Podcasts about pontoppidan

Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB

In our latest podcast, we take a look at the larger Microsoft Dynamics 365 Business Central roadmap and what is in store for the future of D365BC. We are joined by Kennie, a Microsoft Dynamics 365 Business Central Program Manager specialising in Power BI. We discuss the evolution of Business Central tools and how they are used in different roles within a business as well as reporting, analysis, Microsoft Agents, performance and security within Business Central. Hosted on Acast. See acast.com/privacy for more information.

In Episode 63 of "A Shot of Business Central and A Beer," hosts Ken Sebahar and Michael Intravartolo serve up the latest insights from the world of Business Central. This episode features an in-depth interview with Kennie Nybo Pontoppidan, Principal Program Manager at Microsoft, who shares his BI and Analytical expertise and perspectives on the platform's latest developments. Alongside this exclusive interview, Ken and Michael also dive into the latest happenings in Microsoft AI, exploring how these innovations are shaping the future of business technology. All this, while enjoying a cold beer, makes for an engaging and informative listen for Business Central enthusiasts and professionals alike. Podcast Hosts ➢ Ken Sebahar | LinkedIn: https://www.linkedin.com/in/ken-sebahar-26237515/ ➢ Michael Intravartolo | LinkedIn: https://www.linkedin.com/in/intravartolo/ Podcast Guest ➢ Kennie Nybo Pontopidan | LinkedIn: https://www.linkedin.com/in/kennie/ Subscribe to the Podcast on all Platforms! ➢ https://www.solsyst.com/podast-locations Podcast Show Notes ➢ https://www.solsyst.com/post/ep-63-interview-with-kennie-pontoppidan-a-shot-of-business-central-and-a-beer Microsoft Software Information: ➢ Dynamics 365 Business Central: https://www.solsyst.com/dynamics-365-business-central ➢ Request a Demo: https://www.solsyst.com/demo-request ➢ Free ERP Assessment: https://www.solsyst.com/erp-assessment Follow Solution Systems ➢ Instagram: https://www.instagram.com/solution_systems/ ➢ Facebook: https://www.facebook.com/Solution-Systems-Inc-354733749699/ ➢ X (Twitter): https://x.com/Solution_System ➢ LinkedIn: https://www.linkedin.com/company/solution-systems-inc- ➢ TikTok: https://www.tiktok.com/@solutionsystems ➢ Blog: https://www.solsyst.com/blog #BusinessCentral #MSDyn365bc #ERP 0:00 Intro 02:01 Non Alcoholic Hazy IPA Beer 11:00 Shot of Business Central News 25:22 Teams Phone Commercial 25:35 Interview with Kennie Pontoppidan 1:01:36 AI News 1:16:29 Thank You for Listening!

An den Rändern des Jazz - heute mit: Kenny Garrett & Svoy: Who Killed AI? | Randi Pontoppidan & Martin Fabricius: Clouds | Yosef Gutman Levitt: The World And Its People (Sendung vom 21.5.)

This week I met with Sara Pontoppidan, Design Director at Clandestine Design Group. Sara moved to Australia from Europe to start her career in design. She moved from CMD Strategy Design & Innovation and then moved on to Counterspace Design in Melbourne. Over the last 6 years, she has worked her way up to design Director at CDG in Brisbane. In addition, Sara also recently became a Good Design Ambassador for the Good Design Awards. In the Podcast, we discuss Sara's background leading her up to where she is today. We discussed the challenges she experienced being a woman in design, speaking to how we can help foster more women in design. Sara also discusses the value of design mentorship as a designer starting out. In addition, Sara presents the philosophical frameworks she holds key when progressing through her career. Further, we discuss her experience in moving into her role as design director, speaking to how designers can develop their team management skills. I hope you enjoy the podcast, and if you do would you consider subscribing and sharing the podcast with a friend to help grow the platform. If there is someone you would like to see on the podcast reach out to me through the comments section or through social media, and I will be happy to get them on.   LinkedIn: Sara Pontoppidan Roman Cherfan Lets Talk Design   Instagram: @levi_swann @clandestine_design_group @letstalkdesign --- Send in a voice message: https://podcasters.spotify.com/pod/show/lets-talk-id/message

This week is the podcast's 20th episode anniversary so I thought I would do something special! We have Rafael Gomez, Head lecturer at QUT, Angus Chapman Senior design manager at Topconn, Sara Pontoppidan Industrial Design Director at Clandestine Design Group, and Neil Davidson CEO of Clandestine Design Group. They represent varying sectors of design making the conversation all the more intersting. In the podcast, we discuss the technologies at the forefront of our field, AI, Autonomous vehicles, 3d printing etc. We also discuss the role of design from a global/political scale, predicting what the future holds. Further, we discuss the low number of female designers in the ID field and how we can support young women to pursue a career in our field. If you would like to see more episodes like this let me know in the comments below. I hope you enjoyed this episode, if you did please consider subscribing and sharing the podcast with a friend. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lets-talk-id/message

Det handler om Maria i samtalen mellem sognepræsterne Katrine Bjørn Andersen, Ordrup, og Cecilia Lotko Pontoppidan, Kongens Lyngby om teksten til Mariæ bebudelsesdag. Om hvordan hun er blevet skildret i kunsten. Og om hvad der for os ligger i hendes spørgsmål til englen, om hvordan det kan gå til – og i hendes accept med ordene: Så lad det ske! Det underliggende spørgsmål er: Hvad er et vigtigt menneske? Og hvorfor er vi overhovedet optagede af at finde ud af, hvad det er – fordi vi har glemt det?

Are you a medical SLP or a school SLP? What if I told you that you don't have to choose? Sure, many SLPs work in schools and PRN in a medical facility on the weekends or during school breaks... But what about the SLPs who work in the schools and help their PFD kids in the academic setting? My guest this week is sharing how she's paving the way for PFD to be treated in the school setting in her community after seeing a need left unmet! After all, these kids are eating at school and don't get to check their PFD at the door... In this episode of SYP, I have a conversation with Lauren Pontoppidan Straughan, MA, CCC-SLP about pediatric feeding disorders, the weight PFD parents carry, and the many settings in which SLPs can help PFD patients (hint: it's not just for "medical" SLPs!) Lauren is deeply passionate and incredibly knowledgeable about PFD, but what I admire most about her after this conversation is her ability to meet families where they are and consider the entire picture of not just the patient, but their entire family when making recommendations and walking through the PFD journey with them. She's an asset to every family she encounters, her school team, and the entire field of speech-language pathology! In this episode, you'll hear about: -Getting into feeding/dysphagia when your CF was done in a school and the false dichotomy of the "medical SLP" vs "school SLP" -Challenges and benefits of each setting (school, clinic, home health) -Key differences in assessment and treatment of babies versus adults -Valuable courses for pediatric feeding -The role of the SLP for sensory feeding disorders Get the show notes at syppodcast.com/264 The post 264 – Pediatric Feeding in Real Life: From the NICU to the Schools – Lauren Pontoppidan Straughan MA, CCC-SLP appeared first on Swallow Your Pride Podcast.

Dr. Wes Ely, the author of Every Deep Drawn Breath, describes his mission to prevent ICU patients from being harmed by the technology that keeps them alive. This is a powerful episode on how RTs, RNs, and MDs can do better by "aiming for the human heart...as we rebuild humanism in the ICU" and the A2F bundle as a toolbox to do just that.   Helpful links: Kali Dayton, https://daytonicuconsulting.com/about/, and her podcast: Walking Home from the ICU The book Dr. Ely refers to is RESPIRATORY CARE  by Bendixen, Egbert, Whyte, Laver, Pontoppidan. Here's the first of three articles: https://www.nejm.org/doi/full/10.1056/NEJM197210052871404  Watch the live recording here. ------------------------Join our next live recording on 26 January, by registering here.If you have a suggestion for a guest speaker or topic, complete this form.Do you know of an RT who deserves a shoutout on the pod? Perhaps a promotion, birthday, or anniversary worth celebrating? We got a form for that too. 

How Far Back is the James Webb able to See? Project scientist for the James Webb Space Telescope Dr. Klaus Pontoppidan explains the science revealed in the first full-color images released from the JWST.

Dr. Klaus Pontoppidan is an astronomer and a James Webb Space Telescope project scientist at the Space Telescope Science Institute (STScI) located in Baltimore, Maryland. The STScI is the science operations center for the Hubble Space Telescope. It is also the mission operations center for the James Webb Space Telescope (JWST).

"Jacob Pontoppidan Thyssen, MD, PhD, DmSci - A Clinical Round-Up on the Impact of COVID-19 in Patients With Atopic Dermatitis: Management; Outcomes; Vaccination"

"Jacob Pontoppidan Thyssen, MD, PhD, DmSci - A Clinical Round-Up on the Impact of COVID-19 in Patients With Atopic Dermatitis: Management; Outcomes; Vaccination"

"Jacob Pontoppidan Thyssen, MD, PhD, DmSci - A Clinical Round-Up on the Impact of COVID-19 in Patients With Atopic Dermatitis: Management; Outcomes; Vaccination"

"Jacob Pontoppidan Thyssen, MD, PhD, DmSci - A Clinical Round-Up on the Impact of COVID-19 in Patients With Atopic Dermatitis: Management; Outcomes; Vaccination"

Hva har matematikk med klima å gjøre, og hva er klimarisiko? Det får du svaret på i denne episoden av studentpodden #RealfagUiB, en serie på fem podcaster hvor UiB-studenter stiller klimaspørsmål til klimaforskere. Medvirkende: Forsker ved Bjerknessenteret og NORCE, Marie Pontoppidan og matematikkstudent Johanne Holmøy. Lenke til nettsted: https://www.uib.no/realfag

The James Webb Space Telescope is the most powerful space telescope ever. When is the JWST launching? And what will the JWST capabilities be? John Michael Godier spoke to Klaus Pontoppidan about the James Webb Space Telescope and just how it will change everything once it is observing our galaxy and the universe. 00:00:00 Intro 00:00:40 Earth 2050 00:02:35 Bio 0:08:40 Is Solar Pressure an issue? 00:10:08 Can the James Webb Space Telescope be Serviced? 00:11:12 What will JWST be observing? 00:15:00 Killanova 00:18:40 How much bigger is the JWST compared to the Hubble 00:23:17 Why infrared was chosen for the JWST 00:25:02 Hot Jupiters 00:29:20 Classifying Exoplanets 00:31:50 Studying Transient Events 00:33:47 Studying interstellar objects 00:39:50 Studying our outer solar system planets and moons 00:48:50 Looking at the Traapist system 00:51:20 Techno and Biosignatures Want to support the channel? Patreon: https://www.patreon.com/EventHorizonShow Follow us at other places! Website: https://www.eventhorizonshow.com/ Twitter: https://twitter.com/jmgeventhorizon Instagram: https://www.instagram.com/jmgeventhorizon/ Music featured on Event Horizon https://stellardrone.bandcamp.com/ https://migueljohnson.bandcamp.com/ https://leerosevere.bandcamp.com/ https://aeriumambient.bandcamp.com/ FOOTAGE: NASA ESA/Hubble ESO - M.Kornmesser ESO - L.Calcada ESO - Jose Francisco Salgado (josefrancisco.org) NAOJ University of Warwick Goddard Visualization Studio Langley Research Center Pixabay #jameswebbspacetelescope #jwst

My guest is Dr. Klaus Pontoppidan, an astronomer and project scientist working with the James Webb Space Telescope. Klaus is on the committee that helped choose targets that the telescope will be studying once it flys (and it will). https://www.stsci.edu/~pontoppi/

My guest is Dr. Klaus Pontoppidan, an astronomer and project scientist working with the James Webb Space Telescope. Klaus is on the committee that helped choose targets that the telescope will be studying once it flys (and it will). https://www.stsci.edu/~pontoppi/

Mathias B. Pontoppidan har siden han var 18 år gammel fokuseret på at blive ekspert på det finansielle landskab i Indien. Nu er han tilbage i Danmark, men Indien følger med.

 Pietismen? Statspietismen? Tiden da kongen bestemte, og da mørkemannen Pontoppidan la sine dystre skyer over Danmark-Norge? I denne episoden stanser vi for forkynnere som nettopp ikke var mørkemenn. Men omvendelse og nytt liv la de stor vekt på. Episode 17 finner du her: Vi anbefaler å lytte til episoden i din podkaster (på… 

 Pietismen? Statspietismen? Tiden da kongen bestemte, og da mørkemannen Pontoppidan la sine dystre skyer over Danmark-Norge? I denne episoden stanser vi for forkynnere som nettopp ikke var mørkemenn. Men omvendelse og nytt liv la de stor vekt på. Episode 17 finner du her: Vi anbefaler å lytte til episoden i din podkaster… 

To mastodont biografier om to mastodonter udkommer i denne uge. Vi går tæt på Ipsen og Pontoppidan i vores udforskning af mennesket i "Det moderne gennembrud", og spørger hvordan var tidens ånd? Programmets vært mener, at der er visse ligheds punkter mellem tiden ved forrige århundredeskifte og i dag. Det prøver han af med sine gæster. Vært: Mikkel Frey Damgaard.

Sidste afsnit! Vi siger farvel til Per og Jacobe og Inger og lille Hakkebræt. Pontoppidan får bundet en fin sløjfe på det hele og til sidst mast en pointe ud om, at lykken ikke kan sættes på formel. Men også at den ret ofte kræver kamp.

Endelig er vi tilbage hos Jakobe. Hun gemmer sig ude på landet i Tyskland, hvor hun afventer fødslen af sit uægte barn. Pontoppidan bruger effektivt Jakobe til at vise, hvordan man også kan tackle modgang (Hej Per!) Speaking of the devil: Per er endelig udkommet med en eksamen og kan nu blive gift med Inger. Men først skal vi så grueligt meget religiøst sniksnak igennem.

 ”Morgendug”, der er et lille eventyr af Henrik Pontoppidan om, hvordan man til sin dødsdag kan forfølges af den tanke, at man en gang lod lykken gå sin næse forbi. Karsten Pharao læser.

Den store danske forfatter Henrik Pontoppidan, som også har modtaget Nobelprisen i litteratur – det var i 1917 – har i sit forfatterskab 11 krøniker som blev udgivet i 1890. Dem sender vi her på den2radio 11 uger i træk og i denne uge hedder krøniken ’En lille by’ .

I denne og de følgende uger vil vi bringe små, såkaldte Krøniker, som Henrik Pontoppidan skrev i slutningen af 1800-taller og udgav samlet i 1890.  Den første fortælling i rækken hedder ”Menneskenes Børn” og handler om, hvad Vorherre og Sankt Peder oplevede engang de besøgte Jorden et sted, som minder meget om Danmark.

Karsten Pharao læser ”Ørneflugt” fra Pontoppidans samling ”Krøniker” fra 1890. Ørneflugt er nok den kendteste af Henrik Pontoppidans korte tekster. Den kan læses som et svar til H. C. Andersens grimme ælling. Her er moralen, at det ikke hjælper at have ligget i et ørneæg, hvis man er vokset op i en andegård, den tamme rovfugl er ikke egnet til det frie liv, miljøet trumfer arven, så at...

Karsten Pharao læser ”Ørneflugt” fra Pontoppidans samling ”Krøniker” fra 1890. Ørneflugt er nok den kendteste af Henrik Pontoppidans korte tekster. Den kan læses som et svar til H. C. Andersens grimme ælling. Her er moralen, at det ikke hjælper at have ligget i et ørneæg, hvis man er vokset op i en andegård, den tamme rovfugl er ikke egnet til det frie liv, miljøet trumfer arven, så at...

Shownotes til denne udsendelse: https://www.gottleben.com/podcast/1101-episode-5.htmlEn samtale mellem showets vært, Kaare Thomsen, og retoriker Christina Pontoppidan. Temaet for samtalen er: Hvordan bliver man (hurtigt) bedre til at skrive så det virker?Christina Pontoppidan har hovedfag i retorik og er bachelor i Filosofi. Hun er ekstern lektor på Københavns Universitet, og hun er indehaver af firmaet Ren retorik. Hendes kunder er organisationer, både offentlige og private. Hun arbejder både med skriftlig retorik og med gennemslagskraft i taler og præsentationer.Christina har skrevet 2 bøger om skriftlig kommunikation:- Gør teksten klar- Giv teksen liv ( af Christina Pontoppidan og Andreas Immanuel Graa)

Crackin' into a depth-defying legend! Man the oars and put yer backs into it, the Kraken surfaces! A legendary sea-beast the size of an island, the Kraken is said to swallow men whole and snap ships in half effortlessly, but what's true and what's a fish story? Join Flora as he braves the open seas of historical folklore for a deep dive on this fascinating fiend. The oceans are big, but are they big enough to hide a colossal cephalopod? David seeks answers to the questions on its origins, descriptions, and possible real-life species. So much culture has been inspired by this mega-monster, could there be a kernel of truth to the tales? Grab your trident and prepare to release this episode into your ears! Music Myst on the Moor, Big Eyes, Dark Fog, Dark Standoff, Danse Macabre, Evil Incoming, Infinite Peace, Some Amount of Evil, Spider Eyes, Temple of the Manes - Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Cornfield Chase, Lonely Mountain, Mothership - Rafael Krux Licensed under Creative Commons: By Attribution 3.0 Sources Anderson, Nate. Release the kraken! 2,000 years of tall tales (and a smattering of truth). ArsTechnica.com. Web. Jan. 9, 2013. https://arstechnica.com/science/2013/01/release-the-kraken-2000-years-of-tall-tales-and-a-smattering-of-truth/ Denys de Montfort, Pierre. Histoire naturelle, générale et particulière des mollusques. Paris: L'Imprimerie de F. Dufart. pp. 256–412 – via Biodiversity Heritage Library. 1801–1805. Haslam, Garth. Kraken: Myths, Legends, and History. Anomalyinfo.com. Web. 2017. http://anomalyinfo.com/Topics/kraken-myths-legends-and-history Jardine, Sir William. The Naturalist’s Library. Edinburgh. W.H. Lizars. 1833 https://www.biodiversitylibrary.org/item/60177#page/398/mode/1up Pontoppidan, Erich. The Natural History of Norway. Copenhagen: Berlingske Arvingers Bogtrykkerie, 1752. https://www.biodiversitylibrary.org/item/131226#page/520/mode/1up SALVADOR, Rodrigo B.; TOMOTANI, Barbara M. The Kraken: when myth encounters science. História, Ciências, Saúde – Manguinhos, Rio de Janeiro, v.21, n.3, jul.-set. 2014, p.971-994. http://www.scielo.br/pdf/hcsm/v21n3/0104-5970-hcsm-21-3-0971.pdf Wallenberg, J. Min son på galejan, eller en ostindisk resa innehållande allehanda bläckhornskram, samlade på skeppet Finland, som afseglade ifrån Götheborg i Dec. 1769, och återkom dersammastädes i Junii 1771. (5th ed.). Elméns och Granbergs Tryckeri, Stockholm. (in Swedish). 1835. Williams, Wendy. Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid. New York. Abrams Image. Mar. 4, 2011.

Er du også nysgerrig på, hvordan crowdfunding virker? Hvordan man får fremmede mennesker til at støtte udviklingen af ens produkt og blive så glade for det, at de bliver de mest loyale kunder, man kan ønske sig? Så er det her podcasten for dig. Lyt med, når Mette Eriksen interviewer crowdfunding ninja Kristine Pontoppidan om do's and don'ts og gode tips i forhold til crowdfunding. God fornøjelse.

Er du også nysgerrig på, hvordan crowdfunding virker? Hvordan man får fremmede mennesker til at støtte udviklingen af ens produkt og blive så glade for det, at de bliver de mest loyale kunder, man kan ønske sig? Så er det her podcasten for dig. Lyt med, når Mette Eriksen interviewer crowdfunding ninja Kristine Pontoppidan om do's and don'ts og gode tips i forhold til crowdfunding. God fornøjelse.

Der har været cannabis-messe i Bella Center, Elon Musk har ligeledes fyret op og svenskerne har været i valgboksen. Desuden tager vi et kig på de seneste ambitioner for storslåede byggerier i det midtjyske, og diskuterer hvad det modsatte af en anbefaling er.

Victor bringer en anbefaling, der ryster den danske småkagesocialisme. Desuden runder vi de bedste nyheder, der involverer alt fra et søslag mellem England og Frankring, skandinaviske rockeres krav på accept og et drive-by shooting i Vestjylland.

Den lille afslutningstekst i Krøniker er en dyster misantropisk lille fabel om den unge mand, der drager ud i verden for at finde De Vises Sten og til sidst møder en illusionsløs blindet og fordrevet konge ude i en ørken. Han smiler og virker fuldstændig tilfreds, rolig og afbalanceret. Han må da have fundet de vises sten, livets store hemmelighed.

 Når vildgæssene trækker forbi er den næstsidste af fortællingerne i Henrik Pontoppidans samling ”Krøniker”, som vi bringer her i foråret. Karsten Pharao læser

 I vores række af fortællinger fra Henrik Pontoppidans ”Krøniker”, der udkom i 1890, er vi nået til ”Den stærke Skrædder”, et rigtigt skælmsk eventyr om den lille vanskabte skrædder, der dog vinder sig ry som kæmpestærk og får den smukkeste pige i landsbyen. Karsten Pharao læser.

Henrik Pontoppidans samling ”Krøniker” består af 11 krøniker som vi sender over 11 uger her på den2radio og det er ’Muldskud’ i denne uge.

Karsten Pharao læser en fortælling fra Henrik Pontoppidans ’Krøniker’, en historie om en klog mand, der foragter kongerøgelse og lignende, men alligevel ikke er klog nok til at holde fast i sin afvisning af festivitassen i anledning af en prinseligt pars besøg i den lille købstad.

 I vores række af fortællinger fra Henrik Pontoppidans ”Krøniker”, der udkom i 1890, er vi nået til ”Den stærke Skrædder”, et rigtigt skælmsk eventyr om den lille vanskabte skrædder, der dog vinder sig ry som kæmpestærk og får den smukkeste pige i landsbyen. Karsten Pharao læser.

Henrik Pontoppidans krønike ”Havfruens sang”, Karsten Pharao læser. 

 I vores oplæsning af Henrik Pontoppidans samling ”Krøniker” er vi i denne uge nået til den bidsk-ironiske historie ”Digterliv” om en rigtig talentfuld ung digter, der bare har det uheld hele tiden at ligge et par sæsoner efter modeudsvingene i den litterære offentlighed. Med et trist resultat. Karsten Pharao læser.