Podcasts about quandamooka

Guess who's back on Quandamooka country? It's Simon! And he's joining Mel to  steer the ship and track the plane. Speaking of planes, Budgie hit his mark at Black Rocks parkrun and has another mission plus Alison investigates South End Reserve in NZ. That'll do for another week.

Listen in from Wurundjeri and Quandamooka country this week for tales of p-indexes and visits to Cormorant Bay parkrun. The Ch 5 News Crew were busy bees at Coomera, Bellevue Park juniors, Esperance Foreshore and Baysgarth Park parkruns and the Birthday Boy is late to the party with his November wrap up.

Valerie Cooms, Virginia Marshall and Shireen Morris join us to reflect on the Voice campaign. As we pass the one-year anniversary of the Voice campaign, we reflect on whether Australians ever truly understood what they were voting for? What derailed the Yes campaign? And how do we grapple with continued the flow-on effects of this failed referendum? On this episode of Democracy Sausage, Professor Valerie Cooms, Dr Virginia Marshall and Associate Professor Shireen Morris join Professor Mark Kenny to discuss the Voice and truth telling. Valerie Cooms is a Quandamooka woman and the Director of the ANU Centre for Aboriginal Economic Policy Research. Virginia Marshall is a lawyer and research fellow at ANU School of Regulation & Global Governance. She was the Inaugural ANU Indigenous Postdoctoral Fellow (2017-2022). Shireen Morris is an Associate Professor at Macquarie University Law School and Director of its Radical Centre Reform Lab. She formerly worked at Cape York Institute as a senior adviser on Indigenous constitutional recognition. She is the author of Broken Heart: A True History of the Voice Referendum. Mark Kenny is the Director of the ANU Australian Studies Institute. He came to the University after a high-profile journalistic career including six years as chief political correspondent and national affairs editor for The Sydney Morning Herald, The Age and The Canberra Times. Democracy Sausage with Mark Kenny is available on Apple Podcasts, Spotify, Pocket Casts, Google Podcasts or wherever you get your podcasts. We'd love to hear your feedback on this series, so send in your questions, comments or suggestions for future episodes to democracysausage@anu.edu.au. This podcast is produced by The Australian National University. Hosted on Acast. See acast.com/privacy for more information.

The Indigenous Leadership Summit 2024 Melbourne was more than an event; it was a springboard for impactful change. This event united Australia's most influential minds to engage in bold and transformative conversations. Speakers explored and addressed the critical issues surrounding Indigenous careers, leadership advancements, and integration across all sectors. In this episode, recorded at the Indigenous Leadership Summit 2024, I yarn with Aunt Leah Purcell & Kaylah Truth. These two deadly women share a special bond and I had the absolute pleasure of hearing about each of their journeys that intertwined into a beautiful story of mentorship and sistahood.

While some critics believe that plays like Othello and The Merchant of Venice are inherently racist, others argue that they simply portray, perhaps even criticise, the racist attitudes of the time.Wherefore, Shakespeare? is a series that explores the dilemmas, conflicts, and controversies in Shakespeare's major plays.In our fourth instalment, we interrogate Shakespeare's portrayal of race. We also explore the surprising racial dimensions of one of Shakespeare's final plays: The Tempest. We're joined by Wesley Enoch, a Quandamooka man and an award-winning playwright and theatre director, Professor David McInnis who teaches Shakespeare and Early Modern Drama the University of Melbourne, and Professor Jane Montgomery Griffiths, an acclaimed actor and the head of the School of Performing Arts at Collarts.

Delvene Cockatoo-Collins is a Quandamooka artist who lives on Minjerribah. Her beautiful and stirring work embodies a rich connection to country, capturing the Quandamooka soul. Her pieces share the stories, culture, heritage and techniques of thousands of years passed down from generation to generation by her mother Evelyn and her grandmother Bethel. https://cockatoocollins.com   Contact Nigel at nigelmarsh.com

From April 11th to 20th, 2024, Sydney Coliseum Theatre will host the award-winning musical, "The Sunshine Club." Directed by Quandamooka man Wesley Enoch, this thought-provoking production showcases 11 talented First Nations artists alongside a dynamic 5-piece live band.

Playwright, theatre director and Quandamooka man Wesley Enoch on how a wedding ring, curlews and a ‘grandfather' ghost gum brought him the connection to country he craved. The tale I dine out on is a summer series from 10 of our favourite storytellers – actors, comedians, writers and Guardian staff – in which they recount a story that never fails to entertain

Conversations at the intersection of healing, justice and anti-racism happening this summer.  "We are watching genocide, a lot of us come from lines of attempted genocide. we can't 'self care' our way out of that but what we can do is hold each other ... we don't have a choice" our final episode for the year is helmed with Samantha Haran in conversation with Quandamooka and Wiradjuri woman, and First Nations Healing Practitioner LJ Phoenix Singh. LJ works from an anti-oppressive, abolitionist and decolonial perspective. Together they reflect on the ongoing fight for liberation in Palestine tying together collective liberation into a self care that is based in solidarity and ancestral healing. See omnystudio.com/listener for privacy information.

Marine ethnoecologist Mibu Fischer researches the strong linkages between First Nations cultures and coastal and ocean ecosystems. As a Quandamooka saltwater scientist, Fischer's work focuses on the vital role of Traditional Knowledge in promoting sustainable relationships with marine environments.  Mibu Fischer is recorded live in conversation with Rae Johnston at Powerhouse Ultimo. For more information go to 100climateconversations.com/mibu-fischer

Researchers Nicholas Biddle and Valerie Cooms join the show to discuss new research on the referendum and why it was rejected at the polls.Why did so many Australians vote against the Voice to Parliament referendum? How did people's perceptions change throughout the campaign? And what does the data reveal about the way forward for reconciliation in Australia? On this episode of Democracy Sausage, Professor Nicholas Biddle and Professor Valerie Cooms join Mark and Marija to examine new research on the Voice vote and to discuss what it reveals about the future of reconciliation. Nicholas Biddle is an Associate Director and Professor at the ANU Centre for Social Research and Methods.Valerie Cooms is a Quandamooka woman and the Director of the ANU Centre for Aboriginal Economic Policy Research.Marija Taflaga is the Director of the ANU Centre for the Study of Australian Politics and a Lecturer at the ANU School of Politics and International Relations.Mark Kenny is a Professor at the ANU Australian Studies Institute. He came to the University after a high-profile journalistic career including six years as chief political correspondent and national affairs editor for The Sydney Morning Herald, The Age and The Canberra Times.Democracy Sausage with Mark Kenny is available on Apple Podcasts, Spotify, Pocket Casts, Google Podcasts or wherever you get your podcasts. We'd love to hear your feedback on this series, so send in your questions, comments or suggestions for future episodes to democracysausage@anu.edu.au.This podcast is produced by The Australian National University. Hosted on Acast. See acast.com/privacy for more information.

We start this week's episode on a lapping city harbour where Quandamooka artist Megan Cope has prepared 85,000 oyster shells for her monumental artwork Whispers for the 50th anniversary of the Sydney Opera House —  before that, it's where Gadigal people gathered for thousands of years.Tarek Atoui is attuned to the sounds of harbours -- from Sydney to Beirut, Porto to Singapore, the Lebanese sound artist records the many frequencies and sounds that make up the bodies of water around which cities thrive.My Thing is... The Master's Pupil.  What would it be like to see the world through the eyes of the Impressionist master Claude Monet? The story of Monet's failing eyesight is a slice of art history that inspired indie game developer Pat Naoum to create his hand-painted video game.Daniel meets up with Nicole Barakat, an Australian artist on residence in Paris, who found inspiration in the stories of the Lebanese diaspora, connected to an old cedar tree growing in the city.

Subscribe to Mamamia In this special bonus episode, we invited Quandamooka woman and ABC National Indigenous Affairs reporter Carly Williams on the show to answer Outlouders' questions about the upcoming Voice To Parliament Referendum.  The End Bits Listen to Carly's podcast: The Voice Referendum Explained Listen to our subscriber episode: A Crisis Expert On Where Ashton And Mila Went Wrong Want more from Mia? Mia Freedman's Babble Newsletter Sign up to the Mamamia Out Loud Newsletter for all our recommendations in one place.  GET IN TOUCH: Feedback? We're listening. Leave us a voicememo or email us at outloud@mamamia.com.au Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud CREDITS: Hosts: Holly Wainwright, Clare Stephens & Mia Freedman  Producer: Emeline Gazilas Assistant Production: Tahli Blackman Audio Producer: Leah Porges Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Today's interview is with Kiren Jones from Brissy. Kiren has a history with experience in the industry prior to starting his own business, and while his business has only been up and running for a short time, it is clear that his experience counts. We cover Kiren's background including his indigenous heritage from Stadbroke Island and the Quandamooka People and look at how this has contributed to his business decisions. This interview was recorded on 24th August. I hope you enjoy Kiren's story and learn from his business.

We're not always going to feel amazing, but it is about always just self-reflecting and thinking about the 17-year-old girl that was down and out, homeless, couldn't afford to eat, who just always dreamed of being an Australian champion and having her own house and having an established family and a good coach. I have all those things now. Marissa Williamson Pohlman. Marissa Williamson Pohlman, is a proud Ngarrindjeri with strong family connections to Quandamooka, Yeidji, Wurundjeri and Woiwurrung. Marissa's introduction to boxing began as an outlet to keep her away from detention after a tough childhood of foster care and homelessness. Her resilience and determination from that point has led her to an admirable sporting career as a two-time Australian boxer who has competed both nationally and internationally. On the 9th August 2023 Marissa Williamson Pohlman made history as the first female recipient of the  Arthur Tunstall Trophy at 2023 Australian Elite Boxing Championships marking a turning point in the recognition of women's excellence in the sport.She has achieved the milestone of two-time National Boxing Champion, 2019 NAIDOC sportsperson of the year, 2021 Sports Australian holder and 2019 NAIDOC Sportsperson of the Year, 2021 Sports Australia Hall of Fame Scholarship holder and national representative on the high-performance national boxing team. She also toured Europe with the Australian Boxing team and was selected as a representative for the Women's World Boxing Championship team in India. Marissa's goal is to represent Australia in the Olympics.Outside of the boxing ring, Marissa works as a Heritage Policy Officer at the Department of Premier and cabinet providing a First Nations perspective into policymaking. A proud Ngarrindjeri woman, she is deeply passionate about caring for the country and its restoration. In this episode Marissa shares with us her own incredible journey of resilience and determination and we speak about:How we learn out greatest lessons through taking the hard roadSport as a pathway away from homelessness and detention The rigorous schedule required of an elite athlete in AustraliaThe paradigm shift of voice in ParliamentSystemic racism The importance of self determination Having a plan B The financial struggles to build a career as an elite athlete Having a grateful mindset and manifesting success What we can learn from first nations cultureMarissa speaks openly about her journey as a first nations woman in policy and parliament and her aspirations to be a role model to young people.She talks with honesty and vulnerability about her own journey, the struggles and self determination required every day to overcome adversity.Marissa talks about how if we take the hard road, we will live an easy life. She shares her own mental health struggles and how she reestablished her life and has risen to great heights in the sporting arena and career.Marissa reminds us that where we end up need not be where we started but throughout the journey we can allow ourselves to be vulnerable, tackle the struggles and show up to be the best version of ourselves each day. It's time to stop waiting and start building with Marissa Williamson Pohlman. You can connect with Marissa on LinkedIn or follow her InstagramMarissa is also looking for sponsorship opportunities to make her Olympic dream a reality. You can learn help make Marissa's dream a reality by donating here.  About your host: Lauren Karan, Director and Founder of Karan & Co. With over a decade of experience as a recruiter and development coach, Lauren Karan found that her priorities rapidly changed after the birth of her two children. In 2022 she founded Karan & Co flipping the out-dated recruitment model with a focus on retention through career coaching and development. Lauren believes that If opportunity doesn't knock, you have to build a door – and it's this same philosophy that inspired her to create the Building Doors podcast.  The Building Doors podcast is for anyone undergoing a transformation in their life. Regardless of whether you feel stuck in your current role, need some inspiration on what steps to take next, want to learn how to level up as a business owner or simply want to listen to the experiences of successful entrepreneurs and industry professionals, the Building Doors podcast is all about unlocking your potential. Help someone else Build Doors in their career

Ethan Enoch: Live at Sonic Masala Fest at the Triffid, Newstead, 13 August 2023 Ethan Enoch-barlow is a Quandamooka man born and raised in Logan City. Enoch-Barlow is a rapper and poet with a single recorded solo EP, 'VOICE', released in 2022. Ethan has also performed as a member of hip-hop trio Barefoot Boyz and The Ancient Bloods, beside a prolific interest in poetry, spoken word and theatre performance. This episode features Ethan performing live at Sonic Masala in 2022, and prominently features tracks from Ethan's 'VOICE' EP of the same year. Recorded by Scott Mercer Mixed by Tyrell Short Special thanks to venue engineer Tash Sarah Jay: Live at Lazy Days festival, The Zoo, Fortitude Valley, 3 June 2023 Sarah Jay is a Meanjin-based R'n'B pop singer-songwriter with one recorded single 'Dizzy' released in 2020. Describing themselves as, 'low budget Ariana Grande if she was also queer asf', we've recorded Sarah Jay performing at Lazy Days festival at The Zoo in Fortitude Valley on the 3rd of June 2023. Recorded by Dave Arens Mixed by Deakin Jennings Special thanks to venue engineer Luke Woods Show production, engineering and host: Matt Hall Audio production and volunteer coordination: Dave Arens Originally aired via Zed Digital, 7-8pm, Sunday 13 August, 2023

Luke Fallini, a Quandamooka man with Italian heritage from SE Queensland, Australia, joins me on the podcast.A builder by trade, with a passion for football (of course). Shares his not so typical upbringing as an Indigenous Australian with an Italian father.We touch on the rental crisis in QLD, and Luke shares his unique construction business that is offering a new model for social housing. Luke also sits on the board for an Aboriginal Housing organisation as an interim board member. He shares some of the unique challenges facing Aboriginal housing organisations.

On 26 January 85 years ago, a group of Aboriginal men and women gathered at Australia Hall in Sydney to hold the first Day of Mourning, calling on the government to grant Aboriginal people full rights of citizenship. Playwright and Quandamooka man Wesley Enoch speaks to Laura Murphy-Oates about the ‘neglected' history of protest on this day that's as old as Australia Day itself, and why we need to move beyond celebrating the ‘British colonial project'

In this episode of Jam Pakt, Jonzy's special guest is Aunty Katrina Amon from the St Kilda Football Club. Aunty's a proud Quandamooka woman of the Noonuccal Tribe and she's also St Kilda's Indigenous Development Manager (and mum to Port Adelaide player, Karl Amon). Not only does Aunty help mentor the players, young and old, she also leads initiatives to entrench Indigenous culture into the footy club as it continues its yawa, or ‘journey'. Jonzy ventured in to the Yawa Room at St Kilda (which houses photos of every Aboriginal player that's run out for the Saints) for a yarn with Aunty about how the club is embracing Indigenous culture and some of the ideas she has for the future.See omnystudio.com/listener for privacy information.

Worried about racial inequities in the health system, First Nations women are fighting for culturally safe birth options. But as Quandamooka woman Carly Williams finds out, not everyone in the mainstream healthcare service is on board.

Worried about racial inequities in the health system, First Nations women are fighting for culturally safe birth options. But as Quandamooka woman Carly Williams finds out, not everyone in the mainstream healthcare service is on board.

Aunty Kath, Oodgeroo Noonuccal, was Valerie's godmother, and just one of many staunch political figures on both sides of her family. Val worked her way to becoming a powerful advocate for Aboriginal people and her family CW: ATSI listeners please use discretion when listening as the program references people who have died (R)

Dean is a proud Quandamooka man who lives on country, Minjerribah (North Stradbroke Island).Having been closely involved in the process that resulted in the historic Uluru Statement From The Heart, Dean continues to advocate for constitutional and structural reform as Director of From the Heart.Formerly an investment analyst at alternative asset investment firm Tanarra Capital, Dean also has extensive experience in Aboriginal and Torres Strait Islander affairs.He has consulted across the public, corporate, not-for-profit and political sectors at national, regional, and local levels. He has advised a range of clients on strategy, engagement and co-design, and has commercial experience both in Australia and the UK.Dean is from the Quandamooka peoples of Minjerribah (North Stradbroke Island) in Queensland. He has a Bachelor of Arts (Politics and Journalism) from the University of Queensland and a Graduate Certificate in Education from the University of Melbourne. He is a Senior Fellow of the Atlantic Fellowship for Social Equity and is an ex-officio member of the Business Council of Australia's Indigenous Engagement Taskforce.Recommendations throughout this episode: https://fromtheheart.com.au/Website: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

This week Niamh interviews TWICS co-host and marine scientist Mibu Fischer. Mibu is a Quandamooka woman with a connection to sea country, her work has focused on the impacts of climate change on Indigenous communities. At TWICS Mibu has been a creative genius and a strong advocate for Indigenous knowledge on the show. She is a powerful, quiet leader in our community and a champion of increased representation of women, Indigenous people and other under represented groups in STEM.  Show theme music: Kevin MacLeodHost: Niamh Chapman (@nchapmanTAS)Production: Sarah LydenMedia & Promotion: Mibu Fischer

This talk brings together three of the most exciting and highly regarded emerging First Nations artists showing at the 2022 Melbourne Art Fair. Butchulla and Burmese artist Mia Boe, Arrernte artist Thea Anamara Perkins and Quandamooka artist Kyra Mancktelow all work in different styles, mediums and methods but through their contemporary practice, they are all storytellers; exploring what it means to be First Nations in contemporary Australia, tackling historical inquiry and reclaiming their stories through their art.   Sit with these powerful artists as they share how they're recovering, reclaiming and preserving their own and others' stories through their contemporary practice.  This talk was presented as part of the program for UNTOLD: Marking Life, Indigenous reflections on continuing/maintaining/living rituals presented by Agency Projects.

Aunty Kath, Oodgeroo Noonuccal, was Valerie's godmother, and just one of many staunch political figures on both sides of her family. Val worked her way to becoming a powerful advocate for Aboriginal people and her family CW: ATSI listeners please use discretion when listening as the program references people who have died.

Aunty Kath, Oodgeroo Noonuccal, was Valerie's godmother, and just one of many staunch political figures on both sides of her family. Val worked her way to becoming a powerful advocate for Aboriginal people and her family CW: ATSI listeners please use discretion when listening as the program references people who have died.

What does it mean to revive and reclaim your art and culture? And to see your own work in the galleries where your history has been on display? Elisa Jane Carmichael is a rising star: she's a finalist at this year's Telstra National Aboriginal and Torres Strait Islander Art Awards and six of her woven works have recently been acquired by the British Museum. And her work is helping to revive the art of Quandamooka weaving, which was banned under colonisation.

What does it mean to revive and reclaim your art and culture? And to see your own work in the galleries where your history has been on display? Elisa Jane Carmichael is a rising star: she's a finalist at this year's Telstra National Aboriginal and Torres Strait Islander Art Awards and six of her woven works have recently been acquired by the British Museum. And her work is helping to revive the art of Quandamooka weaving, which was banned under colonisation.

Sandy Heilig is the founder of Quanmooka cup and Supajai Gym on Stradbroke island. She is a advocate for talking about mental health issues  and the increasing rates of suicides in her area. The Quandamooka non profit organisation has now expanded their message across the nation and also internationally with notable athletes such as Charlie Bubb and Benny Mahoney as their Ambassadors to spread the awareness of there noble mission of "you are worth fighting for" .You can make donations by msging them on facebook:https://www.facebook.com/Quandamooka-Cup-Suicide-Prevention-Indigenous-Corporation-726613114140574Follow Quandamooka Cup, SupaJai gym, Charlie Bubb and Benny Mahoney here:https://www.instagram.com/qcspic/https://www.instagram.com/supajai_gym/https://www.instagram.com/charlie_bubb97/https://www.instagram.com/bennymahoneyboxing/Follow us on:https://www.instagram.com/combatchatpodcast/https://www.facebook.com/combatchatpodcast https://www.youtube.com/channel/UC0BA3mqnfgbPBgjDeqNNkSgSupport the show (https://www.youtube.com/channel/UC0BA3mqnfgbPBgjDeqNNkSg)

Cameron Costello is a Quandamooka traditional owner and a former corporate lawyer. Until recently, he was the CEO of the Quandamooka Yoolooburrabee Aboriginal Corporation, (QYAC), the Aboriginal corporation overseeing native title on Minjerribah (Stradbroke Island), Mulgumpin (Moreton Island), and parts of the Redlands coast. I talked to Cameron about the 16 year process the Quandamooka people went through to have their native title to Minjerribah (Straddie) recognised, about life on the frontline of the struggle for Aboriginal justice, and about what he thinks a genuinely reconciled Australia would look like. Deep North acknowledges the traditional owners of Meanjin/Brisbane, the Turrbul and Jagera people, and pays respects to elders past, present, and emerging. Find out more about: - Cameron Costello: @CamCostello73 - Rachel Nolan: @RachelGNolan - The McKell Institute: https://mckellinstitute.org.au/ @McKellInstitute Deep North is a politics podcast by the McKell Institute, Queensland. It is produced by Charles Pidgeon.

Boe’s first Guest this morning is Uncle Dale Ruska who … Continued

Quandamooka people of  North Stradbroke Island have set up the … Continued

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

The Quandamooka PeopleThe Quandamooka People are a First Nation of over 2000 traditional owners from Moreton Bay, south east Queensland, Australia. “Quandamooka” is a word from the Jandai language used to describe Moreton Bay and the islands within it. Therefore, the Quandamooka People are the people of Moreton Bay.Quandamooka is the ancestral homeland of the Nunukul, Ngughi and Goenpul peoples, the sub-groups that make up the Quandamooka People. The Quandamooka People are the traditional owners of Minjerribah (North Stradbroke Island), who have owned and occupied the lands and waters of Moreton Bay since time immemorial.In fact, the Quandamooka People have over 20,000 years' association with their Country, including Minjerribah.QYACQYAC is the Prescribed Body Corporate (PBC), created in 2011 under the Native Title Act 1993, responsible for managing the native title rights and interests of the Quandamooka People, who currently have native title over 54,000 hectares of land and sea on and around Minjerribah (North Stradbroke Island).QYAC is also the joint manager, with the State Government, of the Naree Budjong Djara National Park, which is the largest piece of recreational infrastructure on Minjerribah.Facebook Page Link - https://www.facebook.com/QuandamookaYoolooburrabeeAboriginalCorporationInstagram Page Link - https://www.instagram.com/quandamooka/Hashtag - #QYAC #quandamookaTwitter - @CEOCostelloTwitter Page Link - https://twitter.com/ceocostelloYoutube Playlist - QYAC - Quandamooka Yoolooburrabee Aboriginal CorporationYoutube Playlist Link - https://www.youtube.com/playlist?list=PLDV0DLqFneWXE17w5Cn_Q1ckZtxt9dJUCYoutube Channel - QYAC IMAGESYoutube Cahnnel Link - https://www.youtube.com/channel/UCyQ5qQXFp3YM5qm0DllQSEwhttps://wynnumfringe.comhttps://www.facebook.com/Wynnum-Fringe-110921904074925https://www.instagram.com/WynnumFringeBrisbane is getting a fringe festival! Adelaide has the world's second largest fringe; Perth has the third. It is time for the Sunshine State to have its own and Wynnum Fringe will be its home!Podcast recorded and produced by TNC podcasting. Find out more at www.tncpodcasting.com

Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Nici Cumpston, Curator of Aboriginal & Torres Strait Islander Art, introduces Tarnanthi: Open Hands. For more information please visit: agsa.sa.gov.au Image: Nici Cumpston OAM, Artistic Director Tarnanthi, Curator of Aboriginal and Torres Strait Islander Art featuring Quandamooka djagan marumba (Quandamooka country is beautiful) by Sonja and Elisa Jane Carmichael, Tarnanthi 2020: Open Hands, Art Gallery of South Australia; photo: Saul Steed.

How do you weave a story? In this episode, Kinderling kids – Pip and Lottie – find out the answer to this question and more from Quandamooka woman, and multidisciplinary artist, Elisa Jane (Leecee) Carmichael. As an artist, Leecee honours her salt-water heritage by incorporating materials collected from Country, embracing traditional techniques, and expressing contemporary adaptations through painting, weaving, and textiles. In this episode, Leecee answers the kids’ big art questions like; “How does family and home inspire art”? And “why would you put a hole in your artwork on PURPOSE”? Listen now to Outside The Lines with Elisa Jane (Leecee) Carmichael. For more kid-friendly art tips (from more inspirational artists) download the Kinderling App or subscribe wherever you listen to podcasts. Outside the Lines is a Kinderling co-production with the Queensland Art Gallery and Gallery of Modern Art’s Children’s Art Centre. This production was possible thanks to the generous support of the Neilson Foundation. Produced by Caitlin Gibson Sound Design and Mixby Camilla Hannan Executive Producer: Lorna Clarkson  See omnystudio.com/listener for privacy information.

This episode the combat crew catch up with WBC Muaythai's top 3 light heavyweight in the world, Charlie "The smiling Assassin" Bubb of Razor Muaythai in NSW. We talk to him about his first Muaythai experience being a ring setup in a motorbike shops carpark to now being world ranked beating most of Australia's best across multiple weight classes. On the subject of weight, Charlie give us his thoughts why he has gone up in weight the last few years and still has a great work rate. He also talks about a great initiative he is an ambassador for: The Quandamook cup Suicide prevention. check notes below for more info on this great foundation and support them by buying their MerchQuandamooka cup: https://quandamookacup.com/charlie bubb's Instagram: https://www.instagram.com/charlie_bubb97/Support the show (https://www.youtube.com/channel/UC0BA3mqnfgbPBgjDeqNNkSg)

Hannah talks with Mibu Fischer, Quandamooka woman and CSIRO scientist. Mibu’s specific interests are around utilising Traditional Knowledges and management practices are considered within modern day fisheries, coastal and conservation management. Her goal is to bridge a gap that draws attention to the indigenous communities facing the frontline of impacts and changes to coastlines, ecosystems and livelihoods from climate change impacts. This series was produced for National Science Week with thanks to the Australian Government’s Inspiring Australia program. Show theme music: Kevin MacLeodHosts: Hannah McCleary (@mccleary_hannah)Production: Meredith Castles (@meredithcastles) & Olly Dove (@littledove440)Media & Promotion: Olivia Holloway (@LivHolloway_) & Kate Johnson (@KatePlantPhys)

On the show today we yarn with Indigenous cultural tour guide, Matthew Burns, about bush medicine, traditional hunting techniques and growing up on the beautiful and sacred Island of Minjerribah also known as North Stradbroke Island.Bio:Matthew Burns is a Quandamooka man and Traditional Owner of Minjerribah, North Stradbroke Island. He has been dancing and sharing traditional stories and knowledge for over 20 years. Matthew talks about the significance of song and dance, artefacts, bush tucker, art and culture to his people.For more information about Matthew’s tours please visit:https://www.stradbrokeferries.com.au/tours-attractions/activities/goompi-trail

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

We speak with Pulitzer prize-winning American art critic, Jerry Saltz about his new book How to Be an Artist, and find out how Quandamooka country on North Stradbroke Island inspires the art of Megan Cope.

"The really hard challenge when you’re talking about empowerment is it’s a fundamentally different conversation around the way that power is then distributed, the way that power is shared, and the way that power is exercised." Dean Parkin is a part of the Quandamooka people, an investment analyst with Tanarra Capital, and an advocate for the Uluru Statement from the Heart, which addresses the rights of Aboriginal and Torres Strait Islander peoples in Australia. He spoke to Wendy about the oversimplification of representation and empowerment of those who have been dispossessed.

There is a wealth of Indigenous Knowledge in Australia, today we are talking about the intersection between Indigenous Knowledge of sea country and marine science. Host Niamh Chapman interviewed three guests from CSIRO: Engagement Programs Coordinator Dr. Ben Arthur, Palawa woman and Coordinator of the Indigenous Time at Sea Scholarship Hannah McCleary and Quandamooka woman and researcher at CSIRO Mibu Fischer. For more information:The link to the ITSS program is: https://mnf.csiro.au/en/Education/ITSS-ScholarshipThe link to info on the first voyage is: https://mnf.csiro.au/en/Voyages/IN2019_T03Hosts: Niamh Chapman Production: Meredith CastlesMedia: Olivia HollowayImage credit: Hannah McCleary CSIRO

For Indigenous artist Delvene Cockatoo-Collins, it is never too late to fulfil your dreams. The respected artist has built an impressive body of work, with many coming to know her talent during the Gold Coast Commonwealth Games, where her designs of the rare white whale Migaloo were featured on the commemorative medals, and in the opening ceremony. She has just opened a new gallery and studio space at Minjerribah, also known as Stradbroke Island, where her arts practice is inspired from. On this episode of Remarkable Tales, the winner of the 2018 Griffith Business School Outstanding First Peoples Alumnus Award tells us how important her family and Quandamooka ties are to her continuing development as an artist, as well as also preserving and telling the story of her culture and country.

For the last episode, we circle all the way round to the foundation - the First People of Moreton Bay. Cameron Costello is the CEO of the Quandamooka Yoolaburrabee Aboriginal Corporation (QYAC) who manage the Native Title rights of the Quandamooka People. It's a longer episode, but not long enough to ask all the things I want to understand about Quandamooka and the deep, diverse, ongoing, and evolving relationships present in his community have with Moreton Bay!  Cameron tells me a bit about the Native Title determination, and  clears up some misconceptions that still persist about what Native Title means for both Quandamooka people and we other folk who live here and love it. He also opens a fascinating window into the understanding of just what a "culture" is, and shares QYACs priorities and visions for a healthy Moreton Bay and community.  Visit QYAC's website and Facebook to find out more about what they're up to, including what's in store at the Quandamooka Festival this year. Also, check out the podcast blog post (if you've got the time - it's a long one!) which was inspired by this episode. 

Penny Limbach and Kylie Roche, through Tangalooma EcoMarines, are inspiring hundreds of young people to save and protect Moreton Bay, and they're doing it with unbridled enthusiasm and hope. Both experienced Moreton Bay for the first time as adults - they tell me how they fell in love with it, and how they created this young green family of stewards for the Bay.  Pop on over to their website to check out all the Ecomarines programs, events and news, or find online training materials for the youngster in your life (or yourself!). Psstt - you can also support them by making a donation or even becoming a sponsor. They're also on Facebook, Instagram, YouTube and Twitter.  Don't forget to check out the Moreton Bay Science blog for this episode.  

Patricia Piccinini and TarraWarra Museum of Art director Victoria Lynn on the double-header exhibition featuring Piccinini and Joy Hester, US galleries re-open as the federal shutdown ends in arts news, Quandamooka lawyer Stephanie Parkin and CEO of the Indigenous Art Code Gabrielle Sullivan on the report into fake Indigenous art, and Central Arrernte and Mudburra elder Patricia Ansell Dodds on having her work on the Sydney Opera House sails as part of Badu Gili.

Patricia Piccinini and TarraWarra Museum of Art director Victoria Lynn on the double-header exhibition featuring Piccinini and Joy Hester, US galleries re-open as the federal shutdown ends in arts news, Quandamooka lawyer Stephanie Parkin and CEO of the Indigenous Art Code Gabrielle Sullivan on the report into fake Indigenous art, and Central Arrernte and Mudburra elder Patricia Ansell Dodds on having her work on the Sydney Opera House sails as part of Badu Gili.

How important is it to connect with a place that is part of your history? What are your responsibilities to make work for ‘your people’ as well as an art audience? Tai Snaith and Megan Cope discuss what it means to move back to work ‘on country’ as a contemporary Indigenous artist. They unpack the complexities of relating to a place and its people, and how that might inform your work in a number of different ways. Megan talks about her involvement with proppaNOW and various travels from the bush to the city, overseas and now back to her father’s country on Quandamooka land. She sheds light on her passion for Middens and how they function in Indigenous culture, and their history as one of the earliest forms of architecture in the landscape. Additional resources: Middens: https://en.wikipedia.org/wiki/Midden RE FORMATION at The National, Art Gallery of NSW: https://thisisnofantasy.com/exhibition/the-national-new-australian-art/ ‘Haunt’ at IMA Brisbane: https://ima.org.au/2019-program-announced/ Sovereignty at ACCA: https://thisisnofantasy.com/exhibition/acca-sovereignty-2/ https://acca.melbourne/exhibition/sovereignty/ Blaktism: https://www.abc.net.au/radionational/programs/awaye/the-blaktism/5391966 Elizabeth Durack: https://en.wikipedia.org/wiki/Elizabeth_Durack proppaNOW: https://proppanow.wordpress.com/about-us/

How important is it to connect with a place that is part of your history? What are your responsibilities to make work for ‘your people' as well as an art audience?Tai and Megan discuss what it means to move back to work ‘on country' as a contemporary Indigenous artist. They unpack the complexities of relating to a place and its people, and how that might inform your work in a number of different ways. Megan talks about her involvement with proppaNOW and various travels from the bush to the city, overseas and now back to her father's country on Quandamooka land. She sheds light on her passion for Middens and how they function in Indigenous culture, and their history as one of the earliest forms of architecture in the landscape.Links, more episodes, and information about A World of One's Own, at taisnaith.com/podcastAudio production: Bec FaryTheme music: ‘End of the Day' by Phia www.listentophia.com

Dean is from the Quandamooka peoples from Minjerribah (North Stradbroke Island) in Queensland. He was involved in the negotiations leading to a Native Title determination in 2011 and continues to work with his community on this journey. He helped facilitate all 13 dialogues that produced the Uluru Statement from the Heart. He is currently establishing a people's movement to promote political momentum for the Uluru Statement. He also runs his own consultancy aimed at co-design of strategic change, bringing people together and engaging them in dialogue. This is the second event of Victorian Fabians' Spring Series for 2018, at which we'll discuss reconciliation, the strengthening of First Nations' voices, and their link with equality. It will feature talks by Dean Parkin and Justin Mohamed. That the idea of reconciliation and the creation of a mechanism for Aboriginal and Torres Strait Islander self-determination, on an equal footing, in the affairs of Australia dates back at least 40 years is itself testimony to the intransigence of the Australian political system in its lack of recognition of First Nations' voices. Reconciliation Australia defines "Reconciliation" as based on five principles; Race relations based on trust and respect, free of racism Equality and equity of participation in a range of life opportunities, also recognising the unique rights of Aboriginal and Torres Strait Islander peoples Institutional integrity of political, business and community organisations to support reconciliation Unity, so that our shared identity recognises Aboriginal and Torres Strait Islander cultures and heritage Historical acceptance, meaning that the wrongs of the past and the necessity for their redress are accepted by all Australians These are big steps for Australia to take. How can we take them and emerge with greater equality?  

Yura Yaringbila is an event held as part of the Quandamooka Festival which greets these majestic mammals as they make the way up the coast of Australia to warmer waters each year.