Podcasts about Takuya

Robert Ward hosts Dr Matsuda Takuya, Adjunct Lecturer at Aoyama Gakuin University, Dr Vida Macikenaite, Assistant Professor at the Graduate School of International Relations of the International University of Japan, and Dr Wrenn Yennie Lindgren, Senior Research Fellow and Head of the Centre for Asian Research at the Norwegian Institute of International Affairs. Robert, Takuya, Vida and Wrenn discuss:  The recent development of Japan's relationship with the Nordic and Baltic statesJapan's security cooperation with the Nordic and Baltic states from defense equipment to cyber securityThe Nordic and Baltic approach to authoritarian powers, including their eyes on the potential cooperation between Russia and China in the High NorthThe similarities and differences in the security architecture of the Euro-Atlantic and the Indo-Pacific regions We hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on your podcast platform of choice. If you have any comments or questions, please contact us at japanchair@iiss.org. Date recorded: 6 September 2024  Japan Memo is recorded and produced at the IISS in London.  Hosted on Acast. See acast.com/privacy for more information.

We were very fortunate to have Takuya Mishima and Rict Mishima from Sable Hills on the podcast to talk about their new album, "Odyssey". Enjoy! Sable Hills Socials: Twitter: https://x.com/sablehillsjp Instagram: https://www.instagram.com/sablehillsjp Facebook: https://www.facebook.com/sablehillsweb/ YouTube: https://www.youtube.com/@sablehillsjp Apple Music: https://music.apple.com/us/artist/sable-hills/1317508906 Spotify: https://open.spotify.com/artist/5mm28xbkq6ve1l63dXo7Cn Website: https://www.sablehills.jp/ Grab some GNP Merch!: https://goodnoisepodcast.creator-spring.com/ Check out the recording gear we use: https://www.amazon.com/shop/goodnoisepodcast Support the show on Patreon: https://www.patreon.com/goodnoisepodcast Good Noise Podcast Socials: Twitter: https://twitter.com/good_noise_cast Instagram: https://www.instagram.com/goodnoisepodcast/ Facebook: https://www.facebook.com/goodnoisepod Discord: https://discord.gg/nDAQKwT YouTube: https://www.youtube.com/channel/UCFHKPdUxxe1MaGNWoFtjoJA Spotify: https://open.spotify.com/show/04IMtdIrCIvbIr7g6ttZHi All other streaming platforms: https://linktr.ee/goodnoisepodcast Bandcamp: https://goodnoiserecords.bandcamp.com/

Chapter 520 - "A New Start" ...as read by Sable HillsToday we welcome Rict and Takuya from Japanese metalcore band Sable Hills to the podcast! The new Sable Hills record, Odyssey, is out today on Arising Empire Records. The guys talk about getting into metal and the scene in Tokyo, Covid restrictions for shows in Japan, the inspiration they take from video games, and more.https://www.sablehills.jp/https://arising-empire.shop/en/artists/sable-hills/https://www.patreon.com/asthestorygrowsDiscordhttps://asthestorygrows.substack.com/Email: asthestorygrows@gmail.comChapter 520 Music:Sable Hills - "No Turning Back"Sable Hills - "Anthem"

Fluent Fiction - Japanese: Tanabata Detectives: The Summer Mystery of Missing Sakura Find the full episode transcript, vocabulary words, and more:fluentfiction.org/tanabata-detectives-the-summer-mystery-of-missing-sakura Story Transcript:Ja: 夏の夕暮れ、町は七夕祭りの飾りで華やかだった。En: On a summer evening, the town was lively with Tanabata Festival decorations.Ja: 短冊に書かれた願いごとが竹の枝に揺れ、提灯の明かりが温かく照らしていた。En: Wishes written on small pieces of paper swayed on bamboo branches, illuminated warmly by lanterns.Ja: タクヤは好奇心旺盛な少年だった。En: Takuya was a curious young boy.Ja: 彼の妹、ミサキも同じように観察力に優れていた。En: His sister, Misaki, also had a keen sense of observation.Ja: 近所には元探偵のヒロシが住んでおり、タクヤの憧れの存在だった。En: In their neighborhood lived Hiroshi, a former detective who Takuya admired greatly.Ja: ある日、近所の住人が忽然と姿を消した。En: One day, a resident of the neighborhood suddenly disappeared.Ja: 名前はサクラさん。いつも優しく、お菓子をくれるおばあさんだった。En: Her name was Sakura, a kind old lady who always gave them sweets.Ja: タクヤはこの謎に挑むことを決心した。En: Takuya decided to tackle this mystery.Ja: 「僕もヒロシさんみたいに探偵になりたい」と思っていた。En: "I want to be a detective like Hiroshi," he thought.Ja: 最初にタクヤはミサキを誘った。En: First, Takuya invited Misaki.Ja: ミサキは「いいよ、お兄ちゃん。私もサクラさんのことが心配」と応じた。En: Misaki agreed, "Alright, brother. I'm worried about Sakura too."Ja: 二人は情報を集めに近所を回った。En: The two of them started going around the neighborhood gathering information.Ja: しかし、大人たちは「子供が関わることじゃない」と言って取り合わなかった。En: However, the adults dismissed them, saying, "This is not something for children to get involved in."Ja: 落胆しながらも、タクヤとミサキはヒロシに相談に行った。En: Feeling disheartened, Takuya and Misaki went to consult Hiroshi.Ja: ヒロシは話を聞くと「君たちの情熱を感じる。うまく行くかはわからないが、一緒に考えよう」と言ってくれた。En: After hearing their story, Hiroshi said, "I sense your passion. I don't know if we'll succeed, but let's think this through together."Ja: タクヤは心強くなった。En: Takuya felt encouraged.Ja: 七夕祭りの日、町はまだ賑わっていた。En: On the day of the Tanabata Festival, the town was still bustling.Ja: タクヤとミサキはヒロシのアドバイスに従い、サクラさんがいつも座っていた公園を調査することにした。En: Following Hiroshi's advice, Takuya and Misaki decided to investigate the park where Sakura always sat.Ja: 公園のベンチには、一枚の短冊が落ちていた。「助けて」という言葉が書かれていた。En: On a bench in the park, they found a piece of paper with the words "Help me" written on it.Ja: タクヤとミサキは短冊を拾い、ヒロシに見せに行った。En: Takuya and Misaki picked up the paper and showed it to Hiroshi.Ja: ヒロシは真剣な表情で「これは重大な手がかりだ」と言った。En: With a serious expression, Hiroshi said, "This is an important clue."Ja: 三人で再度公園に戻り、周辺を注意深く観察した。En: The three of them returned to the park and carefully observed the surroundings.Ja: しばらくすると、ミサキが「見て！この靴の跡、サクラさんのかも」と言った。En: After a while, Misaki exclaimed, "Look! These shoe prints might belong to Sakura."Ja: それは確かに小さな足跡だった。En: They were indeed small footprints.Ja: 足跡は公園の隅の木々の方に続いていた。En: The footprints led toward the trees at the edge of the park.Ja: 三人はその足跡を辿り、小さな小屋にたどり着いた。En: Following the footprints, the three of them arrived at a small shed.Ja: 中に入ると、驚いたことにサクラさんが倒れていた。En: Inside, they were surprised to find Sakura lying on the ground.Ja: タクヤが「サクラさん！」と叫ぶと、サクラさんは弱々しく目を開けた。En: When Takuya shouted, "Sakura!" she weakly opened her eyes.Ja: 「ありがとう、タクヤ君。En: "Thank you, Takuya.Ja: 怖い男たちに脅されてここに連れてこられたの」とサクラさんは言った。En: Some scary men threatened me and brought me here," Sakura said.Ja: タクヤとミサキはヒロシと共にサクラさんを安全な場所に連れて行き、警察に通報した。En: Takuya, Misaki, and Hiroshi took Sakura to a safe place and reported the incident to the police.Ja: 事件が解決し、サクラさんは無事に帰宅した。En: The case was resolved, and Sakura safely returned home.Ja: 町の人々はタクヤとミサキの勇気を称賛した。En: The townspeople praised Takuya and Misaki for their bravery.Ja: ヒロシは「君たちは立派な探偵だよ。En: Hiroshi encouraged them, "You two are fine detectives.Ja: これからも頑張って」と言って、二人を励ました。En: Keep it up."Ja: タクヤは大きな自信を得た。En: Takuya gained great confidence.Ja: 「僕も探偵になれるかもしれない」と思うようになった。En: He thought, "Maybe I can become a detective too."Ja: そして、ヒロシや町の人々からも尊敬される存在になった。En: He became a respected figure among Hiroshi and the townspeople.Ja: 町は再び平和を取り戻し、短冊には新しい願いが書かれていくのであった。En: The town regained its peace, and new wishes continued to be written on the pieces of paper. Vocabulary Words:lively: 華やかdecorations: 飾りswayed: 揺れilluminated: 照らしてcurious: 好奇心旺盛keen: 優れてobservation: 観察力detective: 探偵greatly: 憧れのdisappeared: 忽然と姿を消したtackle: 挑むagreed: 応じたgathering: 集めinformation: 情報dismissed: 取り合わなかったdisheartened: 落胆consult: 相談に行ったsucceed: うまく行くencouraged: 心強くbustling: 賑わってinvestigate: 調査clue: 手がかりobserve: 観察exclaimed: 叫ぶfootprints: 足跡shed: 小屋threatened: 脅されてreported: 通報resolved: 解決praised: 称賛

Il faut parfois savoir être discret pour se faire remarquer à Cannes. En coulisses du vacarme omniprésent de la compétition, certains films à profil plus bas finissent toujours par trouver la lumière. Cette année, c'est au sein de la section Un certain regard que deux d'entre eux ont ravi par leur humilité. Vingt Dieux ! et My Sunshine partagent aussi une identité de terroir. Le premier se pose dans le Jura, pour suivre la débrouille de Totone, 18 ans, qui se retrouve du jour au lendemain à devoir gérer tout seul la ferme familiale. Pour sortir de la mouise, il se lance dans la fabrication de Comté, espérant décrocher un substantiel prix du meilleur fromage. Louise Courvoisier ne fait pas cailler le lait de ce pitch improbable, l'ingrédient principal de son film restant l'initiation d'un grand gamin à la solidarité comme à l'amour. L'environnement, monde rural dans la dèche, est rugueux, le casting de comédiens non-professionnels aura été sauvage, mais Vingt Dieux ! charme par sa tendresse. Courvoisier gagne illico ses galons d'appellation contrôlée en se situant idéalement entre les cinémas de Ken Loach et de Maurice Pialat, naturaliste, mais sans sentimentalisme, âpre, mais qui soutient ses personnages pour qu'ils restent debout. Pendant que Vingt Dieux ! s'échauffe au soleil d'un été, My Sunshine fait tomber la neige sur deux ados japonais, Takuya et Sakura, pris sous l'aile d'un coach de patinage artistique. Hiroshi Okuyama fait de jolies arabesques autour de ce trio pour explorer les grands chagrins de l'enfance comme les regrets de l'âge adulte. Les rares éclats de My Sunshine résonnent d'autant plus dans une atmosphère aussi cotonneuse que minimaliste, tout comme les fissures, qui vont s'attaquer au lien entre ces deux sportifs en herbe et leur mentor, sont invisibles à l'œil nu. Okuyamadéveloppe avec la même grâce le discours sur les stéréotypes de genre qui prend peu à peu sa place dans ce dispositif épuré. S'ouvrant sur un début d'hiver, My Sunshine se clôt sur les premiers bourgeons d'un printemps. Ce film délicat se révèle alors comme une ultime bulle protectrice pour Takuya et Sakura, glissant désormais vers les réalités, parfois cruelles, de la vie. Pendant le Festival de Cannes, retrouvez tous les jours la chronique Pop Corn d'Alex Masson, notre envoyé à la croisette, à 7h37 dans « T'as vu l'heure ? », la matinale de Radio Nova. Photo : Vingt Dieux !, 2024

OwaiKnight FM | Movement Radio #44 personality：オワイナイト ”Takuya” ,木下ひばり 今回がムーブメントラジオの最終回。この配信が聴いていただいているあなたにとってム […]

OwaiKnight FM | Movement Radio #43 personality：オワイナイト ”Takuya” ,木下ひばり 今回は上手にSNSを使っている木下ひばりと、試しにSNSをやめてみTakuyaの […]

OwaiKnight FM | Movement Radio #42 personality：オワイナイト ”Takuya” ,木下ひばり ネットラジオを立ち上げようとしたときの経験をもとに話しみました。 ★今回のトピッ […]

OwaiKnight FM | Movement Radio #41 personality：オワイナイト ”Takuya” ,木下ひばり 「女性に年齢を聞くのは失礼。でも、誕生日は祝ってほしい。」の話から発展した今回の […]

OwaiKnight FM | Movement Radio #40 personality：オワイナイト ”Takuya” ,木下ひばり ちょっとのサボリが大きなヘボさを生む原因に。わかっているけど、持続していくのって […]

OwaiKnight FM | Movement Radio #39 personality：オワイナイト ”Takuya” ,木下ひばり 結果的には延期になってしまったネットラジオ局の開局。でも、そこで得た経験は今まで […]

OwaiKnight FM | Movement Radio #38 personality：オワイナイト ”Takuya” ,木下ひばり 色々と挑戦していくと、お金で買える経験であればドンドン買うことの大切さが身に染み […]

OwaiKnight FM | Movement Radio #37 personality：オワイナイト ”Takuya” ,木下ひばり 無駄を全部省いて、効率化こそが正義だと思っていたけど、実は違うことに気が付いた今 […]

OwaiKnight FM | Movement Radio #36 personality：オワイナイト ”Takuya” ,木下ひばり 挑戦したけど失敗。失敗した経緯と、そこから得たモノを経験談を交えてせきららに語り […]

With the launch of their connected car, the AFEELA, Sony Honda Mobility seek to redefine mobility, beyond simply transportation, and create the opportunity to use the space creatively and explore the relationship between people and mobility.In this special episode Dave, Sjoukje, and Rob talk to Takuya Nishibayashi, Head of E&E System Architecture Development Division, Sony Honda Mobility Inc., who is at CES2024 for the release of the AFEELA.  They cover why Sony Honda are collaborating on a connected car now, how responsible and ethical GenAI is leveraged for assisted driving (ADAS), how mobility can be used as a creative entertainment space, including using gaming engines, the integrated in vehicle experience and how Microsoft partner with them for GenAI tooling and Cloud-scale computing platforms.TLDR:01:07 Introduction of the AFEELA by Dave, Sjoukje and Rob 06:53 Cloud conversation with Takuya Nishibayashi 30:59 Outro  31:57 End GuestTakuya Nishibayashi: https://www.linkedin.com/in/takuya-nishibayashi-36a9456/AFEELA: https://www.shm-afeela.com/en/https://www.instagram.com/shmafeela/https://twitter.com/shmafeelahttps://www.facebook.com/shmAFEELA HostsDave Chapman: https://www.linkedin.com/in/chapmandr/Sjoukje Zaal: https://www.linkedin.com/in/sjoukjezaal/Rob Kernahan: https://www.linkedin.com/in/rob-kernahan/ProductionMarcel Van Der Burg: https://www.linkedin.com/in/marcel-van-der-burg-99a655/Dave Chapman: https://www.linkedin.com/in/chapmandr/SoundBen Corbett: https://www.linkedin.com/in/ben-corbett-3b6a11135/Louis Corbett:  https://www.linkedin.com/in/louis-corbett-087250264/

OwaiKnight FM | Movement Radio #31 personality：オワイナイト ”Takuya” ,木下ひばり ちょっとだけクリスマス感をだしてみました今回のムーブメントラジオ。今年のクリスマ […]

OwaiKnight FM | Movement Radio #30 パーソナリティー：オワイナイト ”Takuya” ゲストクリエイター：フォログラファー”ななしき” ・パーソナリティー　オワイナイト ”T […]

OwaiKnight FM | Movement Radio #28 パーソナリティー：オワイナイト ”Takuya” ゲストクリエイター：フォログラファー”ななしき” ・パーソナリティー　オワイナイト ”T […]

At Summer's End by Takuya Nishio has an interesting minimalist art style that seems sweet to match the innocence of the story, but I also cannot help feeling there is an emptiness that creates a mood of longing. Music: Somberish Music on Ukulele by The A.C. Stories Be sure to follow me on all my social medias, too: https://ko-fi.com/theacstories https://discord.gg/x78UXV22XD https://www.instagram.com/the_ac_stories/ https://www.threads.net/@the_ac_stories https://twitter.com/theacstories https://www.facebook.com/theacstories https://www.twitch.com/theacstories https://theacstories.wixsite.com/theacstories Or, email me at: theacstories@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/theacstories/support

Even the flu couldn't stop Eamonn Bell from joining Mark and Kieran on their first BONUS episode, as all concerned decided Fuminori Abe vs. Takuya Nomura from Kakuto Tanteidan: We are the Fighting Detectives on October 12, 2023 needed to be talked about. PLUS: the live experience, encounters with a mysterious western wrestler, Hipster Pro-Wrestling, the worst of the Tigers, a struggle to describe Battlarts, New-Japan booking, Munenori Sawa/Lingerie Muto, “Tekken energy”, Final Fantasy, detectives in wrestling, Hideki Suzuki, Billy Robinson, Marty Asami, the best hammerlock ever, Stephanie McMahon, Daniel Makabe, JYD, Royal Quest, and a finger somewhere you probably don't want a finger.  Follow the project and podcast on Twitter/IG/BlueSky/Threads: ⁠⁠@MustSeeMatches⁠⁠ ⁠⁠http://linktr.ee/mustseematches⁠⁠ Kieran: ⁠⁠@kieranedits⁠⁠ Mark: ⁠⁠@monkey_buckles⁠⁠ Follow Eamonn: ⁠⁠@no_more_mutants⁠⁠ MUSIC: "Chuck Kick Ass" by Nicolas Jeudy. Used under license from Dark Fantasy Studio.

Try a $20 Kendama here: lotuskendamas.com

Board Games and Buddhism, with Takuya Ono 00:00 Introduction 01:23 How I became a Buddhist priest and jushoku 03:52 Duties of a Buddhist temple master in Japan 06:06 Board Gaming in Japan, and the Okuma Disaster 08:13 How I became a board game fan 12:32 Religion in Japan 15:39 Buddhism and games 21:06 My favorite board games 26:55 Buddhism practices compassion 33:32 Connect with Ono-san CALL TO ACTION: Subscribe to our newsletter (https://buttondown.email/BoardGameFaith) Support us on Patreon (https://www.patreon.com/boardgamefaith/) interact with us on Instagram (https://www.instagram.com/boardgamefaith/) Discord us Discord (https://discord.gg/MRqDXEJZ). Follow Takuya Ono on Board Game Geek, at https://boardgamegeek.com/user/atiisha.

声優さんによる全物語の朗読と、ARグラスによるシーンの解説で、能楽の舞台が大幅アップグレード！ こうしたアートやエンタメの価値を高めるテクノロジーのあり方を3人で語りました。またXCrossingの音声編集で学んだことや、このポッドキャストの誕生秘話も初公開。 2:43 最近凝っている町中華 5:53 ノーマライズってなに？言ってる言葉からして分からないところから始まった音の編集の勉強（現在進行形） 9:20 音の変化は判断しにくいが、理解するには視覚化することが大事 10:49 XCrossingの音の編集で（教えてもらいながら）やったこと 14:53 録音環境の改善も大事、音のプロがやってる編集と仕上げはたくさんある 19:13 XCrossingの企画が生まれたきっかけと、配信開始前にやったこと 20:10 最初の企画名は「Mika & Takuya's XCrossing」だった 22:55 自分の声に対する違和感と、声フェチ 24:43 能楽 × 声優 × テクノロジー：大塚明夫さんの朗読と、ARグラスが拡張した能楽鑑賞 28:09 伝統芸能とテクノロジーの共同作品は今までいろいろあったけど、でも… 29:25 能楽で使われたエプソンのARグラスの特徴と、ARとして見えるものの大事なポイント 32:36 その絵のコンテキストが分かることで価値が分かり理解があがる「怖い絵展」 34:20 音声での情報付加と、視覚での情報付加による価値の増幅（歌舞伎、美術展、ミュージカル） 38:54 ARによって情報を変換したり、パーソナライズしたコンテンツが見えても面白い 42:12 座る位置自由、見るストーリーも観客が会場とオンライン双方で選択して変わっていくライブパフォーマンス 44:08 レーザーディスクでのインタラクティブムービー 44:48 チャットと電話を使った体験型ゲームリンク：トーク中で取り上げた記事や情報へのリンクです。 宝生流 夜能： https://nohlife.myshopify.com/pages/%E5%A4%9C%E8%83%BD EPSON スマートグラス（ARグラス）： https://www.epson.jp/products/smartglasses/ DNPの「能楽を鑑賞しながら解説が見られるARシステム」：https://www.dnp.co.jp/biz/case/detail/10158092_1641.html Majestic （チャットと電話を使った体験型ゲーム）：https://en.wikipedia.org/wiki/Majestic_(video_game) 新宿 VR ZONE（現在は営業終了）： https://www.moguravr.com/vr-zone-shinjuku/XCrossing website https://x-crossing.com/XCrossing Official Twitter @x_crossing_及川卓也 @takoratta関信浩 @NobuhiroSeki上野美香 @mikamika59

出演＞あらいりな、K.Takuya、zabo 本編のPodcast ◆SpotifyPodcast https://open.spotify.com/episode/3Z8ANRpOzYEdP7wc8pBk2E?si=cGA7wktqQeSYsjOew2sm8w ◆ApplePodcast https://podcasts.apple.com/jp/podcast/%E6%97%A5%E6%9C%AC%E3%83%9D%E3%83%83%E3%83%89%E3%82%AD%E3%83%A3%E3%82%B9%E3%83%88%E5%8D%94%E4%BC%9A-%E3%83%8B%E3%83%A5%E3%83%BC%E3%82%B9%E3%83%AC%E3%82%BF%E3%83%BC/id1553680711?i=1000600301773 ・あらいり氏 https://twitter.com/RinaAraiLevia Podcast：#ニュースコネクト ／#ポッドキャストアンバサダー ／ #モノマネ喫茶 ・K.Takuya(陰岱鋼)氏 https://twitter.com/indaikan_kimura https://www.instagram.com/indaikan_voice_kimutaku 毎週土曜日21:00〜　インスタライブ！ また、ポコチャ・radiotalk・standFMなど各音声配信媒体でTalkLive中！

出演＞モリエンテツ、FR、zabo (収録日：2023.02.12） ◆◆べかふぇは【野球人の総合スキルシェア・マーケットサイト】メンターベースを応援しております ▼ https://mentorbase.club/ 【本編はコチラ！】 ●ApplePodcast https://podcasts.apple.com/jp/podcast/%E9%87%8E%E7%90%83%E3%83%88%E3%83%BC%E3%82%AF-baseballcafe-canyousay/id1448195907?i=1000599922073 ◆モリエンテツ氏 ( @morientetsu ） モリエンテツのスライディングキャッチ ◆FR氏（ @karnidqn0m1 ） TigersCast Season 2 ※※※※※※※※※※※※※※※※※※※※※※※※ 【告知】 日本ポッドキャスト協会スペース ( @podcasting_jp_s　）、2023.02.17 22;00はzaboのターン！ ゲストにあらいりな氏 ( @RinaAraiLevia )とK.Takuya氏( @indaikan_kimura ）をお迎えして 【モノマネとPodcastの融和性について】を語る一時間です！！ 是非、皆様、こぞって遊びに来てくださいませ♡ #プロ野球 #ロッテ #マリーンズ #コラボ収録

出演＞K.TAKUYA (@indaikan_kimura )、zabo▼K.TAKUYA氏情報・lit.link：https://lit.link/indaikan・radiotalk：#what's up ダイナマイトらぢお〓 https://radiotalk.jp/program/96363・インスタ：https://instagram.com/indaikan_voice_kimutaku?igshid=YmMyMTA2M2Y=・YouTube：https://yo..

In 1977, 13-year-old Megumi Yokota vanished from the Japanese coastal city of Niigata on her way home from school. Twenty-five years later, North Korea admitted that its agents had snatched her away, along with 12 other Japanese citizens, in order to train its spies. In a groundbreaking diplomatic move, Pyongyang returned five of them in 2002, but not Megumi, claiming she had committed suicide. Her brothers Takuya and Tetsuya Yokota, who have spent the last 45 years waiting for answers, speak to FRANCE 24. 

Ever wondered how different the world of NFTs is in Japan? Well, today we are lucky enough to be joined by two great guests, Takuya Kitagawa and AT, to give us some real, first-hand insight into the overlaps and contrasts that are happening with regard to the burgeoning scene. We have a great conversation unpacking some basics about our guests' entry into the NFT space, and what initially drew them in. From there we look at the major hallmarks of what is popular right now in Japan, and how this compares to the rest of the world, before talking about important aspects of the field such as influencer and celebrity marketing. Takuya and AT then spend some time illuminating the inner workings of Nannda, and some more general thoughts on game design, and we finish off our chat by considering which types of games appeal to different Japanese demographics and why. Join us to hear it all! Key Points From This Episode: Our guests' paths into working in the NFT space, and their initial excitement about it. Insight into the state of the Japanese scene right now.  Thoughts on the current NFT projects that are having success in Japan.  Contextualising differences in the Japanese market and some reasons for popularity. Influencer marketing of NFTs and the main drives for demand.   The culture of big celebrity endorsement for brands and how this figures into the NFT landscape.  Barriers to entry that are influencing the Japanese market right now.  Comparing the mechanism at Nannda to other examples of play-to-earn.  Risk and reward in the two different approaches to game design.   The importance of the social dimension to games to increase engagement and difficulty.  Japanese audiences' attitudes towards different types of games.   Favourite NFT picks from Takuya and AT!  Tweetables: “Influencer marketing itself is big in Japan, YouTubers are big, TikTokers are big. But this actually hasn't come to the NFT world yet.” “Japanese audiences play any kind of game, individual oriented game or a social game. Either way works. If it is a more individual game, you typically have to do more campaigns.” “When I see the Nouns community evolving really well, I get really excited, seeing that maybe that is the future of NFTs.”  Links Mentioned in Today's Episode: https://twitter.com/a_t__3_jp (AT) https://twitter.com/takuyakitagawa?lang=en (Takuya Kitagawa on Twitter) https://www.floorisrising.com/ (Floor Is Rising)

One of the most active seiyuu in 2D groups. A seiyuu that usually gets cast in 2D music projects that end up becoming ridiculously popular. Owner of a massive vocal range, exciting singing skills with loads of untapped talent and with a natural leader vibe, and ability to fit any music genre, Takuya Eguchi is a vocal chameleon you want to have in your 2D music projects. --- Send in a voice message: https://anchor.fm/thtfhqseiyuulounge/message

『スター・ウォーズ エピソード3／シスの復讐』から10年後を描くドラマ『オビ＝ワン・ケノービ』の最終話が配信された。今回は、元JUDY AND MARYのギタリストで音楽プロデューサー、そして無類の「スター・ウォーズ」ファンでもあるTAKUYAさんをゲストに、「スター・ウォーズ」の魅力や『オビ＝ワン・ケノービ』の感想を語り合う。 ■出演者 TAKUYA（ギタリスト、音楽プロデューサー） ・https://twitter.com/takuya54it ・https://www.youtube.com/c/TAKUYA54it 山田集佳（フリーライター） ロブソン・ダニエル 野津圭一郎 IGN JAPANのスタッフが、最新の映画やドラマについて雑談をする番組 ■「銀幕にポップコーン」の再生リスト https://www.youtube.com/playlist?list=PL5dP0ylcT42fuRRKW8Iho4XAPx3wEiaOJ ■ポッドキャスト版 iTunes https://itun.es/i6dS29S Spotify https://open.spotify.com/show/0oqAeYZxX61w87WTNxksNc?si=29pxqxZQSFStdrHIFbefyg ――――――――――― IGN JAPAN : http://jp.ign.com/ Twitter : https://twitter.com/IGNJapan Facebook : https://www.facebook.com/IGNJapan コメント投稿ルール：http://jp.ign.com/ign-japan/21173/editorial/ign-japanyoutube

In this episode, we are joined by Takuya Davis, CEO at Mitsuoka and Company, which specializes in scouting, recruiting, and onboarding talents. They work with small to midsize companies looking to scale their businesses by adding talent and training systems. He is an expert in entrepreneurship, leader & team training, executive coaching, idea-creation, creative problem solving, innovation, business systems, business skill development, and creating cultures of entrepreneurship & innovation. Don't miss a thing. Tune in to learn more!

Whether you've passed your cursor over their logo on a streaming service, spotted it on the front of a Golden State Warriors jersey, or use their cash-back rebate system, the Rakuten brand is everywhere and actively expanding. Today's guest, Takuya Kitagawa is the Managing Executive Officer & CDO at Rakuten. On this episode, Takuya joins Cindi to discuss how the company has found massive, international success across multiple industries by integrating data across lines of business to deliver better customer experiences. He also dives into the importance of data fluency at every level, and elaborates on how Rakuten is leveraging the concept of “digital twins” to better connect with customers. Stick around to hear all of this, plus exciting details regarding Rakuten latest moonshot projects.Key TakeawaysIntegrated data delivers better customer experiences: Rakuten has seen major success in offering enhanced services and experiences to customers around the world. Their secret? Integrating data across multiple lines of business, starting with customer login credentials. This approach makes using multiple services a seamless experience and builds customer loyalty.You don't have to reinvent the wheel: Before building a new technology from the ground up, see if anyone else has already done it. There's so much you can learn, borrow, or buy from others. If you can learn to leverage the innovation that's already happening around you, you'll be in a better position to accelerate your own digital transformation. Invest in data fluency at every level: It's important that executives be just as data fluent as anyone else in your organization. For Rakuten, investing in data fluency at the highest levels of leadership manifests as quarterly AI bootcamps and mandatory data trainings.Key Quotes“We discovered when we acquired the credit card company, that it is much, much cheaper to send traffic from one internal service to the other than down going through of course advertising companies such as Google and Facebook, even though this takes a little ingenuity and creativity. If you think about it, eCommerce and credit cards come really well together because, to shop online, you need credit cards and the key point is how do you connect credit card back to the shopping?”“Our CEO had a very, very clear directive - if we are going to acquire a company, integration of it starts from integration of ID. So log ID needs to be completely the same. This already has been a common practice across Google, in Facebook to align the log ID starting from there you really have to integrate the data. So that's a key point when you acquire a company one of the key agreements you have to make with the other company is we have to integrate ID and data.”“Algorithms [are] becoming a commodity at this point. The key differentiator of AI is data."“Frankly, the best practice is to learn from [the] outside, because venture capital money is flowing at this ridiculous amount, and there [are] so many people, so much money, and so much effort to try to make things easier. Before you try to build what's necessary yourself, it's better to look around and see if there are other companies who can help you… Be humble. [We] try to learn from our site and leverage what is already there.”MentionsDr. Hisataka Kobayashi's Discovery of photo immunotherapyHarvard University Partnership FC Barcelona and Golden State WarriorsAbout TakuyaTakuya Kitagawa is the managing executive officer and Chief Data Officer of Rakuten Inc, and serves as the director for Well-being for Planet Earth(WPE). As Chief Data Officer of Rakuten group, he is responsible for the end-to-end value creation and execution of AI & data strategy, and manages a global organization located across the world including Japan, U.S., India, France and Singapore. He also leads Rakuten institute of technology, R&D function of the group, as the global head. Vision of his group is the fundamental understanding of customers and their behaviors with AI and data; how business and service can empower customers to spend their money and time better. As a board of director for well-being for Planet Earth, he further extends and applies the understanding of human beings and society to contribute to more general domains of well-being across the world. Prior to working on AI, he worked as a theoretical physicist and published more than 20 papers in journals including “Science” and “Nature Physics.” Dr. Kitagawa obtained his Ph.D. in physics from Harvard University and A.B. in physics and mathematics from Harvard College.--The Data Chief is presented by our friends at ThoughtSpot. Searching through your company's data for insights doesn't have to be complicated. With ThoughtSpot, anyone in your organization can easily answer their own data questions, find the facts, and make better, faster decisions. Learn more at thoughtspot.com. 

The coding, models, and experiments inherent in data science work may have more to do with understanding human well-being than you think. Machine learning and AI can be applied in ways big and small to further our understanding of human behavior—and influence our well-being. Takuya Kitagawa, Chief Data Officer & Managing Executive Officer at Rakuten Group, believes there must be a shift toward focusing on well-being when it comes to how brands relate to customers. He joins the show to share his perspective on the future of data science, plus he details his approach to managing a large team spanning many products, cultures, and geographies. In this episode, we discuss: The role of ML in unifying the customer experience across multiple products Managing globally distributed data science teams Understanding human intention and well-being with technology Tune in on Apple Podcasts, Spotify, our website, or wherever you listen to podcasts. Can't see the links above? Just visit domino.buzz/podcast for helpful links from each episode.

Alex, Lex, and special guest Brian taste a sampling of Toei's Spider-Man and wish that Marvel had the guts to put Takuya in No Way Home. YOUR HOSTS: ALEX: https://twitter.com/ArthriticJester LEX: https://twitter.com/shatterball BRIAN: https://twitter.com/balexanderfilm TIMESTAMPS: Intro (0:00) Basic Facts and Personal Experiences (5:27) Plot (10:33) Fun Facts (1:59:03) Overall Thoughts (2:07:50) Outro (2:12:21) LINKS DISCUSSED: The complete series, on Archive.org!: https://archive.org/details/supaidaman-japanese-spider-man-1978-1979-complete-series NEXT WEEK: The Amazing Adventures of Spider-Man (1999) WRITE TO US: spideysignalspodcast@gmail.com https://twitter.com/SpideySignals

The Superhero Show Show #387An Introduction to Japanese Spider-ManThe Taste Buds FINALLY dive into Toei's Spider-Man show!Six months after Marvel 616 covered it, and six years after the start of the podcast, the Taste Buds are finally stepping up and covering the golden goose, Toei's Supaidaman! Beginning with the first four episodes, including the legendary origin story, Cassie and the Boyz, along with Unnatural 20's Katelynn, compare and contrast Peter to Takuya, and analyze every detail of every giant-on-giant battle. What similarities remain between the two Spider-Men? What are the differences? And why was Takuya not in Spider-Man: Into the Spiderverse?There's also time to hand out a Shushie, and this week it's Funniest Character. Because of the rise of funny superhero shows, neither Deke from Agents of SHIELD, nor Nate Heywood from Legends of Tomorrow are nominated. Which funny people are ready to stand up and take their place?Finally, the Taste Buds conclude their celebration of the second season of X-Men: The Animated Series by running down all of the weekly awards they gave out through the season. Every GASP moment. Every 90's moment. Every battle every power every loser. It's all here on an all-new, all-different episode of The Superhero Show Show!Also, don't forget to:Visit Us!Shop With Us On Amazon!Like Us!Follow Us!Write To Us! — contact@yourpopfilter.comListen to more of Cassie on Unnatural 20'sListen to more of Ryan on Movie of the YearListen to more of Mike on The OCDSupport the show (https://www.patreon.com/yourpopfilter)

Takuya has to deal with an imposter Spider-Man creating bad publicity that the fake news is all to happy to exploit. CHANGE LEOPARDON!

皆さんこんばんは、デジデジです！ CYaRon!は元気としっとり両方いけるからこその王道系に持っていけたのかなと思いましたね。 皆さんの感じる王道感を＠kyomosayonara、質問箱、マシュマロ、ハッシュタグ、メールアドレスsayonaradayori@gmail.comにメッセージ送っていただけたら嬉しいです！ それでは今日も小夜なら、 また明日！ #月曜 #音楽 #CYaRon #アルバム #TAKUYA #本間昭光 #ミト #王道アイドル感 #ライブも楽しみだね #今日も小夜なら便り

Un noticiero de Asia en español, cultura, sociedad, cultura pop, con una visión occidental

If you have any interest in pursuing an MBA from one of the amazing universities in Asia, this one's for you! Takuya is a student at the Hong Kong University of Science and Technology, earning is business degree. He works in Tokyo and has had some incredible experiences that he shares on this episode. For more must-have resources, head over to the MBA Secrets website!

This episode of We Watch 100 Isekai contains spoilers for Episode 1 of both the 1998–1999 Pink Pineapple hentai OVA adaptation and the 2019 Feel anime adaptation of YU-NO: A Girl Who Chants Love at the Bound of this World / Kono Yo no Hate de Koi o Utau Shōjo YU-NO. This episode has been explicit-tagged for discussion of sexual conduct featuring high schoolers and a Cocklossal Isecock. 00:00 - Intro 07:11 - YU-NO 2019 Recap by Zaku 43:28 - YU-NO 1999 Recap by Thermite 1:47:47 - Rankings Don't be intimidated by the size of this episode, because it's a two-for-one special! Zaku and Thermite watched both animated adaptations of YU-NO: A Girl Who Chants Love at the Bound of this World and decided to make it all one episode to compare and contrast the adaptation choices. Follow them across parallel realities and worlds as they get introduced to everyone in Takuya's life, Thermite attempts to spell "isekai" as "J.S.E.K.A.J", a lot of underaged sexual content is implied in the anime, a lot of underaged sexual content is deeply focused on in the hentai, a lot of people hang around on a beach and a discussion is had as to what parts of the hentai are meant to be sexual. Email: wewatch100@gmail.com | Voicemail: anchor.fm/100isekai TequilaZaku: twitter.com/TequilaZaku and youtube.com/channel/UC-c_PBJXn2MxwUoAadOuD6Q ThermiteKitty: twitter.com/ThermKitty and youtube.com/c/DynamiteNeko Our theme music is World Map by Jason Farnham, a royalty-free and copyright-safe track available for use from the YouTube Audio Library. --- Send in a voice message: https://anchor.fm/100isekai/message

durée : 00:59:35 - Notes de velours - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Water, Wood & Wild Things: Learning Craft and Cultivation in a Japanese Mountain TownBy Hannah Kirshner Intro: Welcome to the number one cookbook podcast, Cookery by the Book with Suzy Chase. She's just a home cook in New York City, sitting at her dining room table, talking to cookbook authors.Hannah Kirshner: I'm Hannah Kirshner and my first book is out now it's called Water, Wood & Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town.Suzy Chase: Water, Wood & Wild Things is the engrossing brilliant book we need right about now. Part travelogue, part meditation on the meaning of work, and full of your beautiful drawings and local recipes. But first I want to tell you that I have been a huge fan of yours for years, since you were with Food52 back in 2016 and you would do these Facebook lives and I just adored your kitchen in Brooklyn. It was so organized.Hannah Kirshner: That's amazing, you know, broadcasting those I really had no idea who was watching in a way it just felt like I was alone in my kitchen. And yeah, it's amazing to hear that you were watching and enjoying them.Suzy Chase: I loved it. And you know, what's so funny for the longest time I didn't know your name was Hannah. I was like oh Sweets & Bitters is on.Hannah Kirshner: Right, so that was the name of the magazines that I self-published. It just kind of stuck. Actually I chose the name when I was still, I hadn't even started the magazines, but I was a baker and I was a bartender and I was doing some cocktail events and baking cupcakes and all sorts of things. Then I was like, well, this will just sort of work for whatever I do I think.Suzy Chase: It was perfect. And I still just want to call you Sweets & Bitters.Hannah Kirshner: Well, I think I'm stuck with it. So that's good.Suzy Chase: So in 2017 you did some videos for Food52 in Japan and my favorite of all time was when you went to Kathy's Kitchen and Kathy does all this American baking and her cookbook collection was fantastic. She showed you a cookbook from when she was 10 that was all about Pennsylvania Dutch Baking. I will always remember that episode. I loved her shop.Hannah Kirshner: She's amazing. So Kathy is her American name, but her real name is Kei Yamaguchi and so she has this baking space in Kyoto. Now, I can't remember if at that time it was her old space or her new space, but she sells baked goods and she runs baking classes. Most people in Japan don't have an oven in their home kitchen. So she's able to teach people and give them an opportunity to cook all these baked goods that require an oven and she has this amazing cookbook. I think she's published two of them now called Friendship Cooking, where she travels around Japan and cooks with different friends and learns their recipes.Suzy Chase: Let's start off with your first foray into Japan. When you spent a month with bike, when you were 22, how did that come about?Hannah Kirshner: At the end of college and the years that followed, I had started bike racing and I was working in a bike shop. I had actually applied for a Fulbright to go to Japan and write a graphic novel about bicycle culture, not surprisingly the Fulbright committee didn't quite get it. And so I figured, well, I can't afford to go for a whole year without funding, but I could save up enough money to go for a month. When I was writing the proposal, I had seen a flyer for a bike messenger race in Kyoto, and I contacted...there was an email on it I didn't know who I was writing to, but I wrote to them, it turned out to be this man named Takuya and Takuya invited me to come and stay in this bike messenger house with his friends, as long as I wanted to. And so that's what I did and as soon as I was there, I was just sort of immersed in that subculture going to bike messenger events. I got to go on a bike ride with a woman that's a national champion in Japan, and I got to meet my favorite artist, it was incredible and I stayed in touch and stayed friends with those folks and Takuya who had been my host about almost a decade later, introduced me to Yusuke Shimoki who runs a bar here in Yamanaka Onsen. And that is the town that my book is about.Suzy Chase: Yes. That leads me to my next question. How did sake and a dinner party in New York lead you to where you are today?Hannah Kirshner: So Takuya had been telling me about this magical mountain town called Yamanaka that I had to visit. But at that point I was a food stylist in New York. I had met the man that would become my husband. You know, I had a full life so it was hard to imagine just going to Japan at that point, but he told me, well, the owner of the cocktail bar in that town Yusuke Shimoki he's about 30, your same age, he really wants to come to New York. Can you host him? Meanwhile, what Shimoki had heard was my friends in New York really want to meet you. Can you go visit them? So I'm not sure if Takuya was an intentionally setting us up to be friends or what, but the did come to New York and I happened to be having a dinner party while he was there. And he basically had brought his entire bar to Brooklyn and so he unpacked multiple bottles of Sake, a whole set of different kinds of glassware and Yamanaka Shikki the lacquerware wooden cups that this town is famous for and then he put on this apron, it was one of those great Japanese apron, like half a waist apron that has like navy blue with the bars insignia and the white and orange and navy waist tie and I was like, where can I get an apron like that? And he said, you have to work in my bar. And I said, okay. And he said, well, you have to come for two months. Okay. And so it became a plan and I came to Yamanaka and apprenticed in his bar. I was here for about three months at that time. So, you know, working in the Sake bar immediately kind of made me part of this community. And it was not only a place to learn about that game. So I met all these amazing people like artists and craftsmen and farmers and hunters, and realized I wanted to learn about what they were doing too, and how it all wove together into the culture and community of Yamanaka. And that's where the book idea came from.Suzy Chase: So tell us a few of the jobs slash skills you learned that are in the book.Hannah Kirshner: When I was apprenticing in the bar, Shimoki-san, very proudly introduced me to Takehito Nakajima, a wood turner and he invited me to his studio to try out wood turning, which at first I was actually not so sure, like seemed kind of scary to, you know, take a sharp tool and put it on a moving hunk of wood, of course I said, yes and it turned out that I loved wood turning and over the months and years that followed, he continued to teach me, I made various cups and bowls with him and that experience. And then also becoming friends with Mika Horie the paper maker and photographer. Those sort of came about organically through meeting them through friendships. Once I knew I wanted to write the book, I really set out to find people that represented sort of the essential material called the town. What were the things made harvested, farmed in Yamanaka that defined that place. So that included boar hunting, growing rice, growing vegetables, gathering wild edible. I took tea ceremony lessons, and then eventually I worked in the sake brewery.Suzy Chase: So this all became your life. What was the pivotal moment for you when you said, I, I want to live here. Had you figured out at that point that you wanted to live there or were you just doing all of these jobs and learning these crafts under the mentors, thinking that you're going to come back to New York City.Hannah Kirshner: It's hard to pinpoint an exact moment coming to Yamanaka really felt in a way like coming home for me and connecting to a part of myself that I had sort of pushed aside and adulthood. I grew up on a small farm in the Pacific Northwest, outside of Seattle in a town called North Bend, which anybody who's a fan of Twin Peaks will know as the place where Twin Peaks was filmed and my mother grew a lot of our own food. We had chickens, we had sheep for wool and also occasionally for me, and in a lot of ways that landscape really resembles Yamanaka too. You have this intersection of all these amazing micro-climates ocean lands and forest so the variety and freshness of ingredients for food is just incredible.Suzy Chase: Japanese cycling friends were surprised to hear that you had grown up with cherry blossom picnics too.Hannah Kirshner: Yea that's right. We used to have cherry blossom picnics at the University of Washington. There are hundred year old cherry trees there that came from Japan. And so my mom used to take us every year for a cherry blossom picnic. You know, Seattle has, and the Pacific Northwest, in general has a really long history of the Japanese community there actually many different Asian communities, but the Japanese community in particular came right around the time that Japan was opening its borders for international trade and travel at the end of the 1800's, it was sort of the end of the gold rush beginning of the logging industry and railroads and so all these workers were needed and a lot of Japanese young men would come over hoping to make their fortune and then go home. But many of them stayed and then brought wives and established a Japantown in Seattle so like even in my little small town, an hour outside of Seattle, we could get Yakisoba and Udon in the supermarket. And those were things that we ate quite often.Suzy Chase: Fewer than 8,000 people live in Yamanaka and its surrounding villages and that number is shrinking and yet young artists, designers, and entrepreneurs move there to make a life in the countryside. Can you talk a little bit about that?Hannah Kirshner: So like a lot of rural towns in Japan, it can often feel like almost everybody in Yamanaka is elderly. There are not that many young people. There are not that many children, but Yamanaka has a 1300 year history of tourism because of its onsen, its hot springs and alongside that grew various craft industries like the wood turning because you could sell your wooden wares to travelers who wanted souvenirs. So students actually come from all over Japan to study at the wood turning school here in Yamanaka and even though the town is very isolated geographically, the onsen, the hot spring was sort of a retreat for physical and spiritual healing monks would come, merchant sea men would come in from the port to rest between trips so you always sort of had this exchange of culture here, even though it is a rural mountain town and I think the combination of those craft communities and just the character of the town really seems to draw a lot of young people who are interested in perhaps learning older ways or living a slower life or learning farming, both connecting to traditional culture, but also creating new things like even Shimoki's sake bar. That's quite unusual for someone in a small town to start their own business like that. Normally you'd either take over the family business or move to a city for a good salary man job, or to work in a big business where you could have like a good, steady income.Suzy Chase: Did he ever tell you his story, why he decided to open the sake bar in the town? And because it seems like..Hannah Kirshner: You know, he's actually from the next town over Yamashiro and this is something really interesting. He said that he feels like Yamanaka is more open-minded that people are more willing to accept new things or that you can sort of try something without being sure if it will succeed.Suzy Chase: It's funny it's just one town over.Hannah Kirshner: Yea, but it really does. I mean, it's one town over, but it feels quite different. I mean, maybe part of that is the history Yamanaka was known as a destination for healing and rest and Yamashiro was more of a red light district. And even now like Yamashiro has more big hotels, Pachinko parlors, karaoke, like more entertainment has a different vibeSuzy Chase: Times Square versus the West Village.Hannah Kirshner: Yea right. They're like very nearby, but totally different.Suzy Chase: There are recipes in each chapter, some foods rarely seen outside Yamanaka. Can you give us one example of a rare dish?Hannah Kirshner: The one that's in the book is called Suko and it made from the stems of taro, but this particular one pickle is made from zuiki, the red taro stems and I've never seen this pickle outside of this region though. The stems are sort of like spongy, almost that you peel them and then it's like a sweet vinegar, pickle, and they're bright red. They can be a side dish or they can be a drinking snack. They go really well with the local sake obviously that's not something that most readers are going to be able to reproduce exactly if they're not in Japan but I still think that there's a value to having a recipe that explains how something is made that documents a local food that tells a story in some way. Like sometimes I think it's frustrating when recipes aren't translated to English because they wouldn't be practical for us. I still want to know about it and so much of this book, both in the narrative in the recipes is about curiosity about how things are made and why they're made the way they are.Suzy Chase: I think that's what I love so much about you is you have so many various different curiosities and it's just fascinating. It's almost like what's Hannah into now.Hannah Kirshner: It's kind of a problem cause I get into all these different things and then I just like, can't manage to keep up with them allSuzy Chase: I love from the outside looking in, it's like, oh, Hannah's doing that and I can learn from her.Hannah Kirshner: Well, writing is just about the best profession for that reason because it's my job to be curious about things and learn about them.Suzy Chase: In this book you limited your geographic scope to places you could reach by bike from your apartment, except for Chapter 9 Samurai at the Duck Pond. Can you talk a little bit about that?Hannah Kirshner: So about 20, 30 minutes west on the coast, there's this duck pond where about 25 men carry on this sport. That was once a form of samurai skills training. So the story is that the samurai was returning from fishing at the coast and as he walked up over the sand dune, a flock of ducks flew over and he took his net and he threw it up into the air and he caught one of the dock. And from that, he created the sport where, as it exists, now you have this Y shaped net, the pole that you hold is wood. And then it's got bamboo arms and a net like a fishing net stretched in between them. So they go up on the slopes on the hillsides, around the pond and as the ducks are leaving in the evening, they wait and they have the, the net like in front of them. The way I describe it in the book is like a tennis racket ready for a serve and then when the ducks fly over, bring it up vertically and toss it into the air. And the net comes up from below the dock, below their line of sight. And the duck flies into the net and it falls to the ground and is stunned. And then while it's stunned, they strangle it, just tie a little string around its neck. So it is a very, very inefficient way to hunt and really is more about a sort of skills training. And I found for these hunters, it's also just very much a way of being in nature and observing and being connected to that world.Suzy Chase: What was interesting to read as these duck hunters are natural experts in the wind and the youngest hunter was 39. So these guys are old.Hannah Kirshner: So Kawamoto-san, the man who brought me along, who I followed along for a season of hunting, the season goes from mid-November to mid-February. And he told me... he's in his mid-fifties, I believe and so he's considered one of the younger guys too. He told me it takes 10 years to get good at it. Plus you have to pay licensing fees. You have to have your nets. You have to be part of the club. You have to volunteer to take care of the pond. Like a lot of what they do is stewarding the landscape too. So it's a big commitment. It's a lot of money, a lot of time. And also the timing for hunting is like in the early evening, usually around five, like just before it gets dark. So it's not really that easy to just take up the hobby. And I think that they're struggling to find young people who want to join and continue it.Suzy Chase: And there are two restaurants in the area that serve net caught duck, which I think is amazing.Hannah Kirshner: As you can imagine, they don't catch very many of these ducks. And they're said to be especially delicious because the duck doesn't know what's about to die. So there are no stress hormones released. There's no damage from, you know, shooting it with a gun or killing it in some brutal way. So the meat is really prized and only two restaurants in this area serve the meat. One is Bantei and the other is Yamagishi. So the signature dish at these places is a kamo nabe or a duck, nabe means pot literally, but it also means the dish that's cooked in that pot. So usually like a hot pot, like a broth with various things, simmered in it. And there's actually a very particular kind of nabe in this area called Jibuni. It's a soy sauce based broth with various vegetables, sort of cooked consecutively in the broth and the meat is actually dipped in starch before it's simmered. So it makes this little sort of coating that helps keep the broth flavor on the meat as it simmers in the broth. And then the absolute best part is that when you're done simmering everything, you've got this concentrated stock with a flavor of the vegetables and the flavor of the duck meat. And you put either soba noodles or rice into that. That is absolutely my favorite part of the whole dish. It's a little elaborate. And the restaurants that make it are very protective of their proprietary recipes, but Kazu Yamagishi the chef at Yamagishi taught me how to make a really easy recipe for these duck and scallion skewers that are in the book. And he's that young Hunter that you mentioned the 39 year old, well, 39 at the time of writing. So I guess in his early forties now.Suzy Chase: You have an author's note in the back of the book that talks about how you had to go back to New York after the research for this book was done. And you didn't know at the time that the pandemic would make it a year before you could return a year later, how is Yamanaka doing? And the crafts people, the artisans and the shop owners, the restaurant owners, et cetera, et cetera.Hannah Kirshner: Yeah. Coming back here from New York after spending the spring and summer of 2020 in New York, it was the biggest culture shock. This time was how normal it felt here, although that sort of conceals the fact that people are really struggling economically without tourism, that a lot of the businesses rely on. Now, they're having to rely on government subsidies to get them through the sake brewery. He expected to have a big year because of the Olympics. And then not only were the Olympics canceled, but restaurants closed during the state of emergency people. Aren't going out to eat as much. So, yeah, they're definitely struggling in that sense, but people are very stoic about it, but Yamanaka still has had no known cases of COVID-19. So it took me a while to get used to like, I'm still very careful here, but there are certain things where I feel like, okay, rationally the risk of having dinner at a friend's house with like two people, probably more like the sort of normal risks that we choose to take. And it's tricky, but, and I don't really know why Yamanaka has done so wellSuzy Chase: At the very end of this book, you tell the story of Hato-chan a pigeon that kept you company. Can you talk a little bit about this pigeon?Hannah Kirshner: Oh my gosh. I'm so glad that you asked this. So Hato-chan the name literally means like pigeon dear or pigeon sweetie. I sort of thought like, you know, in Breakfast At Tiffany's she has the cat and she calls it cat because they don't belong to each other. So this is sort of how I felt with the pigeon. I found her injured on the sidewalk here in Yamanaka, and like, we have doves here, but not pigeons and she looked fancy. So she looks kind of like a New York pigeon, but like fancier something's weird here. And she was hanging around on the sidewalk. Like she was sort of like looking for help. So it's like, this is an animal that sees people as helpers somehow. And so I picked her up and I brought her back to my apartment thinking like, well, maybe she'll recover in a few days and want to fly away but I learned that she was actually a racing pigeon that had probably been discarded because she didn't have the band that she would have if someone was actually keeping her for racing and she just became this lovely companion. Clearly she was a domesticated bird and it wouldn't have been safe to release her. So she just hung out with me in my apartment and gradually got to trust being where she would come and eat my hand. And she would just kind of do her own thing during the day. I'd let her out of her cage and she would just walk around and she would like, come and check on me. Like, what are you doing? Okay. Now I'm going to go back to my thing. Uh, she was my buddy through those final solitary months of really getting the book done before my deadline. So when I was coming back to New York at the end of 2019, I needed to find some home for Hato-chan. I did look into bringing her back with me and that would have required her going through quarantine. And it would've cost like a thousand dollars. At least did not seem like a reasonable thing to do. So when I left Japan, I took her in a box on the Shinkansen, the bullet train. But this man outside of Tokyo who keeps pigeons, he was this Emirati Pakistani man who told me as we were going to take her to his house, that he believes that pigeons are close to the spirits. So if you want to talk to the spirits, you can talk to pigeons, any feeds the pigeons at the station. And he tells me that they come to him in his dreams when he hasn't fed them in a while and tell them that they're hungry. He was just so sweet. And so my Hato-chan went to live with this man outside of Tokyo. And she now has her own family there. She found a mate and she had babies and she has her own little family outside Tokyo now.Suzy Chase: Oh my gosh, you have to write a whole book about her.Hannah Kirshner: I actually wrote a graphic novel just to like entertain one of my friends. So, but I haven't, haven't finished that.Suzy Chase: Now to my segment called Last Night's Dinner where I asked you what you had last night for dinner.Hannah Kirshner: I know that you asked this question and I was worried that I was going to be self-conscious about it and like plan my dinner so that I could tell you about it. And then I completely forgot until after dinner. Last night I had Yuba, which is like, when you make tofu, the sort of skin or skim that rises to the top, there's like a a firm version. That's kind of like a noodle. And then there's a soft version that's sort of like creamy and goopy. So Moriguchi-san, who is one of the craftsman in the book, he carves these wooden trays called Wagatabon, he brought me some Yuba from Kyoto. They had that and just rice and a very simple miso soup and a umeboshi pickled plum. Technically it's not a plum. It's close botanically, closer to an apricot, but that's okay.Suzy Chase: Oh my gosh. I have to tell you your easiest, fastest, best fried rice is my favorite. It's garlic, ginger scallion fried eggs. And that's it. And you say to use day old rice, because that's the best who to thought that because you think it would be dry, but it's not.Hannah Kirshner: You have to use the day old rice cause otherwise it sticks to the pan and you get so mad. It, the worst thing, if you make fried rice with rice, that's too fresh. And then you've just got that, that goop burning on your pan.Suzy Chase: That recipe is so good. Thank you. Everyone needs to look that up after they get your book. So where can we find you on the web and social media?Hannah Kirshner: I'm at SweetsnBitters sweets, the letter N, bitters on Instagram and Twitter.Suzy Chase: The way live and create is incredibly inspiring to me. It's reassuring to know that there are still places you can't find on the internet. Thank you so much, Hannah, for coming on cookery by the book podcast.Hannah Kirshner: Thank you so much for having me on.Hannah Kirshner: I just want to add something to acknowledge the horrific violence that happened earlier this week in the context of the rise in hate crimes against Asian-Americans. I talked about the influence that Japanese and other Asian communities have had on the Pacific Northwest in talking about my book and that influence in the food and architecture and gardens and culture exists in spite of the terrible injustices against those Asian communities. I've written about the internment of Japanese Americans during World War Two and before that there was the Chinese exclusion act and of course, all that time, there was violence against Asian Americans and Asian immigrants, vandalism, destruction of their businesses. And I think that history is so clearly still with us. I think we can look to Min Jin Lee or Cathy Park Hong written so eloquently about this Roxane Gay also. So if we're interested in Japanese food, in Asian food and cultures, I think it's so important for us to know and understand that history and to keep listening and learning.

生活（せいかつ）について / 關於生活第一集的主題為”生活”。我這次向一位住在國外的日本朋友詢問他對國外的生活的想法，他對現在的生活環境的感受究竟如何呢？ 聽聽看、きいてみましょう！ 在TAKUYA的日語練習網看看這一集的日文對話字幕以及語法解釋　⇨https://www.takuyajapanese.com/podcast/c001/

In this new episode we will be discussing with Dr. Fernando Exposto, DDS, MSc, PhD about muscle pain and pain referral. Dr. Fernando Exposto is currently a Postdoctoral Fellow and Clinical Instructor at Aarhus University in Denmark. He obtained his PhD degree in Health Sciences at the same university in 2019. He graduate from dental school at ISCSEM in Lisbon (Portugal)in 2007. He completed a Master in Dental Sciences, Danube University (Austria) from 2007 to 2011. In 2015, he graduated from the 2 year CODA approved program in Orofacial Pain at the University of Kentucky (USA). From 2016 to 2018 he completed a Master in Headache Disorders at the Copenhagen University (Denmark). Dr. Exposto is a Diplomate by the American Board of Orofacial Pain since 2016. References: Comparison of masseter muscle referred sensations after mechanical and glutamate stimulation: a randomized, double-blind, controlled, cross-over study. / Exposto, Fernando; Udagawa, Gen; Naganawa, Takuya; Svensson, Peter. In: Pain, Vol. 159, No. 12, 01.12.2018, p. 2649-2657. Comparison of Pain-Generated Functional Outcomes in Experimental Models of Delayed-Onset Muscle Soreness and Nerve Growth Factor Injection of the Masticatory Muscles./ Zhang Y, Exposto FG, Grigoriadis A, Lobbezoo F, Koutris M, Zhang J, et al. Journal of oral & facial pain and headache [Internet]. 2020 Sep [cited 2021 Feb 13];34(4):311–22. Further evidence for overlaps among chronic pain conditions : But no news about causal relationships. / Svensson, Peter; Exposto, Fernando. In: Journal of Oral and Facial Pain and Headache, Vol. 34, No. Suppl., 2020, p. s6-s8.

Producer Mark and Sentai Buddy Brian are back to talk about how Takuya is outclassed at traditional Spider-Man rolls by his sister Shinko, his girlfriend Hitomi, and even Professor Monster. Email the show: Supersentaibrothers@gmail.com Find Matt Jay on Twitter: @supersentaibros Find us on Facebook at Super Sentai Brothers Visit our website: www.retrogradeorbitradio.com/supersentaibros   Toei Company's Spider-Man was a detour between the second and third seasons of the long running Japanese Super Sentai television program -- the franchise which inspired and  sourced the American Power Rangers franchise produced by Bandai!   The Super Sentai Brothers podcast is brought to you by Retrograde Orbit Radio and the following dedicated Retrograde Orbit Radio Personalities:   Your Dashing Hosts: Matt and Dave Jay Your Faithful Producer: Producer Mark

On this episode of the Japan Station podcast two members of the Kyoto-based metal band Cosmic Earth stop by to talk about their new album inspired by the Tokyo Olympics, the Kyoto heavy metal scene, and more. About Cosmic Earth Cosmic Earth is a Kyoto-based doom metal/stoner rock/heavy blues rock band founded by guitarist Takuya Yada in 2017. Cosmic Earth is part of Cosmic Frequency Records and is in the process of writing original music to release an album in the near future. Topics Discussed Takuya Yada's decision to go to England to study English and become a guitarist How Takuya Yada managed to become a guitarist of the heavy metal band Stuka Squadron Joe's connection to music and how he became interested in metal How Takuya Yada and Joe met The formation of Cosmic Earth The story behind Takuya Yada's heavy metal album inspired by the Tokyo Olympics: Stonolympic Some of the concepts and themes explored in Stonolympic Rock Bar Crunch in Kyoto And much more! Support on Patreon If you enjoy Japan Station and want to ensure that we're able to produce more episodes, then please consider becoming a patron on Patreon.com. For a minimum pledge of $1 a month you'll get early access to all JapanKyo podcasts, bonus content, and more. And for $3 a month, you'll get access to Japanese Plus Alpha, a podcast produced by me (Tony Vega) that focuses on the Japanese language and all of its fascinating quirks. Also, all pledges get a shout-out on the show and my undying gratitude. Thank you in advance! Support Japan Station on Patreon Links, Videos, Etc. To support the Stonolympic album Kickstarter campaign, check out the link below. Production of Tokyo olympic metal compilation 'Stonolympic'. For more information on Takuya Yada's many projects, visit the Cosmic Frequency Records website. CosmicFrequencyRecords.com You can find Takuya Yada's solo album 7 Fragments of the Unconscious on both the Cosmic Frequency Records website and Bancamp (link below). Takuya Yada on Bandcamp You can follow Takuya Yada and Cosmic Frequency Records on social media. Takuya Yada on Twitter Cosmic Frequency Records on Facebook The name of the heavy metal/hard rock bar in Kyoto that was mentioned during this episode is Rock Bar Crunch. You can find their website here. The address for Rock Bar Crunch can be found below. Rock Bar Crunch Address138 Universe Kaikan (Yunibāsu Kaikan), Tominagacho, Higashiyama WardKyoto, 〒605-0078 For more information on BlueEyes Kyoto, you can visit their Facebook page. The address for BlueEyes Kyoto can be found below. BlueEyes Kyoto Address 93 Kyoto Wasō Bldg. B1F (京都和装ビル), Goboomiyacho, Shimogyo Ward Kyoto, 〒600-8385 To listen to the latest episode of Ichimon Japan, check out the link below. How do Japanese names work? | Ichimon Japan 28 Special Thanks Opening/Closing song: Oedo Controller (大江戸コントローラー) by Yunomi featuring Toriena (Used with permission from Yunomi) To listen to more of Yunomi's music, check out his Soundcloud page or YouTube channel. Japan Station cover art: Provided by Erik R. Featured image: Courtesy of Zack Davisson Featured image: Courtesy of Takuya Yada Follow Japankyo on Social Media Facebook (@JapankyoNews) Twitter (@JapankyoNews) Full Show Notes Get full show notes at www.japanstationpodcast.com

本編 今週は牝馬３冠の最終戦秋華賞です！ 初の無敗で牝馬３冠が目の前に迫っていますが、果たして◎は！？ ゲストも来てくださいましたので、お楽しみに～。 ・秋華賞の考察記事です。良かったら見て下さいませ。 TAKUYAさん...

It all starts with an explosion. Imaging tech's latest advancement involves nanodiamond particles created from a shockwave's pressure and temperature. Scientists are finding ways to put these tiny formations to use as sensors inside cells. Listen to Dr. Takuya Segawa describe this exciting new step in particles physics and learn The basics of magnetic resonance spectroscopy (MRS) and MRI spectroscopy, including their limits, The increased sensitivity that imaging through nanodiamonds can offer biology research, and Examples of applications for this technology in the lab and the steps toward making it available on a bigger scale. Dr. Takuya F. Segawa is the Branco Weiss Fellow of the Society in Science in the ETH Zurich Laboratory for Solid State Physics. He is charged with finding better ways to investigate biomolecules inside cells. This led him to connect with a group in Japan that works with nanodiamonds. Why do scientists need a different way into cells? Dr. Segawa answers with a cogent explanation of the limits of magnetic resonance spectroscopy physics and how MRI machines work. The gist is that they lack sensitivity to give scientists the best information. He explains that this new nanodiamond won't necessarily replace clinical MRI diagnostics, but it has tremendous potential to make a difference in lab work. Here's how it works: about 25 years ago, a German scientist discovered that a crystal structure with a specific defect, a missing carbon atom, causes an electron spin and produces fluorescent light. Further study showed that manipulating the spin enables different light frequency emissions and leads to a fine-tuned sensitivity. Scientists then put this same defect in a nanodiamond, enabling a nanoparticle that can be used like an MRI system but with increased sensitivity. In addition, the magnetic resonance signal changes if it's met with a magnetic field. Therefore, two signals can split and provide information on temperature and position by using the orientation of this magnetic field in relation to the nanodiamond. He explains how scientists might use this amazing technique in lab work and how close the industry is to gaining larger production needs. Available on Apple Podcasts: apple.co/2Os0myK

Takuya Yamazki is one of Japan's leading sports lawyers. In this interview Takuya describes difficulties the COVID-19 pandemic has on the Tokyo Olympic and Paralympic Games. He puts forward a... In this podcast Sean Cottrell, CEO and founder of LawInSport, interviews leading sports lawyers, business executives, academics and athletes about the latest issues and legal developments in the world of sport.

Takuya Kuroda is a powerhouse talent, whose writing has been praised as “soulful” and “modern,” “effortlessly bridging the gap between jazz and soul, between history and tomorrow.” This interview marks the upcoming release of Kuroda's widely-anticipated Album, Fly Moon Die Soon - a fitting title for the work of a musician on the ascent. In this episode, Takuya shares his background, education, and musical journey.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcasts, Google Podcasts, etc.  Connect with us on all social media platforms and at www.improvexchange.com

By Jared Samuelson Takuya Matsuda joins the program to discuss Japan’s Cold War and post-Cold War approach to international relations, culminating in its current policy of Maritime Realism. Topics include relations with the U.S., the importance of the Japanese National Security Council, Japan’s relationships with its neighbors (the Quad!) and more. Don’t sleep on the … Continue reading Sea Control 195 – Japanese Maritime Realism with Takuya Matsuda →

Links:1. Explaining Japan's post-Cold War security policy trajectory: maritime realism by Tokuya Matsuda, Australian Journal of International Affairs, June 20, 20202. Navies and Foreign Policy by Ken Booth3. Dragon Against the Sun: Chinese Views of Japanese Seapower, by Toshi Yoshihara, Center for Strategic & Budgetary Assessments4. Geopolitics Redux: Explaining the Japanese-Korea Dispute and Its Implications for Great Power Competion by Takuya Matsuda and Jaehan Park, War on the Rocks, November 7, 2019

By Jared Samuelson Takuya Matsuda joins the program to discuss Japan’s Cold War and post-Cold War approach to international relations, culminating in its current policy of Maritime Realism. Topics include relations with the U.S., the importance of the Japanese National Security Council, Japan’s relationships with its neighbors (the Quad!) and more. Don’t sleep on the … Continue reading Sea Control 195 – Japanese Maritime Realism with Takuya Matsuda →

本編 今週は年の瀬の大一番有馬記念です！ ゲストにはNaotoチルドレンからお二人が登場です！ 年末にMラジ番外編を収録予定です！ 企画名は「TAKUYAさんへ何でも質問100」です！ Mの法則の質問、競馬の質問、プライ...

本編 今週は最強牝馬伝説への登竜門的存在阪神JFです！ アップが遅くなって本当申し訳ありません。レース後ですが、お聴き下さい。 年末にMラジ番外編を収録予定です！ 企画名は「TAKUYAさんへ何でも質問100」です！ M...

本編 今週はジャパンカップダートに名前を戻してでお馴染みのチャンピオンズCです！ 混戦の様相を呈していますが、果たして二人の結論は？お楽しみに～ 年末にMラジ番外編を収録予定です！ 企画名は「TAKUYAさんへ何でも質問...

本編 今週は今すぐ賞金を1億5000万に戻せでお馴染みJCです！ 熱く語りましたので、少し長いですが、お付き合いください！ 年末にMラジ番外編を収録予定です！ 企画名は「TAKUYAさんへ何でも質問100」です！ Mの法...

本編 今週は夏の最終週の名物重賞新潟記念です！ ブライトが悔しい思いをしているのを尻目にTAKUYAさんが相性良いレースです（笑） コーナーではヒシアマゾンのお話もしたので、お楽しみに～。 今年はウオッカ、ディープ、キン...

In this episode of Tent Talks, I speak with Takuya Niikawa, who is a postdoctoral researcher in philosophy at the Institut Jean Nicod in Paris. Takuya received his PhD in philosophy from Hokaiido University in 2015, defending the position of naive realism in the philosophy of perception. In this episode, Takuya and I discuss hisContinue reading "34. Dimensions of the Mind (with Takuya Niikawa)"

In this interview Takuya Yamazaki, one of the leading Japanese sports lawyer, CAS Arbitrator, and LawInSport Editorial Board members discusses his work on inclusion & diversity at Tokyo 2020 Games,... In this podcast Sean Cottrell, CEO and founder of LawInSport, interviews leading sports lawyers, business executives, academics and athletes about the latest issues and legal developments in the world of sport.

本編 皆さんお久しぶりです。 ご心配をお掛けして申し訳ありませんでした。 茶番と言われても仕方ない間隔でしたが、結構色々ありました＾＾； またTAKUYAさんと共に、心機一転頑張っていきたいと思います！ ブライトが無料メ...

Podpatch #34は、Goodpatchのアドバイザリーボードメンバー 及川卓也さんをゲストに収録しました！実はGoodpatchのエンジニア組織は、2年以上にわたりアドバイザリーとして及川さんにご協力いただいています。及川さんがアドバイザリーとして参画したきっかけ、技術革新であふれる未来に生き残るエンジニアのスキルとマインドセット、愛されるプロダクトが組織に与える影響などについて代表土屋とお話ししました。

This week Seamus is back to check out Crocodile Baron, Kakegurui - Compulsive Gambler-, and Demon Slayer: Kimetsu no Yaiba for a Triple Dip! Remember to send us emails! manga@alltalkpodcast.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac   Timestamps: 00:00:00 - Intro Song: “New Stranger” by sora tob sakana from Hi Score Girl, Opening, Introductions 00:02:08 - Listener Questions: We discuss the potential behind a manga subscription aggregate service in the future 00:11:13 - We recap how we started Manga Machinations and share our future goals 00:19:49 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Seamus visited JAPAN HOUSE in Los Angeles to see This is MANGA – the Art of NAOKI URASAWA exhibit 00:25:13 - We explain what tea towels are to Darfox 00:28:09 - Gintama still hasn’t ended after it’s run in JUMP GIGA so they will end it on soon to be released Gintama App 00:29:27 - dakazu felt the live-action Gintama movie was good because the self-deprecating comedy fit 00:34:26 - Seeing the live-action Kagura character made dakazu realize just how unrealistic the body proportions of shonen heroines are 00:37:41 - Next Episode Preview and Rundown: Retrospective on Give My Regards to Black Jack, we will do a comprehensive review of Shuho Sato’s manga about the problems within Japanese Medicare(covers volumes 1-4) 00:38:50 - Main Segment Triple Dip: Demon Slayer: Kimetsu no Yaiba/Kakegurui - Compulsive Gambler -/Crocodile Baron, Transition Song: “Deal with the devil” by Tia from Kakegurui, we read the beginning of each manga to see if we’d keep reading it before picking our favorite 00:39:30 - Demon Slayer: Kimetsu no Yaiba by Koyoharu Gotouge 00:58:36 - Kakegurui - Compulsive Gambler - by Homura Kawamoto & Toru Naomura 01:19:53 - Crocodile Baron by Takuya Okada 01:35:53 - Next Week’s Topic: “Give My Regards to Black Jack”, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster

Download MP3 最近は寒い季節でも、冬キャンプなどのアウトドアを楽しむ人も増えてきましたね。眠気と寒さを我慢して、灯りのない真っ暗な夜空を見上げれば、ひょっとしたらロマンチックな流星群が見られるかも…！今回の会話は、冬山の流星群を見にきた二人の会話です。 　 *** It's a Good Expression *** （今回の重要表現） Oh man 何てことなの stuff もの、こと a shooting star 流れ星 paranoid 考え過ぎの、誇大妄想狂の Earth’s atmosphere 地球の大気 If you say so! 君がそう言うなら（そうなんだろうね）！ And besides, それにね、 dopey 愚かな What a way to go out. 何ていう死に方なの。 Lighten up! 元気出して。深刻にならないで。 bundle up 着込む You should have worn another layer under your jeans! ジーンズの下にもう一枚着込むべきだったわね。 *** Script *** A Meteor Shower Situation: An Canadian woman and a Japanese man are standing on a mountain. W: Oh man, I do a lot of nature stuff back in Canada, but I didn’t think I’d be able to do much here. Thanks for coming out and watching the meteor shower with me, Takuya! M: Sure, Ali. Um… I’ve never seen a meteor shower before. To be honest, I don’t really understand why you’re so excited. W: You’ll see… Look, there! A shooting star! M: A... a what? Stars don’t have guns! W: Ha ha, not shooting like a gun, shooting like.. Going very quickly across the sky! It’s a more fun way to say “meteor.” Look, there’s another! M: Whoa… I saw it! There’s another! … Wow, I’ll admit: this IS pretty cool. W: I told you so! M: Yeah, yeah… Aren’t you afraid that one of the “shooting stars” is going to crash onto this mountain and kill us? W: Ha ha… Takuya, dude, you ARE way too paranoid. Most meteors burn up as soon as they hit Earth’s atmosphere. M: If you say so! W: And besides, “death by shooting star” sounds pretty dopey! What a way to go out, huh? M: Um… I’d rather not die, thanks. W: Oh, come on, lighten up! You can’t deny that this is super cool! M: True, this WAS fun, but next time can we do something that doesn’t involve being outside for hours in the middle of winter? I’m freezing! W: Hey, I told you to bundle up! You should have worn another layer under your jeans! Tsk, boys! M: Shh, Ali, I’m looking for meteors! (Written by Jazmin Boulton)

Download MP3 最近は寒い季節でも、冬キャンプなどのアウトドアを楽しむ人も増えてきましたね。眠気と寒さを我慢して、灯りのない真っ暗な夜空を見上げれば、ひょっとしたらロマンチックな流星群が見られるかも…！今回の会話は、冬山の流星群を見にきた二人の会話です。 　 *** It's a Good Expression *** （今回の重要表現） Oh man 何てことなの stuff もの、こと a shooting star 流れ星 paranoid 考え過ぎの、誇大妄想狂の Earth’s atmosphere 地球の大気 If you say so! 君がそう言うなら（そうなんだろうね）！ And besides, それにね、 dopey 愚かな What a way to go out. 何ていう死に方なの。 Lighten up! 元気出して。深刻にならないで。 bundle up 着込む You should have worn another layer under your jeans! ジーンズの下にもう一枚着込むべきだったわね。 *** Script *** A Meteor Shower Situation: An Canadian woman and a Japanese man are standing on a mountain. W: Oh man, I do a lot of nature stuff back in Canada, but I didn’t think I’d be able to do much here. Thanks for coming out and watching the meteor shower with me, Takuya! M: Sure, Ali. Um… I’ve never seen a meteor shower before. To be honest, I don’t really understand why you’re so excited. W: You’ll see… Look, there! A shooting star! M: A... a what? Stars don’t have guns! W: Ha ha, not shooting like a gun, shooting like.. Going very quickly across the sky! It’s a more fun way to say “meteor.” Look, there’s another! M: Whoa… I saw it! There’s another! … Wow, I’ll admit: this IS pretty cool. W: I told you so! M: Yeah, yeah… Aren’t you afraid that one of the “shooting stars” is going to crash onto this mountain and kill us? W: Ha ha… Takuya, dude, you ARE way too paranoid. Most meteors burn up as soon as they hit Earth’s atmosphere. M: If you say so! W: And besides, “death by shooting star” sounds pretty dopey! What a way to go out, huh? M: Um… I’d rather not die, thanks. W: Oh, come on, lighten up! You can’t deny that this is super cool! M: True, this WAS fun, but next time can we do something that doesn’t involve being outside for hours in the middle of winter? I’m freezing! W: Hey, I told you to bundle up! You should have worn another layer under your jeans! Tsk, boys! M: Shh, Ali, I’m looking for meteors! (Written by Jazmin Boulton)

Aka the Kitasenju Crew episode. Note: the podcast starts in Japanese but then switches to English for most of the show. Warning: explicit sexual content discussed. Apologies for the delay! I (James aka Young) took a trip to Tokyo not too long ago and made friends with artist Taku (left) and radio host/rapper Takuya (center) who asked me to be on his show. We discussed: - The short film James was directing in Taiwan called “Ahma & Alan”. - Takuya’s experience working in Cebu, Phillipines and thoughts on the political climate there. - Cultural differences between Japan, Taiwan, USA in regards to women, dating, sex etc… - Takuya’s Imagination Technique Ending song: “Rabbit House” by Plastic Girl in Closet Episode on Takuya’s Japanese website: https://note.mu/takuyam0523/n/n76982bb0ffe7 — Yin & Young links: * Main Website: http://www.jamesyshih.com/yin-young-podcast/ * iTunes: https://itunes.apple.com/us/podcast/yin-young-podcast-jys/id1185421015?mt=2 * Facebook: https://www.facebook.com/yinyoungpodcast/ * YouTube - https://www.youtube.com/channel/UCkvtVW6pVPeKFn7H_6ai8lA? * Stitcher - https://www.stitcher.com/podcast/yin-young-podcast

THISISNOTACLUB presents Basslines & Banter Season 1, Episode 6 Spurge sits down with Takuya Nakamura Recorded on November 21, 2018 at Kinfolk 90 in Brooklyn, NY. Audio Podcast Version: https://itunes.apple.com/us/podcast/basslines-banter/id1438634130?mt=2 Video: https://www.youtube.com/watch?v=_TZGJqHzxWc&t=207s -- BIO: Takuya Nakamura is a producer/multi-instrumentalist and DJ who moved from Japan to the US in the nineties to study George Russell at New England Conservatory of Music. Upon moving to New York, he started getting into the breaks club/underground music scene and mixing his jazz studies with electronic music. He’s worked with a diverse group of artists such as Quincy Jones, Billie Holiday (remix), performed with Lee scratch Perry, GZA (Wu Tang Clan), DJ Shadow, recorded and toured with Cocorosie, George Russell's Living Time Orchestra, Arto Lindsay, Jojo Mayer's Nerve, Brazilian Girls, Organic Grooves, and many others! -- ABOUT Basslines & Banter: Basslines & Banter is a visual podcast that is recorded live at the party which shares the same name. The host (Spurge) interviews music professionals (his friends & peers) about living & working in New York (maybe LA too), their career paths, favorite food spots, worst concert experiences etc. -- THISISNOTACLUB Instagram: https://www.instagram.com/thisisnotaclub Spotify: https://open.spotify.com/user/54u8mdf... Twitter: https://twitter.com/thisisnotaclub Spurge (Host of Basslines & Banter) Instagram: https://www.instagram.com/sspurgee Audio Mix and Edit by Vally (@Vally_Is_Here) Graphic Design by Androu (@NotAndrou)

Download MP3 前回の韓国の温泉に引き続き、今回もアジアの身近な文化を覗いてみましょう。今回は、フィリピン人には欠かせない食文化のお話です。キーワードは"merienda"ですが、フィリピンの食文化にはどのような特徴があるのでしょうか。 　 *** It's a Good Expression *** （今回の重要表現） Jeez えー（不服を表す間投詞） you're not supposed to do 君は〜してはいけないことになっている mad 怒っている merienda フィリピンの間食 culturally insensitive 文化的に無神経な *** Script *** A Filipino Eating Habit Situation: A Japanese man and a woman from the Philippines are sitting in a classroom in Japan, waiting for the teacher to come and start class. W: Mmm… Cinnamon-raisin rolls, yum! Hey, Takuya, do you want one? M: (gasps) Kayla-Ann, what are you doing? W: Um, offering my friend food? These are nice rolls, too: from the bakery! Not just 7-11. M: Hey, we just had lunch a few hours ago! W: And…? Jeez, Takuya, you could've just said "No, thanks." M: Well, you're not supposed to be eating in here anyway! The teacher's going to be so mad when he sees you! W: What? Why? Knowing how late he always is, the class won't even start for another 15 minutes! M: Look around, Kayla-Ann. Do you see anyone else eating? W: Hmm… Well… Wait a minute…. (Gasp) Does nobody have merienda here? M: Mary who? I don't think there's anybody named Mary in here... W: No, merienda. It's a light meal that you eat between breakfast and lunch or lunch and dinner. M: Five meals in one day? That's a lot! W: That's why it's a light meal, or sometimes closer to a snack—like these cinnamon-raisin buns! M: I guess… Still, though, you shouldn't be eating in the classroom! W: Hey, the teacher isn't even here yet! And if he gets mad at me for having food, I'LL get mad at HIM for being culturally insensitive! We Filipinos take our food very seriously. M: Jeez, I can tell… (Written by Jazmin Boulton)

Download MP3 前回の韓国の温泉に引き続き、今回もアジアの身近な文化を覗いてみましょう。今回は、フィリピン人には欠かせない食文化のお話です。キーワードは"merienda"ですが、フィリピンの食文化にはどのような特徴があるのでしょうか。 　 *** It's a Good Expression *** （今回の重要表現） Jeez えー（不服を表す間投詞） you're not supposed to do 君は〜してはいけないことになっている mad 怒っている merienda フィリピンの間食 culturally insensitive 文化的に無神経な *** Script *** A Filipino Eating Habit Situation: A Japanese man and a woman from the Philippines are sitting in a classroom in Japan, waiting for the teacher to come and start class. W: Mmm… Cinnamon-raisin rolls, yum! Hey, Takuya, do you want one? M: (gasps) Kayla-Ann, what are you doing? W: Um, offering my friend food? These are nice rolls, too: from the bakery! Not just 7-11. M: Hey, we just had lunch a few hours ago! W: And…? Jeez, Takuya, you could've just said "No, thanks." M: Well, you're not supposed to be eating in here anyway! The teacher's going to be so mad when he sees you! W: What? Why? Knowing how late he always is, the class won't even start for another 15 minutes! M: Look around, Kayla-Ann. Do you see anyone else eating? W: Hmm… Well… Wait a minute…. (Gasp) Does nobody have merienda here? M: Mary who? I don't think there's anybody named Mary in here... W: No, merienda. It's a light meal that you eat between breakfast and lunch or lunch and dinner. M: Five meals in one day? That's a lot! W: That's why it's a light meal, or sometimes closer to a snack—like these cinnamon-raisin buns! M: I guess… Still, though, you shouldn't be eating in the classroom! W: Hey, the teacher isn't even here yet! And if he gets mad at me for having food, I'LL get mad at HIM for being culturally insensitive! We Filipinos take our food very seriously. M: Jeez, I can tell… (Written by Jazmin Boulton)

Kimura Takuya started off as a pop star, mere entertainer. Now he's viewed as a living Samurai, even a God for some, because of his hardworking attitude and excellence in all things he does.

I gave myself a little hiatus from the dance / music / sex / romance podcast after Celebration 2018, but now we're back in business with guest Takuya Futaesaku, author of the book Words of Prince. Takki and I talk about his book and his experiences as a Prince fan in Japan; it was a pleasure to speak with him, so hopefully it will be a pleasure to listen, too! Special thanks this episode go to Crystal for helping me track down the Japanese shows you'll hear during the podcast. 00:00:00   "Around the World in a Day” (Live at Osaka-jō Hall, 1986) 00:02:39   "When Doves Cry” (Live at Osaka-jō Hall) 00:04:46   "Condition of the Heart” (Live at Osaka-jō Hall) 00:07:10   "Christopher Tracy's Parade” (Live at Osaka-jō Hall) 00:08:58   "Sometimes It Snows in April”  (Live at Yokohama Stadium, 1986) 00:13:24   "Bambi” (Live at the Tokyo Dome, 1990) 00:16:08   "Batdance” (Live at the Tokyo Dome, 1990) 00:18:38   "Vicki Waiting” (Live at Yokohama Stadium, 1996) 00:25:27   "Let's Go Crazy” (Live at the Tokyo Dome, 1989) 00:29:30    d / m / s / r Podcast with Duane Tudahl 00:33:55   "The Everlasting Now" (Live at the Nippon Budokan, 2002) 00:41:53    John Blackwell's Drum Solo from "The Question of U” (Live at the Budokan) 00:47:09   "Xenophobia" (Live at the Budokan) 01:00:35   "Dance On” (Live at the Tokyo Dome, 1989) 01:01:14   Buy Words of Prince on Amazon

durée : 01:58:39 - Edwin Fardini et Tanguy de Williencourt ; Lillian Gordis ; Takuya Otaki - par : Gaëlle Le Gallic - Enregistré en public le lundi 16 avril de 19h à 21h au Studio 106 de la Maison de la Radio Edwin Fardini, baryton Tanguy de Williencourt, piano PROGRAMME Guy Ropartz : Quatre Poèmes d'après l'Intermezzo de Heine Franz Liszt : Lieder (sélection) ***** Lillian Gordis, clavecin PROGRAMME Louis Couperin : Prélude et Sarabande en ré mineur John Bull : Melancholy Pavan and Galliard / In Nomine XII Jean-Sébastien Bach : Fantaisie chromatique et Fugue en ré mineur BWV 903 ***** Takuya Otaki, piano Premier Prix du Concours de Piano d'Orléans 2017 PROGRAMME Bela Bartok : Rhapsodie op. 1 Philippe Hersant : Le Carillon d'Orléans Manuel de Falla : Quatre Pièces espagnoles (extrait) - réalisé par : Jean-Pierre Collard

ニュージーランドのジェンダー問題事情、Kiwi的メンタリティー、起業家の考え、Kiwi的人生の楽しみかた、など。     International Women’s Day (国際女性デー） http://bit.ly/2oNE12C     Gina & Partners https://www.ginapartners.com/ 若きTakuyaはこちらから。   ジーナのオススメの本 Richard Branson 金持ち父さん (Rich Dad Poor Dad)   Remarkables

This is a podcast for anyone who wants to better understand the current legal issues and developments from the world of sport, and find out about the personalities behind these developments. On... In this podcast Sean Cottrell, CEO and founder of LawInSport, interviews leading sports lawyers, business executives, academics and athletes about the latest issues and legal developments in the world of sport.

Download MP3 リスナーの皆さん、明けましておめでとうございます！2018年が皆様にとって素敵な年となることを祈っております。 世の中にはお酒を飲めない人も多いですが、やはり新年とアルコールは切り離せない！という方も多いのではないでしょうか。つい調子に乗って飲み過ぎないよう注意して、楽しく新年をお祝いしましょう！ (初級〜中級)*** It's a Good Expression *** （今回の重要表現） What's up? 元気？ You're allowed to bring in your own food-- and alcohol! 食べ物とアルコールは持ち込み可だよ。 ここでのyouは人一般のこと。 Check this out. これ見てごらんよ。 get drunk for really cheap すごく安い値段で酔う though 〜だけれども It'll change your mind soon enough. すぐに考えが変わるから。 Whatever you say わかった、言うとおりにするわ。 What on earth? いったい何？ (to) throw up 吐く 俗語では(to) puke it has to do with all of the sugar and carbonation それはもちろん砂糖と炭酸に関係がある hit 悪い影響を与える get kicked out of から追い出される *** Script *** New Year's Vacation and Alcohol M: Hey, Ali! What are you doing tonight? It's New Year's vacation! W: Yeah! Hi Takuya. I'm not sure yet. What's up? M: I'm going to karaoke with some friends tonight. You're allowed to bring in your own food-- and alcohol! W: Wow, sounds like fun! OK. Let's go! (at karaoke) M: Hey, check this out. I brought Strong Zero for everyone! W: Strong Zero? What's that? M: It's a kind of chuhai—a highball made with shouchu and carbonated water. It's a great way to get really drunk for really cheap! W: Hmm, it says only 9% alcohol, though… I don't think I believe that. Especially because American alcohol is so much stronger than Japanese. M: (handing over Strong Zero) That's what YOU think! Here! Try a couple of these, and it'll change your mind soon enough! W: Ha! Whatever you say, Takuya. (A few hours later) W: What on earth? I only had 3 of those Strong Zeros. How did I get so drunk? Ah! I think I'm going… to throw up! M: I told you so! I think it has to do with all of the sugar and carbonation. Sugar and carbonation can make alcohol hit your system faster. W: It HAS to be more than that… Oh no, I think I'm gonna… puke! M: Quick! Get to the bathroom! We don't want to get kicked out of this karaoke place! (Written by Jazmin Boulton)

Download MP3 リスナーの皆さん、明けましておめでとうございます！2018年が皆様にとって素敵な年となることを祈っております。 世の中にはお酒を飲めない人も多いですが、やはり新年とアルコールは切り離せない！という方も多いのではないでしょうか。つい調子に乗って飲み過ぎないよう注意して、楽しく新年をお祝いしましょう！ (初級〜中級)*** It's a Good Expression *** （今回の重要表現） What's up? 元気？ You're allowed to bring in your own food-- and alcohol! 食べ物とアルコールは持ち込み可だよ。 ここでのyouは人一般のこと。 Check this out. これ見てごらんよ。 get drunk for really cheap すごく安い値段で酔う though 〜だけれども It'll change your mind soon enough. すぐに考えが変わるから。 Whatever you say わかった、言うとおりにするわ。 What on earth? いったい何？ (to) throw up 吐く 俗語では(to) puke it has to do with all of the sugar and carbonation それはもちろん砂糖と炭酸に関係がある hit 悪い影響を与える get kicked out of から追い出される *** Script *** New Year's Vacation and Alcohol M: Hey, Ali! What are you doing tonight? It's New Year's vacation! W: Yeah! Hi Takuya. I'm not sure yet. What's up? M: I'm going to karaoke with some friends tonight. You're allowed to bring in your own food-- and alcohol! W: Wow, sounds like fun! OK. Let's go! (at karaoke) M: Hey, check this out. I brought Strong Zero for everyone! W: Strong Zero? What's that? M: It's a kind of chuhai—a highball made with shouchu and carbonated water. It's a great way to get really drunk for really cheap! W: Hmm, it says only 9% alcohol, though… I don't think I believe that. Especially because American alcohol is so much stronger than Japanese. M: (handing over Strong Zero) That's what YOU think! Here! Try a couple of these, and it'll change your mind soon enough! W: Ha! Whatever you say, Takuya. (A few hours later) W: What on earth? I only had 3 of those Strong Zeros. How did I get so drunk? Ah! I think I'm going… to throw up! M: I told you so! I think it has to do with all of the sugar and carbonation. Sugar and carbonation can make alcohol hit your system faster. W: It HAS to be more than that… Oh no, I think I'm gonna… puke! M: Quick! Get to the bathroom! We don't want to get kicked out of this karaoke place! (Written by Jazmin Boulton)

Takuya Yamazaki, Founder and Managing Partner at Field-R Law Offices and Chairman of Division -Asia/Oceania at FIFPro, talks to Sean Cottrell (CEO and founder of LawInSport) about contractual... In this podcast Sean Cottrell, CEO and founder of LawInSport, interviews leading sports lawyers, business executives, academics and athletes about the latest issues and legal developments in the world of sport.

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

Congrats to user @tyrisclark! You’re the winner of the Two Broke Watch Snobs Heitis Quartz Chronograph giveaway. A huge THANK YOU to everyone who has supported the Two Broke Watch Snobs through Patreon! If you’d like to support more broke ass watch snobbery, improvements to the podcast, website, and more, please visit www.patreon.com/twobrokewatchsnobs Oh yeah, and Kaz is finally jobless! Hooray! The snobs then discuss some of their thoughts on jobs within the watch industry. The jobs are out there! Sales, retail, marketing, PR, etc. But really, you should just be Ryan Reynolds @ Piaget...that’s the best way to make it in watches. Duh. Show Notes: Orient Christmas Chronograph: https://www.instagram.com/p/BUe3BEMFtUS/?taken-by=twobrokewatchsnobs Toxic N8Os Toxic Shiznit: https://www.toxicnatos.com/products/toxic-herringbone Seiko SRP777: https://www.instagram.com/p/BT6mSsUFHth/?taken-by=twobrokewatchsnobs Seikoholic’s Sir Roger Moore Tribute: https://www.youtube.com/watch?v=OJd3uEJPJdU Seattle Watch Technology Institute: https://northseattle.edu/programs/watch-technology-institute HMT Watches: https://www.hmtwatches.in/ HQMilton: https://www.hqmilton.com/ DavidSW: https://davidsw.com/ LunarOyster: https://www.lunaroyster.com/ Takuya: http://www.watchrecon.com/?query=takuya Grahame Fowler: http://www.grahamefowler.com/shop/timepieces/ BC Rich: http://www.musiciansfriend.com/guitars/b.c.-rich-mockingbird-set-neck-with-floyd-rose-electric-guitar/j47503000002000?cntry=us&source=3WWRWXGP&gclid=CjsKDwjw6qnJBRDpoonDwLSeZhIkAIpTR8KPwq1vrjup9uGLJjO09v4cZ2JaUSr0rRVLSRN8A6KpGgIpfPD_BwE&kwid=productads-adid^156403583515-device^c-plaid^265927224686-sku^J47503000002000@ADL4MF-adType^PLA (Article) Guy falls into wood chipper: http://articles.sun-sentinel.com/2014-06-24/news/fl-davie-wood-chipper-death-20140623_1_wood-chipper-police-id-man-dale-engle Ryan Reynolds @ Piaget: http://www.piaget.com/events/ryan-reynolds-polo-s

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

Working with Takashi Miike is an honor The post Takuya Kimura, Hana Sugisaki – Blade of the Immortal #Cannes2017 appeared first on Fred Film Radio.

May and Jay discuss Crusadermon - who goes from being the James in Team Rocket to the Jessie in Team rocket, Jay hears about a new prophecy, and May has lost hope.You can find our weekly poll here: http://poll.fm/5t44dLinkdump: http://lostintranslationmon.co.vu/post/161110843807/may-and-jay-discuss-crusadermon-who-goes-fromScreenshots of the WeekMay: Grah (http://lostintranslationmon.co.vu/post/161068641292/k)Jay: Neemon wants in too (http://lostintranslationmon.co.vu/post/161072839122/the-stomach-band-of-safety)Weekly WondersMay: T2 (http://www.t2tea.com/en/au/tea/)Jay: Chew (https://en.wikipedia.org/wiki/Chew_(comics))Segments:* Intro: 0.00.00-0.01.17* DigiNews / Lost in NewsLatelymon: 0.01.18-0.12.44* Obnoxious Synopsis: 0.12.45-0.15.36* Episode 37 and 38 Discussion: 0.15.37-1.20.44* Episode 37 and 38 Opinions: 1.20.45-1.23.17* Overall Opinions: 1.23.18-1.31.34* Postmon Pat: 1.31.35-1.51.20* Outro: 1.51.21-1.57.26Check out our Redbubble!: https://www.redbubble.com/people/airdra/works/26210445-a-dracomon-and-a-lopmon-ride-on-a-culumon-enchiladasThank you to our supporters on Patreon; Sam Krieger (who hosts a Digimon and Pokemon podcast called ’The Moncast’), Stevie who is SteviePatamon on Tumblr and takes commissions, Wuqinglong (twitch.tv/wuqinglong), MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Ishpaul Bhamber, Hiro Alato (@HiroAlato on twitter, Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own), Steven Reeves (@WildWing64 on Twitter), Kaida Washi, Mac, Noam, Riku, Red & Garren from Breakfast with Digimon, Chisai (Who you can follow on tumblr at chisai236), Corey, Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), SmileWolfy (SmileWolfy on Tapastic), Tom, GlitchGoat, Azrael McCool, and Nicholas ! Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonYouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/6dkt8g/digimon_podcast_lost_in_translationmon_episode/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonInstagram: https://www.instagram.com/lostintranslationmon/With the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmon

Jeff and Ashley tackle feedback about the Sakkakumon arc, follow up about Takuya’s Tokyo episode, take some questions, and get a surprise visit from Mercurymon. You can find the full show notes for this episode and leave comments at http://podigious.com/403.5/.

Tale as old as time apparently. May and Jay watch the 'okay' Frontier movie which, unfortunately, is plagued by the fact Frontier is involved meaning that unless your name is Takuya or Kouji you're probably not going to be doing much. May tries to work out when this movie takes place in the timeline and realises that all the problems in this movie would have been solved by Shutumon and Jay is pleasantly surprised.Linkdump: http://lostintranslationmon.co.vu/post/158528057342/ep94You can find our weekly poll here: https://lostintranslationmon.com/2017/03/18/weekly-poll-3/Screenshots of the Week (we are both terrible people)May: Izumi's bum is stronger than Kazemon's (http://lostintranslationmon.co.vu/post/158448500262/izumis-bum-the-most-powerful-enemy-in-digimon)Jay: Kazemon's bum (http://lostintranslationmon.co.vu/post/158508752392/we-just-recording-episode-94-of-the-podcast-feel)Weekly WondersMay: Oolong teaJay: Going on a dietThank you to our supporters on Patreon; Sam Krieger (who hosts a Digimon and Pokemon podcast called ’The Moncast’), Stevie also has a YouTube Channel (https://www.youtube.com/channel/UCLH2CgRFrrXwm0_Ok0V6lcw) Wuqinglong (twitch.tv/wuqinglong), MetalMamemon, Joe, AnimeGuyKurosaki1 (Youtube using the same name), Chakmon, Ishpaul Bhamber, Hiro Alato (@HiroAlato on twitter, Jason Morosky, Ryuichi (frostmrajick on Archive of Our Own), Steven Reeves (@WildWing64 on Twitter), Kaida Washi, Mac, Noam, Riku, Red & Garren from Breakfast with Digimon, Chisai (Who you can follow on tumblr at chisai236), Corey, Kyle, DaLadyBugMan (you can read his blog about anime on baguburagu.wordpress.com), SmileWolfy (SmileWolfy on Tapastic), Lupin, and Tom! Become a Patreon supporter for as little as a dollar per month and we’ll love you forever! https://www.patreon.com/LostInTranslationmonYou can also donate to the production of this podcast using PayPal here: https://www.paypal.me/AirdramonSegments:* Intro: 0.00.00-0.01.04* DigiNews / Lost in NewsLatelymon: 0.01.05-0.16.39* Obnoxious Synopsis: 0.16.40-1.16.22* Movie Discussion: 1.16.23-1.21.54* Movie Opinions: 1.21.54-1.30.46* Postmon Pat: 1.30.47-1.40.24* Outro: 1.40.25-1.47.28* Fanfic Chapter 7: 1.47.29-2.00.01YouTube: https://www.youtube.com/channel/UCN-_lpot2vexKON1MPPINNAGmail: LostinTranslationmon@Gmail.comReddit: https://www.reddit.com/r/digimon/comments/6011ss/digimon_podcast_lost_in_translationmon_episode_94/Tumblr: http://lostintranslationmon.co.vu/Twitter: https://twitter.com/translationmonFacebook: https://www.facebook.com/LostInTranslationmonWith the Will: http://withthewill.net/threads/14837Soundcloud: https://soundcloud.com/lostintranslationmon/iTunes: https://itunes.apple.com/au/podcast/lost-in-translationmon/id991593581Stitcher: http://www.stitcher.com/podcast/lost-in-translatiomon/lost-in-translationmon

Spacee has staked out an interesting position in the sharing economy. Spacee enables companies and individuals to rent out unused meeting room space to people who need to hold a meeting. It's an interesting take on applying a sharing economy model to business. I’m generally very skeptical of startups who define themselves as “Uber for X” or “Airbnb for Y”, particularly in the B2B space, but Spaceee has already been in business for several years in Japan, and they are seeing strong traction and increasing revenues. They might really be onto something. Taku has some fascinating insights on why Japan, and Tokyo in particular, might be far more fertile ground for sharing economy startups than almost any other place in the world. It’s a great discussion and I think you’ll enjoy it. Show Notes for Startups Why the basic business case makes sense How large the meeting space market can grow The challenge of expanding outside of Tokyo Why Spacee turned down venture financing to bootstrap for three years Whats wrong with the current fundraising environment in Japan Which other companies are coming into the meeting room rental space Why Japan is uniquely suited for the sharing economy Links from the Founder Learn about Spacee Follow them on twitter @spaceejp Friend them on Facebook An interview with Spacee CEO on fundraising [shareaholic app="share_buttons" id="7994466"] Leave a comment Transcript from Japan Disrupting Japan, episode 59. Welcome to Disrupting Japan - straight talk from Japan's most successful entrepreneurs. I'm Tim Romero and thanks for joining me. You know, the world is full of start-ups that define themselves as “the Uber of X” or the “Airbnb for Y.” Frankly, most of those business models don’t really make sense when you dig into them. Spacee, however, might just be onto something. Spacee rents out unused space around Tokyo to salesman, co-workers, or people who just need a quiet place to conduct a little business. As Takuya Umeda explains in the interview, it’s not just meeting rooms that are being rented out. The sharing economy is relatively new in Japan and Takuya and I talk not only about some of the problems its facing here, but why, in the long-run, Japan might be better suited for sharing economy companies than anywhere else in the world. He also explains why Spacee decided to delay taking outside investment for almost three years while they built their business and how that turned into an advantage later on. But you know, he tells the story much better than I can, so let’s hear from our sponsor and then get right to the interview. [pro_ad_display_adzone id="1404" info_text="Sponsored by" font_color="grey" ] [Interview] Tim: So I’m sitting here with Takuya Umeda, co-founder of Spacee. Thanks for sitting down with me. Taku: Thank you, Tim. Tim: Spacee is kind of like Airbnb for meeting spaces, but that’s a really overly broad description, so why don’t you tell us a bit of how it works. Taku: Spacee is really like the Airbnb of business. In Japan, wherever you have a meeting, if you have an outside meeting, the only place you go is like Starbucks or a café. Tim: Right. Everyone meets in coffee shops. Taku: If there is a professional conference room, it costs really expensive. It’s probably like 5,000 yen per room, per hour. And at that price you can’t really do much, like brainstorming and start up some business plan. Stuff like that you can’t really do. And a café is not really good at it too. So we found that there is a gap between an expensive conference room and a Starbucks, so we fit into the gap. Tim: So something a little more formal and private than a coffee shop, but not quite as formal as a hotel meeting room or a service office. So tell me about your customers. Who is it that’s renting out these spaces and why are they doing it? Taku: You know, there is a lot of salespeople around and they stay l...

いつもの番組とはちょっと違う形で今回は福岡のTakuya Sが司会。福岡をとてもよく知っているTakuyaの選ぶ一番お気に入りのお店とはどんなお店なんだろう？Yelp@Cityに新メンバーが加わりました。 このエピソードを聞いてアレックスがどんな人なのかチェック。   Alex "Takuma" K. （東京） http://kubota.yelp.co.jp   Takuya S.（福岡） http://takuyas.yelp.co.jp   福岡で一番盛り上がったイベント Yelp Fukuoka Red Christmas Party 2015 ウィンタービーチパーティー feat. 牡蠣!!   Takuyaが一番お気に入りの店 Rec Coffee

In this episode we discuss a grab bag of Mesozoic papers, ranging from potential dinosaur mating dances to large-eyed mosasaurs. And after a fairly sober month, Amanda and James dive headfirst into the highest alcohol content beer they have with expected disastrous results. Come and join us as Amanda tries her hand at ASMR, James uncovers a plot to destroy him, and Curt enjoys being the most sober person in the room. Also we keep talking about The Thing for some reason... References Lockley, Martin G., et al. "Theropod courtship: large scale physical evidence of display arenas and avian-like scrape ceremony behaviour by Cretaceous dinosaurs." Scientific reports 6 (2016). Konishi, Takuya, et al. "A new halisaurine mosasaur (Squamata: Halisaurinae) from Japan: the first record in the western Pacific realm and the first documented insights into binocular vision in mosasaurs." Journal of Systematic Palaeontology (2015): 1-31.

En esta edición presentamos el nuevo EP de Takuya Matsumoto.

Tasters of new albums / compilations from Maribou State and Wbeeza, music from Tartelet, Greco-Roman and Meda Fury and a Future Classic from Japan. Bookings: info @ bengomori . com Follow Turned On on SoundCloud for more new music http://soundcloud.com/turned-on … Continue reading → The post Turned On 095: Wbeeza, Rework, IMYRMIND, Maribou State, Takuya Matsumoto appeared first on Turned On.

Takuya Yamazaki is one of the most prominent Japanese sports lawyers in Japan and is a member of the LawInSport Editorial Board. Takuya is heavily involved in the development of sports law in Japan... In this podcast Sean Cottrell, CEO and founder of LawInSport, interviews leading sports lawyers, business executives, academics and athletes about the latest issues and legal developments in the world of sport.

Check out the show notes on twopeasinadramapod.wordpress.com! Email us feedback or requests at twopeasinadramapod@gmail.com!

あいてぃー My Tea 第３３回○Ustream公開生抽選楽屋話？○アイ・スツール当選者の方からのメールHi-Speed Apple Season2