Podcasts about Sir William

Kids can take it. You can coddle them. You can protect them with everything you have, but life is not simply coming for them; it already has them. Last year, Armored, the spectacularly spooky adventure story from writer Michael Schwartz and artist Ismael Hernandez, struck a deep emotional chord in us. The series seemingly came out of nowhere and walloped us with a powerfully relatable ghost story about family, loss, and perseverance. We gave it the Stampie for Best Surprise Comic, and the more times we re-read it, the more comfortable we are with that declaration. Armored traffics in recognizable tropes, but executes them perfectly through a singular vision. At the story's core is Andy, a child forced into the foster system after his parents mysteriously vanish. He's planted in a home dealing with its own awful tragedy, which propels him into a confrontation with a haunted suit of armor. With the ghostly Sir William by his side, Andy seeks to solve the disappearance of his folks while stumbling into battle with ancient evil. Having devoured the single issues from Clover Press, we patiently awaited word of a proper hardcover collection. Friends, we're ecstatic to be the first to tell you this: the Armored hardcover is almost here, and its Kickstarter Pre-Launch Page is already up and running (CLICK HERE AND GET NOTIFIED). Not only that, but we also have the first look at the new Armored hardcover collection artwork by artist Francesco Tomaselli. Please bask in its beauty while you listen to this week's podcast with author Michael Schwartz discussing Armored, how the theft of his comic book collection only intensified his comic book addiction, and why kids need stories with emotionally dark realities. Armored is published by Clover Press, written by Michael Schwartz, illustrated by Ismael Hernandez, lettered by Ferran Delgado, and edited by Chris Stevens. To continue this conversation, follow Michael Schwartz on Bluesky and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Married to Singles: Michael Schwartz on Darkhold: Iron Man Spectrum Book Club with Rick Quinn and Dave Chisholm Join Comic Book Club in Person Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

De toutes les pièces de Shakespeare, Richard III est sans doute celle qui se prête la plus à une réinterprétation contemporaine. Surtout dans une époque où les despotes les plus extravagants s'arrogent de nouveau le pouvoir, où la classe politique n'est plus que coups bas entre structures claniques. No Beast So Fierce transpose donc l'éternelle lutte entre les York et les Lancaster dans la pègre maghrébine berlinoise, Richard s'appelle ici Rachida et fomente dans l'ombre un complot pour arriver au sommet de l'empire mafieux. Comme elle le dira à sa mère : "tu connais le topo, je vais le réécrire un petit peu". Burhan Qurbani malaxe donc le classique de Sir William pour y incorporer propos sur le patriarcat, l'immigration et l'empouvoirement féminin. Tout transpire la guerre dans No Beast So Fierce : de clans, de sexe, voire tout court quand même l'écho du conflit au Moyen-Orient se fait entendre via un casting composé, dans les deux rôles clés, d'actrices syriennes (Kneida Hmeidan) et palestiniennes (Hiam Abbas) qui se sont exilées de leurs pays respectifs. Qurbani leur offre un ahurissant terrain de jeu, entremêlant environnement ultra-urbain et zones désertiques, radicalité du théâtre d'avant-garde et virtuosité formelle du cinéma. De même, la langue s'hybride entre monologues shakespeariens et argot de la rue, les mots claquant encore plus forts que les séquences de fusillades. No Beast So Fierce y construit un terrassant maelström, évacuant toutes les conventions dans un sidérant dernier acte, concentré sur la colère face à une Europe sombrant dans sa face obscure, prête à toutes les trahisons de ses promesses pour régner par la peur.Le 11 octobre 1975, Lorne Michaels aura dû surpasser la trouille de sa vie pour mener à bien la toute première émission du Saturday Night Live. En cinquante ans, le show télé est devenu une institution de la télé américaine, au point qu'on ait oublié combien il fut une bascule culturelle, en faisant entrer dans les foyers une nouvelle génération de comiques, dynamiteurs des mœurs. Saturday Night fait le compte à rebours de l'heure et demie qui va précéder la mise à l'antenne de l'émission, accroché aux basques de Michaels, jeune producteur naviguant entre avaries techniques, comédiens ultra-narcissiques et mise en place des numéros. Une véritable ruche bourdonnante racontant l'Amérique du milieu des années 70 dans son énergie comme dans ses excès. Brillant dans sa manière d'incarner en quelques secondes des anecdotes sur les piliers de l'émission, de Chevy Chase à John Belushi, faire monter la pression façon cocotte-minute ou résumer les coulisses du télé-business, Saturday Night est encore meilleur quand il rappelle que plus encore qu'un programme devenu mythique, cette aventure folle fut aussi celle d'un souffle de liberté.No Beast So Fierce en salles le 26 mars. / Saturday Night en location sur Apple TV+ et Prime Video.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Sir William Worsley is the owner of the 3,000-acre Hovingham Estate in North Yorkshire, which has been in his family for more than 450 years. He is joined in this episode of Estate Matters by Avril Roberts, Senior Property and Business Policy Advisor with the CLA. The pair discuss masterplanning for rural estates and the importance of good communication and engagement with neighbours and stakeholders, set against the background of the Government's housing targets. https://www.hovingham.co.uk/https://www.cla.org.uk/people/avril-roberts/

Sir Will is an awesome character. He lives out his Toyota 4Runner and travels the country enjoying his freedom. "Sir William Goes". We caught up with Sir William at AZ Toy Pros on a Sunday afternoon MOD Day. It's always a good time getting to know someone wrenching on trucks and stuffing our faces with Mexican food. Mark (@lmtl3ss_or) invited us over to do the podcast so we broke out the moonshine, started telling lies and calling up the woman. It was a blast. You can find Sir William Goes on his YouTube Channel and Social Media. @sirwilliamgoes

On this episode of Reaganism, Reagan Institute Policy Director Rachel Hoff is joined by Sir William Browder who is the Head of the Global Magnitsky Justice Campaign. They discuss his extraordinary journey from a capitalist in Russia to a leading figure in the fight against corruption and human rights abuses. Browder recounts the tragic story of his lawyer, Sergey Magnitsky, who was tortured and killed in a Russian prison after uncovering a massive fraud involving the Russian government. This led to the creation of the Magnitsky Act, a groundbreaking piece of legislation aimed at holding human rights violators accountable. Browder discusses the global impact of the Magnitsky Act and its potential to change the landscape of accountability for corruption and human rights abuses.

Today's guest is Sir William Worsley, Chair of the Forestry Commission (England). Sir William shares his rich experience in forestry management, conservation, and the evolving mission of the ForestryCommission since its founding in 1919.In our chat, we discuss the Commission's role in afforestation, timber production and wildlife conservation, and the importance of balanced woodland management. Sir William also shares his views on the economic and environmental significance of forests, practical insights for aspiring conservationists and what to expect from upcoming National Tree Week.It's a passionate, informative, and inspiring podcast about trees, landscapes, and how each of us can play a part in conservation. Enjoy!

Florence Cook, a remarkable medium of the late 19th century, claimed the ability to materialize a spirit named Katie King, captivating audiences with her otherworldly performances. This episode delves into the fascinating intersection of spiritualism, science, and skepticism as we explore Florence's journey alongside the esteemed scientist William Crookes, who sought to validate her abilities through rigorous experimentation. With a backdrop of seances and spirit cabinets, we examine whether Florence truly channeled Katie or if it was all an elaborate hoax. The episode also touches on the societal perceptions of mediums and the blend of magic and spirituality during this era. Join us as we untangle the mysteries surrounding Florence, Katie, and the blurred lines between the supernatural and the scientific!Join our Facebook group here: https://www.facebook.com/groups/449439969638764A special thank you to our jam thief, Mary Quiton!https://www.patreon.com/truecreepshttps://www.truecreeps.com/shopwww.truecreeps.comHave an episode idea or a question about a case? Submit them here: https://www.truecreeps.com/ideasandquestionsTwitter @truecreepsInstagram @truecreepspodFacebook.com/truecreepspodEmail us at truecreepspod@gmail.comFlorence CookMediumship in the Mainstream: The Spirit Cabinet"King, John" | Encyclopedia.comENERGY CHAMBERS FOR THE DEAD — American HauntingsThe Ghost of Katie KingTHE MEDIUM AND THE SCIENTIST — American HauntingsThe Spirit Photographs of William HopeSpirit photography and the occult: Making the invisible visibleThis podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/Chartable - https://chartable.com/privacy

ROMA (ITALPRESS) - In questa edizione: - Agrigento capitale della cultura... anche a New York- Al Colosseo "Göbeklitepe: L'enigma di un luogo sacro"- Gallerie d'Italia, in mostra la Napoli di Sir William e Lady Hamiltonabr/col/gtr

ROMA (ITALPRESS) - In questa edizione: - Filippo Turetta in aula ammette la premeditazione - Anziano ucciso nel comasco, confessa il 17enne fermato - Donna uccisa nel parmense, fermato il marito - Manovra, dalla lotta all'evasione 1,2 milioni in 3 anni - Nuovo attacco di Israele contro Unifil in Libano - Gruppo legato a Pkk rivendica attentato in Turchia - Bologna-Milan rinviata a data da destinarsi - Gallerie d'Italia, in mostra la Napoli di Sir William e Lady Hamilton - Previsioni 3B Meteo 26 Ottobregsl

NAPOLI (ITALPRESS) - Intesa Sanpaolo apre al pubblico alle Gallerie d'Italia, a Napoli, dal 25 ottobre 2024 al 2 marzo 2025 la mostra “Sir William e Lady Hamilton”. È dedicata a un protagonista del mondo culturale napoletano del diciottesimo secolo: William Hamilton, ambasciatore inglese alla corte di Ferdinando IV di Borbone, e alla figura a tratti leggendaria di Lady Emma Hamilton.L'esposizione è realizzata con il sostegno dell'Ambasciata britannica a Roma e dell'Ambasciata d'Italia a Londra e con il patrocinio del Comune di Napoli e dell'Università Federico II. Presenta settantotto opere tra dipinti, ceramiche, sculture e manifatture provenienti da musei nazionali e internazionali.f08/sat/gtr

NAPOLI (ITALPRESS) - Intesa Sanpaolo apre al pubblico alle Gallerie d'Italia, a Napoli, dal 25 ottobre 2024 al 2 marzo 2025 la mostra “Sir William e Lady Hamilton”. È dedicata a un protagonista del mondo culturale napoletano del diciottesimo secolo: William Hamilton, ambasciatore inglese alla corte di Ferdinando IV di Borbone, e alla figura a tratti leggendaria di Lady Emma Hamilton.L'esposizione è realizzata con il sostegno dell'Ambasciata britannica a Roma e dell'Ambasciata d'Italia a Londra e con il patrocinio del Comune di Napoli e dell'Università Federico II. Presenta settantotto opere tra dipinti, ceramiche, sculture e manifatture provenienti da musei nazionali e internazionali.f08/sat/gtr

NAPOLI (ITALPRESS) - Intesa Sanpaolo apre al pubblico alle Gallerie d'Italia, a Napoli, dal 25 ottobre 2024 al 2 marzo 2025 la mostra “Sir William e Lady Hamilton”. È dedicata a un protagonista del mondo culturale napoletano del diciottesimo secolo: William Hamilton, ambasciatore inglese alla corte di Ferdinando IV di Borbone, e alla figura a tratti leggendaria di Lady Emma Hamilton.L'esposizione è realizzata con il sostegno dell'Ambasciata britannica a Roma e dell'Ambasciata d'Italia a Londra e con il patrocinio del Comune di Napoli e dell'Università Federico II. Presenta settantotto opere tra dipinti, ceramiche, sculture e manifatture provenienti da musei nazionali e internazionali.f08/sat/gtr

¡Vótame en los Premios iVoox 2024! La Casa Roja (The Red Lodge) es un relato de terror del escritor inglés H. Russell Wakefield (1888-1964), publicado en la antología de 1928: Ellos regresan por la noche: un libro de historias de fantasmas (They Return at Evening: A Book of Ghost Stories). Posteriormente aparecería en Una marea de terror (A Tide Of Terror); La compañía fantasma (The Ghost's Companion) y La cámara de los horrores (Chamber Of Horrors) La Casa Roja, uno de los mejores cuentos de H. Russell Wakefield, relata la historia de una elegante casa de campo inglesa, situada cerca de un río, que parece el lugar perfecto para que una familia joven pase las vacaciones; sin embargo, en la Casa Roja hay cosas peores que los fantasmas. El pasado dejó sus marcas en el lugar, y son imborrables [ver: Psicología de las Casas Embrujadas] La Casa Roja parece ser la típica historia inglesa de casas embrujadas; sin embargo, H. Russell Wakefield se aleja de los paradigmas del género, con sus enormes mansiones góticas en ruinas y muertes anunciadas. Lo que predomina aquí es la insinuación, la sutileza, el terror como un vago trasfondo: [«Mi primera incertidumbre, vaga y tenue en el comienzo, vino tan pronto como crucé el umbral. Soy pintor de profesión y, por lo tanto, respondo claramente a los tonos del color. Bueno, era un día brillantemente hermoso, el salón de la Casa Roja estaba completamente iluminado, pero parecía un poco fuera de lugar, por así decirlo, como si lo estuviera mirando a través de un par de lentes ligeramente oscurecidos. Sólo un pintor lo habría notado, me imagino.»] La Casa Roja no es un cliché. Evoca la extrañeza, y eso nos mantiene inmersos en una historia mucho más espeluznante que aquellas donde las escaleras crujen y se oye el sonido de pasos amortiguados en habitaciones vacías. De hecho, el lector sabe lo que está ocurriendo antes de que los personajes comprendan la gravedad de su situación; lo cual es curioso, ya que la narración en retrospectiva implica que el narrador sobrevivirá, por lo que la presentación de la Casa Roja [y especialmente la de su esposa e hijo] sirve para enfocar las preocupaciones del lector [ver La Casa como entidad orgánica y consciente en el Gótico] H.R. Wakefield proporciona una serie de características inusuales para el narrador promedio de este tipo de historias: es pintor [los narradores de H.R. Wakefield suelen ser artistas o escritores], en un momento confiesa que es «un poco psíquico» además de ser oriundo de las «Tierras Altas» [Highlander]. La idea del narrador de que su sensibilidad paranormal se debe a su ascendencia es extraña, como si los celtas tuviesen mayor capacidad de sintonizarse con lo sobrenatural, en contraste con los mundanos anglosajones. En todo caso, su personalidad es la opuesta a la del típico protagonista del género [generalmente un excéptico recalcitrante]. Es un hombre muy observador, y si bien es sensible a los sucesos sobrenaturales, no es frívolo ni fácil de engañar. El argumento de La Casa Roja es simple: una familia burguesa se muda a una casa de campo para pasar sus vacaciones, desafortunadamente, la Casa y sus «Ocupantes Permanentes» [así los denomina el narrador] tienen otras intenciones. Al principio todo transcurre con cierta normalidad, hasta que el narrador descubre pequeñas manchas de limo por toda la casa, que podrían provenir del río cercano, y extrañas figuras fantasmales moviéndose en las ventanas y caminando por los pasillos. Poco a poco, los eventos paranornales empiezan a aumentar en intensidad y frecuencia. Los «Ocupantes Permanentes» se vuelven más audaces y aterradores. El pequeño Tim ve un «mono verde» en el río cercano, Mary vislumbra siluetas donde no debería haber nadie, y el narrador siente tres espectros malignos que tiran psíquicamente de él para que abra una ventana por la noche y los vea directamente [ver: Casas como metáfora de la psique en el Horror] Al parecer, estas fuerzas invisibles están comunicándose con los miembros de la familia [a su manera] hasta que cada uno comienza a sentir la abrumadora compulsión de correr hacia el río y ahogarse. H. Russell Wakefield jamás menciona la palabra «fantasma». Describe a los «Ocupantes Permanentes» en términos humanos [rostros, siluetas], pero también son verdes y viscosos. Me pregunto si mencionar el libro del filósofo británico Henry Sidgwick: El uso de las palabras en el razonamiento (The Use Of Words In Reasoning), una de las lecturas de cabecera del narrador [un libro sobre lógica es inesperado como la lectura favorita de un pintor], insinúa que «fantasma» es un término insuficiente para describir a las entidades que habitan la Casa Roja. ¿Quiénes son estas entidades? Sir William, un vecino informado, cuenta la historia de la Casa Roja, y asume que está embrujada por la esposa del propietario original [asesinada], y por los siguientes residentes [excepto por una pareja que no tuvo problemas durante 15 años]. Pero, al incluir el jardín y el río, este embrujo parece ir más allá de los límites de la propiedad, casi como si se tratara de un Genius Loci, un lugar malvado que provocó o influenció aquellos primeros asesinatos [ver: La verdadera Entidad que se esconde Hill House] La Casa Roja de H.R. Wakefield presagia el modelo que llegaría a convertirse en un cliché del género, sobre todo de las novelas sobrenaturales de las décadas de 1970 y 1980 y sus adaptaciones cinematográficas: la familia modelo [a menudo un tipo artístico, su esposa y su hija/o sensible] se mudan a una casa antigua, aparentemente una ganga ofrecida por un agente inmobiliario inescrupuloso, y se encuentran con cosas espeluznantes [ver: El ABC de las historias de fantasmas]. Esto es común para nosotros, pero raro en la ficción inglesa de entreguerra, sobre todo poner en peligro a todo un grupo familiar, no únicamente a un solitario investigador psíquico o un desafortunado académico [ver: La Casa Embrujada como representación del cuerpo de la mujer] En cierto modo, La Casa Roja de H. Russell Wakefield emplea una dinámica nueva sin alejarse demasiado de los aspectos jamesianos fundamentales. Hablando de M. R. James, la aparición del limo es tan llamativa y desagradablemente física como el mejor de sus fantasmas, y el hecho de que el niño, Tim, la confunda con un «mono verde», le da al lector una imagen sorprendentemente vívida [ver: Black Goo y otras monstruosidades amorfas en la ficción]. H.R. Wakefield, como M.R. James, no andan con vueltas. Antes de que termine el primer párrafo, incluso la primera línea, sabemos que la Casa Roja es una casa malvada, y apenas hay una palabra desperdiciada mientras somos llevados por los eventos de la historia. La Casa Roja de la historia está inspirada en una casa real que H. Russell Wakefield visitó en 1917, situada cerca del puente de Richmond, al sudoeste de Londres. La casa tenía una mala reputación, y mientras estuvo allí, Wakefield se sintió «oprimido por un miedo sin nombre», según declaró. Un día, mientras estaba en el jardín, miró las ventanas del primer piso y vio «una cara borrosa en una de ellas; la cara de un hombre, pero no había ningún hombre en la casa». Por otro lado, la Casa Roja reaparecerá en otra historia de H.R. Wakefield: La gallina ciega (Blind Man's Buff), que esperamos traducir próximamente en El Espejo Gótico. Análisis de: El Espejo Gótico https://elespejogotico.blogspot.com/2021/03/damas-de-honor-hugh-b-cave-relato-y.html Texto del relato extraído de: https://elespejogotico.blogspot.com/2021/03/damas-de-honor-hugh-b-cave-relato-y.html Musicas: - 01. Beast by Beast - Edward Karl Hanson (Epidemic) - 02. Murder in the Dark - Jon Bjork (Epidemic) - 03. Mind Tricks - Experia (Epidemic) Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/352537 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

La Casa Roja (The Red Lodge) es un relato de terror del escritor inglés H. Russell Wakefield (1888-1964), publicado en la antología de 1928: Ellos regresan por la noche: un libro de historias de fantasmas (They Return at Evening: A Book of Ghost Stories). Posteriormente aparecería en Una marea de terror (A Tide Of Terror); La compañía fantasma (The Ghost's Companion) y La cámara de los horrores (Chamber Of Horrors) La Casa Roja, uno de los mejores cuentos de H. Russell Wakefield, relata la historia de una elegante casa de campo inglesa, situada cerca de un río, que parece el lugar perfecto para que una familia joven pase las vacaciones; sin embargo, en la Casa Roja hay cosas peores que los fantasmas. El pasado dejó sus marcas en el lugar, y son imborrables [ver: Psicología de las Casas Embrujadas] La Casa Roja parece ser la típica historia inglesa de casas embrujadas; sin embargo, H. Russell Wakefield se aleja de los paradigmas del género, con sus enormes mansiones góticas en ruinas y muertes anunciadas. Lo que predomina aquí es la insinuación, la sutileza, el terror como un vago trasfondo: [«Mi primera incertidumbre, vaga y tenue en el comienzo, vino tan pronto como crucé el umbral. Soy pintor de profesión y, por lo tanto, respondo claramente a los tonos del color. Bueno, era un día brillantemente hermoso, el salón de la Casa Roja estaba completamente iluminado, pero parecía un poco fuera de lugar, por así decirlo, como si lo estuviera mirando a través de un par de lentes ligeramente oscurecidos. Sólo un pintor lo habría notado, me imagino.»] La Casa Roja no es un cliché. Evoca la extrañeza, y eso nos mantiene inmersos en una historia mucho más espeluznante que aquellas donde las escaleras crujen y se oye el sonido de pasos amortiguados en habitaciones vacías. De hecho, el lector sabe lo que está ocurriendo antes de que los personajes comprendan la gravedad de su situación; lo cual es curioso, ya que la narración en retrospectiva implica que el narrador sobrevivirá, por lo que la presentación de la Casa Roja [y especialmente la de su esposa e hijo] sirve para enfocar las preocupaciones del lector [ver La Casa como entidad orgánica y consciente en el Gótico] H.R. Wakefield proporciona una serie de características inusuales para el narrador promedio de este tipo de historias: es pintor [los narradores de H.R. Wakefield suelen ser artistas o escritores], en un momento confiesa que es «un poco psíquico» además de ser oriundo de las «Tierras Altas» [Highlander]. La idea del narrador de que su sensibilidad paranormal se debe a su ascendencia es extraña, como si los celtas tuviesen mayor capacidad de sintonizarse con lo sobrenatural, en contraste con los mundanos anglosajones. En todo caso, su personalidad es la opuesta a la del típico protagonista del género [generalmente un excéptico recalcitrante]. Es un hombre muy observador, y si bien es sensible a los sucesos sobrenaturales, no es frívolo ni fácil de engañar. El argumento de La Casa Roja es simple: una familia burguesa se muda a una casa de campo para pasar sus vacaciones, desafortunadamente, la Casa y sus «Ocupantes Permanentes» [así los denomina el narrador] tienen otras intenciones. Al principio todo transcurre con cierta normalidad, hasta que el narrador descubre pequeñas manchas de limo por toda la casa, que podrían provenir del río cercano, y extrañas figuras fantasmales moviéndose en las ventanas y caminando por los pasillos. Poco a poco, los eventos paranornales empiezan a aumentar en intensidad y frecuencia. Los «Ocupantes Permanentes» se vuelven más audaces y aterradores. El pequeño Tim ve un «mono verde» en el río cercano, Mary vislumbra siluetas donde no debería haber nadie, y el narrador siente tres espectros malignos que tiran psíquicamente de él para que abra una ventana por la noche y los vea directamente [ver: Casas como metáfora de la psique en el Horror] Al parecer, estas fuerzas invisibles están comunicándose con los miembros de la familia [a su manera] hasta que cada uno comienza a sentir la abrumadora compulsión de correr hacia el río y ahogarse. H. Russell Wakefield jamás menciona la palabra «fantasma». Describe a los «Ocupantes Permanentes» en términos humanos [rostros, siluetas], pero también son verdes y viscosos. Me pregunto si mencionar el libro del filósofo británico Henry Sidgwick: El uso de las palabras en el razonamiento (The Use Of Words In Reasoning), una de las lecturas de cabecera del narrador [un libro sobre lógica es inesperado como la lectura favorita de un pintor], insinúa que «fantasma» es un término insuficiente para describir a las entidades que habitan la Casa Roja. ¿Quiénes son estas entidades? Sir William, un vecino informado, cuenta la historia de la Casa Roja, y asume que está embrujada por la esposa del propietario original [asesinada], y por los siguientes residentes [excepto por una pareja que no tuvo problemas durante 15 años]. Pero, al incluir el jardín y el río, este embrujo parece ir más allá de los límites de la propiedad, casi como si se tratara de un Genius Loci, un lugar malvado que provocó o influenció aquellos primeros asesinatos [ver: La verdadera Entidad que se esconde Hill House] La Casa Roja de H.R. Wakefield presagia el modelo que llegaría a convertirse en un cliché del género, sobre todo de las novelas sobrenaturales de las décadas de 1970 y 1980 y sus adaptaciones cinematográficas: la familia modelo [a menudo un tipo artístico, su esposa y su hija/o sensible] se mudan a una casa antigua, aparentemente una ganga ofrecida por un agente inmobiliario inescrupuloso, y se encuentran con cosas espeluznantes [ver: El ABC de las historias de fantasmas]. Esto es común para nosotros, pero raro en la ficción inglesa de entreguerra, sobre todo poner en peligro a todo un grupo familiar, no únicamente a un solitario investigador psíquico o un desafortunado académico [ver: La Casa Embrujada como representación del cuerpo de la mujer] En cierto modo, La Casa Roja de H. Russell Wakefield emplea una dinámica nueva sin alejarse demasiado de los aspectos jamesianos fundamentales. Hablando de M. R. James, la aparición del limo es tan llamativa y desagradablemente física como el mejor de sus fantasmas, y el hecho de que el niño, Tim, la confunda con un «mono verde», le da al lector una imagen sorprendentemente vívida [ver: Black Goo y otras monstruosidades amorfas en la ficción]. H.R. Wakefield, como M.R. James, no andan con vueltas. Antes de que termine el primer párrafo, incluso la primera línea, sabemos que la Casa Roja es una casa malvada, y apenas hay una palabra desperdiciada mientras somos llevados por los eventos de la historia. La Casa Roja de la historia está inspirada en una casa real que H. Russell Wakefield visitó en 1917, situada cerca del puente de Richmond, al sudoeste de Londres. La casa tenía una mala reputación, y mientras estuvo allí, Wakefield se sintió «oprimido por un miedo sin nombre», según declaró. Un día, mientras estaba en el jardín, miró las ventanas del primer piso y vio «una cara borrosa en una de ellas; la cara de un hombre, pero no había ningún hombre en la casa». Por otro lado, la Casa Roja reaparecerá en otra historia de H.R. Wakefield: La gallina ciega (Blind Man's Buff), que esperamos traducir próximamente en El Espejo Gótico. Análisis de: El Espejo Gótico https://elespejogotico.blogspot.com/2021/03/damas-de-honor-hugh-b-cave-relato-y.html Texto del relato extraído de: https://elespejogotico.blogspot.com/2021/03/damas-de-honor-hugh-b-cave-relato-y.html Musicas: - 01. Beast by Beast - Edward Karl Hanson (Epidemic) - 02. Murder in the Dark - Jon Bjork (Epidemic) - 03. Mind Tricks - Experia (Epidemic) Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/352537

Dr Scarlett Smash & Dr Craken MacCraic chat with Smash's drinking buddy "Sir William of Scotland" about the influence that viking voyagers had on our language and the worderful language of Scots. Contact info@absolutelysmashingllc.com for more information about sponsoring MCHH episodes or having advertisements on the show Music credits By Jolly Shore Leave  "Al For Me Grog (Trad.)" HandsomeForrune-FE (Adapted Lyrics by Taran Christen : Musical Arrangement by K. Ryan Hart) Represented by Rebellious Entertainment Dr Scarlett Smash Instagram Dr Scarlett Smash TikTok  Dr Craken MacCraic Twitter Dr Craken MacCraic Instagram MCHH Instagram MCHH Facebook MCHH Twitter Dr Scarlett Smash Twitter  Dr Scarlett Smash YouTube

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're gearing up for an epic journey through chivalry and valor as we count down our Top 5 Knights in film and television. After that, we'll delve into the mystical and mysterious world of The Green Knight and switch gears for some light-hearted adventures with Mike the Knight.Top 5 Knights in Film and Television:Sir Lancelot in "Monty Python and the Holy Grail" (1975) - This comedic take on the legendary knight mixes absurdity with classic Arthurian elements, making Sir Lancelot both heroic and hilariously oblivious.Aragorn in "The Lord of the Rings" series - While not a knight in the traditional sense, Aragorn embodies the knightly virtues of bravery, loyalty, and leadership, playing a crucial role in Middle-earth's battles against evil.Sir William Thatcher in "A Knight's Tale" (2001) - Portrayed by Heath Ledger, Sir William's journey from peasant to pseudo-knight captures the spirit of chivalry and the pursuit of honor and recognition within the rigid class systems of medieval society.The Black Knight in "Excalibur" (1981) - A mysterious and formidable figure, the Black Knight in this retelling of the Arthurian legends represents the darker aspects of knighthood and chivalry, providing a stark contrast to more idealistic portrayals.Brienne of Tarth in "Game of Thrones" (TV Series) - Brienne challenges traditional gender roles within the knightly order, proving herself through unmatched bravery and a firm moral compass, making her one of the most respected and memorable knights in modern television.The Green Knight (2021) Directed by David Lowery, The Green Knight presents a visually stunning and thematically rich adaptation of the Arthurian legend, "Sir Gawain and the Green Knight." The film follows Gawain, played by Dev Patel, on a perilous quest that explores themes of honor, bravery, and the nature of true heroism. The movie's slow-burning narrative and atmospheric tension set it apart from traditional knightly tales, offering a fresh take on the complexities of personal growth and virtue.Switching to a much lighter tone, Mike the Knight is a delightful animated series that introduces younger audiences to a fantastical medieval world. Mike, a young knight-in-training, embarks on adventures that teach him about responsibility, problem-solving, and the importance of being kind. It's a great way to introduce the concepts of knighthood and chivalry to kids in an engaging and educational manner.Whether you're in the mood for a profound cinematic experience with The Green Knight or looking for family-friendly fun with Mike the Knight, today's episode promises a thrilling exploration of what it means to be a knight in both lore and life. Join us as we don the armor of analysis and venture forth into the realm of knights and nobility.

Send me a message. What do you think about the book/podPride and Prejudice by Jane Austen chapter 30, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://www.patreon.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSUMMARY:Sir William soon departs leaving Elizabeth with Charlotte and Mr Collins. She feared at first that this would leave her to pass more time with her cousin, but thankfully learns that he goes back to his own business without Sir William to entertain. Lady Catherine visits every now and again and corrects Charlotte on her housekeeping and says that the maid needs to work harder. While Charlotte and Mr Collins work and briefly visit Rosings in the days, Elizabeth goes to walk in the gardens around the Parsonage. As Easter approaches, word that Mr Darcy is to come to visit his aunt and soon arrives with Mr Collins running to Rosings to pay his respects. On his way back, he is joined by both Mr Darcy, and a new person, Colonel Fitzwilliam Darcy.Support the Show.Thank you so much for listening, if you want to support the me go to any of these links :)*Social*SHOPIFY: https://the-essential-reads.myshopify.com/INSTAGRAM: https://www.instagram.com/theessentialreadsTWITTER: http://twitter.com/IsaacBirchallvoKo-Fi: https://ko-fi.com/theessentialreads

It's time to take to the seas again! This time to talk about Sidney Smith, who got started young and really took a shine to being on the water. And for pissing off a very specific Frenchman. This dude won a ton of accolades across several wars and off the coast of a ton of different countries. Enjoy!

RANDOM WAYPOINTS PODCAST EP.06.13 | SIR WILLIAM GOES NOMADIC LIFESTYLE OVERLANDING NORTH AMERICA!!0:00 INTRO0:46 SPONSORS1:17  DISCLAIMER1:27 SHOW START1:40 GUEST INTRODUCTION  @SirWilliamGoes 3:44 Sir William's Toyota 4Runner a.k.a. Apple's ORIGIN STORY

William Wallace - yes, indeed, THE Sir William Wallace, is here for an interview. Enjoy, folks!Tune into this episode for, among other things, some great coffee shop ambiance...-We're on Facebook: https://www.facebook.com/DroningOnPodcastAnd Instagram: https://www.instagram.com/droning.on.podcast/-You can write-in to the show with comments, ideas, requests, etc. at TheDroningOnPodcast@gmail.com-Support the show via Patreon (patreon.com/DroningOnPodcast), or by buying cool stuff at BagpipeSWAG.com - - - And now, some keywords: Bagpipes, bagpipe, bag, pipe, pipes, pipe, band, pipeband, Scottish, small, drone, droning, chanter, highland, lowland, uilleann, smallpipes, trad music,

John and Marc explore the late period of Mark E. Smith's legendary group The Fall, focusing on 2013's "Sir William Wray" 7-inch, with insights from special guest Steve Pringle, author of the comprehensive Fall book You Must Get Them All: The Fall on Record.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

“But, my dear, you must indeed go and see Mr. Bingley when he comes into the neighbourhood.” “It is more than I engage for, I assure you.” “But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account; for in general, you know, they visit no new comers. Indeed you must go, for it will be impossible for _us_ to visit him, if you do not.” “You are over scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls--though I must throw in a good word for my little Lizzy.” “I desire you will do no such thing. Lizzy is not a bit better than the others: and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving _her_ the preference.” “They have none of them much to recommend them,” replied he: “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.” “Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion on my poor nerves.” “You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.” “Ah, you do not know what I suffer.” “But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.” “It will be no use to us, if twenty such should come, since you will not visit them.” “Depend upon it, my dear, that when there are twenty, I will visit them all.” 참고 문헌: Williams, M. (1984). Jane Austen. In: Women in the English Novel, 1800–1900. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08184-4_3 이미지는 인공지능으로 생성했습니다.

Read by Elizabeth Klett https://librivox.org/pride-and-prejudice-solo-version-3-by-jane-austen/ --- “But, my dear, you must indeed go and see Mr. Bingley when he comes into the neighbourhood.” “It is more than I engage for, I assure you.” “But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account; for in general, you know, they visit no new comers. Indeed you must go, for it will be impossible for _us_ to visit him, if you do not.” “You are over scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls--though I must throw in a good word for my little Lizzy.” “I desire you will do no such thing. Lizzy is not a bit better than the others: and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving _her_ the preference.” “They have none of them much to recommend them,” replied he: “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.” “Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion on my poor nerves.” “You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.” “Ah, you do not know what I suffer.” “But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.” “It will be no use to us, if twenty such should come, since you will not visit them.” “Depend upon it, my dear, that when there are twenty, I will visit them all.” Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character. _Her_ mind was less difficult to develope. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married: its solace was visiting and news. 이미지는 인공지능으로 생성했습니다.

Group Reading https://librivox.org/pride-and-prejudice-by-jane-austen-3/ Mrs. Bennet: Beth Thomas Mr. Bennet: Andy Minter Narrator: Debra Lynn --- “But, my dear, you must indeed go and see Mr. Bingley when he comes into the neighbourhood.” “It is more than I engage for, I assure you.” “But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account; for in general, you know, they visit no new comers. Indeed you must go, for it will be impossible for _us_ to visit him, if you do not.” “You are over scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls--though I must throw in a good word for my little Lizzy.” “I desire you will do no such thing. Lizzy is not a bit better than the others: and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving _her_ the preference.” “They have none of them much to recommend them,” replied he: “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.” “Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion on my poor nerves.” “You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.” “Ah, you do not know what I suffer.” “But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.” “It will be no use to us, if twenty such should come, since you will not visit them.” “Depend upon it, my dear, that when there are twenty, I will visit them all.” Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character. _Her_ mind was less difficult to develope. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married: its solace was visiting and news. 이미지는 인공지능으로 생성했습니다.

This week, Kate brings a snapshot of Haliburton County going-ons from the pages of the Echo newspaper from May 1918. Plus, Paul has the story of Canadian spy-master Sir William Stephenson - the man code-named Intrepid. Kate Butler is the Director of the Haliburton Highlands Museum. Paul Vorvis is the host of the Your Haliburton Morning Show 7 - 9 a.m. Fridays on Canoe FM 100.9 and streaming on your devices. Haliburton County is in cottage country about 2 1/2 hours north of Toronto. You can contact us at timewarp@canoefm.com

Ian Fleming once claimed Sir William Stephenson to be the inspiration for James Bond. Stephenson passed away on this day back in 1989. To learn more we spoke with Gary Solar, President of the Intrepid Society.

This week is a live recording of my lecture from the Sir William Johnson and the War for Empire Conference in Johnstown, NY. Hosted by the Fort Plain Museum, this annual event features some of the brightest minds in the field of colonial American studies and the Seven Years' War. For more information visit www.allthingsliberty.com and www.fortplainmuseum.org.

Minter Dialogue with Sir William Russell Sir William Russell was Lord Mayor of the City of London 2019-2021 and is currently Alderman of Bread Street Ward. He's also Board Member of CityUK, deputy chair of the Barbican Centre, and NED at Augmentum Fintech. Will was a classmate and housemate back from my time at Eton College where we shared many experiences on the sports field. In this conversation, we discuss his fascinating career, the influence of sports on his life, his appreciation of working for American companies, what makes an effective leader today, the important challenges for boards of governors, the impact of Brexit on Britain, as well as his experience in being knighted by the King. If you've got comments or questions you'd like to see answered, send your email or audio file to nminterdial@gmail.com; or you can find the show notes and comment on minterdial.com. If you liked the podcast, please take a moment to go over to Apple Podcasts or your favourite podcast channel, to rate/review the show. Otherwise, you can find me @mdial on Twitter.

No Agenda Episode 1597 - "Honorifics" "Honorifics" Executive Producers: Duke of Central Florida Dame Laura of the golden mean Dame Janartheni of the Ceylon Spices Sir Infinitus Todd Hesemann Ed Coda Dame of the skiing dogs Viscount Sir CrashEMT Reuben Schwebel Dame GMoney Jacob Keller Johnny O Sir Michael Black Knight of the Dudes Named Ben Snohomish, WA Darius Gandhi Laura Mullen Associate Executive Producers: Dame Astrid Duchess of Japan and all the Disputed Islands in the Japan Sea Sir Quirky Sir Luca of the South East Isaac Contreras Sir William of North East Ohio Sir Antonio Sir Jimmy James Linda Lupatkin 1597 Fibonacci Club Member: Duke of Central Florida Become a member of the 1598 Club, support the show here Boost us with with Podcasting 2.0 Certified apps: Podverse - Podfriend - Breez - Sphinx - Podstation - Curiocaster - Fountain Title Changes Baron of Backwardation and Contango > Duke of Central Florida Knights & Dames Laura Moody > Dame Laura of the golden mean Janartheni > Dame Janartheni of the Ceylon Spices Jodi Atkinson > Dame of the skiing dogs William Dolgae > Sir William of North East Ohio Brian Genack > Sir Lab Rat of Kenshasha Art By: Sir Shoog (aka FauxDiddley) End of Show Mixes: Sir Michaelanthony - Jesse Coy Nelson - Sir Geoff Smith - Dr Eye Engineering, Stream Management & Wizardry Mark van Dijk - Systems Master Ryan Bemrose - Program Director Back Office Jae Dvorak Chapters: Dreb Scott Clip Custodian: Neal Jones Clip Collectors: Steve Jones & Dave Ackerman NEW: and soon on Netflix: Animated No Agenda No Agenda Social Registration Sign Up for the newsletter No Agenda Peerage ShowNotes Archive of links and Assets (clips etc) 1597.noagendanotes.com Directory Archive of Shownotes (includes all audio and video assets used) archive.noagendanotes.com RSS Podcast Feed Full Summaries in PDF No Agenda Lite in opus format NoAgendaTorrents.com has an RSS feed or show torrents Last Modified 10/08/2023 16:36:25This page created with the FreedomController Last Modified 10/08/2023 16:36:25 by Freedom Controller

He's blond! He's pissed! He'll see you in the lists… it's William Marshall, and they say he is the absolute greatest knight to ever walk the earth. The epitome of noble, chivalrous, and OH SO LOYAL, listen as Madi takes us through the badassery that was knighthood in the Middle Ages. And you know this episode left us with one burning question: what are we William?Purchase your own mead here Make sure to use code SPILLTHEMEAD10 at checkout! Join our Patreon for extra content! You can purchase Spill the Mead merchandise at spill-the-mead.printify.me Music is composed by Nicholas Leigh nicholasleighmusic.com Find us on Instagram, TikTok, Twitter, and Facebook @spillthemeadpodcast Find Madi @myladygervais on Instagram and @ladygervais on TikTok Find Emily @ladybourdon on Instagram and @lady.bourdon on TikTok

In the second episode of my 2-part examination of the life and career of Sir William Crookes (1832-1919), I explore events that inspired his interest in spiritualism, his unique methods of combining his studies in this area with his scientific background, and his work with some well-known 19th-century mediums, as well as the reception his work with mediums received from the scientific and spiritualist communities. ***** References Barral, Miguel. “The Ghosts of William Crookes.” https://www.bbvaopenmind.com/en/science/leading-figures/the-ghosts-of-william-crookes/ Crookes, William. Researches in the phenomena of spiritualism. https://archive.org/details/researchesinphen00croo/page/4/mode/2up Doyle, Arthur Conan. “The Researches of Sir William Crookes.” https://worldspirituality.org/william-crookes-html/ Ghost Club, The. “The Ghost Club.” https://ghostclub.org.uk/history.html Hermetic Order of the Golden Dawn, The. https://hermeticgoldendawn.org Magnet Academy (National MagLab). “William Crookes.” https://nationalmaglab.org/magnet-academy/history-of-electricity-magnetism/pioneers/william-crookes/ Psi Encyclopedia. “William Crookes.” https://psi-encyclopedia.spr.ac.uk/articles/william-crookes#:~:text=William%20Crookes%20was%20the%20first%20British%20scientist%20of,continue%20to%20be%20widely%20cited%20and%20discussed%20today. Society for Psychical Research. https://www.spr.ac.uk/about/our-history Victorian Era. “Victorian Spiritualism And Spiritualists.” https://victorian-era.org/victorian-spiritualism-spiritualists.html Wikipedia “Allen Thomson.” https://en.wikipedia.org/wiki/Allen_Thomson “C.F. Varley.” https://en.wikipedia.org/wiki/C._F._Varley “William Crookes.” https://en.wikipedia.org/wiki/William_Crookes Relevant past TVVS episodes “2 Sides of Sir William Crookes, Part 1: The Scientist.” https://anchor.fm/marisa-d96/episodes/2-Sides-of-Sir-William-Crookes--Part-1-The-Scientist-e295aad “Victorian-Era Spiritualism, Part 1: The Fox Sisters.” https://anchor.fm/marisa-d96/episodes/Victorian-Era-Spiritualism--Part-1-The-Fox-Sisters-e187d57 ***** Email: thevictorianvarietyshow@gmail.com Twitter (or X, or whatever it's called now): twitter.com/victorianvarie1 Threads: threads.net/@marisadf13 Bluesky: @marisadf13.bsky.social Buy Me a Coffee: buymeacoffee.com/marisadf13 Linktree: https://linktr.ee/thevictorianvarietyshow I'd greatly appreciate it if you could take a moment to rate & review this podcast on Apple Podcasts, Goodpods, Spotify, Podchaser, Audible, or wherever you listen, as that will help this podcast reach more listeners! --- Send in a voice message: https://podcasters.spotify.com/pod/show/marisa-d96/message Support this podcast: https://podcasters.spotify.com/pod/show/marisa-d96/support

I first learned about British physicist and chemist Sir William Crookes (1832-1919) several months ago, while working on my episode on X-rays. Recently, while reading Violet Tweedale's Ghosts I Have Seen and Other Psychic Experiences, I learned that Sir William had an interest in spiritual and paranormal matters in addition to the sciences. In this episode, I focus on some of his better known scientific discoveries (and will discuss his relationship to the paranormal next time). ***** References Barral, Miguel. “The Ghosts of William Crookes.” https://www.bbvaopenmind.com/en/science/leading-figures/the-ghosts-of-william-crookes/ Crookes, Sir William. On radiant matter [microform] : a lecture delivered to the British Association for the Advancement of Science, at Sheffield, Friday, August 22, 1879. https://archive.org/details/onradiantmatterl00croorich/page/7/mode/2up Division of Chemical Education, Purdue University. “6.1 Crookes' Tube.” https://chemed.chem.purdue.edu/genchem/demosheets/6.1.htm National MagLab. “William Crookes.” https://nationalmaglab.org/magnet-academy/history-of-electricity-magnetism/pioneers/william-crookes/ Sella, Andrea. “Crookes' tube.” https://www.chemistryworld.com/opinion/crookes-tube/8381.article Travis, Anthony S. “Introduction: Food or Famine.” https://link.springer.com/chapter/10.1007/978-3-319-68963-0_1 Tweedale, Violet. Ghosts I Have Seen and Other Psychic Experiences. https://www.gutenberg.org/files/39769/39769-h/39769-h.htm#Page_33 Wikipedia “Atomic, molecular, and optical physics.” https://en.wikipedia.org/wiki/Atomic,_molecular,_and_optical_physics#Optical_physics “Crookes radiometer.” https://en.wikipedia.org/wiki/Crookes_radiometer “Organic chemistry.” https://en.wikipedia.org/wiki/Organic_chemistry “Phenakistiscope.” https://en.wikipedia.org/wiki/Phenakistiscope “Robert Bunsen.” https://en.wikipedia.org/wiki/Robert_Bunsen “William Crookes.” https://en.wikipedia.org/wiki/William_Crookes ***** Email: thevictorianvarietyshow@gmail.com Twitter (or X, or whatever it's called now): twitter.com/victorianvarie1 Threads: threads.net/@marisadf13 Buy Me a Coffee: buymeacoffee.com/marisadf13 Linktree: https://linktr.ee/thevictorianvarietyshow I'd greatly appreciate it if you could take a moment to rate & review this podcast on Apple Podcasts, Goodpods, Spotify, Podchaser, Audible, or wherever you listen, as that will help this podcast reach more listeners! --- Send in a voice message: https://podcasters.spotify.com/pod/show/marisa-d96/message Support this podcast: https://podcasters.spotify.com/pod/show/marisa-d96/support

Sir William Lucas has been to St. James's Palace, and he wants to make sure that everyone knows about it. This episode we get into the particulars of Sir William's knighthood and stop by his favorite spot for a ball. If you have ever danced the minuet under the watchful gaze of a monarch, this episode is for you. You can find us online at https://www.thethingaboutausten.com and follow us on Instagram @TheThingAboutAusten and on Twitter @Austen_Things. You can also email us at TheThingAboutAusten@gmail.com.

In this episode, we engage with the socially amiable Sir William Lucas and his family, who live in all their knightly pride and ample entitlement at Lucas Lodge. Despite the pomp, there is an understated charm to Sir William, a product of humility gently carved by his past as a tradesman. His family forms a pleasant foil to our Bennets, with a particular focus on the Lucases' eldest daughter Charlotte, a sensible friend and confidante for Elizabeth Bennet.There is much talk about a recently held ball with the central topic being perhaps the most deciding factor of our story, Mr. Bingley's preference of Jane Bennet. The nuances of Mr. Bingley and Jane Bennet's budding affection are speculated and scrutinised, with the notably infamous Mr. Darcy, despite his disregard for social pleasantries, begins to trickle into the canvas of our primary concern. The initial impressions and opinions regarding the family of Netherfield give way to deeper interactions and recurring visits. Bingley's admiration for the eldest Bennet becomes increasingly obvious, though not to the eyes of society at large - Jane's strength of feeling and composed manner skilfully disguises her burgeoning affections.We are also privy to a rather candid discussion between Elizabeth and Charlotte concerning the strengths and pitfalls of concealing one's affections in the game of love and courtship. Little do they suspect the unexpected turn of events they are about to encounter.For, indeed, Elizabeth unknowingly begins to occupy a corner of Mr. Darcy's mind, a place she presently shares with unaesthetic opinions of her appearance and manners. Yet, entirely unbeknown to her, the aspects that were once subjects of criticism become, oddly enough, sources of attraction for our leading man.

In the latest podcast from the Jaguar Enthusiasts' Club, we meet Andrew Nahum, curator and historian, Peter Grimsdale, author and TV producer and Painting the Cave (a specialist in creative digital technologies) to learn about how the Jaguar Daimler Heritage Trust has devised a new and original virtual journey through the life and work of one of Britain's greatest carmakers and designers, Sir William Lyons.This is the first exhibition devoted to his work, showing how his unique eye for style evolved from motorcycle sidecars to dramatic racing and road cars. It is also the first vehicle museum experience to be originated online. From the first SS sidecars to the Jaguar E-type, it gives a vivid 3-D tour in virtual space through Lyon's life and his creations. This ground-breaking online exhibition journey draws on the Jaguar Daimler Heritage Trust's collection of vehicles and archives, exhibited at the British Motor Museum in Gaydon and the Coventry Transport Museum. This virtual exhibition gives new access to some of its precious treasures.

When the Scots were oppressed, and Scottish fortunes were at their lowest he was the chief inspiration for their resistance. A man who stood up to the King of England, Edward I, emerging from obscurity to gain a spectacular victory over the English, before enduring a crushing defeat and being put to death in the most barbaric way. A national hero who has gained great admiration, this is the story of Sir William Wallace one time Guardian of Scotland.

Sir William and Powerful Eric discuss porn recovery, St. Louis Shooting, Elon Musk Twitter Purchase, Eric's new "THINK BIG" book and the new free "Endeavor to Quit" Facebook recovery group. RECORDED LIVE!Join my new FREE Facebook porn recovery group called "Endeavor to Quit". click link here: https://www.facebook.com/groups/2242429205900971

Support the podcast: patreon.com/thehemingwaylist War & Peace - Ander Louis Translation: Kindle and Amazon Print Host: @anderlouis

https://linktr.ee/EnterTheLab On this episode of ETL ... 00:00 | INTRO • BILLIONAIRES ROW • SUBSCRIBE & FOLLOW! 03:55 | WILLIAM BENSON, FOUNDER & CHAIRMAN OF BILLIONAIRES ROW ENTERS THE LAB 54:00 | OUTRO...EXIT THE LAB, PEACE! • Vibin' with Elvis Escobar & Fort Sama • This episode is (OFFICIALLY) Presented by Billionaires Row. *Please Drink Responsibly* • Subscribe, follow and engage with us on all of our social platforms listed below... • YouTube Channel | ENTER THE LAB • Instagram | @enterthelab • Twitter | @ENTERTHELAB_ • TikTok | @enterthelab_

We're delving into the history books this week with the very mad story of a man whose lies led to the last battle to be fought on English soil.Who was Sir William Percy Honeywood Courtenay? Where did he get his titles from and why did people listen to him? And are disappointing drinks the greatest poison of them all?The secret ingredients is....the woods!Join us on Patreon to get extra episodes every week, and come and follow us on Instagram Twitter and FacebookSources this week include Kent Murders by Linda Stratmann Hosted on Acast. See acast.com/privacy for more information.

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William Jones compared the Old Testament to Hinduism and Persian poetry. He questioned whether Indian philosophy informed Moses and asserted the theological unity of Hebrew poetry with Persian poetry and other hymns to God.

Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's. Matt starts off by telling Steve some tidbits from the new Netflix, Woodstock 99 documentary. After that it's time to watch Bo Jackson and Deon Sanders play 2 sports because it time to go back to August 18th in the 90s. SEGMENT 1 Show: WCW Clash of the Champions 24 Premiere Date: 08/18/1993 Story: Clash of the Champions XXIV took place on August 18, 1993 in Daytona Beach, Florida from the Ocean Center. Your Hosts are Tony Schiavone and Jesse Ventura. Matches: 1. WCW/NWA World Tag Team Champions Steve Austin & Lord Steven Regal (w/Sir William & Brian Pillman) vs. Arn Anderson & Paul Roma 2. Too Cold Scorpio vs. Bobby Eaton 3. Johnny B. Badd vs. Maxx Payne 4. WCW World Television Champion Paul Orndorff vs. Ricky Steamboat 5. Sting & Ric Flair vs. The Colossal Kongs (w/Harley Race) 6. Rick Rude & The Equalizer vs. Dustin Rhodes & ??? 7. WCW World Heavyweight Champion Big Van Vader (w/Harley Race) vs. Davey Boy Smith SEGMENT 2 Movie: Mortal Kombat Premiere Date: 08/18/1995 Story: Three unknowing martial artists are summoned to a mysterious island to compete in a tournament whose outcome will decide the fate of the world. Thanks for listening! Watch all new episode every Thursday here on Youtube: https://www.youtube.com/channel/UCk5uXQXE9WGIWcpSkNkXaOg Audio available on all major platforms. Email Us At: hitnineties@gmail.com Instagram: HappenedInThe90s Twitter: HIThe90s Facebook: @HappenedInThe90s Website: happenedinthe90s.wordpress.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Today we invite our new friend, Joel Ozborn, to talk with us a little Billy Joel. As we find out Joel (Ozborn, not Billy) used to work very closely with the late comic/magician The Amazing Jonathan (who hated Billy Joel music). But, Joel made his boss (and friend) listen to it anyway, which is awesome. Joel O. discovered Billy Joel by way of Australia, where he lives now. So, a different perspective across the globe on how Sir William brings the planet together in his greatness. If you are one of our Australian listener friends, go see either of the Joel's perform live.

What exactly was Sir William Lucas' role as the mayor of a small market town? What's the difference between The Palace of Westminster, Saint James, and Buckingham? And why should the monarchy invest in fire insurance?  Find out the answers to these questions and more, in this episode of My Cousin Jane.Support the show

Support the podcast: patreon.com/thehemingwaylist War & Peace - Ander Louis Translation: Kindle and Amazon Print Host: @anderlouis

This is Part One of Two.On the next morning of Sunday 10th August at 09:08am, Victor Ford-Lloyd the butler to Sir William Ackroyd entered the top floor flat at 69 Eaton Place after a night out. In the master bedroom, he found his friend, his lover and the man servant to Sir William dead. Having died several hours earlier, he was lying motionless, with a sticky pool of congealed blood about his head, having had his skull brutally smashed in with a hammer.But why?Was this a robbery? A revenge killing? Or an attack on an openly gay man? With Sir William in Scotland and Victor at several clubs in the city at the time of the murder, neither witnessed the attack, or saw any potential suspects. So, what happened, and who murdered Sir William's manservant?Murder Mile is researched, written and performed by Michael J Buchanan-Dunne of Murder Mile Walks with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name with additional music, as used under the Creative Commons License 4.0 (Attribution) via Free Music Archive and YouTube Music. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.FOLLOW US HERE:FacebookTwitterInstagramMurder Mile Discussion GroupYoutubeOTHER LINKS: Link to Murder Mile MugsLink to YouTube ChannelLink to Live ShowSupport this show http://supporter.acast.com/murdermile. See acast.com/privacy for privacy and opt-out information.

The life of Sir William Marshal reads like a medieval story book. Starting out as a landless squire whose only possession was family connections, Marshal rose from household knight to become one of the wealthiest and most powerful nobles in early thirteenth century England. Ultimately, he was chosen by his peers to be the guardian and regent of a boy king, during a French invasion abetted by a baronial revolt. William Marshal's remarkable rise was due to the qualities that made him, in the words of both friends and foes, “the finest knight in all the world,” his prowess, his acumen in both war and court politics, and, above all, his reputation for unshakeable loyalty.In this episode Richard and Ellen retell stories about William Marshal's life as a landless household knight. A follow on episode explores his career as a baron and his complicated relationship with King John of Magna Carta and Robin Hood notoriety. The focus of both episodes is on the key to William Marshal's success, his practical chivalry