Podcasts about emperor penguins

In this thought-provoking episode, Tony and Jesse delve into Jesus's twin parables of the hidden treasure and the pearl of great price from Matthew 13:44-46. They explore the profound economic metaphor Jesus uses to illustrate the incomparable value of the Kingdom of Heaven. Through careful examination of both parables, they discuss what it means to "count the cost" of following Christ while simultaneously recognizing that no earthly sacrifice can compare to the infinite worth of gaining Christ. The conversation moves between practical application—considering how believers assess value in their spiritual lives—and deeper theological reflections on Christ's perfect sacrifice that makes our entrance into the Kingdom possible in the first place. Key Takeaways The Kingdom of Heaven has such surpassing value that sacrificing everything to obtain it is considered a joyful exchange, not a loss. Both parables show different paths to discovering the Kingdom (unexpected finding vs. intentional seeking), but identical responses: selling everything to obtain the treasure. The parables are not primarily commanding material poverty, but rather illustrating the "sold-outness" required in pursuing the Kingdom of God. Counting the cost of discipleship is not only permissible but necessary to fully appreciate the value of what we gain in Christ. The ultimate treasure we receive in salvation is not merely benefits like eternal life, but God Himself—union with Christ and fellowship with the Trinity. Christ Himself is the one who ultimately fulfills these parables perfectly, giving everything to purchase us as His treasure. The irresistible draw of the Kingdom illustrates how God's grace works in the heart of believers, compelling joyful surrender. Exploring the Incomparable Value of the Kingdom The economic metaphor Jesus employs in these parables is striking—both the hidden treasure and the pearl are deemed so valuable that the discoverers "sell all they have" to obtain them. As Tony and Jesse point out, this transaction reveals something profound about how we should view the Kingdom of Heaven. It's not simply that the Kingdom is valuable; it's that its value so far exceeds anything else we possess that the comparison becomes almost absurd. As Tony notes, "For sure the worth of the kingdom of heaven surpasses anything we could imagine... there's no measure that is satisfying, there's no measure that can actually show us how worthwhile it is." This perspective transforms how we understand sacrifice in the Christian life. When opportunities or comforts are foregone because of our faith, we're not simply losing something—we're experiencing the reality that we've chosen something infinitely more valuable. The parables teach us to view these moments not with regret but with a clearer vision of the treasure we've received in Christ. The Ultimate Prize: God Himself Perhaps the most powerful insight from the discussion is the realization that the ultimate treasure of salvation is not the benefits we receive, but God Himself. As Tony eloquently states: "All of those things are attending gifts. But what we get in salvation ultimately is we get God... we get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." This perspective reshapes how we understand the value proposition of the gospel. It's not merely that we receive eternal life, freedom from suffering, or other benefits—though these are real. The pearl of great price is relationship with God Himself. This helps explain why both men in the parables respond with such dramatic, all-encompassing sacrifice. When we truly grasp what's being offered, nothing seems too great a price to pay. Memorable Quotes "What we get in salvation ultimately is we get God. We get union with God, we get fellowship with Jesus Christ in the power of the Holy Spirit. We get swept up into the life of the Trinity... We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that." — Tony Arsenal "I often say in my own line of work, that cost only matters in the absence of value... it's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We'll just say no matter what the cost of us personally, great or small, totally worth it." — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: All of those things are attending gifts. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. We get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. [00:00:47] Jesse Schwamb: Welcome to episode 469 of The Reformed Brotherhood. I'm Jesse. [00:00:54] Tony Arsenal: And I'm Tony. And this is the podcast with ears to hear. Hey brother. [00:00:59] Jesse Schwamb: Hey brother. Discussing the Value of the Kingdom of Heaven [00:01:00] Jesse Schwamb: Speaking of ears to hear, we're back at it again with a whole new, or let's say different parable from our Lord and Savior Jesus. And we've been talking about how really these parables give us this view of the face of heaven through these earthly glasses. And I am pretty interested in our conversation about what's coming up because sometimes we don't like to put too fine a points to our, our point of question to our faith. And in this case, we're gonna get to ask the question, what is it all worth, this kingdom of heaven, this rule and reign of Christ? What is it all about? Who are the beneficiaries of it? And what is it all actually worth? There's a little bit of economics in this, so we're gonna get there. And while we talk and do a little affirming or denying, you should just go ahead write to just skip, go. Do not collect $200 or maybe. Pass, go and collect $200. I dunno. But just go to Matthew chapter 13 and hang out there for just a second. Affirmations and Denials [00:01:58] Jesse Schwamb: But first, I'm always curious to know whenever we talk, are you gonna affirm with something or are you gonna die against something? We've been on a string of lots of affirmations, but I'd like to think that's just because we're fun, loving, optimistic people. But there was a day where we had to do both. And now that I only have to choose one, I do find myself gravitating almost naturally toward the affirming width. But I leave it to you, Tony, are you affirming with or denying against? [00:02:22] Tony Arsenal: I, unfortunately am denying tonight. Technical Issues with Apple Podcasts [00:02:25] Tony Arsenal: So you and I already talked about it a little bit, but uh, I'm denying Apple Podcast Connect. Oh yes. So, uh, I. Obviously, like if you're affected by this, you're not hearing the episode 'cause it's not updating for you. But, uh, if you happen to be using Apple to listen to the podcast and for some reason you're listening somewhere else, maybe you realize that the podcast has not been updating for several weeks. And so you went to a different podcast catcher. Um, apple just decided for some reason that none of our feeds were gonna update. No good reason. So I've got a ticket out to Apple and hopefully we'll get it fixed. Uh, if you do know someone who listens to the show and they use Apple, please tell them to subscribe to something else or to, uh, go to the website. You can get all of the, all of the episodes on our website. You could go to Spotify, you could do something like, uh, overcast or PocketCasts. Um, it really is just Apple. It's, it's the actual account that we use to, uh, to access. Apple's Directory is not pulling new episodes and it's not pulling new episodes on another show that I run as well. So, uh, it's not just this show, it's not our RSS feed. These things happen. It'll, you know, you'll get four or five episodes all at one time. When it, when it corrects itself, usually they're pretty quick. I put in a ticket like late on Friday afternoon, so I didn't expect them to get to it on, uh, Saturday or Sunday. So hopefully by the time you're hearing this, uh, it's resolved. I would hope so, because that means it would be about a week from today. Um, so hopefully they'll have a resolve. But yeah, it's just th thorns and thistles. This is our own, our own, uh, manifestation of the curse here in this little labor that we do. It's, it's thorns and thistles right now, but no big deal. Just, uh, catch up when you can. And, uh, yeah, so denying Apple Podcasts now, really, it's, it's a great service and this is a, a little glitch. It's, it's just a little frustrating. [00:04:20] Jesse Schwamb: The sweat of our brow. Yes. Here it is. We're just toiling over getting Apple to please release our episodes. Well, it'll be your happy day if you use Apple Podcasts and then get a bunch of them all at once. That's fantastic. It's like the gift that is over in abundance. Supporting The Reformed Brotherhood [00:04:36] Jesse Schwamb: Yeah, it is a good reminder that you just said, Tony, that everybody should go, just take some time. Head on over to our form brotherhood.com. You can find all the other 400 some odd episodes living over there. And while you're over there and you're perusing or searching by topic to see what we've talked about before, you're probably gonna think to yourself, this is so incredible. How is this compendium, this omnibus of all these episodes just hanging out here free of cost? And I'm so glad you're thinking about that because there are so many lovely brothers and sisters who have decided just to give a little bit to make sure that all that stuff gets hosted for free for you Yeah. And for us, so that anybody can go and explore it and find content that we hope will be edifying. So if that's something you're interested in, maybe you've been listening for a while and thought, you know what? I would like to give a little bit one time or reoccurring, we would love to, for you to join us in that mission. You can go to patreon.com/reform brotherhood, and there's all the information for you to give if that's something that you feel you would like to do, and we would be grateful for you to do it. [00:05:32] Tony Arsenal: Yeah. Yeah. We, we have a group of people who support the show. They make it possible for your, uh, your ear holes to be filled with our voices. And, uh, but again, you know, the costs are going up all around and, and we would, uh, certainly love to have people partner with us. Um, we've committed to making show that the, making sure that the show is free and available. Um, it's never our intention to put anything behind a paywall or to, to barrier and in that way, but we can only do that if there's people who are supporting the show and making, making sure that we've got the funding that we need to, to keep going. So, thank you to everybody who gives, thank you to anyone who's considering it, uh, and thanking anybody who decides to, uh, jump on board with that. [00:06:11] Jesse Schwamb: Right on. We're appreciative who we really are. [00:06:13] Tony Arsenal: Yeah. So Jesse, what are you affirming or denying today? Exploring Open Webcam DB [00:06:16] Jesse Schwamb: Uh, this is what I've kind of done before, but I think I've found a new place for it. I just am continually impressed and fall in love with how great and big and lovely God's world is. So I love these types of sites that give you insight into this great big world, even if it's in unexpected places or maybe in strange places. So I'm affirming with a website called Open webcam db.com. Open webcam db.com. And it's exactly like what it sounds like. It's a database that has something like 2000 live cameras streaming daily from over 50 countries, all searchable by a category. So you can find natural landscapes, airports, construction sites, and one of my recent favorites, honestly, and this is. It's so strange, but kind of awesome is this warehouse, it's called Chinese Robotic Warehouse Buzz, and it's just robots moving pallets around or like stacks of all of these items. It's mesmerizing. But I would encourage you go to open webcam db.com, search for like your stage or your country. You'll find so many amazing things. So I've sat and just watched, you know, between tasks or when you know you just need a break or you're just curious about the world. Like I look, I watched the Krakow Maine Market Square quite a bit because it's. Beautiful and brilliant, and to think about the people moving to and fro and what they're doing, what their lives are like. There's some great scenes from San Francisco Bay. There is a bird feeder in Gettysburg, Pennsylvania that I often watch. So of course, like go out as we've said, and live and breathe and be in your own communities. And as well, if you're looking at scratch that itch of just seeing all these different places, all the different things that are happening in God's created world, I can firmly and unreservedly recommend open webcam db.com for that. [00:07:58] Tony Arsenal: Nice, nice, uh, little known fact at one point, Dartmouth Hitchcock, which is the hospital that I worked for, had to block a penguin cam, uh, because it was causing such a productivity drain combined with an actual measurable decrease in internet bandwidth at the hospital. 'cause so many people were watching this little penguin cam at some zoo in Boston. I think it probably was. Yeah, I, I love this kind of stuff. I think this kind of stuff is great. Uh, I use, uh, Dartmouth College has a, like a live one that I use all the time, especially when we're trying to figure out what the weather's gonna do. You can see it on the camera. Uh, we, we often will, you know, see, especially as we get closer to the season when we're talking about traveling to the beach and whatnot, uh, often look at the ocean grove. Oh, that's right. Uh, pier cam. So yeah, check it out. Uh, sounds like a fun time. Do not share it with too many of your friends at work. Or it may crash the network and Yeah. But [00:08:53] Jesse Schwamb: yeah, for [00:08:54] Tony Arsenal: sure. That was a funny email that they had to send out. I remember that [00:08:57] Jesse Schwamb: for sure. Use, use the penguin cam responsibly. I just did a quick search. There are four different penguin cams. Uh, three of them are in the United States, one is in New Zealand, and you better believe I'm gonna be checking those bad boys out. Yes. I didn't even think about. The penguin feature here and penguins are an amazing animal. Like we could stop right now and just shift our topic to penguins if you want to. [00:09:16] Tony Arsenal: Yeah. ' [00:09:16] Jesse Schwamb: cause there's so much there. And the spiritual truths are so broad and deep, but I just think penguins are kind of undervalued. Birds. Everybody should go check them out. [00:09:26] Tony Arsenal: Yeah. Yeah. They're, they're pretty cool. [00:09:28] Jesse Schwamb: Yeah. Um, I'm like, I will watch any Penguin documentary and just be astounded by Penguin. Like, whether they're Emperor Penguins or South African Penguin, wherever. I just think they're phenomenal and hilarious and seem to be living the dream. And he doesn't want a little bit of that. [00:09:46] Tony Arsenal: You just gotta get Morgan Freeman to do the voiceover in any documentary or, or nature documentary is better with Morgan Freeman doing the voiceover. [00:09:55] Jesse Schwamb: Well, I all, this might be a deep cut real quick, but I just learned this, and I'm guessing some of our listening brothers and sisters probably already know this. Maybe you do too, Tony. So, Benedict Cumberbatch, do you know where I'm going with this? Yep, [00:10:06] Tony Arsenal: yep. Pen wing. [00:10:07] Jesse Schwamb: Yeah. I didn't. I cannot say that word or stumbles over its pronunciation. He did some kind of big documentary in which Penguins played at least some part. Yeah. And they were in an interview. They were giving him such a hard time because they played his reading of it like within the same kind of five minutes. And his, the word just kept degenerating in his mouth every time he said it. So it became like almost undistinguishable from the actual word. And it's like initial pronunciation. It was so hilarious. Apparently it's a big joke on the internet and I just didn't know it. [00:10:38] Tony Arsenal: Especially for someone like Bent Cumberbatch who just is, uh, like he's a world-class voice actor. [00:10:44] Jesse Schwamb: Right. [00:10:45] Tony Arsenal: And like a super smart ude guy and he just can't say the word penguin and penguin. Yeah. [00:10:51] Jesse Schwamb: Yeah. He said, you got everybody go look it up. 'cause it is super hilarious. And now it's kind of gotten stuck in my head. But um, again, this suddenly became like the All Penguin episode all of a sudden. [00:11:01] Tony Arsenal: I mean like, he can pronounce his own last name just fine, but the word penguin escapes him. I like to call 'em blueberry crumble bottom or whatever. Crumble bunch. [00:11:11] Jesse Schwamb: Uh, see that's the good stuff right there. That's what everybody we know. This is what you all tune in for. This is what you're missing when Apple Podcast doesn't send everything out on time. Yeah. You're welcome. [00:11:22] Tony Arsenal: Yeah. The Parable of the Hidden Treasure and the Pearl [00:11:23] Tony Arsenal: Well, Jesse, why don't we, why don't we get into it? Because you know it, it's interesting. Let's [00:11:27] Jesse Schwamb: get into it. [00:11:28] Tony Arsenal: Well, it's interesting because when you, you know, you kind of, we, we sort of do the little lead to the episode and I, I suddenly realized that I think I've been interpreting this parable very differently than maybe you have or other people. Great. Do, uh, because I, I think I, I think I might have a different take on it. Let, let's do it. Yeah. So let's get into it. Uh, do you have the, the text in friend you wanna read? Uh, why don't we just do 44 all the way through 46? We'll do both parables in one reading. We'll come back and talk about it. [00:11:54] Jesse Schwamb: Yeah. Sorry, everybody. So here's a two for one for you. Beginning in where we're in verse 44 of Matthew chapter 13. This is Jesus speaking. The kingdom of heaven is like treasure hidden in a field which a man found and covered up. Then in his joy, he goes and sells all that he has and buys that field again. The kingdom of heaven is like a merchant in search of fine pearls, who on finding one pearl of great value, went and sold all that he had and bought it. Interpreting the Parables [00:12:22] Tony Arsenal: I think maybe this is the, like the beauty of parables, uh, when Christ doesn't give us a interpretation. I, I think we're, we're, we're not free to like make up whatever we want, but these kinds of teaching tools are useful because the fact that there can be multiple interpretations actually is, is probably intentional. [00:12:43] Jesse Schwamb: Right. [00:12:43] Tony Arsenal: So it's funny because I think when you intro the episode here, it sounds like you're going to the kingdom of Heaven being a treasure hidden in a field, being something that we should sell everything we have and go after. And when I read this, I read it as the kingdom of Heaven is like a treasure hidden a field. And the man who is Jesus goes and sells all that. He has. He gives all that he has and buys the field. So, and I, I think this is one of those ones where like. Probably both of those things are in play. Sure. But it's interesting 'cause I've never, I've never really read this and thought about myself as the person who buys the field. [00:13:19] Jesse Schwamb: Yeah. Interesting. [00:13:20] Tony Arsenal: I've probably heard sermons or read devotionals where people have said that and it just never clicked. And it didn't register until just now. And you were, when you were, uh, introing the parable that maybe you are the, maybe your way of introing your, your interpretation. Maybe that's the dominant one. So I, I looked at a couple quick, um, commentaries while you were speaking and I didn't get a chance to do my commentary reading before the episode. It seems like I'm the weird one. So, but it's interesting, um, 'cause again, I think that's the, kind of the beauty of parables is that sometimes the, the, um. Ambiguity of what the possible meaning could be, probably plays into the, the, um, teaching technique itself. [00:13:58] Jesse Schwamb: Yeah, I, I think that's fair. I totally can take and understand what your perspective is on this. What I find interesting is that these, we've got these two abutting each other, like the cheek to cheek parallel approach here, and in doing so, there seems to be like kind of an interesting comparison between the two. Actors in this. And I think we should get into that. Like why in one case Jesus is talking about a person who finds this in a field, which by the way, I think the, the thing that jumps out to me first about that person is this person doesn't actually own the field at first. Right. That the treasure is in. So that is interesting. I'm totally with you. But then the second one, so in the first one there's kinda almost like this sense, and I don't wanna like push this too far, but that this person who finds this treasure does so very unexpectedly, perhaps like he's even the hired hand and of course not the one who owns the field. [00:14:48] Tony Arsenal: Yeah. [00:14:49] Jesse Schwamb: And in the second case, we have somebody who almost is volitionally looking for this thing of great value, but finds the one thing above all the other things that they're used to looking for that clearly has the greatest and most. You know, essential worth and therefore the end is always the same in both of 'em. They give everything they have. They're willing for forsake all other things with great joy, recognizing the great value that's in front of them. I think there is a place to understand that as Christ acting in those ways. I think there's also interesting, again, this comparison between these two people. So I'm seeing this as we've got these varied beneficiaries of the kingdom. They both come to this place of the incomparable value of the kingdom, but then there's also like this expulsive power of the kingdom. All, all of that's, I think in there, and again, these are really, really, really brilliant, I think, because the more that you spend time meditating on these, the layers just kind of come and they fall away and you start to really consider, well, why again is Jesus using these two different characters? Why is he using this kinda different sense of things of, of worth what the people are actually after? I think all of it's in play. You're totally right. [00:15:54] Tony Arsenal: Yeah. Yeah. The Cost and Value of the Kingdom of Heaven [00:15:55] Tony Arsenal: So I think, you know, when we think about the kingdom of heaven, when we think about these perils, we made this point last week, we shouldn't, um, we shouldn't restrict, we have to be careful not to restrict the comparison to just like the first noun that comes up, [00:16:08] Jesse Schwamb: right? [00:16:08] Tony Arsenal: So it's not just that the kingdom of heaven is like a treasure, it, it is like a treasure, but it's like a treasure that's hidden in a field. Yes. And it's not just like a treasure that's hidden in a field, it's a treasure that's hidden in a field which a man found and covered up. Right? So, so like we have to look at that whole sequence. And I think, I think, um, you know, obviously like the, the interpretation that we are the, we're the man who finds the kingdom of heaven and we, you know, we go and buy the field. Um, that, that obviously makes perfect sense now that I'm looking at a few different commentaries. It seems to be the predominant way that this gets interpreted. And we, we look at it and we say, what, well, what does this mean for like our Christian life? Like. What does it mean? Do we have to, do we have to give everything away? Do we have to sell everything we have? Is that the point of the parable? I think some people make that the point of the parable. Um, I'm not convinced that that actually is the point of the parable. Um, because it, you know, it, it, it just, there's lots in the scripture that, that, uh, doesn't seem to require that Christians automatically like, give away everything they have. Um, maybe that's your calling. Maybe it is something that God's calling you to do to sort of, um, divest yourself of your, your belongings, either to sort of fight materialism or greed or, or just because like you're gonna need to have that fluidity and liquidity to your assets 'cause you're gonna need to move around or whatever it is. But I don't think we look at this parable and have like a, like a, a command for a life of poverty or something like that. Right. Um, really this is more about the. Utter sold outness of the Christian to pursue and seek the kingdom of God. [00:17:48] Jesse Schwamb: Right? Right. [00:17:49] Tony Arsenal: And and I think that that's the same in both, even though the way that the person in the parables comes a, comes across the kingdom or they come across this, this thing of great value or thing of great price, that they find their response in both parables is the same. And to me, that that actually tells me that that's more the point of these parables. Um, or, or maybe we shouldn't even think of these as two parables, right? Some of the introductory language that we see in when we transition from one parable to another, we don't really see that here. Uh, and if, if we're gonna follow that, actually we would be going to the next parable would also kind of fall into this. But he says the kingdom of heaven is like a treasure. And then in 45 he says, again, the kingdom of heaven is like a merchant in search of fine pearls. We're gonna run into something like this later on when we get to like the parable of the lost sheep and the parable of lost coins. Where there are these distinct parables, but they're kind of stacked on top of each other in order to make a specific point. All of the parables that are sort of in these parable stacks are making the same point. And so I think it's not so much about like, how do we find the Kingdom of Heaven or how do we come upon the kingdom of heaven? It's more about what do we do once we've come upon it? Once we've thrown it's, that's the point of the parable that we need to unpack. [00:19:03] Jesse Schwamb: That's right. And I would add to that, like who is it that is the beneficiary of this kingdom? We have two different, very different individuals, which I, again, I think, we'll, we'll talk a little bit about, but I'm totally with you. I, I think it's, it's easier, it's almost too narrow and too easy to say. Well, this is really just about like physical ma or about wealth. Like in some way the, what we're being taught here is that you have to get rid of everything of value in exchange for this. In some ways, that almost feels too transactional, doesn't it? As if like what, what we need to do is really buy the kingdom. We express our seriousness about this kingdom or the rule and reign of God by somehow just giving up everything that we own as if to prove that we're really worthy of receiving that kingdom that we prayed enough. Right. That we've done enough, even though that we're contrite enough. Yeah. And all that stands like in direct opposition to the mercy and grace, which God gives to us through his son by the power of the Holy Spirit to bring us into this kingdom. So we know it can't really be about that. And so that leads me back again to just like the lovely details here. And like you've already said in the first case, here's what really strikes me is. For probably most of us in the West, this idea of treasure is novel and maybe romantic. There's a adventure and an energy to it. Because we've all heard stories about this, whether it's like, I don't know, pirates of the Caribbean or the county Mount Cristo. Like there's something about treasure finding some kind of, or national treasure. Sorry, that just came to my mind. Like I couldn't go any further without mentioning Nick Cage. So you know, like there's something there that pulls us in that finding this thing almost unexpectedly in a hidden place of immense worth and value is, has a real draw to it. But I imagine that in Palestine being like a war torn region in Jesus' day, in the way people might store goods of great value in the fields they own. And then of course the owner may never be able to achieve for lots of reasons, including death. And then somebody might stumble upon it. And as I understand the, the laws there, of course, if you were to stumble upon something. I was in somebody else's property and and on earth that thing take it out of the ground. In this case, you would be by law required to bring that back to the person who owned the field. So there's something interesting here that this first person, probably the more meager and humble of the two with they at least respected, like their socioeconomic status is let's, we could presume maybe going about their normal work. They find this unexpectedly in the field and it's immediately recognized to be something of great value that it is to stop and to, again, there's like a measuring that happens behind the scenes. This person at least is measuring of all the things that I own, all things I could possibly own. The better thing for me to do is to consolidate all the rest of my wealth. And this case, again, it's not the message of the story to do this, it's the exemplification of what's happening here. This person is so sold out to ensure that they acquire this great treasure that they stumbled upon, that they will take literally everything else of value that they own to exchange it for this very thing. So I'm totally with you because I think the predominant message here is not like take all your wealth and make sure that you give it to the church or that it goes to ministry or to missions. That may all be well and good and it may all be the kind of calling that you receive. However, I think the principle message here is the kingdom of God is so valuable that losing everything on earth, but getting the kingdom is a happy trade off. Like that's actually a really, really good deal. And so having the omnipotent saving reign of Christ in our lives is so valuable that if, if we lose everything in order to have it, it would be a joyful sacrifice. [00:22:20] Tony Arsenal: Yeah. Yeah. And you know, I think, um, I think there is a level of. Encouragement in Sacrifice and Joy in the Kingdom [00:22:27] Tony Arsenal: Sacrifice that happens for every Christian and. I mean, I, I know there's a lot of people who they, uh, come to faith as young children and we've kind of talked about that as like, that's that testimony that, you know, I think everybody really wants is like they wish they never had a time that they didn't know Jesus and Right. I don't know any parent that I've ever spoken to, and I'm certainly not any different here that doesn't want that testimony for Jesus, but, or for, for their kids in their relationship with Jesus. But. I think most people who come to faith at some point in their life when they're able to remember it, like they, they have a conscious memory of their conversion experience. There is this sort of sense of sacrifice and e even a sort of a sense of loss. Um, I think there, there are times where, and, and you know, I think maybe, um, even people who've always been in the faith, um, they probably can resonate with this. I think there are times when we might look at how our lives could have been different or could be different if we weren't in the faith. Um, and, and sometimes there's a sort of wistfulness to that. Like being a Christian can sometimes be difficult right On, um, you know, maybe you miss a promotion opportunity because you're not willing to work on the Lord's day or because you're not willing to do something unethical. Like you, you miss out on some sort of advancement and you think, well, if I could just, you know, if I could have just gotten past that, like my life would be much different. And what this parable teaches us is. That's an understandable, like that's an understandable emotion or response. Um, and there is this weighing of the cost. And in the parable here, he, like you said, there's this calculation that goes on in the background. He finds this treasure, he makes the calculation that to have this treasure is worth. Everything it's worth everything he has. He sells everything he has, and he buys the field in order to get the treasure right. And, and there's some interesting textual dynamics going on through this chapter. We've talked about how the parables kind of like the imagery across the parables in chapter 13 here of Matthew, they kind of flip certain figures around and almost, it's almost intentional because he is getting the treasure and the treasure. The kingdom of heaven here is like the treasure, but he's also getting the field right. And the kingdom of heaven is, is the field in other parables. Um, but this, this calculation that happens, um. I don't know, maybe my heart is just sensitive to this right now. I, I, I, I feel like a lot of times we look at that sort of wis wistful second glance at what could have been if we were not Christians, and we automatically feel like that's gotta be a sinful impulse. Like, how could I ever even consider what life might have been? Like this parable implies that that's the thing we actually have to do. You have to know and consider what it is you've sacrificed or will be sacrificing in order to make this transaction happen. You can't just blanketly say like, oh, of course. You know, you've gotta, you've gotta count the cost, as it were, and then you have to actually make the purchase. So I think we should look at this as a source of encouragement. Um, like I said, I'm not sure why. I feel like maybe there's, maybe there's just a, a. I dunno, I'm feeling a little weird and charismatic right now. I feel like this is something that I definitely need to be saying, like, I feel like someone needs to hear this. Maybe it's just me that needs to hear this. And that's, I'm tricking myself by thinking of someone else. But we are able, as Christians, I think God permits us and in some sense, maybe even expects and commands us to recognize what we have given to be Christians in order that we might realize how much we have gained with that transaction. It's not just this like remorse or regret, um, for the sake of remorse or regret. It's to be able to see how good and how beautiful and how worth it is the kingdom of God, uh, to, to, to claim that. [00:26:23] Jesse Schwamb: I like that there is a great discipline and a great joy in remembering worth and worthiness. So there's gonna be times, like you said, when it's hard and if you look back, look back at the ministry of Jesus, I've often thought that he's like a poor evangelizer from like modern standards. Yeah. Because often people come to him and say things like. I, I wanna be part of the kingdom of God. Well, what do I need to do to enter the kingdom of God? And here you have like a seemingly a willing convert. And he always says things like this, like, you gotta go count the cost. Yeah. Like is, is this worth it to you? Like you have to deny yourself, you have to hate your own father and your mother, and your wife and children, and brothers and sisters, even your own life. Otherwise you cannot be my disciple. And in this kind of language, it's clear that Jesus is saying you fail often. And maybe this goes back like you're saying, Tony, it's like the parable of the soil that you fail to really take into account what it means to follow with full fidelity, to commit yourself in a fully unencumbered way. Are you willing to do that? Are you willing to consider that? And as human beings, we're just not good often at counting costs. We're not good at thinking about opportunity costs. And it's interesting here that we're called out to say, even if you've already purchased the field as so to speak, that as if you've been saved by Christ, to continue to remember how good it is to be in the kingdom of God. And that the joy. Of knowing as like the Heidelberg Catechism says in the first question that all things are subservient to our salvation. Yeah. That incredible worth of, that should be a source of encouragement in times of great trial and tribulation, no matter how big or small, so that this joy that this person has when they go and sells everything he has and he buys this field, you know those details, like you're saying, do press us. It really comes to us with this idea that we should be able to see plainly why having Christ is more valuable than all other things. If the omnipotence all wise, God is ruling, ruling over all things for our joy, then everything must be working for our good, no matter how painful and in the end, God is gonna triumph over all evil and all pain. So this kingdom is a real treasure. Like it is a, it is a real. A real quantity in our life and our wellbeing and in our spiritual consistency, that'll ought demand some reflection of how valuable it truly is. And then knowing that in our minds, that like influencing our behavior, our other thought patterns, and then our actual feelings about stuff. So that when, like you said, we're passed over, we're looked over, we're ridiculed for something, we go back and we count it all joy to be worthy of being part of God's kingdom, knowing that it was because of the entrance and acceptability and the identity in that kingdom that we experience. Those things, those hardships begin with. [00:29:05] Tony Arsenal: Yeah. Yeah. And, and I, um, I don't want us to miss out on the fact that even as the parable may be encouraging or forcing us to think about. The cost. It, it really is trying to emphasize the great value of the kingdom. Right? Right. We, like I said, we, we don't just count the cost. In order to count the cost for its own sake. We count the cost in order to understand the great blessing that is ours in Christ. Right. All I, I count all that I have as a loss compared to the greatness of Christ Jesus. And, um, I think we just don't often do that. I, I, I think as Christians, that's probably a thought that is in our head more as young Christians, especially if we come to the faith in, in a time in our life where we're aware of things like that. We think about things like that. Reflecting on the Cost of Faith [00:29:59] Tony Arsenal: You know, I was 15 when I first came to faith and, um, I, I don't think I was in a frame of mind as a 15-year-old boy to think about, like. The cost of what I was doing, right? It's not like I was a particularly popular kid. I didn't have a, you know, I didn't, I wasn't unpopular, but it wasn't like I lost a ton of friends when I became a Christian. I didn't really lose anything that was measurable. Um, but I do think that, as, you know, someone now in my forties, looking back at, you know, 15, 20, 25 years of, of Christian life, it's easy to see that things could have been different on a sort of temporal scale. Like my, my life could probably be more comfortable in terms of wealth or opportunities or other things that might, uh, aren't, aren't even bad things necessarily. There is a sense of sacrifice. But again, God has brought us into this kingdom and he's given us parables like this and given us the ability to recognize. That we do have a cost, that there is a cost to be counted in order that we might now look at it and praise him for how great and glorious and valuable the gift that he's given us is. Understanding the Parable of the Pearl [00:31:08] Tony Arsenal: And so I think, you know, I think that's the same basic meaning of this second, second half of the same parable. I guess the, the pearl of great price or the pearl of great value. But it's not exactly the same, right? It's not like Christ is just repeating the same ver, you know, parable with, with different words for variation. Um, every word is breathed out by God and profitable for teaching correction, reproof, and training and righteousness. And I had a, I had a prophet in, uh, in Bible college who would say like, difference means difference. And he was often talking about like minute things, like the difference, um, or why, why is this word used instead of that word? This word would've worked. And, and the author chose that one. There's a reason for that. Difference means difference, but. Christ here chooses to, to tell the parable a second time, um, in a slightly different way. Uh, and Matthew chooses to record these in the same sense next to each other in slightly different ways. So what, what do we, what do we wanna pull out of this second parable that's different and what do we think it's telling us that's a little bit different than the first version Y? [00:32:14] Jesse Schwamb: Yeah, that's a great question. Diverse Approaches to the Kingdom of Heaven [00:32:16] Jesse Schwamb: Uh, I love this idea because not until really, I was thinking about it this week when I read through them, was I really, again, drawn to the differences between these two main characters. Interestingly, I think in both, and we can make the case that the, the treasure, the kingdom of heaven here represented in both this pearl or in this literal treasure is in a way hidden. Certainly the first man is not necessarily looking for, it's still revealed to him, but the second in a way. And on the other hand, he knew this guy knows treasure. He's been seeking it with diligence in vigor, or at least like this is what he does for a living in his vocational career. He's out there trading pearls, presumably, and he knows something about them and how to evaluate them effectively. And so it's his business and he's dedicated himself to finding them. And apparently he's seen plenty of them over the years. But then all of a sudden, and this is wild, the beautiful, all of a sudden, clearly the search comes to like an abrupt end because he finds this one of immeasurable value, so much beauty exceeding and value exceeding all the other ones. And he doesn't need to search anymore. He just finds the one pearl that he can retire on a pearl with more than everything else. Or anything else that he's ever possessed and he gets it again. He does. And this brings him into symbol two with the first man. He does the same thing, then liquidate everything else and go after this one. Great pearl. So to me, and I'm curious your perspective on this, I'm not necessarily promulgating that. Well, the first one is not a seeker and the second one is like a seeker of of God things. Right? There is though, like you said, a difference in their approach and what they're after. And so I think what we can take from this, at the very least, is that there is diversity in these beneficiaries of the kingdom of God that's covering everybody. And just by these two kind of bookended or polar examples, that's what Jesus draws us to. But I would turn the question back to you. What do you think about this second guy? What do you think about the fact that his business is searching after these things? What? What do we take away from that? [00:34:07] Tony Arsenal: Yeah. The Ultimate Value of the Kingdom [00:34:07] Tony Arsenal: And you know, the thing that drop that jumps out to me immediately in the first parable, the kingdom of heaven is, is like the treasure hidden in the field, [00:34:16] Jesse Schwamb: right? [00:34:16] Tony Arsenal: In the second one, the kingdom of heaven is the merchant who's searching, [00:34:20] Jesse Schwamb: right? [00:34:20] Tony Arsenal: Right. The kingdom of heaven is like the merchant in search of fine pearls who finds one. That's right. And so I think that they kind of are like, almost like mirror images of each other, right? One of them is about the treasure and what it takes to come upon it and then obtain it. The second is about the person who is coming upon the treasure and, and finding it. And then what it takes again to obtain that treasure. And I think, I think you're right, there is an element here that. Um, in this second parable, the person who is seeking for this treasure is one he's seeking for the treasure, right? Right. You get the image in this, in this first parable that the dude just kind of stumbles upon it. Um, I've heard this Todd as like, it's actually more like a guy who's just walking through a field rather than like a person working the field. And I'm not sure that matters that much, but there is this sense in the first parable that the guy kind of stumbles upon it. He wasn't looking, it wasn't what he was trying to do, but you're right in the second one, the kingdom of heaven, and this is where I, this is where I think I need to think more about it, is what does it mean for the kingdom of heaven to be like a merchant searching for fine pearls right [00:35:23] Jesse Schwamb: on. [00:35:23] Tony Arsenal: Rather than the pearls being the kingdom of heaven, which is what we see in the first bearable. Um, and I don't know the answer to that question. I think I need to, need to think about it and study it a little bit more. But I do like this distinction that in, in the first case, it's sort of a happy accident. And in the second case, this is, this is the life, this man's life work. He finds he's, he's in search of fine pearls. I'm not sure I know exactly what he's trying to do with the fine pearls. It seems like it implies that he's a pearl merchant or a pearl trader, but then he finds this pearl. He doesn't seek to sell it. He buys it. Right. [00:36:00] Jesse Schwamb: Right. [00:36:00] Tony Arsenal: And, and the, the, the fact that the parable stops with him buying it sort of implies that like. He actually is not going to sell it. He's just gonna keep this pearl. Now before the, the pearls, the, the source of the value of the pearls was kind of in the, the financial gain that selling or trading them could bring. But now he suddenly finds this pearl that is so valuable. It's so great, it's so beautiful. Everything he was working to obtain before all of the money he's gathered by finding and selling pearls in the previous like mode of living. He now gets rid of all of that just to purchase this one pearl and presumably to keep it. And I think that again, is kind of a, kind of a, um, statement on our Christian life is that we, we probably have all sorts of things that we've been doing our whole life and we are seeking to, to move forward in our life. And the kingdom of heaven is kind of the ultimate goal of all of that, for those who are in Christ, for those who are called according to his purpose. The purpose is not just to accumulate wealth. It's not even necessarily, uh, in and of itself to like grow in righteousness. It's to be transformed to the, uh, to the image of God's glory son, for the purpose of making him great, making his name renowned. Right. When we look at that passage in Romans that have kind alluded to, he's, he would transform into the image of Christ so that he might be the first born among many brothers. The Incomparable Worth of Salvation [00:37:24] Tony Arsenal: Ultimately, our, our sanctification and glorification is about making Jesus great and glorified, um, to give him glory, to have our glorification reflect his already intrinsic glory and the gift that he gives us, and I think that's kind of, kind of in play here, is that. Uh, we might have all sorts of goals in our life. We might have goals in our Christian life, um, that are good things that we should strive for, but at the end of the day, all of those things only serve to bring us to the kingdom of heaven, which is this pearl of great price that we, we purchase, we buy it and we just kind of hang onto it. It is its own treasure and it's, it's not about what this, this treasure can bring to us, right? Which is what the fine pearls were before they were about what the merchant can find and sell. It's, it's now about just obtaining the pearl and enjoying that pearl. Um, which I think is a little bit different than, than, um, what I would've thought of with the par before. [00:38:19] Jesse Schwamb: Yeah, I totally agree with you. I think, I think you're actually onto something with the distinction because I think of. So much of my career has been spent in financial services among people who are buyers and sellers of things. They're traders. And the way I read this was very similar to what you were saying to me. What resonated was if this gentleman or this person is. Trading, collecting these pearls. Presumably they have appreciation for the beauty of the pearl itself. So there is like something innate that draws them to this particular thing. And with that experience and with that knowledge and with that, that appreciation of that beauty. I think when they see this other pearl, it moves from, well, why would I ever sell that? I've seen everything. This is the most beautiful pearl I've ever laid my eyes on. And now I want to keep it for me. I want to have it in my possession. I want to cherish it and not just keep it in the inventory and then turn around and sell it for markup, presumably, because there is no nothing that would be of greater value to this person. 'cause they just sold everything else that they had. So they, it's appreciation for the pearl itself. It's going after that finding and seeking that great beauty. And then that led me right into Philippians chapter four, where Paul writes the church in Philippi, beginning of verse eight. Finally, brothers, whatever is true, whatever's honorable, whatever's just whatever's pure, whatever's lovely, whatever's commendable. If there's any excellence, if there. Anything worthy of praise, think about these things. What you have learned and received and heard and seen in me. Practice these things and the god of peace will be with you. So this idea, like you and I, Tony, have talked about like the world has great wisdom, it has great knowledge, it has things that can lead us by way of common grace into certain amounts of peace. But the pearl of great price, the seeking after the going after all these great things is to find the gospel, to be given the gospel it revealed to you. And then say everything else I count as a loss. Everything else is worthless compared to this thing. And if you're a person that can appreciate even just by turn of mind or God's influence in your life, you know, knowledge and wisdom, and you're seeking after that, which is the ultimate expression and representation of those things, and then you find you come upon this pearl of great price, the gospel wisdom and the beauty of God represented in his son Jesus Christ. And you say, this is it. I, I know enough to know, again, by the regeneration that comes through the spirit, this is the real deal. Then I think the message still stands. We come through two different directions into the same final culminating point, which is there is a condition for having this kingdom of God, for having the king on your side as your friend, but the condition isn't like wealth or power or negotiating or intelligence or even good trading behavior or going out and finding the right thing. The condition is that we prize the kingdom more than anything else we own. The point of selling everything in these parables is to simply show where our hearts are at. And so I often say in my own line of work, that cost only matters in the absence of value. Actually, it's true for everything that we. We presumably spend our time or our money on cost only matters in the absence of value. And I think like you and I could do a fun little experiment where I don't know, you ever talking to somebody about something and you're paying a cost to have that service delivered to you and you're, and you're just like totally worth it, like I would do totally worth it. Like, yeah, that's kind of the vibe I'm getting here. It's like at the end of days when we think about the worthiness of our God, that there's no one like him, that he's unequal, that he has no rival, that the gospel is the sweetest message that we're rescued literally from the pit. We're just say no matter what the cost of us personally, great or small, totally worth it, that that's what we'll be saying for all of eternity as we worship him. [00:41:45] Tony Arsenal: Yeah, and I think even more than saying, totally worth it. I think when we are given our new eyes to see, and we no longer see through a da a glass dimly, we're gonna recognize saying that it was worth, it is is like it's a pale, like it's a faulty answer to begin with because the, for sure the worth of the kingdom of heaven surpasses anything we could imagine. And in our, you know, locked in little meat brains that we have now, we're kind of com we're just comparing it to. You know, like what, what we could have had or what we, what we've given up. Um, it, it's gonna be an incomparable comparison. Like there's no, there's no measure that is satisfying, there's no measure that can actually show us how, how worthwhile it is. And, you know, we've, we've made a point of it, like the, the blessing of salvation and, and really like what it is that we're getting, uh, in, in the. You know, the Christian understanding of salvation, it's not, it's not an eternal destiny. It's not bigger mansions in heaven. It's not freedom from death. All of those things come with it. All of those things are attending gifts. That's right. But what we get in salvation ultimately is we get God we get union with God, we get fellowship with Jesus Christ in the, the power of the Holy Spirit. We, we get swept up into the life of the, the God of the universe. Like the life of the Trinity indwells us. And we, we become a part of that. Uh, not, not in the, you know, like. Eastern Orthodox deification sense, although I think there's a proper way we can talk about deification. Um, but we get swept up into that. We gain the relationship that the son has with the father by nature. We gain that by grace and nothing can compare to that. There's nothing that we could ever point to. Um, it's funny, my, my wife and I, um, this is a little corny, but, um, we'll often say to, to each other instead of saying, I love you more than anything, we'll say, I love you more than everything. Right. And, and it's, it's a way to say like. You could take all that there is in the world, everything that I have that I could possibly consider and sum up the value. And I love my wife more than that. I love my children more than that. So it's not that I love them more than any one thing, it's that I love them more than everything combined. And this is even greater than that, right? We, we will look back at our lives and if, if it's even in our mind, if we even can, can comprehend anymore. The idea of thinking about what it costs us to obtain this pearl of great value, which is the kingdom of heaven, which is just another way to say, is just fellowship with the God of the universe. Um, we'll look at it and say no matter what it was. No matter what it could have been, I would give everything I, I love God more than everything. Right. Right. There's nothing that could ever possibly be considered that even comes close to what we gain in, in Christ Jesus, in union with, with God. And I think that's the point of this, like I think the guy who, um. Christ's Perfect Sacrifice and Our Response [00:44:58] Tony Arsenal: I think about what it would take for me to even like to sell everything, like the concept of selling everything I own. I'm not even sure how I would do that, to be honest with you. Like, I don't even know the mechanism for that kind of thing. But the idea that there's anything that could be valuable enough that I would just sell every piece of human property that I have, there's probably nothing like that in this world. Like, there probably isn't. And to, to take that comparison and then basically say like, that's just what the kingdom of God is like. 'cause that's the other thing I think we miss about parables is you, you only make a comparison when you can't describe something, um, analytically, right? There's the difference between analogically and analytically Ana lot analytically means we're able to actually quantify and explain it kind of in strict terms, right? I can, I can say that, um, uh, a heavy object ways, X number of grams or it, you know, or, um. Pounds or whatever. I can, I can measure that and make an analytical statement, or I can make an analogy, an analogy that is comparative. Uh, but by definition, or almost by by nature of the thing, when you make that comparison, you're kind of saying like, not only is it like this, but it's actually it, like it's more like this than I can even describe. Right? So when we're talking about the kingdom of Heaven here, and we say it's, it's like, it's like a man who goes, he finds a treasure and then he sells everything. He has to get that treasure. It's infinitely more like that than it actually can be described. Does that make sense? I feel like I'm rambling on that a little bit. Maybe trying to describe something that can't be described is, is hard to do. [00:46:35] Jesse Schwamb: It's, that's, yeah. But yeah, that's, that's very difficult to do. I'm actually totally with you on this. I think I understand clearly what you mean, this idea that no matter how hard we actually try to value it, we'll be incapable of doing so. Yes. And at best, it almost seems like this is a strange command in a way because it's, it's asking us to do in some ways a thing that is impossible for us to do. However, I think what you're saying is it doesn't mean that we shouldn't turn our minds toward that. We're a bit like people who, I don't know if this show is still on PBS, but like, do you know that show, remember that show The Antiques Road Show? Yeah. Where people would like come, they'd ran ransack their homes or their garages with these old antique items and they bring them to this road show where there'd be experts who would value them. And inevitably we'll be like those people who come with what we think is like a. A thousand dollars clock that we got at a garage sale thinking, wouldn't it be great? I know this is valuable. It's probably a thousand dollars. It'll be, look at the return, tenfold return, I'll get on this item, and then instead finding that it's worth $10 million when it's appraised. Yeah, I assume it'll be just like that in the Beautific vision that even maybe for all of eternity will be growing in our appreciation for just how valuable this great salvation is. And yet at the same time, I think what this should encourage us to do is to pray things like God make us real in seeing and savoring Christ in his saving work above all the other things. Yeah. So that, as you said in your example, we would cherish him above everything, above all things that you have that right place in our hearts or that we be inclined to undertake that posture, which says, God, though I cannot understand it in full. Would you help me to see that? Encouragement in Our Spiritual Journey [00:48:08] Jesse Schwamb: And I wanna just say like, as a word of encouragement, maybe I'm speaking more to myself here so everybody else can disregard this if you like, but I think sometimes there can be a little bit of intimidation then when you hear these things and say like, ah, I'm just not, I just dunno if I love God enough, like I wanna love him, or I want to want to love him more. And I think even that posture is appropriate. Yeah. Sometimes there, oftentimes in my personal life, I'll pray something like, God, help me to know how much you love me and would you give me the strength to love you back? So that even that awareness, that energy, that volition, that vitality, that, that heat, all of that, that fire itself is kindled by the Holy Spirit. It's not like we need to like try to again manufacture here. Because the point of these, these stories is not again, that we just find the means to do a transactional exchange here, but that instead we really just sit in the full promises of God. And of course to that, I would say we always need to go back to, to something like Romans eight. I mean, I know that we should, like you said, Tony, the. The standard description we give for the Bible is the one that gives itself, which is that all of it, all of it's is carried along by the Holy Spirit. All of it is God breathe. All of it is useful for something. And yet, of course, I say somewhat tongue in cheek that, you know, if I have 10 minutes to live, I'm probably not gonna the s descriptions of reading a genealogy, I'm going straight from Roman and say, Romans say, I think it's just like the pinnacle of the scriptures. And so just a couple of verses at the end there, because I think this is, this is leading us into what is this great treasure? What is the kingdom of God? Why do we value it so much? What is the saving power? And uh, these verses, I mean, always just entirely get me ready to run through a wall. So this is the end of, of Romans eight beginning verse 35. Who shall separate us from the law of Christ? Shall tribulation or distress or persecution or famine or nakedness or danger or sword as it is written for your sake. We are being killed all the day long. We are regarded as sheep to be slaughtered. No. In all these things, we are more than conquerors through him who loved us for I'm sure that neither death nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from a love of God in Christ Jesus, our Lord. [00:50:22] Tony Arsenal: Yeah. Yeah. That's, that's a good word. And I, I, I like what you're saying too, is, is I think we, we can. There's this paradoxical thing that happens when the scriptures is trying to encourage us to do something, is we often like to get our, in our own way. And, and actually that becomes a source of discouragement for us. The Bible calls us to something and we know we can't live up to it. And that's actually like part and parcel of, of reform theology to recognize that this is law, like the, the, the, the, you know, maybe not in like the strict sense, like when we talk about dividing the scripture into law and gospel, um. It may not be that this particular passage would fall under that rubric of law normally, but this idea that we need to count the cost and that we need to be treasuring Christ more and more, and then when we feel like I'm just not getting it. I'm just not there. Like, I don't, I don't treasure Christ as much as I so should. Um, that Yeah, that's right. Nobody does. Nobody can, like, that's, that's kind of the point of this, and that's why it's law is it's, it shouldn't drive you in Christ. It should not drive you to despair. Right. It should not drive you to discouragement. It should drive you to gratitude that God saved you anyways. That, that this pearl of great value is still yours even though you can't possibly deserve it. Um, you know, we're, we're a little bit different than the, the merchant and the man who finds the treasure in the field in that we can't sell everything we have and obtain it like they have the ability to do that in the, in the parables. Right. Um, we, we don't, and we never will. And so rather than let that drive you to being discouraged that like you're just not getting. I recognize God is of infinite value and we are finite creatures. So we, we could, uh, value God perfectly. Like whatever that means, and I don't even know what that means, but we could value and cherish and love God perfectly as far as our capacities are concerned, and it still would not be enough to sufficiently merit God's favor for us. Like as much as we can, even in, even in eternity. As much as we can value and worship and love and praise Jesus, he is worth infinitely more than we could ever give, even when we do it perfectly. And this is, this is why you know Christ coming to die, to live on our behalf, to die in our place. Why that's necessary is because only this is a, maybe a different take on it. We, I think we talk a lot about how, um. Only God could, could carry, bear the wrath of God and not be destroyed. Right. Right. Only God could, um, could stand up under his own wrath, could stand up under the wrath of God and bear that punishment and not be destroyed. And so therefore, um, Christ had to be not just a man, but had to be God. But on the flip side. And God requires perfect perpetual obedience, which involves loving the Lord your God, perfectly with your whole heart at all times. Right? Only God can do that too. So it's not just that God. It's not just that G

Take the journey of a lifetime to the Magical Winter Wonderland where you will get to meet the Emperor Penguin.

. The Snowy Egret and Emperor Penguin: Conservation, Fashion, and Climate Crisis AUTHOR: Stephen Moss BOOK TITLE: 10 Birds That Changed the World This final excerpt discusses the slaughter of the Snowy Egret for its feathers during the 19th-century "plumage wars," driven by high fashion. The extreme cruelty galvanized women to form conservation societies, such as the Audubon Society. The murder of warden Guy Bradley, who was protecting the birds, helped end the industry. The conversation concludes with the Emperor Penguin, which is facing massive population loss (estimated 98% by 2100) due to the climate crisis and serves as the "miner's canary" warning humanity of impending doom.

We end the podcast recording week tomorrow, Friday, with our featured artists @Deadlights, @Emperor Penguin, and @Jesse Norell. As the show draws to an end Friday, I'll offer an introduction to next week's spotlight artists @The Mike Bell Cartel from the CD “The Cartel & I”, @Ex Norwegian from the album “Spook Du Jour”, and @The Daisycutters from their collection “Awake Among the Sleepers”.  All that AND “100% Random Access Play Selection!”, too! The Music Authority Podcast...download, listen, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio Monday, Tuesday, Thursday, Friday 7 pm ET & Wednesday 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!August 21, 2025, Thursday, volume three…@The Flashcubes - The Summer Sun [Pop Masters] (@Big Stir Records)@The Cool Whips - Roller Skate Kate [And Other Delights]@Tender Engines - Love Is Blue [Lost In An Imaginary World Of Beauty]@Jean Cabbie – Possession@Emperor Penguin - Desdemona [Sunday Carvery] (koolkatmusik.com)@Kitty May - Something Missing@Bob Burger - She Won't Be There [The Day After]@Dolph Chaney - Girl From Germany [Make Something Happen! A Tribute To The Flashcubes] (@Big Stir Records)@Buffalo Tom - Would Not Be Denied [Big Red Letter Day]@Jesse Norell - You Are [Aorta Borealis]@Orbis 2.0 - Letting Go@New Mystery Girl - Pirate Radio [Twist City]@Jamison Elder - Steady Hand [Prodigals & Thieves]@Deadlights - Easy Goes [Eleven Step Intervention]@The Empty Pockets - Empty Pockets [The Ten Cent Tour]@Off Broadway USA - All Messed Up And Ready To Go [The Records Tribute Collection] (@Zero Hour Records)@Dusty Springfield - I Can't Make It Alone@Big Star - Thank You Friends [Third/Sister Lovers]

Lawn to be mowed in the morning tomorrow, Friday. Also, we wrap the week with our spotlight artists @Eytan Mirsky, @Dave Cope And The Sass, and @Vanilla. As the show draws to an end on Friday, A quick introduction to NEXT weeks featured artists @Jesse Norell for the album “Aorta Borealis”, @Deadlightd “Eleven Step Intervention”, and @Emperor Penguin from the CD “Sunday Carvery”! BUSY FRIDAY! The Music Authority Podcast... download, listen, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*The Music Authority on @BelterRadio Monday, Tuesday, Thursday, Friday 7 pm ET & Wednesday 9 pm ET*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!August 14, 2025, Thursday, verse two…@Greek Theatre - Alpha [A Deeper Scar] (koolkatmusik.com)@Bob Lind - You Look Just Like A Girl Again [Something Worse Than Loneliness] (@Ace)@Kevin Robertson - Custom Made (Stripped) [Sundown Stripped]@Hoodoo Gurus - On My Street [Blow Your Cool]@Eytan Mirsky - It's All Right To Be Alone [Lord, Have Mirsky]@The Tearaways - Broken Down [Anthems And Lullabies]@Duncan Reid And The Big Heads - C'mon Josephine [Bombs Away]@The Red Plastic Buddha - Clouds [Sunflower Sessions]@Dave Cope & The Sass - Topsy Turvy [Julee] (koolkatmusik.com)@John Howard - Life Is Never The Way We Want It To Be [As I Was Saying]@The Nearlies - Oh Aurora [Fresh Memories]@The Dirty Truckers - All She Ever Wanted [Best Of The Dirty Truckers] (@Rum Bar Records)@The Plimsouls - Lie, Beg, Borrow And Steal@Vanilla - The Truth Is Never True [Sideshow]@65 MPH - Past Glories@Idle Jets - Genius Of The Obvious [Atomic Fireball]@Gail George – More Than Me [IPO Vol 18]

In this week's episode we'll cover Forever Home, our Game of the Week, discuss Games & Themes in The School of Gaming,  and wrap it up by revealing our High-Five Drafting Games!  We also Spotlight Jewels for the Emperor Penguin from Left Justified Studio!00:00:00 - Introductions & Awesomeness00:08:24 - Spotlight: Jewels For the Emperor Penguin00:16:42 - Game of the Week: Forever Home00:35:56 - School of Gaming: Does Every Game Need a Theme?00:51:12 - High-Five: Drafting Games

AP correspondent Ben Thomas reports on troubling new findings about emporer penguin populations.

There's just something about penguins. Pleasantly plump, they stand upright and teeter like toddlers. Although often depicted in black and white, most are actually more colorful. Seven species have long, jaunty golden feather tufts above their eyes. King Penguins and Emperor Penguins have necks that glisten gold. The Little Penguin is blue and white. Penguins are found in the Southern Hemisphere, from the Equator to Antarctica.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. 

Jack and Annie are on their fourth mission to find secrets of happiness for Merlin, but they're running out of time. Teddy and Kathleen have told them that Merlin is about to disappear forever! Can they find the secret in time? What is it?_______________________⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Podcast!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_______________________Thanks for being here! We're the Holtzem Family. We love our family, and we love Jesus. We're hoping to bring some of our personal favorite things as a family, and some of our humor to you in hopes that it makes you smile, and maybe gives you something you can connect with.⁠Find more Magic Tree House books here⁠Connect with us further at;⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Holtzem Family on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Recipes and more about us online at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Wholesome House⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beverly Holtzem Art on Etsy

answering the important questionsSee omnystudio.com/listener for privacy information.

Meet Doug Quin, sound designer and naturalist who makes field recordings all over the world. Hear what Doug heard when he got up close to emperor penguins, lions and vultures. (R)Sound designer and naturalist Doug Quin has been highly attuned to sound since he was a young child growing up in Algeria under the threat of bombing. Through his family's travels and his years at a Scottish boarding school, Doug fell in love with the outdoors, and especially with wintery landscapes. He later transformed his deep curiosity about nature and skills in music and art into a prolific career. Since the early 1980s Doug has been making field recordings in every corner of the Earth, and putting them to use in work spanning all media. His extensive credits include designing sound for films such as Jurassic Park 3 and countless nature documentaries, collaborating with the Kronos Quartet, composing soundscapes for museums and art galleries, releasing albums, and contributing planetary ambiences to the score of the game Spore.   This episode of Conversations touches on the natural world, Jurassic Park 3, animals, nature, silence, Antarctica, origin stories, Scotland, Algeria, birding, birdsong, war, bombing, resilience and family.

In this heartfelt episode, we are joined by the wonderful Marina Delamar, an artist, educator, and ceremonialist who explores life through the twin lenses of death and beauty. With a lifelong connection to the natural world and its more-than-human kin, Marina creates installations, shrines, and environments that invite transformation, reflection and storytelling.Drawing from her background in event management, outdoor education, animal husbandry, and animist principles, Marina collaborates with communities to co-create ceremonies and educational offerings that honour life, death, and the in-between. She is currently working at a nature school, while apprenticing as a death doula and funeral celebrant.Marina is also a beloved participant of our 2024 Deepen Your Roots cohort and will be returning this year as a community tender to support the next circle of participants. For those new to Deepen Your Roots, it is our year-long, life-affirming programme in embodied deep ecology, Joanna Macy's Work That Reconnects, and an animistic, folkloric exploration of the ecological Self. Together, we weave belonging and relationship to place as a healing response to the uprootedness and disconnection many feel in modern life. Learn more at rootedhealing.org/deepen and enjoy a 10% discount with the code ROOTED10 as a thank you for being part of our listening community.In this conversation, Marina shares her personal mental health journey, a mystical encounter with a very lost emperor penguin, and how moments like these with the natural world can guide us back to belonging and offer healing amidst the rising tide of disconnection in modern life.We've also added Marina's full story, written beautifully, along with photographs of her encounter, as a free offering for all listeners at our patreon page. For our patrons, this year we're introducing new meditations every moon cycle alongside our guests' offerings, making a truly nourishing time to support this show.  As always, we begin by inviting our guest to root us into the lands that shape them and to call in a being or beings in spirit, opening the door to a broader, porous sense of self and connection.Learn more:Deepen Your Roots: rootedhealing.org/deepen10% Discount Code: ROOTED10Music in this episode is from Bonnie Medicine and Nathalie NahaiSupport the show

This week, we learn all about the firefighters tackling wildfires in the USA, how technology is helping Emperor Penguins and a brand new theatre company in Wales!See omnystudio.com/listener for privacy information.

The randomiser wheel picked "Stay strong and carry on". This month, I'm using a tool to select phrases for my daily journal practice. They are all associated with the theme of Strength. There is a difference between giving up and quitting. I've written about this before. To quit is usually an intentional decision. It is informed and considered. It requires courage to let go when something no longer serves its purpose, or you are no longer the person for the task. On the other hand, giving up happens when you no longer have the physical, mental, or emotional capacity to carry on, even if the task is meaningful and important to you. When You Can't Stay Strong Alone The willingness to continue might be physically destroyed when the body cannot function. Our opponent might have outplayed us to the point of exhaustion. Or it might give into someone who has relentlessly pressured us to comply with their demands. What does it mean to stay strong and carry on? What sort of strength do we need to maintain? Where does it come from? What does it look like? How can you stay strong when the body or spirit is broken and you are limited by more than your mindset? Strength Beyond Power Strength isn't about force and for humans, it is not the preserve of a single individual. It's not about domination and control. Instead, it's about resourcefulness, knowing what matters and why, and letting go of a drive for top-down compliance in favour of unity amidst disagreement. It's about rejecting the dominant narrative when it works to divide and conquer. The whole is more than the sum of its parts. We are better equipped to stay strong and carry on when we zoom out and do it together. This is why we need to embrace high sensitivity, not only as individuals, but as a species. It makes us stronger. Emperor Penguins insulate themselves from the harsh Antarctic conditions by huddling together to create and radiate heat through the collective. The strength of one penguin is dependent on the behaviour of the whole. And likewise, the survival of the whole is dependent on individuals huddling together. I find this a powerful image of collective strength, not as a source of domination and mastery over the weather but as a way to maintain their presence despite those conditions. We sometimes have a warped view of strength, often associated with the individual. But when this underpins our understanding of what it means to be human, we live life on a knife-edge. We are in a state of dysregulation, alert and unsafe, making decisions based not on what is best in the long run or big picture but on the here and now. Often at the expense of longer term prosperity and s An Empty Promise We are encouraged to hoard, steal, envy, and destroy in the name of strength. Even those who possess this kind of power are never at peace. They always look over their shoulder and wonder who is plotting their demise. Second guessing, pre-eminently striking, and causing a cascading wave to the bottom and lowering horizons rather than raising them and limiting potential rather than smashing down boundaries for all of us to explore. We stay strong and carry on when we build around a solid foundation together. When we know what matters, where we are going, and the abundant reasons, we all have a place here. This strength is grounded in the belief that we are creative and playful beings with the potential for unimaginable things. When mixed with a lust for domination, power, and control, these unimaginable things are barbaric. But when combined with a curious openness to love and care about ourselves, one another, and the future of this incredible planet, those unimaginable things are majestic. https://youtu.be/uqY0wma4xDY

In this episode, I discuss my experiences with the Canon EOS R1 after photographing Emperor Pens with two of these cameras on the sea ice deep in Antarctica earlier this month. These were the world's first Canon EOS R1s to travel to Antarctica and photograph Emperor Penguins. How did they perform?Support the showWild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com

In this episode, host Johnny Mac shares five uplifting news stories. First, a Swedish minister's unique phobia of bananas leads to banana-free official visits. Second, an emperor penguin named Gus travels 2,200 miles from Antarctica to Australia. Third, Japanese engineers create a wooden satellite set to launch next year. Fourth, a Rhode Island man breaks a world record with his collection of 1,019 energy drink cans. Finally, Coldplay's Chris Martin helps a young boy at a concert find a safer spot, impressing fans.00:12 Banana Phobia in Swedish Politics01:12 Emperor Penguin's Journey to Australia01:57 Wooden Satellite by Japanese Engineers02:42 World's Largest Collection of Energy Drink Cans03:41 Chris Martin's Heartwarming GestureUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!    This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats!

It's science news from down under this week as Professor Luke O'Neill brings us stories of climate change in Antarctica, worries for the Great Barrier Reef and an Emperor Penguin who made quite the journey.

Temperatures will dip below zero Fahrenheit over the northern Plains and AccuWeather RealFeel® Temperatures will plunge into the single digits and teens in the Northeast later this week as Arctic air sweeps in; also, after spending 20 days recuperating under the care of local wildlife experts, Gus was returned to the ocean. Learn more about your ad choices. Visit podcastchoices.com/adchoices

An emperor penguin is being cared for by wildlife experts after becoming the first member of its species to make the 2,200-mile trek from Antarctica to Australia. Learn more about your ad choices. Visit podcastchoices.com/adchoices

3 people are charged in connection with a plot to kill the US President-electPressure is growing on the Archbishop of Canterbury over a report into a prolific child abuser in the Church of England.Violent attacks against Israeli football fans in the heart of Amsterdam.The Emperor Penguin normally never gets out of the Antarctic - so why did Gus wash up on the warm side of western Australia?

An emperor penguin has made a record-breaking swim, leaving his home in Antarctica and turning up malnourished on a Western Australia beach. Massey University Avian and Wildlife Veterinarian Professor Brett Gartrell spoke to Guyon Espiner.

In this episode, I discuss the Canon camera equipment and accessories I plan to take to Antarctica to photograph the Emperor Penguins in a few weeks. I also review the latest hardcover Volume 9 edition of the Bird Photographer of the Yearbook.BenQ Webinar Post Production of Arctic and Antarctic WildlifeBird Photographer of the Year ShopUntethered & Wanderwise: Female Travel Over 45A travel podcast for women over 45 who want to explore this big beautiful world.Listen on: Apple Podcasts SpotifySupport the showWild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com

Comedian and game designer Grant Lyon joins Candice to discuss Gen Con '24 releases they're most excited to play.00:00:00 Introduction00:03:56 Curmudgeon00:04:46 I'm Kind of a Big Dill00:08:00 Candice's 10x10 Games (The Great Zimbabwe, Concordia, Gaia Project, Spirit Island, Root, War Chest, Paupers' Ladder, Too Many Bones, HUANG, Kreel Manor)00:16:27 Fresh Plays00:16:58 River of Gold00:20:36 Too Many Bones: Unbreakable00:28:24 Champions of Midguard00:31:29 Evenfall00:37:50 Banners00:41:33 Dawn of Ulos00:47:28 Dungeon Degenerates: Hand of Doom00:52:50 Gen Con '24 Releases We're Most Excited to Play00:54:11 Grant's Honorable Mentions (The Cat Mitt Game, Gateway Island, Jewels for the Emperor Penguin, Café Baras)00:59:17 Candice's Honorable Mentions (Rock Hard: 1977, Battle Dentale, Fateforge, Rebel Princess Deluxe Edition, Wilmot's Warehouse, Pirates of Maracaibo, Galactic Renaissance, Undaunted 2200: Callisto, Arcs)01:06:16 Nestlings01:08:38 Cities01:11:39 Reef Project01:15:22 Stalk Exchange01:17:04 Rock Hard: 197701:20:45 Card Games! (Murray the A**hole Frog, Xylotar, Seers Catalog, The Gang, Lone Wolves)01:27:42 The Gang01:30:46 Pagan: Fate of Roanoke01:33:18 Arcs01:37:43 Gaia Project: The Lost Fleet01:39:25 War Chest: Night Fall & War of the Ring: The Card Game Fire and Swords01:47:25 Sign-offThank you to our sponsor, Edge Studio!Web: https://boardgamegeek.com/YouTube: https://www.youtube.com/@boardgamegeekTwitter: https://twitter.com/BoardGameGeekEmail: podcast@boardgamegeek.com

In general, the bigger the bird, the higher the number of feathers. Someone counted the feathers on a Tundra Swan and came up with 25,216. At least 80% were on the swan's neck. Penguins, on the other hand, have lots of small feathers all over their bodies. The largest species is the Emperor Penguin, and one project counted around 80,000 feathers on a single bird. That's nearly sixty per square inch – keeping the penguin insulated and waterproof in harsh climates. But the most feathered creature ever? It may have been a dinosaur!More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. 

In this episode, I discuss a technique you can implement to use your telephoto lens as a spotting scope when out in the field (avoiding the need for either binoculars or a dedicated spotting scope). Additionally, my thoughts on picking up the latest cover of the July / August edition of Wildlife Photographic magazine (along with a feature article on Emperor Penguin photography) and winning three highly coveted Gold awards (and two Silver with Distinctions) at the recent Australian Photographic Prize in Melbourne. This episode also airs on the eve of the exciting Canon EOS R1 Flagship and EOS R5 MKII launch.Wildlife Photographic Cover ShotAustralian Photographic Prize AwardsIntroducing the Wild Nature Photo Travel TeamSupport the Show.Wild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com

Join me again on a wildlife adventure to learn about the fascinatingly world of the Emperor Penguin—the (mostly symbolic) ruler of the Antarctic. Whether you're looking to sleep or are simply curious about these amazing creatures, this episode is sure to provide a calming escape. Grab some tea, find somewhere cozy, and prepare for an adventure to Antarctica. Support the show while getting access to exclusive content, voting, and more by becoming a Patron. No obligation, cancel anytime, and you can even sign up for a 7-day free trial. If you decide to stay, it can cost you less than half a cup of coffee a month: ⁠patreon.com/relaxwithanimalfacts⁠—we're waiting for you! To submit your animal request, head to the "Submit" tab on ⁠relaxwithanimalfacts.com⁠ To contact Stefan Wolfe: E-mail ⁠relaxwithanimalfacts@gmail.com⁠ Send a message to ⁠relaxwithanimalfacts⁠ on Instagram. A huge thank you to ⁠George Vlad⁠ for the ambiences—it is because of his important work that we can visit some of the coolest places on earth. He has helped the show so much, and I encourage you to subscribe to him ⁠on YouTube⁠, and check out ⁠his website⁠. If you would like to learn more, the resources used in this episode are listed below: HTTPS://WWW.NATIONALGEOGRAPHIC.COM/ANIMALS/BIRDS/FACTS/EMPEROR-PENGUIN?LOGGEDIN=TRUE&RND=1714855947835 HTTPS://WWW.BRITANNICA.COM/ANIMAL/EMPEROR-PENGUIN

Newt talks with wildlife filmmaker and National Geographic Explorer, Bertie Gregory, about his experience filming Emperor Penguin chicks in Antarctica for the upcoming National Geographic series, Secrets of the Penguins to be released in April 2025. The footage, which has never been captured for television before, shows the chicks diving off a 50-foot Antarctic ice shelf into the ocean. Bertie discusses the challenges of filming in such a remote and cold location, and the unexpected behavior of the penguins. He also describes how his career began and the importance of understanding and respecting wildlife in his work. Learn more about the historic penguin leap at NatGeo.comSee omnystudio.com/listener for privacy information.

What has the impact of climate change been on Emperor Penguins? Dr Ruth Freeman, Director of Science for Society at Science Foundation Ireland tell us all and more on this week's 'Green Scene'.All with thanks to AIB Ireland.

Podcast #690 is what just you needed if you needed tracks from Cock Sparrer, Emperor Penguin, Honeychain, Jason Blake, The Ophelias, & Joan of Arc.

Folks, it's the thrilling conclusion of March of the Penguins! Scott Thiede flies on in to help us warp up this wonderful month of fun and flippers! tune in as we pitch the bold makeup choice baseball players should make, share our favorite cartoon foods, and learn all about the Emperor Penguin! Bird List: Tree Swallow Green Heron Lesser Goldfinch Song Sparrow American Coot Pied-billed Grebe House finch Canada Goose American White Pelican Double-crested Cormorant Anna's Hummingbird California Towhee Great-tailed grackle Western Bluebird Mallard Common Yellowthroat --- Support this podcast: https://podcasters.spotify.com/pod/show/birder-barely-knowher/support

While some good people I know are removing snow today; me, I'll be mowing the lawn and spreading the Spring weed & feed and fixing a few sprinkler heads that have broken over the year.  We all do what we must in the place we've chosen to call home!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  *The Sole Of Indie  https://soleofindie.rocks/  Monday Through Friday 6-7PM EST!March 23, 2024, Saturday, the weekend is here…Bruce Tunkel Music - 21st Century BopThe Hoffman Brothers - Time To Try [All Ears]Dolph Chaney - Californiagain [Mug] (Big Stir Records)Joe Giddings - 06 Gone So Far [Better From Here]@Cloud Eleven - 03_Hallelujah [Pandora's Box] (koolkatmusik.com)Emperor Penguin - 12 - The Magic Gang [Sunday Carvery] (@koolkatmusik.com)@Daisy House - 04 Cold Ships [Daisy House]Midnight Pilot – You're My FriendThe Decibels - 02 - Something New [Big Sounds Again] (koolkatmusik.com)@October Surprise - 03 - Paris 1919 [Big Stir Singles - The Tenth Wave] (Big Stir Records)Crystal Canyon – BoomerangSORROWS - 2 Can't You Tell A Lie [Bad Times Good Times] (@Bomp)

Welcome to Cuppa 37 of 40 for Tea, as host Rachel Allan shares a cup of English Breakfast tea with acclaimed wildlife and travel photographer, Sue Flood, on an intimate journey across the icy landscapes of the Arctic and Antarctic. Sue Flood unveils the stark beauty of these remote territories, teeming with life, and challenges our perceptions about exploration, conservation, and photography. This tea we are taken to places of awe and surprise.  Sue shares personal stories of proposal - divorce and second marriage; all with nature as witness.  Before diving into the vast expanse of Antarctica, Emperor Penguin Colonies and exploration through the lens of nature connection, climate change and her love of tea.  More details below...  In th meantime, go grab a cuppa and lets dive into this awe filled, generous expedition into true passion, and the power of the heart in nature… Sign up to connect with Rachel & for the GOLD + inside info on 40 for Tea here. More details & time stamps below if you want it:  **Life Lessons & Laughter:** Experience Sue's heartwarming and humorous stories, from the “divorce whale” incident to her rekindled romance and unique wedding with a celebrity witness.  **Polar Exploration:** Sue Flood sets the stage by discussing the differences between the Arctic and Antarctic, the unique wildlife present, and the breathtaking scale of these regions.  **An Ambassador's Lens:** Learn about Sue's role as a photo ambassador, and her efforts to inspire others through her wildlife photography skills while forging a deep connection with the natural world. **Emperor Penguin Encounters:** Immerse yourself in Sue's passion for emperor penguins, as she shares her close encounters, highlights their life cycle, and uncovers the secret behind a heart-shaped pattern on a penguin's chest.  **Environmental Insights:** In light of climate change impacts and conservation efforts, Sue discusses the changes observed in Antarctica and the hopeful signs amidst the challenges. **Photography and Filming:** Revel in Sue's tales of overcoming her fears for the sake of capturing the perfect shot and her remarkable experiences filming with the Blue Planet and Planet Earth teams. **Love for Tea:** Discover how a simple love for Earl Grey tea offers comfort and reflection, even in the coldest corners of our world. **Giving Back:** Hear about Sue's collaboration with Julian Lennon's White Feather foundation and her conservation-oriented initiatives. **Capturing Nature:** Unveil the heightened awareness that comes with time spent amongst wildlife, and the importance of observing nature for restoration and inspiration. **Connect with Sue Flood:** Find out more about Sue Flood's incredible work and her book, "Emperor: The Perfect Penguin." Explore behind-the-scenes content and learn about her upcoming projects and expeditions. Sue's Website. & Instagram: [@SueFloodPhotography] 01.13: Intro to Sue Flood 06:58 The Relationship Stories:  The Proposal filming Bowhead Whales  08:58 The Divorce Whale Story:  Humpback Whale Filming 11:41 Necker Island & the Second Marriage Story 14:44 Overcoming fears, new photography ambassador appointment. 21:22 Training photographers in Antarctica. 25:01 The Emperor penguin life. 26:31 Adults care for chicks, exhibit extraordinary life cycle. 32:35 Connection to nature, Awe and Beauty.  34:16 Michael Pallin acknowledged Sue's sixth sense.  Cultivating sixth sense. 40:13 Teaching wildlife photography and leading expeditions globally. 41:59 Human -  Nature Interconnection 45:27 Volcanic eruption led to healthier Arctic bears. 47:57 Climate Change in Antarctica & info on protection. 50:30 Unforgettable moment in Antarctica's penguin colony. 51:37 Penguin sheds gray fluff, reveals unique heart. 53.05 Where's the Earl Grey?  

Way back in 2019, we first spoke with Trish O'Kane about the Birding to Change the World program she had instituted at the University of Vermont, where she is a lecturer and environmental educator, because of an essay she had written for The New York Times. She's back 5 years later to talk about her new memoir, appropriately titled Birding to Change the World, which recounts her journey from nascent bird obsessive to activist to environmental educator through the effort to protect a much-loved urban park in Madison, Wisconsin. Also, Emperor Penguin colonies are all accounted for in Antarctica, thanks to poop-tracking satellites.  Subscribe to the podcast at Apple Podcasts, Spotify, or wherever you get your podcasts and please leave a rating or a review if you are so inclined! We appreciate it!    

About the HostsDavid Tipling is one of the World's most widely published wildlife photographers renowned for his artistic images of birds. His many accolades include a coveted European Nature Photographer of the Year Award (2002) for work on Emperor Penguins, and in North America, Nature's Best Indigenous Peoples Award (2009) for his pictures of Mongolian eagle hunters.He is the author or commissioned photographer for many books including the RSPB Guide to Digital Wildlife Photography (Bloomsbury) and Penguins –Close Encounters (New Holland). In 2013 after 6 years work visiting 39 countries on all seven continents the critically acclaimed Birds & People (Random House) was published. Recently published books include Seabirds of the World, A Parliament of Owls and an instant best seller with Princeton University Press, Britain's Birds. His book A Bird Photographer's Diary charts his 30 year career in pictures.In 2018 David's combined book sales topped 300,000 copies Worldwide. David writes regularly for various magazines including Amateur Photographer. TV and film work have seen appearances in front of the camera on Springwatch and The One Show, while David has worked behind the cameramaking short films and with author Jonathan Franzen on the documentary Emptying the Skies.David's pictures hang in various collections around the World and have been exhibited in New York's Times Square, the Nikon Gallery in Japan and recently the Mall Galleries in London. For 16 years David was a judge for the British Birds Bird Photographer of the Year and was a judge for Bird Photographer of the Year (BPOTY) for 6 years. He currently judges Wild Art Photographer of the Year (WPOTY).In January 2022 David was named an OM SYSTEM Ambassador the scheme honours the talents of photographers creating exceptional imagery with OM SYSTEM equipment.To find out more visit David's website - http://davidtipling.com/David's Instagram - https://www.instagram.com/david.tipling/Rob Read has spent many years as a photography competition organiser; firstly as a founding director of, and primary organiser for Bird Photographer of the Year for the first five years of the competition, and more recently as founder, owner, and organiser of WildArt Photographer of the Year. Josh Galicki has been entering competitions for many years and has had significant success in many, including Bird Photographer of the Year. He is now part of the judging team for WildArt Photographer of the Year.Find out more about your host's and view their work on their Instagram profiles:Rob - https://www.instagram.com/robreadphotos/Josh - https://www.instagram.com/galicki_photography/The WildArt Photographer of the Year competition website can be found here - https://www.wildartpoty.com/

Alok Jha talks to Dr Peter Fretwell, award-winning cartographer and leading scientist at the British Antarctic Survey, about Antarctica's most iconic residents – Emperor penguins – and the threats they're facing from climate change. Peter pioneered the use of satellite imagery to find and monitor polar wildlife – a project that has led to him discovering almost half of the world's Emperor penguin colonies.He chairs the Scientific Committee on Antarctic Research, Bedmap3 group and ‘Censusing Animal Populations from Space' (part of the Southern Ocean Observing System) and heads BAS's ‘Wildlife from Space' group. He has completed five field seasons in Antarctica.For more info about our guests and episode transcripts, click hereTo support the work of the UK Antarctic Heritage Trust - and adopt a penguin - click hereSeason 4 of A Voyage to Antarctica is made possible with support from Hurtigruten Expeditions. Hosted on Acast. See acast.com/privacy for more information.

The Smart 7 is an award winning daily podcast that gives you everything you need to know in 7 minutes, at 7 am, 7 days a week...With over 14 million downloads and consistently charting, including as No. 1 News Podcast on Spotify, we're a trusted source for people every day and the Sunday 7 has just won a Gold Award as “Best Conversation Starter” in the International Signal Podcast Awards If you're enjoying it, please follow, share, or even post a review, it all helps...Today's episode includes the following guests:Guests Dr Nelly Mugo - Clinical Researcher and Principal Investigator for Kenya's HPV StudyDr Arghavan Salles - Director of the American Medical Women's AssociationWill Guyatt - The Smart 7's Tech Guru Paul Ingram - Cambridge University's Senior Research Associate at the Centre for Existential RiskAlper Cezeravci - first Turkish AstronautAndreas Mogenson - Current International Space Station CommanderDr Emeka Okorocha - NHS doctor and author Dr Chris Bird - A&E Consultant at Birmingham's Children's Hospital Lanny Smoot - Disney Imagineer Dr Peter Fretwell - The British Antarctic Survey Contact us over at X or visit www.thesmart7.comPresented by Ciara Revins, written by Liam Thompson and produced by Daft Doris. Hosted on Acast. See acast.com/privacy for more information.

It's time for another trip around the solar system!  This episode of the Fun Kids Science Weekly learns all about Japan's SLIM mission to the moon, how aeroplanes really work , and a look at a deadly creature deep down in the ocean. Dan starts with the latest science news, discussing some brand new penguin colonies that've been identified, the Amazon's worst drought in 50 years, and the US mission to the moon that ended up in Flames. Then, the National Space Centre's Dhara Patel tells us all about Japan's SLIM moon landing which made them the sixth country to land on the moon and enter the space race. Techno Mom explains how aeroplanes really work. In "Dangerous Dan" we find out about the long and thin Pelican Eel from deep down in the ocean. Finally, Benny and Mal, two microbes, debate the ethical dilemmas of what would happen if we had super strength? What do we learn about? - The four new Emperor Penguin colonies discovered on Antarctica - Why the ocean's Pelican Eel's mouth makes it a dangerous creature. - Dhara Patel talks about Japan's SLIM moon landing and what the UK's plans are to join the space race? - Techno Mom explains how aeroplanes manage to fly - Benny and Mal's discussion raises questions about the ethics of super strength and why pain is actually a very important body function All on this week's episode of Science Weekly!Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

MCI-Concord is closing. Governor Maura Healey says her budget plan will strengthen the state's fiscal health.Scientists find previously unknown colonies of near-threatened Emperor Penguins. 5 minutes of news that will keep you in The Loop.

While he's most famous for being Cousin Itt on the original Addams Family tv show, you've seen Felix in many roles, He was Twiki in the TV show Buck Rogers in the 25th Century, an Ewok in Return of the Jedi and Emperor Penguin in Batman Returns. He's also appeared on shows like The Monkees, Matt Houston, Bonanza, Dukes of Hazzard, and Sonny and Cher and in movies like Planet of the Apes, Poltergeist, Planet of the Apes and E.T. He's even worked with Moses! So come and listen to the stories about working with many of the top names in Hollywood, what it was like to work on The Addams Family, Buck Rogers and why Steven Spielberg insisted that Felix stay out of the water after a near tragedy while filming a scene in Indiana Jones and the Temple of Doom.

I read from empathy to emphysema.     Emperor Penguins are about 1.15 meters tall. https://en.wikipedia.org/wiki/Emperor_penguin     Hobbits are between 2 and 4 feet which is 0. to 1.2 meters. https://en.wikipedia.org/wiki/Hobbit     The word of the episode is "empathy". https://en.wikipedia.org/wiki/Empathy     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Today, you'll find yet another reason to avoid sugary sodas, why we might pee more in the winter, and the plight of the penguins. Sugary Drinks Depression “Large study links sugary carbonated drinks to increased risk of depression.” by Eric W. Dolan. 2023. “Sugary Drinks.” Harvard T.H. Chan School of Public Health. 2023. Peeing In Cold Weather “Why do I need to pee more in the cold?” by Christian Moro & Charlotte Phelps. 2022. “Reliability of 24-h void frequency as an index of hydration status when euhyrdrated and hypohydrated.” by MA Tucker, et al. 2016. “6 Reasons To Drink More Water During Winter: The Importance of Drinking Water in Winter.” Hydr8. N.d. Penguin Chicks Climate Change “Emperor penguins lost thousands of chicks to melting ice last year.” by Luis Melecio-Zambrano. 2023. “Emperor Penguin.” National Geographic. N.d. “Antarctic sea ice has been hitting record lows for most of this year.” by Carolyn Gramling. 2023. “Penguin poop spotted from space ups the tally of emperor penguin colonies.” by Carolyn Gramling. 2020. “Record low 2022 Antarctic sea ice led to catastrophic breeding failure of emperor penguins.” by Peter T. Fretwell, Aude Boutet, & Norman Ratcliffe. 2023. Follow Curiosity Daily on your favorite podcast app to get smarter with Calli and Nate — for free! Still curious? Get exclusive science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers. Hosted on Acast. See acast.com/privacy for more information.

These Emperor Penguins feed on fish and squid in the icy ocean. Getting into the sea is easy, but getting out is another story. How does a penguin haul its plump, 80-pound body up and over icy ledges that are several feet high, while avoiding nearby predators? Underwater video has revealed an amazing adaptation that allows the penguin to launch out of the water like a feathered torpedo.More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

Emperor penguins are the tallest and heaviest of all living penguin species.  The loss of sea ice in Antarctica last year has led to unprecedented breeding failure in some emperor penguin colonies. In a study published by the British Antarctic Survey, researchers found that no chicks survived from four of the five known emperor penguin […]

We've dug ourselves into a deep hole and we can't stop digging. Climate change is here, and humans are still burning fossil fuels and increasing carbon emissions year after year. Arizona's power grid will fail. Maui will have more wildfires. Ocean pollution will render oceans lifeless. Students, teachers, and schools will underperform. Florida homeowners will lose everything. Emperor penguins will go extinct. This is our near future. The power grid (02:02), Renewables need support (05:41), School needs AC (08:20), Ocean pollution (11:08), Ocean polluting (13:22), Rising sea levels (17:01), Maui Wildfires Tap Water PSA (17:46), Corn of the future (21:15), is the corn sweet (24:24), Ron DeSantis Insurance (27:44), Goodbye, Emperor Penguins (31:36), Climate Change tasting (36:47)

In this episode, Kristin, a seasoned international travel blogger who's been navigating the world from her wheelchair, shares her adventures across 20 countries and Antarctica! Kristin's journey is more than just travel; it's about budgeting, diligent research and finding ways to make travel more affordable, and most importantly, inspiring others to break boundaries, to explore, and to live without limits. From witnessing the endurance of Emperor Penguins to experiencing the midnight sun phenomenon, Kristin takes us on her adventures across 20 countries, four continents, and especially, the awe-inspiring Antarctica. Kristin shares practical advice on how she navigates hurdles, like her use of Google Maps for accessibility research and tips on finding accommodations that truly understand the meaning of accessibility.  We also discuss the beauty of the world, the importance of making it accessible, and the unexpected joys of traveling. Despite the higher costs and the occasional lack of accessible facilities, Kristin's stories remind us that the world is full of experiences just waiting to be had!https://worldonwheelsblog.com/https://twitter.com/WorldonWheels6https://www.instagram.com/worldonwheelsblog/https://www.facebook.com/profile.php?id=100073853057823Support the showPlease download, like, subscribe, share a review, and follow us on your favorite podcasts app and connect with us on Instagram: https://www.instagram.com/wherenextpodcast/View all listening options: https://wherenextpodcast.buzzsprout.com/HostsCarol: https://www.instagram.com/carol_freelance_life/Kristen: https://www.instagram.com/team_wake/ If you can, please support the show or you can buy us a coffee.

Ever find yourself reminiscing about the good old days when tunes from The Tragically Hip filled the airwaves? My pals, Tim and Pete, and I sure did, as we took a deep dive into their 6th studio album, Phantom Power. We discovered that our own past experiences and relationships managed to shape our views on this collection of radio hits, which seemed like a pivotal moment for the band. We weren't just content with superficially jamming out to the music. We dissected the unique sound and lyrical themes, compared them to previous Hip releases, and found ourselves swapping stories from past concerts. One standout memory was Tim being recognized by lead vocalist Gord Downie backstage. We also discussed the historical context of the album, like how its recording coincided with a major ice storm and a surprise tour that benefited a children's cancer camp. Stick around as we analyze some standout tunes like 'Poets' and its references to Gwen Jacobs' fight for women's equality. We also shared our thoughts on 'Fireworks' and how it reminded us of Canada's victory in the hockey series against Russia in 1972. So, whether you're a die-hard Hip fan or just love a good music chat, this episode is for you!TranscriptSpeaker 1 It's June of 1998 and I'm done with York University. To celebrate, my friends and I embarked on a camping trip to the Pinary Provincial Park just down the road from Grand Bend. It was just outside the liquor store in town that I heard a finished version of Pullets for the first time. Gord had long been one of my favorite Pullets, so to me this song resonated in a way that I can't quite describe. It was a feeling of euphoria and relief. This new record was going to be just fine, i thought to myself. Little did I know that several tracks on this record would stand the test of time and join the pantheon of great hip songs I still enjoy to this day, from the meandering escape is at hand to the traveling man, to the exquisite Bob Cajun and the downright delicious Emperor Penguin. Phantom power was right in the pocket, coming off of the exceptional trouble at the henhouse. As I got inside the truck to head back to the campsite I turned the volume up and just let Pullets sink into my brain. This was living. Today. We're going to hear from our friends Pete and Tim to check out what they think of Phantom power. Will it stack up? Find out today. On Getting Hip to the Hip. 0:01:41 - Speaker 2 Long sliced brewery presents Getting Hip to the Hip Hey it's JD here. 0:01:58 - Speaker 1 Welcome back to Getting Hip to the Hip. This week we are talking about Phantom Power, the sixth studio record by Seminole Canadian rock band, the Tragically Hip. I'm joined this week, as always, by my pals Tim and Pete Fellas. how are you doing? 0:02:19 - Speaker 3 Hey guys, hey guys, hey guys, glad to be here. Good to see you, i'm ecstatic to be here. 0:02:26 - Speaker 4 I'm ecstatic to be here right now. 0:02:27 - Speaker 1 Oh, I love it. 0:02:28 - Speaker 4 I love the energy This is happier than a pig and shit. 0:02:31 - Speaker 1 Oh boy, oh boy, that's pretty happy. I've seen some, some porcine creatures rolling in fecal matter and they sure love it. Okay, so if you are wanting to experience The Tragically Hip's music for the first time, tim and Pete are your avatars this week because they got to experience the record Phantom Power, which again is the sixth record produced by Steve Berlin, first record on Universal. But I guess I should tell you guys both. I guess I should say this to you both as honorary Canadians. Now, happy Canada Day. It's almost the 4th of July. It's July 3rd today, but it's July 4th tomorrow for you, but July 1st for us is Canada Day. So happy Canada Day, folks. 0:03:20 - Speaker 4 Wow, Yeah, Very close to the other 4th of July, which is America's Independence Day. In the UK they call that Thanksgiving. No, No, I had a. I took a flight one time on some shitty airline and the pilot was British and it was on the 4th of July and he was like so I just want to say you know, that's my shitty British accent Happy 4th of July was we call it. We're on from Thanksgiving. Enjoy Whatever. 0:03:57 - Speaker 1 That's great. Oh, anytime you can burn an American a little bit, it's. you know there's some fun. There's some fun there because you guys are so goddamn good at this shit, you know Anyway let's get into the record as a whole. Before we go into the song by song segment, let's just talk about this record, produced, like I said, by Steve Berlin. Five singles come from this record. All music rates at a three out of five Three. So there's that. What did you guys think? I want to know where you listen to it, how you listen to it and what your initial thoughts were, and you know, maybe, what they percolated up to. What do you say there, tim? 0:04:45 - Speaker 3 Well, there's a pause. I thought it was a three star album, kind of like all music I felt wasn't really sure. it felt a little bit deluded in a way. to me It felt a little bit, a little bit more generic from what I've heard in the past. But it also felt kind of expected for the whole catalog of albums this band has produced and the timeline going into the late 90s. You know this album felt like full of radio hits but at the same time I was missing a little bit of that raw kind of hip feeling. You know, i was wondering like, should I be okay with this album just being kind of fine? This was the turning point for me. I was really not sure. When I read kind of some reviews about it, i think there was some sentiment, some shared sentiment, and also some people were like it's my favorite album and some hip fans said it's their least favorite album. So this one's kind of a gray area for me. 0:06:00 - Speaker 1 It's funny. Well, I'll get into my, you know, sort of backgrounder on this for you guys after we hear from Pete. Pete, what did you think? 0:06:09 - Speaker 4 I hear you on the gray area, because I could totally see that. I could totally see how some hip fans are like this is the best album they did. Or this is not my favorite album. For me I listen to it everywhere. I listen to it in my office, so for my computer, with some some decent cans, i took it out running a lot. Probably. I think maybe the first time I listened to it was that took it in the car. It sounded great. The thing I found like I would say 3.5 for me, tim, instead of a 3. But you know I feel you on that My initial thoughts were that a lot of rawness of the hip was gone from this. In the first couple of listens it sounded very watered down. It was like somebody pulled Gord Downey aside and said Hey man, can we just like, kind of like the dude, can you, can, you fucking can you take it easy, man, you know, just like. Told him to just like chill out a little bit, and I don't know. The more I listen to it though, the more I dug into it and see how much work maybe not production, but just from the band themselves went into this record maybe changed my tune a lot Like I dig it. And Phantom Power, that was the coolest thing in the 90s, man Like because sometimes you didn't know what it was. If you never heard of Phantom Power before, it has a fucking cool name. If you had a guy that had like a condenser mic or something with Phantom Power, you're like dude, yeah, he's got a mic, that's got a Phantom Power. It was just like fucking. You were 17 and you heard that it was fucking cool. 0:08:00 - Speaker 3 Yeah, you know, i went and looked at a number of albums sold by a bunch of different bands, including the hip, and I was trying to kind of have this try to find this correlation of how many albums sold from the band start to like 10 years later, or 10 albums later, something like that. And I compared the hip with a bunch of bands And it's, it's. It's really all apples, oranges, of course, but when you look at how many albums they've sold and how they, you know, started off selling a ton and then just kind of went down to this million album mark. And then when I heard this album and I like UP, i listened to it all over the place. I listened to it on the plane I traveled, listened to it in the car, listened to it at home with the cans on. I mean I listened to it in more places than past listens because I was really trying to give it a go. I mean, it was the first time, upon first listened, that there were a couple songs where I was like okay, get it, i'm going to go to the next one, like I had not fast forwarded songs, you had her skipped ahead. So this, yeah, but but one of those songs that I skipped ahead on, sorry hip fans. You know I came back to and it's might be one of my most favorite on the album, so this this one like yeah, this one, this one to me like didn't grab me right away. Maybe it will more over time, maybe it's one of those types of albums, but well, i'll tell you what this record has. 0:09:36 - Speaker 1 An interesting, an interesting story, i think, and it it's my own headcanon This is. This is not like actual fact by any stretch, but in my opinion, trouble at the Henhouse, which is one of my absolute favorite records by the Tragically Hip or or or any other band, is, was maligned Like it, it, it, it, it both it and day for night didn't perform as well as fully, completely, and fully completely was very, if you recall, it was very polished, it was very produced. You know they went to London to record it. It was like a big deal. And then, following that, the next two records, they were sort of self-produced, with Mark Vreakin and Mark Howard on day for night and just Vreakin on fully, on Trouble at the Henhouse, and those records are sparse and they are. The core energy is, is there, it's, it's. It's like boiling hot magma, you know, and they're and they're forming these songs that are just age old now and and just wonderful, and then phantom power comes out and phantom power goes back to the like. To me it's sort of back to the back, to the basics. It's like back to really structured songs, really produced, and, like I always said, that this record was the baby of day for night and fully and completely, fully, completely, rather not fully and completely fully. It's sort of the baby of those two records. It's got the, it's got the production values, but it's still got songs. So I'll challenge you guys on that, because I think this record has songs and I think it has songs for days. You know what? 0:11:40 - Speaker 4 you are JD, let me tell you who you are. So when I was like 19 or 18, working with the movie theater, i dated this girl that that worked at the calendar place across the way And I just kind of went out with her because I was like really stoked. She gave me your number But I really wasn't that into her and all my friends were like, dude, she's really hot man, she's really amazing, and I just didn't see it. And so then like I stopped going out with her. We only went out a couple of times and that was that. And then I saw her again. I was like, damn, i really screwed that one up And that's kind of felt with this record, but I didn't want to like make that same mistake again. So like I, i'm sticking with it. I'm sticking with this being a solid album. Yeah, you know, yeah Masked it for, you know, a third and fourth date. 0:12:26 - Speaker 1 Yeah, i think, and I think three out of five stars is fair Like it's not it's not one of my. it's not my favorite record, but it's a lot of hit pants favorite record It's a lot Yeah, yeah. 0:12:39 - Speaker 3 That's that's what I found in my research. The covers are awesome. The covers are great. 0:12:43 - Speaker 1 They have that They actually have that panel in in their studio and bath, which is really cool. Yeah, so that's, you know this is. I want to say this is the second record they recorded at their studio. So they didn't go anywhere, you know, adventurous or anything like that, but they were at home. And what happened in 1998, i don't know if it made news anywhere else but Quebec and Ontario there was a major ice storm, yeah, major ice storm, and in Ontario it, like it absolutely shut down the city of Toronto. It shut down, you know, major thoroughfares. It was like devastating this ice storm. And we'll get into that a little bit more as we talk about the songs. But you know, they bring Berlin in and they're sort of trapped in the studio. You know like during during this, so really fascinating I think. 0:13:43 - Speaker 3 But yeah, it's a go ahead. Did you see this tour? Did you see them play on this tour? You want to hear a story Now? 0:13:52 - Speaker 1 people who listen to the movie and completely heard this. But the hip announced five secret shows that they were going to do, and all proceeds from these shows were going to go to a charity I forget which charity now at the oh, it was Camp Trillium. Camp Trillium, which is a camp for children with cancer, children that have cancer, and there's a location of that is near where I grew up And I'll show you when we, when you're in town for the finale. My friend's parents were on the committee for the cancer camp in our community, and so my friend Heather had intel and she she knew that they were going to go on sale at this time in this place in Hamilton, which is about an hour outside of Toronto, when traffic's good, and so we ended up getting third row center seats Wow, in this small theater in Hamilton, like 2000 people, and they blew the roof off the place. And a band called oh my goodness. They sang, come for a ride. Open for them, and they were tremendous as well. I forget the bands right now who open for them, but if you know it, send me an email. Jd at getting hip to the hipcom. So we're third row center. We watched the show, But the kicker here is is that Heather has got gifts to give the band And it's been arranged with the stage manager that we're going to go backstage afterwards to give. She's going to go backstage afterwards to give these gifts And she ended up inviting me along And so we got to go backstage and I introduced her to the tragic lab. So this was like this was like full circle for the two of us And it was just a wonderful experience. We went backstage after the show and they were all there and Gord had a. Gord Downey had a soccer ball And he was doing that thing where you flip it out, catch it and roll it back in your arms. Flip it out, catch it, roll it back in your arms And he just kept doing that And I remember at one point I must have looked silly or something, because somebody said and maybe it was Gord Downey said is everything all right? And I said, oh, everything is fucking perfect. I could go outside and get hit by a bus right now And it just wouldn't matter. And Gord Downey looked at me and he goes Oh, don't do that, jane. He called me Jane, only my mom calls me Jane. Like it was so cool It was cool. 0:16:37 - Speaker 4 How did I not know the story? How did I not know that you had interactions with Jesus? 0:16:44 - Speaker 1 Yeah, yeah, how was this? 0:16:45 - Speaker 4 coming up in episode. What fucking episode are we on. 0:16:48 - Speaker 1 Well, it was Tim asked me the question, yeah. 0:16:50 - Speaker 3 I don't know. We're like 15 minutes in. I think we could just call it. That was good enough. 0:16:55 - Speaker 1 Well, here's the kicker. Here's the kicker. I don't think I told this part on fully and completely, but the kicker is I had been dating a girl all through university and I broke up with her the summer of 98 and sewed my wild oats And this was all toward the end of the summer of 98. And she was in Hamilton to meet me after the show. So I'm backstage with the hip and they go Okay, well, we're going to go to the after party now in the next room over, because this was in the green room or whatever And we're going to go in the after party room and drink some beers. Do you guys want to join us? And I had to say no. I had to say no because my girlfriend was waiting outside for me. Now, in hindsight, what a boner move I made, because I wanted to get back together with her. Totally. It only lasted another two years after that, like I then absolutely blew up, but it was those. Those final two years were awful anyway, like they just weren't, you know, like both of us would agree to that now I'm sure the university years were wonderful, they were, they were great, but those those two years after our break up we're not so good And I blew a chance to go party with the hip. 0:18:15 - Speaker 3 You had a Davis Manning moment. 0:18:18 - Speaker 1 Yes, Yeah, yeah, absolutely. 0:18:22 - Speaker 3 He chose the girl over your fandom. 0:18:25 - Speaker 1 The hip lived between us. 0:18:27 - Speaker 3 They totally lived between you. They might still sorry, sorry, jess. 0:18:38 - Speaker 1 Well, folks, should we go song by song? 0:18:41 - Speaker 3 Yeah, let's do it, let's do it. 0:18:44 - Speaker 4 So I really liked this song. I really liked poets. This is probably the song I would say I have the least to say about. I really like the verse phrasing. I think it's probably the best part of this song, the way he phrases the verses. There's a part where the lines of a verse he kind of like carries into the next measure. It's really weird, like, like, like the mind, you think, okay, you sing the verse, then it's the next measure, but like he sings that verse over there Because it's when you look at it it's a complete line. I can't remember the line specifically, but it was. It was cool man. It's a hard thing to pull off man, but like that guy just does. It was so much, so much finesse. I liked the layered guitars in it, yeah. But I think, going back to what we're saying sort of at the beginning of the top of the show, it was, this song didn't punch me in the face Like right when I, right when I started listening, i dug it. I it was a soft open, it was a soft open. 0:19:59 - Speaker 1 All right, how'd you feel, tim? 0:20:01 - Speaker 3 I felt it was a harder open. I thought it was it. You know this. Like we've talked about before the cadence of songs and track orders. You know the first one I expect to really get me, bring me in, and this one did it. I thought it was pretty good. There's a fun kind of change over into the chorus It again I spoke about this a little bit before, but the kind of remind me of REM in REM's, like first half of the 90's albums, like they come on with like a punch of a song and then, like the cadence of the album kind of goes soft and then gets whoa, got a little dirty there, gets a little bit harder as time evolves. But yeah, this I thought this was a good start off. The themes you know I looked into a little bit of the song's meaning regarding lyrics and you know just talk about agriculture and super farms and like I don't know, ultimately fresh vegetables versus buying frozen and what that means. And this, this is the song that references Gwen Jacobs. Right, you know the story about her JD, and she was this woman who walked into town I think in Ontario topless and it created this whole. I don't have to look into this more, but I'm pretty sure this was the song about the Gwen Jacobs case. So Gwen was a woman who walked through town topless and was arrested and started this whole kind of woman's lib. You know movement with. You know making it okay to cut your lawn without a shirt on, just like the men do. That's kind of where the line in here from Gord comes from. It's a let's see. 0:22:02 - Speaker 1 Oh, that's great Lawn caught by breasted women. 0:22:04 - Speaker 3 Yeah, it's kind of this comment on pushing for women's equality and gender rights. So I thought that was fucking cool And that, to me also, is like really appropriate for the 90s or late 90s, you know it was. we were kind of circling back to, of course, some things we've had in North America before and prior decades. So I thought this song was cool. Again, it really reminded me of REM. I kind of went back and started looking at some of REM's albums and I wish, again, i wish I could know what the band listened to when they were traveling Me too. You know what they were sharing, what albums they were digging. you know if any of them were like Oh my God, did you hear REM's new one? We're going to put it in the the the buses stereo or whatever. Like I wish I could know what was influencing them, because I'm hearing, i'm hearing some some themes for sure. 0:22:57 - Speaker 1 Okay, earlier I was telling you about the ice storm. The next track, something on, was recorded and they literally were trapped in the studio. They were, you know, they couldn't leave the bath house, they couldn't leave the studio in bath. So they did what they do best They wrote a song and there's some lyrical content in there about the ice storm even And I think it's really wonderful lyricism. What did you guys think of something on? 0:23:33 - Speaker 3 I felt like, okay, i read about it, i read about this and I read about the ice storm and you know sounded awful. And for I hate to say this, but to go get stuck in a studio, for me that'd be like the time to really fuck things up, like really experiment. You know, you know, just hopefully somebody shows up with a huge bag of weed and somebody shows up with a bunch of acid and somebody shows up with a shit ton of beer and like this is when you like really go to town to experiment and what do we got out of it? We got like kind of a radio hit. So it was a little surprise to kind of hear the whole story and it just made me realize that maybe for this era, the guys were really I mean, they were at a point to where they could bust out a really good album, you know, and what, for me, that really good album is? like you go to a restaurant and it's like yo, that was a good meal. You know, everything was like satisfactory. 0:24:37 - Speaker 1 Well, yeah, it's a blooming onion man. 0:24:38 - Speaker 3 It's a blooming onion, Yeah, but to get stuck in a studio and ice storm, it's like I personally would want to just start going places. I haven't been before with my band, but you know this one's interesting take. Yeah, this one felt. This one felt a little radio felt a little you too, dave Matthews like splash of John Cougar melon camp or something like I don't know. Man, it felt, i know. I know, i know, i know. 0:25:10 - Speaker 1 And I was a big melon camp guy at one point. 0:25:13 - Speaker 4 But Dave, Matthews are regular. 0:25:16 - Speaker 1 Cougar and regular. 0:25:18 - Speaker 3 Yeah, like I couldn't get overly excited about this one. Well, again. 0:25:26 - Speaker 1 I think you were waiting for the follow up from the follow up to trouble at the house, and this isn't the follow up that you're expecting on a trajectory perspective. You know no no, i agree. 0:25:44 - Speaker 4 It's funny. You talk about getting trapped in the studio, like I mean, i don't know if I'd go like full steely Dan when they recorded the Albuquerque show, where, like you know, there maybe was not that much cocaine around, but I still agree with him, i would. I'd get really spacey, and I think they do it on a couple songs that we'll get into, but first time I heard this song got some heavy Jim Blossom's feels. Yeah yeah, Yes that's the first thing that hit me and I couldn't think of any of the band that it was like a buddy of mine used to play the band that they open for them a ton, and I was like the first band that came to mind like this Oh, and it was really poppy. And okay, my notes. Once you get past the repeated cheesiness of the chord progression and the vocal melody, it's not a bad song. 0:26:40 - Speaker 1 Oh dammit, with faint praise here. No, no, no, it's not a bad song. 0:26:44 - Speaker 4 I think it's a good song, but you know it's a good song. If, like you, take this song and go, is this a good song? Anybody will say it's a good song, but like you, said to me compared to the follow up of what you really wanted after trouble. Then else, and this was a song where I feel like Gord sounded a bit like he was put in the cage Like whoever was a universal when this record was getting recorded, put baby in the corner. And this is a song where really I feel like you know he's, he wants to be himself, but somebody's like, hey, man, just could you like you don't have to do it all the songs, but like at least on this one could you just, fucking, you know, tone it down a little bit. And I was just like, ah, where's my fucking, where's my lead singer. 0:27:33 - Speaker 3 Yeah, I totally agree, Because you know it's still a good song, because it's still all the guys and it still has themes, because it's Gord, you know you're still going to get one liners that are amazing. I feel like probably no matter what in any hip song there's going to be some standout lyric to me, some standout part like to the core fan. That's. That's really what I'm imagining. The line that stood out in this one for me was your imaginations having puppies, I mean yeah, yeah. I've had so many letters of puppies, you guys. It's like I'm just, i've got puppies all over the place. It's like. 0:28:11 - Speaker 4 I was a cool. I really like that one. Yeah, like that, like that video for new recruits or something. 0:28:17 - Speaker 3 Yeah, so I like identified in it. You know, at that personal level, which I think they're able to do just about on any song which is fucking amazing for a band to do, because I could probably name 10 bands right now. What that does not happen to me, yeah, so you know. So, in that regard, like hip fans, you know I'm, i'm I'm not really trying not to be the bad guy here, but we this, this, this just made this song, just made me keep going So into save the planet. I mean, i got to this one, arrived at this one, and I was like, is this the band's fucking Earth Day song? or stretch their reach to get on the farm aid bill, like what is going on here? I felt like I don't know, there's a flute in there. Who's playing the flute? 0:29:09 - Speaker 1 Who plays the flute? You know, i don't. I don't have the liner notes handy And on the wiki page it is remarkably barren in terms of additional players. Yeah, it doesn't, it doesn't have them, so I need people to write in. 0:29:25 - Speaker 3 If people know, let us know, because there's some flute in there And it made me wonder like what else? 0:29:31 - Speaker 1 there's keys all over this record. 0:29:33 - Speaker 3 Yeah, what else have I been missing in the background that maybe other people are participating in? But I felt, like you know this song, in the placement we were, we were filling, we were filling in the gaps on the menu And you're like, no, I had a burger yesterday. No, I'm not in the mood for that. Oh, I could really use some lasagna. Here we go. That's that's how Save the Planet felt, felt very time appropriate. This is, like you know, the millennial song. 0:30:02 - Speaker 1 Okay. 0:30:03 - Speaker 4 All right. So if anybody's got a line on the flute player, email Tim getting hip to the hip, talk there you go. Right, i copy Pete at getting hip Yeah. Save the Planet. I thought it was a banger. I really dug it. I at first I saw that too, but then I kind of look past the name of it And just look at the song itself. There's a. There's two references in this album to Crossing the Street, to pedestrian crossings. Yes, i'll point out the other one. This is the first one Fucking solo bangs in this. I thought the flute at the end was cool because it was so random. 0:30:47 - Speaker 3 I was like well, what the fuck is that? Yeah? 0:30:50 - Speaker 4 Same. 0:30:52 - Speaker 1 There's. You just can't imagine listening to road apples and having a flute right Like. It's just not part of this band. You know like and and and it works It works well, no, right? 0:31:05 - Speaker 4 Yeah, you know, if they went into that I'd be like, well, what the fuck's going on? 0:31:10 - Speaker 3 But I'll just quickly, quickly add that I'm okay with the flute. Like sometimes, the flute really is awesome. Oh, i think it's great. So you know, like some people like hear the flute and they're like oh why You know, but it works. 0:31:24 - Speaker 4 No, i dug it And this is again. This is not the first song, or not the only song in this record where I got some heavy Alanis vibes. The phrasing on if the bathwater is clear and my ears underwater, it's a tolerant hum from the core. Carry the water Like that the way he phrases that shit, it's just. I don't know if I see because it's a Canadian band, if I see everything through the lens of like Canadian pop artists. But like it's just the vibe I got from this and it's a great tune to get out and move your feet to get running. It's a fucking cool song to run. 0:32:09 - Speaker 3 All right, i'll put it on my point first I hear your Alanis vibes marry and up with my Michael Stipe vibes. I think those are in sync for sure, for sure. 0:32:20 - Speaker 1 I think there's a nice correlation between the hip and REM, like I think you're right, like they both have that enigmatic front man, you know, who is really literate and really interesting in the way they sort of phrase things and put things together. 0:32:39 - Speaker 4 They both went bold too, halfway through the careers, that's right, that's a fair point. 0:32:45 - Speaker 1 Fair point, fair point, all right, we're getting in the car right now and we are cruising northeast of here and we're going to Bob Cajun. I left your house this morning. 0:33:40 - Speaker 7 It was quarter after nine. I left your house this morning. I left your house this morning. I drove back to town this morning This morning with working on my mind, i thought I'd maybe try to leave an ear behind. I went back to bed this morning and it's time pulling down the blind. Yeah, the sky was dull, it was high but never come. And morning went down at a time that night in Toronto And I was jacking boardboards, riding on horseback and keeping order restored. Tell the men they couldn't hide. Step to the mic and sign and their voices rang with the area of time. To your house this morning. It was quarter after nine. In the middle of that riot I couldn't get you off of my mind. To your house this morning. It was just a little hour tonight Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. To your house this morning It's a little after nine Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. 0:37:32 - Speaker 5 Tell the men they couldn't hide, they didn't choose your bones and bones. They're all south of the wind and down the lawn to the lake For as long as it takes. 0:38:05 - Speaker 7 I don't want to be a hill of the birds last hour. I don't want the last words out of my mouth to be stained Out of my way. 0:38:16 - Speaker 4 Okay, I fucking love this tune. I got some heavy and Tim, yes or yes. If I hear no, I'm just I'm off this podcast Got some really strong G love special sauce vibes from this. Yes, Just the way they owe up. Am I my GD? 0:38:42 - Speaker 1 I don't know, i think I think I'm very familiar. 0:38:46 - Speaker 3 I did not go there, but I will Okay. 0:38:51 - Speaker 4 Right, i mean the. there's a oh dude that it could have been Willie, could have been the wine. I heard that song. The first time I heard that song I was. I took it out for a run and I came home and I like I listened to it again because I just thought it was such a good fucking song, because it's a weed. reference to may not necessarily be about them listening to Willie Nelson. It's like they were smoking weed or they were drinking wine, absolutely Yeah. The opening, like spacey guitar licks The dobro which I think he's playing. there's a dobro in there that he's playing which kind of gets sort of like a banjo slash guitar vibe. Oh God, just. 0:39:40 - Speaker 1 I feel like that lyric that you just quoted, though, could have been the Willie Nelson, could have been the wine. That's like one, like when he wrote that he should have just put the book down, put on a fedora, long overcoat, grabbed his briefcase, just went home for the day, that's. That's the days. That's the day at the office, that's a fucking. Exactly. 0:40:00 - Speaker 4 That's just a great lyric Exactly dude, no, 100%, it's so good. I was like you know. You know, a line is a good line when you hear it and it's so good you think you've heard it before. Meaning like I'm like right, i mean because it just sounds like it belongs on this in the history of life, Like like someone has, like if someone hadn't said it, they sure as shit should have said it. Does that make sense? Yeah, you know, it sounds like it's just. It's a great fucking line. I thought I maybe quit that line. It's just. It's really the part of this song where Gord starts coming out of the cage. On this record, i feel like that was the moment Somebody gave, somebody unlocked the door of the cage and he's starting to come out, and then the song ends on a random minor chord, which is so weird, it's such a happy, spacey song that ends on this minor chord. 0:41:09 - Speaker 3 I loved that. I loved that about it. So for me this one it felt a little Out of the gates. I need to listen to the beginning of it to see your G-Love reference. But out of the gates. It felt to me a little bit country and a little bit like are we reaching again for some crossover fans Along? the southern belt of the US. Like where are we? What's happening here? You know there's some slide guitar, but is it a song about lost love? You know looking up at the stars waiting for a reveal. You know there's synth work in here again, so there's some sort of keyboard happening, which is fucking cool. And to me, the first lesson I had all those kind of questions going through my head And then I thought at one moment like this is actually a fucking beautiful song. Like it's a little bit of an odd man out on the album, but it's actually a beautiful song. There's this long ending with no singing. It's just mysterious. Like you said, pete, the last five seconds or so, or this just bizarre tune out. It's like I found one quote when Gord was asked about this song. He said this was an interview in 2004,. He said this one asks the question evil in the open or evil just below the surface? That was his comment about this song. So it's like this song to me was super mysterious Yeah, super mysterious song which I fucking love, like I don't need literal storytelling every single song you know. Social themes, i don't know all these different things, i don't need that. Every single song I love you know kind of the knuckleball that comes in. You're like whoa okay, this is reeling me back in to the album in a good way, a way that I'm looking for, you know, i'm hoping for, but still, again, this one felt a little bit odd, man, just the way it fits into the album. They've done this before. They've gotten. 0:43:15 - Speaker 4 They lose green man. 0:43:16 - Speaker 3 Yeah, they've gone on this path of like okay, this one, now we're going to turn off the highway and head down this two-lane road and we're going to stop at this farm and we're going to have an afternoon barbecue with this family, and you know, i don't know, like it's just this one's off the highway. 0:43:35 - Speaker 1 Cool. What do you guys think of the bridge? It makes my arm hair stand up That night in Toronto with the checkerboard floors. There's a bar in Toronto that's famous legendary in fact called the Horseshoe and that references the Horseshoe, the checkerboard floors. Oh shit, that's one of the first big gigs they played in Toronto. 0:43:55 - Speaker 4 Can I get taken to that bar when I come visit Toronto? 0:43:57 - Speaker 1 Absolutely. Let's do it. Sure shit hopes so man. 0:44:00 - Speaker 4 That would be cool. This song is actually the most listened to hip song on Spotify. 0:44:07 - Speaker 1 Oh, wow Yeah. 0:44:09 - Speaker 3 Surpasses. I read something about that as well. 0:44:13 - Speaker 4 What was the one that it surpassed? 0:44:16 - Speaker 1 I can't remember Anyway yeah Well, so it's a hit all around Pop Cage. 0:44:21 - Speaker 3 Yeah, it was a fucking interesting song, right? This is. 0:44:25 - Speaker 1 So we shift gears now in a well, not in a huge way, because this is sort of low tempo or slower tempo. We go to Thompson Girl and you're both hesitating to start Thompson Girl. 0:44:41 - Speaker 4 Go ahead Tim. 0:44:42 - Speaker 3 Yeah, well, you know what's the story about here. I don't know. It's the story potentially about where is it here, This town in Manitoba, thompson, yeah, or it's. You know it's potentially about a nickel mining company up there. You know it's got this kind of sweet, forlorn grunt work somewhere between dream and duty, poking through with all them shoots of beauty. I mean, what is that about? You know, this is kind of a cute, in a way stripped down acoustic song. There's some banjo in there. You know, i've kind of been waiting for, I had been waiting for this type of stripped down, simpler song that you know it's kind of this forlorn, sad song to me at the same time. 0:45:42 - Speaker 1 Probably Pete. 0:45:44 - Speaker 4 I loved it. I thought it was cool. I think I don't know if it's consistent with you and I, tim, but like I really try not to look too deep into the lyrics because oftentimes I'm disappointed, that's why I don't do it. I know you do it a lot more than I do I totally do. 0:46:03 - Speaker 3 I mean it's because of Gord, like Gord Gord. for me, gord merits it. 0:46:09 - Speaker 4 I get intrigued though, but like dude so does. I mentioned Celie Daner earlier. Like Donald Fagan's lyrics are notoriously cool as fuck. But have you ever asked that guy like what he you know what's, what's the meaning of? you know Dr Woo or whatever, like he'll be, like I don't know man, we're on so much cocaine. Back in the day I was just getting shipped to prime or whatever you know like, and I know that's not really the case here. But that line, the way he goes up so high with grunt work, i can't. I'm not even gonna fucking try lest I fucking destroy your listener base JD by singing that line. But when he goes grunt work time between dream and duty the melody is so fucking good It's then there's a part. Um, i don't know if it's like, i don't know, i wouldn't call it the bridge, but it is a bit of a some sort of key change to the regular chord progression. When he goes really high and then the mandolin starts to come in fucking dug that. And then the piano kind of comes in at the end as well, it's fucking cool. I really dig it. Yeah, i liked it First. I didn't like it. I didn't like the chord progression. It just seemed to like, like you said, tim, acoustic. It's sending, like it was like this should be an acoustic song. 0:47:30 - Speaker 3 Keep it that way. Yeah, yeah. But then it grew on me real quick, which is maybe something I would potentially envision. From a stuck in the studio couple days, you know, you'd get to a point to where everybody's kind of burned out and you pick up the acoustic and somebody says to the piano and you talk about is it INCO, inco and the fucking nickel mining, and I, you know, i looked at it a little bit into that in Manitoba and was like, oh geez, here's, here's a historical. You know, just rabbit hole that I can't go down right now. But it just this, to me, is just one of those, one of those songs that fits in well with this whole album And it's something we haven't really had in the past. So it's kind of happy to hear it. Next one membership Who's who's singing backups Somebody found, is it Gord Is? 0:48:28 - Speaker 1 it Gord over. Usually it's Paul Angla, usually Well. 0:48:32 - Speaker 3 I don't think it's Paul. It might be doubled. If you, if you go in and listen again, check out membership and listen to the backups, because it sounds like a woman to me and it sounds really familiar, like I've heard this voice before And I've looked and looked and looked but I can't find anything. It might be one of the guys, just you know, editing it in post or something, i don't know. But there's, there's some beautiful backup happening. This one, though you know it's wasn't my favorite on the album, i'm not going to put it on the playlist There's kind of a big change after the three minute mark with, like this new chorus. Of course it has my fade out at the end. You know there's there's kind of this bigger start to the song, but it's kind of slow in a way. I don't know. It's maybe about addiction, it's kind of a ballad. you know this, this one, it just felt like it didn't really fit in, didn't really wasn't really sure how it was working and it it made me consider you know I've done this a few times that it made me consider the band and what they were feeling you know they're coming in on 2000 here What they were feeling after 10 years, which is long for any band to retain some amount of success 10 years of playing and predominantly being popular in their home country and not even gaining a huge you know the level they deserved in the neighboring USA. So this this kind of made me think about all those things. I just didn't know if it was like about power abuse of power addiction or longing loss, i don't know. This song was kind of all over the map for me, but ultimately the chorus bugged me and it stuck in my head for a little while. I was like, oh, i need, i need some other, i need some other hip song stuck in my head and that's kind of where, honestly, that's where, like blow a high dough, just comes and takes over my brain. So that's what happened. 0:50:50 - Speaker 4 on membership, I you know I have a ton to say about this song. It's kind of like I put in the same categories Poets. It wasn't my favorite song in the record. I liked it, felt it like it was a very drone rock with a chord progression. It's the way it sounded. I love the harmonies. Tim mentioned the harmonies being drawn along by it. Like that line with the harmonies come in The middle, guitar solo where they kind of tease you with the guitar solo helps build the song kind of cool. But then, yeah, the fade out at the end is just like to me. It felt like they maybe didn't have, they didn't nail everything down with this one. That's all I'll say, you know, but yeah we can move on if you want, let's slide over to fireworks. 0:51:46 - Speaker 7 You like fireworks? Yeah, me neither. The frustrating part Never back in old 72 Without school, just a gun, without a gun or trigger. I don't remember a reason. Set me sight of you. You said I couldn't get a fuck about the party. Never heard something true back before You held my hand. We were on the long way Loosing in my grip on Bobby Moore. Never heard anything wrong before I blushed. When these ever sensations get in your way, no doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now I'm not together every single moment. That's what we thought. We'd be married. We both do deep with the grip of art, of fish chaos, believing in the country, me and you. Christ has a faith in Christ, the sinner cramming Yeah, we've heard all this before It's winter time. The house is solid to the bones, loosing in our grip on this fake cold war. Is it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now, next to your comrades in the nation of fitness, the program regarding some eternal past time, clopping to the mind in a fit of laughter, showing no patience, no tolerance, no respect By your words, next to the distance, contemplating towering, towering star By your words. And in late, never, till there are no stars anymore By your words. And in, straight in heaven, contemplating towering, towering star, till there are no stars shining up in heaven, till there are no stars anymore. Isn't it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your brand of error, shining up in heaven, contemplating towering, towering star. I think this one thing never goes away And this ones thing's always supposed to stop. Oh, this funny thing doesn't have to go away, and I'm gonna lie. 0:55:41 - Speaker 4 Oh fuck, How much time you got, then Fucking song, this song, i just have the word. It's this fucking rush, rush, rush, rush, rush. Just so much rush in this song. Really, there's a couple of rush references on this record and this is number one. I would say that is it. Gord Sinclair, yeah, so like and I think he would agree with me, because I don't know that I don't know any bass player in Canada, let alone the entire world, would put them up against Geddy Lee. So I can't like, true, Like. I don't think the bass in this song was supremely rushed, but the chord progression, the structure of the song, the lyrics, isn't it amazing? anything's accomplished Is fucking. It's so fucking dude, it's fucking rush, completely Fucking. It's like they should have just made a record with one song on it and sent it to Rush and been like this is for you guys, we love you guys. And dude, i'm not saying anything remotely like they jocked anything. It's an homage in the sweetest sense. It's fucking beautiful. I fucking listened to the song so many times. There's I don't know if he's playing a Les Paul or a Hamer Rob Baker, but it's got some hollow tone electric guitar. There's a line in there Christ in the Kremlin. I'm fucking. The words in this song are fucking spectacular. I bet it just destroyed. Destroyed. The crowd live Like. I mean if they played this fucking live you'd have to close with this or I don't know what you'd play with this. I mean it's just fuck. What's the other line Next year? comrades in the National Fitness Program caught in some external flex arm hang dropping the mat. Dude the lot. This that the way he speeds up that verse and fits all those fucking words into that, and then he goes back to the normal cadence, like when I say cadence I mean like the tempo, not a modal cadence, but like tempo. He goes back to that. I just bet when they, when they all listened to this track after it was mixed, or they all recorded everything, they all just fucking high-fived and hugged each other and had a big old fucking circle 100% Yeah. Dude, it's a fucking. It's one of my favorite fucking hip songs period. 0:58:23 - Speaker 3 Oh, you know what they. You know what they said after they recorded this. They were like this is going to be an every jukebox across Canada. I mean, it's a jukebox song. I mean, really, this is like play something by the tragically hip. Okay, i'm at the jukebox. Stick in a quarter. Oh, here's fireworks. Everybody loves this song. You know, that's that's. I couldn't agree more, pete. I just felt like this could be put on a seven inch only and out in the world. You know it was one of the first songs in a while where, like, i immediately just started snapping my fingers. It was like, okay, this, this song's, this song's moving. I completely agree with the rush references I love. I so identified with this girl. There was actually a girl who said she didn't give a fuck about hockey. I never heard a girl swear and I've never heard someone say that before. It was like there was some whole other world out there which is hard to fathom at times. I don't follow hockey. I totally identify with this. When I go on Facebook and it's like near the weekend it's mostly fucking NFL comments from people I know in Southern California. It's like, god damn, i wish I had a sports filter on my life because I don't really follow any sports. So the hockey the hockey comment, i was like yes, i, i want to hang out with you, let's go drink beers. You know, i probably follow that. It's whatever I just I just identify with that part, it's. You know this, though, you're right, pete, isn't it amazing you could do anything when the notion isn't in your way, believing in the country of me, and you, ah, you know, it's just, it's, it's, this is, it's more. It's more than an anthem. 1:00:17 - Speaker 4 You know, the crazy is so it's so, Getty Lee, though man. 1:00:21 - Speaker 1 Yeah, yeah, for sure, for sure. What's? 1:00:24 - Speaker 4 this, it's, it's spirit of the radio. Okay. That's the song thing you have in so many ways. Yeah, i mean, and I don't think any musician in the band would say like they can you know drum? like Neil Pert? I think the guitar is pretty. It's got some solid Alex life and vibes. like you could fucking compare that guitar wise. but like bass and drums, you can't fucking come close to those, like it's just. but sorry, tim, i didn't mean to interrupt you, but it's just a fucking. 1:00:55 - Speaker 3 That's good. Good, it's such a JD. What JD, what? what were your thoughts on the song? Do you have, do you have memories of hearing the song, or anything, or like? 1:01:03 - Speaker 1 I think it's, I think it's a romantic song, Like. I think it's like the firework of like meeting somebody that is just, you know, absolutely the sparkle of your eye, you know, sort of thing. The context, to give you some context, the goal that he's talking about, the goal that everyone remembers, is when Canada beat the Soviets in 1972. And that was, that was during the Cold War. So it was a big deal, that series, Canada playing hockey against Russia. you know a few games here in Canada and a few games in Moscow. It was a big deal, Like for these Canadian hockey players to go to Russia. Like at that time Russia was so mysterious And there was a very famous goal that won the series by Paul Henderson that everyone remembers. It's one of those moments in Canada, the, if you're of the right age or generation I'm not, I'm born in 74. So it's over my head, But if you were there then it's one of those like you know where you were moments. you know what I mean. 1:02:10 - Speaker 3 It's huge huge moment in sports history. 1:02:13 - Speaker 1 So for him to be just blown away. Like you know, loosening my grip on Bobby Orr, like I just picture, the 16 year old who's in love with Bobby Orr has the hockey cards on the wall, you know, he's just tremendous and all of a sudden he just oh, there's girls out there. Oh, and there's this particular girl who doesn't give a fuck about what, like whoa fireworks, you know. 1:02:40 - Speaker 3 Yeah, great song, Great song. This. yeah, I could have had this song, you know, and had a satisfied meal and went to bed. 1:02:49 - Speaker 1 You and your food All right. Go next to vapor trails. 1:02:58 - Speaker 3 So vapor trails, like I started this one and paused and had to come back to it, i didn't keep going like this, this, this, this was one of the breaks. And now for me, where I was like, okay, i'm not, either not in it enough or not focused enough, let's come back to it and didn't hold your attention. He would not not at the get go, but eventually it did. Oh, eventually it did bring me in. It totally was one of those songs that I wasn't so sure about, but over time was like humming it while walking around the house. You know, there's just to me it has some mysticism to it. There's this mysterious not to say it again but backup singer, whoever is in there. I mean there's some really good backup singing happening, but I just love some of the lyrics. There's nothing uglier than a man hitting a stride. 1:04:00 - Speaker 1 What a great lyric, right Dude And just the way he says it as well. There's nothing uglier than a man hitting a stride, yeah. 1:04:09 - Speaker 3 I can't wait to use that some point in life. You know, watching something happen, yeah, chords, use that line, throw away the rudder, float away, like they portrayals. You know, i get this. It's like, it's this feeling of like giving up. You know, at some point we all, everyone, i think everyone has contemplated, you know, life being different or serious change, or giving up, or you know, we've all had these heavy times in our lives and maybe the song kind of hits on that. There's amazing guitar riffing just towards four minute mark. It felt, you know, just to kind of wrap it up. For me it felt like a produced ending. You know, the fade out was like it wasn't just let's wrap the song up, let's just fade it out, it was like let's produce the fade out. So it was a little, i don't know a little more, a little more orchestrated. But yeah, it's, this song is. This song was a banger. I think it was really good for the spot in the album. I think it was like really fitting. 1:05:27 - Speaker 1 Yeah, because we're well into the second side now. Yeah yeah. Second track, second side, if you're playing by those roles, It has a good place, good place in the album. What do you think of APR Trail's Pete? 1:05:39 - Speaker 4 Well, this is the other thing that I thought was it's not. It's not a Rush reference, but I actually think there's a possibility that Rush's 2001 record Vapor 12, vapor Trails was perhaps, maybe, an homage to Tragically Hip. Wow, i don't know, that's my, that's my in my dream world. I don't know if that's really true, but and I saw them on that tour and they were fucking just amazing. Saw them at the Irvine Meadows man. 1:06:18 - Speaker 1 Such a great show. 1:06:19 - Speaker 4 Never saw. 1:06:20 - Speaker 1 Rush. I was supposed to see Rush on a tour in 93 and guess who was opening for them? Who, tragically Hip Jesus Christ. Wow, on Road Apples. Yeah, dude. 1:06:30 - Speaker 4 I don't know what's a bigger fail That or not partying with them. 1:06:34 - Speaker 1 Oh God, it's the, that's the, that's the fail. 1:06:36 - Speaker 3 They're close. Not partying, I think. 1:06:39 - Speaker 4 Well, we, let's put it this way, we, we, we showed to that concert, i think, and they were they, we were at that time. It's strange, real quick, because I know. but during that time, because 2001 was coming out of the Napster years and years, right And into, like I think it was right where the iPods came out, um, so people started buying music online again, sort of. So bands didn't have money to pay for opening bands during that time, so a lot of bands would tour and be like who's opening? And like there's nobody opening. So we assumed that somebody was opening, for Rush happened to me with pavement one time, but that's another story Um, and we walked, we're, we're racing through the parking lot Because we hear a spirit of the radio, but right into Red Bar Chat after that and just fucking made my, made my life. But to the song. Paper Trails. Um, the fucking vocal melody in the opening verse same. I got the same cadence, Tim. I don't know if you mentioned this as Thompson girl. Um, but the song I loved it. I imagine when they sung this song live, that when Gord sings the line you can throw away the rudder. He probably blows out either part of the low end or part of the mid end frequencies in the fucking speakers at this this, this house, his voice is just at that frequency where, if he really punches it like he could, he could break. He could break some fucking windows, because it's, it's just fucking just the way he delivers that shit. Throw away the rudder, um, uh, what else? Yeah, just that line to me was worth buying the fucking record. Pulled the car over. There's nothing uglier. Yeah. Then a man hitting his stride. Yeah, there's a transition from the bridge back to the chord progression. That's super abrupt And it's so cool because there's no transition. It's just like boom, boom, they go right back into the chord progression and it's fucking cool. I'm not, can't think of any band that I've heard do that. And then the last thing is the line, and it's it's. It's maybe Rob Baker, i don't know who's singing the backup, but Mexicans dressed in beige shirts Crazy line, yeah. 1:09:16 - Speaker 1 Yeah, I've never heard that Mexicans dressed in beige shirts. 1:09:19 - Speaker 4 It's. It's like almost whispered. 1:09:25 - Speaker 3 Wow references you know references, folks who spend their life picking the strawberries and raspberries. 1:09:31 - Speaker 1 We, i believe, Yeah, I would guess so. 1:09:37 - Speaker 3 I believe it does So yeah. 1:09:39 - Speaker 4 Are we going to? 1:09:40 - Speaker 1 rules. You got it, dude. 1:09:48 - Speaker 4 I love the song. It was so fucking cool and so chill. This starts out with those huge cymbal crashes in the beginning. This is the second song in the record that references a pedestrian crossing, talks about a crossing guard not doing their job. 1:10:04 - Speaker 1 So yeah, it's really reference of and the second reference of super farmer. Uh-huh Right. 1:10:11 - Speaker 3 In that same in that same Stan's line. Got some agricultural themes happening. Probably the third agricultural theme. 1:10:21 - Speaker 4 Yeah, I don't know I just the phrasing was beautiful. I'm wondering what a bard is. B-a-r-d. 1:10:28 - Speaker 3 There's a couple of references with that. One is it has to do with a Shakespeare reference. 1:10:35 - Speaker 1 That's what I thought, yeah. 1:10:36 - Speaker 3 Yeah, and then the other one is I'm not going to butcher it, the other one has to do with fighting. I have to look it up. 1:10:46 - Speaker 1 Let's just go with Shakespeare. 1:10:48 - Speaker 3 Yeah, it's some Shakespeare reference. 1:10:52 - Speaker 4 And then to the line about the vacuum's got a guarantee. I just that line hooked me in so much because it was so random that I was like really in just pay super close attention to what he said. And the next line that he delivers, which is it could suck a virus, an ancient virus from the sea, is like what the like again put on the hat, put on your jacket, close the briefcase. Fucking. Done your job today. 1:11:23 - Speaker 1 Leave the office, gordon, that's right Punch out or whatever. 1:11:27 - Speaker 4 The whole, that whole stand is fucking amazing. There's a table slide And then oh, by the way, this song, and fuck, there was one other song. God damn this song. and one other song at the record. on the record It's earlier. I want to say it may be something on or say the planet. at the very end of it You hear the word somebody in the studio is cool. Yeah, so it doesn't feel so and there was one other two, one other song on the record that they did, so I was like they did that twice. 1:12:05 - Speaker 1 That's cool. I'm going to need access to your premium sound system. 1:12:10 - Speaker 4 Well, I mean GD, that's. We know this is not stuff we just hand on. It's kind of like you know top secret Clarence, There's a lot involved, A lot of screaming All right, all right, all right. 1:12:22 - Speaker 3 He passed. He's done it. Yes, true, yes, we're adjourning my current, for he's had it. Yeah, i heard the song and I thought Pete loves this song so much And when we come talk about it on the pod it's going to be all Pete. 1:12:43 - Speaker 1 You know how much to say. 1:12:44 - Speaker 3 I thought it was kind of a yonder. I got you know some, some from it, But you know I was like this. The song isn't for me. I thought it was kind of a yonder. I was going to leave it to Pete. 1:12:58 - Speaker 1 We're going to come back in a year because it's going to be a grower for you. I guarantee this song will be a grower for you. 1:13:04 - Speaker 3 If it's not, you guys both have to buy me beers. I can live with that, Yeah, yeah. 1:13:11 - Speaker 1 Okay. Well then let's slide into Sugar and Falls Ohio. 1:13:15 - Speaker 4 Take it Timbo. 1:13:17 - Speaker 3 Yeah, so Sugar and Falls. So this song I thought was basically a huge fuck off to corporate man, to the man. I thought this is like. This song is driving some culture into the fan base. It's probably, you know, was played a lot on the radio. I thought this one you know I could be wrong, but this song to me felt like on the verge of angry a little bit more than usual. I'd maybe really wonder about it live, if this got more raucous, if it got a little bit more I don't know violent feeling. And I think it's because it thematically, which is where I'm going to go, not so much with music on this one, but thematically it Sugar and Falls, in my research. That's the headquarters of Clear Channel, which at the time Clear Channel Corporation was slowly taking over media, especially North America. Yeah, so that's a lot of the references to Grand Falls. You know where the unknown won't even go. Because at this point I mean that line to me says if you're an artist and you're trying to make it like, avoid your Grand Falls, avoid Clear Channel, you know, be careful with what radio you're sending your tapes to your CDs to like this. This is that song that is kind of the band's shout to the world of, you know, corporate media is taking over the airwaves, you know, be aware So that that to me the song has like a mission. It felt like the first time I listened to it. When I got to you know, three quarters, two thirds of the way through, i thought is this song like over five minutes? you know it felt long, but it didn't feel long in a bad way, like it felt like a good, just a really well written song. Like I was kind of digging through Grand Falls, it felt like a five minute song, but it's not a five minute song. I didn't look up live versions of it but I definitely want to find something. 1:15:47 - Speaker 1 Yeah, get the answers to your questions. I can't, unfortunately, answer because I saw them on that tour and I don't remember if they played it, but I can't. 1:15:57 - Speaker 3 It was somewhat rare. I feel like it was probably going to be a rare rarely. 1:16:01 - Speaker 1 Yeah, it would be one that would be, you know, gosh. Well, let me just quickly look up how many times they played it. 1:16:09 - Speaker 3 I mean for people that don't know, Clear Channel took over corporate. I mean took over FM radio. Over time, like so many stations became Clear Channel stations and became programmed. And I remember hearing the transition because, as a big radio listener, being bored in 71, you know, i listened to radio for like 20 years, 15 at least, 20 years and they just completely took over And I remember hearing DJs demeanor changing from independent radio station to now being put into this box And I feel like that's what the band is trying to talk about in this song And I think it's their fuck you to this corporate system of being in a band and trying to make it and just to inspire people to be independently minded. 1:17:08 - Speaker 4 Yeah, it's funny you mentioned Clear Channel only because I want to talk about the song, because I feel a little bit different about the song in some ways than you do, tim, and it's funny, like Tim, i didn't do fucking a pubic here. The research you did for this fucking song. I had to look up where Chagrin Falls was but, and I dug it. But yeah, that's when there used to be a great station in classic rock station in LA called Arrow 93. And they went over to that Jack. You know that Jack format Jack FM, which is just, it's just a guy who like record something and it's like a cheesy line and he

On this episode of The Steve Dangle Podcast, Happy Pride 2023! - We're running a 5K and have new merch! (00:00), Brad Treliving is introduced as new GM of the Toronto Maple Leafs (14:00), Kyle Dubas îs introduced as new President of the Pittsburgh Penguins (44:00), the Stanley Cup starts Saturday! (1:05:00), the Stanley Cup patch placement is awful (1:16:00), and #SDPNTEN memories! (1:26:00). Donate to our virtual 5K team -> https://raceroster.com/events/2023/72668/get-real-virtual-5k-to-support-rainbow-railroad/pledge/team?id=3 Visit https://sdpn.ca/pride for more! Recorded: June 2, 2023 Any opinion expressed is not advice, a promise or suggestion that increases the chance of winning. Gambling can be addictive, please play responsibly. To learn more, visit: https://help.sportsinteraction.com/hc/en-us/articles/216779528-Responsible-Gaming-Self-Limitation-Self-Exclusion Or if you have concerns about a gambling problem, call ConnexOntario 1-866-531-2600. Ontario Only. Must be 19+ or older to play. Visit this episode's sponsors: https://sportsinteraction.com/sdpn Follow us on Twitter:@Steve_Dangle, @AdamWylde, & @JesseBlake Follow us on Instagram:@SteveDangle, @AdamWylde, & @Jesse.Blake Reach out to https://www.sdpn.ca/sales to connect with our sales team and discuss the opportunity to integrate your brand within our content! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Brighter Side LOVES animals, and today they are focusing on the really really cold ones. Polar Bears, Elephants Seals, Emperor Penguins, & Krill. Amber and Ed gush over these chilly beauts that we can love as long there is ice left on Earth. So grab an ice cold Coca-Cola, and march with some flightless birds while we love on some cold animals.

Mike and Christina talk about ten things you might not know about the Maharajah Jungle Trek. Don't forget our Merch Store! All the profits go to help the endangered Emperor Penguins. Follow this link to get yours: Radio Harambe Shop

Mike did the big auction and we get to hear all about it. Will Mike survive Carla's nutritionist from hell?  Then, it's brother VS brother in a kitchen remodeling battle!