will be a fun one, so just get somewhere you can be loud and enjoy! Alright, here we go, this is BL_K NOISE Radio.   TRACKLIST: 00:00 DJ Skymall 01:20 Impérieux – Desert Viper https://sofiarec.bandcamp.com/album/extensions 05:32 DJ Prime Cuts - Chartist https://thetrilogytapes.bandcamp.com/album/chartist-ep 08:56 Synalegg - Misguidex Soor https://synalegg.bandcamp.com/album/violynt-tropiqs 11:42 The Ghost Saboteur - Nanobot On Fleek https://theghostsaboteur.bandcamp.com/album/germanium-juts 15:19 Mei - Equinoxe (Live) https://closetomei.bandcamp.com/album/equinoxe-ecu115 18:45 DJ Skymall 21:27 Phylum Sinter - Hello Raspy https://phylumsinter.bandcamp.com/album/sleeeeb 23:05 AltBraKz - Sly https://billegalbeats.bandcamp.com/album/for-science 25:53 Enabl.ed - Idlescar https://music.mozyk.net/album/mozyk022-oddlymerged 28:55 MOY - Metreon Cascade https://analogicalforce.bandcamp.com/album/af048-dark-frontier-ep 33:31 Anorak - 4catful https://johnanorak.bandcamp.com/album/antisocial 36:45 DJ Skymall 39:00 Karsten Pflum - Computer Weekend https://pulse-state.bandcamp.com/album/the-orphand-files 41:34 Amarhac - Creatura https://nodolabel.bandcamp.com/album/petrobio 44:33 Teruyuki Kurihara - A-1 https://forceincmilleplateaux.bandcamp.com/album/parallel 48:23 Cimarrón - Amigxs https://nodolabel.bandcamp.com/album/sin-cara-sin-nombre 52:30 Andrew Beyke - Pressurepoint https://andrewbeyke.bandcamp.com/album/tape-memory 53:30 DJ Skymall 54:44 Slikback - Inhale https://slikback.bandcamp.com/album/h-i-k-a-r-i 58:16 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Waking Up is a five part story set in Brooklyn NY in 2035. This is the first episode, titled "Fragments."  Story: Waking Up is about a synthetic consciousness born trapped inside a human. It is an exploration of the science and spirituality of consciousness, as well as the fallibility of our subjective perception.Music: In some Vedic and Buddhist writing, consciousness is described as a vibration. The music seeks to explore the effects of two waves vibrating together.Production: Opportunities to express the "intelligent machine" concept were explored and used extensively in the production of Waking Up. For example, a custom MaxMSP patch was built to generate specific waveform melodies. Also, an AI model trained on Jenise Morgan's voice was used to create the computer commands heard in the middle of this episode. In fact, AI tools were used extensively, but notably -- every attempt with AI writing or composition failed miserably. The team is relieved that an artist's job isn't replaced quite yet. "Fragments" Team: Waking Up is written, composed, and produced by Ghan Patel. Story consultants: Jenise Morgan, Maria Teutsch, and Lauren Heagerty. Performed by Tali Hamilton, Jenise Morgan, and Ghan Patel. Engineering by Nathan Ward and Daniel Lynas. Album art by Joanna Gonzalez.Released March 17, 2023. Dedicated to my niece Leela.© 2023, Ghan & Company. https://ghan.co/spacetimediaries

My guest is Producer / Mixer Brett Bullion, who has worked with The Bad Plus, Margaret Glaspy, Low, and Bad Bad Hats. This is Brett's second appearance on the show; he originally appeared on WCA #147.  In this episode, we discuss Home Mix Room Before Covid/After Covid (BC/AC) Acoustics Treatment vs. Sound Proofing Getting Work Max MSP Playing Games The Finances of Audio Career  Management Minneapolis Music Scene Traveling for Work MWTM Emulation Budgets Expectations Remote Mixing Deep Glenns In the Box vs. Out of the Box Buying Habits Matt's Rant: Transparency Links and Show Notes Brett's Deep Glenns Project The Money Book Brett's Site Credits Guest: Brett Bullion Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith

This week we're back with episode 60, and this one slowly disintegrates into a flood of ambient clicks and drones before bringing you back up again. Also, tons of new releases getting dropped this episode, so definitely follow the links below if you're into anything you hear. This is BL_K NOISE Radio...   TRACKLIST: 00:00 DJ Skymall 01:20 Enabl.ed – Invalid Spark https://music.mozyk.net/album/mozyk022-oddlymerged 04:49 Recue - Swallowtail https://recue.bandcamp.com/album/tensegrity-ep-slmt007 08:21 William Fields - Lfotux https://gotorecords.bandcamp.com/album/fictions 14:01 Burnt Friedman - Wunderkammer https://bleep.com/release/364117-burnt-friedman-hexenschuss 18:09 DJ Skymall 20:11 Cristian Vogel - Cities Version https://cristianvogel.bandcamp.com/album/multicore 23:21 Andrew Tasselmyer - Having Shed Our Attachments https://andrewtasselmyer.bandcamp.com/album/life-came-breaking-in 27:09 Monoiz - Invert5 https://detund.bandcamp.com/album/percussion-proximity 30:45 Valence Drakes - Death Chasing The Human Flock https://urbanvirusrecords.bandcamp.com/album/uvr10-a-weak-shield-protects-not-ep 32:44 AltBraKz - For Science https://billegalbeats.bandcamp.com/album/for-science 35:59 Patcha Kutek - Papa A La Huancaina https://schematicmusiccompany.bandcamp.com/album/lomito-saltado-y-los-grandes-exitos-desclasificados 39:56 DJ Skymall 42:08 MTCH - Pron Dit https://mtch.bandcamp.com/album/pleth 43:17 PixFoil - Golem https://eklero.bandcamp.com/album/oopart 47:33 Loscil & Lawrence English - Yellow https://loscil.bandcamp.com/album/colours-of-air 51:39 Age Reform - Hybrid Fruit https://m0ntage.bandcamp.com/album/xs-ep 53:31 Mike Lazarev - Tonality Number Four https://pitp.bandcamp.com/album/sacred-tonalities 54:50 DJ Skymall 56:07 Shinra Knives - Loser Mitsuko https://yukumusic.bandcamp.com/album/protect-me-from-what-i-want 60:06  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

"My allocated sound for this project had the mysterious description of "Unidentified Artic Sound 3". Before setting down to work, I listened to the sound a number of times with my eyes closed, and I was immediately drawn to an eerie pitched resonance amongsts the relentless hiss, crackle and ice-white noise. I wondered what the source of this strange creaking resonance could be. Some of the descriptions for the other sounds offer possible clues - whale song, ship noises, rubbing sea ice - but it is impossible to say for certain. "My first instinct was to reach for spectral analysis, to take a footprint of the noise floor and remove that from the signal to hone in on the salient spectral information (like in iZotope's RX software). While the result gave me no more insight into the identity of the original sounding body, it did give me a point from which to begin the composition. "I would describe the approach taken with this piece as spectro-timbral, in that I begin with spectral analysis and extraction of the starting sound, and used this to define the overall structure, tonality and seed material for all the other sound organisation. I gathered some other field recordings that I captured a long time ago of a cold day and my feet crunching on ice, along with some bowed violin and bouzouki. Using custom software in Max/MSP, the isolated unidentified sound is analysed in real-time and used to combine and layer the other sounds and samples according to their timbral descriptors and tonal character. The result is a slow, steady movement of material, not unlike an icebreaker crashing through endless, frozen landscape with fractured, shattered musical elements interjecting." Unidentified Arctic sound reimagined by Cárthach Ó Nuanáin. Part of the Polar Sounds project, a collaboration between Cities and Memory, the Helmholtz Institute for Functional Marine Biodiversity (HIFMB) and the Alfred Wegener Institute, Helmholtz Centre for Polar and Marine Research (AWI). Explore the project in full at http://citiesandmemory.com/polar-sounds. 

Showcasing left-field electronic music.   TRACKLIST: 00:00 DJ Skymall 01:20 SND - Untitled https://bleep.com/release/19178-snd-atavism?lang=en_US 04:37 Ben Peers – Revolve https://bpeers.bandcamp.com/album/settling 09:55 Ryoji Ikeda - Ultronics 01 https://noton.info/product/n_003/ 14:49 Alva Noto - Black Acid (remix) https://electricdeluxe.bandcamp.com/album/edlx-029-black-acid-rmx-ep 17:21 DJ Skymall 19:32 Diamond Version - Science For A Better Life https://www.discogs.com/master/694210-Diamond-Version-CI 23:34 Thrshld - Microcosms https://thrshldbeats.bandcamp.com/album/freeform-metaphysics 25:42 Matmos - L.A.S.I.K. https://matmos.bandcamp.com/album/a-chance-to-cut-is-a-chance-to-cure 28:16 XoArK - Comets https://xoark.bandcamp.com/album/cims 32:13 Printiig - Fuge https://printiigmusic.bandcamp.com/album/interhymns 36:44 DJ Skymall 39:22 Autechre - Live In Helsinki 2022 (clip) https://autechre.bandcamp.com/music 40:30 Leden - Rec-20.04.30-17h12m47s_LORO https://ledenfabris.bandcamp.com/album/early-impro 43:27 Sole Massif & Tineidae & Access to Arasaka - Tactical Engagement https://chatsubo.bandcamp.com/album/engage 47:32 Grischa Lichtenberger - re derec https://raster-raster.bandcamp.com/album/kamilhan-il-y-a-p-ril-en-la-demeure 51:46 Pan American - Shining Book https://panamerican.bandcamp.com/album/quiet-city 54:10 DJ Skymall 55:24 Lowfish - Theme To Tedium https://analogicalforce.bandcamp.com/album/af046-thaw-ep 60:00  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

'Visual Programming' refers a style of programming that allows the user to specify a programs in a two-(or more)-dimensional fashion. Visual programming environments represent the data, control flow, or program state in a graphical way, allowing them to be directly manipulated. It has been a hot area of research from the very beginning of personal computing, to today.This week we will cover a few major visual programming environments, why visual programming has remained compelling over the decades, and whether there is untapped potential for VP today.Chapters:[00:00:00] Intros[00:03:50] What is Visual Programming?[00:05:42] Origins[00:14:34] Block-based Visual Programming[00:20:26] Wire and Dataflow-based Visual Programming[00:31:51] An Umbrella Term[00:36:31] Conceptual History[00:48:23] The Duality of Direct Manipulation[00:58:40] Direct Manipulation of Running State[01:11:25] Programming by Example[01:21:17] Fill in the Details for Me[01:28:49] Strengths of Visual Programming[01:43:36] Leveraging the Visual Cortex[01:50:58] Second Order EffectsLinks/Resources:SketchPad demo: https://www.youtube.com/watch?v=2Cq8S3jzJiQPygmilion Paper: http://worrydream.com/refs/Smith%20-%20Pygmalion.pdfDemo:: https://youtu.be/xNW8wUpbqQM?t=319GrailDemo: https://www.youtube.com/watch?v=2Cq8S3jzJiQHypercardDemo: https://www.youtube.com/watch?v=2Cq8S3jzJiQViewpoint https://scottkim.com/2020/06/07/viewpoint/Scratchhttps://www.bryanbraun.com/2022/07/16/scratch-is-a-big-deal/Labview (imperative control flow): https://www.ni.com/en-us/shop/labview.htmlUnreal Engine Blueprint (functional)https://docs.unrealengine.com/5.0/en-US/blueprints-visual-scripting-in-unreal-engine/https://blueprintsfromhell.tumblr.com/Max/MSP for musicianshttps://cycling74.com/products/maxOthershttps://cables.gl/https://nodes.io/===== About “The Technium” =====The Technium is a weekly podcast discussing the edge of technology and what we can build with it. Each week, Sri and Wil introduce a big idea in the future of computing and extrapolate the effect it will have on the world.Follow us for new videos every week on web3, cryptocurrency, programming languages, machine learning, artificial intelligence, and more!===== Socials =====WEBSITE: https://technium.transistor.fm/ SPOTIFY: https://open.spotify.com/show/1ljTFMgTeRQJ69KRWAkBy7 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-technium/id1608747545

I had a fun and exciting conversation with Ashley. Ashley is very passionate dedicated to her craft. Ashley Weckesser is an Edmonton, AB-based composer and interdisciplinary artist working in the fields of music and sound, visual art and theater. An early- career artist, her instrumental and graphic score works have premiered at the University of Alberta's Convocation Hall through the University's Experimental Improvisation Ensemble (“XiMe”), Contemporary Music Ensemble and Edmonton's Ultraviolet Ensemble. A recent graduate from the University of Alberta, she has studied composition with Dr. Mark Hannesson and Dr. Scott Smallwood. Her current interests involve music design for video games and film, producing animated graphic scores, working with advanced music software such as Max/MSP, and the visual arts. Her works have won awards for best video game audio design, multiple university scholarships and recently her animated graphic score, A Composer's Nightmare, has been featured in the Toronto 4th Multicultural Film Festival 2021. Ashley's primary goal in her works is emotional storytelling that ignites passion. Music cannot effectively impact listeners without having a story and without having emotion. Ashley has taken a new interest in musical compositions that are designed to explore the impact of music on the conscious and subconscious emotional reactions of both the performers and listeners. Her goals are to design music in both the film and video game industries, as well as live performances (taking multiple forms), that turn the active listener into a participant; creating their own personal story and subsequently emoting on a transcendent level. "Ashley believes that music and sound have the ability to connect people, thoughts and emotions. Music and Sound allows people to tell engaging stories with lasting effect. It is the bridge by which people can cross into the land of their subconscious and transcend their self-awareness; as it inspires.” Ashley's newest album of transcendent meditation tracks soon to be released by Canada's own music and sound. FEEL is just one of many meditation tracks that Ashley have been creating over the months. The short clip is a small tease of the album. Ashley has released this track this month, November 2022. Her music, photography, graphic scores, and more can be viewed at https://www.aweckesser.com or you can find Ashley on social media at Ashley Weckesser. Thank you for listening and supporting the podcast. If you want to be heard email mscaramellucas@gmail.com or follow me on Instagram @mscaramellucas --- Send in a voice message: https://podcasters.spotify.com/pod/show/caramel-lucas/message

Showcasing left-field electronic music. TRACKLIST: 00:00 DJ Skymall 01:20 Roel Funcken - Ekto Gambit https://roelfuncken.bandcamp.com/album/dragomane-misinize-2 05:14 Gimmik – Floating Clear  https://n5md.bandcamp.com/album/news-from-the-past 09:10 SNKLS - Ended The Discussion https://outlineslabel.bandcamp.com/album/glu-river 12:30 Tsone - Regelation https://tsone.bandcamp.com/album/airmass-ep-sera004 18:12 DJ Skymall  21:34 Pole - Fading https://pole-stefanbetke.bandcamp.com/album/fading 23:19 Robotic Folk - Aniii https://roboticfolk.bandcamp.com/album/volume-one 27:35 Mr. Mitch - Honor Oak https://mrmitch.bandcamp.com/album/devout 31:44 Jimmy Edgar - Sideroom https://jimmyedgar.bandcamp.com/album/liquids-heaven 33:50 Data Deficient - Little Vortex https://datadeficient.bandcamp.com/album/kindest-ocean 37:18 DJ Skymall 40:33 Core Alter - Diogenesis https://kaer-uiks.bandcamp.com/album/voice-array 44:05 John Frusciante - Zillion https://johnfrusciante.bandcamp.com/album/maya 48:34 Kaho Matsui - Step2 https://kahomatsui.bandcamp.com/album/in-love-bouquet-for-heather 51:38 Helena Hauff - It Was All Fields... https://helenahauff.bandcamp.com/album/qualm 53:57 DJ Skymall 55:00 Ian Boddy - Omicron https://din7d.bandcamp.com/album/axiom-din64 60:00  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

About: Sleep of Eons is the glitchy electronic modular/computer based audio visual work of Jorge Bojorquez from Tucson, AZ. In 2018 a shift from guitar based drone music to modular synths provided a long sought after solution to creating generative, slowly changing, self evolving soundscapes which could still be controlled by the player. With the aid of a/v programming languages like Max/MSP and Processing the project now is taking on a visual manifestation as well. RGB Riot was an EP released in early 2020 that showcases the opposite of these ideas and focuses on minimalism and what can be done with nothing but a couple of Pocket Operators and a delay pedal. The range of glitchy to drone and anywhere in between is welcome territory. At his core Sleep of Eons is inspired greatly by science fiction and the seires Rendevous with Rama and hopes to capture some of that monolithic, alien, otherwordly yet familiar feeling in musical and visual form. Links: https://www.instagram.com/sleepofeons/ https://sleepofeons.bandcamp.com/ https://soundcloud.com/sleepofeons https://facebook.com/sleepofeons

Showcasing left-field electronic music. TRACKLIST: 00:00 DJ Skymall 01:20 Robert Lippok - Psychic Waveforms https://raster-raster.bandcamp.com/album/applied-autonomy 05:58 Surgeons Girl – Ash To Soil https://surgeonsgirl1.bandcamp.com/album/sever 09:26 Lakker - Mustard Crying https://blueprintrecords.bandcamp.com/album/torran-ep 15:06 Illocanblo - Maze https://rednetic.bandcamp.com/album/maze 20:01 DJ Skymall 22:41 Poborsk - Earth From The Sky https://bedroomresearch.bandcamp.com/album/gradient-scene 25:41 Arovane & Phonem - Valid Fard https://www.discogs.com/release/13985-Arovane-_-Phonem-AER-Valid 31:25 Actress - Our https://actress.bandcamp.com/album/ghettoville 33:54 Delarosa & Asora - Swipe Width https://schematicmusiccompany.bandcamp.com/album/agony-part-one 38:48 Roberto Crippa - Reflection https://robertocrippa.bandcamp.com/album/reverse 41:50 Boxtype - Spark https://shitkatapult.bandcamp.com/album/sparkflight-strike029 46:06 DJ Skymall 48:16 Vaetxh - Crumbling Shuffle https://detund.bandcamp.com/album/libet-tones 51:40 Özcan Saraç - 4.9766523e+40 https://kaer-uiks.bandcamp.com/album/opus-h04s-cell 54:28 Anthony Manning - Untitled 3 https://germstore.bandcamp.com/album/islets-in-pink-polypropylene-1994 56:51 DJ Skymall 57:59 E.A.R.L. - Caveland https://soundcloud.com/mouse-on-mars/sets/monas-hieroglyphica 62:07 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Showcasing left-field electronic music.   TRACKLIST: 00:00 DJ Skymall 01:20 Lonely Bindi - Soft Kink https://accidentalrecords.bandcamp.com/album/anahata 03:40 Dylan Peirce – Heights https://digitalinberlin.bandcamp.com/album/dylan-peirce-pindrops 07:57 Emptyset - Gate 3 https://emptyset1.bandcamp.com/album/emptyset 10:54 Ansome - Back Alley Sally https://perctrax.bandcamp.com/album/stowaway 13:44 Slickback - Mien https://slikback.bandcamp.com/album/type 16:05 DJ Skymall 18:58 Jannah Quill - View Of Granite https://jannahquill.bandcamp.com/album/jannah-quill 21:29 Anobium - Zumbarg https://burla2222.bandcamp.com/album/milkshake-of-battery 23:45 Supire - Cochlea https://nhspire.bandcamp.com/album/mozyk021-lustre 28:28 LOUFR - Perfect Creature https://digitalinberlin.bandcamp.com/album/loufr-isolated-point 31:32 Ziúr - Scopic Lope https://ziurinhell.bandcamp.com/album/bin-there-vol-2 35:15 Classical Mechanics - Jase https://nonclassical.bandcamp.com/album/sealand 39:53 DJ Skymall 42:22 Jorg Kunig - Tunnels https://bakkheiarecords.bandcamp.com/album/jorg-kuning-bh002 46:02 Safa - Supranomadic https://uiqmusic.bandcamp.com/album/ibtihalat-uiqlp004 51:14 Richard Devine - Veolic Revolving https://schematicmusiccompany.bandcamp.com/album/aleamapper 53:10 Ulla - Soak https://ullastraus.bandcamp.com/album/tumbling-towards-a-wall 55:06 DJ Skymall 56:33 Elastic Module Laboratories - Dtine 424 https://schematicmusiccompany.bandcamp.com/album/aposematismo 61:25 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall  

This week on the show we're visiting with another emerging professional in the time-based media conservation field. Tzu-Chuan Lin is currently finishing up a masters degree focused in conservation of new media and digital information at the State Academy of Fine Arts in Stuttgart, and in his studies there, he's been conducting some very needed research on the documentation and conservation of artworks that use a tool called Max/MSP – which a sort of visual programming language that has been around for decades and has a high likelihood of being found in any collection of time-based media art that includes interactive installations. Before starting his conservation studies in Stuttgart, Tzu-Chuan worked as a project coordinator in the collections management department at the National Taiwan Museum of Fine Arts, and together with his collaborator Yuhsien Chen, who we'll be having on the show in the very near future, has put a lot of work into building local time-based media conservation expertise in Taiwan. We covered so much ground in this chat – tune in to hear Tzu-Chuan's story!Links from the conversation with Tzu-Chuan> An analysis of software-based artworks using Max/MSP through different conservation strategies: https://flame.firebird.systems/AIC/AIC2022/MyProgrammes#Submission.ItemPage.79478.0.SubmissionType.b85b5825-b1ac-40ee-be77-aea3b40bb5e6> Save Media Art project: https://savemediaart.wixsite.com/sma-twGet access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Showcasing left-field electronic music. TRACKLIST: 00:00 DJ Skymall 01:18 Printiig - Tundra https://printiigmusic.bandcamp.com/album/walls 04:30 Gimmik – Hello Mr. James https://n5md.bandcamp.com/album/sonic-poetry 07:34 Lynyn - In Dust https://lynyn.bandcamp.com/album/lexicon 12:02 Lauge, Fallen Metropolis, Bufo Bureau, Bralo - Effervescent https://fallenmetropolis.bandcamp.com/album/fam081-three-year-journey 15:46 DJ Skymall 18:27 Tsone - Regelation https://sat-era.bandcamp.com/album/airmass-ep-sera004 21:28 Mitoma - Forilya https://mitoma.bandcamp.com/album/fragments 25:44 Synalegg - lyt Urgii III https://evel.bandcamp.com/album/harm0nii-tand3m 28:39 Roel Funcken - Brifford Clyde https://roelfuncken.bandcamp.com/album/invert-arthopedian 31:47 DJ Skymall 33:51 Caterina Barbieri - Life At Altitude https://caterinabarbieri.bandcamp.com/album/spirit-exit 37:18 Frank Bretschneider - All Summer In A Day https://raster-media.net/detail/index/sArticle/199 40:15 Swan Hood - Genèse https://errorgrid.bandcamp.com/album/darker-sounds-of-a-present-future-vol-3 44:04 TÉNÈBRE - Frost https://yukumusic.bandcamp.com/album/terraform 49:08 Jacek Doroszenko & Ewa Doroszenko - Get The Perfect Mental Surface https://jacekdoroszenko.bandcamp.com/album/bodyfulness 53:27 Current Value - TNM https://currentvalue1.bandcamp.com/album/platinum-scatter 56:21 DJ Skymall 57:34 Skurken - Stepping Stones https://touched.bandcamp.com/album/dagur 61:58 End. https://blknoise.bandcamp.com https://www.instagram.com/blknoise https://twitter.com/blknoisemusic https://www.instagram.com/ed_skymall

Showcasing left-field electronic music.   TRACKLIST: 00:00 DJ Skymall   01:18 Synalegg - b3II https://evel.bandcamp.com/album/harm0nii-tand3m   04:40 Introvertmusic – Ice Cave https://detund.bandcamp.com/album/crunch   08:36 Summhow - Phoebe https://n5md.bandcamp.com/album/crash-reports   12:42 Exm|Mitoma - e|m II https://section27.bandcamp.com/album/e-m   16:55 DJ Skymall   20:19 William Fields - Obari https://dingndents.bandcamp.com/album/fire   21:58 Sebastian Wolfe - Start Up https://sebastianwolfe.bandcamp.com/album/recovery   24:58 Gimmik - Here I Am https://n5md.bandcamp.com/album/sonic-poetry   29:58 Rawakari - Ettore Sottbass https://musiconlocation.bandcamp.com/album/born-into-madness-31   35:08 DJ Skymall   37:52 Rec_Overflow - Prexx https://artificialintelligencercrds.bandcamp.com/album/artificial-intelligence-vol-i-vvaa   40:10 The Fear Ratio - Lacovset https://tresorberlin.bandcamp.com/album/slinky   43:24 Amon Tobin - Sound Like Moths https://musiconlocation.bandcamp.com/album/born-into-madness-31   47:04 Aelk Minsur - Grace Dyne Aves https://aelkminsur.bandcamp.com/album/catalyst-2   50:09 Dino Felipe - Dead Moonlight (remix) https://schematicmusiccompany.bandcamp.com/album/maternity-ward-to-crematorium   53:27 Screen Phoenix - The Hum Of The Hill At Night https://marsmelons.bandcamp.com/album/re-2-maw-calt   55:12 DJ Skymall   56:25 Swarmm - Jitter https://holotone.bandcamp.com/album/htndig002-extract-transform-load   61:12 End. https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Showcasing left-field electronic music. TRACKLIST:   00:00 DJ Skymall 00:52 Max Cooper - Penrose Tiling https://maxcooper.bandcamp.com/album/yearning-for-the-infinite 05:41 Monster X – Grab https://opaltapes.com/album/ultra 10:00 Kindohm - Meme Booth https://conditionalrecs.bandcamp.com/album/meme-booth 15:15 Rrucculla - Hielo Helio https://lapsus.bandcamp.com/album/quinze 17:57 Telefon Tel Aviv - The Means Whereby Lovers Are Waylaid https://lapsus.bandcamp.com/album/quinze 22:07 Valance Drakes - A Devil In Alliance With Truth https://amekcollective.bandcamp.com/album/an-angel-in-alliance-with-falsehood 24:30 Datach'i - Lv1014 https://datachi.bandcamp.com/album/bonus 27:43 Oto Hiax - Dapple https://otohiax.bandcamp.com/album/two 31:56 Senking - Dent https://raster-media.net/shop/trial 35:52 Köhn - Cavia https://kohn.bandcamp.com/music 37:52 Datolar - Zelonx https://abstraktreflections.bandcamp.com/album/auftakt 41:01 Lapalux - Amnioverse https://lapalux.bandcamp.com/album/amnioverse 43:35 Grischa Lichtenberger - 0319 06 FUENF https://raster-raster.bandcamp.com/album/re-phgrp-reworking-consequences-by-philipp-groppers-philm 48:32 Arovane - Norvum https://arovane.bandcamp.com/album/atol-scrap-2021-remaster 54:45 Gladio - De Astra Planeti https://liesrecords.bandcamp.com/album/means-to-freedom 57:32 Oliver Dodd - Ceres https://detund.bandcamp.com/album/rhea 61:15 End.     https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

This week we pay our respects to Dave Smith and Darwin Grosse by re-airing their Pod Mod episodes.

Holly Herndon is an American composer, musician, and sound artist based in Berlin Germany.After studying composition at Stanford University and completing her Ph.D. at Stanford University's Center for Computer Research in Music and Acoustics, she pursued a music career internationally. Herndon's music often includes human singing voices (including her own), is primarily computer-based, and regularly uses the visual programming language Max/MSP to create custom instruments and vocal processes. She has released music on the labels RVNG International. and 4AD. Her most recent full-length album Proto was released on May 10, 2019 which was the first full length record to utilize singing neural networks. She's recently released a way to interact with her digital twin called Holly plus and as of now you can upload polyphonic material to her homepage and receive a version of your recording with Holly plus as the voice for all parts. She is well informed about the most modern issues relating to digital rights that go alongside ideas such as renting your voice as a virtual performance instrument, as opposed to the old school reliance on sampling. There's a complex array of legal challenges on the horizon and most of us are hip to the potential of very convincing deep fakes and such. Will we be able to download the voice of Bob Marley as a kind of VST style instrument ? It seems clear we will and that ownership of these voices is going to be crucial going forward to make the market a free and fair place. For those interested in the cutting edge, Holly is cohost of the podcast Interdependence which covers the people, projects and technologies shaping 21st century culture with a large focus on moving to web3. In the Nitty I return my piano to the renaissance by having it tuned to a 1/4 comma meantone temperament. I wanted to see how the equal temperament we know so well might stack up in a triadic battle against the old ways. It's pretty fascinating to me. I hope you'll get something out the of trip back to 1523 when the meantone would have been dominant. HOLLY links Holly+ Other peoples clothes book recommendation Cathy_Berberian Lauren newton LINKS TO MUSIC FROM THE SHOW Chants Platzwave Manor LINK TO FORUKRAINE This EP was performed by Rob Burger and sonically crafted by me all proceeds to the Ukrainian Redcross. Please consider a small donation :)

This month’s podcast sees the return* of Tom Law, but with a twist! In addition to being an experimental musician, Tom has an interest in early music and brought along his Viola da Gamba to our session. He incorporated it into his Max/MSP rig and two worlds collided (to weird effect). We ended up with … Continue reading Errant Space Podcast Eighty Six: The Return of Tom Law →

Fixed-media composition based on John 1, 1-5 using (mostly) computer-generated voices in 24 different languages with 12 male and 12 female speakers, processed by a computer program written in MaxMSP. https://www.essl.at/works/erat-Verbum.html Released: 22 Apr 2022

This is the first in a two-part series in which we discuss the topic of abstraction. In this episode we focus on the term as it relates to computer science, existentialism, and music. Max MSP: https://cycling74.com/ Dorris McComics: https://dorrismccomics.com/ Infinite Jest: https://en.wikipedia.org/wiki/Infinite_Jest Finnigan's Wake by James Joyce:  Wassily Kandinsky: https://en.wikipedia.org/wiki/Wassily_Kandinsky Terence McKenna Episode: https://www.post-wave.com/21-terence-mckenna The Double by Dostoevsky: https://en.wikipedia.org/wiki/The_Double_(Dostoevsky_novel) Donald Hoffman Episode: https://www.post-wave.com/episode-5-is-what-we-see-reality-donald-hoffman erowid: https://www.erowid.org/ Yes: http://www.yesworld.com/ The Mars Volta: https://www.youtube.com/watch?v=-2puUdO4YBg&ab_channel=TannerBarker Tally Hall: https://www.youtube.com/watch?v=OjGzOJ5IiSM&ab_channel=TallyHall-Topic The Well Tempered Clavier by Bach: https://www.youtube.com/watch?v=I0ufknMW0FI&ab_channel=RiqueBorges Reggaeton: https://www.youtube.com/watch?v=MxFSBPHwKgY&ab_channel=OSOCITYNATION Music by Trevor Villwock: https://soundcloud.com/trevor-villwock/lattice-for-climbing

Brennan Forrester is a live-looping musician from Denver, CO. His trio, Evanoff, combines the nostalgia of classic rock combined with the high-energy performances of EDM culture. Forrester is an educator with years of experience teaching piano, percussion, and production. He specializes in programming with Max/MSP to create music production and performance tools, as well as gestural control interfaces allowing people to interact with music in novel ways. Few people will ever truly understand the amount of patience and commitment one must have to pursue a creative endeavor, such as being a musician. To put one's heart, soul, and thousands of hours people will never see or appreciate into 1 thing that you hope people will like and appreciate. It's a gift and one that I am grateful to have a deeper appreciation for after hearing this week's guest, Brennan Forrester. Brennan is 1 of 3 people in an incredible musical group called Evanoff. In this conversation, he shares his journey of becoming a musician and the difficult yet rewarding reality of pursuing his craft and passion to share music that truly fills people's hearts up. I hope you guys enjoy it.Much Love and Peace be with You!-| Connect with Brennan |Spotify | https://open.spotify.com/artist/5XMQ9F7g4nCx2VCtrnPm7dFacebook | https://www.facebook.com/evanoffmusicInstagram | https://www.instagram.com/brennanplayskeys/Instagram | https://www.instagram.com/evanoff_music/Website | https://www.evanoffmusic.com/-| Connect with Wolf |Instagram | https://www.instagram.com/followth3wolf/Facebook | http://bit.ly/FTW-FacebookYoutube | https://bit.ly/FTWYoutube-| Support the Podcast |Patreon | https://bit.ly/FTWpatreon=| Follow The Wolf Newsletter |Subscribe | zfrmz.com/zB1rNRpQ7u9JgnoOU1yp-| Listen to the Follow The Wolf Podcast |All Major Platforms | https://followthewolfpodcast.captivate.fm/listen

So great to catch up with my friend and old band mate Cristian Vogel on the show! The way I met Cristian was pretty unlikely and pretty fantastic I have to say. Basically back in around 1995 I was making music with Subhead alongside Jason Leach and Phil Wells and thanks to those guys I became aware of so much incredible music mostly from Detroit and Chicago but not exclusively as there were some wildcard artists that always caught my attention more than any others, none more so than the wonky magic conjured by Cristian Vogel. I had heard that he lived in Brighton. So I had this great idea to just go to there and meet him!  I hopped on the train and went to an outdoor festival that was happening that day in the city and as I walked around the place I stumbled on a lone Tresor bag lying in the grass. I knew Cristian was signed to Tresor and so I asked the lady that was sat next to it if she was Christian's sister. She was his girlfriend ! I mean WHAT are the chances? I soon met big C and we formed a fast friendship based on mutual respect (he had played Subhead 002 at the love parade and it was a big moment ! Small world ) and I joined him sharing a space to make music in Brighton where it became immediately obvious to me his approach was something completely new to me. First of all I'd never seen anyone make music with a tracker and I understood quickly that with his experience and skill he wouldn't second-guess himself and instead would conjure his unique sound in minutes, tapping away wildly on his amiga keyboard. I realize I was in the presence of a truly unique musician and I owe him so much for all he showed me. He schooled me in the world of subtractive synthesis and taught me that it's possible to interact with machines on the same level people interact with traditional instruments. His approach was always Orthodox and his choice of equipment unfamiliar to most myself included. We formed a band called super_collider that really stretched our skills and the technology of the time. Listening back to our first album Head-on it really was quite an achievement considering what we had . By that time we moved into a more robust studio with Orbital as our neighbors but the DAW was still primitive and we would use programs like macromedia deck 2 to complete our songs. I think it was limited to 8 tracks. We pushed that shit to the brink dealing with so many crashes it's amazing we managed to finish anything. By 1999 I had moved To Berlin and shortly afterwards Cristian relocated to Barcelona. When we made our second album raw digits it was a tale of two cities and took considerable energy to complete. I had started to devote a lot of time to my solo career and super_collider  sadly came to an end. Not just because of that but you know… things change. Cristian kept making amazing music of course and he's released a stack of incredible records and collaborations. At one point he created a band called “night of the brain” and kept making banging records for Tresor, Nova mute and his own Station 55 imprints to name a few. He also remixed Radiohead and Thom Yorke which still blows my mind. I got pretty heavily into Max MSP for my live shows and Cristian chose to master the Kyma system. He's now one of the worlds experts in that paradigm and has created a whole host of extensions and applications for it which can be found on his never engine in labs website His recent album rebirth of wonky sees him Effortlessly weaving his textural skills with that unique funk of his to great effect. He's never going to stop making music. He's a true lifer and a searcher. One of the true pioneers of the underground that deserves much more credit than he's received. I was very relieved that even after all this time apart, once the zoom call started and we got to talking it was like no time had passed and I hope you will enjoy as much as I did this catchup with my old friend and teacher. _NITTY I get into the 1st installment of the Binaural adventure with the Neumann head aka KU100. What an amazing mic it is! Thank you so much to my friend Vicente for letting me have a play with it ! Just incredible ! Alert ! Patreon sample pack gold level when you are part of the soul science crew. _SHOW MUSIC Music for the show is from a trio by the name of Sunjacket. Excellent stuff. Made the show such fun to put together as the songs are so well mixed and the skills are strong! Check them out here !! OTHER ME NEWS__ I'm singing on a new Mark Hawkins track called "Let it slide" THANKS_ Kind sponsorship come from Bitwig - version 4.0 of the software is really really powerful and well worth checking !! Link here Analog cases - they just made my trip to California an absolute pleasure! I've been waiting for these cases for years! Check them HERE and use HOWA15 on check out for 15% off!

Computer coding can often feel like a totally foreign language to newbies or even just anyone who isn't a coding wizard. But today's podcast guest, musician, artist and coder Melody Loveless is here to tell you that it doesn't have to be. Melody uses live coding in live performance, music composition and sound installation and teaches MAX/MSP both privately and to groups. Inside this episode, Isobel learns why Melody's ethos is one of inclusion and openness and the exciting possibilities coding can bring to your creative practice.EPISODE HIGHLIGHTS{00:00} Intro{04:02} How did Melody get started with music tech?{08:16} Bringing the worlds of music and tech together{13:34} How Melody uses code to create auditory installations and live experiences{22:32} Free tools to get started with Live Coding{35:15} Demystifying MAX/MSP so you could use code with confidence{52:22} Episode summary & next week's teaserRate and review the podcast NOW >>Sign up for Melody's FREE Getting Started with MAX course on Music Hackspace HERE >>Check out Melody's work HERE >>Find out more about MAX/MSP HERE >>Find out more about Sonic Pi live coding software HERE >>Listen to the episode hereListen on SpotifyJoin the Female DIY Musician Tribe Community on FacebookDon't be shy - spread the Girls Twiddling Knobs Love

In this episode of the Immersive Audio Podcast, Oliver Kadel and Bjørn Jacobsen are joined by sound artist Monica Bolles from Denver, US. Monica Bolles has been working with spatial audio since 2011 when she first gained access to her local planetarium's 15.1 channel surround system. Since then she has been continuously building toolsets in Max MSP to create large textured soundscapes that explore space, movement, and interaction. Tapping into her roots in traditional audio engineering she works with composers and live performers to explore methods of translating their work to spatial environments while exploring the role the audio engineer plays as a performer and musician. As an artist, she has been focusing on building custom instruments that explore data sonification and use gestural control to create improvised spatial audio experiences. As a producer, she puts together teams to build large immersive works that bring together live performance, dance, 360-projections, spatial audio, and other new technologies. She is also a presenter and host of workshops in her field and has performed in this capacity at SXSW (2019) Ableton Loop (2018), IMERSA Summit (2013-2019), and NIME (2017-2018), among others. Currently, she owns and operates her own company, Resonant Interactions, specializing in immersive experience design. In this episode, we dive into the topic of spatial audio for domes and planetariums, and Monica expertly covers multiple aspects of this re-emerging industry. This episode was produced by Oliver Kadel and Emma Rees and included music by Rhythm Scott. For extended show notes and more information on this episode go to https://www.1618digital.com/immersive-audio-podcast-episode-52-monica-bolles-spatial-audio-for-domes-planetariums/ If you enjoy the podcast and would like to show your support please consider becoming a Patreon. Not only are you supporting us, but you will also get special access to bonus content and much more. Find out more on our official Patreon page - www.patreon.com/immersiveaudiopodcast We thank you kindly in advance! We want to hear from you! We value our community and would appreciate it if you would take our very quick survey and help us make the Immersive Audio Podcast even better: surveymonkey.co.uk/r/3Y9B2MJ Thank you! You can follow the podcast on Twitter @IAudioPodcast for regular updates and content or get in touch via podcast@1618digital.com

Become a supporter of the podcast: https://www.patreon.com/atpercussion Watch here   Listen below   0:00 intro and hello.  Casey history today: Maria Anna Mozart 6:50 Hello, Filip! 9:15 Studying live electronics?  13:25 Max MSP?  15:55 When is it appropriate to write a tape part in place of another instrumentalist? 20:20 How did you get interested in electronics?   23:45 Improvised performance royalties?  Improv practice?  28:30 Croatian composers?  34:30 Ben: The Sea Organ 41:50 What did joining the EU do for your career?  44:45 Your musical family? Saxophone, Vibraphone  53:35 Playing for a HUGE audience?  

For the first episode of our third season we chatted with electronic musician and sound artist Jessica Ekomane, French-born and Berlin-based. Ekomane, who recently released the LP Multivocal, explores psychoacoustics, rhythmical perception, and the interchange of noise and melody, in immersive, slowly shifting pieces, using Max/MSP. She is also an active radiomaker at Cashmere Radio. Nuts And Bolts is hosted, recorded and co-engineered by Jessica Sligter, with Julia Reidy as main engineer of this episode. Check out the Nuts And Bolts gear-tutorial videos, get there via our Instagram page @nutsandboltspodcast.  The series are partially funded with support of the Norwegian Culture Fund. Help them continue to make work by becoming our patron at patreon.com/nutsandbolts