Podcast appearances and mentions of richard burbage

Gage and Jessica try to reassure Philadelphia that her celebrity crush on Richard Burbage is nothing of which to be ashamed. Philadelphia doesn't necessarily agree but proudly boasts that she did con his visage to be recalled whenever it fancies her mood.

Today in the ArtZany Radio studio Paula Granquist welcomes from the Northfield Arts Guild production of Shakespeare in Love director Rachel Haider and cast members Will Martin (William Shakespeare), Sara Cronk (Viola DeLesseps), Andy Artley (Lord Wessex), and Brendon Etter (Richard Burbage). SHAKESPEARE IN LOVE – A STAR-CROSSED COMEDY BASED ON THE ACADEMY AWARD-WINNING BEST PICTUREDIRECTOR: RACHEL HAIDER Part mis-identity hilarity and part love story, this […]

Philadelphia gushes about meeting Richard Burbage in a tiring room. But Gage and Jessica must console her when she realizes his moment has long since passed. Fortunately, she has a time machine to help spare her from such thoughts.

On this day, March 13, 1619, the stage lost one of its greatest stars. Richard Burbage wasn't just an actor—he was Shakespeare's leading man, the original Hamlet, Othello, and King Lear. But his impact went far beyond the stage.   From his early years in London to his legendary performances at The Globe Theatre, Burbage helped shape the golden age of English drama. He was a close friend of Shakespeare, a theatre pioneer, and a performer whose talent left an indelible mark on history.   Join me as we uncover the life, legacy, and lasting influence of Richard Burbage—the man who first brought Shakespeare's greatest characters to life.   If you love Tudor and Elizabethan history, don't forget to subscribe and hit the notification bell for more deep dives into the past!   #shakespeare #theglobe #actors

The Curtain Theatre was built in 1577 in a section of London called Shoreditch. Constructed only about 200 yards, or 600 feet, away from The Theater, which is the building James and Richard Burbage built as the first purpose built theater in London. For context, this distance about half a city block in Manhattan, and little less than 1 city block in Chicago. In 1585, the Burbages took advantage of this close proximity and struck a deal with the owner of The Curtain to use it as a second performance venue. From 1597-1599, The Curtain was home to the Lord Chamberlain's Men and saw the staging of some of Shakespeare's most famous plays including Romeo and Juliet, and Henry IV Part 1 and 2. The Curtain also staged contemporary plays by John Marston and even one production of Ben Jonson's Every Man in His Humour in 1598, which is a significant production for Shakespeare history, since William Shakespeare was listed as a member of the cast, making The Curtain theater a place we know Shakespeare would have performed himself. There are no records of the Curtain after 1627, so historians are unclear what happened to cause the theater space to be closed down, but a recent development of a square in Shoreditch is bringing The Curtain back to life by having uncovered remains of The Curtain theater that have not only been preserved, but are being showcased as the new Museum of Shakespeare in London, that will allow patrons to literally stand where Shakespeare once stood. Here today to share with us the details behind the dig, and how you can visit the Museum of Shakespeare, is our guest, and lead archaeologist for the excavation with the Museum of London Archaeology, Heather Knight.  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Without the First Folio, about half of Shakespeare's plays would probably be lost to us. Dr. Chris Laoutaris takes us through the creation of the First Folio, the book that preserved Shakespeare for all time.Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by Numbers, published by Pen and SwordCourting the Virgin Queen, coming from Pen and SwordDr Chris LaoutarisUniversity of Birmingham, Shakespeare Institute@drclaoutarisShakespeare's Book: The Intertwined Lives Behind the First FolioShakespeare and the Countess: The Battle that Gave Birth to the GlobeShakespeare Beyond Borders AllianceEQUALity Shakespeare InitiativeHistory shows us what's possible.@shakeuphistory

Among the male players who performed thousands of new plays in the Elizabethan repertory, the most famous were Richard Burbage and Will Kempe, members of the company known first as the Lord Chamberlain's Men and later the King's Men, the company of William Shakespeare. In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Siobhan Keenan to find out more about these two extraordinary actors for whom Shakespeare created some of his most enduring characters.This episode was edited by Ella Blaxill and produced by Rob Weinberg.Not Just the Tudors is a History Hit podcastEnjoy unlimited access to award-winning original documentaries that are released weekly and AD-FREE podcasts. Get a subscription for £1 per month for 3 months with code TUDORS - sign up here.You can take part in our listener survey here.

Philadelphia is over the moon about her new paramour, Richard Burbage, and adores his wooing her with the words of the great romantic characters of the time. Jessica and Gage  wonder if it is all a 'con'.

Philadelphia denies that meeting star of the 16th Globe Theater, Richard Burbage, has left her awestruck. Jessica and Gage consider the power of celebrity, then and now.

Stéphanie Hochet « William » (Rivages)Que s'est-il passé dans la vie de William Shakespeare entre 1585 et 1592, de ses vingt et un à vingt-huit ans ? Personne ne le sait. Ce sont ces « années perdues » que Stéphanie Hochet se plaît ici à imaginer.William, marié prématurément et père de trois enfants, étouffe dans le carcan familial. Il ne rêve que d'une chose: devenir acteur. Il se joint alors aux Comédiens de la Reine qui cherchent un remplaçant. Dans une Angleterre où sévit la peste, son sort bascule et sa vocation de dramaturge s'affirme. Ses rencontres avec le ténébreux Richard Burbage, qui lui inspirera le personnage de Richard III, et le fascinant Marlowe seront décisives. Elles dicteront son destin.Avec un art subtil du portrait, l'autrice évoque aussi en écho les thématiques et les passages de sa propre vie qui justifient son attachement à la figure de Shakespeare : l'androgynie, l'emprise des aînés, le désir de fuite, l'idée du suicide… Une forme inédite du roman d'apprentissage.Musique : « My funny Valentine » Chet Baker

Episode 109:We don't know a lot about individual players of the Elizabethan and Jacobean stage, but there are three stars of the day that we have some information about. Richard Tarlton, the Queen's favourite comic player.Will Kempe's origins and early career.‘A Knack to Know a Knave' and ‘Fools of Gotham'.Did Kempe fall out with Shakespeare?‘Kempe's Jig' and last days.Edward Alleyn's family and early life.Touring with the Earl of Worcester's Men.Return to London and success with the Admiral's Men.Praise of Alleyn from Ben Johnson.Marriage and events in London while on tour.Semi-retirement from acting.Business partnership building the Fortune Playhouse and other entertainments.Alleyn's wealth and founding of Dulwich College.Remarriage and death.Richard Burbage's family and early life.Early career in several troupes.Leading roles with the Lord Chamberlin's Men.Burbage as a character actor.His continuing long career and death.Mourning and praise on the death of Burbage.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Santiago – the slayer of the Moors

"Hi-Diddly-Dee An Actor's Life For Me!" Please welcome Actor, Creative & all round 'prolific pants' Stewart Wright atop a bus on the way to Kathmandu in the halcyon days of being 19 for his 'Clearing', as we talk the combined passions of life, family, rugby and acting.Recorded also as a Facebook LIVE: https://www.facebook.com/730074635/videos/1030198231024253/Actor Stewart Wright, soon to be seen as “Devina Delish, the Cross Dressing Plumber” in “Midsomer Murders” and to answer the question that we've all been asking: “Dude, Where's My Donkey?” Also due to be appearing as “BS3 Santa” on a doorstep near you in Bristol at Christmas - and as “Barney the Postman” in a Christmas film on Netflix with a cheeky appearance in between in the West End as Richard Burbage (of Shakespeare's Lord Chamberlain Company) in “Upstart Crow” - with David Mitchell as the Bard himself - William Shakespeare!Marvellous!More about Stewart from Reg Starkey - Editor of UK Health Triangle Magazine: Sugar-free Stewart Wright is a fascinatingly competitive  English character actor. He has done remarkably well on TV and in films, as well as on stage. When Covid closed theatres but allowed freedom to move, he took his talent onto the streets, knocking on doors in the Christmas season with a degree of success that surprised even him. Stewart displays classical English charm, with traditional reserve. His parents were both doctors, who could not heal themselves and chose instead to go their different ways very early in Stewart's young life. Perhaps it was then that he first picked up the theatrical masks of comedy and tragedy, hiding his true feelings politely in the process? He was sent away to boarding  school, where he first trod the boards and got a taste for the ‘smell of the greasepaint and the roar of the crowd'. But where he really excelled was on the rugby field. Despite a serious knee injury aged 14, Stewart became Captain of Wellington's first XV and dreamed daily of playing for England. He was was definitely on track when he was selected for an England under 18 trial - but his hopes were shattered by a recurrence of his earlier injury. The possibility of playing professional rugby was kicked savagely into the longest grass. Stewart was left in the lonely field of the eternal subjunctive: the might- have-been. Aged 19, footloose and fiancée free, Stewart found his way to Kathmandu, enjoying the excesses of gap-year-style freedom before committing to three years at Drama School back in London. He never stopped watching top quality rugby or loving it - but acting became his new passion. In those early years, Stewart ran through Agents and girlfriends like a precocious child running through newly mown hay. By his own admission, his twenties and most of his thirties were mainly completely out of balance, addictive even. Yet as you can see from his Wikipedia page, they were also full of professional success - particularly in TV and on film, including now a new Bollywood biopic on Rugby as Paul Walsh and numerous new creative projects. For Stewart, his new and better-balanced life only really began at 40, when he got married to Celia and started his own family. The wild child, wounded by his own parents' divorce, was determined to create a secure, stable and loving environment for his wife and their two young sons. Meaningful creative work remains enormously important to this recently rebalanced individual - but family is now infinitely more important. Check him out. He remains highly competitive…Stewart Wright may once have been a headache - but he never was a bore!www.stewartwright.net

"It opened on June 30th, 1614"

This Food & Farming podcast episode is part of the Maternal Matters campaign being led by AHDB promoting the production of heifers that are efficient, profitable and fit for the future.  Our Knowledge Exchange Manager Amy Hughes speaks to suckler producer Pete Burbage who farms alongside his brother Richard in Northamptonshire. Pete talks about breeding technologies in the suckler herd and how using synchronisation, AI and sexed semen has benefited his farm business. Pete has been able to tighten the calving period to nine weeks and the new technologies have improved the maternal traits being bred into the herd.  It can be an expensive investment, however, Pete and Richard have seen a significant return on investment and believe they are better off than they would be having a bull on farm and paying to manage it all through the year.  Pete calves his heifers at two-years old and puts a lot of emphasis on the importance of good management and good nutrition for the heifers when trying to get them in second calf.  He says: “Calving at two-years-old is reliant on good nutrition to establish the right growth weights. Use quality forage and quality grass and weigh regularly to make sure they are on the right track. At the end of the day, they are trying to grow themselves, get in calf and feed a calf, which is achievable but need to manage accordingly.”  Find out more about Pete and Richard Burbage: http://www.prburbage.co.uk/contact-us/  Find out more about AHDB's Maternal Matters campaign: https://ahdb.org.uk/maternal-matters  Thank you for listening.

Tony Knight was educated at Sydney Grammar School and trained at the Drama Centre London. He has considerable knowledge, experience and expertise as a professional acting teacher and director.Tony has been the Program Leader for the Musical Theatre (B.A. Hons.) course at the LaSalle College of the Arts, Singapore, developing and implementing a new curriculum. He was also the Head of Acting at Australia's National Institute of Dramatic Art (NIDA), training some of Australia's most celebrated national and international actors.He has taught, directed and lectured in many parts of the world, including Australia, the USA, Japan, Romania, Singapore and Tonga. He has spoken at numerous international and national conferences, including the annual ITI-Drama Schools Conference in Romania, and at the Musical Theatre Educators Conference, in Perth 2015, which included delivering a paper re current research - What's Hidden Underneath: Secrets & Sex –The Pajama Game and American Drama In the early 1950s, the Age of McCarthyism, HUAC, and The Kinsey Report.Tony has a passionate interest in all the performing arts, and is dedicated to improving the training of young actors. He is freelancing and completing his PhD on Richard Burbage: Shakespeare's Actor & the Art of ‘Personation. Now resident in Adelaide, South Australia, most recently he has successfully delivered three public lectures on the Identity of the Australian Actor at the National Portrait Gallery and the National Film and Sound Archive, Canberra.Tony is co-producer and director of STARC Productions, Adelaide, which has presented a number of highly acclaimed productions, specialising in '2-person plays', including the Australian premiere of Suzie Miller's award winning Australian play Reasonable Doubt. Furthermore, he has held two successful photographic exhibitions for the South Australian Living Artists (SALA) Festival.Tony's motto and aim in all his work is 'Making the Ordinary “Extraordinary!"'The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Napsáno 1600 - 1602, literární druh: drama, žánr: pětidílná tragédie (aristotelovské schéma) téma: nerozhodnost, msta, vražda, minulost motiv: nenaplněná láska, nedůvěra, pomíjivost života časoprostor - Elsinor, jazyk: blankvers - pětistopý nerýmovaný jamb odpovídá postavě - hovorový x formální státnická řeč Claudia, někdy archaismy, knižní výrazy (srov. ahistorický anachronismus x historická autentičnost) herec Richard Burbage (1619), porestaurační doba (klasicismus) - konec transvestitismu - komedie mravů x tragédie William Dovenant (refinement), chronologický postup ŽIVOT(1564 -1616) - gymnázium, osm let starší Anne Hathway, kočovné divadlo, po sedmi letech Londýn, Globe - 1603 požár, zpět Stratford DÍLO 1) do 1600 - komedie ZKROCENÍ ZLÉ ŽENY (THE TAMING OF THE SHREW) - Kateřina, Petruchio, Bianca Kiss me, Kate, MNOHO POVYKU PRO NIC, WINDSORSKÉ PANIČKY, SEN NOCI SVATOJÁNSKÉ (A MIDSUMMER NIGHT'S DREAM) - Demetrios - hádka s Helenou, Lysandr, elf Puk, na závěr divadelní hra, KUPEC BENÁTSKÝ (THE MERCHANT OF VENICE)historické hry: Jindřich IV, Jindřich V, Jindřich VI, Richard II (THE TRAGEDY OF KING RICHARD THE SECOND) - Jindřich Bolingrok x Thomas Mowbray, Richard III , JULIUS CAESAR, ROMEO A JULIE, 2. Období - tragédie - OTHELLO, MOUŘENÍN BENÁTSKÝ (OTHELLO, THE MOOR OF VENICE) - žárlivost, Jago, Cassio, Desdemona, šátek, sebevražda, KRÁL LEAR - Cordelia, Closter, Edgar, Edmund, MACBETH, HAMLET, ANTONIUS A KLEOPATRA 3. Období - romance, tragikomedie - CIMBÁL (CIMBALIN), ZIMNÍ POHÁDKA (THE WINTER'S TALE) Bohemia, žárlivost, nevinnost, BOUŘE (THE TEMPEST), SONETY - 152, mladému muži a černé dámě, Sonet 66 - Save that to die I leave my love alone OBECNĚ KULTURNÍ KONTEXT: - Pierre de Ronsard - Lásky - přes 400 milostných sonetů, ód, elegií Geoffrey Chaucer - Canterburské povídky (Canterbury tales) - 29 postav, aabb, desetistopý rýmovaný jamb - srov 100 novel Dekameron (Giovanni Boccacio), Francesco Petrarca - Zpěvník (Sonety Lauře), Dante Allighieri - duchovní epos Božská komedie, Dekameron Francois Villon - Závěť - velký testament, Odkaz - malý testament, Michel de Montaigne - Eseje (srov. 4. 4. Hamlet), 19. Století 1. Shakespearovská společnost - Německo INSPIRACE: SAXO GRAMMATIVUS: PŘÍBĚH AMLETA, PRINCE JUTSKÉHO, NOC S HAMLETEM (1964) - Vladimír Holan, HAPRDÁNS neboli HAmlet PRinc DÁNSký ve zkratce - hovorová čeština, mezihry INSCENACE 20. Stol.: Německo: Hamlet 1945 x 1989 - Heinrich Müller HAMLET/MACHINE, Ron Daniels a Marc Rylance - 1989 - osobní vztahy

Shakespeare's Birthday Month continues with Part Two with our conversation with Dr Edel Semple from University College in Cork, Ireland, and Dr. Ronan Hatfull from the University of Warwick, talking about Shakespearean Biofiction onstage, screen, and this week on the page, too. We share love for both Hamnet the novel by Maggie O’Farrell and Hamnet the play (by Irish companies Dead Centre and the Abbey Theatre); brushes with greatness (in the forms of playwright Edward Bond and comedian Eddie Izzard); and we discuss all the big questions: how intimidating it can be putting words into Shakespeare’s mouth; how biofiction can speculate realistically or fantastically about where Shakespeare’s genius comes from; whether Shakespeare is, in fact, worth it; how Shakespeare compares to Leontes in The Winter's Tale; how we can avoid spoilers for The Falcon and the Winter Soldier; what's amazing about Lauren Gunderson’s The Book of Will; and, amazingly, the good things in Roland Emmerich’s film Anonymous. (Pictured, clockwise from top left: Laurie Davidson as the title character in the miniseries Will; Hamnet by Maggie O'Farrell; Austin Tichenor as Richard Burbage in Lauren Gunderson's The Book of Will at Northlight Theatre, photo by Liz Lauren; and Kenneth Branagh as William Shakespeare in All Is True.) (Length 22:31) The post More Shakespearean Biofiction appeared first on Reduced Shakespeare Company.

In this first part of This Week in Tudor History for the week beginning 15th March, historian and author Claire Ridgway looks at the life and career of a bishop who started out as a monk but whose conversion to the reformed faith saw him dying an awful death in the reign of Queen Mary I, before moving on to the death of a soldier, translator and diplomat in Henry VIII's reign, and the death of a Tudor earl and brother-in-law of a queen who was once known as Black Will Herbert.   You can see this podcast as a video at the following link: https://youtu.be/zHsl0AvXRAY   15th March 1554, in the reign of Queen Mary I - John Hooper, Bishop of Gloucester and Worcester, was deprived of his bishopric while imprisoned in Fleet Prison. He had been charged with owing over five hundred pounds in unpaid first fruits, a charge he denied. He was later burnt at the stake. He'd started his career as a Cistercian monk though!   16th March 1533, in the reign of King Henry VIII -  soldier, translator and diplomat, John Bourchier, 2nd Baron Berners, died at Calais, while serving as Deputy of Calais. He was a translator of some renown.   17th March 1570, in the reign of Queen Elizabeth I - William Herbert, 1st Earl of Pembroke, soldier, courtier and landowner, died at Hampton Court, aged sixty-three. "Black Will Herbert" had served Henry VIII, Edward VI, Mary I and Elizabeth I, and was the brother-in-law of Queen Catherine Parr.   Claire's video on the burning of John Hooper - https://youtu.be/dE_mtQMSHVA   Other Tudor events on these dates:   March 15 - Henry VIII uses foul language! - https://youtu.be/z_7negTJ728   March 15 - The Lady Mary causes a stir in London - https://youtu.be/BuULiz0yXeI   March 16 - Richard Burbage, actor and friend of Shakespeare - https://youtu.be/mTvT72U5My8   March 16 - The martyrdom of two Catholic priests in York - https://youtu.be/Ai8crhFUUAQ   March 17 - Elizabeth I's Famous Tide Letter - https://youtu.be/oendk0s7eEs   March 17 - Alexander Alesius and his terrifying vision of Anne Boleyn - https://youtu.be/fj6N4BEMoYc

In the second part of This week in Tudor history, historian Claire Ridgway talks about Giovanni di Lorenzo de' Medici, who became Pope Leo X in 1513 and who was known as a patron of the Arts and his generosity to Jews, Christopher Bales, a Catholic priest and martyr from Elizabeth I’s reign; Richard Burbage,  an Elizabethan actor who was friends with William Shakespeare, and Arthur Bulkeley, a Tudor bishop who supported reform and the use of the Welsh language in sermons. You can see this podcast as a video at the following link: https://youtu.be/IlgVzgw-GAw   11th March 1513 - Giovanni di Lorenzo de' Medici was proclaimed Pope Leo X.   12th March 1564 - The baptism of Roman Catholic priest and martyr Christopher Bales.   13th March 1619 - Death of Elizabethan actor, friend of William Shakespeare and theatre builder, Richard Burbage.   14th March 1553 - Death of Arthur Bulkeley, Bishop of Bangor, at his home in Bangor.   Other Tudor history events for these dates:   March 11 - William Warner, our English Homer - https://youtu.be/oFCIFbDA3Cg March 11 - The wonderful deathbed words of an Elizabethan poet - https://youtu.be/91dsiYAHuEE March 12 - The hidden remains of a treacherous monk - https://youtu.be/evs7ZvC2OoE March 12 - The death of Thomas Boleyn, father of Anne Boleyn - https://youtu.be/KhiuvNMUiyY March 13 - A young horse causes the death of an old earl - https://youtu.be/U8HrJwKWpH0 March 13 - The hangings of conspirators Henry Cuffe and Sir Gelly Meyrick - https://youtu.be/igmANyHYDTw March 14 - A man who served 4 monarchs and kept his head - https://youtu.be/_Lrjhj8v-So March 14 - A mumbling judge causes problems - https://youtu.be/w2UTIzSv5uw  -- Claire Ridgway Historian and author, founder of the Anne Boleyn Files and Tudor Society www.theanneboleynfiles.com www.tudorsociety.com https://twitter.com/AnneBoleynFiles http://www.facebook.com/theanneboleynfiles https://www.instagram.com/anneboleynfiles/ https://twitter.com/thetudorsociety https://www.facebook.com/tudorsociety/ https://www.instagram.com/tudor.society/  

In a special episode for the middle of winter, Michael and Ethan discuss A Midsummer Night’s Dream, but not the Shakespeare one!In this episode:Michael makes sacrifices for his artWe’re talking about the comic book, but not about the comic bookWe pair our drinks with meatThere’s a lot of talk about Richard Burbage. Where else can you get that?Stories are real.This podcast is the highest form of comment.A very long man. (And this is the other hill figure Ethan failed to find in real time.)Ethan makes it grim at the end, but he does successfully rein it in.Neil Gaiman’s brilliant “Make Good Art” speech.Next episode they’ll talk about The Playboy of the Western World, by JM Synge. (Also worthwhile: Synge’s Complete Works.) Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Donate to our Patreon! BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Who were the actors who first performed Shakespeare’s plays? You might know the names of some of the King’s Men—the company of which Shakespeare was a shareholder—like Richard Burbage, Will Kempe, or Robert Armin. But who were their co-stars? How were they cast? And what was it like to watch their performances? In this episode, we talk to Dr. Lucy Munro, author of the latest book in Bloomsbury’s Shakespeare in the Theatre series, The King’s Men. By exploring theatrical contracts, the handful of existing cast lists, and what there is of 16th- and early 17th-century theater criticism, the book gives us a peek into the inner workings of the company that brought Shakespeare’s plays to life for the first time. Munro is interviewed by Barbara Bogaev. Dr. Lucy Munro is a lecturer in Shakespeare and Early Modern Drama at King's College London. She is the author of Children of the Queen’s Revels: A Jacobean Theatre Repertory, published by Cambridge University Press in 2005, and Archaic Style in English Literature, 1590-1674, published by Cambridge in 2013. She is the editor John Fletcher's Taming of the Shrew-sequel, The Tamer Tamed, for Methuen Drama in 2010. Her latest, Shakespeare in the Theatre: The King’s Men, was published by Bloomsbury in 2020. From the Shakespeare Unlimited podcast. Published June 23, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “What Players Are They?”, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

For the entirety of Shakespeare’s life, the Tabard Inn was a well established public inn on the mainstreet of Southwark, leading to London Bridge, and it was famous because Chaucer had set the opening scene of The Canterbury Tales there, but according to a 27 page hand written document once owned by famous antiquary David Laing, the Tabard Inn served as a frequent meeting place for William Shakespeare, who gathered there with famous friends like Richard Burbage, Ben Jonson, and other “roystering associates” of the 16th century, all of whom carved their names into the wooden panels of this iconic public house in an act of graffiti that turns out to be a key piece of history.This paper record was left unnoticed for decades inside the Edinburgh University Library until a reference to it was rediscovered by Martha Carlin in 2013. Martha is Professor of history at the University of Wisconsin-Milwaukee and she joins us today to share with us her fantastic discovery, the history of the Tabard Inn, why Shakespeare and his friends were writing on the walls there in the late 16th century.

This week the podcast host, Denise, discusses acting training during the Elizabethan era, fencing, apprenticeships, Richard Burbage and how Shakespeare affected the acting scene of those times and paved a way for the performing arts nowadays. The Actor's Vow is also introducing the Sunday Spotlight series, which will be announced in the episode! 

On this day in history, 16th March 1619, actor Richard Burbage was buried at St Leonard's Church, Shoreditch. Burbage was a famous actor in the reigns of Queen Elizabeth I and King James I, peforming for royalty and even being in King James' company of players. Burbage was also a good friend of William Shakespeare, and the two men were involved in the building of the famous Globe Theatre. Find out more about Richard Burbage, his life and career, in today's talk from Claire Ridgway, founder of the Tudor Society. You can see this podcast as a video at the following link:https://youtu.be/mTvT72U5My8 Also on this day in Tudor history, 16th March 1589, two Roman Catholic priests, Robert Dalby and John Amias, were executed as traitors at York. Find out more in last year’s video - https://youtu.be/Ai8crhFUUAQ  You can find Claire at:https://www.theanneboleynfiles.com https://www.tudorsociety.comhttps://www.facebook.com/theanneboleynfiles/https://www.facebook.com/tudorsociety/https://twitter.com/AnneBoleynFiles https://twitter.com/thetudorsociety https://www.instagram.com/tudor.society/ https://www.instagram.com/anneboleynfiles/

For William Shakespeare’s London, multiple races were commonplace on the streets near The Globe theater where plays like Othello and Merchant of Venice boldy portrayed blackness and multiple ethnicities in performance, but what was the 16th century perspective on race when they saw various ethnicities on stage? Othello was first portrayed by Richard Burbage, who was a white man, so did Shakespeare use blackface makeup? Was that costume technique offensive to his audience the way it would be in a modern theater?   Here to help us explore the role of race on stage, and the cultural understanding of ethnicities for people like William Shakespeare is our guest, Andrea Stevens. Andrea Stevens is Associate Professor of English, Theatre, and Medieval Studies at the University of Illinois Urbana Champaign specializing in the drama of Shakespeare and his contemporaries. She is the author of Invention of the Skin, which explores costumes, makeup, and representations of race on stage in Shakespeare’s lifetime, and  the role of blackface makeup in performance on stage for 16th century theater.

"Life upon the wicked stage Ain't ever what a girl supposes..." - from Show Boat New episode! In episode #11, I explore what life was like on the Elizabethan stage, from its naive origins to the messy, democratic, bawdy theatre world Shakespeare inherited. Join me as I learn about the original hellmouth, why the Puritans were so opposed to the filthy theatre, some fun things to do with a donkey, and how many days it takes to dance your way from London to Norwich...   You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. The Patreon campaign is up and running, with bonus Sonnet episodes! We also have a Spotify playlist, which will be updated as we work through the plays. Key links below. You can also visit the bibliography page here, which is a work in progress. Links mentioned: Malcolm Gladwell, The Tipping Point (2000); Thomas Norton and Thomas Sackville, The Tragedy of Gorboduc (1561-62); Stephen Greenblatt, Will in the World (2004); Reverend John Northbrooke's allegations against the theatre (late 16th century); Bill Bryson, Shakespeare: The World as Stage (2007); Representation of the Globe Theatre, at the website of Saint Ignatius College, Geelong; (New) Globe Theatre, DVD online store; Slings and Arrows (2003-2006) - Season 1 trailer on Youtube; Ned Alleyn (1566 - 1626); Richard Burbage (1567 - 1619); "Exit: Burbage"; Robin Williams in Mork & Mindy (1978 - 1982); Richard Tarleton (15?? - 1588); Will Kempe (15?? - 1603); Kemp's Nine Days Wonder; Morris dancing; Robert Armin (c. 1563 - 1615); Philip Henslowe (c. 1550 - 1616); Henslowe's diary... as a blog!; Shakespeare in Love (1998, d: John Madden). Joseph Fiennes is Shakespeare, Geoffrey Rush is Philip Henslowe, Ben Affleck is Ned Alleyn, Judi Dench is Queen Elizabeth, Martin Clunes is Richard Burbage, Rupert Everett is Kit Marlowe, and Patrick Barlow plays Will Kempe.; Music: "We Open in Venice" and "Another Op'nin, Another Show" from Cole Porter's Kiss Me Kate: 1999 production with Brent Barrett (Fred / Petruchio), Rachel York (Lili / Kate), Nancy Kathryn Anderson (Lois / Bianca), Michael Berresse (Bill / Lucentio), and Kaye Brown (Hattie); Music in the Time of Shakespeare – Gigue; Thomas Morley: Dances for Broken Consort; Blossom Dearie: Life Upon the Wicked Stage (from Show Boat); Judy Garland: No Business Like Show Business (from Annie Get Your Gun); Jason Alexander: Comedy Tonight (from A Funny Thing Happened on the Way to the Forum, excerpted in Jerome Robbins' Broadway); Original Broadway Cast: The Glamorous Life (from A Little Night Music)

When we talk about Shakespeare’s theaters, most often we mean The Globe, with it’s iconic “O’ shape, we sometimes forget that Shakespeare’s plays were actually performed in a variety of venues, and that William was involved in starting the first indoor theater anywhere in the world when he, and his longtime business partner Richard Burbage, established the then-risky venue, The Blackfriars. With the only accurate replica of The Blackfriars in the world, no one knows the history of this theater better than The American Shakespeare Center, which is why we’ve asked Sarah Enloe, the Director of Education at The ASC to visit with us today and take us behind the curtain to look at the history of Shakespeare’s lesser known, but equally as innovative, indoor theater, The Blackfriars.

Today in the Watchtower we welcome Kyle Gould. Along with being the husband of What the Force podcast host and previous Discussion Session guest, M-C Gould, Kyle is himself an actor, editor, and podcaster. You recently heard me mention him during the Batgirl Secret Origins as he swooped in to save the day. You can find Kyle online every Wednesday as the host and Dungeon Master of the Tavern Tales Dungeons and Dragons podcast, every other Friday as Jason in the audiodrama “The Glass Appeal”, and monthly as Xavier, the cult leader on “The Black Forest” podcast. If you live in or around the Calgary area, you can also find Kyle live on stage as Richard Burbage in the Morpheus Theater Production of “Shakespeare in Love”. Pertinent links: https://twitter.com/taverntalesdm http://www.taverntales.ca/ Thanks to everyone for sharing time with us. You can find us on Twitter @theYJfiles, on Facebook at www.facebook.com/crashingthemode, on Tumblr at theyjfiles.tumblr.com, on our website www.crashingthemode.com, and at our email address whelmedpodcast@gmail.com. You can also find us on YouTube, Stitcher, and IHeartRadio. If you enjoy our show, please consider sharing it with a friend. You can also support the show by giving us a 5-Star review on Apple Podcasts, or your podcatcher of choice. The ratings help others find the show. If you do leave us a rating, please let us know! Especially if you’re outside the US, we have to look a little harder to find those. Please continue to spread the word to friends and family about this amazing show, and get yourself up to speed for the S3 premiere. And as always. Stay whelmed everyone

Kevin Kenerly is a 22-year veteran of the Oregon Shakespeare Festival and is currently playing Richard Burbage in Lauren Gunderson's The Book of Will (after having played Burbage in Shakespeare in Love in 2017). Kevin talks with Austin Tichenor (who played Burbage in the Northlight Theatre production in 2017 and blogged about it for the Folger Shakespeare Library) about his approach to playing Shakespeare's leading man, how he first came to Shakespeare, how the role of Burbage resembles Cyrano de Bergerac, inspirational teacher shoutouts, impressive instruments, the magic of different interpretations, a love for language, the pleasure of needing no clue, Michael Caine aphorisms, how theatre sleeps when we do, and ultimately how Shakespeare and microbrew prove to be an unbeatable combination. Featuring a special appearance from Lauren Gunderson herself! (Pictured: David Kelly as Henry Condell, Kevin Kenerly as Richard Burbage, and Jeffrey King as John Heminges. From the Oregon Shakespeare Festival production of Lauren Gunderson's The Book of Will, directed by Christopher Liam Moore.) (Length 22:56)

Imagine where we'd be without Shakespeare's plays. It's difficult to contemplate now. But it was thanks to another man that many of them were brought to life. Today, Richard Burbage is a not a household name. But he should be. He's the man for whom many of the great Shakespearean roles were created. One of the founding members of the Lord Chamberlain's Men, playing at the newly built Globe in 1599, he's one of the foundations upon which British theatre was built. Andrew Dickson talks to leading actors, rummages among the archives and dissects some of the greatest parts in acting to discover Burbage's crucial role - and realises that without Richard Burbage, there could be no Shakespeare. Producer: Penny Murphy

Imagine where we'd be without Shakespeare's plays. It's difficult to contemplate now. But it was thanks to another man that many of them were brought to life. Today, Richard Burbage is a not a household name. But he should be. He's the man for whom many of the great Shakespearean roles were created. One of the founding members of the Lord Chamberlain's Men, playing at the newly built Globe in 1599, he's one of the foundations upon which British theatre was built. Andrew Dickson talks to leading actors, rummages among the archives and dissects some of the greatest parts in acting to discover Burbage's crucial role – and realises that without Richard Burbage, there could be no Shakespeare. Producer: Penny Murphy

Ahead of his BBC Radio 3 documentary Exit Burbage, the journalist and author Andrew Dickson explores the remarkable career of Richard Burbage, a Jacobean actor who played many of Shakespeare’s best-known roles for the first time. See acast.com/privacy for privacy and opt-out information.

In this bonus episode, we take pay homage to the life and contribution of the first great Shakespearean actor, Richard Burbage (1567-1619).

This is the third part in my Trilogy of the Theater. The first was a look at the history of Elizabethan Theater. Second, we looked at the life of Shakespeare in April. Now we conclude by looking at the other principal characters in Elizabethan Theater, namely Will Kempe, Richard Burbage, Thomas Kyd, Christopher Marlowe, and Ben Jonson. Show notes at http://www.englandcast.com If you like this podcast, please rate or review it in your listening service! It helps others find the podcast, and it gets you my endless appreciation. Get in touch via facebook - facebook.com/englandcast, or twitter @teysko, or text the listener feedback line 801 6TEYSKO. Thanks for listening! See acast.com/privacy for privacy and opt-out information.