Podcasts about natural woman

MUSIC St. Louis native Sexyy Red is facing a lawsuit, accused of calling on her followers to attack her child's grandmother. According to KMOV.   The new look Sublime are working on a new album. When Jakob Nowell followed in his father's footsteps last year he initially said he didn't expect to make any new music with Bud Gaugh and Eric Wilson beyond “Feel Like That,” which repurposed an old Sublime demo and used his father's Bradley Nowell's vocals.   Poison's Brett Michaels says his trademark bandana is his "superpower". Corey Feldman is on the latest episode of Billy Corgan's podcast,  “The Magnificent Others” and  he claimed he was up for two of Leonardo DiCaprio's biggest roles: First, he said he was actually CAST as Arnie in 1993's "What's Eating Gilbert Grape" . . . but then Johnny Depp joined the cast and got him fired   Carlos Santana wants to collaborate with Taylor Swift and do an album with her, and he already has three songs picked out for them: Bob Marley's "No Woman, No Cry" . . . Bob Dylan's "Just Like a Woman", and "Natural Woman" by Carole King.   If you know the story of the Beatles, you probably know that in 1962, they auditioned for numerous recording studios and were turned away.  TV  "Malcolm in the Middle" is being revived on Disney+ and while there are familiar names reprising their characters, there will be one new face taking on a big role   Hulu's hit series Only Murders in the Building is adding more star power for its fifth season! Joe Gatto is entering an in-patient facility after becoming the subject of sexual assault and harassment allegations. Netflix has been developing a series for Scooby-Do for about a year already, and they're calling it a "modern re-imagining."              After filming wrapped on the final season of "The Handmaid's Tale", Elisabeth Moss asked for a souvenir, but somebody beat her to it. h   MOVING ON INTO MOVIE NEWS: Marvel Studios revealed the cast for the next Avengers movie   AND FINALLY We've seen plenty of lists of the best romances on TV.  But what about the best ANIMATED romances on TV?  Here's how "Entertainment Weekly" ranks them:   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textOn this episode, Tom and Bert bring you Part 2 of the Songwriters who wrote HIT SONGS for other Singers.They discuss 3 of the Greatest Songwriters in Music History. All 3 are Rock n Roll Icons that were inducted into the Writers HOF. Stevie Wonder, Prince and Carole King are the songwriters and they were ALL also inducted into the Performers Category of the Rock n Roll HOF.Below are few of their hits. Featured  Chapters:(2:52) "It's a Shame"  by the Spinners, written by Stevie Wonder(6:25) "Until you come back to Me"  by Aretha Franklin, written by Stevie Wonder(17:52) "Manic Monday"  by The Bangles  written, by Prince(22:26) "Jungle Love"  by The Time, written by Prince(25:27) "The Loco-motion"  by Little Eva, written by Carole King(28:30) "Up on the Roof"  by The Drifters, written by  Carole King(30:14) "Will you love me Tomorrow"  by The Shirelles, written by Carole King(33:04) "Hi-De-Ho"  by Blood, Sweat and Tears, written by Carole King(37:55) "Some Kind of Wonderful"  by The Drifters, written by Carole King(39:39) "You've got a Friend"  by James Taylor, written by Carole King(41:04) "A Natural Woman"  by Aretha Franklin,  written by Carole KingThese and many more!!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Happy Women's History Month from your feminism-supporting pals at ATTT. Here in Top Ten "Woman" Songs we're celebrating the LA Woman, the Evil Woman and even the Long Cool Woman (In A Black Dress). Our good friends Sky Nicholas and Tara Austin are back to help us count down our favorite songs with that magic word in the title. Picks 5-1 are featured here in Part 2.If you missed Part 1 go here:https://podcasts.apple.com/us/podcast/episode-658-top-ten-woman-songs-part-1-w-sky-nicholas/id573735994?i=1000697377197Hear every song heard in Parts 1 & 2 in the official Top Ten "Woman" Songs Spofify playlist:https://open.spotify.com/playlist/5axiLdjK3EviNjD5WmnBKA?si=5d36a0df956e4225Find our humble guests Sky & Tara on the socials!https://www.instagram.com/skyroxxu/https://www.instagram.com/austintatioustunes/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Our man in Maryland Gabe Scalone joined for an all new episode!Find out more at https://www.patreon.com/c/alltimetopten

On the latest Jagbags, in support of the new Aretha Franklin Facebook bracket, we discuss her career and her musical impact. Was she the greatest cover artist of all time? What songs are your favorite? Does she have a classic album? Did you like her comeback songs in the 80s? Where does she rank on the All-Time Music Pantheon? Tune in for the full discussion of all things Aretha.

Ahead of International Women's Day, Fiona Kennedy joins us to talk about her upcoming shows Hosted on Acast. See acast.com/privacy for more information.

Topics for Monday 2/10/257️⃣ Big 7 Gonna Deficate on the Haters That Follow Him But Don't Tune into His Show.7️⃣ Big 7 is a Fetus Celebrity Ready to be a Born Celebrity.7️⃣ Corny Rappers Suck, Trying to Sound Like Other Artists, Acting Like They Don't Sound Like Nobody Else.7️⃣ Big 7 is Not Trying to be a Dream Killer but He Wishes More Rappers Would Give Up.7️⃣ Mayonnaise Woman Do Not Troll Big 7 During Black History Month.7️⃣ Big 7 Cooks It Up!!! Call Him King Whip It!!!7️⃣ Death is a Natural Cycle of Life.7️⃣ Do Men Prefer Women with BBLs or Want a Natural Woman?7️⃣ Artists When You Find Your Pocket, Stick With It.7️⃣ A Song with a Basic Title like “Shake That Ass” Turns Big 7's Stomach. 7️⃣ Big 7's Whole Family is in Trouble if He Has to Save Them by Going in the Back Room with Big Bubba.7️⃣ You Need Quotables in Your Song to Make it More Memorable.7️⃣ Did an Inmate Send Jaboinka Shots to a Loyal Listener to Get Her to Get His Song Reviewed? 7️⃣ Dude Looks Like A Lady and Gives Sex Tips.

What a gorgeous chat Elmarie had with Fiona Kennedy, Evelyn Grant and Linda Kenny about some super shows this month in Cork! Fiona's show "Natural Woman" runs in the Cork Arts Theatre on February 15th, and Evelyn Grant joins the Everyman Sunday Songbook team as Narrator, as they recount and relive the music and story of Jim Reeves in The Everyman on February 9th! Hosted on Acast. See acast.com/privacy for more information.

Det här är berättelsen om den mystifierade divan som satte soulmusiken på kartan och blev en förgrundsgestalt för den amerikanska medborgarrättsrörelsen. Lyssna på alla avsnitt i Sveriges Radio Play. Ridån går upp och publiken drar efter andan när en av musikvärldens största giganter, Aretha Franklin, skrider ut på den stora scenen. Det är den 29 december 2015 och på Kennedy Centers Honors i Washington ska låtskrivaren Carole King, som själv sitter i publiken, hyllas. Den 73-åriga souldivan, klädd i rysk, fotsid sobelpäls och beige långklänning med broderier, placerar handväskan på flygeln och slår sig ner. Att Aretha är både sjuk och gammal är ingenting som märks när hon brister ut i “You Make Me Feel Like a Natural Woman”, en av de hits som King har komponerat. I slutet av låten går Aretha lite mödosamt fram till scenkanten och det hon ska göra nu ska komma att bli legendariskt. Samtidigt som Aretha visar prov på sitt enorma röstregister så sliter hon av sig pälsen och släpper den till marken. En symbolisk gest för divor genom historien, som får publiken att resa sig i bänkraderna. Medverkande: Nathan Hamelberg, Petra Markgren Wangler, Ulla Wrethagen och Mapei.Programmet gjordes och programleds av Siri Hill sommaren 2024Producent Joanna KorbutiakExekutiv producent Lars TruedssonSlutmix Fredrik NilssonP3 Musikdokumentär görs av Tredje Statsmakten MediaLjudklippen i programmet kommer från dokumentärfilmen Aretha Franklin, Soul Sister (2020), spelfilmen The Blues Brothers (1980) och Fresh Air (2001), NPR Morning Edition (2004), Academy Class of 1999 (1999), ABC News (1968), Aretha Franklin - Live at Concertgebouw Amsterdam 1968 (1968), CBS News (1968), The Flip Wilson Show (1971), Vox (2015), The Wall Street Journal (2014), BBC (2009), CNN (2018), Inside Edition (2018) samt Youtubekontona Soulmusicarchive (2023) och Country Gospel Songs (2023).

We remember singer Cissy Houston, who died Oct. 7 at the age of 91. She got her start in gospel and sang backup vocals for Elvis, Dusty Springfield, Wilson Pickett, Van Morrison and Aretha Franklin, most notably on "A Natural Woman." She was also the mother of Whitney Houston. Houston spoke with Terry Gross in 1998. Also, we remember Major League Baseball's Pete Rose, a legend on the field who was banned from baseball because he bet on the game. He died Sept. 30 at the age of 83. Rose spoke with Dave Davies in 2004. TV critic David Bianculli reviews the new film Saturday Night, a dramatization of the first episode of SNL. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We remember singer Cissy Houston, who died Oct. 7 at the age of 91. She got her start in gospel and sang backup vocals for Elvis, Dusty Springfield, Wilson Pickett, Van Morrison and Aretha Franklin, most notably on "A Natural Woman." She was also the mother of Whitney Houston. Houston spoke with Terry Gross in 1998. Also, we remember Major League Baseball's Pete Rose, a legend on the field who was banned from baseball because he bet on the game. He died Sept. 30 at the age of 83. Rose spoke with Dave Davies in 2004. TV critic David Bianculli reviews the new film Saturday Night, a dramatization of the first episode of SNL. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Episode Summary:In this episode of the Shoe Dares Wins podcast, host Michelle welcomes the incredibly resilient and determined Becca Worgan, a celebrated strength athlete and the current Natural World's Strongest Woman under 82 kg. Michelle and Becca discuss her journey into the world of Strongman, a sport she only began pursuing in 2019. The conversation dives into Becca's intense training regimens, the mental challenges she faced, and her strategies to stay focused on her goals, even while balancing academics and work.Becca shares how she initially joined the bodybuilding world, her pivot to Strongman events, and the supportive gym environment at Steel City in Middlesbrough, which played a crucial role in her development. The episode is rich with insights into the barriers many women face when entering strength sports, and Becca's mission to inspire and empower more women to pursue these activities. The conversation also touches on the community and camaraderie within the sport, her experience with injuries, and her ventures into commentating and pursuing a career in physiotherapy to support strength athletes.Key Takeaways:Commitment to Goals: Becca's intense focus and dedication to training and competing at the highest levels in Strongman.Supportive Environments: The critical impact of a positive and inclusive gym community on personal and professional growth in sports.Strength Training for Women: Addressing common barriers women face in strength sports and promoting the benefits of strength training for health and empowerment.Career Diversification: How Becca integrates her passion for strength sports into her career path through physiotherapy and commentating.Injury and Recovery: Insights into dealing with injuries and the mental resilience required to overcome setbacks in high-performance sports.Notable Quotes:"Once you know how to use everything and what you're doing, that fear will go. You can get really confident really quickly in it." - Becca Worgan"I just love being strong. It quickly became, I'm more interested in what my body can do than what it now looks like." - Becca Worgan"It's not selfish, an hour at the gym, three or four times a week is not selfish at all. You can definitely find that time." - Becca Worgan"I've never been so pleased about something in my life. All that work was so worth it when I won." - Becca Worgan"If you're in the northeast, find me on Instagram, send me a message, because I'm training all over the place, and I'll happily train with you." - Becca WorganResources:Follow Becca Worgan on InstagramSteel City Gym in Middlesbrough: The supportive gym where Becca trains.Natural World's Strongest Woman Competition: The prestigious competition Becca won.Chaos Promotions: The organization offering Becca opportunities in commentating.UK Natural Strength Federation (UKNS): The federation supporting natural strength pathways.We encourage you to listen to the full episode to get inspired Hosted on Acast. See acast.com/privacy for more information.

In this fascinating interview for The MindHealth360 Show, Dr. Leslie Korn discusses the connection between our biochemistry and our psychology; between trauma, nutrition, and mental health. With extensive expertise in integrative medicine and somatic and psychological therapies, Dr. Korn explores the impact of trauma and chronic stress on our biochemistry, and tells us how to balance our biochemistry for better nervous system resilience and better health. She explains how dietary choices, specific nutrients, plants and herbs, and personalised nutritional strategies can be vital for recovery from trauma, PTSD and mental and physical well-being. She underlines the therapeutic potential of psychedelics, especially when integrated with traditional healing rituals, and uses her extensive experience of working with indigenous cultures to suggest tried and tested approaches to improving mental health and resilience.  Dr. Leslie Korn is an expert in integrative medicine with over 40 years of clinical experience, focusing on stress, trauma, cognitive function, and chronic physical illness. She began her training in Mexico where she worked extensively with indigenous cultures, and continued at Harvard Medical School. Dr. Korn holds a PhD in Behavioral Medicine, an MPH from Harvard, and an MA in cross-cultural health psychology. She has developed the Brainbow Blueprint®, an individualized integrative approach, and has trained over 30,000 health professionals. Additionally, she directs the Leslie Korn Institute of Integrative Medicine, has pioneered somatic therapies at Harvard, and is an author of 10 books on related subjects including Nutrition Essentials for Mental Health, Rhythms of Recovery: Integrative Medicine for the treatment of PTSD and Complex Trauma, The Good Mood Kitchen, Natural Woman, and The Brainbow Blueprint: A Clinical Guide to Integrative Medicine and Nutrition for Mental Well-Being.   In this interview learn about: Dr. Korn's key principles for better mental health (eat breakfast, nourish both brains, eat only when relaxed, eliminate toxins, etc.) The best nutrition for your gut (foods that damage, foods that heal) and the link between gut health, mood and brain health The importance of circadian rhythms, exercise and other movement in combination with the right nutrition Key herbs and plant therapies for healing The importance of community for physical, emotional and spiritual healing Biochemical and psychological stressors which hamper our innate capacity to heal How trauma and PTSD impact our biochemistry (inflammation, gut dysbiosis, poor nutrition, difficulty with self-care, immune and neuro-endocrine imbalances, metabolic dysfunction, difficulty with detoxification) What we can learn from indigenous cultures about healing, nutrition, sacred rituals, and mental health How addictions and eating disorders are dissociative disorders and the link with trauma and control   Why eating more fats and proteins and less sugar is so crucial to brain health and mood stability; and sugar addiction, food cravings and their link with trauma and stress The connection between dysregulated cortisol rhythms and mood, anxiety and sleep, and how chronic cortisol exposure can cause neuronal death The best biochemical tests for mental health (toxins, nutrients status, etc.) Key nutrients for mental health (vitamin D, omega 3 fatty acids, B vitamins, magnesium, chromium, lithium) How trauma creates an altered state of consciousness, and how psychedelics also create an altered state of consciousness, but one that can help us heal    Why it's so important to use psychedelics in their traditional and sacred contexts, and how the ritual of therapy is crucial to the experience  How psych drugs such as SSRIs, sleeping pills and antipsychotics as well as other medications such as statins and NSAIDs can suppress mitochondrial function and harm the gut, thereby exacerbating mental health issues  Why daily self-care practices are so important for mental health and healing  Dr. Korn will further elaborate on these concepts in her upcoming talk Integrative Medicine for PTSD and Complex Trauma at the Integrative Medicine for Mental Health conference (IMMH2024) in Washington, October 2024. For more details, visit IMMH.  

Episode #11 (How Many Times Can We Say Badass?) is dedicated to the women in music that have had a massive influence on the music industry and our lives. In the trailer, we chat about men (specifically, us) singing along to a certain song from the Queen of Soul, Aretha Franklin.

This week's episode discusses society's toxic view of women's' natural bodies, how we can start changing the programming and healing ourselves as women, and how to teach our daughters a better way, so as to transform the next generation in a powerful, magical, way.

Is There Such A Thing As A Natural Woman? There seems to be a group of people who are trying to x out the natural biological woman. And today's question is: Is There Such A Thing As A Natural Woman? Chime in by putting it in the comments, enjoy? --- Send in a voice message: https://podcasters.spotify.com/pod/show/thoughts-of-the-week/message

This month Elle is chatting with Marilee Bramhall, found of Iola Wines! The two discuss her journey into wine, which took her around the world, where she meets the coolest and bestest and most exciting women winemakers who are making wines, naturally. In between it all she and Elle taste a fabulous Gavi and a bottle of Bandol. Take a listen and learn more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 168 of A History of Rock Music in Five Hundred Songs looks at “I Say a Little Prayer”, and the interaction of the sacred, political, and secular in Aretha Franklin's life and work. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-five-minute bonus episode available, on "Abraham, Martin, and John" by Dion. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many songs by Aretha Franklin. Even splitting it into multiple parts would have required six or seven mixes. My main biographical source for Aretha Franklin is Respect: The Life of Aretha Franklin by David Ritz, and this is where most of the quotes from musicians come from. Information on C.L. Franklin came from Singing in a Strange Land: C. L. Franklin, the Black Church, and the Transformation of America by Nick Salvatore. Country Soul by Charles L Hughes is a great overview of the soul music made in Muscle Shoals, Memphis, and Nashville in the sixties. Peter Guralnick's Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom is possibly less essential, but still definitely worth reading. Information about Martin Luther King came from Martin Luther King: A Religious Life by Paul Harvey. I also referred to Burt Bacharach's autobiography Anyone Who Had a Heart, Carole King's autobiography A Natural Woman, and Soul Serenade: King Curtis and his Immortal Saxophone by Timothy R. Hoover. For information about Amazing Grace I also used Aaron Cohen's 33 1/3 book on the album. The film of the concerts is also definitely worth watching. And the Aretha Now album is available in this five-album box set for a ludicrously cheap price. But it's actually worth getting this nineteen-CD set with her first sixteen Atlantic albums and a couple of bonus discs of demos and outtakes. There's barely a duff track in the whole nineteen discs. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick warning before I begin. This episode contains some moderate references to domestic abuse, death by cancer, racial violence, police violence, and political assassination. Anyone who might be upset by those subjects might want to check the transcript rather than listening to the episode. Also, as with the previous episode on Aretha Franklin, this episode presents something of a problem. Like many people in this narrative, Franklin's career was affected by personal troubles, which shaped many of her decisions. But where most of the subjects of the podcast have chosen to live their lives in public and share intimate details of every aspect of their personal lives, Franklin was an extremely private person, who chose to share only carefully sanitised versions of her life, and tried as far as possible to keep things to herself. This of course presents a dilemma for anyone who wants to tell her story -- because even though the information is out there in biographies, and even though she's dead, it's not right to disrespect someone's wish for a private life. I have therefore tried, wherever possible, to stay away from talk of her personal life except where it *absolutely* affects the work, or where other people involved have publicly shared their own stories, and even there I've tried to keep it to a minimum. This will occasionally lead to me saying less about some topics than other people might, even though the information is easily findable, because I don't think we have an absolute right to invade someone else's privacy for entertainment. When we left Aretha Franklin, she had just finally broken through into the mainstream after a decade of performing, with a version of Otis Redding's song "Respect" on which she had been backed by her sisters, Erma and Carolyn. "Respect", in Franklin's interpretation, had been turned from a rather chauvinist song about a man demanding respect from his woman into an anthem of feminism, of Black power, and of a new political awakening. For white people of a certain generation, the summer of 1967 was "the summer of love". For many Black people, it was rather different. There's a quote that goes around (I've seen it credited in reliable sources to both Ebony and Jet magazine, but not ever seen an issue cited, so I can't say for sure where it came from) saying that the summer of 67 was the summer of "'retha, Rap, and revolt", referring to the trifecta of Aretha Franklin, the Black power leader Jamil Abdullah al-Amin (who was at the time known as H. Rap Brown, a name he later disclaimed) and the rioting that broke out in several major cities, particularly in Detroit: [Excerpt: John Lee Hooker, "The Motor City is Burning"] The mid sixties were, in many ways, the high point not of Black rights in the US -- for the most part there has been a lot of progress in civil rights in the intervening decades, though not without inevitable setbacks and attacks from the far right, and as movements like the Black Lives Matter movement have shown there is still a long way to go -- but of *hope* for Black rights. The moral force of the arguments made by the civil rights movement were starting to cause real change to happen for Black people in the US for the first time since the Reconstruction nearly a century before. But those changes weren't happening fast enough, and as we heard in the episode on "I Was Made to Love Her", there was not only a growing unrest among Black people, but a recognition that it was actually possible for things to change. A combination of hope and frustration can be a powerful catalyst, and whether Franklin wanted it or not, she was at the centre of things, both because of her newfound prominence as a star with a hit single that couldn't be interpreted as anything other than a political statement and because of her intimate family connections to the struggle. Even the most racist of white people these days pays lip service to the memory of Dr Martin Luther King, and when they do they quote just a handful of sentences from one speech King made in 1963, as if that sums up the full theological and political philosophy of that most complex of men. And as we discussed the last time we looked at Aretha Franklin, King gave versions of that speech, the "I Have a Dream" speech, twice. The most famous version was at the March on Washington, but the first time was a few weeks earlier, at what was at the time the largest civil rights demonstration in American history, in Detroit. Aretha's family connection to that event is made clear by the very opening of King's speech: [Excerpt: Martin Luther King, "Original 'I Have a Dream' Speech"] So as summer 1967 got into swing, and white rock music was going to San Francisco to wear flowers in its hair, Aretha Franklin was at the centre of a very different kind of youth revolution. Franklin's second Atlantic album, Aretha Arrives, brought in some new personnel to the team that had recorded Aretha's first album for Atlantic. Along with the core Muscle Shoals players Jimmy Johnson, Spooner Oldham, Tommy Cogbill and Roger Hawkins, and a horn section led by King Curtis, Wexler and Dowd also brought in guitarist Joe South. South was a white session player from Georgia, who had had a few minor hits himself in the fifties -- he'd got his start recording a cover version of "The Purple People Eater Meets the Witch Doctor", the Big Bopper's B-side to "Chantilly Lace": [Excerpt: Joe South, "The Purple People Eater Meets the Witch Doctor"] He'd also written a few songs that had been recorded by people like Gene Vincent, but he'd mostly become a session player. He'd become a favourite musician of Bob Johnston's, and so he'd played guitar on Simon and Garfunkel's Sounds of Silence and Parsley, Sage, Rosemary and Thyme albums: [Excerpt: Simon and Garfunkel, "I am a Rock"] and bass on Bob Dylan's Blonde on Blonde, with Al Kooper particularly praising his playing on "Visions of Johanna": [Excerpt: Bob Dylan, "Visions of Johanna"] South would be the principal guitarist on this and Franklin's next album, before his own career took off in 1968 with "Games People Play": [Excerpt: Joe South, "Games People Play"] At this point, he had already written the other song he's best known for, "Hush", which later became a hit for Deep Purple: [Excerpt: Deep Purple, "Hush"] But he wasn't very well known, and was surprised to get the call for the Aretha Franklin session, especially because, as he put it "I was white and I was about to play behind the blackest genius since Ray Charles" But Jerry Wexler had told him that Franklin didn't care about the race of the musicians she played with, and South settled in as soon as Franklin smiled at him when he played a good guitar lick on her version of the blues standard "Going Down Slow": [Excerpt: Aretha Franklin, "Going Down Slow"] That was one of the few times Franklin smiled in those sessions though. Becoming an overnight success after years of trying and failing to make a name for herself had been a disorienting experience, and on top of that things weren't going well in her personal life. Her marriage to her manager Ted White was falling apart, and she was performing erratically thanks to the stress. In particular, at a gig in Georgia she had fallen off the stage and broken her arm. She soon returned to performing, but it meant she had problems with her right arm during the recording of the album, and didn't play as much piano as she would have previously -- on some of the faster songs she played only with her left hand. But the recording sessions had to go on, whether or not Aretha was physically capable of playing piano. As we discussed in the episode on Otis Redding, the owners of Atlantic Records were busily negotiating its sale to Warner Brothers in mid-1967. As Wexler said later “Everything in me said, Keep rolling, keep recording, keep the hits coming. She was red hot and I had no reason to believe that the streak wouldn't continue. I knew that it would be foolish—and even irresponsible—not to strike when the iron was hot. I also had personal motivation. A Wall Street financier had agreed to see what we could get for Atlantic Records. While Ahmet and Neshui had not agreed on a selling price, they had gone along with my plan to let the financier test our worth on the open market. I was always eager to pump out hits, but at this moment I was on overdrive. In this instance, I had a good partner in Ted White, who felt the same. He wanted as much product out there as possible." In truth, you can tell from Aretha Arrives that it's a record that was being thought of as "product" rather than one being made out of any kind of artistic impulse. It's a fine album -- in her ten-album run from I Never Loved a Man the Way I Love You through Amazing Grace there's not a bad album and barely a bad track -- but there's a lack of focus. There are only two originals on the album, neither of them written by Franklin herself, and the rest is an incoherent set of songs that show the tension between Franklin and her producers at Atlantic. Several songs are the kind of standards that Franklin had recorded for her old label Columbia, things like "You Are My Sunshine", or her version of "That's Life", which had been a hit for Frank Sinatra the previous year: [Excerpt: Aretha Franklin, "That's Life"] But mixed in with that are songs that are clearly the choice of Wexler. As we've discussed previously in episodes on Otis Redding and Wilson Pickett, at this point Atlantic had the idea that it was possible for soul artists to cross over into the white market by doing cover versions of white rock hits -- and indeed they'd had some success with that tactic. So while Franklin was suggesting Sinatra covers, Atlantic's hand is visible in the choices of songs like "(I Can't Get No) Satisfaction" and "96 Tears": [Excerpt: Aretha Franklin, "96 Tears'] Of the two originals on the album, one, the hit single "Baby I Love You" was written by Ronnie Shannon, the Detroit songwriter who had previously written "I Never Loved a Man (the Way I Love You)": [Excerpt: Aretha Franklin, "Baby I Love You"] As with the previous album, and several other songs on this one, that had backing vocals by Aretha's sisters, Erma and Carolyn. But the other original on the album, "Ain't Nobody (Gonna Turn Me Around)", didn't, even though it was written by Carolyn: [Excerpt: Aretha Franklin, "Ain't Nobody (Gonna Turn Me Around)"] To explain why, let's take a little detour and look at the co-writer of the song this episode is about, though we're not going to get to that for a little while yet. We've not talked much about Burt Bacharach in this series so far, but he's one of those figures who has come up a few times in the periphery and will come up again, so here is as good a time as any to discuss him, and bring everyone up to speed about his career up to 1967. Bacharach was one of the more privileged figures in the sixties pop music field. His father, Bert Bacharach (pronounced the same as his son, but spelled with an e rather than a u) had been a famous newspaper columnist, and his parents had bought him a Steinway grand piano to practice on -- they pushed him to learn the piano even though as a kid he wasn't interested in finger exercises and Debussy. What he was interested in, though, was jazz, and as a teenager he would often go into Manhattan and use a fake ID to see people like Dizzy Gillespie, who he idolised, and in his autobiography he talks rapturously of seeing Gillespie playing his bent trumpet -- he once saw Gillespie standing on a street corner with a pet monkey on his shoulder, and went home and tried to persuade his parents to buy him a monkey too. In particular, he talks about seeing the Count Basie band with Sonny Payne on drums as a teenager: [Excerpt: Count Basie, "Kid From Red Bank"] He saw them at Birdland, the club owned by Morris Levy where they would regularly play, and said of the performance "they were just so incredibly exciting that all of a sudden, I got into music in a way I never had before. What I heard in those clubs really turned my head around— it was like a big breath of fresh air when somebody throws open a window. That was when I knew for the first time how much I loved music and wanted to be connected to it in some way." Of course, there's a rather major problem with this story, as there is so often with narratives that musicians tell about their early career. In this case, Birdland didn't open until 1949, when Bacharach was twenty-one and stationed in Germany for his military service, while Sonny Payne didn't join Basie's band until 1954, when Bacharach had been a professional musician for many years. Also Dizzy Gillespie's trumpet bell only got bent on January 6, 1953. But presumably while Bacharach was conflating several memories, he did have some experience in some New York jazz club that led him to want to become a musician. Certainly there were enough great jazz musicians playing the clubs in those days. He went to McGill University to study music for two years, then went to study with Darius Milhaud, a hugely respected modernist composer. Milhaud was also one of the most important music teachers of the time -- among others he'd taught Stockhausen and Xenakkis, and would go on to teach Philip Glass and Steve Reich. This suited Bacharach, who by this point was a big fan of Schoenberg and Webern, and was trying to write atonal, difficult music. But Milhaud had also taught Dave Brubeck, and when Bacharach rather shamefacedly presented him with a composition which had an actual tune, he told Bacharach "Never be ashamed of writing a tune you can whistle". He dropped out of university and, like most men of his generation, had to serve in the armed forces. When he got out of the army, he continued his musical studies, still trying to learn to be an avant-garde composer, this time with Bohuslav Martinů and later with Henry Cowell, the experimental composer we've heard about quite a bit in previous episodes: [Excerpt: Henry Cowell, "Aeolian Harp and Sinister Resonance"] He was still listening to a lot of avant garde music, and would continue doing so throughout the fifties, going to see people like John Cage. But he spent much of that time working in music that was very different from the avant-garde. He got a job as the band leader for the crooner Vic Damone: [Excerpt: Vic Damone. "Ebb Tide"] He also played for the vocal group the Ames Brothers. He decided while he was working with the Ames Brothers that he could write better material than they were getting from their publishers, and that it would be better to have a job where he didn't have to travel, so he got himself a job as a staff songwriter in the Brill Building. He wrote a string of flops and nearly hits, starting with "Keep Me In Mind" for Patti Page: [Excerpt: Patti Page, "Keep Me In Mind"] From early in his career he worked with the lyricist Hal David, and the two of them together wrote two big hits, "Magic Moments" for Perry Como: [Excerpt: Perry Como, "Magic Moments"] and "The Story of My Life" for Marty Robbins: [Excerpt: "The Story of My Life"] But at that point Bacharach was still also writing with other writers, notably Hal David's brother Mack, with whom he wrote the theme tune to the film The Blob, as performed by The Five Blobs: [Excerpt: The Five Blobs, "The Blob"] But Bacharach's songwriting career wasn't taking off, and he got himself a job as musical director for Marlene Dietrich -- a job he kept even after it did start to take off.  Part of the problem was that he intuitively wrote music that didn't quite fit into standard structures -- there would be odd bars of unusual time signatures thrown in, unusual harmonies, and structural irregularities -- but then he'd take feedback from publishers and producers who would tell him the song could only be recorded if he straightened it out. He said later "The truth is that I ruined a lot of songs by not believing in myself enough to tell these guys they were wrong." He started writing songs for Scepter Records, usually with Hal David, but also with Bob Hilliard and Mack David, and started having R&B hits. One song he wrote with Mack David, "I'll Cherish You", had the lyrics rewritten by Luther Dixon to make them more harsh-sounding for a Shirelles single -- but the single was otherwise just Bacharach's demo with the vocals replaced, and you can even hear his voice briefly at the beginning: [Excerpt: The Shirelles, "Baby, It's You"] But he'd also started becoming interested in the production side of records more generally. He'd iced that some producers, when recording his songs, would change the sound for the worse -- he thought Gene McDaniels' version of "Tower of Strength", for example, was too fast. But on the other hand, other producers got a better sound than he'd heard in his head. He and Hilliard had written a song called "Please Stay", which they'd given to Leiber and Stoller to record with the Drifters, and he thought that their arrangement of the song was much better than the one he'd originally thought up: [Excerpt: The Drifters, "Please Stay"] He asked Leiber and Stoller if he could attend all their New York sessions and learn about record production from them. He started doing so, and eventually they started asking him to assist them on records. He and Hilliard wrote a song called "Mexican Divorce" for the Drifters, which Leiber and Stoller were going to produce, and as he put it "they were so busy running Redbird Records that they asked me to rehearse the background singers for them in my office." [Excerpt: The Drifters, "Mexican Divorce"] The backing singers who had been brought in to augment the Drifters on that record were a group of vocalists who had started out as members of a gospel group called the Drinkard singers: [Excerpt: The Drinkard Singers, "Singing in My Soul"] The Drinkard Singers had originally been a family group, whose members included Cissy Drinkard, who joined the group aged five (and who on her marriage would become known as Cissy Houston -- her daughter Whitney would later join the family business), her aunt Lee Warrick, and Warrick's adopted daughter Judy Clay. That group were discovered by the great gospel singer Mahalia Jackson, and spent much of the fifties performing with gospel greats including Jackson herself, Clara Ward, and Sister Rosetta Tharpe. But Houston was also the musical director of a group at her church, the Gospelaires, which featured Lee Warrick's two daughters Dionne and Dee Dee Warwick (for those who don't know, the Warwick sisters' birth name was Warrick, spelled with two rs. A printing error led to it being misspelled the same way as the British city on a record label, and from that point on Dionne at least pronounced the w in her misspelled name). And slowly, the Gospelaires rather than the Drinkard Singers became the focus, with a lineup of Houston, the Warwick sisters, the Warwick sisters' cousin Doris Troy, and Clay's sister Sylvia Shemwell. The real change in the group's fortunes came when, as we talked about a while back in the episode on "The Loco-Motion", the original lineup of the Cookies largely stopped working as session singers to become Ray Charles' Raelettes. As we discussed in that episode, a new lineup of Cookies formed in 1961, but it took a while for them to get started, and in the meantime the producers who had been relying on them for backing vocals were looking elsewhere, and they looked to the Gospelaires. "Mexican Divorce" was the first record to feature the group as backing vocalists -- though reports vary as to how many of them are on the record, with some saying it's only Troy and the Warwicks, others saying Houston was there, and yet others saying it was all five of them. Some of these discrepancies were because these singers were so good that many of them left to become solo singers in fairly short order. Troy was the first to do so, with her hit "Just One Look", on which the other Gospelaires sang backing vocals: [Excerpt: Doris Troy, "Just One Look"] But the next one to go solo was Dionne Warwick, and that was because she'd started working with Bacharach and Hal David as their principal demo singer. She started singing lead on their demos, and hoping that she'd get to release them on her own. One early one was "Make it Easy On Yourself", which was recorded by Jerry Butler, formerly of the Impressions. That record was produced by Bacharach, one of the first records he produced without outside supervision: [Excerpt: Jerry Butler, "Make it Easy On Yourself"] Warwick was very jealous that a song she'd sung the demo of had become a massive hit for someone else, and blamed Bacharach and David. The way she tells the story -- Bacharach always claimed this never happened, but as we've already seen he was himself not always the most reliable of narrators of his own life -- she got so angry she complained to them, and said "Don't make me over, man!" And so Bacharach and David wrote her this: [Excerpt: Dionne Warwick, "Don't Make Me Over"] Incidentally, in the UK, the hit version of that was a cover by the Swinging Blue Jeans: [Excerpt: The Swinging Blue Jeans, "Don't Make Me Over"] who also had a huge hit with "You're No Good": [Excerpt: The Swinging Blue Jeans, "You're No Good"] And *that* was originally recorded by *Dee Dee* Warwick: [Excerpt: Dee Dee Warwick, "You're No Good"] Dee Dee also had a successful solo career, but Dionne's was the real success, making the names of herself, and of Bacharach and David. The team had more than twenty top forty hits together, before Bacharach and David had a falling out in 1971 and stopped working together, and Warwick sued both of them for breach of contract as a result. But prior to that they had hit after hit, with classic records like "Anyone Who Had a Heart": [Excerpt: Dionne Warwick, "Anyone Who Had a Heart"] And "Walk On By": [Excerpt: Dionne Warwick, "Walk On By"] With Doris, Dionne, and Dee Dee all going solo, the group's membership was naturally in flux -- though the departed members would occasionally join their former bandmates for sessions, and the remaining members would sing backing vocals on their ex-members' records. By 1965 the group consisted of Cissy Houston, Sylvia Shemwell, the Warwick sisters' cousin Myrna Smith, and Estelle Brown. The group became *the* go-to singers for soul and R&B records made in New York. They were regularly hired by Leiber and Stoller to sing on their records, and they were also the particular favourites of Bert Berns. They sang backing vocals on almost every record he produced. It's them doing the gospel wails on "Cry Baby" by Garnet Mimms: [Excerpt: Garnet Mimms, "Cry Baby"] And they sang backing vocals on both versions of "If You Need Me" -- Wilson Pickett's original and Solomon Burke's more successful cover version, produced by Berns: [Excerpt: Solomon Burke, "If You Need Me"] They're on such Berns records as "Show Me Your Monkey", by Kenny Hamber: [Excerpt: Kenny Hamber, "Show Me Your Monkey"] And it was a Berns production that ended up getting them to be Aretha Franklin's backing group. The group were becoming such an important part of the records that Atlantic and BANG Records, in particular, were putting out, that Jerry Wexler said "it was only a matter of common decency to put them under contract as a featured group". He signed them to Atlantic and renamed them from the Gospelaires to The Sweet Inspirations.  Dan Penn and Spooner Oldham wrote a song for the group which became their only hit under their own name: [Excerpt: The Sweet Inspirations, "Sweet Inspiration"] But to start with, they released a cover of Pops Staples' civil rights song "Why (Am I treated So Bad)": [Excerpt: The Sweet Inspirations, "Why (Am I Treated So Bad?)"] That hadn't charted, and meanwhile, they'd all kept doing session work. Cissy had joined Erma and Carolyn Franklin on the backing vocals for Aretha's "I Never Loved a Man the Way I Love You": [Excerpt: Aretha Franklin, "I Never Loved a Man the Way I Love You"] Shortly after that, the whole group recorded backing vocals for Erma's single "Piece of My Heart", co-written and produced by Berns: [Excerpt: Erma Franklin, "Piece of My Heart"] That became a top ten record on the R&B charts, but that caused problems. Aretha Franklin had a few character flaws, and one of these was an extreme level of jealousy for any other female singer who had any level of success and came up in the business after her. She could be incredibly graceful towards anyone who had been successful before her -- she once gave one of her Grammies away to Esther Phillips, who had been up for the same award and had lost to her -- but she was terribly insecure, and saw any contemporary as a threat. She'd spent her time at Columbia Records fuming (with some justification) that Barbra Streisand was being given a much bigger marketing budget than her, and she saw Diana Ross, Gladys Knight, and Dionne Warwick as rivals rather than friends. And that went doubly for her sisters, who she was convinced should be supporting her because of family loyalty. She had been infuriated at John Hammond when Columbia had signed Erma, thinking he'd gone behind her back to create competition for her. And now Erma was recording with Bert Berns. Bert Berns who had for years been a colleague of Jerry Wexler and the Ertegun brothers at Atlantic. Aretha was convinced that Wexler had put Berns up to signing Erma as some kind of power play. There was only one problem with this -- it simply wasn't true. As Wexler later explained “Bert and I had suffered a bad falling-out, even though I had enormous respect for him. After all, he was the guy who brought over guitarist Jimmy Page from England to play on our sessions. Bert, Ahmet, Nesuhi, and I had started a label together—Bang!—where Bert produced Van Morrison's first album. But Bert also had a penchant for trouble. He courted the wise guys. He wanted total control over every last aspect of our business dealings. Finally it was too much, and the Erteguns and I let him go. He sued us for breach of contract and suddenly we were enemies. I felt that he signed Erma, an excellent singer, not merely for her talent but as a way to get back at me. If I could make a hit with Aretha, he'd show me up by making an even bigger hit on Erma. Because there was always an undercurrent of rivalry between the sisters, this only added to the tension.” There were two things that resulted from this paranoia on Aretha's part. The first was that she and Wexler, who had been on first-name terms up to that point, temporarily went back to being "Mr. Wexler" and "Miss Franklin" to each other. And the second was that Aretha no longer wanted Carolyn and Erma to be her main backing vocalists, though they would continue to appear on her future records on occasion. From this point on, the Sweet Inspirations would be the main backing vocalists for Aretha in the studio throughout her golden era [xxcut line (and when the Sweet Inspirations themselves weren't on the record, often it would be former members of the group taking their place)]: [Excerpt: Aretha Franklin, "Ain't Nobody (Gonna Turn Me Around)"] The last day of sessions for Aretha Arrives was July the twenty-third, 1967. And as we heard in the episode on "I Was Made to Love Her", that was the day that the Detroit riots started. To recap briefly, that was four days of rioting started because of a history of racist policing, made worse by those same racist police overreacting to the initial protests. By the end of those four days, the National Guard, 82nd Airborne Division, and the 101st Airborne from Clarksville were all called in to deal with the violence, which left forty-three dead (of whom thirty-three were Black and only one was a police officer), 1,189 people were injured, and over 7,200 arrested, almost all of them Black. Those days in July would be a turning point for almost every musician based in Detroit. In particular, the police had murdered three members of the soul group the Dramatics, in a massacre of which the author John Hersey, who had been asked by President Johnson to be part of the National Advisory Commission on Civil Disorders but had decided that would compromise his impartiality and did an independent journalistic investigation, said "The episode contained all the mythic themes of racial strife in the United States: the arm of the law taking the law into its own hands; interracial sex; the subtle poison of racist thinking by “decent” men who deny they are racists; the societal limbo into which, ever since slavery, so many young black men have been driven by our country; ambiguous justice in the courts; and the devastation in both black and white human lives that follows in the wake of violence as surely as ruinous and indiscriminate flood after torrents" But these were also the events that radicalised the MC5 -- the group had been playing a gig as Tim Buckley's support act when the rioting started, and guitarist Wayne Kramer decided afterwards to get stoned and watch the fires burning down the city through a telescope -- which police mistook for a rifle, leading to the National Guard knocking down Kramer's door. The MC5 would later cover "The Motor City is Burning", John Lee Hooker's song about the events: [Excerpt: The MC5, "The Motor City is Burning"] It would also be a turning point for Motown, too, in ways we'll talk about in a few future episodes.  And it was a political turning point too -- Michigan Governor George Romney, a liberal Republican (at a time when such people existed) had been the favourite for the Republican Presidential candidacy when he'd entered the race in December 1966, but as racial tensions ramped up in Detroit during the early months of 1967 he'd started trailing Richard Nixon, a man who was consciously stoking racists' fears. President Johnson, the incumbent Democrat, who was at that point still considering standing for re-election, made sure to make it clear to everyone during the riots that the decision to call in the National Guard had been made at the State level, by Romney, rather than at the Federal level.  That wasn't the only thing that removed the possibility of a Romney presidency, but it was a big part of the collapse of his campaign, and the, as it turned out, irrevocable turn towards right-authoritarianism that the party took with Nixon's Southern Strategy. Of course, Aretha Franklin had little way of knowing what was to come and how the riots would change the city and the country over the following decades. What she was primarily concerned about was the safety of her father, and to a lesser extent that of her sister-in-law Earline who was staying with him. Aretha, Carolyn, and Erma all tried to keep in constant touch with their father while they were out of town, and Aretha even talked about hiring private detectives to travel to Detroit, find her father, and get him out of the city to safety. But as her brother Cecil pointed out, he was probably the single most loved man among Black people in Detroit, and was unlikely to be harmed by the rioters, while he was too famous for the police to kill with impunity. Reverend Franklin had been having a stressful time anyway -- he had recently been fined for tax evasion, an action he was convinced the IRS had taken because of his friendship with Dr King and his role in the civil rights movement -- and according to Cecil "Aretha begged Daddy to move out of the city entirely. She wanted him to find another congregation in California, where he was especially popular—or at least move out to the suburbs. But he wouldn't budge. He said that, more than ever, he was needed to point out the root causes of the riots—the economic inequality, the pervasive racism in civic institutions, the woefully inadequate schools in inner-city Detroit, and the wholesale destruction of our neighborhoods by urban renewal. Some ministers fled the city, but not our father. The horror of what happened only recommitted him. He would not abandon his political agenda." To make things worse, Aretha was worried about her father in other ways -- as her marriage to Ted White was starting to disintegrate, she was looking to her father for guidance, and actually wanted him to take over her management. Eventually, Ruth Bowen, her booking agent, persuaded her brother Cecil that this was a job he could do, and that she would teach him everything he needed to know about the music business. She started training him up while Aretha was still married to White, in the expectation that that marriage couldn't last. Jerry Wexler, who only a few months earlier had been seeing Ted White as an ally in getting "product" from Franklin, had now changed his tune -- partly because the sale of Atlantic had gone through in the meantime. He later said “Sometimes she'd call me at night, and, in that barely audible little-girl voice of hers, she'd tell me that she wasn't sure she could go on. She always spoke in generalities. She never mentioned her husband, never gave me specifics of who was doing what to whom. And of course I knew better than to ask. She just said that she was tired of dealing with so much. My heart went out to her. She was a woman who suffered silently. She held so much in. I'd tell her to take as much time off as she needed. We had a lot of songs in the can that we could release without new material. ‘Oh, no, Jerry,' she'd say. ‘I can't stop recording. I've written some new songs, Carolyn's written some new songs. We gotta get in there and cut 'em.' ‘Are you sure?' I'd ask. ‘Positive,' she'd say. I'd set up the dates and typically she wouldn't show up for the first or second sessions. Carolyn or Erma would call me to say, ‘Ree's under the weather.' That was tough because we'd have asked people like Joe South and Bobby Womack to play on the sessions. Then I'd reschedule in the hopes she'd show." That third album she recorded in 1967, Lady Soul, was possibly her greatest achievement. The opening track, and second single, "Chain of Fools", released in November, was written by Don Covay -- or at least it's credited as having been written by Covay. There's a gospel record that came out around the same time on a very small label based in Houston -- "Pains of Life" by Rev. E. Fair And The Sensational Gladys Davis Trio: [Excerpt: Rev. E. Fair And The Sensational Gladys Davis Trio, "Pains of Life"] I've seen various claims online that that record came out shortly *before* "Chain of Fools", but I can't find any definitive evidence one way or the other -- it was on such a small label that release dates aren't available anywhere. Given that the B-side, which I haven't been able to track down online, is called "Wait Until the Midnight Hour", my guess is that rather than this being a case of Don Covay stealing the melody from an obscure gospel record he'd have had little chance to hear, it's the gospel record rewriting a then-current hit to be about religion, but I thought it worth mentioning. The song was actually written by Covay after Jerry Wexler asked him to come up with some songs for Otis Redding, but Wexler, after hearing it, decided it was better suited to Franklin, who gave an astonishing performance: [Excerpt: Aretha Franklin, "Chain of Fools"] Arif Mardin, the arranger of the album, said of that track “I was listed as the arranger of ‘Chain of Fools,' but I can't take credit. Aretha walked into the studio with the chart fully formed inside her head. The arrangement is based around the harmony vocals provided by Carolyn and Erma. To add heft, the Sweet Inspirations joined in. The vision of the song is entirely Aretha's.” According to Wexler, that's not *quite* true -- according to him, Joe South came up with the guitar part that makes up the intro, and he also said that when he played what he thought was the finished track to Ellie Greenwich, she came up with another vocal line for the backing vocals, which she overdubbed. But the core of the record's sound is definitely pure Aretha -- and Carolyn Franklin said that there was a reason for that. As she said later “Aretha didn't write ‘Chain,' but she might as well have. It was her story. When we were in the studio putting on the backgrounds with Ree doing lead, I knew she was singing about Ted. Listen to the lyrics talking about how for five long years she thought he was her man. Then she found out she was nothing but a link in the chain. Then she sings that her father told her to come on home. Well, he did. She sings about how her doctor said to take it easy. Well, he did too. She was drinking so much we thought she was on the verge of a breakdown. The line that slew me, though, was the one that said how one of these mornings the chain is gonna break but until then she'll take all she can take. That summed it up. Ree knew damn well that this man had been doggin' her since Jump Street. But somehow she held on and pushed it to the breaking point." [Excerpt: Aretha Franklin, "Chain of Fools"] That made number one on the R&B charts, and number two on the hot one hundred, kept from the top by "Judy In Disguise (With Glasses)" by John Fred and his Playboy Band -- a record that very few people would say has stood the test of time as well. The other most memorable track on the album was the one chosen as the first single, released in September. As Carole King told the story, she and Gerry Goffin were feeling like their career was in a slump. While they had had a huge run of hits in the early sixties through 1965, they had only had two new hits in 1966 -- "Goin' Back" for Dusty Springfield and "Don't Bring Me Down" for the Animals, and neither of those were anything like as massive as their previous hits. And up to that point in 1967, they'd only had one -- "Pleasant Valley Sunday" for the Monkees. They had managed to place several songs on Monkees albums and the TV show as well, so they weren't going to starve, but the rise of self-contained bands that were starting to dominate the charts, and Phil Spector's temporary retirement, meant there simply wasn't the opportunity for them to place material that there had been. They were also getting sick of travelling to the West Coast all the time, because as their children were growing slightly older they didn't want to disrupt their lives in New York, and were thinking of approaching some of the New York based labels and seeing if they needed songs. They were particularly considering Atlantic, because soul was more open to outside songwriters than other genres. As it happened, though, they didn't have to approach Atlantic, because Atlantic approached them. They were walking down Broadway when a limousine pulled up, and Jerry Wexler stuck his head out of the window. He'd come up with a good title that he wanted to use for a song for Aretha, would they be interested in writing a song called "Natural Woman"? They said of course they would, and Wexler drove off. They wrote the song that night, and King recorded a demo the next morning: [Excerpt: Carole King, "(You Make Me Feel Like) A Natural Woman (demo)"] They gave Wexler a co-writing credit because he had suggested the title.  King later wrote in her autobiography "Hearing Aretha's performance of “Natural Woman” for the first time, I experienced a rare speechless moment. To this day I can't convey how I felt in mere words. Anyone who had written a song in 1967 hoping it would be performed by a singer who could take it to the highest level of excellence, emotional connection, and public exposure would surely have wanted that singer to be Aretha Franklin." She went on to say "But a recording that moves people is never just about the artist and the songwriters. It's about people like Jerry and Ahmet, who matched the songwriters with a great title and a gifted artist; Arif Mardin, whose magnificent orchestral arrangement deserves the place it will forever occupy in popular music history; Tom Dowd, whose engineering skills captured the magic of this memorable musical moment for posterity; and the musicians in the rhythm section, the orchestral players, and the vocal contributions of the background singers—among them the unforgettable “Ah-oo!” after the first line of the verse. And the promotion and marketing people helped this song reach more people than it might have without them." And that's correct -- unlike "Chain of Fools", this time Franklin did let Arif Mardin do most of the arrangement work -- though she came up with the piano part that Spooner Oldham plays on the record. Mardin said that because of the song's hymn-like feel they wanted to go for a more traditional written arrangement. He said "She loved the song to the point where she said she wanted to concentrate on the vocal and vocal alone. I had written a string chart and horn chart to augment the chorus and hired Ralph Burns to conduct. After just a couple of takes, we had it. That's when Ralph turned to me with wonder in his eyes. Ralph was one of the most celebrated arrangers of the modern era. He had done ‘Early Autumn' for Woody Herman and Stan Getz, and ‘Georgia on My Mind' for Ray Charles. He'd worked with everyone. ‘This woman comes from another planet' was all Ralph said. ‘She's just here visiting.'” [Excerpt: Aretha Franklin, "(You Make Me Feel Like) A Natural Woman"] By this point there was a well-functioning team making Franklin's records -- while the production credits would vary over the years, they were all essentially co-productions by the team of Franklin, Wexler, Mardin and Dowd, all collaborating and working together with a more-or-less unified purpose, and the backing was always by the same handful of session musicians and some combination of the Sweet Inspirations and Aretha's sisters. That didn't mean that occasional guests couldn't get involved -- as we discussed in the Cream episode, Eric Clapton played guitar on "Good to Me as I am to You": [Excerpt: Aretha Franklin, "Good to Me as I am to You"] Though that was one of the rare occasions on one of these records where something was overdubbed. Clapton apparently messed up the guitar part when playing behind Franklin, because he was too intimidated by playing with her, and came back the next day to redo his part without her in the studio. At this point, Aretha was at the height of her fame. Just before the final batch of album sessions began she appeared in the Macy's Thanksgiving Parade, and she was making regular TV appearances, like one on the Mike Douglas Show where she duetted with Frankie Valli on "That's Life": [Excerpt: Aretha Franklin and Frankie Valli, "That's Life"] But also, as Wexler said “Her career was kicking into high gear. Contending and resolving both the professional and personal challenges were too much. She didn't think she could do both, and I didn't blame her. Few people could. So she let the personal slide and concentrated on the professional. " Her concert promoter Ruth Bowen said of this time "Her father and Dr. King were putting pressure on her to sing everywhere, and she felt obligated. The record company was also screaming for more product. And I had a mountain of offers on my desk that kept getting higher with every passing hour. They wanted her in Europe. They wanted her in Latin America. They wanted her in every major venue in the U.S. TV was calling. She was being asked to do guest appearances on every show from Carol Burnett to Andy Williams to the Hollywood Palace. She wanted to do them all and she wanted to do none of them. She wanted to do them all because she's an entertainer who burns with ambition. She wanted to do none of them because she was emotionally drained. She needed to go away and renew her strength. I told her that at least a dozen times. She said she would, but she didn't listen to me." The pressures from her father and Dr King are a recurring motif in interviews with people about this period. Franklin was always a very political person, and would throughout her life volunteer time and money to liberal political causes and to the Democratic Party, but this was the height of her activism -- the Civil Rights movement was trying to capitalise on the gains it had made in the previous couple of years, and celebrity fundraisers and performances at rallies were an important way to do that. And at this point there were few bigger celebrities in America than Aretha Franklin. At a concert in her home town of Detroit on February the sixteenth, 1968, the Mayor declared the day Aretha Franklin Day. At the same show, Billboard, Record World *and* Cash Box magazines all presented her with plaques for being Female Vocalist of the Year. And Dr. King travelled up to be at the show and congratulate her publicly for all her work with his organisation, the Southern Christian Leadership Conference. Backstage at that show, Dr. King talked to Aretha's father, Reverend Franklin, about what he believed would be the next big battle -- a strike in Memphis: [Excerpt, Martin Luther King, "Mountaintop Speech" -- "And so, as a result of this, we are asking you tonight, to go out and tell your neighbors not to buy Coca-Cola in Memphis. Go by and tell them not to buy Sealtest milk. Tell them not to buy—what is the other bread?—Wonder Bread. And what is the other bread company, Jesse? Tell them not to buy Hart's bread. As Jesse Jackson has said, up to now, only the garbage men have been feeling pain; now we must kind of redistribute the pain. We are choosing these companies because they haven't been fair in their hiring policies; and we are choosing them because they can begin the process of saying, they are going to support the needs and the rights of these men who are on strike. And then they can move on downtown and tell Mayor Loeb to do what is right."] The strike in question was the Memphis Sanitation Workers' strike which had started a few days before.  The struggle for Black labour rights was an integral part of the civil rights movement, and while it's not told that way in the sanitised version of the story that's made it into popular culture, the movement led by King was as much about economic justice as social justice -- King was a democratic socialist, and believed that economic oppression was both an effect of and cause of other forms of racial oppression, and that the rights of Black workers needed to be fought for. In 1967 he had set up a new organisation, the Poor People's Campaign, which was set to march on Washington to demand a program that included full employment, a guaranteed income -- King was strongly influenced in his later years by the ideas of Henry George, the proponent of a universal basic income based on land value tax -- the annual building of half a million affordable homes, and an end to the war in Vietnam. This was King's main focus in early 1968, and he saw the sanitation workers' strike as a major part of this campaign. Memphis was one of the most oppressive cities in the country, and its largely Black workforce of sanitation workers had been trying for most of the 1960s to unionise, and strike-breakers had been called in to stop them, and many of them had been fired by their white supervisors with no notice. They were working in unsafe conditions, for utterly inadequate wages, and the city government were ardent segregationists. After two workers had died on the first of February from using unsafe equipment, the union demanded changes -- safer working conditions, better wages, and recognition of the union. The city council refused, and almost all the sanitation workers stayed home and stopped work. After a few days, the council relented and agreed to their terms, but the Mayor, Henry Loeb, an ardent white supremacist who had stood on a platform of opposing desegregation, and who had previously been the Public Works Commissioner who had put these unsafe conditions in place, refused to listen. As far as he was concerned, he was the only one who could recognise the union, and he wouldn't. The workers continued their strike, marching holding signs that simply read "I am a Man": [Excerpt: Stevie Wonder, "Blowing in the Wind"] The Southern Christian Leadership Conference and the NAACP had been involved in organising support for the strikes from an early stage, and King visited Memphis many times. Much of the time he spent visiting there was spent negotiating with a group of more militant activists, who called themselves The Invaders and weren't completely convinced by King's nonviolent approach -- they believed that violence and rioting got more attention than non-violent protests. King explained to them that while he had been persuaded by Gandhi's writings of the moral case for nonviolent protest, he was also persuaded that it was pragmatically necessary -- asking the young men "how many guns do we have and how many guns do they have?", and pointing out as he often did that when it comes to violence a minority can't win against an armed majority. Rev Franklin went down to Memphis on the twenty-eighth of March to speak at a rally Dr. King was holding, but as it turned out the rally was cancelled -- the pre-rally march had got out of hand, with some people smashing windows, and Memphis police had, like the police in Detroit the previous year, violently overreacted, clubbing and gassing protestors and shooting and killing one unarmed teenage boy, Larry Payne. The day after Payne's funeral, Dr King was back in Memphis, though this time Rev Franklin was not with him. On April the third, he gave a speech which became known as the "Mountaintop Speech", in which he talked about the threats that had been made to his life: [Excerpt: Martin Luther King, "Mountaintop Speech": “And then I got to Memphis. And some began to say the threats, or talk about the threats that were out. What would happen to me from some of our sick white brothers? Well, I don't know what will happen now. We've got some difficult days ahead. But it doesn't matter with me now. Because I've been to the mountaintop. And I don't mind. Like anybody, I would like to live a long life. Longevity has its place. But I'm not concerned about that now. I just want to do God's will. And He's allowed me to go up to the mountain. And I've looked over. And I've seen the promised land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the promised land. So I'm happy, tonight. I'm not worried about anything. I'm not fearing any man. Mine eyes have seen the glory of the coming of the Lord."] The next day, Martin Luther King was shot dead. James Earl Ray, a white supremacist, pled guilty to the murder, and the evidence against him seems overwhelming from what I've read, but the King family have always claimed that the murder was part of a larger conspiracy and that Ray was not the gunman. Aretha was obviously distraught, and she attended the funeral, as did almost every other prominent Black public figure. James Baldwin wrote of the funeral: "In the pew directly before me sat Marlon Brando, Sammy Davis, Eartha Kitt—covered in black, looking like a lost, ten-year-old girl—and Sidney Poitier, in the same pew, or nearby. Marlon saw me, and nodded. The atmosphere was black, with a tension indescribable—as though something, perhaps the heavens, perhaps the earth, might crack. Everyone sat very still. The actual service sort of washed over me, in waves. It wasn't that it seemed unreal; it was the most real church service I've ever sat through in my life, or ever hope to sit through; but I have a childhood hangover thing about not weeping in public, and I was concentrating on holding myself together. I did not want to weep for Martin, tears seemed futile. But I may also have been afraid, and I could not have been the only one, that if I began to weep I would not be able to stop. There was more than enough to weep for, if one was to weep—so many of us, cut down, so soon. Medgar, Malcolm, Martin: and their widows, and their children. Reverend Ralph David Abernathy asked a certain sister to sing a song which Martin had loved—“Once more,” said Ralph David, “for Martin and for me,” and he sat down." Many articles and books on Aretha Franklin say that she sang at King's funeral. In fact she didn't, but there's a simple reason for the confusion. King's favourite song was the Thomas Dorsey gospel song "Take My Hand, Precious Lord", and indeed almost his last words were to ask a trumpet player, Ben Branch, if he would play the song at the rally he was going to be speaking at on the day of his death. At his request, Mahalia Jackson, his old friend, sang the song at his private funeral, which was not filmed, unlike the public part of the funeral that Baldwin described. Four months later, though, there was another public memorial for King, and Franklin did sing "Take My Hand, Precious Lord" at that service, in front of King's weeping widow and children, and that performance *was* filmed, and gets conflated in people's memories with Jackson's unfilmed earlier performance: [Excerpt: Aretha Franklin, "Take My Hand, Precious Lord (at Martin Luther King Memorial)"] Four years later, she would sing that at Mahalia Jackson's funeral. Through all this, Franklin had been working on her next album, Aretha Now, the sessions for which started more or less as soon as the sessions for Lady Soul had finished. The album was, in fact, bookended by deaths that affected Aretha. Just as King died at the end of the sessions, the beginning came around the time of the death of Otis Redding -- the sessions were cancelled for a day while Wexler travelled to Georgia for Redding's funeral, which Franklin was too devastated to attend, and Wexler would later say that the extra emotion in her performances on the album came from her emotional pain at Redding's death. The lead single on the album, "Think", was written by Franklin and -- according to the credits anyway -- her husband Ted White, and is very much in the same style as "Respect", and became another of her most-loved hits: [Excerpt: Aretha Franklin, "Think"] But probably the song on Aretha Now that now resonates the most is one that Jerry Wexler tried to persuade her not to record, and was only released as a B-side. Indeed, "I Say a Little Prayer" was a song that had already once been a hit after being a reject.  Hal David, unlike Burt Bacharach, was a fairly political person and inspired by the protest song movement, and had been starting to incorporate his concerns about the political situation and the Vietnam War into his lyrics -- though as with many such writers, he did it in much less specific ways than a Phil Ochs or a Bob Dylan. This had started with "What the World Needs Now is Love", a song Bacharach and David had written for Jackie DeShannon in 1965: [Excerpt: Jackie DeShannon, "What the "World Needs Now is Love"] But he'd become much more overtly political for "The Windows of the World", a song they wrote for Dionne Warwick. Warwick has often said it's her favourite of her singles, but it wasn't a big hit -- Bacharach blamed himself for that, saying "Dionne recorded it as a single and I really blew it. I wrote a bad arrangement and the tempo was too fast, and I really regret making it the way I did because it's a good song." [Excerpt: Dionne Warwick, "The Windows of the World"] For that album, Bacharach and David had written another track, "I Say a Little Prayer", which was not as explicitly political, but was intended by David to have an implicit anti-war message, much like other songs of the period like "Last Train to Clarksville". David had sons who were the right age to be drafted, and while it's never stated, "I Say a Little Prayer" was written from the perspective of a woman whose partner is away fighting in the war, but is still in her thoughts: [Excerpt: Dionne Warwick, "I Say a Little Prayer"] The recording of Dionne Warwick's version was marked by stress. Bacharach had a particular way of writing music to tell the musicians the kind of feel he wanted for the part -- he'd write nonsense words above the stave, and tell the musicians to play the parts as if they were singing those words. The trumpet player hired for the session, Ernie Royal, got into a row with Bacharach about this unorthodox way of communicating musical feeling, and the track ended up taking ten takes (as opposed to the normal three for a Bacharach session), with Royal being replaced half-way through the session. Bacharach was never happy with the track even after all the work it had taken, and he fought to keep it from being released at all, saying the track was taken at too fast a tempo. It eventually came out as an album track nearly eighteen months after it was recorded -- an eternity in 1960s musical timescales -- and DJs started playing it almost as soon as it came out. Scepter records rushed out a single, over Bacharach's objections, but as he later said "One thing I love about the record business is how wrong I was. Disc jockeys all across the country started playing the track, and the song went to number four on the charts and then became the biggest hit Hal and I had ever written for Dionne." [Excerpt: Dionne Warwick, "I Say a Little Prayer"] Oddly, the B-side for Warwick's single, "Theme From the Valley of the Dolls" did even better, reaching number two. Almost as soon as the song was released as a single, Franklin started playing around with the song backstage, and in April 1968, right around the time of Dr. King's death, she recorded a version. Much as Burt Bacharach had been against releasing Dionne Warwick's version, Jerry Wexler was against Aretha even recording the song, saying later “I advised Aretha not to record it. I opposed it for two reasons. First, to cover a song only twelve weeks after the original reached the top of the charts was not smart business. You revisit such a hit eight months to a year later. That's standard practice. But more than that, Bacharach's melody, though lovely, was peculiarly suited to a lithe instrument like Dionne Warwick's—a light voice without the dark corners or emotional depths that define Aretha. Also, Hal David's lyric was also somewhat girlish and lacked the gravitas that Aretha required. “Aretha usually listened to me in the studio, but not this time. She had written a vocal arrangement for the Sweet Inspirations that was undoubtedly strong. Cissy Houston, Dionne's cousin, told me that Aretha was on the right track—she was seeing this song in a new way and had come up with a new groove. Cissy was on Aretha's side. Tommy Dowd and Arif were on Aretha's side. So I had no choice but to cave." It's quite possible that Wexler's objections made Franklin more, rather than less, determined to record the song. She regarded Warwick as a hated rival, as she did almost every prominent female singer of her generation and younger ones, and would undoubtedly have taken the implication that there was something that Warwick was simply better at than her to heart. [Excerpt: Aretha Franklin, "I Say a Little Prayer"] Wexler realised as soon as he heard it in the studio that Franklin's version was great, and Bacharach agreed, telling Franklin's biographer David Ritz “As much as I like the original recording by Dionne, there's no doubt that Aretha's is a better record. She imbued the song with heavy soul and took it to a far deeper place. Hers is the definitive version.” -- which is surprising because Franklin's version simplifies some of Bacharach's more unusual chord voicings, something he often found extremely upsetting. Wexler still though thought there was no way the song would be a hit, and it's understandable that he thought that way. Not only had it only just been on the charts a few months earlier, but it was the kind of song that wouldn't normally be a hit at all, and certainly not in the kind of rhythmic soul music for which Franklin was known. Almost everything she ever recorded is in simple time signatures -- 4/4, waltz time, or 6/8 -- but this is a Bacharach song so it's staggeringly metrically irregular. Normally even with semi-complex things I'm usually good at figuring out how to break it down into bars, but here I actually had to purchase a copy of the sheet music in order to be sure I was right about what's going on. I'm going to count beats along with the record here so you can see what I mean. The verse has three bars of 4/4, one bar of 2/4, and three more bars of 4/4, all repeated: [Excerpt: Aretha Franklin, "I Say a Little Prayer" with me counting bars over verse] While the chorus has a bar of 4/4, a bar of 3/4 but with a chord change half way through so it sounds like it's in two if you're paying attention to the harmonic changes, two bars of 4/4, another waltz-time bar sounding like it's in two, two bars of four, another bar of three sounding in two, a bar of four, then three more bars of four but the first of those is *written* as four but played as if it's in six-eight time (but you can keep the four/four pulse going if you're counting): [Excerpt: Aretha Franklin, "I Say a Little Prayer" with me counting bars over verse] I don't expect you to have necessarily followed that in great detail, but the point should be clear -- this was not some straightforward dance song. Incidentally, that bar played as if it's six/eight was something Aretha introduced to make the song even more irregular than how Bacharach wrote it. And on top of *that* of course the lyrics mixed the secular and the sacred, something that was still taboo in popular music at that time -- this is only a couple of years after Capitol records had been genuinely unsure about putting out the Beach Boys' "God Only Knows", and Franklin's gospel-inflected vocals made the religious connection even more obvious. But Franklin was insistent that the record go out as a single, and eventually it was released as the B-side to the far less impressive "The House That Jack Built". It became a double-sided hit, with the A-side making number two on the R&B chart and number seven on the Hot One Hundred, while "I Say a Little Prayer" made number three on the R&B chart and number ten overall. In the UK, "I Say a Little Prayer" made number four and became her biggest ever solo UK hit. It's now one of her most-remembered songs, while the A-side is largely forgotten: [Excerpt: Aretha Franklin, "I Say a Little Prayer"] For much of the

Although, Carlee Russell is a sad case, there are many missing blk women around the world who have never been given the opportunity to even be featured on national news and because of this the number will continue to decline, everybody makes declarations right after something happens but in the end, she will be another name that's apart of a joke we'll say and that's one less name of a truly missing blk woman we'll ever know. The similarities between the plane lady and Carlee are truly astonishing if you think about it and now I understand their next move. This is a battle against US, ladies and even at the expense of the so-called "Carlee's" in the world... we MUST STICK TOGETHER or they will over take the NATURAL WOMAN. Watch to the end. Class.. we will have a LONG and extensive conversation on FB regarding intuition and the natural woman. LONG LIVE THE QUEENS!

The daughters of Tselofhad famously protest their loss of their father's real estate in the promised land due to being excluded from inheritance because they are women. They bring their complaint to Moses who brings it directly to God and God comes out in favour of the women. This parasha is often read during the 3 weeks between 17 Tamuz and 9 Ab. We explore the role of women in the issues that created these fast days as well as in the story of the sisters Tselofhad.

On this episode of Naturally Unbothered the Ladies Shame a Tallahassee man for giving the absolute worse gift you could ever gift. The Ladies are sadden by Pvt. Ana Basaldua Ruiz, the female soldier who died at Fort Hood. Fort Hood is the exact same Army base in Kileen, Texas where Vanessa Guillén was murdered three years ago. The Ladies are outraged at the foreign doctor who dismembered a man on ACCIDENT. Just wasted an entire penis like that! Sighhhs Ohhhhhh and the Say My Name will have you questioning your parenting. --- Send in a voice message: https://podcasters.spotify.com/pod/show/naturally-unbothered/message Support this podcast: https://podcasters.spotify.com/pod/show/naturally-unbothered/support

Shooting The Breeze: -What do you think about reality tv shows based on relationships? -Does your partner complete you? Why or why not? -Are women really getting attacked over their phone number? -What is a good conversation to have before going on dates? You Won't Believe This!!!: -Trans group is trying to get Aretha Franklin's song "Natural Woman" removed from itunes and spotify. -The Abby Choi story --- Send in a voice message: https://podcasters.spotify.com/pod/show/something4dapeople/message Support this podcast: https://podcasters.spotify.com/pod/show/something4dapeople/support

This week Bunny and Monét are back with producer Jay. As Monét gets ready to perform with the Minnesota Opera, Bunny tells her own story about landing a part from an Opera star. The song Natural Woman becomes a topic of discussion around the trans community, classified documents are being found all over the place but are all classified documents the same? Learn more about your ad choices. Visit megaphone.fm/adchoices

*THIS WEEK:* Why is it so important for everyone in Amateur Nation to be liked?*GET A FREE MONTH OF DRYBAR COMEDY* when you go to my *DryBar Comedy Special, “Amateur Nation*”: https://www.drybarcomedy.com/lous and *USE PROMO CODE: lousantini**ALSO THIS WEEK:* The world is imploding, but Amateur Nation stays focused on: (THUNDER SFX) “M&M-gate”. Aretha Franklin gets no respect from transAmerica because she was a “natural woman”! *On “A la Carte”:* the organ sucks, Commiefornia Congressman, Adam Schiff, and all the pregnant men in the house say, “HO!”*On “3 Pro Things”:* Just one BIG “Pro Thing” in the form of life advice from those who have lived a lot of it.*SUBSCRIBE* on Youtube for 60-second podcast previews every Thursday at 7 a.m. Eastern!:https://www.youtube.com/channel/UCOh5fIZVQdT0VG2M59S0Vwg *WATCH* the parody song: “My Prez” on YouTube! https://www.youtube.com/watch?v=dIJjjZLd3q0*WATCH* the parody song: “He's So Stupid (And We Hate That)”: https://www.youtube.com/watch?v=_kT8nBvvPl8&list=PLGw14MGhRN476V1fiL_Hn_i3cUNZtKLkT&index=5*WATCH* the parody song: “Oh, Say AOC!”: https://www.youtube.com/watch?v=ARSBDPysq5g&list=PLGw14MGhRN476V1fiL_Hn_i3cUNZtKLkT&index=6*WATCH* the parody song: “We Want LA”: https://www.youtube.com/watch?v=ARSBDPysq5g&list=PLGw14MGhRN476V1fiL_Hn_i3cUNZtKLkT&index=6*WATCH* the video: “30 Things That Are Like Driving a Prius”: https://www.youtube.com/watch?v=ARSBDPysq5g&list=PLGw14MGhRN476V1fiL_Hn_i3cUNZtKLkT&index=6*WATCH* the parody commercial: “Teachers Gone Wild!”: https://www.youtube.com/watch?v=DWUEnfGQJKs&list=PLGw14MGhRN476V1fiL_Hn_i3cUNZtKLkT&index=4*DOWNLOAD the book!* https://www.amazon.com/dp/B08254WSV4*Facebook:* https://facebook.com/lousantinientertainment *Instagram:* https://www.instagram.com/lou.santini3/*Truth Social:* https://truthsocial.com/@lousantini3*LinkedIn:* https://www.linkedin.com/in/lousantini/*GETTR:* https://gettr.com/user/lousantini

Scientists warn that rouge AI could kill everyone, as ChatGPT becomes more popular.-White QB received offer from HBCU after losing his scholarship to a DV1 college for saying the N word.-Aretha Franklin's “A Natural Woman” deemed offensive by trans community.-African American studies banned from being taught at FL high schools.A Moment in Love:-Woman believes being a good man isn't enough… (CLIP IN IG)-Wife drunk texts her man, gets herself caught up cheating (CLIP IN IG)Would you rather: -Be immortal but never have sex again (of any type) or get $1 billion and know when you're gonna die (mi eat can't save you)

Adrian gets fooled by A Natural Woman, Alex romances Adrian with his language skills, police seem to be getting better at policing their brutality, scientists getting to the molten core of climate change, news stories about Asians killing Asians omit the word “Asians,” Google employees not happy massages ending, and TikTok is clearly ChiCom spyware which the US government has no business banning.

On a new TAGS LIVE, Host Steve V. and Co-host Kodi Maurice Doggette are back in front of a live virtual audience with all new hot topics:Comments from listenersFake Transgender activists behind "Natural Woman" controversyPorn Star Sharok makes a political statement for IranBeyonce performing in Dubai offending the LGBTQ community?George Santos takes on Trixie Mattel...Advice to a listener who wants to know if he should continue contacting a guy he likes...Pedro Pascal is a 'Cool, Slutty, Daddy'....we discuss and relateFollow us on IG: @tagspodcastFollow Steve V. on IG: @iam_stevevFollow Kodi's Life Coaching on IG: @kmdcoachingFollow Kodi on IG: @mistahmauriceRo.Co/tags for 20% offWanna drop a weekly or one time tip to TAGSPODCAST - Show your love for the show and support TAGS!Visit our website: tagspodcast.comNeeds some advice for a sex or relationship conundrum? Ask TAGS! DM US ON IG or https://www.talkaboutgaysex.com/contactSupport this podcast at — https://redcircle.com/talk-about-gay-sex-tagspodcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Officer Tatum Show is now available on Apple Podcasts, Google Podcasts, Spotify, and SalemPodcastNetwork.com.See omnystudio.com/listener for privacy information.

ICYMI: Later, with Mo'Kelly Presents – Thoughts on Transgender activists blasting Aretha Franklin's seminal classic ‘Natural Woman' AND the “Big Game” Pregame Entertainment show featuring Chris Stapleton, Sheryl Lee Ralph, and more on KFI AM 640 – Live everywhere on the iHeartRadio app

X-Jack, Red, Gunner, & Digga Jones celebrate episode 250 with a Talk Tuesday segment.

Ebro, Rosenberg and Laura Stylez star in HOT97's flagship program Ebro in the Morning - this episode aired on 1/24/2023 Ebro, Rosenberg, Laura Stylez and the crew are broadcasting live from HOT 97 - talking about night terrors, the M&M's debate, Natural Woman by Aretha Franklin under fire, and much more! Find new podcasts here: https://www.hot97.com/podcasts  All that and more on Ebro In The Morning !See omnystudio.com/listener for privacy information.

John today discusses the arrest of former NY FBI head of counterintelligence Charles McGonigal who worked secretly for Oleg Deripaska to investigate a Russian rival and helped Trump win the election in 2016. Then he interviews Lizz Winstead, founder and chief creative officer for Abortion Access Front which is a team of comedians, activists, writers, and producers that uses humor to destigmatize abortion. Next comedian Rhonda Hansome returns and they chat about canceling the song "Natural Woman" and other current news. Also, Mitch from Kent State calls in and talks about George Santos. And finally Natalia Reagan joins the fun with Rhonda and John and she gives up another edition of Shit You Cant Say.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

OUTLINE of today's show with TIMECODESMegaCities — where are they and how do they fit into the plan for global domination? 2:57 A giant prison in the desert — a Davos dream come true 9:33 Private cars, they say, must be done away with because they're only used 4% of the time. Debunking that argument using mainframes vs personal computers 20:06 The 15-minute city plan — where did it start, what's the purpose and why is close proximity to a PHARMACY a design priority? 30:20 The "15 minute" city, varies from 5-20 in different parts of the world — but they're all following the same plan 37:12 A look at what Paris has done to take the lead and why the "Yellow Vests" pushed back 43:10 They admit — the pandemic lockdowns paved the way and set the precedent 48:29 Canterbury's new zone system. 54:43 Now FOOD is Being Outsourced to China Because of ENERGY. The attacks go beyond WEF & Netherlands farm destruction — food processing is being shut down due to energy costs and relocated to China where millions of animals are warehoused — grown and slaughtered. 1:06:31 Has Earth's Core Stopped Spinning? Will It Reverse? What they think they're seeing, why science is never "settled" — and did YOU cause it with "climate change"? 1:35:19 Reason pushes back on the idea of an Egg Cartel — a Dirty (half) Dozen. Here's what Reason is missing, just like they missed what was happening with social media censorship 1:46:33 Drought & flood are nothing new to California, even though they pretend it is every year. They funded mitigation measures a decade ago — but have done NOTHING 2:01:14 21 State AG's are taking legal action against ESG for fraudulent violations of fiduciary responsibilities. 2:06:17 Aretha Franklin's "Natural Woman" attacked by Trans Cultural Mindset Alliance as they try to get it banned as transphobic 2:12:23 LaLa Harris goes to FL to push marxist CRT and to give her version of the Declaration of Independence that omits "the right to life" 2:19:19 Tony Dungy: God Worked in Damar Hamlin Collapse. Tony rightly says life was honored by everyone's concern. But he shies away from the truth when attacked by the transgender mob saying he wants to be loving. Is telling the truth NOT an act of love? 2:29:23 Wyoming moves to ban all vaccine and mask mandates for both government and business. 2:49:06Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver

Patrick tackles the question of Video games for children, answers why religious leaders of Jesus' day did not accept him as the Messiah despite the signs and shares a controversy around the song ‘Natural Woman' that arose from a trans group. Cody - What is your take on when is it okay to give kids to video games and what kinds? Angela - I don't think God has a checklist at final judgement. Doesn't he already know before we get there? I don't think he is as harsh. Patrick tells his story of being exposed to Porn. Denise - When Jesus revealed himself to religious leaders/ how did they respond to the fact that he fulfilled all these prophesies? Richard - Question from his protestant friend - Why do Priest and bishops dress like wizards? Aretha Franklin song 'Natural Woman' blasted by trans group. Patrick reads an email about Confession and what sins someone is liable for at death? Patrick reads an email from Tony about going to confession because of Relevant Radio Megan - Lesbian family member who is pregnant- How do we talk about this issue with our family?

Another new pot shop has opened in NYC. Is that contributing to the crime issue? Joe Concha, FOX Contributor Interview: Mark and Joe talked about the huge ratings FOX NEWS has been getting at night. They also talked about the NFL playoffs and the Giants losing to Philadelphia.

OUTLINE of today's show with TIMECODES MegaCities — where are they and how do they fit into the plan for global domination? 2:57 A giant prison in the desert — a Davos dream come true 9:33 Private cars, they say, must be done away with because they're only used 4% of the time. Debunking that argument using mainframes vs personal computers 20:06 The 15-minute city plan — where did it start, what's the purpose and why is close proximity to a PHARMACY a design priority? 30:20 The "15 minute" city, varies from 5-20 in different parts of the world — but they're all following the same plan 37:12 A look at what Paris has done to take the lead and why the "Yellow Vests" pushed back 43:10 They admit — the pandemic lockdowns paved the way and set the precedent 48:29 Canterbury's new zone system. 54:43 Now FOOD is Being Outsourced to China Because of ENERGY. The attacks go beyond WEF & Netherlands farm destruction — food processing is being shut down due to energy costs and relocated to China where millions of animals are warehoused — grown and slaughtered. 1:06:31 Has Earth's Core Stopped Spinning? Will It Reverse? What they think they're seeing, why science is never "settled" — and did YOU cause it with "climate change"? 1:35:19 Reason pushes back on the idea of an Egg Cartel — a Dirty (half) Dozen. Here's what Reason is missing, just like they missed what was happening with social media censorship 1:46:33 Drought & flood are nothing new to California, even though they pretend it is every year. They funded mitigation measures a decade ago — but have done NOTHING 2:01:14 21 State AG's are taking legal action against ESG for fraudulent violations of fiduciary responsibilities. 2:06:17 Aretha Franklin's "Natural Woman" attacked by Trans Cultural Mindset Alliance as they try to get it banned as transphobic 2:12:23 LaLa Harris goes to FL to push marxist CRT and to give her version of the Declaration of Independence that omits "the right to life" 2:19:19 Tony Dungy: God Worked in Damar Hamlin Collapse. Tony rightly says life was honored by everyone's concern. But he shies away from the truth when attacked by the transgender mob saying he wants to be loving. Is telling the truth NOT an act of love? 2:29:23 Wyoming moves to ban all vaccine and mask mandates for both government and business. 2:49:06Find out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here:SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation through Mail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver

The culture wars continue with Disney's Splash Mountain and Aretha Franklin's song Natural Woman under fire.

In the second hour of the morning show, Larry O'Connor and Julue Gunlock talked to Konstantin Kisin and Tom Fitton. They also discussed M&Ms backtracking on their woke campaign and trans group targeting Aretha Franklin's "Natural Woman" song. For more coverage on the issues that matter to you, visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 FM from 5-9 AM ET. To join the conversation, check us out on Twitter: @WMALDC, @LarryOConnor,  @Jgunlock,  @patricepinkfile and @heatherhunterdc.See omnystudio.com/listener for privacy information.

On a new TAGSPODCAST, Host Steve V. is joined by Co-hosts Kodi Maurice Doggette and Lincoln are back with all new hot topics:Adam Lambert on the Rumored George Michael Biopic...Is Aretha Franklin's classic, "(You Make Feel Like) A Natural Woman" offensive to the Trans Community?In Case I Go Missing binders - a good idea?How important is it to have mutual interests in those you date?Getting caught masturbating - mortifying or not a problem?Follow us on IG: @tagspodcastFollow Steve V. on IG: @iam_stevevFollow Lincoln on IG: @madlincolnFollow The Protein Bakery on IG: @proteinbakeryFollow Kodi's Life Coaching on IG: @kmdcoachingFollow Kodi on IG: @mistahmauriceAchieve your sexual health goals! Ro.Co/tags for 20% offSponsored: Visit BetterHelp.com/tags today to get 10% off your first month.Wanna drop a weekly or one time tip to TAGSPODCAST - Show your love for the show and support TAGS!Visit our website: tagspodcast.comNeeds some advice for a sex or relationship conundrum? Ask TAGS! DM US ON IG or https://www.talkaboutgaysex.com/contactSupport this podcast at — https://redcircle.com/talk-about-gay-sex-tagspodcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

EP 101!!! (4:36) Some more Ask Us Anything Questions came through and Keith, Steph and John went through a few of them. (14:26) Darius Cooks AKA Darius Crooks attacks the family of the late Grandma Holla's family and we discuss it and why Darius needs to worry about his own business. (20:12) Top Ten Jim Carrey Movies of all time. (39:10) Steph leads us through some Transgender activist who want to cancel Aretha Franklin's song Natural Woman and Steph is pissed! (49:52) Family of the show Rock and Professor Antwann return to have a discussion of the state of HBCU's and the recent Ed Reed antics at Bethune Cookman University. (1:23:34) Professor Antwann stays on to hold a very important and concerning conversation regarding Florida Govenor Ron DeSantis banning AP classes of African American studies and his recent explanation of why he is banning it. Songs of the Week:Big Yella: Eminem- SupermanBig Tyme: Babyface ft Ella Mai- Keeps on falling Big Ronniekeith: Nas ft Kanye West and The Dream- EverythingYOUTUBE: https://youtube.com/channel/UC-IFQuUIQhyKM3GnB7vysaQEMAIL: Theshortdeskpodcast@gmail.comFB/IG: Theshortdesk PodcastTwitter: Theshortdesk

Today on The Dominic Carter Show: Dominic talks about the shooting that killed seven people in Half Moon Bay, California , NYC Chase ATMs to close early due to rising crime, the Aretha Franklin song "Natural Woman" being deemed offensive by a trangender activist group in Norway, and much more.  Learn more about your ad choices. Visit megaphone.fm/adchoices

More Democrats are calling for investigations into Biden's documents. A shooting at a Monterey Park dance studio kills 10. Democrats call for more investigations into Biden's classified documents. Author and firearm expert Chris Cheng joins us to break down the Monterey Park shooting. Aretha Franklin's song “Natural Woman” deemed offensive to trans women. Rep. Katherine Clark's trans daughter is arrested for assaulting police. Antifa burns down businesses in Atlanta. Foreign policy expert Stephen Yates joins us to discuss Ukraine, China and more.Please visit our great sponsors:Black Rifle Coffeehttps://blackriflecoffee.com/danaUse code DANA at checkout for 20% off. Hillsdalehttps://danaforhillsdale.comStart your FREE course today! KelTechttps://KelTecWeapons.comSign up for the KelTec Insider and be the first to know the latest KelTec news. Patriot Mobilehttps://patriotmobile.com/danaGet free activation with the offer code DANA.

Aretha Franklin's song “Natural Woman” deemed offensive to trans women. Rep. Katherine Clark's trans daughter is arrested for assaulting police.Please visit our great sponsors:Black Rifle Coffeehttps://blackriflecoffee.com/danaUse code DANA at checkout for 20% off. Hillsdalehttps://danaforhillsdale.comStart your FREE course today! KelTechttps://KelTecWeapons.comSign up for the KelTec Insider and be the first to know the latest KelTec news. Patriot Mobilehttps://patriotmobile.com/danaGet free activation with the offer code DANA.

What a weekend. A mass shooting in California, subway crime, and Aretha Franklin song ‘A Natural Woman' blasted by transgender activists? Plus headlines of the day and James Golden takes your calls. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a weekend. A mass shooting in California, subway crime, and Aretha Franklin song ‘A Natural Woman' blasted by transgender activists? Plus headlines of the day and James Golden takes your calls. Learn more about your ad choices. Visit megaphone.fm/adchoices

For today's show, I need to explain why you often hear me say the Legacy/mainstream media is nothing more than the propaganda wing of the Democrat Party. Over the weekend, we have had several news items break and I will spend today illustrating why my description of them is both accurate and fair. Yes, there are a handful of people in those institutions who are struggling to get out the real news, but more often than not, they are buried in the editorial process and by corporate ownership. The New Media (or Fifth Estate) is where you have to turn to find the real news today. To open, we look at my home state of Georgia. Heading into the weekend. Police went to clear an area where the city of Atlanta is going to build a new police training facility. Antifa agitators had been camping on the acreage in an attempt to stop the police. One of these domestic terrorists decided he wanted to kill a cop and shot an officer in the lower abdomen, seriously wounding the officer. In response, police returned fire and killed the Antifa terrorist. Over the next few days, calls for a Day of Rage went out in protest of the killing of the man. And, true to Antifa form, Atlanta fell under siege by the wanton criminals and derelicts of humanity. Yet, the media would have you believe otherwise. They wrap the attempted murderer in warm blankets and use words like, "mostly peaceful" protest. Side note: I'd like them to apply the same standards as to the January 6 riot, but you know they won't. There was a mass shooting in Monterey Park, killing 10 and wounding at least 10 more. The cries of white supremacy and gun control were predictable from the moment the news broke until a terribly inconvenient fact arose. The shooter was Asian. This story is now disappear as they all do when a non-white shooter is pulling the trigger. More classified documents were found in Biden's home, these dating back to his days in the U.S. Senate. How many more documents will we find and from how many decades? Yet, the sycophants continue to act as if there is nothing to see because Biden is “following a process” and “cooperating” with the DOJ. The fact they keep saying that makes it seem less and less likely there is any truth to that. Are we watching the drip, drip, drip of bad news and constant bad media being intentionally used to pressure Biden to resign – or certainly not run again in 2024? Seems more and more like that is the case. A Vanderbilt professor argues that the subject of mathematics is predominantly white and heterosexual. You cannot make this up. Numbers and formulas are now equivalent to the Left's war on straight, white males. Maybe this over-educated dunce needed a little more background on who invented algebra (for example) to illustrate just how intellectually vapid he is. Similarly, the press continues to say Governor Ron DeSantis canceled an AP course on African American studies. Of course, in using those words and committing their favorite act of omission, the headlines around the country are how DeSantis is a racists and Florida is a horrible state. Needless to say, it took me less than 10 minutes to discover what was in the curriculum of that proposed course: Intersectionality, black queer studies, the reparations movement and more CRT specific subjects. Finally, as reported in SkyNews, trans activists are going after an Aretha Franklin song. Yes, the queen of soul is having her song, “Natural Woman” attacked for daring to call out what a woman is. We are living in strange times, folks. But, they can only get away with this brain dead nonsense and ridiculous narratives if we allow them to. Don't feed the trolls. Don't let them get their petulant and infantile way. Someone has to be the parent and it's time the rest of the adults in the room act accordingly to these children in adult bodies. Take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, Twitter, Instagram, GETTR and TRUTH Social by searching for The Alan Sanders Show. You can also support the show by visiting my Patreon page!

Returning champion Eves Karydas (aka Hannah Karydas) joins me for round three as we finally talk about Carole King's iconic album Tapestry. We talk about the Laurel Canyon scene of the early 70s and the involvement of James Taylor and Joni Mitchell, Carole's history as a hit successful songwriter in her teens and early 20s, the lost idea of musical communities, the comforting quality of the record, Tapesty as soul music and Hannah's spellbinding cover of Natural Woman she recorded for Triple J's Like A Version.

For this week's episode, we are going to be going over legendary singer, Carol King's song called A Natural Woman and the songwriting dynamic duo between her and Gerry Goffin. In the world of popular music, few praises are higher than that of John Lennon saying that he aspired to be like you. And few songwriters can claim such an honour. However, the two that can are, undoubtedly, two of the greats… Gerry Goffin and Carole King. The pair have been credited with writing much of the “soundtrack of the sixties;” from hits like “Will You Still Love Me Tomorrow,” “One Fine Day,” and “Locomotion,” to “(You Make Me Feel Like) A Natural Woman.” Donate to the Goffin and King Foundation: https://thegoffinkingfoundation.org/donate/ Check Out Goffin and King Foundation: https://www.instagram.com/goffin_king_foundation/?hl=en Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

This week host Laura Reagan, LCSW-C revisits a past interview with guest Dr. Leslie Korn, who has been interviewed previously on the show. You might remember that last week we heard a replay of the interview with Dr. Jodie Skillicorn, a holistic and integrative psychiatrist. If you liked that conversation, you'll want to listen to this! In our interview, you'll hear Leslie speak about using integrative nutrition, including herbs, for optimal emotional and physical wellbeing. She is the author of 9 books, including her most recent book, Natural Woman.   Leslie E Korn, PhD, MPH, LMHC, is a renowned integrative medicine clinician and educator specializing in the use of nutritional, herbal, and culinary medicine for the treatment of trauma and emotional and chronic physical illness. She completed her graduate education in psychiatry and public health at Harvard Medical School and her life training in the jungles of Mexico, where she lived and worked alongside local healers for more than 25 years.  Leslie introduced somatic therapies for complex trauma patients in outpatient psychiatry at Harvard Medical School in 1985. She is the author of nine books including, Rhythms of Recovery: Trauma, Nature and the Body,, the seminal book on the body and complex trauma, Nutrition Essentials for Mental Health; The Good Mood Kitchen; and her most recent book, Natural Woman: Herbal Remedies for Radiant Health at Every Age and Stage of Life. She was a Fulbright Scholar and an NIH-funded scientist in mind-body medicine. She is also the director of the Center for Traditional Medicine, a project of cwis.org. Resources Thank you to TherapyNotes for sponsoring this week's episode! TherapyNotes makes billing, scheduling, notetaking, and telehealth incredibly easy. And now, for all you prescribers out there, TherapyNotes is proudly introducing E-prescribe! Find out what more than 100,000 mental health professionals already know, and try TherapyNotes for 2 months, absolutely free. Try it today with no strings attached, and see why everyone is switching to TherapyNotes, now featuring E-prescribe. Use promo code "chat" at www.therapynotes.com to receive 2 FREE months of TherapyNotes! This episode is also sponsored by Trauma Therapist Network. Learn about trauma, connect with resources and find a trauma therapist near you at www.traumatherapistnetwork.com. We believe that trauma is real, healing is possible and help is available. Therapists, join the waiting list for Trauma Therapist Network membership! Registration is open NOW only to the waiting list and opens later this month for everyone else. Join a compassionate and skilled group of trauma therapists for weekly calls focused on Self Care, Case Consultation, Q&A and Training. You'll also receive a beautiful Trauma Therapist Network directory profile listing when you join. Sign up here: https://go.traumatherapistnetwork.com/joinwaitlist.  Podcast produced by Pete Bailey - https://petebailey.net/audio 

What is a woman? Whatever Joe Biden says it is, bigot. Even Supreme Court nominees can no longer state the painfully obvious: the fog of woke religion obscures all. Meanwhile, the Hunter Biden laptop story is now officially real news. It's a little late, but oh well--water under the bridge! The editors discus transhumanist tecnho-fervor at home, and liberal imperialism abroad.