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Fibber McGee and Molly. October 11, 1937. Red net. Sponsored by: Johnson's Wax. Chicago origination. A fun visit to the Wistful Vista auto show. Possibly Harold Peary's first appearance on the program. Jim Jordan, Marian Jordan, Harlow Wilcox (announcer), Ted Weems and His Orchestra, Elmo Tanner (whistler), Perry Como (vocal), Bill Thompson, Harold Peary, Hugh Studebaker. The Columbia Workshop. May 04, 1941. CBS net. "Radio Primer". Sustaining. A funny look at the radio industry from A to Z. The first program of "Twenty-Six By Corwin.". Norman Corwin (writer), Everett Sloane, Frank Gallop.Mr. and Mrs. Blandings. May 13, 1951. NBC net. Sponsored by: Trans World Airlines. Mr. Blandings tries so hard not to forget his anniversary, that he remembers it a week too soon. Part of one of the commercials has been deleted. Cary Grant, Betsy Drake (performer, writer as "M. Winkle"), Warren Lewis (director), Don Stanley (announcer), Alan Reed, Eric Hodgins (creator).Barrie Craig, Confidential Investigator. October 17, 1951. NBC net. "The Judge and The Champ". Sustaining. Al White, a crusading columnist, is murdered after threatening to expose a fixed fight and political corruption. William Gargan, Santos Ortega, Don Pardo (announcer), Frank Kane (writer), Edward King (director). The Black Museum. 1952. Program #6. Syndicated, WRVR-FM, New York aircheck. "The Blue .22". Sponsored by: Participating sponsors. Vivian is a woman scorned, and she has a little blue pistol. The date is approximate. Syndicated rebroadcast date: October 23, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 2000 Plus. October 10, 1951. Mutual net. "The Rocket and The Skull". Sustaining. The most important man in the country's race to the Moon is wounded in a plane crash...and starts to hear strange messages to Mars! This program has also been dated September 6, 1950. Arnold Robertson, Emerson Buckley and His Orchestra, William Griffis, Sherman H. Dreyer (creator, producer), Robert Weenolsen (producer), Gregory Morton, Nat Polen, Merril E. Joels, Elliot Jacoby (composer), Walt Shaver (sound), Adrian Penner (sound), Bob Albright (engineer), Ken Marvin (announcer). TOTAL TIME: 2:52:41.832SOURCES: Wikipedia and The RadioGoldindex.com
99 Women (1969) AIP Production #6930Jeff and Cheryl try to elude captivity so as not to end up imprisoned with 99 Women. Directed by Jess Franco Screenplay by Harry Alan Towers as “Peter Welbeck” Produced by Harry Alan Towers Starring: Maria Schell as Inspector Leonie Caroll Herbert Lom as Governor Santos Mercedes McCambridge as Superintendent Thelma Diaz Luciana Paluzzi as Natalie Mendoza, #98 Maria Rohn as Marie, #99 Rosalba Neri as Zoie, #76 Elisa Montes as Helga, #97 Valentina Godoy as Rosalie, #81 José Maria Blanco as Doctor (uncredited) Claudia Gravy as Grace (uncredited) Juan Antonio Riquelme as Juan Diego (uncredited) Produced for Towers of London Productions in association with and released by Commonwealth United Productions, Inc. and later released by American International Pictures Stream 99 Women on Fawesome. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast View the 99 Women trailer here. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955)
The Black Museum | (08) The Canvas Bag || (09) The Car Tire | 1952The series was produced by Harry Alan Towers, and broadcast in the USA on the Mutual network in 1952.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
This Friday, tune into Vintage Classic Radio for an enthralling "Friday Night Noir" double feature. Our evening of mystery and suspense kicks off with the gripping "Suspense" radio show episode titled "Banquo's Chair," originally aired on June 1st, 1943. In this chilling tale, a retired detective employs an unusual tactic to catch a murderer. He organizes a dinner party, inviting the suspect, and uses a gimmick inspired by Shakespeare's "Macbeth" — the ghostly presence of Banquo's chair. The tension mounts as guests and suspect alike are drawn into a clever psychological trap, leading to an unexpected and eerie conclusion. The cast features celebrated actors of the era, including John Loder, who brings the ingenious detective to life, with support from Ian Wolfe, Hans Conried, and Lurene Tuttle among others. Their performances under the masterful direction of William Spier ensure a truly suspenseful experience. Following "Suspense," we delve into the darker corners of crime with "The Black Museum" radio series, featuring the episode "A Letter." Hosted and narrated by the legendary Orson Welles, this episode, like all in the series, draws from the true-life cases of Scotland Yard. In "A Letter," listeners are guided through a haunting tale spun around an innocuous piece of evidence — a letter that becomes key to unraveling a chilling murder. Welles, with his distinctive voice, sets the scene from the grim confines of The Black Museum, introducing the episode against the atmospheric chimes of Big Ben, drawing listeners into a narrative woven with suspense and the macabre. The show was produced by Harry Alan Towers, with scripts by Ira Marion and music by Sidney Torch, creating an immersive experience that epitomizes classic radio noir. Each episode of "The Black Museum" begins uniquely, yet follows a captivating format as Welles introduces the episode's central evidence item, leading into a dramatic retelling of the case it's associated with. Throughout "A Letter," Welles provides narration, adding depth and context to the story, ultimately closing the episode with his signature sign-off, remaining "obediently yours," a nod to his days with the Mercury Theater of the Air. Don't miss this double feature of mystery and suspense, a perfect homage to the golden age of radio noir. Join us this Friday on Vintage Classic Radio for "Friday Night Noir," and immerse yourself in the intrigue and drama of "Banquo's Chair" and "A Letter."
House of 1000 Dolls (1967) AIP Production #6712 Jeff and Cheryl search every brothel in Tangier for the House of 1000 Dolls. Directed by Jeremy Summers Written by Harry Alan Towers (as "Peter Welbeck") Produced by Louis M. ‘Deke' Heyward and Harry Alan Towers Starring: Vincent Price as Felix Manderville Martha Hyer as Rebecca George Nader as Stephen Armstrong Ann Smyrner as Marie Armstrong Wolfgang Kieling as Inspector Emil Sancho Gracia as Fernando Maria Rohm as Diane Luis Rivera as Paul José Jaspe as Ahmed Juan Olaguivel as Salim Herbert Fux as Abdu Yelena Samarina as Madame Viera Diane Bond as Carmen from Rio Andrea Lascelles as Doll and Ursula Janis as another Doll Produced by Constantin Film and American International Pictures. Stream House of 1000 Dolls on YouTube. Follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast. View the House of 1000 Dolls trailer here. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955)
we continue on in our exploration of filmmaker Jess Franco, and the period of his career where he worked with problematic producer Harry Alan Towers, beginning with their foray into the even more problematic world of Fu Manchu, alongside their first De Sade adaptations + Venus in Furs
In Breaking Walls episode 141, we finish a three part series on the radio career of Orson Welles by picking up as he left The United States for Europe in the late 1940s. For full appreciation, tune into episodes 79 and 104 before hearing this. —————————— Highlights: • Macbeth, HUAC and Leaving the U.S • Harry Alan Towers, and Harry Lime • Othello and The Black Museum • Song of Myself and Theatre Royal • Moriarity • The BBC Sketchbook and Moby Dick • Mr Lincoln and Mr Arkadin • Returning to the U.S. • Tomorrow and Yesterday • Looking Ahead to Barrie Craig —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material for today's episode was: • A Book by Desi Arnaz • Citizen Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • On the Air — By John Dunning • Discovering Orson Welles by Jonathan Rosenbaum • Orson Welles on the Air, at OrsonWelles.Indiana.edu • Wellesnet.com. As well as articles from: • Broadcasting Magazine • Life Magazine —————————— On the interview front: • Orson Welles was with BBC's Monitor, Peter Bogdonavich, Dick Cavett, Michael Parkinson, and Dinah Shore. • Harry Alan Towers spoke with Sheridan Morley and the BBC. • Joseph Cotton was with Chuck Schaden. Hear the full chat at SpeakingofRadio.com. • Jeanette Nolan was with SPERDVAC, the Society to Preserve and Encourage Radio Drama, Variety, and Comedy. For more information, please go to SPERDVAC.com • Lurene Tuttle spoke with Same Time, Same Station in 1972. —————————— Selected music featured in today's episode was: • Wilderness Trail — By Walter Scharf for National Geographic • Irish & Celtic Waltz — By The Irish & Celtic Folk Wanderers • The Colorado Trail, Op. 28 Fantaisie for Harp — By Elizabeth Hainen • Seance on a Wet Afternoon — By John Barry —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers
It seems fitting that the way in which Orson Welles described Alexander Woollcott is the same way many who knew Welles would have described him. That's going to bring our look at Orson Welles' radio career to a close. We've now covered Mr. Welles in long form three times — in episodes 79, 104, and now 141. We also covered his time as The Shadow in depth in episode 131. Is this the last time we focus on Orson Welles? That remains to be seen, but next month on Breaking Walls we'll move to NBC where we'll focus on one of the more underrated detective shows of the mid-1950s. That show? Barrie Craig, Confidential Investigator. The reading material used in today's episode was: • A Book by Desi Arnaz • Citizen Welles by Frank Brady • This is Orson Welles by Welles and Peter Bogdanovich • On the Air — By John Dunning • Discovering Orson Welles by Jonathan Rosenbaum • Orson Welles on the Air, at OrsonWelles.Indiana.edu • Wellesnet.com. As well as articles from: • Broadcasting Magazine •Life Magazine On the interview front: •Orson Welles was with BBC's Monitor, Peter Bogdonavich, Dick Cavett, Michael Parkinson, and Dinah Shore. • Harry Alan Towers spoke with Sheridan Morley and the BBC. • Joseph Cotton was with Chuck Schaden. Hear the full chat at SpeakingofRadio.com. • Jeanette Nolan was with SPERDVAC, the Society to Preserve and Encourage Radio Drama, Variety, and Comedy. For more information, please go to SPERDVAC.com •Lurene Tuttle spoke with Same Time, Same Station in 1972. Selected music featured in today's episode was: • Wilderness Trail — By Walter Scharf for National Geographic • Irish & Celtic Waltz — By The Irish & Celtic Folk Wanderers • The Colorado Trail, Op. 28 Fantaisie for Harp — By Elizabeth Hainen • Seance on a Wet Afternoon — By John Barry Breaking Walls Episode 142 will spotlight William Gargan and Barrie Craig, Confidential Investigator. This episode will be available beginning August 1st, 2023 everywhere you get your podcasts, and at TheWallBreakers.com. In the meantime, give Breaking Walls a quick rating on whatever platform you listen, especially itunes. You can also join The Breaking Walls Facebook group at Facebook.com/Groups/TheWallBreakers. And support this show for as little as a buck a month at Patreon.com/TheWallBreakers.
we continue down Jess' earliest path, ending this segment on his last two spy films before he would go on to meet infamous producer Harry Alan Towers
In 1953 Orson Welles met Italian actress Paola Mori. She was twenty-four, beautiful, and had lived for eight months in a concentration camp during World War II. Her father, a colonel in the Italian army under King Victor Emmanuel III, was a member of the anti-Mussolini resistance. They were soon dating. In early 1954, Welles played a small part as Benjamin Franklin in the French/Italian historical drama Royal Affairs in Versailles. Later in the year he was cast by director Herbert Wilcox as the main antagonist in Trouble In the Glen, opposite Margaret Lockwood, Forrest Tucker and Victor McLaglen. It portended things to come, as Harry Alan Towers was still producing a series of Sherlock Holmes radio adventures, starring John Gielgud as Holmes and Ralph Richardson as Watson. On December 21st, 1954, Orson Welles appeared as Holmes villain Professor Moriarity in the last production of the series. The tale was called “The Final Problem.”
In September of 1952, Orson Welles worked with the BBC for a portrait of early American director Robert Flaherty. Flaherty, who directed the first docu-drama film, Nanook of the North in 1922, had passed away the previous July. As Welles just mentioned, when he got to Hollywood in the late 1930s, he was fascinated by the early film people, and they were more than happy to share their stories with the then-Boy Wonder. In April of 1953 the BBC hired Welles to read one hour of poetry from Walt Whitman's “Song of Myself.” The next month the Italian comedy Man, Beast and Virtue debuted, in which Welles co-starred. From September 7th into October, Welles was involved with Ballet de Paris at the Stoll Theatre in London for a production of The Lady in the Ice. In October the production moved to Paris. Welles directed, wrote the libretto and was the ballet's costume and set designer. He later told Peter Bogdonovich, “It was very successful in London, and only moderately so in Paris, where it was very badly lit — as everything always is in Paris. The plot is: a girl's been found, like dinosaurs have been found, in a block of ice. And she's on display in a sort of carnival. A young man falls in love with her, and his love melts the ice. And when she kisses him, he turns to ice. A little parable for our times.” It would be the only ballet Orson Welles' ever directed. In late September of 1953 Broadcasting Magazine reported that Harry Alan Towers had sold shows to both ABC and NBC for the fall. ABC would welcome Horatio Hornblower back for a second season, starring Michael Redgrave. Meanwhile on NBC, a new half-hour anthology program starring Sir Lawrence Olivier called Theatre Royal would take to the air. The program debuted on October 4th, 1953 with Orson Welles starring in an adaptation of Alexander Pushkin's “The Queen of Spades.” Pushkin wrote “The Queen of Spades” in the fall of 1833. It's a short story about how human greed can lead to madness. Theatre Royal was developed to capitalize on Lawrence Olivier's name. At the time the program launched, Olivier and then-wife Vivian Leigh were getting set to appear in Terence Rattigan's comedy, The Sleeping Prince in the West End. The play would run for eight months. It made Olivier temporarily unable to star in his own program. Many fine actors of the British stage and screen were involved in individual episodes of Theatre Royal, like Robert Morley, Harry Andrews, Muriel Forbes, and Daphne Maddox. The music was credited to Sidney Torch. Once Sir Lawrence Olivier could no longer appear, Sir Ralph Richardson took over as host of Theatre Royal. Selected episodes were repeated, with a different series opening and closing on ABC Mystery Time in the late 1950s. The show remained in active syndication in the U.S. into the 1970s. Welles briefly returned to America to make his first appearance on TV, starring in the Omnibus presentation of King Lear, broadcast live on CBS on October 18th, 1953. It was directed by Peter Brook, and co-starred Natasha Parry, Beatrice Straight and Arnold Moss.
One of the first projects Orson Welles undertook after moving to Europe was a film version of Othello. Despite Macbeth's criticism, he was still confident he could produce a successful Shakespearean film. However, filming was erratic. Its original Italian producer announced on one of the first days of shooting that he was bankrupt. Instead of abandoning filming altogether, Welles as director began pouring his own money into the project. He took acting jobs to ensure continued production. He also raised money by going on the stage. In the summer of 1950 Welles appeared in Paris in his own play called The Blessed and The Damned, which consisted of a short film, called The Miracle of St. Anne, and two one-act plays. It received positive reviews. In August he traveled to Frankfurt, Hamburg, and Munich, where he starred in An Evening With Orson Welles. Filming of Othello stopped for months at a time to raise money. It took more than two years to complete and was shot in Morocco, Venice, Tuscany and Rome. Before the film's release, Welles played the Shakespearean drama on stage to audiences in Newcastle and London. A dubbed version of Othello premiered in Rome In November of 1951. Welles' original English-language version premiered at the Cannes Film Festival in May of 1952. It won the Grand Prix and was released in Europe thereafter. When David O'Selznick got word that Harry Alan Towers had distributed The Adventures of Harry Lime to MGM, he refused to air it, so Towers took the series elsewhere. He quickly found out that MGM was now contractually obligated to provide a series with Welles to the Mutual Broadcasting System. So, in 1951 Towers went to Welles with another radio series. He'd already produced a series called The Secrets of Scotland Yard with Clive Brook. The new series would be called The Black Museum. It was based on real-life cases from the files of Scotland Yard. Walking through the museum, Welles would pause at one of the exhibits, describing an artifact that led into a dramatized tale of a brutal murder or a vicious crime. Towers visited Australia in the late 1940s and set up production facilities in Sydney. The Black Museum was produced there by Creswick Jenkinson. Ira Marion was scriptwriter and music for the series was composed and conducted by Sidney Torch. Orson Welles's introductions were recorded on tape in London, then flown to Australia to be added to the locally recorded performances. This was the first series to be produced in Australia in this way. The program was transcribed in 1951. In the U.S. Mutual Broadcasting carried the series, with more than five-hundred stations airing it. In New York it began airing Tuesdays at 8PM on New Year's Day, 1952. Episode twenty-seven was called “The Notes” or “Kilroy Was Here.” “Kilroy Was Here” is a graffiti scrawl or meme of debated origin that became popular during World War II. It was associated with GIs stationed in Europe, depicting a bald-headed man with prominent nose clutching at and peeking over a wall. Next to him was the phrase. Robert Rietti played leads and Keith Pyott was often in the cast. Beginning In May of 1953, The Black Museum was also broadcast over Radio Luxembourg, a commercial radio station, and was not broadcast by the BBC until 1991. The Black Museum aired for the calendar year of 1952 over Mutual. It was rebroadcast on KABC, Los Angeles, in 1963 and 1964, and on KUAC—FM in Fairbanks, Alaska, in 1967. In 2002, Harry Alan Towers produced The Black Museum for TV, hiring Gregory Mackenzie to be director and showrunner. The anthology series used Welles' original narration. The adaptation was shot on location in London in a film noir style and the pilot starred Michael York as Scotland Yard Inspector Russell.
In 1948 author Graham Greene was in Vienna getting a tour of the city, its back alleys, less-reputable nightclubs, and even its sewers. He was also introduced by actress Elizabeth Montagu to Peter Smolka, the central European correspondent for The Times. Greene was working on a novella that would become a screenplay called The Third Man. Greene sold the film rights to producers Alexander Korda and David O'Selznick. In the story a man named Holly Martins comes to Vienna to accept a job with his friend Harry Lime, only to learn that Lime has died. Martins is a writer. He's told Lime was killed by a car while crossing the street. At Lime's funeral, Martins meets two British Royal Military Police: Sergeant Paine, a fan of Martins' books, and Major Calloway. Martins thinks the death is suspicious, so he stays in Vienna to investigate the matter. Orson Welles was cast as Lime with longtime Mercury Theater friend Joseph Cotton cast as Martins. Principal photography began in Vienna in early November of 1948 and lasted for six weeks. The rest was done around London and completed by March of 1949. Then-unknown composer Anton Karas was hired to create the musical score, performing it on a zither. The film was released in the UK in September of 1949, quickly becoming that year's most popular. When released in the U.S. audiences loved it. Time wrote that the film was "crammed with cinematic plums that would do Hitchcock proud—ingenious twists and turns of plot, subtle detail, full-bodied bit characters, atmospheric backgrounds that become an intrinsic part of the story, a deft commingling of the sinister with the ludicrous, the casual with the bizarre.” At the 1951 Academy Awards, the film took home the award for Best Black and White Cinematography, while at the British equivalent, it won for Best British Film. In the meantime Welles and Tyrone Power made The Black Rose in 1950, directed by Henry Hathaway. Welles played Mongolian warrior Bayan of the Hundred Eyes. Hathaway, who liked Welles, later said the casting was poor, with Welles purposely outwitting people during shooting. While in England making The Third Man, Orson Welles became acquainted with Harry Alan Towers. Towers was a thirty-year-old radio producer whose company, Towers of London, was heavily into syndicated productions in British, American, Australian, and Canadian markets. His anthology series Secrets of Scotland Yard had proven that there was a lucrative market for high-end entertainment and, in Welles, he saw a personality and a talent that could quickly make his production company a leading one. Towers and Greene had the same literary agent. Finding out that Greene hadn't sold Harry Lime's character rights when he sold the screenplay, Towers quickly bought the rights to the character with plans to put a syndicated radio series into production. Welles signed with Towers to produce The Adventures of Harry Lime. They were prequel stories showcasing some of the more good-hearted things Harry Lime was supposed to have done. Only sixteen of the episodes were acquired and broadcast by the BBC. It was the first time that the BBC broadcast episodes of a dramatic series that it did not produce. The full fifty-five episodes were syndicated to radio stations in the U.S. Welles is credited as the author of ten scripts, including the first episode, “Too Many Crooks” which aired on August 3rd, 1951. The fifth episode was called, “Voodoo,” something Orson Welles had a lot of experience with, dating back to his time in South America during World War II.
The OTRNow Radio Program Father's Day 01The Jell-O Program Starring Jack Benny. June 18, 1939. Red net. Jell-O. The cast does down to the railroad station to leave for Waukegan. Carmichael the bear is going along too! The last program on which Kenny Baker appears. Andy Devine, Don Wilson, Jack Benny, Kenny Baker, Mary Livingstone, Phil Harris and His Orchestra, Eddie Anderson, Harry Baldwin, Ed Beloin (writer, performer), Bill Morrow (writer), Cliff Nazarro, Frank Nelson, Blanche Stewart.The Quiz Kids. June 20, 1948. NBC net. Alka-Seltzer, One-A-Day. The first question is, "Why would Pennsylvania and protactinium remind you of the third Sunday in June?" The Quiz Kids vs. The Quiz Kids' fathers. Joe Kelly (host), Bob Murphy (announcer), Joel Kupperman, Joe Kelly Jr. (temporary host), Patrick Owen Conlon, Naomi Cooks, Mark Mullin, Joel Kupperman Sr., Joe Mullin, Patrick Conlon, Julius Cook.Hollywood Star Playhouse. April 23, 1951. CBS net. "Father's Day". Bromo Seltzer. The start of the program's second year on the air. Jeff Alexander and His Orchestra (composer, conductor), Maurice Zim (writer), Jack Johnstone (director), Norman Brokenshire (commercial spokesman), Johnny Schneller (engineer), Gus Bayes (sound effects), Ross Murray (sound effects), Carleton Young, Theodore Von Eltz, Jeanette Nolan, Robert Griffin, Bea Benaderet, Anne Whitfield, David Brian (recorded preview of next week's program), Barbara Stanwyck, Herbert Rawlinson (host)This Is Your FBI. June 08, 1951. ABC net. "The Return of Father Crime".The Black Museum. 1952. Syndicated, WRVR-FM, New York aircheck. "The Chain". Participating sponsors. A woman has been hearing ghosts, dragging a chain. The date is approximate. Syndicated rebroadcast date: October 30, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). Baby Snooks Clip 1944-06-14 Worlds Most Patient Father
The legendary Harry Alan Towers: independent film producer, part-time pimp and full-time opportunist. Britain's answer to Roger Corman, Towers started off the 60s believing that your brain is the most powerful sexual organ. By the end of the Sixties, he accepted – like everybody else in the biz did – that, nope, your junk is. Turned on by the literary bone fides he'd get by adapting great books into great movies, Towers instead turned his attention instead to noted hate-crime enthusiast Sax Rohmer. His pet project focused on the most evil man who never lived: Dr. Fu Manchu.In this episode, Bart and Jenna sidestep Bootleg Bond by focusing on Fu Manchu films, a revival franchise that never would have existed if not for ‘60s Bond Mania. Jenna moans and bitches about how much she can't stand these admittedly dated and racist films even if she kinda secretly enjoys the pop-mod styled misandrist villains. And to his utter delight, Bart finally gets his vengeance for all of the Eurospy trash Jenna forced him to watch. You have not heard the last of…!The following films are discussed:• The Face of Fu Manchu (1965) Directed by Don Sharp Starring Christopher Lee, Nigel Green, Tsai Chin• The Brides of Fu Manchu (1966) Directed by Don Sharp Starring Christopher Lee, Douglas Wilmer, Tsai Chin• The Million Eyes of Sumuru (1967) Directed by Lindsay Shonteff Starring Shirley Eaton, Frankie Avalon, George Nader• The Vengeance of Fu Manchu (1967) Directed by Jeremy Summers Starring Christopher Lee, Douglas Wilmer, Tsai Chin• The Blood of Fu Manchu (1968) Directed by Jesús Franco Starring Christopher Lee, Richard Greene, Tsai Chin• The Girl from Rio (1969) Directed by Jesús Franco Starring Shirley Eaton, Richard Stapley, George Sanders• The Castle of Fu Manchu (1969) Directed by Jesús Franco Starring Christopher Lee, Richard Greene, Tsai Chin
The Adventures of Harry Lime | 04 episode, Ticket to Tangier | This episode aired, Friday, August 24, 1951.In 1950, British radio producer Harry Alan Towers persuaded Orson Welles to revive his most popular role in a radio series called “The Lives of Harry Lime.” Each week Lime would recall a different adventure from his colorful past. The episode “A Ticket to Tangiers,” broadcast on August 24, 1951, was one of several episodes written by Welles.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
The episode is entitled "Voodoo" from August 31, 1951. This was one of the most successful radio series created by British radio producer, Harry Alan Towers. It was produced during 1951-52 in the United Kingdom and syndicated world wide. The series is a prequel to the 1949 film, "The Third Man". It depicts the many misadventures of con-artist Harry Lime in a more light-hearted manner than that of the film.
The Adventures of Harry Lime with See Naples and Live. This is the second episode in the series. This episode aired August 10, 1951. Story: Harry Lime plans to heist a beautiful emerald locket from a Neapolitan socialite. Featuring: Anton Karas (zither); Tig Roe (director), Harry Alan Towers (producer) and Orson Welles. The Adventures of Harry Lime, was produced in the United Kingdom from 1951 to 1952. The radio series is a prequel to the film with a lighter tone. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES. Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)
Enjoy two free true-crime episodes of The Black Museum w/ Orson Welles A) 5/10/53 The Brass Button B) 3/18/52 The Pink Powder Puff Produced in the UK and starring Orson Welles, The Black Museum specialized in recreating colorful true murder cases taken from the annals of Scotland Yard. At the real Black Museum, located at the Metropolitan Police headquarters in London, artifacts from famous criminal trials are displayed. These curious and sometimes gory relics – a yellowed tooth, a battered trunk, a blood-stained knife – gave Welles the opportunity to dramatize the murder cases in which they played vital roles. The series, which emphasized crime-solving techniques, offered American listeners the chance to observe how British “Coppers” tracked down culprits. Released through MGM Radio Attractions and broadcast over Mutual, the series eventually gained a sponsor, General Mills. NBC was initially approached by the producer, Harry Alan Towers, but decided to create its own in-house version, Whitehall 1212 – the phone number of Scotland Yard. Wyllis Cooper, the writer and director of the NBC series, beat Mutual to the punch and Whitehall 1212 went on air two months before The Black Museum. For a period of six months, radio listeners could hear two semi-documentary murder stories from the case files of Scotland Yard, on two separate networks. Gripping and well-paced, The Black Museum outranked its competitor, with its horror value upped by Welles' portentous narration, which bridged the plot sequences. Recording the program in the UK, with British actors playing all the roles also gave authenticity to the dramatizations of crimes that took place abroad. Producer Harry Alan Towers maintained a high level of consistency and quality throughout the series, and the venture was profitable enough for him to convince Welles to star in another radio vehicle, The Lives of Harry Lime.
Enjoy two free drama episodes of The Lives of Harry Lime A) 11/23/51 Horse Play w/ Orson Welles B) 2/1/52 The Dark Enchantress w/ Orson Welles The Lives of Harry Lime was produced in the United Kingdom during the 1951 and 1952 seasons. Orson Welles reprised his role of Harry Lime from the celebrated 1949 film The Third Man which was based on the Graham Greene novel. The radio series was a prequel to the film, and depicted the many capers of con-artist Harry Lime. Lime engaged in any form of double-dealings that brought him cash but used only his wits to make his way and never a gun. British radio producer Harry Alan Towers and his company, Towers of London, secured rights to the character of Harry Lime and approached Orson Welles about reprising his role in a radio series that preceded the story told in The Third Man film. Welles was living in Paris at the time and agreed, making special trips to London to tape the episodes. Each episode would begin with an echoing gunshot. Then Welles would speak: “That was the shot that killed Harry Lime. He died in a sewer beneath Vienna, as those of you know who saw the movie The Third Man. Yes, that was the end of Harry Lime … but it was not the beginning. Harry Lime had many lives … and I can recount all of them. How do I know? Very simple. Because my name is Harry Lime.” 52 episodes of The Lives of Harry Lime were broadcast in the United States with only 16 episodes broadcast in the UK. When Welles discovered that Harry Alan Towers was paying a whopping $1,000 per script, he offered to write several scripts himself. The scripts were delivered to Towers and Welles was paid $6,000. Then one day, a man named Ernest Borneman walked into Towers' office, demanding to be paid for the scripts which he had ghostwritten for Welles. When Welles was asked about it later, he smiled and said: “Don't pay him. They weren't very good scripts.” Eventually, Borneman was paid in full by Welles for the scripts.
The Black Museum was a 1951 radio crime drama program produced by Harry Alan Towers for the BBC and based on real-life cases from the files of Scotland Yard's Black Museum. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. The show's opening began: This is Orson Welles, speaking from London. Sound of Big Ben chimes The Black Museum... a repository of death. Here in the grim stone structure on the Thames which houses Scotland Yard is a warehouse of homicide, where everyday objects... a woman's shoe, a tiny white box, a quilted robe... all are touched by murder. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
The Black Museum was a 1951 radio crime drama program produced by Harry Alan Towers for the BBC and based on real-life cases from the files of Scotland Yard's Black Museum. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. The show's opening began: This is Orson Welles, speaking from London. Sound of Big Ben chimes The Black Museum... a repository of death. Here in the grim stone structure on the Thames which houses Scotland Yard is a warehouse of homicide, where everyday objects... a woman's shoe, a tiny white box, a quilted robe... all are touched by murder. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
British anthology series, features plays based on the best of literature, films and English theater. Produced in two series, Sir Lawrence Olivier and Sir Ralph Richardson serve as hosts, narrators and many times portray the leading roles. The program apparently was developed as a vehicle to capitalize on Olivier's name and talent. His career spanned over 50 years and continues into the 21st century, as in 2004, 15 years after his death, he was starring as Dr. Totenkopf in a Hollywood fantasy film titled, Sky Captain and The World of Tomorrow. This was accomplished by the producers who selected footage of Lord Olivier from various films and used to create a villainous leader of killer robots in the film. Jude Law, who stars in the film, said film-makers used Olivier because few other actors possessed his authority. Sir Ralph Richardson from 1954 – 1955 played the character of Dr. John Watson in another Harry Alan Towers radio series of Sherlock Holmes stories, which starred Sir John Gielgud as the famous consulting detective. Many fine actors of the British stage and screen were involved in individual episodes of the Theatre Royal series, such as Sir John Gielgud, Robert Morley, Harry Andrews, Muriel Forbes, Robert Donat, and Daphne Maddox. The music was credited to the renown British organist and arranger, Sidney Torch. However much of the same music was also used in other Harry Alan Towers productions on which Torch also worked, such as The Secrets of Scotland Yard, The Black Museum, and The Many Lives of Harry Lime. So how much of it was actually written for this series will probably never be known. Harry Alan Towers produced and directed the show for his Towers of London company for international syndication, at the time in Europe, South Africa and Australia. The episodes included in this distribution are from the initial US run on NBC. However selected episodes were repeated, with a different series opening and close on the ABC Mystery Time series during the late 1950s. The show Theatre Royal remained in active syndication in the United States well up into the 1970s. Many of the copies in circulation today, come from those 1970s repeats where the individual episodes were cut to about 20 minutes. Luckily these cuts were made by the production company and generally do not take away from the actual program enjoyment. This reduced length comes from a combination for factors including removing dated introductory material from the beginning of the early episodes, making time for local stations to include hourly 5 minute newscasts and to insert commercials locally. In conclusion, this series consisted of new radio adaptations of famous, and not so famous stories by some of the best authors in the United States and England. It is the inclusion of some of those little known masterpieces by many familiar authors that gives the series a variety element usually missing in this type of anthology series. Its long syndication run, well into the 70s, proves once again classic stories presented by talented actors never really goes out of style --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
British anthology series, features plays based on the best of literature, films and English theater. Produced in two series, Sir Lawrence Olivier and Sir Ralph Richardson serve as hosts, narrators and many times portray the leading roles. The program apparently was developed as a vehicle to capitalize on Olivier's name and talent. His career spanned over 50 years and continues into the 21st century, as in 2004, 15 years after his death, he was starring as Dr. Totenkopf in a Hollywood fantasy film titled, Sky Captain and The World of Tomorrow. This was accomplished by the producers who selected footage of Lord Olivier from various films and used to create a villainous leader of killer robots in the film. Jude Law, who stars in the film, said film-makers used Olivier because few other actors possessed his authority. Sir Ralph Richardson from 1954 – 1955 played the character of Dr. John Watson in another Harry Alan Towers radio series of Sherlock Holmes stories, which starred Sir John Gielgud as the famous consulting detective. Many fine actors of the British stage and screen were involved in individual episodes of the Theatre Royal series, such as Sir John Gielgud, Robert Morley, Harry Andrews, Muriel Forbes, Robert Donat, and Daphne Maddox. The music was credited to the renown British organist and arranger, Sidney Torch. However much of the same music was also used in other Harry Alan Towers productions on which Torch also worked, such as The Secrets of Scotland Yard, The Black Museum, and The Many Lives of Harry Lime. So how much of it was actually written for this series will probably never be known. Harry Alan Towers produced and directed the show for his Towers of London company for international syndication, at the time in Europe, South Africa and Australia. The episodes included in this distribution are from the initial US run on NBC. However selected episodes were repeated, with a different series opening and close on the ABC Mystery Time series during the late 1950s. The show Theatre Royal remained in active syndication in the United States well up into the 1970s. Many of the copies in circulation today, come from those 1970s repeats where the individual episodes were cut to about 20 minutes. Luckily these cuts were made by the production company and generally do not take away from the actual program enjoyment. This reduced length comes from a combination for factors including removing dated introductory material from the beginning of the early episodes, making time for local stations to include hourly 5 minute newscasts and to insert commercials locally. In conclusion, this series consisted of new radio adaptations of famous, and not so famous stories by some of the best authors in the United States and England. It is the inclusion of some of those little known masterpieces by many familiar authors that gives the series a variety element usually missing in this type of anthology series. Its long syndication run, well into the 70s, proves once again classic stories presented by talented actors never really goes out of style --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Named after the then famous telephone number of Scotland Yard -- the headquarters of the London Metropolitan Police Force, Whitehall 1212 was a weekly crime drama radio show. It ran from November 18, 1951 until September 28, 1952. The stories were true and stated to be "the plain unvarnished facts, just as they occurred". The show, in their own words, presented some of the "most baffling cases" as hosted by the fictitious Scotland Yard Chief Superintendent John Davison. Davison was said to be the curator of the Yard's "Black Museum" a name given it in 1877. Artifacts described in the show were the basis for the story about the crime. Whitehall 1212 was actually produced in the United States at NBC. The stories were well researched by Percy Hoskins, Chief Crime Reporter of the London Daily Express, and by the Writer-Director, Wyllis Cooper. Also, the show had the official support of the Yard. The cast were all British, which gives the show an authentic air and appeal. The stories are told from the view of the police who did the hard work in solving the case, and thus it down plays some of the more sensational aspects. In comparison, at the same time, Orson Welles was on a show titled The Black Museum. It was a production of British commercial radio producer Harry Alan Towers and told the story in a more dramatic fashion. The two shows closely paralleled each other, and ran during the same timeframe. The Black Museum was run in the United States on the Mutual Network from January 1 to December 30, 1952. Wyllis Cooper was noteworthy for his work on Quiet Please, and Lights Out. However, working from purely factual basis for the stories limited his artistic expression. Still, the stories were well presented and compelling. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Visit our store for more shows Audioshows.e-junkie.com The Black Museum is another collaboration between Welles and producer Harry Alan Towers. The radio series treated audiences to crime thrillers based on actual Scotland yard cases. Its life spanned exactly the year 1952, with a few weeks off at the beginning of June. Welles played his usual role of host and narrator, and also steered the series in terms of its major direction and aesthetics. Though Welles and Towers drew inspiration from Scotland Yard (the Black Museum was Scotland Yard's crime museum), and while Towers produced another series The Secrets of Scotland Yard on that entity's crime-fighting exploits, the aim with The Black Museum was not historical accuracy. Welles was out to provoke and to amaze with gruesome details. The format of the show was his host character strolling through the museum, whereupon, as radiohorrorhosts.com tells us, he would “casually pick up or point out various murder weapons and examine them, all the while droning on about the related crime as if it were a medical procedure.”
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Based on real-life cases from the files of Scotland Yard's Black Museum, the Black Museum is a radio crime-drama program produced by Harry Alan Towers in London. Ira Marion was the scriptwriter, and music for the series was composed and conducted by Sidney Torch. Orson Welles was both host and narrator for stories of horror and mystery, based on Scotland Yard's collection of murder weapons and various ordinary objects once associated with historical true crime cases. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. PLEASE NOTE GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
Visit our store for more shows Audioshows.e-junkie.com The Black Museum is another collaboration between Welles and producer Harry Alan Towers. The radio series treated audiences to crime thrillers based on actual Scotland yard cases. Its life spanned exactly the year 1952, with a few weeks off at the beginning of June. Welles played his usual role of host and narrator, and also steered the series in terms of its major direction and aesthetics. Though Welles and Towers drew inspiration from Scotland Yard (the Black Museum was Scotland Yard's crime museum), and while Towers produced another series The Secrets of Scotland Yard on that entity's crime-fighting exploits, the aim with The Black Museum was not historical accuracy. Welles was out to provoke and to amaze with gruesome details. The format of the show was his host character strolling through the museum, whereupon, as radiohorrorhosts.com tells us, he would “casually pick up or point out various murder weapons and examine them, all the while droning on about the related crime as if it were a medical procedure.”
On this special bonus episode of the Franco Observer Podcast , Jason reviews and talks about the film Emmanuelle and the Deadly Black Cobra. Although a Joe D'amto film from 1976, this was originally conceived and planned in 1970 by Jess Franco, produced by Harry Alan Towers. Hear what I think about the Franco aspects of this film and what could of been the casting if Franco made it in 1970 as planned. I am releasing this special episode one day before Jess Franco's birthdate.Support this podcast at — https://redcircle.com/the-franco-observer/donations
Episode 76 (Franco-files part 4) Bringing things full circle Alec and Derek watch Jess Franco’s 1969 Eugénie...the story of her journey into perversion, not to be confused with Franco’s subsequent Eugénies including our first in this series. This film comes at the peak of his relationship with producer Harry Alan Towers and the polish that’s their collaborations achieved. With the staggeringly glamorous location and loungedelic Bruno Nicolai score, the scene is set for one Jess’s first great Sadian adaptations. This time talking inspiration from De Sade’s Philosophy in the Boudoir, wealthy siblings (Franco regulars Maria Rohm and Jack Taylor) initiate curious ingenue Eugénie (Marie Liljedahl) into a cult of De Sade worshiping glitterati, lead by the sinister Dolmance (played with utmost gravitas by Christopher Lee) What begins as a trip to an island of decadence becomes a fantasy for the privileged and perverse.Support PsychotroniCast by subscribing to our Patreon!www.patreon.com/psychotronicast
Episode 73 (Franco-Files part 1) We begin our look at the films of the incredibly prolific Jesús “Jess” Franco with his 1970 film Eugénie (aka Eugénie de Sade). Taking advantage of the loosening of film censorship at the end of the 60s and coinciding with the termination of his working relationship with producer Harry Alan Towers, which had provided Franco with the biggest budgets and star studded casts of his career, Franco boldly made use of his new freedoms by adapting a segment of the Marquis de Sade’s Crimes of Love, turning sharply away from the mainstream in developing his idiosyncratic style that would be as notable for hypnotic rhythms as much as the abundance of female nudity and subversive sexuality. Starring his spellbinding muse Soledad Miranda and featuring Franco regulars Paul Muller and Alice Arno, Eugénie is a fascinating example of cinematic libertinism, featuring incest, murder and thigh high boots.Help support that pod by going to: https://www.patreon.com/psychotronicast
Mr Jim Moon continues his journey through the long career of Sir Christopher Lee, exploring is most productive period the 1970s, where he made numerous films for Hammer, Amicus, and AIP, and worked with film-makers such as Terence Fisher, Freddie Francis, Jess Franco and Harry Alan Towers. We sample the psycho-chiller Scream of Fear (1961), investigate the case of Sherlock Holmes and the Deadly Necklace (1962), go marauding with the Devil Ship Pirates (1964), dodge The Gorgon (1964), gaze into the Face of Fu Manchu (1965), visit Dr Terror's House of Horrors (1965), meet Rasputin the Mad Monk (1966), and find out what's inside the The Oblong Box (1969). And of course we run into Count Dracula many many times...
The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:January 18, 1952 - The Double Double Cross - Lang-Worth syndication. A Love Affair. Commercials added locally. In a remote Saudi Arabian town, Harry finds a murder and a double-cross in oil. Harry has the oil concession rights and two foreign agents set to buy. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:00.
The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows. Following the opening, Mr. Welles would introduce the museum's item of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater on the Air, 'remaining obediently yours'.THIS EPISODE:1952. Syndicated, WRVR-FM, New York aircheck. "The Claw Hammer". Sustaining. An old lady's handyman demands fifty pounds and kills her when he doesn't get it. The date is approximate. Syndicated rebroadcast date: January 8, 1975. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 32:34.
The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special. THIS EPISODE: September 28, 1951. Program #9. Lang-Worth syndication. "Work Of Art". Commercials added locally. In Buenos Aires in July, 1944, Harry is hired to swindle an original Rubens from its beautiful owner. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 27:13.
The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. A number of famous people have visited the musuem including Sir Arthur Conan Doyle, Harry Houdini, Stan Laurel and Oliver Hardy. Orsen Welles hosted and narrated the shows. Following the opening, Mr. Welles would introduce the museum's item of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater on the Air, 'remaining obediently yours'. THIS EPISODE: Harry Alan Towers syndication. "Glass Shards". Sponsored by: Commercials added localy. A man and his son find an intruder in their apartment. The older man is shot by a small man. Orson Welles, Ira Marion (writer), Sidney Torch (composer, conductor), Harry Alan Towers (producer). 29:46.
The Black Musuem - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. THIS EPISODE:1952. Syndicated, WCRB, Boston aircheck. "The Service Card". A murderer is trapped by the odometer reading on his victim's car. The date is approximate. This series was heard on the Mutual net during 1952, but was probably produced in England and broadcast earlier on British radio. The series was syndicated by Harry Alan Towers after the network run for many years. Orson Welles (narrator), Harry Alan Towers (producer), Ira Marion (writer), Sidney Torch (composer, conductor). 1/2 hour.
The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.THIS EPISODE:October 19, 1951. Program #12. Lang-Worth syndication. "Blue Bride". Commercials added locally. Harry's involved in a counterfeiting scheme in Bordeaux. Orson Welles, Anton Karas (zither), Harry Alan Towers (producer), Tig Roe (director). 26:34.
The Black Museum - Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series. The museum is not open to members of the public but is now used as a lecture theatre for the curator to lecture police and like bodies in subjects such as Forensic Science, Pathology, Law and Investigative Techniques. THIS EPISODE: 1952. Syndicated, AFRTS rebroadcast. "The Telegram". A chauffeur with a taste for murder and a poor ability to spell is tripped up by a telegram and a long string of co-incidences. The date is approximate. Orson Welles (narrator), Harry Alan Towers (producer), Ira Marion (writer), Sidney Torch (composer, conductor). 24:10.
Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name Black Museum was coined in 1877 by a reporter from The Observer, a London newspaper, although the museum is still referred to as the Crime Museum. The idea of a crime museum was conceived by Inspector Neame who had already collected together a number of items, with the intention of giving police officers practical instruction on how to detect and prevent burglary. It is this museum that inspired the Black Musuem radio series.THIS EPISODE *Exact Air Date Unknown - Rebroadcast 9/18/741952 - Syndicated, WRVR-FM, New York aircheck. "The Door Key". Sponsored by: Hemlock Farms. A key is found beside a dead body. The actual date is unknown. Syndicated rebroadcast date: September 18, 1974. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 28:18
The Black Museum 1952. Syndicated. "The Centre-Fire Bullet". Music fill for local commercial insert. Three "youngish" men hold up a jewelry store, and commit a murder while doing it. The date is approximate. Syndicated rebroadcast date: February 18, 1975. Harry Alan Towers (producer), Orson Welles (narrator), Ira Marion (writer), Sidney Torch (composer, conductor). 28:49 Go To GoDaddy & SAVE!!
Many fine actors of the British stage and screen were involved, such as Robert Morley, Harry Andrews, Muriel Forbes and Daphne Maddox. Music was by the renown British organist and arranger, Sidney Torch, and featured in some shows the Campbell Singers. Harry Alan Towers produced and directed. The show was a Towers of London syndicated show, and was broadcast in America in various markets through the years, including WRVR-FM, Riverside Radio, in New York City. A fine addition to the dramatic radio library, done in the grand manner of English dramatic excellence